Never before have Americans been so anxious about the future of their society. But rarely has anyone offered a clear statement about why, in a nation so prosperous, free, and stable, we tend to assume that the country is in dire straits and that the government can do little to help. This book is just such a statement, an eloquent assessment of where America stands, how our society has changed in the past half-century, and who or what is responsible for our current frustrations.

Derek Bok examines the nation's progress in five areas that Americans generally consider to be of paramount importance: economic prosperity, quality of life, opportunity, personal security, and societal values. He shows that although we are better off today in most areas than we were in 1960, we have performed poorly overall compared with other leading industrial nations. And when it comes to providing adequate health care at a reasonable cost, educating our young people for high-skilled jobs, alleviating poverty and urban blight, and reducing crime, our record has been dismal. Comparing the United States with other leading industrial nations on more than sixty key indicators, Bok shows that we rank below average in more than two-thirds of the cases and at the bottom in more than half.

What has caused this decline, and what can be done about it? In virtually all important areas of American life, Bok concludes, government policies have played a significant, often decisive role in accounting for our successes as well as our failures. But whereas others call for downsizing the federal government, Bok argues that government is essential to achieving America's goals. In short, Ronald Reagan was only half right. Government is the problem. But it is also the most important part of the solution. By assessing the state of the nation and identifying the reasons for its current condition, this book helps set the agenda for improving America's performance in the future.

In the past thirty years, Americans have lost faith in their government and the politicians who lead it. They have blamed Washington for a long list of problems, ranging from poor schools to costly medical care to high rates of violent crime. After investigating these complaints and determining that many are justified, Derek Bok seeks to determine the main reasons for the failings and frustrations associated with government.

Discounting three common explanations--deteriorating leadership, the effect of the media on the political process, and the influence of interest groups--Bok identifies four weaknesses that particularly need explaining: a persistent tendency by Congress to design programs poorly; to impose expensive and often quixotic regulations that produce only modest results; to do less than other leading democracies to protect working people from illness, unemployment, and other basic hazards of life; and to leave large numbers of people, especially children, living in poverty.

Bok goes on to explore the reasons for these fundamental weaknesses and to discuss popular remedies such as term limits, devolution, "reinventing" government, and campaign finance reform. While some of these proposals have merit, Bok finds a deeper, more troubling paradox: Americans want to gain more power over their government, but are devoting less time to exerting a constructive influence. Their dissatisfaction with government is growing as their participation in the political process is declining. These contradictory trends, Bok argues, contribute to the problems of our democracy. Fortunately, there are many concrete steps that Americans can take to be politically engaged and to help their government improve its performance.

"Democracy," Bok concludes, "is a collective venture which falters or flourishes depending on the efforts citizens invest in its behalf."

As the first intellectual history of Song, Yuan, and Ming China written from a local perspective, Localizing Learning shows how literati learning in Wuzhou came to encompass examination studies, Neo-Confucian moral philosophy, historical and Classical scholarship, encyclopedic learnedness, and literary writing, and traces how debates over the relative value of moral cultivation, cultural accomplishment, and political service unfolded locally.

The book is set in one locality, Wuzhou (later Jinhua), a prefecture in China’s Zhejiang province, from the twelfth through the sixteenth century. Its main actors are literati of the Song, Yuan, and Ming, who created a local tradition of learning as a means of cementing their common identity and their claim to moral, political, and cultural leadership. Close readings of philosophical and literary texts with quantitative analysis of social and kinship networks consider why and how the local literati enterprise was built.

By treating learning as the subject, it broadens our perspective, going beyond a history of ideas to investigate the social practices and networks of kinship and collegiality with which literati defined themselves in local, regional, and national contexts.

Where does Neo-Confucianism—a movement that from the twelfth to the seventeenth centuries profoundly influenced the way people understood the world and responded to it—fit into our story of China’s history?

This interpretive, at times polemical, inquiry into the Neo-Confucian engagement with the literati as the social and political elite, local society, and the imperial state during the Song, Yuan, and Ming dynasties is also a reflection on the role of the middle period in China’s history. The book argues that as Neo-Confucians put their philosophy of learning into practice in local society, they justified a new social ideal in which society at the local level was led by the literati with state recognition and support. The later imperial order, in which the state accepted local elite leadership as necessary to its own existence, survived even after Neo-Confucianism lost its hold on the center of intellectual culture in the seventeenth century but continued as the foundation of local education. It is the contention of this book that Neo-Confucianism made that order possible.

Intellectuals since the Industrial Revolution have been obsessed with whether, when, and why capitalism will collapse. This riveting account of two centuries of failed forecasts of doom reveals the key to capitalism’s durability.

Prophecies about the end of capitalism are as old as capitalism itself. None have come true. Yet, whether out of hope or fear, we keep looking for harbingers of doom. In Foretelling the End of Capitalism, Francesco Boldizzoni gets to the root of the human need to imagine a different and better world and offers a compelling solution to the puzzle of why capitalism has been able to survive so many shocks and setbacks.

Capitalism entered the twenty-first century triumphant, its communist rival consigned to the past. But the Great Recession and worsening inequality have undermined faith in its stability and revived questions about its long-term prospects. Is capitalism on its way out? If so, what might replace it? And if it does endure, how will it cope with future social and environmental crises and the inevitable costs of creative destruction? Boldizzoni shows that these and other questions have stood at the heart of much analysis and speculation from the early socialists and Karl Marx to the Occupy Movement. Capitalism has survived predictions of its demise not, as many think, because of its economic efficiency or any intrinsic virtues of markets but because it is ingrained in the hierarchical and individualistic structure of modern Western societies.

Foretelling the End of Capitalism takes us on a fascinating journey through two centuries of unfulfilled prophecies. An intellectual tour de force and a plea for political action, it will change our understanding of the economic system that determines the fabric of our lives.

These papers, each by a notable Australian scholar, offer several approaches to the Australian experience, past, present, and future. The authors hail from different disciplines, but what they have in common is their familiarity with the United States and their experience in interpreting their homeland to an American audience. As they discuss poetry and politics, nationalism and feminism, Aboriginal society and urbanization, they also explore a common theme: the emergence of a distinctive Australian entity, and the contribution to it of the United States.

The Art of Reading is the first—long overdue—collection of essays by the French classical philologist and humanist Jean Bollack to be published in English. As the scope of the collection demonstrates, Bollack felt at home thinking in depth about two things that seem starkly different to most other thinkers. We see on the one hand the classics of Greek poetry and philosophy, including the relatively obscure but in his hands illuminating re-readings of Greek philosophy by the doxographers. Then, on the other hand, there is modern, including contemporary, poetry. The author of monumental commentaries on the Oedipus Tyrannos of Sophocles and on the fragments of Empedocles, Bollack cultivated in himself and in a generation of students (academics and others) a way to read both sets of texts closely that is as uncompromising and demanding of the interpreter as it is of the reader of the interpretation. The results, which this wide-ranging but compact collection brings to mind, are designed to get beyond flat and clichéd approaches to familiar works and to awaken the reader anew to the aesthetics, the complexity, and the intelligence that careful reconstruction of the text can bring to light.

Few Americans, black or white, recognize the degree to which early African American history is a maritime history. W. Jeffrey Bolster shatters the myth that black seafaring in the age of sail was limited to the Middle Passage. Seafaring was one of the most significant occupations among both enslaved and free black men between 1740 and 1865. Tens of thousands of black seamen sailed on lofty clippers and modest coasters. They sailed in whalers, warships, and privateers. Some were slaves, forced to work at sea, but by 1800 most were free men, seeking liberty and economic opportunity aboard ship.Bolster brings an intimate understanding of the sea to this extraordinary chapter in the formation of black America. Because of their unusual mobility, sailors were the eyes and ears to worlds beyond the limited horizon of black communities ashore. Sometimes helping to smuggle slaves to freedom, they were more often a unique conduit for news and information of concern to blacks.But for all its opportunities, life at sea was difficult. Blacks actively contributed to the Atlantic maritime culture shared by all seamen, but were often outsiders within it. Capturing that tension, Black Jacks examines not only how common experiences drew black and white sailors together—even as deeply internalized prejudices drove them apart—but also how the meaning of race aboard ship changed with time. Bolster traces the story to the end of the Civil War, when emancipated blacks began to be systematically excluded from maritime work. Rescuing African American seamen from obscurity, this stirring account reveals the critical role sailors played in helping forge new identities for black people in America.An epic tale of the rise and fall of black seafaring, Black Jacks is African Americans’ freedom story presented from a fresh perspective.

Since the Viking ascendancy in the Middle Ages, the Atlantic has shaped the lives of people who depend upon it for survival. And just as surely, people have shaped the Atlantic. In his innovative account of this interdependency, W. Jeffrey Bolster, a historian and professional seafarer, takes us through a millennium-long environmental history of our impact on one of the largest ecosystems in the world.

While overfishing is often thought of as a contemporary problem, Bolster reveals that humans were transforming the sea long before factory trawlers turned fishing from a handliner's art into an industrial enterprise. The western Atlantic's legendary fishing banks, stretching from Cape Cod to Newfoundland, have attracted fishermen for more than five hundred years. Bolster follows the effects of this siren's song from its medieval European origins to the advent of industrialized fishing in American waters at the beginning of the twentieth century.

Blending marine biology, ecological insight, and a remarkable cast of characters, from notable explorers to scientists to an army of unknown fishermen, Bolster tells a story that is both ecological and human: the prelude to an environmental disaster. Over generations, harvesters created a quiet catastrophe as the sea could no longer renew itself. Bolster writes in the hope that the intimate relationship humans have long had with the ocean, and the species that live within it, can be restored for future generations.

From subarctic tundra to equatorial rainforest, deep in the soil and at the tip of the highest tree, ants are found the world over. This book, by the world’s leading ant taxonomist, offers a definitive guide for identifying these ubiquitous insects.

Barry Bolton provides identification keys to all the living ant subfamilies and genera, presented in alphabetical order and separated by zoogeographical region. Designed for professional and amateur myrmecologists alike, this guide is as accessible as it is comprehensive, including information on the function and use of identification keys, instructions for preparing specimens for examination, and an illustrated glossary of morphological terms. Over 500 scanning electron microscope photographs illustrate the taxonomic keys.

Bolton introduces each subfamily with a diagnosis of the group, followed by synoptic classifications of all genera within each subfamily, notes on broad distribution, and a list of references to all species-rank publications useful to identification. He also provides a short summary of the extinct subfamilies and includes a checklist of every name ever proposed in the classification of ants, from the rank of family down to subgenus, showing the current status and usage of each.

An updated and exhaustively expanded revision of the taxonomic keys found in Hölldobler and Wilson’s The Ants, Bolton’s identification guide takes its place alongside that landmark work as the foundation for the study of ants for many years to come.

“A name is forever, or at least as long as taxonomy continues,” Barry Bolton writes, and here are all the names, antique and modern, of all the ants that are or ever were—from the arctic to the tropical, the fossilized to the living, the mislabeled to the newly christened members of the family Formicidae. For every name that has ever been applied to ants, the book supplies a history and an account of current usage, together with a fully documented indication of the present-day classification. Its comprehensive bibliography provides references to original description, synonymy, homonymy, changes in rank, status, and availability, and alterations in generic status.

Organized by family group, genus group, and species group, this meticulously detailed but easily used volume is the ultimate resource for myrmecology. Along with Bolton’s Identification Guide to the Ant Genera of the World, it will be the essential reference for anyone, expert or amateur, with an interest in ants.

Since the 1950s, Abe Kōbō (1924–1993) has achieved an international reputation for his surreal or grotesque brand of avant-garde literature. From his early forays into science fiction to his more mature psychological novels and films, and finally the complicated experimental works produced near the end of his career, Abe weaves together a range of “voices”: the styles of science and the language of literary forms.

In Abe’s oeuvre, this stylistic interplay links questions of language and subjectivity with issues of national identity and technological development in a way that ultimately aspires to become the catalyst for an artistic revolution. While recognizing the disruptions such a revolution might entail, Abe’s texts embrace these disjunctions as a way of realizing radical new possibilities beyond everyday experience and everyday values.

By arguing that the crisis of identity and postwar anomie in Abe’s works is inseparable from the need to ­marshal these different scientific and literary voices, Christopher Bolton explores how this reconciliation of ideas and dialects is for Abe part of the process whereby texts and individuals form themselves—a search for identity that must take place at the level of the self and society at large.

Worlds of Dissent analyzes the myths of Central European resistance popularized by Western journalists and historians, and replaces them with a picture of the struggle against state repression as the dissidents themselves understood, debated, and lived it. In the late 1970s, when Czech intellectuals, writers, and artists drafted Charter 77 and called on their government to respect human rights, they hesitated to name themselves “dissidents.” Their personal and political experiences—diverse, uncertain, nameless—have been obscured by victory narratives that portray them as larger-than-life heroes who defeated Communism in Czechoslovakia.

Jonathan Bolton draws on diaries, letters, personal essays, and other first-person texts to analyze Czech dissent less as a political philosophy than as an everyday experience. Bolton considers not only Václav Havel but also a range of men and women writers who have received less attention in the West—including Ludvík Vaculík, whose 1980 diary The Czech Dream Book is a compelling portrait of dissident life.

Bolton recovers the stories that dissidents told about themselves, and brings their dilemmas and decisions to life for contemporary readers. Dissidents often debated, and even doubted, their own influence as they confronted incommensurable choices and the messiness of real life. Portraying dissent as a human, imperfect phenomenon, Bolton frees the dissidents from the suffocating confines of moral absolutes. Worlds of Dissent offers a rare opportunity to understand the texture of dissent in a closed society.

The Renaissance in the 19th Century examines the Italian Renaissance revival as a Pan-European critique: a commentary on and reshaping of a nineteenth-century present that is perceived as deeply problematic. The revival, located between historical nostalgia and critique of the contemporary world, swept the humanistic disciplines—history, literature, music, art, architecture, collecting.

The Italian Renaissance revival marked the oeuvre of a group of figures as diverse as J.-D. Ingres and E. M. Forster, Heinrich Geymüller and Adolf von Hildebrand, Jules Michelet and Jacob Burckhardt, H. H. Richardson and R. M. Rilke, Giosuè Carducci and De Sanctis. Though some perceived the Italian Renaissance as a Golden Age, a model for the present, others cast it as a negative example, contrasting the resurgence of the arts with the decadence of society and the loss of an ethical and political conscience. The triumphalist model had its detractors, and the reaction to the Renaissance was more complex than it may at first have appeared.

Through a series of essays by a group of international scholars, volume editors Lina Bolzoni and Alina Payne recover the multidimensionality of the reaction to, transformation of, and commentary on the connections between the Italian Renaissance and nineteenth-century modernity. The essays look from within (by Italians) and from without (by foreigners, expatriates, travelers, and scholars), comparing different visions and interpretations.

A Wired Most Fascinating Book of the Year

“An important book that reminds us that navigation remains one of our most underappreciated arts.”
—Tristan Gooley, author of The Lost Art of Reading Nature’s Signs

“If you want to understand what rats can teach us about better-planned cities, why walking into a different room can help you find your car keys, or how your brain’s grid, border, and speed cells combine to give us a sense of direction, this book has all the answers.”
—The Scotsman

How is it that some of us can walk unfamiliar streets without losing our way, while the rest of us struggle even with a GPS? Navigating in uncharted territory is a remarkable feat if you stop to think about it. In this beguiling mix of science and storytelling, Michael Bond explores how we do it: how our brains make the “cognitive maps” that keep us orientated and how that anchors our sense of wellbeing. Children are instinctive explorers, developing a spatial understanding as they roam. And yet today few of us make use of the wayfinding skills that we inherited from our nomadic ancestors.

Bond tells stories of the lost and found—sailors, orienteering champions, early aviators—and explores why being lost can be such a devastating experience. He considers how our understanding of the world around us affects our psychology and helps us see how our reliance on technology may be changing who we are.

“Bond concludes that, by setting aside our GPS devices, by redesigning parts of our cities and play areas, and sometimes just by letting ourselves get lost, we can indeed revivify our ability to find our way, to the benefit of our inner world no less than the outer one.”
—Science

“A thoughtful argument about how our ability to find our way is integral to our nature.”
—Sunday Times

Celebrating Harvard’s Houghton Library’s twenty-fifth anniversary, this large and sumptuous volume highlights the diversity and value of the Houghton’s collections. It contains reproductions ranging from ancient and medieval manuscripts to the earliest printed books to the works of some of the twentieth-century’s most important and interesting authors, artists, and designers. This work is intended not merely to celebrate the achievement of the past, but also to suggest the exciting vistas of the future.

Beethoven cast a looming shadow over the nineteenth century. For composers he was a model both to emulate and to overcome. "You have no idea how it feels," Brahms confided, "when one always hears such a giant marching behind one." Exploring the response of five composers--Berlioz, Mendelssohn, Schumann, Brahms, and Mahler--to what each clearly saw as the challenge of Beethoven's symphonies, Evan Bonds richly enhances our understanding of the evolution of the symphony and Beethoven's legacy.

Overt borrowings from Beethoven--for example, the lyrical theme in the Finale of Brahms' First Symphony, so like the "Ode to Joy" theme in Beethoven's Ninth--have often been the subject of criticism. Bonds now shows us how composers imitate or allude to a Beethoven theme or compositional strategy precisely in order to turn away from it, creating a new musical solution. Berlioz's Harold en Italie, Mendelssohn's Lobgesang, Schumann's Fourth Symphony, Brahms' First, and Mahler's Fourth serve as illuminating examples. Discussion focuses on such core issues as Beethoven's innovations in formal design, the role of text and voice, fusion of diverse genres, cyclical coherence of movements, and the function of the symphonic finale.

Bonds lucidly argues that the great symphonists of the nineteenth century cleared creative space for themselves by both confronting and deviating from the practices of their potentially overpowering precursor. His analysis places familiar masterpieces in a new light.

Although “form” is one of the most commonly used terms in music interpretation, it remains one of the most ambiguous. This penetrating study explores evolving ideas of musical form from a historical perspective and sheds new light on current conceptualizations of music.

Mark Evan Bonds examines the image—dominant among eighteenth-century composers and analysts—of music as a language, a kind of wordless discourse, which could move audiences. In the Baroque and Classical periods an instrumental composition was viewed as analogous to an oration, its form the intelligible elaboration of a central thematic idea. The predominant emphasis, therefore, was on the perspective of the listener. This rhetorical metaphor is shown giving way in the nineteenth century to the idea of a musical work as an organic entity, an image that emphasizes the autonomy of the work. The listener, in effect, becomes merely an interested third party.

In his account of these changing perspectives, Bonds draws on the writing of a broad range of eighteenth- and nineteenth-century theorists. His analyses focus on specific sonata form movements by Haydn, Mozart, and Beethoven and are informed by the theoretical premises that characterize the composers’ own times. In a final synthesis, the eighteenth-century rhetorical model—with its focus on the structural function of musical ideas and the role of the listener—emerges as a forerunner of today’s listener-oriented and plot theories about musical form.

In Wordless Rhetoric, Bonds makes fruitful use of literary theory to develop his innovative evaluation of musical form. This book will be invaluable to anyone who studies music or seeks to understand music analysis.

The Burakumin. Stigmatized throughout Japanese history as an outcaste group, their identity is still “risky,” their social presence mostly silent, and their experience marginalized in public discourse. They are contemporary Japan’s largest minority group—between 1.5 and 3 million people. How do young people today learn about being burakumin? How do they struggle with silence and search for an authentic voice for their complex experience?

Voice, Silence, and Self examines how the mechanisms of silence surrounding burakumin issues are reproduced and challenged in Japanese society. It explores the ways in which schools and social relationships shape people’s identity as burakumin within a “protective cocoon” where risk is minimized. Based on extensive ethnographic research and interviews, this longitudinal work explores the experience of burakumin youth from two different communities and with different social movement organizations.

Christopher Bondy explores how individuals navigate their social world, demonstrating the ways in which people make conscious decisions about the disclosure of a stigmatized identity. This compelling study is relevant to scholars and students of Japan studies and beyond. It provides crucial examples for all those interested in issues of identity, social movements, stigma, and education in a comparative setting.

Anna Bonifazi suggests that the Homeric text we have now would have enabled ancient audiences to enjoy the evocative power of even minimal linguistic elements. The multiple functions served by these elements are associated not only with the variety of narrative contexts in which they occur but also with overarching poetic strategies.

The findings relate to two strategies in particular: unfolding the narrative by signaling the upcoming content with αύ- adverbs and particles, and letting the complexity of Odysseus’s identity resonate through the ambiguous use of third-person pronouns. The words’ evocative power springs from the deliberate merging of distinct meanings, which prompts multifaceted interpretations. The text allows the incorporation of different viewpoints, just as an iridescent fabric allows the simultaneous perception of different colors.

The study of ancient Greek particles has been an integral part of the study of the Greek language from its earliest beginnings. Among the first parts of speech to be distinguished in Greek scholarship were the σύνδεσμοι (“combiners”), which include the later category of particles. In the Renaissance, Matthaeus Devarius—a Greek scholar working in Rome—published a monograph on particles only sixteen years after Estienne’s Thesaurus Linguae Graecae, and in the nineteenth century many great German philologists devoted considerable attention to particles and their forms, functions, and meanings. In the second half of the twentieth century Greek particles have returned to scholarly attention, partly as a result of the developments in contemporary linguistics.

The Emmy-Noether project “The Pragmatic Functions and Meanings of Ancient Greek Particles,” carried out in the Classics Department of the University of Heidelberg from 2010 to 2014, set out to trace more than two millennia of research on Greek particles, and to take stock of current work on particles, both within and beyond ancient Greek. Building on the foundations of this scholarship, Particles in Ancient Greek Discourse undertakes an analysis of particle use across five genres of ancient Greek discourse: epic, lyric, tragedy, comedy, and historiography.

How must our knowledge be systematically organized in order to justify our beliefs? There are two options—the solid securing of the ancient foundationalist pyramid or the risky adventure of the new coherentist raft. For the foundationalist like Descartes each piece of knowledge can be stacked to build a pyramid. Not so, argues Laurence BonJour. What looks like a pyramid is in fact a dead end, a blind alley. Better by far to choose the raft.

Here BonJour sets out the most extensive antifoundationalist argument yet developed. The first part of the book offers a systematic exposition of foundationalist views and formulates a general argument to show that no variety of foundationalism provides an acceptable account of empirical justification. In the second part he explores a coherence theory of empirical knowledge and argues that a defensible theory must incorporate an adequate conception of observation. The book concludes with an account of the correspondence theory of empirical truth and an argument that systems of empirical belief which satisfy the coherentist standard of justification are also likely to be true.

In this first full-fledged intellectual biography of the brilliant and multifaceted Chinese scholar Wang Kuo-wei (1877–1927), Joey Bonner throws important new light on the range and course of ideas in early twentieth-century China. Coincidentally, she illuminates the nature of Wang’s intimate, thirty-year personal and professional association with the well-known Chinese scholar Lo Chen-yü (1866–1940) and provides a most comprehensive and compelling account of her biographee’s posthumously controversial career in the years following the 1911 Revolution.

Pursuing her subject across the whole spectrum of his many scholarly interests, Bonner critically examines Wang’s essays on German philosophy and philosophical aesthetics; his poetry, literary criticism, and aesthetic theory; and his works on ancient Chinese history, particularly of the Shang dynasty. Insightfully relating his strenuous intellectual search in the fields of philosophy, literature, and history to his very personal quest for truth, beauty, and virtue, Bonner shows in this finely crafted book how Wang’s unhappiness in later life as well as his suicide can be understood only within the context of his humanistic concerns in general and his extreme commitment in the postimperial period to the Confucian ethicoreligious tradition in particular. Without compromising the clearheaded critical detachment that characterizes her analysis of the intricacies of his thought, Bonner has produced a portrait of Wang Kuo-wei suffused with warmth and sympathetic respect.

Beginning with the discovery of genes on chromosomes and culminating with the unmasking of the most minute genetic mysteries, the twentieth century saw astounding and unprecedented progress in the science of biology. In an illustrious career that spanned most of the century, biologist John Bonner witnessed many of these advances firsthand. Part autobiography, part history of the extraordinary transformation of biology in his time, Bonner’s book is truly a life in science, the story of what it is to be a biologist observing the unfolding of the intricacies of life itself.

Bonner’s scientific interests are nearly as varied as the concerns of biology, ranging from animal culture to evolution, from life cycles to the development of slime molds. And the extraordinary cast of characters he introduces is equally diverse, among them Julian Huxley, J. B. S. Haldane, Leon Trotsky, and Evelyn Waugh. Writing with a charm and freshness that bring the most subtle nuances of science to life, he pursues these interests through the hundred years that gave us the discovery of embryonic induction; the interpretation of evolution in terms of changes in gene frequency in a population; growth in understanding of the biochemistry of the cell; the beginning of molecular genetics; remarkable insights into animal behavior; the emergence of sociobiology; and the simplification of ecological and evolutionary principles by means of mathematical models. In this panoramic view, we see both the sweep of world events and scientific progress and the animating details, the personal observations and experiences, of a career conducted in their midst.

In Bonner’s view, biology is essentially the study of life cycles. His book, marking the cycles of a life in biology, is a fitting reflection of this study, with its infinite, and infinitesimal, permutations.

On Development is, as John Tyler Bonner says, “a book on ideas,” the ideas at stake in the contest to unravel the mechanisms of life. This fluent discussion of developmental biology synthesizes decades of intensive progress in specialized areas of the science: from the dramatic deciphering of the genetic code to detailed analyses of animal behavior patterns. Placing these discoveries in an evolutionary context, Bonner explores the continuities and the transitoriness of individual lives and individual forms.

He begins by discussing the ubiquity among organisms of developmental cycles and their universal properties, including senescence and death. He argues that the life cycle itself is an object of natural selection and shows how, in any species, it reflects the evolutionary tradeoff between energy requirements of the individual and reproductive efficiency of the species. Although nucleic acids are thought to be the ultimate and fundamental source of genetic regulation, Bonner points out that a massive amount of information required for normal development is not directly controlled by nuclear DNA during the life cycle. Each life cycle is governed by some immediate instructions from the genes and by many gene-initiated instructions that were given in previous life cycles and have accumulated in various parts of the fertilized egg. All of these instructions taken together govern the development of a new organism.

Acknowledging the great value of reductionist theories in biology, Bonner constructs his synthetic view of development without resorting to vitalist concepts or to hand-waving explanations. He draws examples and evidence from more than half a century of biological research, from sources as diverse as Spemann and Spiegelman. Certain organisms, such as the cellular slime molds, upon which Bonner himself has conducted a number of original experiments, and the social insects provide crucial examples of dramatic evolutionary increments in biological complexity and offer insight into the control mechanisms that make such advances possible.

In this engagingly written book Thomas Bonner unveils the dramatic story of women’s long struggle to become physicians. Focusing both on international comparisons and on the personal histories of many of the pioneers, their determination and dedication, their setbacks and successes, he shows how European and American women gradually broke through the wall of resistance to women in medicine. In pre–Civil War America, in Tsarist Russia, in Victorian England, special schools of medicine for women were widely established as early as 1850 as a kind of way-station on the road to medical coeducation. Only in Switzerland and France, at first, could women study medicine in classes with men. As a result, hundreds and then thousands of women from Russia, Eastern Europe, England, and the United States enrolled in Swiss or Parisian universities to gain the first-class education that was denied them at home. Coming almost literally from “the ends of the earth,” they formed the largest migration of professional women in history.

Landmark archaeological excavations that radically revise the early history of Africa.

For the past fifty years, Charles Bonnet has been excavating sites in present-day Sudan and Egypt that point to the existence of a sophisticated ancient black African civilization thriving alongside the Egyptians. In The Black Kingdom of the Nile, he gathers the results of these excavations to reveal the distinctively indigenous culture of the black Nubian city of Kerma, the capital of the Kingdom of Kush. This powerful and complex political state organized trade to the Mediterranean basin and built up a military strong enough to resist Egyptian forces.

Further explorations at Dukki Gel, north of Kerma, reveal a major Nubian fortified city of the mid-second millennium BCE featuring complex round and oval structures. Bonnet also found evidence of the revival of another powerful black Nubian society, seven centuries after Egypt conquered Kush around 1500 BCE, when he unearthed seven life-size granite statues of Black Pharaohs (ca. 744–656 BCE). Bonnet’s discoveries have shaken our understanding of the origins and sophistication of early civilization in the heart of black Africa.

Until Bonnet began his work, no one knew the extent and power of the Nubian state or the existence of the Black Pharaohs who presided successfully over their lands. The political, military, and commercial achievements revealed in these Nubian sites challenge our long-held belief that the Egyptians were far more advanced than their southern neighbors and that black kingdoms were effectively vassal states. Charles Bonnet’s discovery of this lost black kingdom forces us to rewrite the early history of the African continent.

With the end of the Cold War, will the space race become a cooperative venture? This book, which tells the story of the European Space Agency, shows how such a cooperative enterprise has worked over the past three decades and how it might apply to future space science.

Linking fifteen European nations, the European Space Agency offers a working model of scientific, technological, and political cooperation on an international scale. Roger M. Bonnet and Vittorio Manno give us an insiders’ view of the agency—its beginnings as the European Space Research Organization, its development in the face of early difficulties, and its daily operations. Covering thirty years, this account traces the evolution of ESA’s programs, facilities, and capabilities and the establishment of its scientific, technological, industrial, and political policies and objectives. With an eye to future global space activities, the authors detail ESA’s relationships with its own member states and with other countries, particularly the United States. The history of cooperation between ESA and NASA as exemplified by two specific projects—Ulysses and the international space station—highlights the difficulties of associating different decision-making bodies and political systems.

Illustrated with pictures and diagrams, enlivened with anecdotes involving key world players in space science, this book provides a rich blend of factual information and personal recollection, history and interpretation. A timely contribution to the study of the politics of science and technology, it points the way to future international cooperation.

George Boolos was one of the most prominent and influential logician-philosophers of recent times. This collection, nearly all chosen by Boolos himself shortly before his death, includes thirty papers on set theory, second-order logic, and plural quantifiers; on Frege, Dedekind, Cantor, and Russell; and on miscellaneous topics in logic and proof theory, including three papers on various aspects of the Gödel theorems. Boolos is universally recognized as the leader in the renewed interest in studies of Frege's work on logic and the philosophy of mathematics. John Burgess has provided introductions to each of the three parts of the volume, and also an afterword on Boolos's technical work in provability logic, which is beyond the scope of this volume.

This volume includes “Fabricating Celts: How Iron Age Iberians Became Indo-Europeanized during the Franco Regime,” by Aarón Alzola Romero and Eduardo Sánchez-Moreno; “Nations in Tune: The Influence of Irish Music on the Breton Musical Revival in the 1960s and 1970s,” by Yann Bévant; “Ethnicity, Geography, and the Passage of Dominion in the Mabinogi and Brut y Brenhinedd,” by Christina Chance; “Rejecting Mother’s Blessing: The Absence of the Fairy in the Welsh Search for Identity,” by Adam Coward; “Gwalarn: An Attempt to Renew Breton Literature,” by Gwendal Denez and Erwan Hupel; “At the Crossroads: World War One and the Shifting Roles of Men and Women in Breton Ballad Song Practice,” by Natalie Anne Franz; “Apocryphal Sanctity in the Lives of Irish Saints,” by Máire Johnson; “An Dialog etre Arzur Roe d’an Bretounet ha Guynglaff and Its Connections with Arthurian Tradition,” by Herve Le Bihan; “A Walk on the Wild Side: Women, Men, and Madness,” by Edyta Lehmann; “The Early Establishment of Celtic Studies in North American Universities,” by Michael Linkletter; “‘In t-indellchró bodba fer talman’: A Reading of Cú Chulainn’s First Recension ríastrad,” by Elizabeth Moore; “Dream and Vision in Late-Medieval Scotland: The Epic Case of William Wallace,” by Kylie Murray; “‘Some of you will curse her’: Women’s Writing during the Irish-Language Revival,” by Riona Nic Congáil; “Dating Peredur: New Light on Old Problems,” by Natalia I. Petrovskaia; “‘From the shame you have done’: Comparing the Stories of Blodeuedd and Bláthnait,” by Sarah L. Pfannenschmidt; and “‘And there was a fourth son’: Narrative Variation in Cyfranc Lludd a Llefelys,” by Kelly Ann Randell.

Proceedings of the Harvard Celtic Colloquium has in its purview all aspects of culture, language, and history of the Celtic peoples, from ancient to modern times.

This volume of PHCC contains articles on medieval Irish, Welsh, and Breton literature; post-1800 to modern poetry in Irish, Welsh, and Scottish Gaelic; the Irish Revival Movement; and modern Irish and Welsh linguistics. The volume also features the 2010 J. V. Kelleher Lecture by Dr. M. Katharine Simms on the social expression of the literary model of the barefoot king in late medieval Ireland.

This book is devoted to a deceptively simple but original argument: that copying is an essential part of being human, that the ability to copy is worthy of celebration, and that, without recognizing how integral copying is to being human, we cannot understand ourselves or the world we live in.

In spite of the laws, stigmas, and anxieties attached to it, the word “copying” permeates contemporary culture, shaping discourse on issues from hip hop to digitization to gender reassignment, and is particularly crucial in legal debates concerning intellectual property and copyright. Yet as a philosophical concept, copying remains poorly understood. Working comparatively across cultures and times, Marcus Boon undertakes an examination of what this word means—historically, culturally, philosophically—and why it fills us with fear and fascination. He argues that the dominant legal-political structures that define copying today obscure much broader processes of imitation that have constituted human communities for ages and continue to shape various subcultures today. Drawing on contemporary art, music and film, the history of aesthetics, critical theory, and Buddhist philosophy and practice, In Praise of Copying seeks to show how and why copying works, what the sources of its power are, and the political stakes of renegotiating the way we value copying in the age of globalization.

From the antiquity of Homer to yesterday's Naked Lunch, writers have found inspiration, and readers have lost themselves, in a world of the imagination tinged and oftentimes transformed by drugs. The age-old association of literature and drugs receives its first comprehensive treatment in this far-reaching work. Drawing on history, science, biography, literary analysis, and ethnography, Marcus Boon shows that the concept of drugs is fundamentally interdisciplinary, and reveals how different sets of connections between disciplines configure each drug's unique history.

In chapters on opiates, anesthetics, cannabis, stimulants, and psychedelics, Boon traces the history of the relationship between writers and specific drugs, and between these drugs and literary and philosophical traditions. With reference to the usual suspects from De Quincey to Freud to Irvine Welsh and with revelations about others such as Milton, Voltaire, Thoreau, and Sartre, The Road of Excess provides a novel and persuasive characterization of the "effects" of each class of drug--linking narcotic addiction to Gnostic spirituality, stimulant use to writing machines, anesthesia to transcendental philosophy, and psychedelics to the problem of the imaginary itself. Creating a vast network of texts, personalities, and chemicals, the book reveals the ways in which minute shifts among these elements have resulted in "drugs" and "literature" as we conceive of them today.

Andean Art at Dumbarton Oaks presents the Andean portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It superbly illustrates all 133 Andean objects in color plates, and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, and which has been amplified slightly since his death, is a remarkably significant collection. These works of art are among the finest examples of the visual arts produced by Andean cultures.

This Andean volume is the first in a series of four catalogues that will treat the entirety of the Bliss Pre-Columbian collection; the others planned will focus on objects from eastern Mesoamerica (Olmec and Maya), western Mesoamerica (Teotihuacan, Veracruz, Mixtec, and Aztec), and Lower Central America.

Andean Art is composed of five topical essays, shorter essays on the Andean cultures represented in the collection, and discussions of the individual objects. These were written by specialists in Pre-Columbian art, presenting the latest in scholarly thinking on Andean cultures and the objects. All thirteen authors bring broad perspectives from Andean culture history, archaeology, and art history to their contributions, but they focus their attentions primarily on the objects themselves, in order to provide meaningful contexts for them and to highlight how these objects, as works of art created and used purposefully, reveal special qualities of Andean culture.

The reader is provided with a fine sense of how the creators and original owners of the pieces in the Bliss collection used and valued these artworks on many levels. The authors also place individual objets alongside others of their type in so far as possible. An extraordinary feature of this volume is the technical descriptions of the metal objects provided by metals specialist Heather Lechtman.

Painted Words presents a facsimile, decipherment, and analysis of a seventeenth-century pictographic catechism from colonial Mexico, preserved as Fonds Mexicain 399 at the Bibliothèque Nationale de France. Works in this genre present the Catholic catechism in pictures that were read sign by sign as aids to memorization and oral performance. They have long been understood as a product of the experimental techniques of early evangelization, but this study shows that they are better understood as indigenous expressions of devotional knowledge.

In addition to inventive pictography to recount the catechism, this manuscript features Nahuatl texts that focus on don Pedro Moteuczoma, son of the Mexica ruler Moteuczoma the Younger, and his home, San Sebastián Atzaqualco. Other glosses identify figures drawn within the manuscript as Nahua and Spanish historical personages, as if the catechism had been repurposed as a dynastic record. The end of the document displays a series of Nahua and Spanish heraldic devices.

These combined pictorial and alphabetic expressions form a spectacular example of how colonial pictographers created innovative text genres, through which they reimagined pre-Columbian writing and early evangelization—and ultimately articulated newly emerging assertions of indigenous identity and memorialized native history.

This volume consists of papers from the 1992 Dumbarton Oaks conference marking the quincentennial of Columbus’s landing in the Americas. By directing their attention toward the indigenous response to the Spanish intrusion, to the cultural adjustments and negotiations it required, the editors and authors of this volume hope that a better understanding can be achieved of the cultural features that made native societies so resilient.

The history of Pre-Columbian collecting is a social and aesthetic history—of ideas, people and organizations, and objects. This richly illustrated volume examines these histories by considering the collection and display of Pre-Columbian objects in Europe, Latin America, and the United States. Some of the thirteen essays locate the collecting process within its broader cultural setting in order to explain how and why such collections were formed, while others consider how collections have served as documents of culture within the disciplines of archaeology and anthropology, and as objects of fine art or aesthetic statements within the art and art historical worlds. Nearly all contemplate how such collections have been used as active signifiers of political, economic, and cultural power.

The thirteen essays were originally presented at a symposium commemorating the fiftieth anniversary of the Pre-Columbian Collection at Dumbarton Oaks. They continue to be groundbreaking contributions to the histories of collecting and Pre-Columbian art.

Writing and recording are key cultural activities that allow humans to communicate across time and space. Whereas Old World writing evolved into the alphabetic system that is now employed around the world, the indigenous peoples in the Americas autonomously developed alternative systems that conveyed knowledge in a tangible medium. New World systems range from the hieroglyphic script of the Maya, to the figural and iconic pictographies of the Aztecs, Mixtecs, and Zapotecs in Mexico and the Moche in Peru, to the abstract knotted khipus of the Andes. Like Old World writing, these systems represented a cultural category that was fundamental to the workings of their societies, one that was heavily impregnated with cultural value.

The fifteen contributors to Their Way of Writing: Scripts, Signs, and Pictographies in Pre-Columbian America consider substantive and theoretical issues concerning writing and signing systems in the ancient Americas. They present the latest thinking about these graphic and tactile systems of communication. Their variety of perspectives and their advances in decipherment and understanding constitute a major contribution not only to our understanding of Pre-Columbian and indigenous American cultures but also to our comparative and global understanding of writing and literacy.

This collection of nineteen essays presents a broad spectrum of current research that will interest students of medieval music, history, or culture. Topics include a comparison of early chant transmission in Rome and Jerusalem; the relationship between the earliest chant notation and prosodic accents; conceptualizing rhythm in medieval music and poetry; the persistence of Guidonian organum in the later Middle Ages; a connection between Dante and St. Cecilia; and the development of the trecento madrigal. The essays, written by distinguished scholars, stem from a conference in honor of David G. Hughes, professor of medieval music at Harvard University and noted specialist of chant.

David Bordwell’s new book is at once a history of film criticism, an analysis of how critics interpret film, and a proposal for an alternative program for film studies. It is an anatomy of film criticism meant to reset the agenda for film scholarship. As such Making Meaning should be a landmark book, a focus for debate from which future film study will evolve.

Bordwell systematically maps different strategies for interpreting films and making meaning, illustrating his points with a vast array of examples from Western film criticism. Following an introductory chapter that sets out the terms and scope of the argument, Bordwell goes on to show how critical institutions constrain and contain the very practices they promote, and how the interpretation of texts has become a central preoccupation of the humanities. He gives lucid accounts of the development of film criticism in France, Britain, and the United States since World War II; analyzes this development through two important types of criticism, thematic-explicatory and symptomatic; and shows that both types, usually seen as antithetical, in fact have much in common. These diverse and even warring schools of criticism share conventional, rhetorical, and problem-solving techniques—a point that has broad-ranging implications for the way critics practice their art. The book concludes with a survey of the alternatives to criticism based on interpretation and, finally, with the proposal that a historical poetics of cinema offers the most fruitful framework for film analysis.

The study of cinematic style has profoundly shaped our attitude toward movies. Style assigns films to a tradition, distinguishes a classic, and signals the arrival of a pathbreaking innovation. David Bordwell now shows how film scholars have attempted to explain stylistic continuity and change across the history of cinema.

Bordwell scrutinizes the theories of style launched by André Bazin, Noël Burch, and other film historians. In the process he celebrates a century of cinema, integrating discussions of film classics such as The Birth of a Nation and Citizen Kane with analyses of more current box-office successes such as Jaws and The Hunt for Red October. Examining the contributions of both noted and neglected directors, he considers the earliest filmmaking, the accomplishments of the silent era, the development of Hollywood, and the strides taken by European and Asian cinema in recent years.

On the History of Film Style proposes that stylistic developments often arise from filmmakers' search for engaging and efficient solutions to production problems. Bordwell traces this activity across history through a detailed discussion of cinematic staging. Illustrated with more than 400 frame enlargements, this wide-ranging study provides a new lens for viewing cinema.

In Planet Hong Kong David Bordwell trains virtually every critical weapon in the cinema studies arsenal on a film industry that has, ironically, been marginalized by its own popular success. Film scholars will be grateful for its theoretical breadth and acuity; film fans will be happy with the graceful way Bordwell weaves into his chapters an extraordinary amount of telling anecdote; and filmmakers will be thrilled with his wonderfully revealing frame-by-frame analyses of Hong Kong cinema’s most exemplary moments.

Through a twist of fate that the author of Labyrinths himself would have relished, these lost lectures given in English at Harvard in 1967–1968 by Jorge Luis Borges return to us now, a recovered tale of a life-long love affair with literature and the English language. Transcribed from tapes only recently discovered, This Craft of Verse captures the cadences, candor, wit, and remarkable erudition of one of the most extraordinary and enduring literary voices of the twentieth century. In its wide-ranging commentary and exquisite insights, the book stands as a deeply personal yet far-reaching introduction to the pleasures of the word, and as a first-hand testimony to the life of literature.

Though his avowed topic is poetry, Borges explores subjects ranging from prose forms (especially the novel), literary history, and translation theory to philosophical aspects of literature in particular and communication in general. Probably the best-read citizen of the globe in his day, he draws on a wealth of examples from literature in modern and medieval English, Spanish, French, Italian, German, Greek, Latin, Arabic, Hebrew, and Chinese, speaking with characteristic eloquence on Plato, the Norse kenningar, Byron, Poe, Chesterton, Joyce, and Frost, as well as on translations of Homer, the Bible, and the Rubáiyát of Omar Khayyám.

Whether discussing metaphor, epic poetry, the origins of verse, poetic meaning, or his own “poetic creed,” Borges gives a performance as entertaining as it is intellectually engaging. A lesson in the love of literature and in the making of a unique literary sensibility, this is a sustained encounter with one of the writers by whom the twentieth century will be long remembered.

In a work of sweeping scope and luminous detail, Elizabeth Borgwardt describes how a cadre of World War II American planners inaugurated the ideas and institutions that underlie our modern international human rights regime.

Borgwardt finds the key in the 1941 Atlantic Charter and its Anglo-American vision of “war and peace aims.” In attempting to globalize what U.S. planners heralded as domestic New Deal ideas about security, the ideology of the Atlantic Charter—buttressed by FDR’s “Four Freedoms” and the legacies of World War I—redefined human rights and America’s vision for the world.

Three sets of international negotiations brought the Atlantic Charter blueprint to life—Bretton Woods, the United Nations, and the Nuremberg trials. These new institutions set up mechanisms to stabilize the international economy, promote collective security, and implement new thinking about international justice. The design of these institutions served as a concrete articulation of U.S. national interests, even as they emphasized the importance of working with allies to achieve common goals. The American architects of these charters were attempting to redefine the idea of security in the international sphere. To varying degrees, these institutions and the debates surrounding them set the foundations for the world we know today.

By analyzing the interaction of ideas, individuals, and institutions that transformed American foreign policy—and Americans’ view of themselves—Borgwardt illuminates the broader history of modern human rights, trade and the global economy, collective security, and international law. This book captures a lost vision of the American role in the world.

An incisive look at Hmong religion in the United States, where resettled refugees found creative ways to maintain their traditions, even as Christian organizations deputized by the government were granted an outsized influence on the refugees’ new lives.

Every year, members of the Hmong Christian Church of God in Minneapolis gather for a cherished Thanksgiving celebration. But this Thanksgiving takes place in the spring, in remembrance of the turbulent days in May 1975 when thousands of Laotians were evacuated for resettlement in the United States. For many Hmong, passage to America was also a spiritual crossing. As they found novel approaches to living, they also embraced Christianity—called kev cai tshiab, “the new way”—as a means of navigating their complex spiritual landscapes.

Melissa May Borja explores how this religious change happened and what it has meant for Hmong culture. American resettlement policies unintentionally deprived Hmong of the resources necessary for their time-honored rituals, in part because these practices, blending animism, ancestor worship, and shamanism, challenged many Christian-centric definitions of religion. At the same time, because the government delegated much of the resettlement work to Christian organizations, refugees developed close and dependent relationships with Christian groups. Ultimately the Hmong embraced Christianity on their own terms, adjusting to American spiritual life while finding opportunities to preserve their customs.

Follow the New Way illustrates America’s wavering commitments to pluralism and secularism, offering a much-needed investigation into the public work done by religious institutions with the blessing of the state. But in the creation of a Christian-inflected Hmong American animism we see the resilience of tradition—how it deepens under transformative conditions.

Millions of people—nearly 3 percent of the world’s population—no longer live in the country where they were born. Every day, migrants enter not only the United States but also developed countries without much of a history of immigration. Some of these nations have switched in a short span of time from being the source of immigrants to being a destination for them. International migration is today a central subject of research in modern labor economics, which seeks to put into perspective and explain this historic demographic transformation.

Immigration Economics synthesizes the theories, models, and econometric methods used to identify the causes and consequences of international labor flows. Economist George Borjas lays out with clarity and rigor a full spectrum of topics, including migrant worker selection and assimilation, the impact of immigration on labor markets and worker wages, and the economic benefits and losses that result from immigration.

Two important themes emerge: First, immigration has distributional consequences: some people gain, but some people lose. Second, immigrants are rational economic agents who attempt to do the best they can with the resources they have, and the same holds true for native workers of the countries that receive migrants. This straightforward behavioral proposition, Borjas argues, has crucial implications for how economists and policymakers should frame contemporary debates over immigration.

Japan, as recent history has powerfully illustrated, is one of the world’s most earthquake-prone countries. Today it is also one of the best prepared to face such seismic risk. This was not always the case.

Earthquake Children is the first book to examine the origins of modern Japan’s infrastructure of resilience. Drawing from a rich collection of previously unexplored sources, Janet Borland vividly illustrates that Japan’s contemporary culture of disaster preparedness and its people’s ability to respond calmly in a time of emergency are the result of learned and practiced behaviors. She traces their roots to the 1923 Great Kantō Earthquake, which killed over 100,000 people when it struck the Tokyo region.

Beyond providing new perspectives on Japan’s seismic past, the history of childhood, and everyday life in interwar Japan, Borland challenges the popular idea that Japanese people owe their resilience to some innate sense of calm under pressure. Tokyo’s traumatic experiences in 1923 convinced government officials, seismologists, teachers, physicians, and architects that Japan must better prepare for future disasters. Earthquake Children documents how children, schools, and education became the primary tools through which experts sought to build a disaster-prepared society and nation that would withstand nature’s furies.

A major reevaluation of relationships among Blacks, Jews, and Irish in the years between the Irish Famine and the end of World War II, The Colors of Zion argues that the cooperative efforts and sympathies among these three groups, each persecuted and subjugated in its own way, was much greater than often acknowledged today. For the Black, Jewish, and Irish writers, poets, musicians, and politicians at the center of this transatlantic study, a sense of shared wrongs inspired repeated outpourings of sympathy. If what they have to say now surprises us, it is because our current constructions of interracial and ethnic relations have overemphasized conflict and division. As George Bornstein says in his Introduction, he chooses “to let the principals speak for themselves.”

While acknowledging past conflicts and tensions, Bornstein insists on recovering the “lost connections” through which these groups frequently defined their plights as well as their aspirations. In doing so, he examines a wide range of materials, including immigration laws, lynching, hostile race theorists, Nazis and Klansmen, discriminatory university practices, and Jewish publishing houses alongside popular plays like The Melting Pot and Abie’s Irish Rose, canonical novels like Ulysses and Daniel Deronda, music from slave spirituals to jazz, poetry, and early films such as The Jazz Singer. The models of brotherhood that extended beyond ethnocentrism a century ago, the author argues, might do so once again today, if only we bear them in mind. He also urges us to move beyond arbitrary and invidious categories of race and ethnicity.

Federico Borromeo, Cardinal-Archbishop of Milan (1564–1631), is well known as a leading Catholic reformer and as the founder of the Ambrosiana library, art collection, and academy in that city. Less known is the fact that the institution's art museum was the culmination of many decades of reflection on the aesthetic qualities and religious roles of art. Borromeo recorded his reflections in two treatises.

De pictura sacra (Sacred Painting, 1624) laid out the rules that artists should follow when creating religious art. Borromeo touched on dozens of iconographical issues and in so doing drew on his deep knowledge not only of church fathers, councils, and scripture but also of classical art and literature. In Musaeum (1625) Borromeo showed a less doctrinaire and more personal side by walking the reader through the Ambrosiana and commenting on specific works in his collection. He offered some of the earliest and most important critiques to survive on works by artists such as Leonardo, Titian, and Jan Brueghel the Elder.

This volume offers, for the first time, translations of the treatises directly into English as well as freshly edited Latin texts, an introduction, extensive notes, and an appendix on the Academy of Design that was established in conjunction with the museum. These treatises will be of great interest to students of the history of art, museums, and religion.

Childbirth is a quintessential family event that simultaneously holds great promise and runs the risk of danger. By the late nineteenth century, the birthing room had become a place where the goals of the new scientific professional could be demonstrated, but where traditional female knowledge was in conflict with the new ways. Here the choice of attendants and their practices defined gender, ethnicity, class, and the role of the professional.

Using the methodology of social science theory, particularly quantitative statistical analysis and historical demography, Charlotte Borst examines the effect of gender, culture, and class on the transition to physician-attended childbirth. Earlier studies have focused on physician opposition to midwifery, devoting little attention to the training for and actual practice of midwifery. As a result, until now we knew little about the actual conditions of the midwife's education and practice.

Catching Babies is the first study to examine the move to physician-attended birth within the context of a particular community. It focuses on four representative counties in Wisconsin to study both midwives and physicians within the context of their community. Borst finds that midwives were not pushed out of practice by elitist or misogynist obstetricians. Instead, their traditional, artisanal skills ceased to be valued by a society that had come to embrace the model of disinterested, professional science. The community that had previously hired midwives turned to physicians who shared ethnic and cultural values with the very midwives they replaced.

After World War II the United States faced two preeminent challenges: how to administer its responsibilities abroad as the world’s strongest power, and how to manage the rising movement at home for racial justice and civil rights. The effort to contain the growing influence of the Soviet Union resulted in the Cold War, a conflict that emphasized the American commitment to freedom. The absence of that freedom for nonwhite American citizens confronted the nation’s leaders with an embarrassing contradiction.

Racial discrimination after 1945 was a foreign as well as a domestic problem. World War II opened the door to both the U.S. civil rights movement and the struggle of Asians and Africans abroad for independence from colonial rule. America’s closest allies against the Soviet Union, however, were colonial powers whose interests had to be balanced against those of the emerging independent Third World in a multiracial, anticommunist alliance. At the same time, U.S. racial reform was essential to preserve the domestic consensus needed to sustain the Cold War struggle.

The Cold War and the Color Line is the first comprehensive examination of how the Cold War intersected with the final destruction of global white supremacy. Thomas Borstelmann pays close attention to the two Souths—Southern Africa and the American South—as the primary sites of white authority’s last stand. He reveals America’s efforts to contain the racial polarization that threatened to unravel the anticommunist western alliance. In so doing, he recasts the history of American race relations in its true international context, one that is meaningful and relevant for our own era of globalization.

This revised and enlarged edition of A Selected List of Books and Articles on Japan in English, French, and German, first published in 1940, contains more than seventeen hundred titles which have been carefully chosen to guide the general reader and to aid the serious student of Japanese civilization in his research. Certain items included in the first edition have been eliminated, and hundreds of new entries, including material published during and after World War II, have been added. The list is divided into section which deal with bibliography, geography, history, political and social sciences, religion and philosophy, language, literature, art, et cetera. Subdivision of these sections facilitates the search for books and articles on a particular subject. The entries are arranged alphabetically by author and are individually numbered. An author, title, and subject index also contributes to the usefulness of the book.

There is no other convenient selected list of this sort on Japan. Scholars, journalists, government personnel, and other who wish to obtain information concerning books and articles on Japan will find this book an invaluable guide.

The Central American region is a vital ecological resource that provides environmental balance for the rest of the American continents. Using comprehensive surveys and statistical studies, this volume presents an evaluation of the region's deforestation, sustainable agriculture, tourism, emerging carbon markets, trade, and growth.

By comparing and contrasting policies applied by other countries with similar environmental characteristics, the contributors argue that Central American governments must learn from the results of these policies in order to manage resources, foster sustainability and competitiveness, and procure positive results.

A concise new history of a century of struggles to define Asian identity and express alternatives to European forms of universalism.

The balance of global power changed profoundly over the course of the twentieth century, above all with the economic and political rise of Asia. Asia after Europe is a bold new interpretation of the period, focusing on the conflicting and overlapping ways in which Asians have conceived their bonds and their roles in the world. Tracking the circulation of ideas and people across colonial and national borders, Sugata Bose explores developments in Asian thought, art, and politics that defied Euro-American models and defined Asianness as a locus of solidarity for all humanity.

Impressive in scale, yet driven by the stories of fascinating and influential individuals, Asia after Europe examines early intimations of Asian solidarity and universalism preceding Japan’s victory over Russia in 1905; the revolutionary collaborations of the First World War and its aftermath, when Asian universalism took shape alongside Wilsonian internationalism and Bolshevism; the impact of the Great Depression and Second World War on the idea of Asia; and the persistence of forms of Asian universalism in the postwar period, despite the consolidation of postcolonial nation-states on a European model.

Diverse Asian universalisms were forged and fractured through phases of poverty and prosperity, among elites and common people, throughout the span of the twentieth century. Noting the endurance of nationalist rivalries, often tied to religious exclusion and violence, Bose concludes with reflections on the continuing potential of political thought beyond European definitions of reason, nation, and identity.

The man whom Indian nationalists perceived as the “George Washington of India” and who was President of the Indian National Congress in 1938–1939 is a legendary figure. Called Netaji (“leader”) by his countrymen, Subhas Chandra Bose struggled all his life to liberate his people from British rule and, in pursuit of that goal, raised and led the Indian National Army against Allied Forces during World War II. His patriotism, as Gandhi asserted, was second to none, but his actions aroused controversy in India and condemnation in the West.

Now, in a definitive biography of the revered Indian nationalist, Sugata Bose deftly explores a charismatic personality whose public and private life encapsulated the contradictions of world history in the first half of the twentieth century. He brilliantly evokes Netaji’s formation in the intellectual milieu of Calcutta and Cambridge, probes his thoughts and relations during years of exile, and analyzes his ascent to the peak of nationalist politics. Amidst riveting accounts of imprisonment and travels, we glimpse the profundity of his struggle: to unite Hindu and Muslim, men and women, and diverse linguistic groups within a single independent Indian nation. Finally, an authoritative account of his untimely death in a plane crash will put to rest rumors about the fate of this “deathless hero.”

This epic of a life larger than its legend is both intimate, based on family archives, and global in significance. His Majesty’s Opponent establishes Bose among the giants of Indian and world history.

On December 26, 2004, giant tsunami waves destroyed communities around the Indian Ocean, from Indonesia to Kenya. Beyond the horrific death toll, this wall of water brought a telling reminder of the interconnectedness of the many countries on the ocean rim, and the insignificance of national boundaries. A Hundred Horizons takes us to these shores, in a brilliant reinterpretation of how culture developed and history was made at the height of the British raj.

Between 1850 and 1950, the Indian Ocean teemed with people, commodities, and ideas: pilgrims and armies, commerce and labor, the politics of Mahatma Gandhi and the poetry of Rabindranath Tagore were all linked in surprising ways. Sugata Bose finds in these intricate social and economic webs evidence of the interdependence of the peoples of the lands beyond the horizon, from the Middle East to East Africa to Southeast Asia.

In following this narrative, we discover that our usual ways of looking at history--through the lens of nationalism or globalization--are not adequate. The national ideal did not simply give way to inevitable globalization in the late twentieth century, as is often supposed; Bose reveals instead the vital importance of an intermediate historical space, where interregional geographic entities like the Indian Ocean rim foster nationalist identities and goals yet simultaneously facilitate interaction among communities.

A Hundred Horizons merges statistics and myth, history and poetry, in a remarkable reconstruction of how a region's culture, economy, politics, and imagination are woven together in time and place.

The search for durable peace in lands torn by ethno-national conflict is among the most urgent issues of international politics. Looking closely at five flashpoints of regional crisis, Sumantra Bose asks the question upon which our global future may depend: how can peace be made, and kept, between warring groups with seemingly incompatible claims? Global in scope and implications but local in focus and method, Contested Lands critically examines the recent or current peace processes in Israel-Palestine, Kashmir, Bosnia, Cyprus, and Sri Lanka for an answer.

Israelis and Palestinians, Turkish and Greek Cypriots, Bosnia's Muslims, Serbs, and Croats, Sinhalese and Tamil Sri Lankans, and pro-independence, pro-Pakistan, and pro-India Kashmiris share homelands scarred by clashing aspirations and war. Bose explains why these lands became zones of zero-sum conflict and boldly tackles the question of how durable peace can be achieved. The cases yield important general insights about the benefits of territorial self-rule, cross-border linkages, regional cooperation, and third-party involvement, and the risks of a deliberately gradual ("incremental") strategy of peace-building.

Rich in narrative and incisive in analysis, this book takes us deep into the heartlands of conflict--Jerusalem, Kashmir's Line of Control, the divided cities of Mostar in Bosnia and Nicosia in Cyprus, Sri Lanka's Jaffna peninsula. Contested Lands illuminates how chronic confrontation can yield to compromise and coexistence in the world's most troubled regions--and what the United States can do to help.

In 2002, nuclear-armed adversaries India and Pakistan mobilized for war over the long-disputed territory of Kashmir, sparking panic around the world. Drawing on extensive firsthand experience in the contested region, Sumantra Bose reveals how the conflict became a grave threat to South Asia and the world and suggests feasible steps toward peace.

Though the roots of conflict lie in the end of empire and the partition of the subcontinent in 1947, the contemporary problem owes more to subsequent developments, particularly the severe authoritarianism of Indian rule. Deadly dimensions have been added since 1990 with the rise of a Kashmiri independence movement and guerrilla war waged by Islamist groups. Bose explains the intricate mix of regional, ethnic, linguistic, religious, and caste communities that populate Kashmir, and emphasizes that a viable framework for peace must take into account the sovereignty concerns of India and Pakistan and popular aspirations to self-rule as well as conflicting loyalties within Kashmir. He calls for the establishment of inclusive, representative political structures in Indian Kashmir, and cross-border links between Indian and Pakistani Kashmir. Bose also invokes compelling comparisons to other cases, particularly the peace-building framework in Northern Ireland, which offers important lessons for a settlement in Kashmir.

The Western world has not fully appreciated the desperate tragedy of Kashmir: between 1989 and 2003 violence claimed up to 80,000 lives. Informative, balanced, and accessible, Kashmir is vital reading for anyone wishing to understand one of the world's most dangerous conflicts.

A nation of 1.25 billion people composed of numerous ethnic, linguistic, religious, and caste communities, India is the world’s most diverse democracy. Drawing on his extensive fieldwork and experience of Indian politics, Sumantra Bose tells the story of democracy’s evolution in India since the 1950s—and describes the many challenges it faces in the early twenty-first century.

Over the past two decades, India has changed from a country dominated by a single nationwide party into a robust multiparty and federal union, as regional parties and leaders have risen and flourished in many of India’s twenty-eight states. The regionalization of the nation’s political landscape has decentralized power, given communities a distinct voice, and deepened India’s democracy, Bose finds, but the new era has also brought fresh dilemmas.

The dynamism of India’s democracy derives from the active participation of the people—the demos. But as Bose makes clear, its transformation into a polity of, by, and for the people depends on tackling great problems of poverty, inequality, and oppression. This tension helps explain why Maoist revolutionaries wage war on the republic, and why people in the Kashmir Valley feel they are not full citizens. As India dramatically emerges on the global stage, Transforming India: Challenges to the World’s Largest Democracy provides invaluable analysis of its complexity and distinctiveness.

“[A] tour de force of global history…Bosma has turned the humble sugar crystal into a mighty prism for understanding aspects of global history and the world in which we live.”—Los Angeles Review of Books

The definitive 2,500-year history of sugar and its human costs, from its little-known origins as a luxury good in Asia to worldwide environmental devastation and the obesity pandemic.

For most of history, humans did without refined sugar. After all, it serves no necessary purpose in our diets, and extracting it from plants takes hard work and ingenuity. Granulated sugar was first produced in India around the sixth century BC, yet for almost 2,500 years afterward sugar remained marginal in the diets of most people. Then, suddenly, it was everywhere. How did sugar find its way into almost all the food we eat, fostering illness and ecological crisis along the way?

The World of Sugar begins with the earliest evidence of sugar production. Through the Middle Ages, traders brought small quantities of the precious white crystals to rajahs, emperors, and caliphs. But after sugar crossed the Mediterranean to Europe, where cane could not be cultivated, demand spawned a brutal quest for supply. European cravings were satisfied by enslaved labor; two-thirds of the 12.5 million Africans taken across the Atlantic were destined for sugar plantations. By the twentieth century, sugar was a major source of calories in diets across Europe and North America.

Sugar transformed life on every continent, creating and destroying whole cultures through industrialization, labor migration, and changes in diet. Sugar made fortunes, corrupted governments, and shaped the policies of technocrats. And it provoked freedom cries that rang with world-changing consequences. In Ulbe Bosma’s definitive telling, to understand sugar’s past is to glimpse the origins of our own world of corn syrup and ethanol and begin to see the threat that a not-so-simple commodity poses to our bodies, our environment, and our communities.

When a loved one dies we mourn our loss. We take comfort in the rituals that mark the passing, and we turn to those around us for support. But what happens when there is no closure, when a family member or a friend who may be still alive is lost to us nonetheless? How, for example, does the mother whose soldier son is missing in action, or the family of an Alzheimer’s patient who is suffering from severe dementia, deal with the uncertainty surrounding this kind of loss?

In this sensitive and lucid account, Pauline Boss explains that, all too often, those confronted with such ambiguous loss fluctuate between hope and hopelessness. Suffered too long, these emotions can deaden feeling and make it impossible for people to move on with their lives. Yet the central message of this book is that they can move on. Drawing on her research and clinical experience, Boss suggests strategies that can cushion the pain and help families come to terms with their grief. Her work features the heartening narratives of those who cope with ambiguous loss and manage to leave their sadness behind, including those who have lost family members to divorce, immigration, adoption, chronic mental illness, and brain injury. With its message of hope, this eloquent book offers guidance and understanding to those struggling to regain their lives.

In Consistency, Choice, and Rationality, economic theorists Walter Bossert and Kotaro Suzumura present a thorough mathematical treatment of Suzumura consistency, an alternative to established coherence properties such as transitivity, quasi-transitivity, or acyclicity. Applications in individual and social choice theory, fields important not only to economics but also to philosophy and political science, are discussed. Specifically, the authors explore topics such as rational choice and revealed preference theory, and collective decision making in an atemporal framework as well as in an intergenerational setting.

This book traces changing gender relations in China from the tenth to fourteenth centuries by examining three critical categories of women: courtesans, concubines, and faithful wives. It shows how the intersection and mutual influence of these groups—and of male discourses about them—transformed ideas about family relations and the proper roles of men and women.

Courtesan culture had a profound effect on Song social and family life, as entertainment skills became a defining feature of a new model of concubinage, and as entertainer-concubines increasingly became mothers of literati sons. Neo-Confucianism, the new moral learning of the Song, was significantly shaped by this entertainment culture and by the new markets—in women—that it created. Responding to a broad social consensus, Neo-Confucians called for enhanced recognition of concubine mothers in ritual and expressed increasing concern about wifely jealousy. The book also details the surprising origins of the Late Imperial cult of fidelity, showing that from inception, the drive to celebrate female loyalty was rooted in a complex amalgam of political, social, and moral agendas. By taking women—and men’s relationships with women—seriously, this book makes a case for the centrality of gender relations in the social, political, and intellectual life of the Song and Yuan dynasties.

The realignment of the Chinese social order that took place over the course of the Sung dynasty set the pattern for Chinese society throughout most of the later imperial era. This study examines that realignment from the perspective of specific Sung families, using data on two groups of Sung elites—the grand councilors who led the bureaucracy and locally prominent gentlemen in Wu-chou (in modern Chekiang).

By analyzing kinship relationships, Beverly Bossler demonstrates the importance of family relations to the establishment and perpetuation of social status locally and in the capital. She shows how social position was measured and acted upon, how status shaped personal relationships (and vice versa), and how both status and personal relationships conditioned—and were conditioned by—political success. Finally, in a contribution to the ongoing discussion of localism in the Sung, Bossler details the varied networks that connected the local elite to the capital and elsewhere.

This volume of the Proceedings of the Harvard Celtic Colloquium offers a wide range of articles on topics across the field of Celtic Studies. It includes the Colloquium keynote given by Prof. Barbara Hillers which studied the literary use of folklore, Irish and international, in the Irish tale “Aislinge Meic Con Glinne” (“The Vision of Mac Con Glinne”).

More recent literary topics expand the scope of this volume from the medieval into the early modern period, and into the early twentieth century. Of special interest to scholars of more recent times will be articles on the Irish language in nineteenth-century American print media, and on the unpublished sequel by Muiris Ó Súilleabháin to his memoir Fiche Blian ag Fás (1933), which was published in English as Twenty Years a-Growing.

Pierre Boulez is one of the most influential—and controversial—figures in the world of contemporary music. As composer, conductor, and critic, his challenging views of modern developments are lent a special authority by his high standing as an interpreter of classic composers. Orientations will enhance his reputation as a lucid expositor of the modern composer's world.

When writing about composing and analysis Boulez forges a new way of thinking about music. He is immensely illuminating about his own compositions. He offers special insight on composers with whom he has been particularly associated as a conductor—including Berlioz, Debussy, Wagner, Mahler, Schoenberg, Stravinsky, and Messiaen. And he writes about performance and orchestras, tackling the question of how to make new music more familiar for the concert-goer. This rich and wide-ranging volume is truly a special resource for everyone wanting to learn more about twentieth-century music.

This book stands alone as the first general survey of lighting in Byzantium. Although relatively well known by specialists, Byzantine lighting devices have not been treated independently, but rather presented and discussed in connection with other Byzantine minor arts. The first part of the book discusses the technology and types of lighting devices and explains their decorative symbolism and social function. The second half illustrates this narrative by drawing on a Dumbarton Oaks exhibition, “Lighting in Early Byzantium,” which presented to the public some of the finest surviving late Roman and early Byzantine lighting devices. Some of these are now published for the first time.

Approaching the study of literature as a unique form of the philosophy of language and mind—as a study of how we produce nonsense and imagine it as sense—this is a book about our human ways of making and losing meaning. Brett Bourbon asserts that our complex and variable relation with language defines a domain of meaning and being that is misconstrued and missed in philosophy, in literary studies, and in our ordinary understanding of what we are and how things make sense. Accordingly, his book seeks to demonstrate how the study of literature gives us the means to understand this relationship.

The book itself is framed by the literary and philosophical challenges presented by Joyce’s Finnegans Wake and Wittgenstein’s Philosophical Investigations. With reference to these books and the problems of interpretation and meaning that they pose, Bourbon makes a case for the fundamental philosophical character of the study of literature, and for its dependence on theories of meaning disguised as theories of mind. Within this context, he provides original accounts of what sentences, fictions, non-fictions, and poems are; produces a new account of the logical form of fiction and of the limits of interpretation that follow from it; and delineates a new and fruitful domain of inquiry in which literature, philosophy, and science intersect.

No judgment of taste is innocent. In a word, we are all snobs. Pierre Bourdieu brilliantly illuminates this situation of the middle class in the modern world. France’s leading sociologist focuses here on the French bourgeoisie, its tastes and preferences. Distinction is at once a vast ethnography of contemporary France and a dissection of the bourgeois mind.

In the course of everyday life people constantly choose between what they find aesthetically pleasing and what they consider tacky, merely trendy, or ugly. Bourdieu bases his study on surveys that took into account the multitude of social factors that play a part in a French person’s choice of clothing, furniture, leisure activities, dinner menus for guests, and many other matters of taste. What emerges from his analysis is that social snobbery is everywhere in the bourgeois world. The different aesthetic choices people make are all distinctions—that is, choices made in opposition to those made by other classes. Taste is not pure. Bourdieu finds a world of social meaning in the decision to order bouillabaisse, in our contemporary cult of thinness, in the “California sports” such as jogging and cross-country skiing. The social world, he argues, functions simultaneously as a system of power relations and as a symbolic system in which minute distinctions of taste become the basis for social judgment.

The topic of Bourdieu’s book is a fascinating one: the strategies of social pretension are always curiously engaging. But the book is more than fascinating. It is a major contribution to current debates on the theory of culture and a challenge to the major theoretical schools in contemporary sociology.

This volume brings together Pierre Bourdieu’s highly original writings on language and on the relations among language, power, and politics. Bourdieu develops a forceful critique of traditional approaches to language, including the linguistic theories of Saussure and Chomsky and the theory of speech-acts elaborated by Austin and others. He argues that language should be viewed not only as a means of communication but also as a medium of power through which individuals pursue their own interests and display their practical competence.

Drawing on the concepts that are part of his distinctive theoretical approach, Bourdieu maintains that linguistic utterances or expressions can be understood as the product of the relation between a “linguistic market” and a “linguistic habitus.” When individuals use language in particular ways, they deploy their accumulated linguistic resources and implicitly adapt their words to the demands of the social field or market that is their audience. Hence every linguistic interaction, however personal or insignificant it may seem, bears the traces of the social structure that it both expresses and helps to reproduce.

Bourdieu’s account sheds fresh light on the ways in which linguistic usage varies according to considerations such as class and gender. It also opens up a new approach to the ways in which language is used in the domain of politics. For politics is, among other things, the arena in which words are deeds and the symbolic character of power is at stake.

This volume, by one of the leading social thinkers in the world today, represents a major contribution to the study of language and power. It will be of interest to students throughout the social sciences and humanities, especially in sociology, politics, anthropology, linguistics, and literature.

“Ambitious, fast-paced, fact-filled, and accessible.”
—Science

“A compelling case for why achieving the right balance of time with our families…is vital to the economic success and prosperity of our nation… A must read.”
—Maria Shriver

From backyard barbecues to the blogosphere, working men and women across the country are raising the same worried question: How can I get ahead at my job while making sure my family doesn’t suffer? A visionary economist who has looked at the numbers behind the personal stories, Heather Boushey argues that resolving the work–life conflict is as vital for us personally as it is essential economically. Finding Time offers ingenious ways to help us carve out the time we need, while showing businesses that more flexible policies can actually make them more productive.

“Supply and demand curves are suddenly ‘sexy’ when Boushey uses them to prove that paid sick days, paid family leave, flexible work schedules, and affordable child care aren’t just cutesy women’s issues for families to figure out ‘on their own time and dime,’ but economic issues affecting the country at large.”
—Vogue

“Boushey argues that better family-leave policies should not only improve the lives of struggling families but also boost workers’ productivity and reduce firms’ costs.”
—The Economist

A Financial Times Book of the Year

“The strongest documentation I have seen for the many ways in which inequality is harmful to economic growth.”
—Jason Furman

“A timely and very useful guide…Boushey assimilates a great deal of recent economic research and argues that it amounts to a paradigm shift.”
—New Yorker

Do we have to choose between equality and prosperity? Decisions made over the past fifty years have created underlying fragilities in our society that make our economy less effective in good times and less resilient to shocks, such as today’s coronavirus pandemic. Many think tackling inequality would require such heavy-handed interference that it would stifle economic growth. But a careful look at the data suggests nothing could be further from the truth—and that reducing inequality is in fact key to delivering future prosperity.

Presenting cutting-edge economics with verve, Heather Boushey shows how rising inequality is a drain on talent, ideas, and innovation, leading to a concentration of capital and a damaging under-investment in schools, infrastructure, and other public goods. We know inequality is fueling social unrest. Boushey shows persuasively that it is also a serious drag on growth.

“In this outstanding book, Heather Boushey…shows that, beyond a point, inequality damages the economy by limiting the quantity and quality of human capital and skills, blocking access to opportunity, underfunding public services, facilitating predatory rent-seeking, weakening aggregate demand, and increasing reliance on unsustainable credit.”
—Martin Wolf, Financial Times

“Think rising levels of inequality are just an inevitable outcome of our market-driven economy? Then you should read Boushey’s well-argued, well-documented explanation of why you’re wrong.”
—David Rotman, MIT Technology Review

A Foreign Affairs Best Book of the Year

“An intellectual excursion of a kind rarely offered by modern economics.”
—Foreign Affairs

Thomas Piketty’s Capital in the Twenty-First Century is the most widely discussed work of economics in recent years. But are its analyses of inequality and economic growth on target? Where should researchers go from there in exploring the ideas Piketty pushed to the forefront of global conversation? A cast of leading economists and other social scientists—including Emmanuel Saez, Branko Milanovic, Laura Tyson, and Michael Spence—tackle these questions in dialogue with Piketty.

“A fantastic introduction to Piketty’s main argument in Capital, and to some of the main criticisms, including doubt that his key equation…showing that returns on capital grow faster than the economy—will hold true in the long run.”
—Nature

“Piketty’s work…laid bare just how ill-equipped our existing frameworks are for understanding, predicting, and changing inequality. This extraordinary collection shows that our most nimble social scientists are responding to the challenge.”
—Justin Wolfers, University of Michigan

This collection provides a rich, multilayered analysis of a long-neglected branch of early Christian apocryphal literature that examines the relationship between tradition and redaction, uses of language, and the fluid border between literary criticism and motif analysis. The introduction takes the reader on the journey of editing, translating, and interpreting apocryphal and hagiographic narratives on the apostles and the first Christians. The volume concludes with the critical edition of two previously unpublished Greek texts: a version of the Martyrdom of Ananias and a memoir on John the Evangelist.

A case for literary critics and other humanists to stop wallowing in their aestheticized helplessness and instead turn to poetry, comedy, and love.

Literary criticism is an agent of despair, and its poster child is Walter Benjamin. Critics have spent decades stewing in his melancholy. What if, instead, we dared to love poetry, to choose comedy over Hamlet’s tragedy, or to pursue romance over Benjamin’s suicide on the edge of France, of Europe, and of civilization itself?

Paul A. Bové challenges young lit critters to throw away their shades and let the sun shine in. Love’s Shadow is his three-step manifesto for a new literary criticism that risks sentimentality and melodrama and eschews self-consciousness. The first step is to choose poetry. There has been since the time of Plato a battle between philosophy and poetry. Philosophy has championed misogyny, while poetry has championed women, like Shakespeare’s Rosalind. Philosophy is ever so stringent; try instead the sober cheerfulness of Wallace Stevens. Bové’s second step is to choose the essay. He praises Benjamin’s great friend and sometime antagonist Theodor Adorno, who gloried in writing essays, not dissertations and treatises. The third step is to choose love. If you want a Baroque hero, make that hero Rembrandt, who brought lovers to life in his paintings.

Putting aside passivity and cynicism would amount to a revolution in literary studies. Bové seeks nothing less, and he has a program for achieving it.

By the second decade of the fifteenth century Venice had established an empire in Italy extending from its lagoon base to the lakes, mountains, and valleys of the northwestern part of the peninsula. The wealthiest and most populous part of this empire was the city of Brescia which, together with its surrounding territory, lay in a key frontier zone between the politically powerful Milanese and the economically important Germans. Venetian governance there involved political compromise and some sensitivity to local concerns, and Brescians forged their distinctive civic identity alongside a strong Venetian cultural presence.

Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.

Little is known about Arabia in the sixth century, yet from this distant time and place emerged a faith and an empire that stretched from the Iberian peninsula to India. Today, Muslims account for nearly a quarter of the global population. A renowned classicist, G. W. Bowersock seeks to illuminate this obscure and dynamic period in the history of Islam—exploring why arid Arabia proved to be such fertile ground for Muhammad’s prophetic message, and why that message spread so quickly to the wider world. The Crucible of Islam offers a compelling explanation of how one of the world’s great religions took shape.

“A remarkable work of scholarship.”
—Wall Street Journal

“A little book of explosive originality and penetrating judgment… The joy of reading this account of the background and emergence of early Islam is the knowledge that Bowersock has built it from solid stones… A masterpiece of the historian’s craft.”
—Peter Brown, New York Review of Books

This portrayal of one of antiquity’s most enigmatic figures offers a vivid and compact assessment of the Apostate’s life and reign. Proceeding directly from an evaluation of the ancient sources—the testimony of friends and enemies of Julian as well as the writings of the emperor himself—the author traces Julian’s youth, his years as the commander of the Roman forces in Gaul, and his emergence as sole ruler in the course of a dramatic march to Constantinople. In G. W. Bowersock’s analysis of Julian’s religious revolution, the emperor’s ardent espousal of a lost cause is seen to have made intolerable demands upon pagans, Jews, and Christians alike.

Over the past century, exploration and serendipity have uncovered mosaic after mosaic in the Near East--maps, historical images, mythical figures, and religious scenes that constitute an immense treasure of new testimony from antiquity. The stories these mosaics tell unfold in this brief, richly informed book by a preeminent scholar of the classical world.

G. W. Bowersock considers these mosaics a critical part of the documentation of the region's ancient culture, as expressive as texts, inscriptions on stone, and architectural remains. In their complex language, often marred by time, neglect, and deliberate defacement, he finds historical evidence, illustrations of literary and mythological tradition, religious icons, and monuments to civic pride. Eloquently evoking a shared vision of a world beyond the boundaries of individual cities, the mosaics attest to a persistent tradition of Greek taste that could embrace Judaism, Christianity, and Islam in a fundamentally Semitic land, and they suggest the extent to which these three monotheistic religions could themselves embrace Hellenism.

With copious color illustrations, Bowersock's efforts return us to Syrian Antioch, Arabia, Jewish and Samaritan settlements in Palestine, the Palmyrene empire in Syria, and the Nabataean kingdom in Jordan, and show us the overlay of Hellenism introduced by Alexander the Great as well as Roman customs imported by the imperial legions and governors. Attending to one of the most evocative languages of the ages, his work reveals a complex fusion of cultures and religions that speaks to us across time.

The Roman province of Arabia occupied a crucial corner of the Mediterranean world, encompassing most of what is now Jordan, southern Syria, northwest Saudi Arabia, and the Negev. Mr. Bowersock's book is the first authoritative history of the region from the fourth century B.C. to the age of Constantine.The book opens with the arrival of the Nahataean Arabs in their magnificent capital at Petra and describes the growth of their hellenized culture based on trade in perfume and spices. It traces the transformation of the region from an Arab kingdom under Roman influence into an imperial province, one that played an increasingly important role in the Roman strategy for control of the Near East. While the primary emphasis is on the relations of the Arabs of the region with the Romans, their interactions with neighboring states, Jewish, Egyptian, and Syrian, are also stressed. The narrative concludes with the breakup of the Roman province at the start of the Byzantine age.

The first book of its kind, this richly informative and comprehensive guide to the world of late antiquity offers the latest scholarship to the researcher along with great reading pleasure to the browser. In eleven comprehensive essays and in over 500 encyclopedic entries, an international cast of experts provides essential information and fresh perspectives on the history and culture of an era marked by the rise of two world religions, unprecedented political upheavals that remade the map of the known world, and the creation of art of enduring glory.

By extending the commonly accepted chronological and territorial boundaries of the period--to encompass Roman, Byzantine, Sassanian, and early Islamic cultures, from the middle of the third century to the end of the eighth--this guide makes new connections and permits revealing comparisons. Consult the article on "Angels" and discover their meaning in Islamic as well as classical and Judeo-Christian traditions. Refer to "Children," "Concubinage," and "Divorce" for a fascinating interweaving of information on the family. Read the essay on "Barbarians and Ethnicity" and see how a topic as current as the construction of identity played out in earlier times, from the Greeks and Romans to the Turks, Huns, and Saxons. Turn to "Empire Building" to learn how the empire of Constantine was supported by architecture and ceremony.

Or follow your own path through the broad range of entries on politics, manufacturing and commerce, the arts, philosophy, religion, geography, ethnicity, and domestic life. Each entry introduces readers to another facet of the postclassical world: historic figures and places, institutions, burial customs, food, money, public life, and amusements. A splendid selection of illustrations enhances the portrait.

The intriguing era of late antiquity emerges completely and clearly, viewed in a new light, in a guide that will be relished by scholars and general readers alike.

The era of late antiquity—from the middle of the third century to the end of the eighth—was marked by the rise of two world religions, unprecedented political upheavals that remade the map of the known world, and the creation of art of enduring glory. In these eleven in-depth essays, drawn from the award-winning reference work Late Antiquity: A Guide to the Postclassical World, an international cast of experts provides essential information and fresh perspectives on this period's culture and history.

The French psychoanalyst Jacques Lacan (1901–1981) is a uniquely complex writer and the originator of an especially unsettling view of the human subject. But the singularity of Lacan’s achievement has been understated by many of his critics. Often he is seen merely as a figure famous for being famous—an essential reference point in structuralist and poststructuralist debate—rather than as a theorist whose writings demand and reward detailed scrutiny.

Malcolm Bowie traces the development of Lacan’s ideas over the fifty-year span of his writing and teaching career. The primary focus is on the fascinating mutations in Lacan’s interpretation of Freud. Bowie reinserts the celebrated slogans—“The unconscious is the discourse of the Other,” “The unconscious is structured like a language,” and so forth—into the history of Lacan’s thinking, and pinpoints the paradoxes and anomalies that mark his account of human sexuality. This book provides a firm basis for the critical evaluation of Lacan’s ideas and the rhetoric in which they are embedded; it is based on a close reading of Lacan’s original texts but presupposes no knowledge of French in the reader.

Although Bowie is sharply critical of Lacan on several major analytic questions, he argues that Lacan is the only psychoanalyst after Freud whose intellectual achievement is seriously comparable to Freud’s own. Lacan provides the ideal starting point for any exploration of the work of this formidable thinker.

The years 1955–1959 in Communist China included striking fluctuations and successes for Mao Tse-tung’s Party, and the working out of the first Five-Year Plan for economic and agricultural development. Here analysis of domestic developments is supported by 48 documents—directives, speeches, and articles. The major Party pronouncements are given in full. The significance of each is clarified by prefatory comments indicating additional readings, and by the 41-page introductory essay. This newly integrated picture of five crucial years pioneers the use of documentation (as in Soviet studies) for dealing with Communist China.

From the beginning, Darwin’s dangerous idea has been a snake in the garden, denounced from pulpits then and now as incompatible with the central tenets of Christian faith. Recovered here is the less well-known but equally long history of thoughtful engagement and compromise on the part of liberal theologians. Peter J. Bowler doesn’t minimize the hostility of many of the faithful toward evolution, but he reveals the existence of a long tradition within the churches that sought to reconcile Christian beliefs with evolution by finding reflections of the divine in scientific explanations for the origin of life. By tracing the historical forerunners of these rival Christian responses, Bowler provides a valuable alternative to accounts that stress only the escalating confrontation.

Our polarized society, Bowler says, has all too often projected its rivalries onto the past, concealing the efforts by both scientists and theologians to find common ground. Our perception of past confrontations has been shaped by an oversimplified model of a “war” between science and religion. By uncovering the complexity of the debates sparked by Darwin’s theory, we might discover ways to depolarize our own debates about where we came from and why we are here.

In November 1965 the white Rhodesian government headed by Prime Minister Ian D. Smith unilaterally declared itself independent. Ties with Britain which stretched back to the nineteenth century were severed, and Rhodesia, because of the nature of her decision and the orientation of her domestic racial policy, became the pariah of the international community.

Seven years later, no nation in the world had formally recognized the rebel Rhodesian government. The United Nations, for the first time in its history, voted to impose mandatory economic sanctions in an effort to force Rhodesia to renounce her action. And yet, white Rhodesia survived. Less than one-quarter million white Rhodesians continued to dominate five million Africans and to fend off all internal and international pressures for change.

Larry W. Bowman’s comprehensive analysis of Rhodesian society and politics, from the arrival of Europeans in 1890 to the present, shows that the political crises starting in the 1960s were firmly rooted in choices and patterns of interaction established much earlier. The author concentrates on the period from the beginning of the Central African Federation in 1953 to the Pearce Commission’s rejection in May 1972 of the attempt by the British and Rhodesian governments to resolve their differences. He challenges the widely held view that there existed during the 1950s and 1960s a viable possibility of serious interracial cooperation leading to a working multiracial or African nationalist government. His conclusion is that the white system is solidly entrenched, reflecting over eighty years of persistent growth and elaboration coupled with British indifference, and that change is unlikely to come about except through violence.

Bowman’s material is unique, for it was gathered during a two-year stay in Rhodesia when critical events were taking place; his documents, interviews, and research cannot be duplicated. His study includes a close examination of the internal workings of the Rhodesian Front Party which has governed Rhodesia since 1962.