The Ace of Lightning
Stephen-Paul Martin University of Alabama Press, 2017 Library of Congress PS3563.A7292A6 2016 | Dewey Decimal 813.54
Stephen-Paul Martin’s The Ace of Lightning is a series of interconnected stories focused on a turning point in Western history: the assassination in Sarajevo of Archduke Franz Ferdinand of Austria which triggered World War I, and the mysterious circumstances that led Gavrilo Princip to shoot and kill the heir apparent to one of Europe’s most powerful empires.
Far from being a conventional work of historical fiction, Martin’s collection asks readers to think about what truly constitutes history. What would the past look like if history was written under the influence of Mad Magazine and The Twilight Zone? What happens when the assassination in Sarajevo becomes “the assassination in Sarajevo,” when Gavrilo Princip becomes “Gavrilo Princip,” when the past and the present shape a textual future that looks suspiciously like a past that never was and a present that never is?
John Smolens Michigan State University Press, 2018 Library of Congress PS3569.M646A82 2018 | Dewey Decimal 813.54
On a stifling afternoon in September 1901, a young anarchist, Leon Czolgosz, waits in line to meet President William McKinley at the Pan-American Exposition in Buffalo. Czolgosz’s right hand is wrapped in a handkerchief and held across his chest as though it were in a sling. But the handkerchief conceals a .32-caliber revolver. When the president greets him, Czolgosz fires two shots. The nation quickly plummets into fear and anger. A week later, a rioting mob attempts to lynch McKinley’s assassin, and across the country, political dissidents such as the notorious Emma Goldman are arrested. Driven by a sense of duty and his love for a beautiful Russian prostitute, Czolgosz’s confidant, Moses Hyde, infiltrates an anarchist group as it sets in motion a deadly scheme designed to push the country into a state of terror. The Anarchist brilliantly renders a haunting and belligerent twentieth-century landscape teeming with corrupt politicians, dissidents, and immigrants eager for a fresh start in an America where every allegiance is questioned, and every hope and aspiration comes at a price.
A skeptical follower of James Jesse Strang once wrote: "No man can serve two masters. You cannot serve a temporal king and a republican government at the same time. The thing is preposterous." And yet, under Strang, such a system survived in Michigan for six years. This book traces the life and assassination of King Strang, the extraordinary Mormon leader who, in the 1850s, created a literal kingdom on Beaver Island, in Lake Michigan.
As a young man, Strang was a dreamer of grandiose dreams---dreams of power, of royalty, and of fame. For him, the dreams came true. But in his pursuit of those dreams, Strang walked a tightrope to avoid ever-impending doom. Strang's kingdom flourished despite perennial conflicts with non-Mormons, including a gun battle with mainlanders, and despite a major prosecution by the federal government. His kingdom was designed to be totally independent of the state and nation. And yet, he was a shrewd political tactician who took advantage of Michigan law to be twice elected to the state legislature and become what one Detroit newspaper called the most powerful politician in the state.
Here is Strang the man of contrasts and contradictions, the strident opponent of polygamy and the husband of five wives, the astute editor and the incendiary propagandist, the prophet and the scoundrel, the man who through the sheer force of his personality made his followers a group to be feared in his region.
Vast amount of fresh information, including contemporary journals, documents, and letters never before used by biographers help draw a portrait of one of the most complex and resourceful leaders in American history.
Drawn in part from personal interviews with participants and witnesses, Herbert Braun’s analysis of the riot’s roots, its patterns and consequences, provides a dramatic account of this historic turning point and an illuminating look at the making of modern Colombia.
Braun’s narrative begins in the year 1930 in Bogotá, Colombia, when a generation of Liberals and Conservatives came to power convinced they could kept he peace by being distant, dispassionate, and rational. One of these politicians, Jorge Eliécer Gaitán, was different. Seeking to bring about a society of merit, mass participation, and individualism, he exposed the private interests of the reigning politicians and engendered a passionate relationship with his followers. His assassination called forth urban crowds that sought to destroy every visible evidence of public authority of a society they felt no longer had the moral right to exist.
This is a book about behavior in public: how the actors—the political elite, Gaitán, and the crowds—explained and conducted themselves in public, what they said and felt, and what they sought to preserve or destroy, is the evidence on which Braun draws to explain the conflicts contained in Colombian history. The author demonstrates that the political culture that was emerging through these tensions offered the hope of a peaceful transition to a more open, participatory, and democratic society.
“Most Colombians regard Jorge Eliécer Gaitán as a pivotal figure in their nation’s history, whose assassination on April 9, 1948 irrevocably changed the course of events in the twentieth century. . . . As biography, social history, and political analysis, Braun’s book is a tour de force.”—Jane M. Rausch, Hispanic American Historical Review
The Assassination of Paris
Louis Chevalier University of Chicago Press, 1994 Library of Congress DC771.C4713 1994 | Dewey Decimal 363.69
Published to controversial acclaim in 1977, The Assassination of Paris describes the transformation of the Paris of Raymond Queneau and Henri Cartier-Bresson; of quartiers of carpenters and Communists and country folk from the Auvergne; of dance halls and corner cafes. Much of Louis Chevalier's Paris faced the wrecking ball in the 1950s, 60s, and 70s, as Georges Pompidou, Andre Malraux and their cadres of young technocratic elites sought to proclaim the glory of the new France by reinventing the capital in brutal visions of glass and steel. Chevalier sought to tell the world what was at stake, and who the villains were.
He describes an almost continual parade of garish and grandiose plans: some, like the destruction of the glorious marketplace of les Halles for him the heart of the city, were realized; others, like the superhighway along the left bank of the Seine, were bitterly and successfully resisted.
Almost twenty years later, we find it difficult to remember the city as it was. And while Paris looks to many much the way it always has, behind the carefully sandblasted stone and restored shop fronts is a city radically transformed—emptied of centuries of popular life; of entire neighborhoods and the communities they housed engineered out to desolate suburban slums. The battle over the soul and spirit of the city continues.
This book is not entirely about the loss of physical places. Or a romance about a world that never really was. It is a cautionary tale filled with lessons for all who struggle to protect the human scale, the diversity, and the welcoming public life that are the threatened gifts of all great cities.
In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactions, including arson against Muslim schools and mosques. In The Assassination of Theo van Gogh, Ron Eyerman explores the multiple meanings of the murder and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community. After meticulously analyzing the actions and reputations of van Gogh and others in his milieu, the motives of the murderer, and the details of the assassination itself, Eyerman considers the various narrative frames the mass media used to characterize the killing.
Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country’s treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995.
Assassins have been killing the powerful and famous for at least three thousand years. Personal ambition, revenge, and anger have encouraged many to violent deeds, like the Turkish sultan who had nineteen of his brothers strangled or the bodyguards who murdered a dozen Roman emperors. More recently have come new motives like religious and political fanaticism, revolution and liberation, with governments also getting in on the act, while many victims seem to have been surprisingly careless: Abraham Lincoln was killed after letting his bodyguard go for a drink. So, do assassinations work? Drawing on anecdote, historical evidence, and statistical analysis, Assassins’ Deeds delves into some of history’s most notorious acts, unveiling an intriguing cast of characters, ingenious methods of killing, and many unintended consequences.
Images of the assassination of John F. Kennedy are burned deeply into the memories of millions who watched the events of November 1963 unfold live on television. Never before had America seen an event of this magnitude as it happened. But what is it we remember? How did the near chaos of the shooting and its aftermath get transformed into a seamless story of epic proportions? In this book, Barbie Zelizer explores the way we learned about and came to make sense of the killing of the president.
Covering the Body (the title refers to the charge given journalists to follow a president) is a powerful reassessment of the media's role in shaping our collective memory of the assassination—at the same time as it used the assassination coverage to legitimize its own role as official interpreter of American reality. Of the more than fifty reporters covering Kennedy in Dallas, no one actually saw the assassination. And faced with a monumentally important story that was continuously breaking, most journalists had no time to verify leads or substantiate reports. Rather, they took discrete moments of their stories and turned them into one coherent narrative, blurring what was and was not "professional" about their coverage.
Through incisive analyses of the many accounts and investigations in the years since the shooting, Zelizer reveals how journalists used the assassination not just to relay the news but to address the issues they saw as central to the profession and to promote themselves as cultural authorities. Indeed, argues Zelizer, these motivations are still alive and are at the core of the controversy surrounding Oliver Stone's movie, JFK.
At its heart, Covering the Body raises serious questions about the role of the media in defining our reality, and shaping our myths and memories. In tracing how journalists attempted to answer questions that still trouble most Americans, Zelizer offers a fascinating analysis of the role of the media as cultural authorities.
The assassination of President John F. Kennedy has generated countless books, virtually all of them heavily biased for or against the “lone assassination” conclusion of the Warren Commission. Now, in the first scholarly treatment of the assassination, Michael Kurtz brings all the skills and objectivity of the professional historian to bear on the key question: “Who killed President Kennedy?”
This book recounts the tragic events of November 22, 1963, and provides a detailed critical analysis of the investigations of the Warren Commission and the House Select Committee on Assassinations. Professor Kurtz outlines the major areas of controversy about the assassination and sifts all the known evidence before concluding that both official inquiries failed to evaluate the considerable evidence of an assassination conspiracy. Operating on the a priori assumption that Lee Harvey Oswald was guilty, the Commission and the Committee both ignored and distorted the overwhelming evidence that more than one assassin fired shots at the president. Professor Kurtz also shows why the most prevalent conspiracy theories fail to fit the facts and concludes by offering a new and more plausible theory of how the assassination occurred.
Thoroughly documented and based on the most exhaustive research carried out to date on John Kennedy’s murder, Crime of the Century draws on a variety of primary source materials from the National Archives and the FBI’s and CIA’s declassified assassination files. It utilizes the latest source materials released by the House Select Committee’s investigation. The depth of research, the rigorously objective sifting of evidence, and the incisive critique of official investigative bias make this a book of importance not only to students of the Kennedy assassination in particular, but also to scholars of government response to political violence in general.
Michael L. Kurtz is professor of history at Southeastern Louisiana University, Hammond, Louisiana. He is co-author of LOUISIANA: A HISTORY and was associate editor for READINGS IN LOUISIANA HISTORY.
Art Simon Temple University Press, 1996 Library of Congress NX652.K45S56 1996 | Dewey Decimal 700
Association of American University Presses Book Jacket Award, 1996
"Beginning with a description of a poster for a punk band and ending with a critique of the movie JFK, this work marshals an impressive array of cultural information in attempting to provide an overall history of the genre. Simon closely examines images and films, relating them to the continuing struggle over the authoring and interpretation of the story of Kennedy's death."
The assassination of John F. Kennedy provoked intense public debates and focused the world's attention on the recorded details of the event in still and moving images. Intense scrutiny of the testimony and images became a national obsession. Dangerous Knowledge argues that the very currents that powered the debates also prompted a crisis in interpretation that profoundly affected American culture.
From 1963 to the present day, amateur sleuths have proposed compelling theories of who was responsible for Kennedy's death and why. In the process they entered into an ongoing struggle centered in questions of authority: Who has access to evidence and the power to interpret history? What is the relation of photographs and films to the writing of history? To show how this struggle literally changed history and figured in the avant-garde's artistic production, Art Simon considers a wide range of cultural work shaped by the assassination.
Simon reveals the influence of the assassination theorists on commercial films such as JFK and Parallax View and shows how the images that blanketed the media resurfaced in Andy Warhol's silk screens, work and underground film of Bruce Conner, and other 1960s artists where they become vehicles for challenging the truth value of photographs or the public's endless fascination with celebrities.
"This history of the representation of the JFK assassination makes a terrific contribution to film studies and indeed to cultural studies generally. Moving with wit and erudition across political history, avant-garde film, serigraphy, journalism, and mass-market film, Simon transcends the banalities of the high culture/low culture binary to produce a study of exemplary range and insight."
--David E. James, School of Cinema-Television, University of Southern California
Fifty years ago, the assassination of John F. Kennedy shocked the world and focused attention to the 8mm footage shot by Abraham Zapruder. The event fueled conspiracy theories and repeated viewings of Zapruder's film as seemingly everyone in the world searched for motive and conclusive proof of a single gunman.
In his new Preface to this edition of Dangerous Knowledge, Art Simon discusses public fascination with celebrity deaths and recent assassination-related media-from documentaries to scholarly books to the scandalous video game JFK Reloaded-to show that the assassination continues to inspire writers, artists, and filmmakers.
Dangerous Knowledge examines the seminal works of art associated with the assassination, including Andy Warhol's silk screens, the underground films of Bruce Conner, and provocative Hollywood films like The Parallax View and JFK. Simon's investigation places assassination art and images within a historical context-one that helps us understand what the assassination has meant to American culture.
The case of the six Jesuits and two women murdered at Central American University (UCA) in San Salvador on November 16, 1989, has come to signify, by extension, a class-action suit on behalf of the 70,000 people tortured and executed over the course of a decade by the Salvadoran Armed Forces, with the complicity of the government. The identification of all those responsible for the Jesuit murders—the intellectual authors as well as the triggermen—would provide a first step toward purging and reforming a system that has made these kinds of crimes possible. This report by the Lawyers Committee for Human Rights, which served as legal counsel to the Jesuits since December 1989, documents the story of the Jesuit murders in the most comprehensive history and analysis to date.
Martha Doggett establishes the background leading up to the murders—the preceding years of human rights abuses and of political distortions promulgated about the Jesuits. She then sifts through the evidence of the crime, scrutinizes the subsequent efforts at cover-up, analyzes the process of the trial itself, and identifies the high-level officials thought to be ultimately responsible for ordering and concealing the truth about the murders. She concludes that a number ofcivilians as well as military paraticlipated and that the decision was made some time before the night of the actual murders. Drawing on primary and journalistic sources, investigative reports, U.S. and Salvadoran government documents, and interviews conducted by the Lawyers Committee for Human Rights and other organizations, Doggett traces the military's repeated obstruction of justice and the ambivalent responses by U.S. officials courting political expediency. She observes the effects of international protests (including the report by U.S. Congressman Joe Moakley) and outlines the limitations inherent in El Salvador's legal system.
Bringing the chronicle up to the present, this volume includes the first published English-language translation of the portion of the Truth Commission report dealing with the Jesuits' case, an analysis of the Truth Commission's conclusions, and reactions to the amnesty and release from prison of all persons convicted for the crime. Appendixes include chronologies of the case and of attacks on El Salvador's Jesuits; lists of the names of all the persons figuring in the case and profiles of the defendants; the report of the Lawyers Committee's trial observer; and a list of previous publications on the case by the Lawyers Committee and UCA, as well as reports of trial observers from other organizations.
Death in the Congo
Emmanuel Gerard Harvard University Press, 2015 Library of Congress DT658.22.L85G47 2015 | Dewey Decimal 967.51031
Fifty years later, the murky circumstances and tragic symbolism of Patrice Lumumba’s assassination trouble many people around the world. Emmanuel Gerard and Bruce Kuklick reveal a tangled web of international politics in which many people—black and white, well-meaning and ruthless, African, European, and American—bear responsibility for this crime.
Death of Somoza
Claribel Alegría & Darwin Flakoll Northwestern University Press, 1996 Library of Congress F1527.S6A53 1996 | Dewey Decimal 989.2121
Death of Somoza reveals the inside story of the assassination of Anastasio Somoza Debayle in Asuncion, Paraguay in 1980. Alegria and Flakoll, on the recommendation of Julio Cortazar, met "Ramon," a leader in the Argentinian Revolutionary Workers' Party (PRT) and with his help were able to interview all the survivors of the commando team that carried out the "bringing to justice" of Somoza. Alegria and Flakoll rewove these testimonies into a narrative that reads like a thriller and gives a vivid picture of the political and social climate of the time. Enlivened by its colorful cast of characters, Death of Somoza is the definitive account of how Anastasio Somoza Debayle was brought to justice. This story is not an apology for terrorism, but rather the chronicle of a tyrannicide.
Devil's Game traces the amazing career of Charles A. Dunham, Civil War spy, forger, journalist, and master of dirty tricks. Writing for a variety of New York papers under alternate names, Dunham routinely faked stories, created new identities, and later boldly cast himself to play those roles. He achieved his greatest infamy when he was called to testify in Washington concerning Abraham Lincoln's assassination. Many parts of Dunham's career remain shadowy, but Cumming offers the first detailed tour of Dunham's convoluted, high-stakes, international deceits, including his effort to sell Lincoln on plans for a raid to capture Jefferson Davis.
Exhaustively researched and unprecedented in depth, this carefully crafted assessment of Dunham's motives, personality, and the complex effects of his schemes changes assumptions about covert operations during the Civil War.
This is a stellar, courageous work of investigative journalism and historical scholarship—grippingly told, meticulously documented, and doggedly pursued over thirty years. Tracking a Cold War confrontation that has compromised the national interests of both Mexico and the United States, Eclipse of the Assassins exposes deadly connections among historical events usually remembered as isolated episodes.
Authors Russell and Sylvia Bartley shed new light on the U.S.-instigated “dirty wars” that ravaged all of Latin America in the 1960s, ’70s, and ’80s and reveal—for the first time—how Mexican officials colluded with Washington in its proxy contra war against the Sandinista government of Nicaragua. They draw together the strands of a clandestine web linking:
the assassination of prominent Mexican journalist Manuel Buendía
the torture and murder of U.S. Drug Enforcement Administration agent Enrique Camarena
the Iran-Contra scandal
a major DEA sting against key CIA-linked Bolivian, Panamanian, and Mexican drug traffickers
CIA-orchestrated suppression of investigative journalists
criminal collusion of successive U.S. and Mexican administrations that has resulted in the unprecedented power of drug kingpins like “El Chapo” Guzmán.
Eclipse of the Assassins places a major political crime—the murder of Buendía—in its full historical perspective and shows how the dirty wars of the past are still claiming victims today.
Best books for public & secondary school libraries from university presses, American Library Association
On May 21, 1991, University of Chicago professor Ioan Culianu was murdered execution-style on campus. The crime stunned the school, terrified students, and mystified the FBI. The case remains unsolved. In Eros, Magic, and the Murder of Professor Culianu, award-winning investigative reporter Ted Anton shows that the murder is what Culianu's friends suspected all along: the first political assassination of a professor on American soil.
Intended as a companion volume to the De multro, the book provides an outline of the Flemish crisis of 1127-28 and summarizes what is known about Galbert. It traces the elaboration of the De multro from a set of wax notes to a nearly completed chronicle.
On August 20, 1940, Marxist philosopher, politician, and revolutionary Leon Trotsky was attacked with an ice axe in his home in Coyoacán, Mexico. He died the next day.
In The Great Prince Died, Bernard Wolfe offers his lyrical, fictionalized account of Trotsky’s assassination as witnessed through the eyes of an array of characters: the young American student helping to translate the exiled Trotsky’s work (and to guard him), the Mexican police chief, a Rumanian revolutionary, the assassin and his handlers, a poor Mexican “peón,” and Trotsky himself. Drawing on his own experiences working as the exiled Trotsky’s secretary and bodyguard and mixing in digressions on Mexican culture, Stalinist tactics, and Bolshevik history, Wolfe interweaves fantasy and fact, delusion and journalistic reporting to create one of the great political novels of the past century.
Bloody, fiery spectacles—the Challenger disaster, 9/11, JFK’s assassination—have given us moments of catastrophe that make it easy to answer the “where were you when” question and shape our ways of seeing what came before and after. Why are these spectacles so packed with meaning?
In The Iconoclastic Imagination, Ned O’Gorman approaches each of these moments as an image of icon-destruction that give us distinct ways to imagine social existence in American life. He argues that the Cold War gave rise to crises in political, aesthetic, and political-aesthetic representations. Locating all of these crises within a “neoliberal imaginary,” O’Gorman explains that since the Kennedy assassination, the most powerful way to see “America” has been in the destruction of representative American symbols or icons. This, in turn, has profound implications for a neoliberal economy, social philosophy, and public policy. Richly interwoven with philosophical, theological, and rhetorical traditions, the book offers a new foundation for a complex and innovative approach to studying Cold War America, political theory, and visual culture.
"Junius and Joseph examines Joseph Smith's nearly forgotten  presidential bid, the events leading up to his assassination on June 27, 1844, and the tangled aftermath of the tragic incident. It... establishes that Joseph Smith's murder, rather than being the deadly outcome of a spontaneous mob uprising, was in fact a carefully planned military-style execution. It is now possible to identify many of the key individuals engaged in planning his assassination as well as those who took part in the assault on Carthage jail. And furthermore, this study presents incontrovertible evidence that the effort to remove the Mormon leader from power and influence extended well beyond Hancock County [Illinois] (and included prominent Whig politicians as well as the Democratic governor of the state), thereby transforming his death from an impulsive act by local vigilantes into a political assassination sanctioned by some of the most powerful men in Illinois. The circumstances surrounding Joseph Smith's death also serve to highlight the often unrecognized truth that a full understanding of early Mormon history can be gained only when considered in the context of events taking place in American society as a whole."
On April 22, 1865, Brevet Colonel H. L. Burnett was assigned to head the investigation into the murder of President Abraham Lincoln and the attempted murder of Secretary of State William H. Seward. Burnett orchestrated the collection of thousands of documents for the Military Commission’s trial of the conspirators. This deep archive of documentary evidence--consisting of letters, depositions, eyewitness accounts, investigative reports, and other documents--provides invaluable insight into the historical, cultural, and judicial context of the investigation. Only a fraction of the information presented in these documents ever made its way into the trial, and most of it has never been readily accessible. By presenting an annotated and indexed transcription of these documents, this volume offers significant new access to information on the events surrounding the assassination and a vast new store of social and political history of the Civil War era.
“With tears in my eyes I think it your duty to hang every rebel caught. I feel as bad as if was my own mother or father & will be one to volunteer to try & shoot every Southern man. May God have mercy on the man’s soul that done such a deed.
With much Respect for our Country,
--Anonymous letter, New York, April 15, 1865
“I know Booth. He was in the habit of coming to my place to shoot. . . . He shot well, and practiced to shoot with accuracy in every possible position. . . . He was a quick shot; always silent, reticent.”
--Deposition of Benjamin Barker, Pistol Gallery proprietor
Edward Steers, Jr. Southern Illinois University Press, 2014 Library of Congress E457.5.S794 2014 | Dewey Decimal 973.7092
For 150 years, the assassination of Abraham Lincoln has fascinated the American people. Relatively few academic historians, however, have devoted study to it, viewing the murder as a side note tied to neither the Civil War nor Reconstruction. Over time, the traditional story of the assassination has become littered with myths, from the innocence of Mary Surratt and Samuel Mudd to John Wilkes Booth’s escape to Oklahoma or India, where he died by suicide several years later. In this succinct volume, Edward Steers, Jr. sets the record straight, expertly analyzing the historical evidence to explain Lincoln’s assassination.
The decision to kill President Lincoln, Steers shows, was an afterthought. John Wilkes Booth’s original plan involved capturing Lincoln, delivering him to the Confederate leadership in Richmond, and using him as a bargaining chip to exchange for southern soldiers being held in Union prison camps. Only after Robert E. Lee surrendered the Army of Northern Virginia and Richmond fell to Union forces did Booth change his plan from capture to murder. As Steers explains, public perception about Lincoln’s death has been shaped by limited but popular histories that assert, alternately, that Secretary of War Edwin Stanton engineered the assassination or that John Wilkes Booth was a mad actor fueled by delusional revenge. In his detailed chronicle of the planning and execution of Booth’s plot, Steers demonstrates that neither Stanton nor anyone else in Lincoln’s sphere of political confidants participated in Lincoln’s death, and Booth remained a fully rational person whose original plan to capture Lincoln was both reasonable and capable of success. He also implicates both Mary Surratt and Samuel Mudd, as well as other conspirators, clarifying their parts in the scheme.
At the heart of Lincoln’s assassination, Steers reveals, lies the institution of slavery. Lincoln’s move toward ending slavery and his unwillingness to compromise on emancipation spurred the white supremacist Booth and ultimately resulted in the president’s untimely death. With concise chapters and inviting prose, this brief volume will prove essential for anyone seeking a straightforward, authoritative analysis of one of the most dramatic events in American history.
On November 16, 1989, on the campus of El Salvador's University of Central America, six Jesuits and two women were murdered by members of the Salvadoran army, an army funded and trained by the United States. One of the murdered Jesuits was Ignacio Ellacuría, the university's Rector and a key, although controversial, figure in Salvadoran public life. From an opening account of this terrible crime, Paying the Price asks, Why were they killed and what have their deaths meant? Answers come through Teresa Whitfield's detailed examination of Ellacuría's life and work. His story is told in juxtaposition with the crucial role played by the unraveling investigation of the Jesuits' murders within El Salvador's peace process.
A complex and nuanced book, Paying the Price offers a history of the Church in El Salvador in recent decades, an analysis of Ellacuría's philosophy and theology, an introduction to liberation theology, and an account of the critical importance of the University of Central America. In the end, Whitfield's comprehensive picture of conditions in El Salvador suggest that the Jesuits' murders were almost inevitable. A crime that proved a turning point in El Salvador's civil war, the murders expressed the deep tragedy of the Salvadoran people beyond suffering the heartless cruelty, violence, and deceitfulness of a corrupt military and their patrons in the U.S. government.
Whitfield draws on her extensive research of Jesuit archives and private papers, Ellacuría's diaries, documents declassified by the U.S. government, and 200 interviews conducted with sources ranging from Jesuits to Salvadoran military officers, U.S. officials and congressmen to human rights campaigners.
In 1922, voters in the newly created Republic of Poland democratically elected their first president, Gabriel Narutowicz. Because his supporters included a Jewish political party, an opposing faction of antisemites demanded his resignation. Within hours, bloody riots erupted in Warsaw, and within a week the president was assassinated. In the wake of these events, the radical right asserted that only "ethnic Poles" should rule the country, while the left silently capitulated to this demand.
As Paul Brykczynski tells this gripping story, he explores the complex role of antisemitism, nationalism, and violence in Polish politics between the two World Wars. Though focusing on Poland, the book sheds light on the rise of the antisemitic right in Europe and beyond, and on the impact of violence on political culture and discourse.
On the morning of January 19, 1847, Charles Bent, the newly appointed governor of the American-claimed territory of New Mexico, was savagely killed at his home in Don Fernando de Taos, a small, remote town located north of Santa Fe. Those responsible for Bent’s murder were New Mexican settlers and Indians from nearby Taos Pueblo who refused to recognize the United States occupation. With emotions rubbed raw, the natives continued their bloodbath until five more leading citizens were massacred in Taos. During the ensuing months, American civilians and soldiers, along with scores of New Mexicans and Taos Indians, were killed and wounded throughout the region. Less than a month following Bent’s murder, in a two-day battle, volunteer and regular elements of an American army under the command of Colonel Sterling Price emerged victorious after bombarding the insurrectionists at their refuge in the church at Taos Pueblo. Surviving participants in the earlier Taos murders were arrested, tried in American-dominated courts, and, within weeks, hanged for their actions. The murder of Bent and the others at Taos and the subsequent trials and executions brought with them misunderstanding, controversy, mistrust, and recrimination on both sides of the issue. The events also subjected President James K. Polk’s administration to censure over what some critics believed was an overextension of presidential authority in claiming New Mexico as a territory. In Revolt at Taos: The New Mexican and Indian Insurrection of 1847, writer and historian James A. Crutchfield explores the fast-moving events surrounding the bloody revolt which left native inhabitants of New Mexico wondering how their neighbors and kinsmen could be legally tried, found guilty, and executed for acts they considered to have been honorable ones committed in defense of their country. These concerns have never been adequately addressed and their struggle has been all but scrubbed from the history of American expansion.
Superbly edited and annotated, this collection of the writings of John Wilkes Booth constitutes a major new primary source that contributes to scholarship on Abraham Lincoln, the Civil War, and nineteenth-century theater history. The nearly seventy documents--more than half published here for the first time--include love letters written during the summer of 1864, when Booth was conspiring against Lincoln, explicit statements of Booth's political convictions, and the diary he kept during his futile twelve-day flight after the assassination.
The Road to Dallas
David E Kaiser Harvard University Press, 2008 Library of Congress E842.9.K25 2008 | Dewey Decimal 973.922092
The assassination of President John F. Kennedy was an appalling and grisly conspiracy. In this unvarnished story, Kaiser shows that the events of November 22, 1963, cannot be understood without fully grasping the two larger stories of which they were a part: the U.S. government’s campaign against organized crime, which began in the late 1950s and accelerated dramatically under Robert Kennedy; and the furtive quest of two administrations to eliminate Fidel Castro. This book brings to light the complete, frequently shocking, story of the JFK assassination and its aftermath.
For most of his life, Robert Kennedy stood in the shadow cast by his older brother, John; only after President Kennedy's assassination did the public gain a complete sense of Robert ("Bobby," we called him) as a committed advocate for social justice and a savvy politician in his own right. In this comprehensive biography, James W. Hilty offers a detailed and nuanced account of how Robert was transformed from a seemingly unpromising youngster, unlikely to match the accomplishments of his older brothers, to the forceful man who ran "the family business," orchestrating the Kennedy quest for political power.
T. J. Waters Gallaudet University Press, 2010 Library of Congress PS3623.A8692S43 2010 | Dewey Decimal 813.6
Former golf pro Amy Kellen, recently widowed and the mother of a three-year-old daughter, hoped that her new job as a video relay service interpreter for deaf clients would bring stability into her life. She also wished to stay close to the Deaf community that meant so much to her late husband, who was deaf. Little did she know, however, that her new profession would cause her to witness the vicious killing of a deaf client during a video call. In this way author T. J. Waters thrusts Amy into a murder mystery that catches her up in intersecting worlds of intrigue—Internet scams, burglaries, and presidential politics—all connected through the rich Deaf community in Washington, DC.
During the investigation, Amy meets local detective Mike Seer and Secret Service agent Heath Rasco. Despite Seer’s insistence, she refuses to violate her professional ethics and discuss the content of the fatal call. Agent Rasco, who is hard of hearing, admires her commitment to her deaf clients. Amy admits her own attraction to the agent, but her first concern is to learn more about how her client, a respected deaf political strategist, was killed. Her pursuit causes her to witness two more murders and discover a third. She also finds herself and her daughter the targets of assassins. Secret Signs brings these extraordinary elements together in an electrifying combination that promises to surprise and satisfy.
Three Bullets Sealed His Lips
Bruce A. Rubenstein Michigan State University Press, 1987 Library of Congress KF224.A33R8 1987 | Dewey Decimal 345.7302523
The gangland style slaying if State Senator Warren G. Hooper on January 11, 1945, three days before he was to testify before a grand jury investigating alleged corruption in the Michigan legislature, forced coverage of Allied war triumphs from the state's newspaper headlines. National media representatives flocked to Michigan to join local reporters in following the efforts of grand jury special prosecutor Kim Sigler and the State Police to apprehend the killers. Because no arrests ever were made, a 1951 journalistic prediction has proven true: "The Hooper case will continue to come back to remind the people and politicians of Michigan of the black days of 1945 when almost every official of the state had his price." For this reason, the Hooper murder has endured as one of the most intriguing unsolved mysteries in the annals of Michigan crime.
Utilizing interviews, trial transcripts, State police files, and a collection of grand jury testimony long thought to have been destroyed, Professors Bruce A. Rubenstein and Lawrence E. Ziewacz set forth the reason for Hooper's assassination. Written in a lively style, using dialogue taken from court records and correspondence, Three Bullets Sealed His Lips demonstrates that historical writing need not be dull.
On June 18, 1954, former state senator Albert Patterson, the Democratic Party's nominee for state attorney general, was shot to death as he left his law office in Phenix City, Alabama, infamous for its prostitution, gambling, bootlegging, and political corruption. Patterson had made cleanup of Phenix City his primary campaign promise. With millions of dollars in illegal income and hundreds of political and professional careers at stake, the question surrounding Patterson's murder was not why the trigger was pulled, but who pulled it.
When Good Men Do Nothing is the definitive study of the Albert Patterson murder case. Alan Grady has mined the state's original murder case files; the papers of John Patterson, Albert's son; records from the Office of Alabama Attorney General (who directed the murder investigation); the case files of the Alabama Department of Toxicology and Criminal Investigation; National Guard reports; and more than 30 interviews with eyewitnesses and interested parties.
Grady takes a complex story of multiple dimensions—a large cast of judicial, criminal, and political players; a web of alliances and allegiances; and a knotted sequence of investigative revelations and dead ends—and transforms it into a readable, incisive analysis of the powers and loyalties that governed, and corrupted to the core, the body politic of the state. Readers will be enthralled and educated by this authoritative account of the most compelling crime drama in Alabama during the 20th century.
In 1888 a group of armed and masked Democrats stole a ballot box from a small town in Conway County, Arkansas. The box contained most of the county’s black Republican votes, thereby assuring defeat for candidate John Clayton in a close race for the U.S. Congress. Days after he announced he would contest the election, a volley of buckshot ripped through Clayton’s hotel window, killing him instantly. Thus began a yet-to-be-solved, century-old mystery.
More than a description of this particular event, however, Who Killed John Clayton? traces patterns of political violence in this section of the South over a three-decade period. Using vivid courtroom-type detail, Barnes describes how violence was used to define and control the political system in the post-Reconstruction South and how this system in turn produced Jim Crow. Although white Unionists and freed blacks had joined under the banner of the Republican Party and gained the upper hand during Reconstruction, during these last decades of the nineteenth century conservative elites, first organized as the Ku Klux Klan and then as the revived Democratic Party, regained power—via such tactics as murdering political opponents, lynching blacks, and defrauding elections.
This important recounting of the struggle over political power will engage those interested in Southern and American history.
Written in Blood offers a fundamentally new interpretation of the emergence of modern terrorism, arguing that it formed in the Russian literary imagination well before any shot was fired or bomb exploded. In March 1881, Russia stunned the world when a small band of revolutionaries calling themselves "terrorists" assassinated the Tsar-Liberator, Alexander II. Horrified Russians blamed the influence of European political and social ideas, while shocked Europeans perceived something new and distinctly Russian in a strategy of political violence that became known the world over as "terrorism" or "the Russian method."
Lynn Ellen Patyk contends that the prototype for the terrorist was the Russian writer, whose seditious word was interpreted as an audacious deed—and a violent assault on autocratic authority. The interplay and interchangeability of word and deed, Patyk argues, laid the semiotic groundwork for the symbolic act of violence at the center of revolutionary terrorism. While demonstrating how literary culture fostered the ethos, pathos, and image of the revolutionary terrorist and terrorism, she spotlights Fyodor Dostoevsky and his "terrorism trilogy"—Crime and Punishment (1866), Demons (1870–73), and The Brothers Karamazov (1878–80)—as novels that uniquely illuminate terrorism's methods and trajectory. Deftly combining riveting historical narrative with penetrating literary analysis of major and minor works, Patyk's groundbreaking book reveals the power of the word to spawn deeds and the power of literature to usher new realities into the world.