A SCHOLARLY BOOK REPOSITORY443 start with M start with M
“Taut and illuminating . . . memorable . . . written with the humility of he who confesses himself and with the honesty of he who bore witness.”—Primo Levi
“The writing of memoirs is a difficult art that Dan Segre fully possesses. Under his pen, history and psychology merge in one captivating narrative which illuminates the turmoils, fears and triumphs of his generation.”—Elie Wiesel
“Beautifully written. . . . [A] labyrinthine, spell-binding autobiography, full of passionate tenderness.”—New York Review of Books
“An unusually attractive book—attractive in its irony, its energy and its moral insight. Mr. Segre had some rich material to work with, and he has done it justice.”—New York Times
When Henry Grady died in 1957, one obituary called him “America’s top diplomatic soldier” for a critical period of the Cold War, and over a long career he was deeply involved in events that changed our role in the world. Even so, this self-described “soft” cold warrior has been largely overlooked by historians. His memoirs, left to languish with his other papers, are now published for the first time, offering new insight into the origins and implementation of American trade and development policies—and into the tumult that was the Cold War.
A specialist in international economic policy, Grady helped create the system of reciprocal trade established under FDR during the depression. Progressing in his career through his abilities rather than through political connections, he was sent to India during World War II to spark its production for the war effort, then to Italy to help jump-start its economy once German forces were driven out. After the war, he was the first American ambassador to an independent India, then served as ambassador to Greece and Iran—where he was embroiled in the oil industry crisis that eventually led to the CIA’s overthrow of Prime Minister Mohammad Mossadegh.
Grady’s memoirs are an intriguing and informative account of early Cold War diplomacy in significant and turbulent regions of the Third World, embellished by his thoughts about the changing nature of American economic policies and his role as a representative of that system abroad. It offers new perspectives on the crisis in Iran in the early 1950s, where Grady was especially critical of Secretary of State Dean Acheson’s support for the remnants of British imperialism in Iran—and paid for his criticism with his job. Editor John McNay’s introduction and comments shed light on Grady’s thinking and his role in the policy-making process.
More than a chronicle of a wide-ranging career—one that reflects the emergence of the United States as the world’s leading economic power—Grady’s memoirs are a trenchant critique of U.S. foreign policy in the first half of the twentieth century. They provide modern readers an opportunity to reconsider the conflict between realism and idealism in foreign relations during the Cold War years.
Memoirs of an Early Arab Feminist is the first English translation of the memoirs of Anbara Salam Khalidi, the iconic Arab feminist. At a time when women are playing a leading role in the Arab Spring, this book brings to life an earlier period of social turmoil and women's activism through one remarkable life.
Anbara Salam was born in 1897 to a notable Sunni Muslim family of Beirut. She grew up in 'Greater Syria', in which unhindered travel between Beirut, Jerusalem and Damascus was possible, and wrote a series of newspaper articles calling on women to fight for their rights within the Ottoman Empire. In 1927 she caused a public scandal by removing her veil during a lecture at the American University of Beirut.
Later she translated Homer and Virgil into Arabic and fled from Jerusalem to Beirut following the establishment of Israel in 1948. She died in Beirut in 1986. These memoirs have long been acclaimed by Middle East historians as an essential resource for the social history of Beirut and the larger Arab world in the 19th and 20th centuries.
The memoirs of Marguérite Schenkhuizen provide an overview of practically the whole of the twentieth century as experienced by persons of mixed Dutch and Indonesian ancestry who lived in the former Dutch East Indies. The memoirs provide vignettes of Indonesian life, both rural and urban, as seen through the eyes of the author first as a girl, then as a wife separated from her husband during the Japanese occupation, finally as an immigrant to the United States after World War II.
This self-portrait gives glimpses of the life of Indos from inside their society, glimpses that are valuable for their descendents as well as for outsiders. Written with humor and a positive town, Schenkhuizen’s story sets aside the myth that Indos were denied access to the upper layers of Dutch colonial society or were otherwise disadvantaged. Instead, her life story provides an authentic view of a vital Indo culture and experience that has been unavailable to the general reader of English.
Numerous documents attest to the horrific conditions endured by African slaves during the centuries of the Atlantic slave trade. Less well known is the perspective of those who wielded power during this dark time in human history. The Bodleian Library fills that gap here with the memoirs of a principal figure in the slave trade, Captain Hugh Crow.
The first-hand account of a man who commanded one of the last legal slave vessels to cross the Atlantic, Life and Times of a Slave Trade Captain offers a revealing if frequently troubling look into the psyche of a slave trader. His chronicle leaves nothing to the imagination, as he recounts the harsh routine of daily life on a slave vessel, where on average a fifth of the crew—let alone the human cargo—never survived the crossing. Crow portrays himself as an “enlightened” slaver, a claim he justifies through the link between his close attention to his “negroes” and his financial success, and the songs composed for him by the slaves. His account also includes commentary on the social propriety of the slave trade and notes about the conditions on West Indian and Caribbean plantations as well as on slave ships. John Pinfold’s illuminating introduction recounts the life of Hugh Crow and sets him in the rich historical context of eighteenth-century mercantilism and its battle with the abolitionist movement. An eye-opening read, Life and Times of a Slave Trade Captain reveals an often overlooked facet in the complicated history of transatlantic slavery.
Scott joined the army in 1808, earned the rank of brigadier general in 1814, and was promoted to commanding general in 1841. During the Mexican-American War, he commanded one of the most brilliant military campaigns in American history and mentored the generation of officers who fought the Civil War, including Generals Grant, Lee, Longstreet, Beauregard, Jackson, and Meade. As a young general, he wrote the first comprehensive set of regulations to govern the army and pushed for the professionalization of the U.S. officer corps. Yet, he was ridiculed at the beginning of the war for his prescient prediction that the Civil War would be a prolonged conflict requiring extensive planning and superior strategic thinking.
With this edition, Johnson has merged Scott’s large two-volume memoir into a single, manageable volume without losing any of the original 1864 text. Extensive new annotations update Scott’s outdated notes and provide valuable illumination and context. Covering a wide range of events—from the famous 1804 duel between Aaron Burr and Alexander Hamilton through the end of the Civil War—Scott’s extraordinary account reveals the general as a sometimes
egocentric but always astute witness to the early American republic.
Timothy D. Johnson, professor of history at Lipscomb University in Nashville, is the author of Winfield Scott: The Quest for Military Glory and A Gallant Little Army: The Mexico City Campaign. He is coeditor, with Nathaniel Cheairs Hughes Jr., of A Fighter from Way Back: The Mexican War Diary of Lt. Daniel Harvey Hill and Notes of the Mexican War by J. Jacob Oswandel.
Originally written in French, first published in English, and long out of print, Dashkova’s Memoirs tell the story of a woman who at age eighteen played an important role in the coup that brought Catherine the Great to the throne. The relationship between these two women, often tense, is a central theme throughout this story. Dashkova, occupying the highly unusual position of both stateswoman and mother, also reveals her own path between the demands and limitations of the "private" and "public" spheres of her society. She provides a view of the expectations of Russian aristocratic women, the possibilities available to them, and the ways in which gender roles were conceived in the eighteenth century.
With a new introduction by Jehanne M Gheith, The Memoirs of Princess Dashkova will renew interest in the life of a fascinating woman for students of Russian history, women’s studies, and eighteenth-century studies. It will be a significant text for those engaged in the cross-cultural study of the traditions of women’s autobiographical writing.
As a young Black orphan indentured to a Quaker family in Bristol, Pennsylvania, Zilpha Elaw (c. 1793–1873) decided to join the upstart Methodists in 1808. She preached her first sermon a decade later, ignoring her husband and the many church leaders, clergy, and laity who tried to silence her. Elaw’s memoir chronicles the first twenty years of her forty-year itinerant ministry during massive Protestant revivalism in the United States and England.
Elaw preached from Maine to Virginia, attracting multiracial and multidenominational audiences that included powerful men, wealthy White women, poor families, and enslaved communities. She moved from Bristol to Burlington, New Jersey, then to Nantucket, Massachusetts, and finally, in 1840, to London’s East End. In England, Elaw’s celebrity expanded, and at least twice she drew crowds so large they caused human stampedes and multiple injuries.
Blockett’s introduction and extensive annotations draw on newly unearthed information about the entirety of Elaw’s evangelism to provide context for this remarkable story of an antebellum Black woman’s personal and professional mobility.
Philadelphia native Wendell W. Young III was one of the most important American labor leaders in the last half of the twentieth century. An Acme Markets clerk in the 1950s and ’60s, he was elected top officer of the Retail Clerks Union when he was twenty-four. His social justice unionism sought to advance wages while moving beyond collective bargaining to improve the conditions of the working-class majority, whether in a union or not. Young quickly gained a reputation for his independence, daring at times to publicly criticize the policies of the city’s powerful AFL-CIO leadership and tangle with the city’s political machine.
Editor Francis Ryan, whose introduction provides historical context, interviewed Young about his experiences working in the region’s retail and food industry, measuring the changes over time and the tangible impact that union membership had on workers. Young also describes the impact of Philadelphia’s deindustrialization in the 1970s and ’80s and recounts his activism for civil rights and the anti-war movements as well as on John F. Kennedy’s presidential campaign.
The Memoirs of Wendell W. YoungIII provides the most extensive labor history of late twentieth-century Philadelphia yet written.
Socrates without Plato.
Xenophon (ca. 430 to ca. 354 BC), a member of a wealthy but politically quietist Athenian family and an admirer of Socrates, left Athens in 401 BC to serve as a mercenary commander for Cyrus the Younger of Persia, then joined the staff of King Agesilaus II of Sparta before settling in Elis and, in the aftermath of the battle of Leuctra in 371 BC, retiring to Corinth. His historical and biographical works, Socratic dialogues and reminiscences, and short treatises on hunting, horsemanship, economics, and the Spartan constitution are richly informative about his own life and times.
This volume collects Xenophon’s portrayals of his associate, Socrates. In Memorabilia (or Memoirs of Socrates) and in Oeconomicus, a dialogue about household management, we see the philosopher through Xenophon’s eyes. Here, as in the accompanying Symposium, we also obtain insight on life in Athens. The volume concludes with Xenophon’s Apology, an interesting complement to Plato’s account of Socrates’ defense at his trial.
Prince Arfa writes with arresting wit about the deadly intrigues of the Qajar court. Lamentingly, but resolutely, he chronicles the decline of Iran from a once great empire to an almost bankrupt, lawless state, in which social unrest is channelled and exploited by the clergy. He describes the complex interactions between Iran and Europe, including an account of Naser-od-Din Shah’s profligate visits to Britain and France; the splendor and eccentricities of the doomed Tsar Nicholas II’s court; the Tsar’s omen-laden coronation; and his own favor with the Tsarina, who would grant him concessions on matters of vital importance to his country. The result is a memoir of extraordinary political intrigue.
Memories of a Gay Catholic Boyhood is D’Emilio’s coming-of-age story in which he takes readers from his working-class Bronx neighborhood to an elite Jesuit high school in Manhattan to Columbia University and the political and social upheavals of the late 1960s. He shares his personal experiences of growing up in a conservative, tight-knit, multigenerational family, how he went from considering entering the priesthood to losing his faith and coming to terms with his same-sex desires. Throughout, D’Emilio outlines his complicated relationship with his family while showing how his passion for activism influenced his decision to use research, writing, and teaching to build a strong LGBTQ movement.
This is not just John D’Emilio’s personal story; it opens a window into how the conformist baby boom decade of the 1950s transformed into the tumultuous years of radical social movements and widespread protest during the 1960s. It is the story of what happens when different cultures and values collide and the tensions and possibilities for personal discovery and growth that emerge. Intimate and honest, D’Emilio’s story will resonate with anyone who has had to chart their own path in a world they did not expect to find.
Historian, author, and intellectual, Ruiz has established himself through such books as Triumphs and Tragedy: A History of the Mexican People and Cuba: The Making of a Revolution, and in 1998 he was awarded the National Humanities Medal by President Clinton. Now he turns his pen on his own life to offer a personal look at what it really means to be American by birth but Mexican by culture.
Little has been written by or about persons of Mexican origin who have achieved the academic stature of Ruiz, and his memoir provides insights not found in the more common biographies of labor leaders and civil rights activists. His early life straddled the social worlds of his parent's Mexico and semi-rural America, where his father's success as an entrepreneur and property owner set his family's experiences apart from those of most other Mexican Americans at the time. His parents reinforced in their children an identity as mexicanos, and that connection with his ancestral roots was for Ruiz a lifejacket in the days of acute bigotry in America.
In making an early, self-conscious commitment to a life of the mind, Ruiz became aware of his unique nature, and while not immune to prejudice he was able to make a name for himself in several endeavors. As a student, he attended college when few Mexican Americans were given that opportunity, and he was one of the first of his generation to earn a Ph.D. As an Army Air Force officer during World War II, he served as a pilot in the Pacific theatre. And as an intellectual, he navigated the currents of the historical profession and charted new directions in Latin American research through his prolific writing.
Ruiz's career teaching took him to Mexico, Massachusetts, Texas, Oregon—often as the lone "Mexican professor," and ultimately back to his native California. While teaching at Smith, he exulted in being "free to interpret Spanish American life and culture to my heart's content," and at the University of California, San Diego, he saw the era of campus racial barrier give way to the birth of affirmative action. While at UCSD, he taught hundreds of Chicanos and trained one of the largest groups of Chicano Ph.D's.
Memories of a Hyphenated Man is the story of a unique individual who, while shaped by his upbringing and drawing on deep cultural roots, steadfastly followed his own compass in life. It tells of a singular man who beat the odds as it poignantly addresses the ambiguities associated with race, class, citizenship, and nationality for Mexicans and Mexican Americans.
According to legend, the Garden of Eden was located in Iraq, and for millennia, Jews resided peacefully in metropolitan Baghdad. Memories of Eden: A Journey Through Jewish Baghdad reconstructs the last years of the oldest Jewish Diaspora community in the world through the recollections of Violette Shamash, a Jewish woman who was born in Baghdad in 1912, sent to her daughter Mira Rocca and son-in-law, the British journalist Tony Rocca. The result is a deeply textured memoir—an intimate portrait of an individual life, yet revealing of the complex dynamics of the Middle East in the twentieth century.
Toward the end of her long life, Violette Shamash began writing letters, notes, and essays and sending them to the Roccas. The resulting book begins near the end of Ottoman rule and runs through the British Mandate, the emergence of an independent Iraq, and the start of dictatorial government. Shamash clearly loved the world in which she grew up but is altogether honest in her depiction of the transformation of attitudes toward Baghdad’s Jewish population. Shamash’s world is finally shattered by the Farhud, the name given to the massacre of hundreds of Iraqi Jews over three days in 1941. An event that has received very slight historical coverage, the Farhud is further described and placed in context in a concluding essay by Tony Rocca.
In 1910, at the age of fifty-one, Alexander Ziskind Gurwitz made the bold decision to emigrate with his wife and four children from southeastern Ukraine in Tsarist Russia to begin a new life in Texas. In 1935, in his seventies, Gurwitz composed a retrospective autobiography, Memories of Two Generations, that recounts his personal story both of the rich history of the lost Jewish world of Eastern Europe and of the rambunctious development of frontier Jewish communities in the United States.
In both Europe and America, Gurwitz inhabited an almost exclusively Jewish world. As a boy, he studied in traditional yeshivas and earned a living as a Hebrew language teacher and kosher butcher. Widely travelled, Gurwitz recalls with wit and insight daily life in European shtetls, providing perceptive and informative comments about Jewish religion, history, politics, and social customs. Among the book’s most notable features is his first-hand, insider’s account of the yearly Jewish holiday cycle as it was observed in the nineteenth century, described as he experienced it as a child.
Gurwitz’s account of his arrival in Texas forms a cornerstone record of the Galveston Immigration Movement; this memoir represents the only complete narrative of that migration from an immigrant’s point of view. Gurwitz’s descriptions about the development of a thriving Orthodox community in San Antonio provide an important and unique primary source about a facet of American Jewish life that is not widely known.
Gurwitz wrote his memoir in his preferred Yiddish, and this translation into English by Rabbi Amram Prero captures the lyrical style of the original. Scholar and author Bryan Edward Stone’s special introduction and illuminating footnotes round out a superb edition that offers much to experts and general readers alike.
Through 29 storylike essays, Gonzalez takes readers into the heart of the desert and the soul of a developing poet. He introduces us to the people who shaped his life. We learn of his father's difficulties with running a pool hall and of his grandmother's steadfast religious faith. We meet sinister Texas Rangers, hallucinatory poets, illegal aliens, and racist high school jocks. His vivid recollections embrace lizard hunts and rattlesnake dreams, rock music and menudo making—all in stories that convey the pains and joys of growing up on the border. As Gonzalez leads us through his desert of hope and vision, we come to recognize the humor and sadness that permeate this special place.
Latin America has been a refuge for Jews fleeing persecution from 1492, when Sepharad Jews were expelled from Spain, until well into the twentieth century, when European Jews sought sanctuary there from the horrors of the Nazi Holocaust. Vibrant Jewish communities have deep roots in countries such as Argentina, Mexico, Guatemala, and Chile—though members of these communities have at times experienced the pain of being "the other," ostracized by Christian society and even tortured by military governments. While commonalities of religion and culture link these communities across time and national boundaries, the Jewish experience in Latin America is irreducible to a single perspective. Only a multitude of voices can express it.
This anthology gathers fifteen essays by historians, creative writers, artists, literary scholars, anthropologists, and social scientists who collectively tell the story of Jewish life in Latin America. Some of the pieces are personal tales of exile and survival; some explore Jewish humor and its role in amalgamating histories of past and present; and others look at serious episodes of political persecution and military dictatorship. As a whole, these challenging essays ask what Jewish identity is in Latin America and how it changes throughout history. They leave us to ponder the tantalizing question: Does being Jewish in the Americas speak to a transitory history or a more permanent one?
Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
As a black Appalachian woman, Memphis Tennessee Garrison belonged to a demographic category triply ignored by historians.
The daughter of former slaves, she moved to McDowell County, West Virginia, at an early age and died at ninety-eight in Huntington. The coalfields of McDowell County were among the richest seams in the nation. As Garrison makes clear, the backbone of the early mining work force—those who laid the railroad tracks, manned the coke ovens, and dug the coal—were black miners. These miners and their families created communities that became the centers of the struggle for unions, better education, and expanded civil rights. Memphis Tennessee Garrison, an innovative teacher, administrative worker at U.S. Steel, and vice president of the National Board of the NAACP at the height of the civil rights struggle (1963-66), was involved with all of these struggles.
In many ways, this oral history, based on interview transcripts, is the untold and multidimensional story of African American life in West Virginia, as seen through the eyes of a remarkable woman. She portrays a courageous people who organize to improve their working conditions, send their children to school and then to college, own land, and support a wide range of cultural and political activities.
Through wrenching tragedy and tense, life-threatening challenges, Sadowski learns to find love, purpose, and healthy self-regard. In coming to understand his identity and his place within his family, he meditates on the power of real human connection and comes to grasp the damage of his troubled upbringing and the traumas caused by toxic masculinity. By turns comic and tragic, this nuanced memoir uncovers the false selves we create to get along in the world and the price we pay to maintain them.
Written at the request of young associates who felt Judd’s lifetime of experiences in the field could be both instructive and amusing, Men Met Along the Trail provides a glimpse of archaeology when it was an emerging field of study, evolving from simple curio collecting to technologically advanced radiocarbon dating and pollen analysis. Featuring more than thirty original photographs and a new foreword by Don D. Fowler, this book is entertaining and informative, offering readers a vibrant and colorful picture of the adventures to be found in early Southwestern archaeology.
In November 1532, a group of 168 Spaniards seized the Inca emperor Atahuallpa in the town of Cajamarca, in the northern Peruvian highlands. Their act, quickly taken as a symbol of the conquest of a vast empire, brought them unprecedented rewards in gold and silver; it made them celebrities, gave them first choice of positions of honor and power in the new Peru of the Spaniards, and opened up the possibility of a splendid life at home in Spain, if they so desired. Thus they became men of consequence, at the epicenter of a swift and irrevocable transformation of the Andean region. Yet before that memorable day in Cajamarca they had been quite unexceptional, a reasonable sampling of Spaniards on expeditions all over the Indies at the time of the great conquests.
The Men of Cajamarca is perhaps the fullest treatment yet published of any group of early Spaniards in America. Part I examines general types, characteristics, and processes visible in the group as representative Spanish immigrants, central to the establishment of a Spanish presence in the New World’s richest land. The intention is to contribute to a changing image of the Spanish conqueror, a man motivated more by pragmatic self-interest than by any love of adventure, capable and versatile as often as illiterate and rough. Aiming at permanence more than new landfalls, these men created the governmental units and settlement distribution of much of Spanish America and set lasting patterns for a new society.
Part II contains the men’s individual biographies, ranging from a few lines for the most obscure to many pages of analysis for the best-documented figures. The author traces the lives of the men to their beginnings in Spain and follows their careers after the episode in Cajamarca.
Swindler. Murderer. Scoundrel.
Robert Boatright was one of Middle America’s greatest confidence men. Although little remembered today, his story provides a rare glimpse into America’s criminal past. Working in concert with a local bank and an influential Democratic boss, “this dean of modern confidence men” and his colorful confederacy of con men known as the Buckfoot Gang seemed untouchable. A series of missteps, however, led to a string of court cases across the country that brought Boatright’s own criminal enterprise to an end. And yet, the con continued: Boatright’s successor, John C. Mabray, and his cronies, many of whom had been in the Buckfoot Gang, preyed upon victims across North America in one of the largest midwestern criminal syndicates in history before they were brought to heel.
Like the works of Sinclair Lewis, Boatright’s story exposes a rift in the wholesome midwestern stereotype and furthers our understanding of nineteenth- and twentieth-century American society.
"With classic butch finesse---that handsome combination of vulnerability and toughness---Peggy Shaw pieces together the challenges of growing up butch in the 1950s. Shaw is an engaging performer and inspired writer."
---Gay Community News
Obie-award-winning performer and writer Peggy Shaw has been playing her gender-bending performances on Off Broadway, regional, and international stages for three decades. Co-founder of the renowned troupe Split Britches, Shaw has gone on to create memorable solo performances that mix achingly honest introspection with campy humor, reflecting on everything from her Irish-American working-class roots to her aging butch body.
This collection of Shaw's solo performance scripts evokes a 54-year-old grandmother who looks like a 35-year-old man (in her classic Menopausal Gentleman); a mother's ambivalent ministrations to a daughter she treated like a son (in the raw You're Just Like My Father); Shaw's love for her biracial grandson, for whom she models masculinity (in the musically punctuated To My Chagrin); and a mapping of her body's long, bittersweet history (in the lyrical Must: The Inside Story, a collaboration with the UK's Clod Ensemble). The book also includes a selection of Shaw's other classic monologues and an extensive introduction by Jill Dolan, Professor of English and Theater and Dance at Princeton University and the blogger behind The Feminist Spectator website.
A volume in the series Triangulations: Lesbian/Gay/Queer Theater/Drama/Performance
Cover photos by Eva Weiss (top) and Robin Holland/robinholland.com (bottom).
Gabriel Mitchell was diagnosed with schizophrenia at age twenty-one and died by suicide eighteen years later. He left behind a remarkable archive of creative work and a father determined to honor his son’s attempts to conquer his own illness. Before his death, Gabe had been working on a film that would show madness from inside and out, as media stereotype and spectacle, symptom and stigma, malady and minority status, disability and gateway to insight. He was convinced that madness is an extreme form of subjective experience that we all endure at some point in our lives, whether in moments of ecstasy or melancholy, or in the enduring trauma of a broken heart. Gabe’s declared ambition was to transform schizophrenia from a death sentence to a learning experience, and madness from a curse to a critical perspective.
Shot through with love and pain, Mental Traveler shows how Gabe drew his father into his quest for enlightenment within madness. It is a book that will touch anyone struggling to cope with mental illness, and especially for parents and caregivers of those caught in its grasp.
Robert E. Weems Jr. restores Overton to his rightful place in American business history. Dispelling stubborn myths, he traces Overton's rise from mentorship by Booker T. Washington, through early failures, to a fateful move to Chicago in 1911. There, Overton started a popular magazine aimed at African American women that helped him dramatically grow his cosmetics firm. Overton went on to become the first African American to head a major business conglomerate, only to lose significant parts of his businesses—and his public persona as ”the merchant prince of his race”—in the Depression, before rebounding once again in the early 1940s.
Revealing and panoramic, The Merchant Prince of Black Chicago weaves the fascinating life story of an African American trailblazer through the eventful history of his times.
As a bright student-athlete on his way to West Point, Eric Wilson seemed to be well on the way to a fulfilling life. Yet he was haunted by overwhelming feelings of his deep insignificance. As he grew older, the traditional means of fulfillment—marriage and professional success—did nothing to assuage the descents into darkness and destructive behavior. Therapy and medication have offered some relief, but the birth of his daughter ultimately forces his hand. In some ways, the answer has been in front of him the whole time, for English professor Wilson finds in the literature of Coleridge, Blake, and others the lessons that depression might teach. When he comes upon “negative theology”—the school of thought that finds God in the “dark night of the soul”—Wilson discovers the framework for a radical call to forgive depression.
Only by forgiving this capricious, impersonal force is Wilson able to find the grace to move beyond the cycles of destructive self-absorption.Wilson admits that he continues to struggle, but in facing his depression instead of trying to escape it, he finds wisdom and grace.
Beautifully and accessibly written, The Mercy of Eternity is a brief yet profound meditation on the largest question of life.
Merle Haggard has enjoyed artistic and professional triumphs few can match. He’s charted more than a hundred country hits, including thirty-eight number ones. He’s released dozens of studio albums and another half dozen or more live ones, performed upwards of ten thousand concerts, been inducted into the Country Music Hall of Fame, and seen his songs performed by artists as diverse as Lynryd Skynyrd, Elvis Costello, Tammy Wynette, Willie Nelson, the Grateful Dead, and Bob Dylan. In 2011 he was feted as a Kennedy Center Honoree. But until now, no one has taken an in-depth look at his career and body of work.
In Merle Haggard: The Running Kind, David Cantwell takes us on a revelatory journey through Haggard’s music and the life and times out of which it came. Covering the entire breadth of his career, Cantwell focuses especially on the 1960s and 1970s, when Haggard created some of his best-known and most influential music, which helped invent the America we live in today. Listening closely to a masterpiece-crowded catalogue (including songs such as “Okie from Muskogee,” “Sing Me Back Home,” “Mama Tried,” “Working Man Blues,” “Kern River,” “White Line Fever,” “Today I Started Loving You Again,” and “If We Make It through December,” among many more), Cantwell explores the fascinating contradictions—most of all, the desire for freedom in the face of limits set by the world or self-imposed—that define not only Haggard’s music and public persona but the very heart of American culture.
Dawn Powell was a gifted satirist who moved in the same circles as Dorothy Parker, Ernest Hemingway, renowned editor Maxwell Perkins, and other midcentury New York luminaries. Her many novels are typically divided into two groups: those dealing with her native Ohio and those set in New York. “From the moment she left behind her harsh upbringing in Mount Gilead, Ohio, and arrived in Manhattan, in 1918, she dove into city life with an outlander’s anthropological zeal,” reads a recent New Yorker piece about Powell, and it is those New York novels that built her reputation for scouring wit and social observation.
In this critical biography and study of the New York novels, Patricia Palermo reminds us how Powell earned a place in the national literary establishment and East Coast social scene. Though Powell’s prolific output has been out of print for most of the past few decades, a revival is under way: the Library of America, touting her as a “rediscovered American comic genius,” released her collected novels, and in 2015 she was posthumously inducted into the New York State Writer’s Hall of Fame.
Engaging and erudite, The Message of the City fills a major gap in in the story of a long-overlooked literary great. Palermo places Powell in cultural and historical context and, drawing on her diaries, reveals the real-life inspirations for some of her most delicious satire.
But then again, as Tom Chaffin reveals in this lively tour de force of historiographic sleuthing, like Ruth's alleged "called shot" of 1932, the "four measures" anecdote hangs by the thinnest of evidentiary threads. Indeed, not until the late 1880s, four decades after Polk’s presidency, did the story first appear in print.
In this eye-opening study, Tom Chaffin, author, historian, and, since 2008, editor of the multi-volume series Correspondence of James K. Polk, dispatches the thigh-slap anecdote and other misconceptions associated with Polk. In the process, Chaffin demonstrates how the "four measures" story has skewed our understanding of the 11th U.S. president. As president, Polk enlarged his nation's area by a third—thus rendering it truly a coast-to-coast continental nation-state. Indeed, the anecdote does not record, and effectively obscures complex events, including notable failures—such as Polk's botched effort to purchase Cuba, as well as his inability to shape the terms of California's and the New Mexico territory's admission into the Union. Cuba would never enter the federal Union; and those other tasks would be left for successor presidents. Indeed, debates over the future of slavery in the United States—debates accelerated by Polk's territorial gains—eventually produced perhaps the central irony of his legacy: A president devoted to national unity further sectionalized the nation’s politics, widening geopolitical fractures among the states that soon led to civil war.
Engagingly written and lavishly illustrated, Met His Every Goal?—intended for general readers, students, and specialists—offers a primer on Polk and a revisionist view of much of the scholarship concerning him and his era. Drawing on published scholarship as well as contemporary documents—including heretofore unpublished materials—it presents a fresh portrait of an enigmatic autocrat. And in Chaffin's examination of an oft-repeated anecdote long accepted as fact, readers witness a case study in how historians use primary sources to explore—and in some cases, explode—received conceptions of the past.
Born in Alexandria, Egypt, in 1925, and schooled in the British tradition, Anlyan attended Yale University as an undergraduate and medical student before coming to the relatively unknown medical school at Duke University in 1949 for an internship in general and thoracic surgery. He stayed on, first as a resident, then as a staff surgeon. By 1961, he was a full professor of surgery. In 1964, Anlyan was named dean of the medical school, the first in a series of administrative posts at the medical school and hospital. Anlyan’s role in the transformation of the Duke University Medical Center into an internationally renowned health system is manifest: he restructured the medical school and hospital and supervised the addition of almost four million square feet of new or renovated space. He hired outstanding administrators and directed a staff that instituted innovative programs and groundbreaking research centers, such as the Cancer Center and the Physician’s Assistant Program.
Anlyan describes a series of metamorphoses in his own life, in the world of medicine, in Durham, and at Duke. At the time of his prep school upbringing in Egypt, medicine was a matter of controlling infectious diseases like tuberculosis and polio. As he became an immigrant medical student and then a young surgeon, he observed vast advances in medical practice and changes in the financing of medical care. During his tenure at Duke, Durham was transformed from a sleepy mill and tobacco town into the “City of Medicine,” a place where patients routinely travel for open-heart surgery and cutting-edge treatments for cancer and other diseases.
Anyone interested in health care, medical education, and the history of Duke University will find Anlyan’s memoir of interest.
First published in 1974 as a companion volume to Darwin on Man by Howard E. Gruber, Paul Barrett’s transcriptions of Darwin’s M and N notebooks served to shed new light on the evolutionist’s methods and motivation.
According to Stephen Jay Gould in the New York Times Book Review, “Darwin kept [these notebooks] primarily in 1838, when he was 29 years old. In them, he recorded his early conviction of evolutionary continuity between humans and all other animals. . . . These notebooks display all the features of humanistic intellect that his detractors denied. We find erudition in his comments on Plato, Locke, Hume, Adam Smith, Whewell, Burke, Montaigne, Lessing and Spencer. . . . We appreciate an artistic bent in his delight with nature and her prophet Wordsworth. . . . We grasp the breadth of his bold attempt to clothe all human thought and behaviour in a new evolutionary garb. . . . Charles Darwin was reconstructing the world and he knew exactly what he was doing.”
A compelling new biography that recasts the most important European statesman of the first half of the nineteenth century, famous for his alleged archconservatism, as a friend of realpolitik and reform, pursuing international peace.
Metternich has a reputation as the epitome of reactionary conservatism. Historians treat him as the archenemy of progress, a ruthless aristocrat who used his power as the dominant European statesman of the first half of the nineteenth century to stifle liberalism, suppress national independence, and oppose the dreams of social change that inspired the revolutionaries of 1848. Wolfram Siemann paints a fundamentally new image of the man who shaped Europe for over four decades. He reveals Metternich as more modern and his career much more forward-looking than we have ever recognized.
Clemens von Metternich emerged from the horrors of the Revolutionary and Napoleonic wars, Siemann shows, committed above all to the preservation of peace. That often required him, as the Austrian Empire’s foreign minister and chancellor, to back authority. He was, as Henry Kissinger has observed, the father of realpolitik. But short of compromising on his overarching goal Metternich aimed to accommodate liberalism and nationalism as much as possible. Siemann draws on previously unexamined archives to bring this multilayered and dazzling man to life. We meet him as a tradition-conscious imperial count, an early industrial entrepreneur, an admirer of Britain’s liberal constitution, a failing reformer in a fragile multiethnic state, and a man prone to sometimes scandalous relations with glamorous women.
Hailed on its German publication as a masterpiece of historical writing, Metternich will endure as an essential guide to nineteenth-century Europe, indispensable for understanding the forces of revolution, reaction, and moderation that shaped the modern world.
Here is an authoritative reference work that makes biographies of prominent Mexican national politicians from the period 1884–1934 available in English. Like the author's biographical directory for the years 1935–2009, it draws on many years of research in Mexico and the United States and seeks not only to provide accurate biographical information about each entry but also, where possible and appropriate, to connect these politicians to more recent leadership generations. Thus, Mexican Political Biographies, 1884-1934 not only is a useful historical source but also provides additional information on the family backgrounds of many contemporary figures.
The work includes those figures who have held specific posts at the national level or who have served as state governors. Each biographical entry contains the following information: date of birth, birthplace, education, elective political office, political party positions, appointive governmental posts at all levels, group activities, nongovernmental positions and professions, relatives, mentors and important friends, military experience, unusual career activities, and published biographical sources.
Another unique feature of the directory is appendixes with complete lists of the names and dates of cabinet members, supreme court justices, senators, deputies, selected ambassadors, and party leaders.
This fourth edition of Roderic Camp's highly respected Mexican Political Biographies is an updated comprehensive biographical directory of leading state and national politicians in Mexico, covering the years 1935–2009. The original edition, published in 1976, was the first and only comprehensive biographical work on contemporary political figures in any language and served as the prototype for the Mexican government's brief foray into its own official biographical directory. The Mexican Supreme Court has cited every biography of justices in the third edition as the basis of its biographies in the late 1980s.
With updates of the existing biographies and appendices, plus almost 1,000 additional biographies, this fourth edition now features close to 3,000 entries and serves as a unique resource list of the chronological occupants of all leading national political posts. The need for such information has become even more pronounced since Mexico's political transformation from a semi-authoritarian to a democratic model.
This latest edition allows readers access to information about Mexican politicians into the new century, and like its earlier versions, will be a valuable tool for government officials, journalists, historians, social scientists, the business community, and students.
Finally, it includes a detailed bibliographic essay that identifies and explains the significance of biographical sources and has been enhanced by numerous up-to-date Internet sources. An added convenience is an accompanying CD that allows readers to search the biographies and appendices, enhancing the longevity, usefulness, and uniqueness of this edition.
“Not a mirror but a magnifying glass”—such, in the poet Mayakovsky’s words, was the theater of Vsevolod Meyerhold. The first to insist on the primacy of the director’s role, indeed the first to conceive of it as a role, this passionately dedicated Russian director tore down the fourth wall and forced the actors and audience together into one inescapable community of experience.
Yet Meyerhold recorded few of his theories in writing, and the intensity and brilliance of his work must be recaptured through the actors and artists who helped create the performances. Focusing on Meyerhold’s postrevolutionary career, Paul Schmidt has assembled in this book journals, letters, reminiscences, and, of special interest, actual rehearsal notes that build a fascinating, intimate picture of Meyerhold as a theorist and as a man.
Included are Meyerhold’s frantic notes to his teacher, friend, and bête noire Stanislavsky; detailed descriptions of how he trained his actors in “biomechanics”; and memories by such students as Eisenstein and such friends as Pasternak and Ehrenburg. One chapter deals with Meyerhold’s never-realized conception of Boris Godunov, while another describes his direction of Camille, which starred Zinaida Raikh, his wife, and which played its 725th and last performance on the day Stalin’s government liquidated Meyerhold’s theater. Paul Schmidt’s introduction and headnotes enhance our understanding of Meyerhold as a pioneer of modern theater.
Mice in the Freezer, Owls on the Porch is in many ways a love story—about a quiet scientist and his flamboyant wife, but also about their passions for hunting, for wild lands, and for the grouse and raptor species that they were instrumental in saving from destruction.
From the papers and letters of Frederick and Frances Hamerstrom, the reminiscences of contemporaries, and her own long friendship with this extraordinary couple who were her neighbors, Helen Corneli draws an intimate picture of Fran and "Hammy" from childhood through the genesis and maturation of a romantic, creative, and scientific relationship. Following the Hamerstroms as they give up a life of sophisticated convention and comfort for the more "civilized" (as Aldo Leopold would have it) pleasures of living and conducting on-the-spot research into diminishing species, Corneli captures the spirit of the Hamerstroms, their profession, and the natural and human environments in which they worked. A nuanced account of the labors, adventures, and achievements that distinguished the Hamerstroms over the years—and that inspired a generation of naturalists—this book also provides a dramatic account of conservation history over the course of the twentieth century, particularly in Wisconsin during the eventful years from the 1920s through the 1970s.
At the time of his death in 1984, at the age of fifty-eight, Michel Foucault was widely regarded as one of the most powerful minds of this century. Hailed by distinguished historians and lionized on his frequent visits to America, he continues to provoke lively debate. The nature and merits of his accomplishments remain tangled in controversy. Rejecting traditional liberal and Marxist "dreams of solidarity," Foucault became the very model of the modern intellectual, replacing Sartre as the figure of the eminent Parisian and cosmopolitan master thinker.
Foucault himself discouraged biographical questions, claiming that he was "not at all interesting." Didier Eribon's captivating account overthrows that assertion. As a journalist well acquainted with Foucault for years before his death, Eribon was particularly well placed to conduct the dozens of interviews which are the cornerstone of this book. He has drawn upon eyewitness accounts by Foucault's closest associates from all phases of his life--his mother, his schoolteachers, his classmates, his friends and enemies in academic life, and his celebrated companions in political activism, including Simone Signoret and Yves Montand. Eribon has methodically retraced the footsteps of his peripatetic subject, from France to Sweden to Poland to Germany to Tunisia to Brazil to Japan to the United States. The result is a concise, crisply readable, meticulously documented narrative that debunks the many myths and rumors surrounding the brilliant philosophe--and forces us to consider seriously the idea that all his books are indeed, just as Foucault said near the end of his life, "fragments of an autobiography."
Who was this man, Michel Foucault? In the late 1950s Foucault emerged as a budding young cultural attaché, friendly with Gaullist diplomats. By the mid-1960s he appeared as one of the avatars of structuralism, positioning himself as a new star in the fashionable world of French thought. A few months after the May 1968 student revolt, with Gaullism apparently shaken, he emerged as an ultra-leftist and a fellow traveler of Maoists. Yet during this same period, Eribon shows, he was quietly and adroitly campaigning for a chair in the College de France--the very pinnacle of the French academic system. This book does more than follow the career of one extraordinary intellectual. It reconstructs the cultural, political, and intellectual life of France from the postwar years to the present. It is the story of a man and his time.
"True crime devotees won't want to miss this one!"
---Publishers Weekly
"Very engrossing . . . in the finest you can't put it down tradition."
---Hartford Courant
"This factual account of each murder, through the conviction of the killer, has all the excitement of a first-rate work of fiction, and is told straight, without the usual sociological jargon. Keyes collaborated with Robin Moore on The French Connection; The Michigan Murders is his first solo effort, and it is a good one."
---Miami Herald
"The Michigan Murders is the ultimate True Crime classic, unfolding like great mystery fiction while still delivering the powerful charge of real life."
---Jamie Agnew, Aunt Agatha's Mystery Bookshop
With a new prologue by Mardi Link and a new epilogue by Laura James
The true story of the savage coed killings---by the boy who could have lived next door!
Southeastern Michigan was rocked in the late 1960s by the terrifying serial murders of young women, whose bodies were dumped in Ann Arbor and Ypsilanti. In each case, few clues were left at the scene, and six separate police agencies were unable to end the horror. Then, almost by accident, a break came. The suspect: John Norman Collins, a young, quiet, all-American boy.
Collins was caught, went to trial, and, on August 19, 1970, was found guilty and sentenced to life imprisonment with no possibility of parole. He is now in his sixties and is serving his sentence in Marquette, Michigan.
Collins was one of the first serial killers exposed in the region, and his crimes had many in the area locking their doors for the first time. Edward Keyes's harrowing The Michigan Murders covers every step of the case. It fell out of print for more than a decade before being revived for this special edition.
Mardi Link, author of the new prologue, is the author of two regionally best-selling true crime books based in northern Michigan, When Evil Came to Good Hart and Isadore's Secret.
Laura James, author of the new epilogue, is a trial lawyer, crime historian, and true crime author who blogs about the true crime genre at her Web site CLEWS (www.laurajames.com).
Edward Keyes, now deceased, spent several years in the early 1970s investigating the Michigan murders. He also authored the works Double Dare and Cocoanut Grove. The Michigan Murders was a finalist for the Edgar Allan Poe Award for Best Fact Crime in 1977.
The pioneers of landscape architecture in the Midwest are responsible for creating some of the most recognizable parks, cemeteries, recreation areas, and other public gathering places in the region. Midwestern Landscape Architecture includes essays on Adolph Strauch, who introduced a new concept of visually integrated landscape treatment in Cincinnati's Spring Grove Cemetery; William Le Baron Jenney, designer of Chicago's diverse West Parks; and Jens Jensen, who created the American Garden in Union Park in Chicago (a celebration of native flora) and founder of The Clearing, a unique school of the arts and humanities in Wisconsin. Other major figures include Frederick Law Olmsted Sr., co-designer of New York's Central Park, whose work in the Midwest included the layout of the 1893 World's Columbian Exposition, and Ossian Cole Simonds, who helped reconcile the formal approach of the City Beautiful movement with the naturalism of the Prairie School in urban park design.
This volume also details the contributions of crusaders for ecological awareness and an appreciation of the region's natural heritage. These include horticultural writer Wilhelm Miller, who spread the ideals of the Prairie style, and Genevieve Gillette, a landscape architect and conservationist whose preservation efforts led to the establishment of numerous Michigan state parks and wilderness areas.
Midwestern Landscape Architecture fosters a better understanding of how landscape design took shape in the Midwest and how the land itself inspired new solutions to enhance its understated beauty. Despite Olmsted's assessment of the Illinois prairie as "one of the most tiresome landscapes that I ever met with," the Midwest has amassed an important legacy of landscape design that continues to influence how people interact with their environment in the heartland.
Another illegal aspect of her life was her marriage to Leon Kingston, son of another Mormon fundamentalist leader, Charles Elden Kingston. Determined to live the principle of polygamy, Leon married Laurine’s sister Rowenna as well. Leon could not have foreseen that his sister wives would one day become activists, sheltering and advising young polygamist women who had been abused by their husbands. This activism made the sisters unpopular with some extended family. Leon, however, stood by his wives.
Laurine was born in rural Idaho in the 1930s. Her family moved to Bountiful, Utah, and then Salt Lake City in the late 1930s and mid-1940s. In this captivating biography, we learn of her struggle as a teenager to obtain a college education and to succeed as a nurse. More importantly, we learn about the methodology and lore of a modern midwife and the personality of a woman whose comforting way and advocacy of natural childbirth has made her a heroine to many. The same gift that allowed her to understand and assist women dealing with troubled marriages made her a successful midwife.
“Franz Schulze’s 1985 biography of Ludwig Mies van der Rohe has always been acknowledged as the most comprehensive and thoughtful biography of one of the key figures in twentieth-century architecture. This revised edition with significant new scholarship by its two authors will undoubtedly come to occupy the same position.”—Dietrich Neumann, Brown University
On August 29, 1944, the 15th U.S. Army Air Force unleashed 500 bombers against oil and rail targets throughout central Europe. It dispatched the 20th Squadron of the 2nd Bombardment Group on what they regarded as an easy assignment: attack the Privoser Oil Refinery and associated railroad yards at Moravska Ostrava, Czechoslovakia. This "milk run" deteriorated into the bloodiest day in the 2nd Bombardment Group's history: not a single one of the 20th Squadron's B-17 Flying Fortress bombers returned from the mission. Forty airmen were killed, another 46 spent the rest of the war as POWs, and only four, with the aid of the OSS and anti-German partisans, and sympathetic Czech civilians managed to evade capture.
The ninety airmen on the mission to Moravska Ostrava provide a remarkable personal window into the Allies' Combined Bomber Offensive at its height during WWII. In a microcosm, their stories encapsulate how the U.S. Army Air Forces built, trained, and employed one of the mightiest war machines ever seen. Their stories also illustrate, however, the terrible cost in lives demanded by that same machine.
The digital storytelling project Humanizing Deportation invites migrants to present their own stories in the world’s largest and most diverse archive of its kind. Since 2017, more than 300 community storytellers have created their own audiovisual testimonial narratives, sharing their personal experiences of migration and repatriation. With Migrant Feelings, Migrant Knowledge, the project’s coordinator, Robert Irwin, and other team members introduce the project’s innovative participatory methodology, drawing out key issues regarding the human consequences of contemporary migration control regimes, as well as insights from migrants whose world-making endeavors may challenge what we think we know about migration.
In recent decades, migrants in North America have been treated with unprecedented harshness. Migrant Feelings, Migrant Knowledge outlines this recent history, revealing stories both of grave injustice and of seemingly unsurmountable obstacles overcome. As Irwin writes, “The greatest source of expertise on the human consequences of contemporary migration control are the migrants who have experienced them,” and their voices in this searing collection jump off the page and into our hearts and minds.
In such diverse fields as semiotics, literary theory, social theory, linguistics, psychology, and anthropology, Mikhail Bakhtin’s importance is increasingly recognized. His posthumous fame comes in striking contrast to his obscurity during his lifetime (1895–1975), much of it spent as a semi-invalid in a succession of provincial towns. He received no public recognition, in the Soviet Union or abroad, until the last dozen years of his long life—not surprisingly, given the historical circumstances. His books on Freudianism (1927), on Formalism (1928), and on Marxism and the philosophy of language (1929) were published as the work of others, as were a number of important essays. His study of Dostoevsky appeared under his own name but only after his arrest and sentence to exile, and it quickly disappeared from sight. Some manuscripts were never published; one was used by Bakhtin for cigarette paper. His book on Rabelais, completed in 1940, remained unpublished for twenty-five years—until, in a less repressive political climate, friends had succeeded in negotiating a reissue of the book on Dostoevsky.
The Rabelais book, when translated, caused a stir among folklorists, anthropologists, and social historians, with its theory of carnival and of ritual inversions of hierarchy. The book on Dostoevsky aroused intense interest among literary theorists in the concept of the “polyphonic novel” and the many authorial voices to be heard therein. Similarly, as Bakhtin’s other writings have appeared in translation, he has been hailed in disparate circles for his contributions to linguistic, psychoanalytic, and social theory. But among all those who have studied various aspects of Bakhtin’s work, few have been in a position, or even attempted, to assess his total achievement.
It is the great merit of Katerina Clark and Michael Holquist’s book that they have endeavored, insofar as possible, to give us the complete life and the complete works of this complex and multifaceted figure. The authors have had unique access to the Bakhtin archive in Moscow, have traced further material in other cities in Europe, and have interviewed many persons who knew Bakhtin. The phases of his life are placed in their physical and intellectual milieux, and accounts are given of the figures who made up the various “Bakhtin circles” over the years. All of the works, published and unpublished, are discussed, in the context of European philosophical movements and the currents of thought of the time. Underlying and informing Bakhtin’s particular theories in various fields was, in the authors’ view, his lifelong meditation on the relation between self and other. The philosophy he evolved has come to be called dialogism, since it conceives of the world in terms of communication and exchange. It is a world view with wide-ranging implications for the human sciences.
Exploring newly available archives that have opened up following the dissolution of the USSR, Curtis draws on new historical documents in order to trace Bulgakov’s life. She offers insights on his absolute determination to establish himself as a writer in Bolshevik Moscow, his three marriages and tumultuous personal life, and his triumphs as a dramatist in the 1920s. She also reveals how he struggled to defend his art and preserve his integrity in Russia under the close scrutiny of Stalin himself, who would personally weigh in each time on whether one of his plays should be permitted or banned. Based upon many years of research and examining previously little-known letters and diaries, this is an absorbing account of the life and work of one of Russia’s most inventive and exuberant novelists and playwrights.
One of the foremost Russian writers of the Soviet period, Mikhail Bulgakov (1891-1940) has attracted much critical attention. But Edythe Haber is the first to explore in depth his formative years, to probe the roots of his artistic vision. Her study yields a new picture of the novelist and playwright working in tumultuous times, and a fresh understanding of his ultimate masterpiece, The Master and Margarita.
Bulgakov as writer was born out of the chaos of the Russian revolution and civil war. Haber shows how he mines his civil war experience for literary purposes, and how he molds and remolds his protagonist, transforming the tormented intellectual of the earliest fiction into a complex solitary hero. In achieving in his fiction a version of the creative self, an autobiographical hero, Bulgakov redefines such traditional moral categories as courage and honor. Blending biography and literary analysis of motifs, story, and characterization, Haber tracks one writer's answer to the dislocations of revolution, civil war, and early Bolshevism. And from her examination of Bulgakov's satirical writings a vivid panorama emerges of the burgeoning Soviet society. These comic sketches and novellas, blending the fantastic and quotidian, evoke an intellectual's struggle with a hostile new world. In Haber's trenchant and broadly informed analysis we can see how the themes and characters of the early works receive their final permutation--and transcendence--in The Master and Margarita, surely the finest novel produced in Russia since the Revolution.
Mikhail Kuzmin (1872–1936), Russia’s first openly gay writer, stood at the epicenter of the turbulent cultural and social life of Petersburg-Petrograd-Leningrad for over three decades. A poet of the caliber of Aleksandr Blok, Vladimir Mayakovsky, Boris Pasternak, Osip Mandelshtam, and Marina Tsvetaeva (and acknowledged as such by them and other contemporaries), Kuzmin was also a prose writer, playwright, critic, translator, and composer who was associated with every aspect of modernism’s history in Russia, from Symbolism to the Leningrad avant-gardes of the 1920s.
Only now is Kuzmin beginning to emerge from the “official obscurity” imposed by the Soviet regime to assume his place as one of Russia’s greatest poets and one of this century’s most characteristic and colorful creative figures. This biography, the first in any language to be based on full and uncensored access to the writer’s private papers, including his notorious Diary, places Kuzmin in the context of his society and times and contributes to our discovery and appreciation of a fascinating period and of Russia’s long suppressed gay history.
Gluck listens deeply to the uneasy tension between this group’s driving rhythmic groove and the sonic and structural openness, surprise, and experimentation they were always pushing toward. There he hears—and outlines—a fascinating web of musical interconnection that brings Davis’s funk-inflected sensibilities into conversation with the avant-garde worlds that players like Ornette Coleman and John Coltrane were developing. Going on to analyze the little-known experimental groups Circle and the Revolutionary Ensemble, Gluck traces deep resonances across a commercial gap between the celebrity Miles Davis and his less famous but profoundly innovative peers. The result is a deeply attuned look at a pivotal moment when once-disparate worlds of American music came together in explosively creative combinations.
The Milkweed Ladies is written out of deep affection for and intimate knowledge of the lives of rural people and the rhythms of the natural world. It is a personal account of the farm in southern West Virginia where poet Louise McNeill’s family has lived for nine generations.
The Milkweed Ladies is filled with memorable characters—an herb-gathering granny, McNeill’s sailor father, her patient, flower-loving mother, and Aunt Malindy in her “black sateen dress” who “never did a lick of work.” McNeill writes movingly of the harsh routines of the lives of her family, from spring plowing to winter sugaring, and of the hold the farm itself has on them and the earth itself on all of us. McNeill juxtaposes the life of the farm with the larger world events that impinge on it, such as the destruction from lumber companies in the 1930s and World War II in the ’40s.
With her poet’s gift for detail and language, McNeill creates a particular world forgotten by many of us, and to some of us, never known.
Amy Schapiro has written the first biography of Millicent Fenwick, the popular and colorful New Jersey congresswoman. Affectionately remembered as the pipe-smoking grandmother who served as the model for Garry Trudeau’s Doonesbury character Lacey Davenport, Fenwick defied such simplistic expectations to become, in the words of Walter Cronkite, “the conscience of Congress.”
Born in 1910 into comfortable circumstances, Fenwick faced tragedy at an early age when her mother was lost in the sinking of the Lusitania. Following an upper-class childhood and a failed marriage, she began a fourteen-year career at Vogue magazine.
In the 1960s, Fenwick became involved in the civil rights movement and took part in local and state politics in New Jersey. Blessed with striking good looks and a sharp wit, she cut a glamorous figure, rising quickly through the ranks of the state Republican Party at a time when most of her peers were retiring. When this colorful, outspoken figure—one of only five New Jersey women ever elected to Congress— went to Washington in 1974 at age sixty-four, her victory was portrayed by the media as a “geriatric triumph.”
Schapiro’s extensive interviews with Fenwick’s son, Hugh, who granted her exclusive rights to Fenwick’s personal papers, oral histories, letters, and photographs, provide rare insight into the life and career of one of America’s most memorable politicians.
Andrzej Franaszek’s award-winning biography of Czeslaw Milosz—the great Polish poet and winner of the Nobel Prize in Literature in 1980—offers a rich portrait of the writer and his troubled century, providing context for a larger appreciation of his work. This English-language edition, translated by Aleksandra Parker and Michael Parker, contains a new introduction by the translators, along with historical explanations, maps, and a chronology.
Franaszek recounts the poet’s personal odyssey through the events that convulsed twentieth-century Europe: World War I, the Bolshevik revolution, the Nazi invasion and occupation of Poland, and the Soviet Union’s postwar dominance of Eastern Europe. He follows the footsteps of a perpetual outsider who spent much of his unsettled life in Lithuania, Poland, and France, where he sought political asylum. From 1960 to 1999, Milosz lived in the United States before returning to Poland, where he died in 2004.
Franaszek traces Milosz’s changing, constantly questioning, often skeptical attitude toward organized religion. In the long term, he concluded that faith performed a positive role, not least as an antidote to the amoral, soulless materialism that afflicts contemporary civilization. Despite years of hardship, alienation, and neglect, Milosz retained a belief in the transformative power of poetry, particularly its capacity to serve as a source of moral resistance and a reservoir of collective hope. Seamus Heaney once said that Milosz’s poetry is irradiated by wisdom. Milosz reveals how that wisdom was tempered by experience even as the poet retained a childlike wonder in a misbegotten world.
Milton and the Making of Paradise Lost tells the story of John Milton's life as England’s self-elected national poet and explains how the single greatest poem of the English language came to be written.
In early 1642 Milton—an obscure private schoolmaster—promised English readers a work of literature so great that “they should not willingly let it die.” Twenty-five years later, toward the end of 1667, the work he had pledged appeared in print: the epic poem Paradise Lost. In the interim, however, the poet had gone totally blind and had also become a controversial public figure—a man who had argued for the abolition of bishops, freedom of the press, the right to divorce, and the prerogative of a nation to depose and put to death an unsatisfactory ruler. These views had rendered him an outcast.
William Poole devotes particular attention to Milton’s personal situation: his reading and education, his ambitions and anxieties, and the way he presented himself to the world. Although always a poet first, Milton was also a theologian and civil servant, vocations that informed the composition of his masterpiece. At the emotional center of this narrative is the astounding fact that Milton lost his sight in 1652. How did a blind man compose this staggeringly complex, intensely visual work? Poole opens up the epic worlds and sweeping vistas of Milton’s masterpiece to modern readers, first by exploring Milton’s life and intellectual preoccupations and then by explaining the poem itself—its structure, content, and meaning.
This two-volume account provides a foundational introduction to Friedman’s role in several major economic debates that took place in the United States between 1932 and 1972. The first volume, which takes the story through 1960, covers the period in which Friedman began and developed his research on monetary policy. It traces Friedman’s thinking from his professional beginnings in the 1930s as a combative young microeconomist, to his wartime years on the staff of the US Treasury, and his emergence in the postwar period as a leading proponent of monetary policy. The second volume covers the years between 1960 and 1972— years that saw the publication of Friedman and Anna Schwartz’s Monetary History of the United States. The book also covers Friedman’s involvement in a number of debates in the 1960s and 1970s, on topics such as unemployment, inflation, consumer protection, and the environment.
As a fellow monetary economist, Nelson writes from a unique vantage point, drawing on both his own expertise in monetary analysis and his deep familiarity with Friedman’s writings. Using extensive documentation, the book weaves together Friedman’s research contributions and his engagement in public debate, providing an unparalleled analysis of Friedman’s views on the economic developments of his day.
This two-volume account provides a foundational introduction to Friedman’s role in several major economic debates that took place in the United States between 1932 and 1972. The first volume, which takes the story through 1960, covers the period in which Friedman began and developed his research on monetary policy. It traces Friedman’s thinking from his professional beginnings in the 1930s as a combative young microeconomist, to his wartime years on the staff of the US Treasury, and his emergence in the postwar period as a leading proponent of monetary policy. The second volume covers the years between 1960 and 1972— years that saw the publication of Friedman and Anna Schwartz’s Monetary History of the United States. The book also covers Friedman’s involvement in a number of debates in the 1960s and 1970s, on topics such as unemployment, inflation, consumer protection, and the environment.
As a fellow monetary economist, Nelson writes from a unique vantage point, drawing on both his own expertise in monetary analysis and his deep familiarity with Friedman’s writings. Using extensive documentation, the book weaves together Friedman’s research contributions and his engagement in public debate, providing an unparalleled analysis of Friedman’s views on the economic developments of his day.
A Mind of Her Own: Helen Connor Laird and Family 1888–1982 captures the public achievement and private pain of a remarkable Wisconsin woman and her family, whose interests and influence extended well beyond the borders of the state. Spanning almost a century, the history speaks to the way we were and are: a stridently materialistic nation with a deep and persistent spiritual component.
At once a classic account of the ravages of mental illness and a major American autobiography, A Mind That Found Itself tells the story of a young man who is gradually enveloped by a psychosis. His well-meaning family commits him to a series of mental hospitals, but he is brutalized by the treatment, and his moments of fleeting sanity become fewer and fewer. His ultimate recovery is a triumph of the human spirit.
The publication of A Mind That Found Itself did for the American mental health movement what Thomas Paineís Common Sense did for the American Revolution. Moreover, it grips the imagination of readers not because it is a document of social reform but because it is a superb narrative. As the distinguished psychiatrist and writer Robert Coles has noted, the book ìprovides the virtues of clinical analysis, as well as personal reminiscence, all rendered with a novelistís eye for the particular, for emotional nuance, for chronological progression. . . . Steadily, forthrightly, we come in touch with the nature of delusions and hallucinations: the complex, symbolically charged, nightmarish world of fear, suspicion, irritability and truculence.î
Recovered from his illness, Beers began a lifelong crusade, through the National Committee for Mental Hygiene and the American Foundation for Mental Hygiene, to revolutionize the care and treatment of the mentally ill. The persuasive chronicler of mental illness became a sophisticated, pragmatic organizer and reformer.
A Mind That Found Itself was first published in 1908 but remains compelling and clinically accurate—an unforgettable reading experience.
Minds and Hearts is the dual biography of these remarkable siblings, placing James and Mercy in the spotlight together for the first time, amid the rush of events, competing ideologies, and changing social conditions of eighteenth-century America. Jeffrey H. Hacker crafts a compelling narrative that focuses on the Otises' unique and dramatic relationship and traces their impact on the Revolutionary movement in Massachusetts. If the real American Revolution took place "in the minds and hearts of the people," as John Adams claimed, then the Otises were among the nation's true patriots.
Through a blend of personal narrative, cultural and literary analysis, and discussions about teaching, Minor Re/Visions: Asian American Literacy Narratives as a Rhetoric of Citizenship shows how people of color use reading and writing to develop and articulate notions of citizenship. Morris Young begins with a narration of his own literacy experiences to illustrate the complicated relationship among literacy, race, and citizenship and to reveal the tensions that exist between competing beliefs and uses of literacy among those who are part of dominant American culture and those who are positioned as minorities.
Influenced by the literacy narratives of other writers of color, Young theorizes an Asian American rhetoric by examining the rhetorical construction of American citizenship in works such as Richard Rodriguez’s Hunger of Memory, Victor Villanueva’s Bootstraps: From an American Academic of Color, Carlos Bulosan’s America Is in the Heart, and Maxine Hong Kingston’s “Song for a Barbarian Reed Pipe” from Woman Warrior. These narratives, Young shows, tell stories of transformation through education, the acquisition of literacy, and cultural assimilation and resistance. They also offer an important revision to the American story by inserting the minor and creating a tension amid dominant discourses about literacy, race, and citizenship. Through a consideration of the literacy narratives of Hawai`i, Young also provides a context for reading literacy narratives as responses to racism, linguistic discrimination, and attempts at “othering” in a particular region.
As we are faced with dominant discourses that construct race and citizenship in problematic ways and as official institutions become even more powerful and prevalent in silencing minor voices, Minor Re/Visions reveals the critical need for revising minority and dominant discourses. Young’s observations and conclusions have important implications for the ways rhetoricians and compositionists read, teach, and assign literacy narratives.
In Miracle Hill, Blackhorse Mitchell presents the unforgettable account of a boy’s struggle to learn—which would be for him a miracle—in the face of handicaps most people would call insurmountable. Under the guidance of a teacher determined to help him pursue that miracle, he records his life from birth to the dawn of manhood: herding family sheep, living at a boarding school, encountering whites for the first time, journeying home, and finally enrolling in the Institute of American Indian Arts in Santa Fe, where his talent was encouraged.
Miracle Hill is written in a distinctively personal style, without strict adherence to orthodox grammar that would have robbed Mitchell of his true voice. Filled with unforgettable characters and brimming with insights into Navajo ways and family relationships, it is a book that crosses cultural barriers and speaks to the miracle-seeker in us all.
Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light.
Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.
The prevailing ideological movements of the time permeate her family life. Zadek reveals the traumatic impact of eugenics and the fears surrounding the genetic transmission of deafness. She considers the effects of adhering to the oral method of communication in her home when sign language could have given her family the ability to interact with each other more fully. In this environment, Zadek became an astute communicator and learned to adapt to both the hearing and the deaf world, where she was known as “Miriam Hearing Sister.” Her memoir is an elegant literary work that offers an understanding of how biases and stigmas resonate and evolve, and it showcases her loving family of strong women who pushed against stereotypes and have thrived across generations.
In the last third of the nineteenth century, three Americans with diverse purposes sailed to Japan—the missionary William Elliot Griffis, the scientist Edward S. Morse, and the writer Lafcadio Hearn. They were to become part of the first generation of American experts on Japan, regularly quoted and widely read. More significantly, their own lives were vastly changed, broadened and enriched in unexpected ways, so that their thoughts dwelt as much on what Americans could learn from the pagan Japanese as on what Americans could teach them.
In telling these stories, Robert Rosenstone evokes the immediacy of daily experience in Meiji Japan, a nation still feudal in many of its habits yet captivating to Westerners for the gentleness of the people, the beauty of the landscape, the human scale of the unspoiled old towns, and the charm of arts and manners. He describes the odyssey of the ambitious and strong-minded Christian minister Griffis, who won few converts but, as a teacher, assisted at the birth of modern Japan. He portrays the natural scientist Morse, a born collector who turned from amassing mollusks to assembling comprehensive collections of Japanese folk art and pottery. He recounts Lafcadio Hearn’s fourteen years in Japan. Hearn, who married a Japanese, became a citizen, and found in his new homeland ideal subject matter for exotic tales of ghosts, demons, spectral lovers, local gods and heroes, spells, enchantments.
Rosenstone recreates the sights and textures of Meiji Japan, but Mirror in the Shrine brings to the reader much more than a traditional rendering. Rather, through the use of some of the techniques of modernist writing, the book provides a multi-voiced narrative in which the words of the present and the past interact to present a fresh view of historical reality. While charting the common stages of these three Americans’ acculturation—growing to like the food, the architecture, the spareness, the mysterious etiquette—the work also highlights the challenges that Japan issues to American culture, in this century as well as in the last: Is it possible to find human fulfillment within the confines of a hierarchical, even repressive, social order? Is it possible for our culture to find a place of importance for such qualities as harmony, aesthetics, morals, manners?
This is a book for anyone who is at all interested in Japan or in the meeting of East and West. The “old Japan hand” will reexperience the freshness of an early love; the newcomer will find it equally evocative and fascinating.
In 1690, a dramatic account of piracy was published in Mexico City. The Misfortunes of Alonso Ramírez described the incredible adventures of a poor Spanish American carpenter who was taken captive by British pirates near the Philippines and forced to work for them for two years. After circumnavigating the world, he was freed and managed to return to Mexico, where the Spanish viceroy commissioned the well-known Mexican scholar Carlos de Sigüenza y Góngora to write down Ramírez's account as part of an imperial propaganda campaign against pirates.
The Misfortunes of Alonso Ramírez has long been regarded as a work of fiction—in fact, as Latin America's first novel—but Fabio López Lázaro makes a convincing case that the book is a historical account of real events, albeit full of distortions and lies. Using contemporary published accounts, as well as newly discovered documents from Spanish, English, French, Portuguese, and Dutch archives, he proves that Ramírez voyaged with one of the most famous pirates of all time, William Dampier. López Lázaro's critical translation of The Misfortunes provides the only extensive Spanish eyewitness account of pirates during the period in world history (1650–1750) when they became key agents of the European powers jockeying for international political and economic dominance. An extensive introduction places The Misfortunes within the worldwide struggle that Spain, England, and Holland waged against the ambitious Louis XIV of France, which some historians consider to be the first world war.
During the years leading up to her marriage with Leonard Woolf in 1912, the year in which she finished The Voyage Out and sent it to be published by her cousin at Duckworth’s, the future Virginia Woolf was teaching herself how to be a writer. While her brothers were sent first to private schools, then to Cambridge to be educated, Virginia Stephen and her sister Vanessa were informally educated at home. With this background, how did she know she was a writer? What were her struggles? How did she teach herself? What made Miss Stephen into the author Virginia Woolf?
Miss Stephen’s Apprenticeship explores these questions, delving into Virginia Woolf ’s letters and diaries, seeking to understand how she covered the distance from the wistful “I only wish I could write,” to the almost casual statement, “the novels are finished.” These days, the trajectory of a writer very often starts with studying for an MFA. In Woolf ’s case, however, it’s instructive to ask: How did a great writer, who had no formal education, invent for herself the framework she needed for a writing life? How did she know what she had to learn? How did she make her own way?
Novelist Rosalind Brackenbury explores these questions and others, and in the process reveals what Virginia Woolf can give to young writers today.
Based on seven years of research, Stenross's book tells of how -- as she sought information and solutions to help her hard-of-hearing father -- she came to join a community group called Village Self Help for Hard of Hearing People. Taking us along to group meetings and into the homes of members, Stenross shows us -- through the personal accounts of these individuals -- the exhaustion that comes from constantly straining to listen, the frustration of missing critical comments or the or the punchlines of jokes, and the pain that hard-of-hearing family members experience when loved ones accuse them of hearing "when they want to." Full of scenes, dialogues, and conversations, Missed Connections also discusses such practical issues as how people with impaired hearing can continues to use the phone, how assistive technologies can help in public and private, why hearing aids can't always do enough, and how bluffing and silence can hurt more than help. Understanding that when one family member is hard of hearing, the whole family can suffer from "missed connections," Stenross offers in this book a useful family resource with a broad range of practical guidance.
With chapters on belonging and acceptance, do's and don'ts in public, lip-reading, hearing aids, and television, Missed Connections will interest a range of readers including deaf and hard-of-hearing people -- as well as their families, teachers, friends, employers, and counselors -- healthcare professionals, scholars, and others interested in the experience of and solutions for disability and hearing loss.
Growing up in Ladora, Iowa, Mildred “Millie” Benson had ample time to develop her imagination and sense of adventure. While still a journalism graduate student at the University of Iowa, Millie began writing for the Stratemeyer Syndicate, which published the phenomenally popular Hardy Boys series, among others. Soon, Millie was tapped for a new series starring amateur sleuth Nancy Drew, a young, independent woman not unlike Millie herself. Under the pen name Carolyn Keene, Millie wrote the first book, The Secret of the Old Clock, and twenty-two other Nancy Drew Mystery Stories. In all, Millie wrote more than a hundred novels for young people.
Millie was also a journalist for the Toledo Times and the Toledo Blade. At sixty-two, she obtained her pilot’s license. Follow the clues throughout Missing Millie to discover the story of this ghostwriter, journalist, and adventurer.
The memoir is structured as an account of her mother's and aunt’s final days and the year that follows, a year in which she reconstructs her life. This is a powerful story about family, what it means to have one, to lose one, never to have made one, and what, if anything, might take its place. It’s the story of a vexed mother-daughter relationship that mellows with age. It is also a search for home, as the very landscape shifts around her and the vast orchards are dug up and paved over for tract housing, strip malls, freeways, and the Santa Clara Valley, once known as the Valley of Heart’s Delight, is transformed to “Silicon.”
Utah's ethnic diversity is often overlooked. In a society sometimes presumed to be homogeneous, there is a danger that the varied experiences of its members will be lost to history. Missing Stories, available here for the first time in paperback, effectively counters such misconceptions and explores the rich history of ethnic and minority groups in the state. Several representatives from each of eight such groups tell in their own voices stories of themselves, their families, and their communities. The groups represented are Utes, African-Americans, Jews, Chinese, Italians, Japanese, Greeks, and Hispanics. In a preface to each section of oral history interviews, a respected historian of the community introduces background and heritage, setting the context for the personal recollections that follow. Also included are striking photographs by Kent Miles and George Janecek that capture much of the personality and character of the interviewees.
These oral histories recount migrations to new homes in Utah or adjustment to white settlement of traditional homelands in the state. They bring to light the struggles of individuals and families to survive and the formation and maintenance of communities in frequently adverse conditions, whether on reservations or farms, in small towns or large cities. The histories are enriched by accounts of challenges met and overcome and enlivened by stories of events and persons who sometimes achieved legendary status within and outside the groups. Missing Stories reveals the many ways that ethnic and minority groups have contributed to Utah's history and fills in missing pieces necessary to a complete portrayal of the state's society and culture.
Missouri has been likened to a “cave factory” because its limestone bedrock can be slowly dissolved by groundwater to form caverns, and the state boasts more than six thousand caves in an unbelievable variety of sizes, lengths, and shapes. Dwight Weaver has been fascinated by Missouri’s caves since boyhood and now distills a lifetime of exploration and research in a book that will equally fascinate readers of all ages.
Missouri Caves in History and Legend records a cultural heritage stretching from the end of the ice age to the twenty-first century. In a grand tour of the state’s darkest places, Weaver takes readers deep underground to shed light on the historical significance of caves, correct misinformation about them, and describe the ways in which people have used and abused these resources.
Weaver tells how these underground places have enriched our knowledge of extinct animals and early Native Americans. He explores the early uses of caves: for the mining of saltpeter, onyx, and guano; as sources of water; for cold storage; and as livestock shelters. And he tells how caves were used for burial sites and moonshine stills, as hideouts for Civil War soldiers and outlaws—revealing how Jesse James became associated with Missouri caves—and even as venues for underground dance parties in the late nineteenth century.
Bringing caves into the modern era, Weaver relates the history of Missouri’s “show caves” over a hundred years—from the opening of Mark Twain Cave in 1886 to that of Onyx Mountain Caverns in 1990—and tells of the men and women who played a major role in expanding the state’s tourism industry. He also tracks the hunt for the buried treasure and uranium ore that have captivated cave explorers, documents the emergence of organized caving, and explains how caves now play a role in wildlife management by providing a sanctuary for endangered bats and other creatures.
Included in the book is an overview of cave resources in twelve regions, covering all the counties that currently have recorded caves, as well as a superb selection of photos from the author’s extensive collection, depicting the history and natural features of these underground wonders. Missouri Caves in History and Legend is a riveting account that marks an important contribution to the state’s heritage and brings this world of darkness into the light of day.
Lawyer and journalist, entrepreneur and philanthropist, Louis Houck is often called the “Father of Southeast Missouri” because he brought the railroad to the region and opened this backwater area to industrialization and modernization. Although Houck’s name is little known today outside Missouri, Joel Rhodes shows how his story has relevance for both the state and the nation.
Rhodes presents a more complete picture of Houck than has ever been available: reviewing his life from his German immigrant roots, considering his career from both social and political perspectives, and grounding the story in both state and national history. He especially tells how, from 1880 to the 1920s, this self-taught railroader constructed a network of five hundred miles of track through the wilderness of wetlands known as “Swampeast Missouri”—and how these “Houck Roads” provided a boost for population, agriculture, lumbering, and commerce that transformed Cape Girardeau and the surrounding area.
Rhodes discusses how Houck fits into the era of economic individualism—a time when men with little formal training shaped modern industry—and also gives voice to Houck’s critics and shows that he was not always an easy man to work with. In telling the story of his railroading enterprise, Rhodes chronicles Houck’s battle with the Jay Gould railroad empire and offers key insight into the development of America’s railway system, from the cutthroat practices of ruthless entrepreneurs to the often-comic ineptness of start-up rail lines.
More than simply a biography of a business entrepreneur, the book tells how Houck not only developed the region economically but also followed the lead of Andrew Carnegie by making art, culture, and formal education available to all social classes. Houck also served for thirty-six years as president of the Board of Regents of Southeast Missouri State Teacher’s College, and as a self-taught historian he wrote the first comprehensive accounts of Missouri’s territorial period.
A Missouri Railroad Pioneer chronicles a multifaceted career that transformed a region. Solidly researched, this lively narrative also offers an entertaining read for anyone interested in Missouri history.
In The Missouri State Penitentiary, Jamie Pamela Rasmussen recounts the long and fascinating history of the place, focusing on the stories of inmates and the struggles by prison officials to provide opportunities for reform while keeping costs down. Tales of prominent prisoners, including Pretty Boy Floyd, Sonny Liston, and James Earl Ray, provide intrigue and insight into the institution’s infamous reputation.
The founding of the penitentiary helped solidify Jefferson City’s position as the state capital. A highlight in the chapter on the Civil War years is the story of George Thompson, who was imprisoned for attempting to help a number of slaves to freedom. The narrative enters the twentieth century with the controversy surrounding the various systems of inmate labor; the effort to make the prison self-supporting eventually caused punishment to be driven by factory needs. The example of Firebug Johnson demonstrates how inmates reacted to the prison labor system while Kate Richards O’Hare’s struggles and efforts to improve conditions in the penitentiary illuminate the role of women in the system at the time. A full chapter is devoted to the riot of 1954, and another concentrates on the reforms made in the wake of that catastrophe. Rasmussen also considers the effect inmate lawsuits during the 1980s and 1990s had on prison life before telling the story of the decision to close the prison.
The Missouri State Penitentiary provides a fitting account of an institution that was part of Missouri’s history for well over a century. Numerous illustrations and a list of recommended reading contribute to the readers’ understanding of the history of the institution.
Claiborne Fox Jackson (1806-1862) remains one of Missouri's most controversial historical figures. Elected Missouri's governor in 1860 after serving as a state legislator and Democratic party chief, Jackson was the force behind a movement for the neutral state's secession before a federal sortie exiled him from office. Although Jackson's administration was replaced by a temporary government that maintained allegiance to the Union, he led a rump assembly that drafted an ordinance of secession in October 1861 and spearheaded its acceptance by the Confederate Congress. Despite the fact that the majority of the state's populace refused to recognize the act, the Confederacy named Missouri its twelfth state the following month. A year later Jackson died in exile in Arkansas, an apparent footnote to the war that engulfed his region and that consumed him.
In this first full-length study of Claiborne Fox Jackson, Christopher Phillips offers much more than a traditional biography. His extensive analysis of Jackson's rise to power through the tangle that was Missouri's antebellum politics and of Jackson's complex actions in pursuit of his state's secession complete the deeper and broader story of regional identity--one that began with a growing defense of the institution of slavery and which crystallized during and after the bitter, internecine struggle in the neutral border state during the American Civil War. Placing slavery within the realm of western democratic expansion rather than of plantation agriculture in border slave states such as Missouri, Philips argues that southern identity in the region was not born, but created. While most rural Missourians were proslavery, their "southernization" transcended such boundaries, with southern identity becoming a means by which residents sought to reestablish local jurisdiction in defiance of federal authority during and after the war. This identification, intrinsically political and thus ideological, centered—and still centers—upon the events surrounding the Civil War, whether in Missouri or elsewhere. By positioning personal and political struggles and triumphs within Missourians' shifting identity and the redefinition of their collective memory, Phillips reveals the complex process by which these once Missouri westerners became and remain Missouri southerners.
Missouri's Confederate not only provides a fascinating depiction of Jackson and his world but also offers the most complete scholarly analysis of Missouri's maturing antebellum identity. Anyone with an interest in the Civil War, the American West, or the American South will find this important new biography a powerful contribution to our understanding of nineteenth-century America and the origins—as well as the legacy—of the Civil War.
The result of nearly two decades of intensive research by Norman Mack and his late wife, Beatrice Davidow Mack, Missouri’s Silver Age: Silversmiths of the 1800s is a comprehensive directory of nineteenth-century Missouri silversmiths, their works, and their identifying makers’ marks. Illustrated with over one hundred photographs, this exceptional reference for historians and silver collectors showcases the Macks’ three-hundred-piece collection of Missouri silver, which includes a representative sample by nearly every known Missouri silversmith and is housed at the Missouri Historical Society in St. Louis.
Featuring more than a hundred detailed biographies of the artisans and apprentices who created handmade silver in St. Louis and Missouri during the nineteenth century, Missouri’s Silver Age also contains extensive photographs of makers’ touchmarks and of the pieces themselves, which include bowls, dishes, spoons, and ladles, as well as other household utensils and decorative items. Arranged alphabetically, the biographies reveal all known details of the business activities and locations of the silversmiths. Collectively, the entries and the illustrations shed light on the growth of enterprise in Missouri, show the impact of the individual on the developing frontier economies of the Midwest, and reveal how the production, acquisition, and possession of material goods reflected the culture and values of Americans during the 1800s.
Mack provides a brief but thorough history of silversmithing in America for novice collectors and historians, detailing the various methods used in making silver and the range of styles that were popular, providing insight into the methods of training apprentices, and explaining the effects of mechanization on the trade. Augmenting this volume are an appendix by Jo Ann Griffin on how to care for old silver, a map of the silversmiths’ primary locations, and a helpful alphabetical appendix of the silversmiths that includes illustrations of their touchmarks.
Born in postcolonial Philippines into a family—and country—with a complicated history, Christine Imperial learns from a lifetime of experiences that there is no easy path to understanding or belonging. Setting out to renew her relationship to Tagalog, the language she had previously distanced herself from, she contends with the meaning of her dual Philippine/US citizenship along with the conditions surrounding it, reflecting on imperialist and class systems and the history of her birth country. Beginning with an attempt to translate into Tagalog Rudyard Kipling’s “The White Man’s Burden”—Kipling’s ode to American imperialism after the US takeover of the Philippines—Imperial reflects on and writes against Kipling’s poem as she unspools her fractured family’s story.
Reckoning with both the anguish and promise of hybridity, Mistaken for an Empire expands into an exploration of the author’s relationship to English and Tagalog, history, family and state, origin and belonging. By interrogating the many intricacies of individual and national identity and the legacies that shape them, Imperial grapples with the tangled nature of allegiance, whether it be to family, to country, or to self.
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