Violence against women on college campuses has remained underreported and often under addressed by both campus security and local law enforcement, as well as campus administrators. The researchers, practitioners, and activists who contribute to this pertinent volume Addressing Violence Against Women on College Campuses examine the extent, nature, dynamic and contexts of violence against women at institutions of higher education.
This book is designed to facilitate an ongoing discussion and provide direction on how best to prevent and investigate violence against women, and intervene to assist victims while reducing the impact of these crimes. Chapters detail the necessary changes and implications that are part of Title IX and other federal legislation and initiatives as well as the effect these changes have had for higher education actors, including campus administrators, victim advocates, and student activists. The contributors also explore the importance of campus efforts to estimate the extent of violence against women; educating young men and women on the nature of sexual and dating violence; and shifting efforts to both make offenders accountable for their crimes and prompt all bystanders to act.
Addressing Violence Against Women on College Campuses urgently argues to make violence prevention is not separate from but rather an integral part of the student experience.
Contributors include: Antonia Abbey, Joanne Belknap, Ava Blustein, Stephanie Bonnes, Alesha Cameron, Sarah L. Cook, Walter S. DeKeseredy. Helen Eigenberg, Kate Fox, Christopher P. Krebs, Jennifer Leili, Christine Lindquist, Sarah McMahon, Caitlyn Meade, Christine Mouton, Matt R. Nobles, Callie Marie Rennison, Meredith M. Smith, Carmen Suarez, and the editors.
Tourists exult in Bahia, Brazil as a tropical paradise infused with the black population's one-of-a-kind vitality. But the alluring images of smiling black faces and dancing black bodies masks an ugly reality of anti-black authoritarian violence. Christen A. Smith argues that the dialectic of glorified representations of black bodies and subsequent state repression reinforces Brazil's racially hierarchal society. Interpreting the violence as both institutional and performative, Smith follows a grassroots movement and social protest theater troupe in their campaigns against racial violence. As Smith reveals, economies of black pain and suffering form the backdrop for the staged, scripted, and choreographed afro-paradise that dazzles visitors. The work of grassroots organizers exposes this relationship, exploding illusions and asking unwelcome questions about the impact of state violence performed against the still-marginalized mass of Afro-Brazilians.
During the 1970s, grassroots women activists in and outside of prisons forged a radical politics against gender violence and incarceration. Emily L. Thuma traces the making of this anticarceral feminism at the intersections of struggles for racial and economic justice, prisoners’ and psychiatric patients’ rights, and gender and sexual liberation.
All Our Trials explores the organizing, ideas, and influence of those who placed criminalized and marginalized women at the heart of their antiviolence mobilizations. This activism confronted a "tough on crime" political agenda and clashed with the mainstream women’s movement’s strategy of resorting to the criminal legal system as a solution to sexual and domestic violence. Drawing on extensive archival research and first-person narratives, Thuma weaves together the stories of mass defense campaigns, prisoner uprisings, broad-based local coalitions, national gatherings, and radical print cultures that cut through prison walls. In the process, she illuminates a crucial chapter in an unfinished struggle––one that continues in today’s movements against mass incarceration and in support of transformative justice.
The American Café
Sara Sue Hoklotubbe University of Arizona Press, 2011 Library of Congress PS3608.O4828A44 2011 | Dewey Decimal 813.6
2012 WILLA Literary Award Winner: Best Original Softcover Fiction
When Sadie Walela decides to pursue her childhood dream of owning a restaurant, she has no idea that murder will be on the menu.
In this second book in the Sadie Walela series, set in the heart of the Cherokee Nation, Sadie discovers life as an entrepreneur is not as easy as she anticipated. On her first day, she is threatened by the town’s resident "crazy" woman and the former owner of the American Café turns up dead, engulfing the café—and Sadie herself—in a cloud of suspicion and unanswered questions.
Drawing on the intuition and perseverance of her Cherokee ancestry, Sadie is determined to get some answers when an old friend unexpectedly turns up to lend a hand. A diverse cast of characters—including a mysterious Creek Indian, a corrupt police chief, an angry Marine home from Iraq, and the victim’s grieving sister and alcoholic niece—all come together to create a multilayered story of denial and deceit.
While striving to untangle relationships and old family secrets, Sadie ends up unraveling far more than a murder.
On July 2 and 3, 1917, race riots rocked the small industrial city of East St. Louis, Illinois. American Pogrom takes the reader beyond that pivotal time in the city’s history to explore black people’s activism from the antebellum era to the eve of the post–World War II civil rights movement.
Charles Lumpkins shows that black residents of East St. Louis had engaged in formal politics since the 1870s, exerting influence through the ballot and through patronage in a city dominated by powerful real estate interests even as many African Americans elsewhere experienced setbacks in exercising their political and economic rights.
While Lumpkins asserts that the race riots were a pogrom—an organized massacre of a particular ethnic group—orchestrated by certain businessmen intent on preventing black residents from attaining political power and on turning the city into a “sundown” town permanently cleared of African Americans, he also demonstrates how the African American community survived. He situates the activities of the black citizens of East St. Louis in the context of the larger story of the African American quest for freedom, citizenship, and equality.
In 1993, white American Fulbright scholar Amy Biehl was killed in a racially motivated attack near Cape Town, after spending months working to promote democracy and women’s rights in South Africa. The ironic circumstances of her death generated enormous international publicity and yielded one of South Africa’s most heralded stories of postapartheid reconciliation. Amy’s parents not only established a humanitarian foundation to serve the black township where she was killed, but supported amnesty for her killers and hired two of the young men to work for the Amy Biehl Foundation. The Biehls were hailed as heroes by Nelson Mandela, Desmond Tutu, and many others in South Africa and the United States—but their path toward healing was neither quick nor easy.
Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.
At least twenty-nine black children and young adults were murdered by an Atlanta serial killer between the summer of 1979 and the spring of 1981. Drawing national media attention, the “Atlanta tragedy,” as it became known, was immediately labeled a hate crime. However, when a young black man was arrested and convicted for the killings, public attention quickly shifted. Noted criminologist Bernard Headley was in Atlanta as the tragedy unfolded and provides here a thoughtful exploration of the social and political implications of the case both locally and nationally. Focusing on a singular historical event, Headley exposes broader tensions of race and class in contemporary America.
During the Russo-Ottoman War of 1877–1878, Russian troops, Cossack auxiliaries, and local Bulgarians participated in what today would be called ethnic cleansing. Tensions in the Balkans between Christians and Muslims ended in disaster when hundreds of thousands of Muslims were massacred, raped, and forced to flee from Bulgaria to Turkey as their villages were sacked and their homes destroyed.
In this book, William H. Holt tells the story of a people and moment in time that has largely been neglected in modern Turkish and Balkan memory. Holt uncovers the reasons for this mass forgetting, finding context both within the development of the modern Turkish state and the workings of collective memory. Bringing together a wide array of eyewitness accounts, the book provides unprecedented detail on the plight of the Muslim refugees in their flight from Bulgaria, in Istanbul, and in their resettlement in Anatolia. In crisp, clear, and engaging prose, Holt offers an insightful analysis of human suffering and social memory.
"With the meticulous attention to detail of a historian and a storyteller's eye for human drama, Bernstein shines a beam of truth on a forgotten American tragedy. Heartbreaking and riveting."
---Gregg Olsen, New York Times best-selling author of Starvation Heights
"A chilling and historic character study of the unfathomable suffering that desperation and fury, once unleashed inside a twisted mind, can wreak on a small town. Contemporary mass murderers Timothy McVeigh, Columbine's Dylan Klebold, and Virginia Tech's Seung-Hui Cho can each trace their horrific genealogy of terror to one man: Bath school bomber Andrew Kehoe."
---Mardi Link, author of When Evil Came to Good Hart
On May 18, 1927, the small town of Bath, Michigan, was forever changed when Andrew Kehoe set off a cache of explosives concealed in the basement of the local school. Thirty-eight children and six adults were dead, among them Kehoe, who had literally blown himself to bits by setting off a dynamite charge in his car. The next day, on Kehoe's farm, what was left of his wife---burned beyond recognition after Kehoe set his property and buildings ablaze---was found tied to a handcart, her skull crushed. With seemingly endless stories of school violence and suicide bombers filling today's headlines, Bath Massacre serves as a reminder that terrorism and large-scale murder are nothing new.
Beyond Repair? explores Mayan women’s agency in the search for redress for harm suffered during the genocidal violence perpetrated by the Guatemalan state in the early 1980s at the height of the thirty-six-year armed conflict. The book draws on eight years of feminist participatory action research conducted with fifty-four Q’eqchi’, Kaqchikel, Chuj, and Mam women who are seeking truth, justice, and reparation for the violence they experienced during the war, and the women’s rights activists, lawyers, psychologists, Mayan rights activists, and researchers who have accompanied them as intermediaries for over a decade. Alison Crosby and M. Brinton Lykes use the concept of “protagonism” to deconstruct dominant psychological discursive constructions of women as “victims,” “survivors,” “selves,” “individuals,” and/or “subjects.” They argue that at different moments Mayan women have been actively engaged as protagonists in constructivist and discursive performances through which they have narrated new, mobile meanings of “Mayan woman,” repositioning themselves at the interstices of multiple communities and in their pursuit of redress for harm suffered.
Equal parts courtroom drama, intellectual journey, and character study, Chilling Effect is Marianne Wesson's most provocative Lucinda Hayes mystery to date.
When attorney Lucinda Hayes reluctantly agrees to represent the mother of a brutally slain child, she must convince the court that the makers of a pornographic film are liable for the murder. As the case unfolds, Lucinda calls upon all her personal strength and legal talent, facing down her own ghosts as well as the powerful entertainment industry's star lawyers.
In Chilling Effect, Wesson affirms the power of free speech to inspire the best and the worst human behavior and explores the tension between freedom and accountability
Colonialism Is Crime
Marianne Nielsen Rutgers University Press, 2019 Library of Congress HV6322.7.N53 2019 | Dewey Decimal 362.8808
There is powerful evidence that the colonization of Indigenous people was and is a crime, and that that crime is on-going. Achieving historical colonial goals often meant committing acts that were criminal even at the time. The consequences of this oppression and criminal victimization is perhaps the critical factor explaining why Indigenous people today are overrepresented as victims and offenders in the settler colonist criminal justice systems. This book presents an analysis of the relationship between these colonial crimes and their continuing criminal and social consequences that exist today. The authors focus primarily on countries colonized by Britain, especially the United States. Social harm theory, human rights covenants, and law are used to explain the criminal aspects of the historical laws and their continued effects. The final chapter looks at the responsibilities of settler-colonists in ameliorating these harms and the actions currently being taken by Indigenous people themselves.
On an unusually cold January night in 1943, Martha James was murdered on a train in rural Oregon, near the Willamette Valley town of Albany. She was White, Southern, and newly-married to a Navy pilot. Despite inconsistent and contradictory eyewitness accounts, a young Black cook by the name of Robert Folkes, a trainman from South Central Los Angeles, was charged with the crime. The ensuing investigation and sensational murder trial captured national attention during a period of intense wartime fervor and extensive Black domestic migration. Folkes’ trial and controversial conviction—resulting in his execution by the state of Oregon—reshaped how Oregonians and others in the West thought about race, class, and privilege.
In this deeply researched and detailed account, Geier explores how race, gender, and class affected the attitudes of local town-folk, law officers, and courtroom jurors toward Black trainmen on the West Coast, at a time when militarization skewed perceptions of virtue, status, and authority. He delves into the working conditions and experiences of unionized Black trainmen in their “home and away” lives in Los Angeles and Portland, while illuminating the different ways that they, and other residents of Oregon and southern California, responded to news of “Oregon’s murdered war bride.” Reporters, civil rights activists, and curiosity seekers transformed the trial and appeals process into a public melodrama.
The investigation, trial, and conviction of Robert Folkes galvanized civil rights activists, labor organizers, and community leaders into challenging the flawed judicial process and ultimately the death penalty in Oregon, serving as a catalyst for civil rights activism that bridged rural and urban divides. The Color of Night will appeal to “true crime” aficionados, and to anyone interested in the history of race and labor relations, working conditions, community priorities, and attitudes toward the death penalty in the first half of the 20th century.
The editors and contributors to Color of Violence ask: What would it take to end violence against women of color? Presenting the fierce and vital writing of organizers, lawyers, scholars, poets, and policy makers, Color of Violence radically repositions the antiviolence movement by putting women of color at its center. The contributors shift the focus from domestic violence and sexual assault and map innovative strategies of movement building and resistance used by women of color around the world. The volume's thirty pieces—which include poems, short essays, position papers, letters, and personal reflections—cover violence against women of color in its myriad forms, manifestations, and settings, while identifying the links between gender, militarism, reproductive and economic violence, prisons and policing, colonialism, and war. At a time of heightened state surveillance and repression of people of color, Color of Violence is an essential intervention.
Contributors. Dena Al-Adeeb, Patricia Allard, Lina Baroudi, Communities Against Rape and Abuse (CARA), Critical Resistance, Sarah Deer, Eman Desouky, Ana Clarissa Rojas Durazo, Dana Erekat, Nirmala Erevelles, Sylvanna Falcón, Rosa Linda Fregoso, Emi Koyama, Elizabeth "Betita" Martínez, maina minahal, Nadine Naber, Stormy Ogden, Julia Chinyere Oparah, Beth Richie, Andrea J. Ritchie, Dorothy Roberts, Loretta J. Ross, s.r., Puneet Kaur Chawla Sahota, Renee Saucedo, Sista II Sista, Aishah Simmons, Andrea Smith, Neferti Tadiar, TransJustice, Haunani-Kay Trask, Traci C. West, Janelle White
In this revolutionary text, prominent Native American studies scholar and activist Andrea Smith reveals the connections between different forms of violence—perpetrated by the state and by society at large—and documents their impact on Native women. Beginning with the impact of the abuses inflicted on Native American children at state-sanctioned boarding schools from the 1880s to the 1980s, Smith adroitly expands our conception of violence to include the widespread appropriation of Indian cultural practices by whites and other non-Natives; environmental racism; and population control. Smith deftly connects these and other examples of historical and contemporary colonialism to the high rates of violence against Native American women—the most likely to suffer from poverty-related illness and to survive rape and partner abuse. Smith also outlines radical and innovative strategies for eliminating gendered violence.
Detectives are investigating the death of Dahlia Winter's husband and also looking into the mysterious deaths of young boys who are imported for labor in a future-time San Francisco. Citing the plots of Invasion of the Body Snatchers, Terminator 2, and Blade Runner as proof that our sense of inner and outer is tied to rebellion and slavery, the novel appears at first to be a detail of these films all at once, like a colonization of them from the inside. But almost immediately the plot assumes its own life. Based on a conception of the Tibetan written form called Secret Autobiography--which is not the chronological events or actions of a life, but an individual's seeing outside any frames--the novel makes a time-space in which sensation, actions, and thought-memory are occurring alongside our present-day space.
Combining literary criticism and feminist analysis, Death and Dissymmetry radically reinterprets not only the Book of Judges but also the tradition of its reception and understanding in the West. In Mieke Bal's account, Judges documents the Israelite culture learning to articulate itself in a decisive period of transition.
Counter to standard readings of Judges, Bal's interpretation demonstrates that the book has a political and ideological coherence in which the treatment of women plays a pivotal role. Bal concentrates here not on the assassinations and battles that rage through Judges but on the violence in the domestic lives of individual characters, particularly sexual violence directed at women. Her skillful reading reveals that murder, in this text, relates to gender and reflects a social structure that is inherently contradictory. By foregrounding the stories of women and subjecting them to subtle narrative analysis, she is able to expose a set of preoccupations that are essential to the sense of these stories but are not articulated in them. Bal thereby develops a "countercoherence" in conflict with the apparent emphases of Judges—the politics, wars, and historiography that have been the constant focus of commentators on the book.
Death and Dissymmetry makes an important contribution to the development of a feminist method of interpreting ancient texts, with consequences for religious studies, ancient history, literary theory, and gender studies.
At just forty-one years old, Dr. Autumn Klein, a neurologist specializing in seizure disorders in pregnant women, had already been named chief of women’s neurology at Pittsburgh’s largest health system. More than just successful in her field, Dr. Klein was beloved—by her patients, colleagues, family, and friends. She collapsed suddenly on April 17, 2013, writhing in agony on her kitchen floor, and died three days later. The police said her husband, Dr. Robert Ferrante, twenty-three years Klein’s senior, killed her through cyanide poisoning. Though Ferrante left a clear trail of circumstantial evidence, Klein’s death from cyanide might have been overlooked if not for the investigators who were able to use Ferrante’s computer, statements from the staff at his lab, and his own seemingly odd actions at the hospital during his wife’s treatment to piece together what appeared to be a long-term plan to end his wife’s life. In Death by Cyanide, Paula Reed Ward, reporter for the Pittsburgh Post-Gazette, describes the murder investigation and the trial in this sensational case, taking us from the poisoning and the medical staff’s heroic measures to save Klein’s life to the investigation of Ferrante and the emotion and drama inside the courtroom.
Document of Expectations
Devon Abbott Mihesuah Michigan State University Press, 2011 Library of Congress PS3563.I371535D63 2011 | Dewey Decimal 813.54
When Hopi/White Mountain Apache anthropologist Tony M. Smokerise is found murdered in his office at Central Highlands University, the task of solving the crime falls to jaded Choctaw detective Monique Blue Hawk and her partner Charles T. Clarke. A seemingly tolerant and amicable office of higher education, the university, Monique soon learns, harbors parties determined to destroy the careers of Tony and his best friend, the volatile Oglala anthropologist Roxanne Badger. In the course of her investigation, Monique discovers that the scholars who control Tony’s department are also overseeing the excavation of a centuries-old tribal burial site that was uncovered during the construction of a freeway. Tony’s role in the project, she realizes, might be the key to identifying his murderer. This virtuosic mystery novel explores, in engrossing detail, the complex motives for a killing within the sometimes furtive and hermetic setting of academia.
Embodied Reckonings examines the political and cultural aspects of contemporary performances that have grappled with the history of the “comfort women,” the Japanese military’s euphemism for the sexual enslavement of girls and young women—mostly Korean—in the years before and during World War II. Long silent, in the early 1990s these women and their supporters initiated varied performance practices—protests, tribunals, theater, and memorial-building projects—to demand justice for those affected by state-sponsored acts of violence. The book provides a critical framework for understanding how actions designed to bring about redress can move from the political and legal aspects of this concept to its cultural and social possibilities.
Based on extensive archival and ethnographic research, the study argues for the central role of performance in how Korean survivors, activists, and artists have redressed the histories—and erasures—of this sexual violence. Merging cultural studies and performance theory with a transnational, feminist analysis, the book illuminates the actions of ordinary people, thus offering ways of reconceptualizing legal and political understandings of redress that tend to concentrate on institutionalized forms of state-based remediation.
In Everyday Psychokillers spectacular violence is the idiom of everyday life, a lurid extravaganza in which all those around the narrator seem vicarious participants. And at its center are the interchangeable young girls, thrilling to know themselves the object of so much desire and terror.
The narrative interweaves history, myth, rumor, and news with the experiences of a young girl living in the flatness of South Florida. Like Grace Paley's narrators, she is pensive and eager, hungry for experience but restrained. Into the sphere of her regard come a Ted Bundy reject, the God Osiris, a Caribbean slave turned pirate, a circus performer living in a box, broken horses, a Seminole chief in a swamp, and a murderous babysitter. What these preposterously commonplace figures all know is that murder is identity: "Of course what matters really is the psychokiller, what he's done, what he threatens to do. Of course to be the lucky one you have to be abducted in the first place. Without him, you wouldn't exist."
Everyday Psychokillers reaches to the edge of the psychoanalytical and jolts the reader back to daily life. The reader becomes the killer, the watcher, the person on the verge, hiding behind an everyday face.
Popular media depict miners as a rough-and-tumble lot who diligently worked the placers along scenic rushing rivers while living in roaring mining camps in the foothills of the Sierra Nevada Mountains. Trafzer and Hyer destroy this mythic image by offering a collection of original newspaper articles that describe in detail the murder, rape, and enslavement perpetrated by those who participated in the infamous gold rush. "It is a mercy to the Red Devils," wrote an editor of the Chico Courier, "to exterminate them." Newspaper accounts of the era depict both the barbarity and the nobility in human nature, but while some protested the inhumane treatment of Native Americans, they were not able to end the violence. Native Americans fought back, resisting the invasion, but they could not stop the tide of white miners and settlers. They became "strangers in a stolen land."
The U.S.-Mexico border is frequently presented by contemporary media as a violent and dangerous place. But that is not a new perception. For decades the border has been constructed as a topographic metaphor for all forms of illegality, in which an ineffable link between space and violence is somehow assumed. The sociological and cultural implications of violence have recently emerged at the forefront of academic discussions about the border. And yet few studies have been devoted to one of its most disturbing manifestations: gender violence. This book analyzes this pervasive phenomenon, including the femicides in Ciudad Juárez that have come to exemplify, at least for the media, its most extreme manifestation.
Contributors to this volume propose that the study of gender-motivated violence requires interpretive and analytical strategies that draw on methods reaching across the divide between the social sciences and the humanities. Through such an interdisciplinary conversation, the book examines how such violence is (re)presented in oral narratives, newspaper reports, films and documentaries, novels, TV series, and legal discourse. It also examines the role that the media have played in this process, as well as the legal initiatives that might address this pressing social problem.
Together these essays offer a new perspective on the implications of, and connections between, gendered forms of violence and topics such as mechanisms of social violence, the micro-social effects of economic models, the asymmetries of power in local, national, and transnational configurations, and the particular rhetoric, aesthetics, and ethics of discourses that represent violence.
In April 1644, two nuns fled Bologna’s convent for reformed prostitutes. A perfunctory archiepiscopal investigation went nowhere, and the nuns were quickly forgotten. By June of the next year, however, an overwhelming stench drew a woman to the wine cellar of her Bolognese townhouse, reopened after a two-year absence—where to her horror she discovered the eerily intact, garroted corpses of the two missing women.
Drawing on over four thousand pages of primary sources, the intrepid Craig A. Monson reconstructs this fascinating history of crime and punishment in seventeenth-century Italy. Along the way, he explores Italy’s back streets and back stairs, giving us access to voices we rarely encounter in conventional histories: prostitutes and maidservants, mercenaries and bandits, along with other “dubious” figures negotiating the boundaries of polite society. Painstakingly researched and breathlessly told, Habitual Offenders will delight historians and true-crime fans alike.
Hogg: A Novel
Samuel R. Delany University of Alabama Press, 2004 Library of Congress PS3554.E437H64 2004 | Dewey Decimal 813.54
Acclaimed winner of the William Whitehead Memorial Award for a lifetime's contribution to gay and lesbian literature, Samuel R. Delany wrote Hogg three decades ago. Since then it has been one of America's most famous 'unpublishable' novels. The subject matter of Hogg is our culture of sexual violence and degeneration. Delany explores his disturbing protagonist Hogg on his own turf--rape, pederasty, sexual excess--exposing an area of violence and sexual abuse from the inside. As such, it is a brave book.
Why do men rape women? This is a question for which there are many political, psychological, and sociological answers, but few historical ones. Improper Advances is one of the first books to explore the history of sexual violence in any country. A study of women, men, and sexual crime in rural and northern Ontario, it expands the terms of current debates about sexuality and sexual violence.
Karen Dubinsky relies on criminal case files, a revealing but largely untapped source for social historians, to retell individual stories of sexual danger—crimes such as rape, abortion, seduction, murder, and infanticide. Her research supports many feminist analyses of sexual violence: that crimes are expressions of power, that courts are prejudiced by the victim's background, and that most assaults occur within the victims' homes and communities.
Dubinsky distinguishes herself from most feminist scholars, however, by refusing to view women solely as victims and sex as a tool of oppression. She finds that these women actively sought and took pleasure in sexuality, but they distinguished between wanted and unwanted sexual encounters and attempted to punish coercive sex despite obstacles in the court system and the community.
Confronting a number of key theoretical and historiographic controversies, including recent debates over sexuality in feminist theory and politics, she challenges current thinking on the history of women, gender, and sexuality.
Knowing What We Know
Garfield, Gail Rutgers University Press, 2005 Library of Congress HV6250.4.W65G37 2005 | Dewey Decimal 362.829208996073
In recent years there has been an attempt by activists, service providers, and feminists to think about violence against women in more inclusive ways. In Knowing What We Know, activist and sociologist Gail Garfield argues that this effort has not gone far enough and that in order to understand violence, we must take the lived experiences of African American women seriously. Doing so, she cautions, goes far beyond simply adding voices of black women to existing academic and activist discourses, but rather, requires a radical shift in our knowledge of these women’s lives and the rhetoric used to describe them.
Bringing together a series of life-history interviews with nine women, this unique study urges a departure from established approaches that position women as victims of exclusively male violence. Instead, Garfield explores what happens when women’s ability to make decisions and act upon those choices comes into conflict with cultural and social constraints. Chapters explore how women experience racialized or class-based violence, how these forms of violence are related to gendered violence, and what these violations mean to a woman’s sense of identity. By showing how women maintain, sustain, and in some instances regain their sense of human worth as a result of their experiences of violation, Garfield complicates the existing dialogue on violence against women in new and important ways.
During the last half century of its existence, the Ottoman Empire and the lands around its borders were places of constant political turmoil and unceasing military action. The enormous costs of war were paid not only by politicians and soldiers, but by the Ottoman civilian population as well. This book examines the hardships that ordinary people, Muslim and Christian alike, endured during decades of warfare.
Jeremy Salt brings to the surface previously ignored facts that disrupt the conventional narrative of an ethno-religious division between Muslim perpetrators and Christian victims of violence. Salt shows instead that all major ethno-religious groups—including Armenians, Turks, Kurds, and Greeks—were guilty of violent acts. The result is a more balanced picture of European involvement in the Ottoman Empire and the Balkans, one that highlights the destructive role of British Prime Minister David Lloyd George and other European leaders grabbing for Ottoman resources up to the end of World War I. The effects of these events are felt to the present day.
This extraordinary story centers not on military campaigns but on ordinary civilians whose lives were disrupted and in many cases destroyed by events over which they had no control. Disease, malnutrition, massacre and inter-communal fighting killed millions of people during the First World War alone. Until now this epic saga of human suffering has remained a story largely untold.
Gus Reed was a freed slave who traveled north as Sherman’s March was sweeping through Georgia in 1864. His journey ended in Springfield, Illinois, a city undergoing fundamental changes as its white citizens struggled to understand the political, legal, and cultural consequences of emancipation and black citizenship. Reed became known as a petty thief, appearing time and again in the records of the state’s courts and prisons. In late 1877, he burglarized the home of a well-known Springfield attorney—and brother of Abraham Lincoln’s former law partner—a crime for which he was convicted and sentenced to the Illinois State Penitentiary.
Reed died at the penitentiary in 1878, shackled to the door of his cell for days with a gag strapped in his mouth. An investigation established that two guards were responsible for the prisoner’s death, but neither they nor the prison warden suffered any penalty. The guards were dismissed, the investigation was closed, and Reed was forgotten.
Gus Reed’s story connects the political and legal cultures of white supremacy, black migration and black communities, the Midwest’s experience with the Civil War and Reconstruction, and the resurgence of nationwide opposition to African American civil rights in the late nineteenth century. These experiences shaped a nation with deep and unresolved misgivings about race, as well as distinctive and conflicting ideas about justice and how to achieve it.
Winner of a National Council on Public History Book Award
On April 30, 1871, an unlikely group of Anglo-Americans, Mexican Americans, and Tohono O’odham Indians massacred more than a hundred Apache men, women, and children who had surrendered to the U.S. Army at Camp Grant, near Tucson, Arizona. Thirty or more Apache children were stolen and either kept in Tucson homes or sold into slavery in Mexico. Planned and perpetrated by some of the most prominent men in Arizona’s territorial era, this organized slaughter has become a kind of “phantom history” lurking beneath the Southwest’s official history, strangely present and absent at the same time.
Seeking to uncover the mislaid past, this powerful book begins by listening to those voices in the historical record that have long been silenced and disregarded. Massacre at Camp Grant fashions a multivocal narrative, interweaving the documentary record, Apache narratives, historical texts, and ethnographic research to provide new insights into the atrocity. Thus drawing from a range of sources, it demonstrates the ways in which painful histories continue to live on in the collective memories of the communities in which they occurred.
Chip Colwell-Chanthaphonh begins with the premise that every account of the past is suffused with cultural, historical, and political characteristics. By paying attention to all of these aspects of a contested event, he provides a nuanced interpretation of the cultural forces behind the massacre, illuminates how history becomes an instrument of politics, and contemplates why we must study events we might prefer to forget.
Like the original Harvest of Violence, published in 1988, this volume reveals how the contemporary Mayas contend with crime, political violence, internal community power struggles, and the broader impact of transnational economic and political policies in Guatemala. However, this work, informed by long-term ethnographic fieldwork in Mayan communities and commitment to conducting research in Mayan languages, places current anthropological analyses in relation to Mayan political activism and key Mayan intellectuals’ research and criticism. Illustrating specifically how Mayas in this post-war period conceive of their social and political place in Guatemala, Mayas working in factories, fields, and markets, and participating in local, community-level politics provide critiques of the government, the Maya movement, and the general state of insecurity and social and political violence that they continue to face on a daily basis. Their critical assessments and efforts to improve political, social, and economic conditions illustrate their resiliency and positive, nonviolent solutions to Guatemala’s ongoing problems that deserve serious consideration by Guatemalan and US policy makers, international non-government organizations, peace activists, and even academics studying politics, social agency, and the survival of indigenous people.
Abigail E. Adams / José Oscar Barrera Nuñez / Peter Benson / Barbara Bocek / Jennifer L. Burrell / Robert M. Carmack / Monica DeHart / Edward F. Fischer / Liliana Goldín / Walter E. Little / Judith M. Maxwell / J. Jailey Philpot-Munson / Brenda Rosenbaum / Timothy J. Smith / David Stoll
In Men, Mobs, and Law, Rebecca N. Hill compares two seemingly unrelated types of leftist protest campaigns: those intended to defend labor organizers from prosecution and those seeking to memorialize lynching victims and stop the practice of lynching. Arguing that these forms of protest are related and have substantially influenced one another, Hill points out that both worked to build alliances through appeals to public opinion in the media, by defining the American state as a force of terror, and by creating a heroic identity for their movements. Each has played a major role in the history of radical politics in the United States. Hill illuminates that history by considering the narratives produced during the abolitionist John Brown’s trials and execution, analyzing the defense of the Chicago anarchists of the Haymarket affair, and comparing Ida B. Wells’s and the NAACP’s anti-lynching campaigns to the Industrial Workers of the World’s early-twentieth-century defense campaigns. She also considers conflicts within the campaign to defend Sacco and Vanzetti, chronicles the history of the Communist Party’s International Labor Defense, and explores the Black Panther Party’s defense of George Jackson.
As Hill explains, labor defense activists first drew on populist logic, opposing the masses to the state in their campaigns, while anti-lynching activists went in the opposite direction, castigating “the mob” and appealing to the law. Showing that this difference stems from the different positions of whites and Blacks in the American legal system, Hill’s comparison of anti-lynching organizing and radical labor defenses reveals the conflicts and intersections between antiracist struggle and socialism in the United States.
The Michigan Murders
Edward Keyes University of Michigan Press, 2010 Library of Congress HV6533.M5K49 2010 | Dewey Decimal 364.15232092
"True crime devotees won't want to miss this one!"
"Very engrossing . . . in the finest you can't put it down tradition."
"This factual account of each murder, through the conviction of the killer, has all the excitement of a first-rate work of fiction, and is told straight, without the usual sociological jargon. Keyes collaborated with Robin Moore on The French Connection; The Michigan Murders is his first solo effort, and it is a good one."
"The Michigan Murders is the ultimate True Crime classic, unfolding like great mystery fiction while still delivering the powerful charge of real life."
---Jamie Agnew, Aunt Agatha's Mystery Bookshop
With a new prologue by Mardi Link and a new epilogue by Laura James
The true story of the savage coed killings---by the boy who could have lived next door!
Southeastern Michigan was rocked in the late 1960s by the terrifying serial murders of young women, whose bodies were dumped in Ann Arbor and Ypsilanti. In each case, few clues were left at the scene, and six separate police agencies were unable to end the horror. Then, almost by accident, a break came. The suspect: John Norman Collins, a young, quiet, all-American boy.
Collins was caught, went to trial, and, on August 19, 1970, was found guilty and sentenced to life imprisonment with no possibility of parole. He is now in his sixties and is serving his sentence in Marquette, Michigan.
Collins was one of the first serial killers exposed in the region, and his crimes had many in the area locking their doors for the first time. Edward Keyes's harrowing The Michigan Murders covers every step of the case. It fell out of print for more than a decade before being revived for this special edition.
Mardi Link, author of the new prologue, is the author of two regionally best-selling true crime books based in northern Michigan, When Evil Came to Good Hart and Isadore's Secret.
Laura James, author of the new epilogue, is a trial lawyer, crime historian, and true crime author who blogs about the true crime genre at her Web site CLEWS (www.laurajames.com).
Edward Keyes, now deceased, spent several years in the early 1970s investigating the Michigan murders. He also authored the works Double Dare and Cocoanut Grove. The Michigan Murders was a finalist for the Edgar Allan Poe Award for Best Fact Crime in 1977.
In Ciudad Juárez, Mexico, people disappear, their bodies dumped in deserted city lots or jettisoned in the unforgiving desert. All too many of them are women.
More or Less Dead analyzes how such violence against women has been represented in news media, books, films, photography, and art. Alice Driver argues that the various cultural reports often express anxiety or criticism about how women traverse and inhabit the geography of Ciudad Juárez and further the idea of the public female body as hypersexualized. Rather than searching for justice, the various media—art, photography, and even graffiti—often reuse victimized bodies in sensationalist, attention-grabbing ways. In order to counteract such views, local activists mark the city with graffiti and memorials that create a living memory of the violence and try to humanize the victims of these crimes.
The phrase “more or less dead” was coined by Chilean author Roberto Bolaño in his novel 2666, a penetrating fictional study of Juárez. Driver explains that victims are “more or less dead” because their bodies are never found or aren’t properly identified, leaving families with an uncertainty lasting for decades—or forever.
The author’s clear, precise journalistic style tackles the ethics of representing feminicide victims in Ciudad Juárez. Making a distinction between the words “femicide” (the murder of girls or women) and “feminicide” (murder as a gender-driven event), one of her interviewees says, “Women are killed for being women, and they are victims of masculine violence because they are women. It is a crime of hate against the female gender. These are crimes of power.”
One August night in 1931, on a secluded mountain ridge overlooking Birmingham, Alabama, three young white women were brutally attacked. The sole survivor, Nell Williams, age eighteen, said a black man had held the women captive for four hours before shooting them and disappearing into the woods. That same night, a reign of terror was unleashed on Birmingham's black community: black businesses were set ablaze, posses of armed white men roamed the streets, and dozens of black men were arrested in the largest manhunt in Jefferson County history. Weeks later, Nell identified Willie Peterson as the attacker who killed her sister Augusta and their friend Jennie Wood. With the exception of being black, Peterson bore little resemblance to the description Nell gave the police. An all-white jury convicted Peterson of murder and sentenced him to death.
In Murder on Shades Mountain Melanie S. Morrison tells the gripping and tragic story of the attack and its aftermath—events that shook Birmingham to its core. Having first heard the story from her father—who dated Nell's youngest sister when he was a teenager—Morrison scoured the historical archives and documented the black-led campaigns that sought to overturn Peterson's unjust conviction, spearheaded by the NAACP and the Communist Party. The travesty of justice suffered by Peterson reveals how the judicial system could function as a lynch mob in the Jim Crow South. Murder on Shades Mountain also sheds new light on the struggle for justice in Depression-era Birmingham. This riveting narrative is a testament to the courageous predecessors of present-day movements that demand an end to racial profiling, police brutality, and the criminalization of black men.
This book challenges every common presumption that exists about the trafficking of women for the sex trade. It is a detailed account of an entire population of trafficked Albanian women whose varied experiences, including selling sex on the streets of France, clearly demonstrate how much the present discourse about trafficked women is misplaced and inadequate. The heterogeneity of the women involved and their relationships with various men is clearly presented as is the way women actively created a panoptical surveillance of themselves as a means of self-policing. There is no artificial divide between women who were deceived and abused and those who “choose” sex work; in fact the book clearly shows how peripheral involvement in sex work was to the real agenda of the women involved. Most of the women described in this book were not making economic decisions to escape desperate poverty nor were they the uneducated naïve entrapped into sexual slavery. The women’s success in transiting trafficking to achieve their own goals without the assistance of any outside agency is a testimony to their resilience and resolve.
Since 1993, more than 2,000 feminicidios have occurred in Ciudad Juárez, Mexico—once called “the feminicidio capital of the world.” Who is killing the women of Juárez? Why is this happening? In Not One More!Feminicidio on the Border, Nina Maria Lozano seeks to answer these questions, turning a critical eye to the state structures and legal systems that allow and participate in the violence, rape, and murder propagated against thousands of women in the border town of Juárez.
Finding theories of new materialism inadequate to explain the feminicidios, Lozano critiques and extends this approach—advancing instead a new theoretical framework, border materialism, to argue that capitalist systems of neoliberalism and free trade are directly correlated to the killing of women on the US–Mexico border. Through the author’s fifteen-plus years of on-the-ground fieldwork, readers are presented with firsthand accounts, testimonies, and new social movement strategies from family members and activists attempting to stop these gendered crimes.
By offering concrete case studies—including analysis of maquiladoras/factories and free trade zones, public monuments and murals memorializing the victims, rastreos/searches by family members for victims’ DNA remains, and testimony from Mothers, family members, and activists—Not One More! lays bare the socioeconomic and geopolitical forces at work in the killing of women in Juárez.
Amid a whirlwind of drugs, sex, and other temptations of the “English” world, a group of Amish teenagers on their Rumschpringe test the limits of their parents’ religion to the breaking point. The murder of one and the abduction of another challenge Professor Michael Branden as he confronts the communal fear that the young people can never be brought home safely.
Along with Holmes County Sheriff Bruce Robertson and Pastor Cal Troyer, Professor Branden works against the clock to find a murderer and a kidnapper, and to break a drug ring operating in the county, determined, wherever the trail may lead him, to restore the shattered community. In his desperate search, Branden struggles with the reluctance of the Amish to trust the law to help them find the answers to their problems.
In A Prayer for the Night, his fifth Ohio Amish Mystery, P. L. Gaus deftly balances the pace and practices of Amish life in northern Ohio against the unfolding urgency of a hostage situation. As Gaus has proven before, the mystery gains from its exploration of the ever-widening chasm between the traditional life of the Amish people and their interaction with the outside world.
From 1877 to 1892, Dr. Thomas Neill Cream murdered seven women, all prostitutes or patients seeking abortions, in England and North America. A Prescription for Murder begins with Angus McLaren's vividly detailed story of the killings. Using press reports and police dossiers, McLaren investigates the links between crime and respectability to reveal a remarkable range of Victorian sexual tensions and fears. McLaren explores how the roles of murderer and victim were created, and how similar tensions might contribute to the onslaught of serial killing in today's society.
Why are racial conflict and violence among the most enduring problems in American society? Why do some youths express racism violently while others develop tolerance and respect for those who are different? What can we as a society do to foster open-mindedness among children and teenagers?
Seeking answers to these questions, Howard Pinderhughes spent two years talking to and studying three groups of New York City adolescents: the predominantly Italian American Avenue T Boys from the Bensonhurst section of Brooklyn; a group of African American teenagers from Schomberg Plaza in East Harlem; and a group of Albanian American youth from Pelham Park in the Bronx. Through the voices of these young people, Pinderhughes examines how racial attitudes and identities develop in communities and are then expressed as either tolerance, resulting in territorial cooperation, or hatred, resulting in racial conflict.
Race in the Hood draws a picture of young people who grew up in similar class circumstances, facing remarkably similar problems and issues, with one significant difference in their lives--their race or ethnicity. Pinderhughes argues that the key to success in developing racial tolerance lies in the transformation of racialized grassroots ideologies through community and school-based multicultural education.
A sophisticated and nuanced study of race relations in New York City, Race in the Hood points to areas of concern and directions for change in all of our communities.
"This book examines factors that produce ethnic and racial conflict and violence among youth in New York. Drawing on a survey questionnaire and on focus group interviews, he locates ethnic hostilities and racisms within a complex environment shaped by factors operating at several levels. While fully recognising the importance of economic and other structural forces, he also reveals the central role that communities and peer groups may play in the production and reproduction of ethnic allegiances, and in racist hostilities." Canadian Journal of Urban Research
"This work should be read by those interested in urban sociology, crime, race and ethnic relations, and violence. Few contemporary authors give us a flavorful account of adolescents and race/ethnic conflict as it is played out in the real world. Pinderhughes does, and he should be applauded." Contemporary Sociology
"Should be read by all who hope to end the violence that divides our youth." MultiCultural Review
Howard Pinderhughes is assistant professor in the Department of Social and Behavioral Sciences at the University of California, San Francisco.
Between three and four thousand civilians, primarily Serbian and Jewish, were murdered in the Novi Sad massacre of 1942. Hungarian soldiers and gendarmes carried out the crime in the city and surrounding areas, in territory Hungary occupied after the German attack on Yugoslavia. The perpetrators believed their acts to be a contribution to a new order in Europe, and as a means to ethnically cleanse the occupied lands.
In marked contrast to other massacres, the Horthy regime investigated the incident and tried and convicted the commanding officers in 1943-44. Other trials would follow. During the 1960s, a novel and film telling the story of the massacre sparked the first public open debate about the Hungarian Holocaust.
This book examines public contentions over the Novi Sad massacre from its inception in 1942 until the final trial in 2011. It demonstrates how attitudes changed over time toward this war crime and the Holocaust through different political regimes and in Hungarian society. The book also views how the larger European context influenced Hungarian debates, and how Yugoslavia dealt with memories of the massacre.
From its largest cities to deep within its heartland, from its heavily trafficked airways to its meandering country byways, America has become a nation racked by anxiety about terrorism and national security. In response to the fears prompted by the tragedy of September 11th, the country has changed in countless ways. Airline security has tightened, mail service is closely examined, and restrictions on civil liberties are more readily imposed by the government and accepted by a wary public.
The altered American landscape, however, includes more than security measures and ID cards. The country's desperate quest for security is visible in many less obvious, yet more insidious ways. In Scapegoats of September 11th, criminologist Michael Welch argues that the "war on terror" is a political charade that delivers illusory comfort, stokes fear, and produces scapegoats used as emotional relief. Regrettably, much of the outrage that resulted from 9/11 has been targeted at those not involved in the attacks on the Pentagon or the Twin Towers. As this book explains, those people have become the scapegoats of September 11th. Welch takes on the uneasy task of sorting out the various manifestations of displaced aggression, most notably the hate crimes and state crimes that have become embarrassing hallmarks both at home and abroad.
Drawing on topics such as ethnic profiling, the Abu Ghraib scandal, Guantanamo Bay, and the controversial Patriot Act, Welch looks at the significance of knowledge, language, and emotion in a post-9/11 world. In the face of popular and political cheerleading in the war on terror, this book presents a careful and sober assessment, reminding us that sound counterterrorism policies must rise above, rather than participate in, the propagation of bigotry and victimization.
T. J. Waters Gallaudet University Press, 2010 Library of Congress PS3623.A8692S43 2010 | Dewey Decimal 813.6
Former golf pro Amy Kellen, recently widowed and the mother of a three-year-old daughter, hoped that her new job as a video relay service interpreter for deaf clients would bring stability into her life. She also wished to stay close to the Deaf community that meant so much to her late husband, who was deaf. Little did she know, however, that her new profession would cause her to witness the vicious killing of a deaf client during a video call. In this way author T. J. Waters thrusts Amy into a murder mystery that catches her up in intersecting worlds of intrigue—Internet scams, burglaries, and presidential politics—all connected through the rich Deaf community in Washington, DC.
During the investigation, Amy meets local detective Mike Seer and Secret Service agent Heath Rasco. Despite Seer’s insistence, she refuses to violate her professional ethics and discuss the content of the fatal call. Agent Rasco, who is hard of hearing, admires her commitment to her deaf clients. Amy admits her own attraction to the agent, but her first concern is to learn more about how her client, a respected deaf political strategist, was killed. Her pursuit causes her to witness two more murders and discover a third. She also finds herself and her daughter the targets of assassins. Secret Signs brings these extraordinary elements together in an electrifying combination that promises to surprise and satisfy.
The Department of Defense Sexual Assault Prevention and Response Office asked the RAND Corporation to independently assess rates of sexual assault, sexual harassment, and gender discrimination in the military. This volume presents the results of methodological investigations into sources of potential bias in estimates produced from the 2014 RAND Military Workplace Study for active- and reserve-component members in the U.S. military.
The Department of Defense Sexual Assault Prevention and Response Office asked the RAND Corporation to conduct an assessment of the rates of sexual assault, sexual harassment, and gender discrimination in the U.S. military. This volume presents survey estimates of how risk of sexual assault and sexual harassment varies across military installations and major commands using data from the 2014 RAND Military Workplace Study.
Showdown in Desire portrays the Black Panther Party in New Orleans in 1970, a year that included a shootout with the police on Piety Street, the creation of survival programs, and the daylong standoff between the Panthers and the police in the Desire housing development. Through interviews with Malik Rahim, the Panther; Robert H. King, Panther and member of the Angola 3; Larry Preston Williams, the black policeman; Moon Landrieu, the mayor; Henry Faggen, the Desire resident; Robert Glass, the white lawyer; Jerome LeDoux, the black priest; William Barnwell, the white priest; and many others, Orissa Arend tells a nuanced story that unfolds amid guns, tear gas, desperate poverty, oppression, and inflammatory rhetoric to capture the palpable spirit of rebellion, resistance, and revolution of an incendiary summer in New Orleans.
Hate crimes against Native Americans are a common occurrence, Barbara Perry reveals, although most go unreported. In this eye-opening book, Perry shines a spotlight on these acts, which are often hidden in the shadows of crime reports. She argues that scholarly and public attention to the historical and contemporary victimization of Native Americans as tribes or nations has blinded both scholars and citizens alike to the victimization of individual Native Americans. It is these acts against individuals that capture her attention.
Silent Victims is a unique contribution to the literature on hate crime. Because most extant literature treats hate crimes—even racial violence—rather generically, this work breaks new ground with its findings. For this book, Perry interviewed nearly 300 Native Americans and gathered additional data in three geographic areas: the Four Corners region of the U.S. Southwest, the Great Lakes, and the Northern Plains. In all of these locales, she found that bias-related crime oppresses and segregates Native Americans.
Perry is well aware of the history of colonization in North America and its attendant racial violence. She argues that the legacy of violence today can be traced directly to the genocidal practices of early settlers, and she adds valuable insights into the ways in which “Indians” have been constructed as the Other by the prevailing culture. Perry’s interviews with Native Americans recount instances of appalling treatment, often at the hands of law enforcement officials. In her conclusion, Perry draws from her research and interviews to suggest ways in which Native Americans can be empowered to defend themselves against all forms of racist victimization.
Following the 1971 Bangladesh War, the Bangladesh government publicly designated the thousands of women raped by the Pakistani military and their local collaborators as birangonas, ("brave women”). Nayanika Mookherjee demonstrates that while this celebration of birangonas as heroes keeps them in the public memory, they exist in the public consciousness as what Mookherjee calls a spectral wound. Dominant representations of birangonas as dehumanized victims with disheveled hair, a vacant look, and rejected by their communities create this wound, the effects of which flatten the diversity of their experiences through which birangonas have lived with the violence of wartime rape. In critically examining the pervasiveness of the birangona construction, Mookherjee opens the possibility for a more politico-economic, ethical, and nuanced inquiry into the sexuality of war.
More than 600 women and girls have been murdered and more than 1,000 have disappeared in the Mexican state of Chihuahua since 1993. Violence against women has increased throughout Mexico and in other countries, including Argentina, Costa Rica, Guatemala, and Peru. Law enforcement officials have often failed or refused to undertake investigations and prosecutions, creating a climate of impunity for perpetrators and denying truth and justice to survivors of violence and victims’ relatives. Terrorizing Women is an impassioned yet rigorously analytical response to the escalation in violence against women in Latin America during the past two decades. It is part of a feminist effort to categorize violence rooted in gendered power structures as a violation of human rights. The analytical framework of feminicide is crucial to that effort, as the editors explain in their introduction. They define feminicide as gender-based violence that implicates both the state (directly or indirectly) and individual perpetrators. It is structural violence rooted in social, political, economic, and cultural inequalities.
Terrorizing Women brings together essays by feminist and human rights activists, attorneys, and scholars from Latin America and the United States, as well as testimonios by relatives of women who were disappeared or murdered. In addition to investigating egregious violations of women’s human rights, the contributors consider feminicide in relation to neoliberal economic policies, the violent legacies of military regimes, and the sexual fetishization of women’s bodies. They suggest strategies for confronting feminicide; propose legal, political, and social routes for redressing injustices; and track alternative remedies generated by the communities affected by gender-based violence. In a photo essay portraying the justice movement in Chihuahua, relatives of disappeared and murdered women bear witness to feminicide and demand accountability.
Contributors: Pascha Bueno-Hansen, Adriana Carmona López, Ana Carcedo Cabañas, Jennifer Casey, Lucha Castro Rodríguez , Angélica Cházaro, Rebecca Coplan, Héctor Domínguez-Ruvalcaba, Marta Fontenla, Alma Gomez Caballero, Christina Iturralde, Marcela Lagarde y de los Ríos, Julia Estela Monárrez Fragoso, Hilda Morales Trujillo, Mercedes Olivera, Patricia Ravelo Blancas, Katherine Ruhl, Montserrat Sagot, Rita Laura Segato, Alicia Schmidt Camacho, William Paul Simmons, Deborah M. Weissman, Melissa W. Wright
During a one-hundred-day period in 1994, Hutus murdered between half a million and a million Tutsi in Rwanda. The numbers are staggering; the methods of killing were unspeakable. Utilizing personal interviews with trauma survivors living in Rwandan cities, towns, and dusty villages, We Cannot Forget relates what happened during this period and what their lives were like both prior to and following the genocide.
Through powerful stories that are at once memorable, disturbing, and informative, readers gain a critical sense of the tensions and violence that preceded the genocide, how it erupted and was carried out, and what these people faced in the first sixteen years following the genocide.
The first volume of the International Center for Transitional Justice's new Advancing Transitional Justice Series.
Published with the support of the International Development Research Centre.
What happens to women whose lives are transformed by human rights violations? What happens to the voices of victimized women once they have their day in court or in front of a truth commission? Women face a double marginalization under authoritarian regimes and during and after violent conflicts. Nonetheless, reparations programs are rarely designed to address the needs of women victims. What Happened to the Women? Gender and Reparations for Human Rights Violations, argues for the introduction of a gender dimension into reparations programs. The volume explores gender and reparations policies in Guatemala, Peru, Rwanda, Sierra Leone, South Africa, and Timor-Leste.
Today, foreigners travel to the Yucatan for ruins, temples, and pyramids, white sand beaches and clear blue water. One hundred years ago, they went for cheap labor, an abundance of land, and the opportunity to make a fortune exporting cattle, henequen fiber, sugarcane, or rum. Sometimes they found death.
In 1875 an American plantation manager named Robert Stephens and a number of his workers were murdered by a band of Maya rebels. To this day, no one knows why. Was it the result of feuding between aristocratic families for greater power and wealth? Was it the foreseeable consequence of years of oppression and abuse of Maya plantation workers? Was a rebel leader seeking money and fame—or perhaps retribution for the loss of the woman he loved?
For whites, the events that took place at Xuxub, Stephens’s plantation, are virtually unknown, even though they engendered a diplomatic and legal dispute that vexed Mexican-U.S. relations for over six decades. The construction of "official" histories allowed the very name of Xuxub to die, much as the plantation itself was subsumed by the jungle. For the Maya, however, what happened at Xuxub is more than a story they pass down through generations—it is a defining moment in how they see themselves.
Sullivan masterfully weaves the intricately tangled threads of this story into a fascinating account of human accomplishments and failings, in which good and evil are never quite what they seem at first, and truth proves to be elusive. Xuxub Must Die seeks not only to fathom a mystery, but also to explore the nature of guilt, blame, and understanding.
In Nahuatl yolqui is the idea of a warrior brought back from the dead. For author and activist Roberto Cintli Rodríquez, it describes his own experience one night in March 1979 after a brutal beating at the hands of L.A. sheriffs.
Framed by Rodríguez’s personal testimony of police violence, this book offers a historia profunda of the culture of extralegal violence against Red-Black-Brown communities in the United States. In addition to Rodríguez’s story, this book includes several short essays from victims and survivors that bring together personal accounts of police brutality and state-sponsored violence. This wide-ranging work touches on historical and current events, including the Watts rebellion, the Zoot Suit Riots, Operation Streamline, Standing Rock, and much more.
From the eyewitness accounts of Bartolomé de las Casas to the protestors and allies at Standing Rock, this book makes evident the links between colonial violence against Red-Black-Brown bodies to police violence in our communities today. Grounded in the stories of the lives of victims and survivors of police violence, Yolqui, a Warrior Summoned from the Spirit World illuminates the physical, spiritual, and epistemic depths and consequences of racialized dehumanization.
Rodríguez offers us an urgent, poignant, and personal call to end violence and the philosophies that permit such violence to flourish. Like the Nahuatl yolqui, this book is intended as a means of healing, offering a footprint going back to the origins of violence, and, more important, a way forward.
With contributions by Raúl Alcaraz-Ochoa, Citalli Álvarez, Tanya Alvarez, Rebekah Barber, Juvenal Caporale, David Cid, Arianna Martinez Reyna, Carlos Montes, Travis Morales, Simon Moya Smith, Cesar Noriega, Kimberly Phillips, Christian Ramirez, Michelle Rascon Canales, Carolyn Torres, Jerry Tello, Tara Trudell, and Laurie Valdez.
Though numerous studies have been conducted regarding perceived racial bias in newspaper reporting of violent crimes, few studies have focused on the intersections of race and gender in determining the extent and prominence of this coverage, and more specifically how the lack of attention to violence against women of color reinforces their invisibility in the social structure. This book provides an empirical study of media and law enforcement bias in reporting and investigating homicides of African American women compared with their white counterparts. The author discusses the symbiotic relationship between media coverage and the response from law enforcement to victims of color, particularly when these victims are reported missing and presumed to be in danger by their loved ones. Just as the media are effective in helping to increase police response, law enforcement officials reach out to news outlets to solicit help from the public in locating a missing person or solving a murder. However, a deeply troubling disparity in reporting the disappearance and homicides of female victims reflects racial inequality and institutionalized racism in the social structure that need to be addressed. It is this disparity this important study seeks to solve.
Edward Keyes, now deceased, spent several years in the early 1970s investigating the Michigan murders. He also authored the works Double Dare and Cocoanut Grove. The Michigan Murders was a finalist for the Edgar Allan Poe Award for Best Fact Crime in 1977.