A SCHOLARLY BOOK REPOSITORY194 start with S start with S
Roughly chronological, these essays explore Barnes’ early work in the New York newspaper world of the ‘teens, proceed through the 1954 publication of The Antiphon, and include several approaches to such works as Ryder, Ladies Almanack, and Nightwood. This judicious mix of essays—many of them illustrated by photographs and drawings—presents a comprehensive picture of the creative imagination of Djuna Barnes.
Essayists include Mary Lynn Broe, Nancy J. Levine, Ann Larabee, Joan Retallack, Carolyn Allen, Carolyn Burke, Sheryl Stevenson, Marie Ponsot, Frances M. Doughty, Susan Sniader Lanser, Frann Michel, Karla Jay, Jane Marcus, Judith Lee, Julie L. Abraham, Meryl Altman, Lynda Curry, Louise A. DeSalvo, and Catharine Stimpson. Individuals sharing personal recollections of Barnes are Ruth Ford, James B. Scott, Alex Gildzen, Hank O’Neal, Chester Page, Andrew Field, and Frances McCullough. Janice Thom and Kevin Engel provide an updated bibliography.
From The Book of Repulsive Women to The Antiphon, Barnes challenged old gender dichotomies as she shaped radical sociopolitical views. Her textual methods celebrated a multiplicity of voices, heterodox forms, and genres, transgressing those tenets of modernism that privilege the “high art” of a single, unified textual identity or a discrete discourse. These essays offer various critical approaches and sinuous readings of the full range of Barnes’ achievement. Interwoven through the essays and reminiscences is a lively commentary from Barnes’ friends and contemporaries as well as Barnes herself.
Dana Crowley Jack offers startling new insights into the roots of female depression as she illuminates why women are far more likely than men to suffer major depression in adulthood. Silencing the Self is the first sweeping overview of depression in women that draws on new understandings of the importance of relationships in women’s lives. Attending closely to what depressed women have to say about their lives, Jack reframes major concepts of depression, freeing them from traditional models that have restricted our ability to listen to women’s perspectives on depression.
Jack weaves these voices of depressed women directly into her discussion, providing new meanings to familiar themes: dependence, pleasing, anger, goodness, low self-esteem. These women clearly articulate a no-win, either/or tension in their lives, a tension between sacrificing their own needs in order to preserve a relationship and acting on their needs and feelings at the risk of losing the relationship. Their stories bring to light the “activity required to be passive”—the way women actively silence themselves in order to cultivate and maintain intimate relationships. To accommodate, they learn to censor themselves, to devalue their experience, to repress anger, to be silent. Examining moral themes in depressed women’s narratives, Jack demonstrates how internalized cultural expectations of feminine goodness affect women’s behavior in relationships and precipitate the plunge into depression. In a brilliant synthesis, Jack draws on myth and fairy tale for metaphors to further the understanding of depressed women.
Silencing the Self makes a major contribution to the psychology of women by drawing from the recent literature on women’s relational self and detailing its relevance to female depression. This insightful approach to the dynamic of female depression forges new pathways to self-change, therapy, and research.
Based on new fieldwork in 1997, Tracy Bachrach Ehlers has updated her classic study of the effects of economic development on the women weavers of San Pedro Sacatepéquez. Revisiting many of the women she interviewed in the 1970s and 1980s and revising her earlier hopeful assessment of women's entrepreneurial opportunities, Ehlers convincingly demonstrates that development and commercial growth in the region have benefited men at the expense of women.
Silent Observer is an affectionate, poignant memoir of childhood as seen through the eyes of a vivacious young girl. Teachers, parents, and children will share in their enjoyment of this beautiful, sensitive story of a harder but wonderful time that has passed.
The texts available here in English for the first time open a window into the lives of three early modern Frenchwomen as they explore the common themes of family, memory, sin, and salvation. The Regrets of Marguerite d’Auge (1600), the Memoirs of Renée Burlamacchi (1623), and the Genealogy of Jeanne du Laurens (1631), taken from different genres of historical writings, raise important questions: Why and how did female authorship find its way into the historical record? How did these voices escape the censorship and prejudice against female publication? In a time of extreme religious conflict, how did these women convey their views on controversial issues such as primacy of grace, indulgences, and salvation without disrupting the gender expectations of the era?
Inside Half Moon Bay, a sparkling California coastal town, Ester Prynn is dulled and diminished by struggles with work, money, marriage, her senile father, a troubled teenage son, and old guilt she can’t assuage. When a masked gunman robs the convenience store where Ester works, he upends her fraught life and propels her toward passions buried, like singing; desires discovered, like a same-sex infatuation; and wrongs righted, like bringing the violent assailant to justice. But as the armed robber commits new crimes and continues to evade capture, the trauma from the holdup climbs, threatening Ester’s newfound delights and longings and forcing her to contend with her burning regrets and what-ifs. In the reckoning between Ester and these growing, molten upsets, she’s faced with enormous choices and must determine what and who can bring her to her best life.
For John Nance “Cactus Jack” Garner, there was one simple rule in politics: “You’ve got to bloody your knuckles.” It’s a maxim that applies in so many ways to the state of Texas, where the struggle for power has often unfolded through underhanded politicking, backroom dealings, and, quite literally, bloodshed. The contentious history of Texas politics has been shaped by dangerous and often violent events, and been formed not just in the halls of power but by marginalized voices omitted from the official narratives.
A Single Star and Bloody Knuckles traces the state’s conflicted and dramatic evolution over the past 150 years through its pivotal political players, including oft-neglected women and people of color. Beginning in 1870 with the birth of Texas’s modern political framework, Bill Minutaglio chronicles Texas political life against the backdrop of industry, the economy, and race relations, recasting the narrative of influential Texans. With journalistic verve and candor, Minutaglio delivers a contemporary history of the determined men and women who fought for their particular visions of Texas and helped define the state as a potent force in national affairs.
These essays provide a greater understanding of the ways in which gender has played a part in determining relations of power in Western cultures. This volume makes a vital contribution to the current scholarship about women in the Middle Ages.
"Scott's brief characterizations are as important to Six Days in Marapore as the basic plot . . . This is not primarily a novel of India, but rather more of frightened foreigners living there at the end of their era."—New York Times
"Intense, abrasive, the many conflicts and telltale stigmata of Hindu and Moslem, white and off white, give this its uncertain temper and certain suspense."—Kirkus Reviews
Vanessa S. Oliveira traces how existing commercial networks adapted to changes in the Atlantic slave trade during the first half of the nineteenth century. Slave Trade and Abolition reveals how women known as donas (a term adapted from the title granted to noble and royal women in the Iberian Peninsula) were often important cultural brokers. Acting as intermediaries between foreign and local people, they held high socioeconomic status and even competed with the male merchants who controlled the trade. Oliveira provides rich evidence to explore the many ways this Luso-African community influenced its society. In doing so, she reveals an unexpectedly nuanced economy with regard to the dynamics of gender and authority.
In her debut short-story collection A Small Apocalypse, Laura Chow Reeve examines cultural inheritance, hybridity, queerness, and the stickiness of home with an eye for both the uncanny and the realistic: human bodies become reptilian, queer ghosts haunt their friends, a young woman learns to pickle memories, and a theater floods during an apocalyptic movie marathon. The characters in A Small Apocalypse weave in and out of its fourteen stories, confronting their sense of otherness and struggling to find new ways of being and belonging. Heavily steeped in the swampy, feral heat of Florida, these stories venture beyond the problems of constructing an identity to the frontier of characters living their truth in a world that doesn’t yet have a place for them.
women and the nature of domesticity were the focus of widespread debate in Britain. The emergence of an identifiably feminist voice in that debate is the subject of Harriet Guest's new study, which explores how small changes in the meaning of patriotism and the relations between public and private categories permitted educated British women to imagine themselves as political subjects.
Small Change considers the celebration of learned women as tokens of national progress in the context of a commercial culture that complicates notions of gender difference. Guest offers a fascinating account of the women of the bluestocking circle, focusing in particular on Elizabeth Carter, hailed as the paradigmatic learned and domestic woman. She discusses the importance of the American war to the changing relation between patriotism and gender in the 1770s and 1780s, and she casts new light on Mary Wollstonecraft's writing of the 1790s, considering it in relation to the anti-feminine discourse of Hannah More, and the utopian feminism of Mary Hays.
Gail Hosking Gilberg's father was a hero, a valiant soldier decorated posthumously with the Medal of Honor, a man who served his country throughout his entire adult life. But Charles Hosking was a mystery to his daughter. He was killed in Vietnam a week after her seventeenth birthday. She buried the war, the protests, the medal, and her military upbringing along with her father, so much so that she felt cut off from herself. It took more than twenty years for her to recognize the stirrings of a father and a daughter not yet at peace.
Gilberg began a journey—two journeys really—to find out who her father was and in the process to find herself. She explored her buried rage, shame, and silence, and examined how war had shaped her life. In studying the photo albums that her father had left behind, Gilberg found that the photographs demanded that she give voice to her feelings, then release her silent words, words that had no meaning in war for her father yet had all the meaning in the world for her. The result was an epiphany. The photographs became the roads she took in and out of war, and her words brought her father home. Snake's Daughter reveals the crossroads where a soldier father's life and a daughter's life connect.
Snake's Daughter is an arresting and anguished narrative that gives voice to an experience Gail Hosking Gilberg shares with thousands of Americans, including military “brats” whose parents served their country and often gave their lives in the process.
Carol Riegelman Lubin, a staff member of ILO for seventeen years, and Anne Winslow, for twenty-two years editor for the Carnegie Endowment, explore the important role played by women of the American and British trade union movement in the founding of the ILO. In surveying the organization’s history and structure, they ask how the ILO’s concern with women has manifested over the years, if it was faithful to its constitution, how it dealt with conflicting needs of women from industrialized nations and Third World countries, and what its relationship was to the international feminist movement. Drawing on case studies and analyses of literature on women and work, the authors identify the role of other international organizations in response to the ILO in fostering, or sometimes hindering, women’s development in the labor area.
Work on the Kaiserreich built up impressive momentum during the 1970s and 1980s, when a series of inspiring but divisive controversies called into question the ways in which German historical development in the nineteenth and twentieth centuries was mainly understood. These discussions focused on issues of continuity between Bismarck and Hitler and the peculiar strength of authoritarianism in German political culture, raising important questions about the deep origins of Nazism and about Germany's alleged differences from the West.
The collection purposefully brings certain issues and approaches into the foreground. These include the value of taking gender seriously as a priority of historical work; the emergence of social policy and welfare during the early twentieth century; religious belief and affiliation as a neglected dimension in modern German history; the tremendous importance of the First World War as a climacteric; and the exciting potentials of cultural studies and the new cultural history.
A varied group, the contributors embrace different kinds of history and certainly do not subscribe to a common line. Some essays suggest alternative periodizations and focus on the early twentieth century decades rather than the integral unity of the Kaiserreich as such. Together, they take stock of the field, critically synthesizing existing knowledge and laying down agendas for the future.
Geoff Eley is Professor of History, University of Michigan.
Since pre-Columbian times, soldiering has been a traditional life experience for innumerable women in Mexico. Yet the many names given these women warriors—heroines, camp followers, Amazons, coronelas, soldadas, soldaderas, and Adelitas—indicate their ambivalent position within Mexican society. In this original study, Elizabeth Salas explores the changing role of the soldadera, both in reality and as a cultural symbol, from pre-Columbian times up to the present day.
Drawing on military archival data, anthropological studies, and oral history interviews, Salas first explores the real roles played by Mexican women in armed conflicts. She finds that most of the functions performed by women easily equate to those performed by revolutionaries and male soldiers in the quartermaster corps and regular ranks. She then turns her attention to the soldadera as a continuing symbol in Mexican and Chicano culture, examining the image of the soldadera in literature, corridos, art, music, and film.
Challenging many traditional stereotypes, Salas finds that the fundamental realities of war link all Mexican women, regardless of time period, social class, or nom de guerre.
In this book, Somali women write and talk about the war, their experiences and the unacceptable choices they often faced. They explain clearly, in their own words, the changes, challenges – and sometimes the opportunities – that war brought, and how they coped with them.
Key themes include the slaughter and loss of men, who were the prime target for killings; rape and sexual violence as a weapon of war; changing roles in the family and within the pastoralist economy; women mobilising for peace; and leading social recovery in a war-torn society.
This book is not only an important record of women's experience of war, but also provides researchers and students of gender and conflict with rare first hand accounts highlighting the impact of war on gender relations, and women's struggle for equal political rights in a situation of state collapse.
What does it mean to have grown up female in the Mao era? How can the remembered details of everyday life help shed light upon those turbulent times?
Some of Us is a collection of memoirs by nine Chinese women who grew up during the Mao era. All hail from urban backgrounds and all have obtained their Ph.D.s in the United States; thus, their memories are informed by intellectual training and insights that only distance can allow. Each of the chapters—arranged by the age of the author—is crafted by a writer who reflects back to that time in a more nuanced manner than has been possible for Western observers. The authors attend to gender in a way that male writers have barely noticed and reflect on their lives in the United States.
The issues explored here are as varied as these women’s lives: The burgeoning rebellion of a young girl in northeast China. A girl’s struggles to obtain for herself the education her parents inspired her to attain. An exploration of gender and identity as experienced by two sisters.
Some of Us offers insight into a place and time when life was much more complex than Westerners have allowed. These eloquent writings shatter our stereotypes of persecution, repression, victims, and victimizers. Together, these multi-faceted memoirs offer the reader new perspectives as they daringly explore difficult—and fascinating—issues.
Celebrated Latina civil rights activist Dolores Huerta once said, “Every moment is an organizing opportunity, every person a potential activist, every minute a chance to change the world.” These are the stories of some of the Latina activists from Wisconsin who have lived Huerta’s words. Somos Latinas shares the powerful narratives of 25 activists—from outspoken demonstrators to collaborative community-builders to determined individuals working for change behind the scenes—providing proof of the long-standing legacy of Latina activism throughout Wisconsin.
Somos Latinas draws on activist interviews conducted as part of the Somos Latinas Digital History Project, housed at the Wisconsin Historical Society, and looks deep into the life and passion of each woman. Though Latinas have a rich history of community activism in the state and throughout the country, their stories often go uncelebrated. Somos Latinas is essential reading for scholars, historians, activists, and anyone curious about how everyday citizens can effect change in their communities.
This book links ethnomusicological research to larger themes of international development, environmental conservation, gender, and local economic access to resources. By demonstrating that development processes are essentially cultural processes and revealing how music fits within this frame, Song Walking testifies to the affective, spatial, and economic dimensions of place, while contributing to a more inclusive and culturally apposite alignment between land and environmental policies and local needs and practices.
Martin's quest took her to ranches, mining towns, and cities throughout southern Arizona, for she sought to document as varied an experience of the contributions of Mexican American women as possible. The interviews covered family history and genealogy, childhood memories, secular and religious traditions, education, work and leisure, environment and living conditions, rites of passage, and personal values. Each of the ten oral histories reflects not only the spontaneity of the interview and personality of each individual, but also the friendship that grew between Martin and her subjects.
Songs My Mother Sang to Me collects voices not often heard and brings to print accounts of social change never previously recorded. These women document more than the details of their own lives; in relating the histories of their ancestors and communities, they add to our knowledge of the culture and contributions of Mexican American people in the Southwest.
Few figures in the history of the Church of Jesus Christ of Latter-day Saints provoke such visceral responses as Sonia Johnson. Her unrelenting public support of the Equal Rights Amendment (ERA) made her the face of LDS feminism while her subsequent excommunication roiled the faith community.
Christine Talbot tells the story of Sonia’s historic confrontation with the Church within the context of the faith’s first large-scale engagement with the feminist movement. A typical if well-educated Latter-day Saints homemaker, Sonia was moved to action by the all-male LDS leadership’s opposition to the ERA and a belief the Church should stay out of politics. Talbot uses the activist’s experiences and criticisms to explore the ways Sonia’s ideas and situation sparked critical questions about LDS thought, culture, and belief. She also illuminates how Sonia’s excommunication shaped LDS feminism, the Church’s antagonism to feminist critiques, and the Church itself in the years to come.
A revealing and long-overdue account, Sonia Johnson explores the life, work, and impact of the LDS feminist.
Sor Juana: Or, the Persistence of Pop encapsulates the life, times, and legacy of Sor Juana. In this immersive work, essayist Ilan Stavans provides a biographical and meditative picture of the ways in which popular perceptions of her life and body of work both shape and reflect modern Latinx culture.
Mexico’s leading poet, essayist, and cultural critic writes of a Mexican poet of another time and another world, the world of seventeenth-century New Spain. His subject is Sor Juana Inés de la Cruz, the most striking figure in all of Spanish-American colonial literature and one of the great poets of her age.
Her life reads like a novel. A spirited and precocious girl, one of six illegitimate children, is sent to live with relatives in the capital city. She becomes known for her beauty, wit, and amazing erudition, and is taken into the court as the Vicereine’s protégée. For five years she enjoys the pleasures of life at court—then abruptly, at twenty, enters a convent for life. Yet, no recluse, she transforms the convent locutory into a literary and intellectual salon; she amasses an impressive library and collects scientific instruments, reads insatiably, composes poems, and corresponds with literati in Spain. To the consternation of the prelates of the Church, she persists in circulating her poems, redolent more of the court than the cloister. Her plays are performed, volumes of her poetry are published abroad, and her genius begins to be recognized throughout the Hispanic world. Suddenly she surrenders her books, forswears all literary pursuits, and signs in blood a renunciation of secular learning. The rest is silence. She dies two years later, at forty-six.
Octavio Paz has long been intrigued by the enigmas of Sor Juana’s personality and career. Why did she become a nun? How could she renounce her lifelong passion for writing and learning? Such questions can be answered only in the context of the world in which she lived. Paz gives a masterly portrayal of the life and culture of New Spain and the political and ideological forces at work in that autocratic, theocratic, male-dominated society, in which the subjugation of women was absolute.
Just as Paz illuminates Sor Juana’s life by placing it in its historical setting, so he situates her work in relation to the traditions that nurtured it. With critical authority he singles out the qualities that distinguish her work and mark her uniqueness as a poet. To Paz her writings, like her life, epitomize the struggle of the individual, and in particular the individual woman, for creative fulfillment and self-expression.
Ege focuses on composers like Florence Price, Nora Holt, and Margaret Bonds not as anomalies but as artists within an expansive cultural flowering. Overcoming racism and sexism, Black women practitioners instilled others with the skill and passion to make classical music while Race women like Maude Roberts George, Estella Bonds, Neota McCurdy Dyett, and Beulah Mitchell Hill built and fostered institutions central to the community. Ege takes readers inside the backgrounds, social lives, and female-led networks of the participants while shining a light on the scene’s audiences, supporters, and training grounds. What emerges is a history of Black women and classical music in Chicago and the still-vital influence of the world they created.
A riveting counter to a history of silence, South Side Impresarios gives voice to an overlooked facet of the Black Chicago Renaissance.
Hewitt emphasizes the process by which women forged and reformulated their activist identities from Reconstruction through the U.S. declaration of war against Spain in April 1898, the industrywide cigar strike of 1901, and the emergence of progressive reform and labor militancy. She also recasts our understanding of southern history by demonstrating how Tampa's triracial networks alternately challenged and re-inscribed the South's biracial social and political order.
Between 1880 and 1930, close to 200 women were murdered by lynch mobs in the American South. Many more were tarred and feathered, burned, whipped, or raped. In this brutal world of white supremacist politics and patriarchy, a world violently divided by race, gender, and class, black and white women defended themselves and challenged the male power brokers. Crystal Feimster breaks new ground in her story of the racial politics of the postbellum South by focusing on the volatile issue of sexual violence.
Pairing the lives of two Southern women—Ida B. Wells, who fearlessly branded lynching a white tool of political terror against southern blacks, and Rebecca Latimer Felton, who urged white men to prove their manhood by lynching black men accused of raping white women—Feimster makes visible the ways in which black and white women sought protection and political power in the New South. While Wells was black and Felton was white, both were journalists, temperance women, suffragists, and anti-rape activists. By placing their concerns at the center of southern politics, Feimster illuminates a critical and novel aspect of southern racial and sexual dynamics. Despite being on opposite sides of the lynching question, both Wells and Felton sought protection from sexual violence and political empowerment for women.
Southern Horrors provides a startling view into the Jim Crow South where the precarious and subordinate position of women linked black and white anti-rape activists together in fragile political alliances. It is a story that reveals how the complex drama of political power, race, and sex played out in the lives of Southern women.
Southern Womanhood and Slavery is the first full-length biography of Louisa S. McCord, one of the most intriguing intellectuals in antebellum America. The daughter of South Carolina planter and politician Langdon Cheves, and an essayist in her own right, McCord supported unregulated free trade and the perpetuation of slavery and opposed the advancement of women’s rights. This study examines the origins of her ideas.
Leigh Fought constructs an exciting narrative that follows McCord from her childhood as the daughter of a state representative and president of the Bank of the United States through her efforts to accept her position as wife and mother, her career as an author and plantation mistress, and the Union invasion of South Carolina during the Civil War, to the end of her life in the emerging New South. Fought analyzes McCord’s poetry, letters, and essays in an effort to comprehend her acceptance of slavery and the submission of women. Fought concludes that McCord came to a defense of slavery through her experience with free labor in the North, which also reinforced her faith in the paternalist model for preserving social order.
McCord’s life as a writer on “unfeminine” subjects, her reputation as strong-minded and masculine, her late marriage, her continued ownership of her plantation after marriage, and her position as the matron of a Civil War hospital contradicted her own philosophy that women should remain the quiet force behind their husbands. She lived during a time of social flux in which free labor, slavery, and the role of women underwent dramatic changes, as well as a time that enabled her to discover and pursue her intellectual ambitions. Fought examines the conflict that resulted when those ambitions clashed with McCord’s role as a woman in the society of the South.
McCord’s voice was an interesting, articulate, and necessary feminine addition to antebellum white ideology. Moreover, her story demonstrates the ways in which southern women negotiated through patriarchy without surrendering their sense of self or disrupting the social order. Engaging and very readable, Southern Womanhood and Slavery will be of special interest to students of southern history and women’s studies, as well as to the general reader.
An exploration of women’s public expression--in China and beyond.
How are the public and political lives of Chinese women constrained by states and economies? And how have pockets of women’s consciousness come to be produced in and disseminated from this traditionally masculine milieu? The essays in this volume examine the possibilities for a public sphere for Chinese women, one that would emerge from concrete historical situations and local contexts and also cut across the political boundaries separating the Mainland, Taiwan, Hong Kong, and the West.
The challenges of this project are taken up in essays on the legacy of state feminism on the Mainland as contrasted with a grassroots women’s movement in Taiwan; on the role of the capitalist consumer economy in the emerging lesbian movement in Taiwan; and on the increased trafficking of women as brides, prostitutes, and mistresses between the Mainland and wealthy male patrons in Taiwan and Hong Kong. The writers’ examples of masculine domination in the media include the reformulation of Chinese women in Fifth Generation films for a transnational Western male film audience and the portrayal of Mainland women in Taiwanese and Hong Kong media. The contributors also consider male nationalism as it is revealed through both international sports coverage on television and in a Chinese television drama. Other works examine a women’s museum, a telephone hotline in Beijing, the films of Hong Kong filmmaker Ann Hui, the transnational contacts of a Taiwanese feminist organization, the diaspora of Mainland women writers, and the differences between Chinese and Western feminist themes.Contributors: Susan Brownell, U of Missouri; Virginia Cornue; Dai Jinhua, Beijing U; Kathleen Erwin; Elaine Yee Lin Ho, Hong Kong U; Lee Yuan-chen, Tamkang U; Li Xiaojiang, Zhengzhou U and Henan U; Lisa Rofel, U of California, Santa Cruz; Tze-lan Deborah Sang, U of Oregon; Shu-mei Shih, UCLA; Zhang Zhen. ISBN 0-8166-3145-X Cloth $49.95xxISBN 0-8166-3146-8 Paper $19.95x336 pages 9 black-and-white photos 5 7/8 x 9 FebruaryPublic Worlds Series, volume 4Translation inquiries: University of Minnesota Press
Contributors: Asiya Alam, Afshan Bokhari, Uma Chakravarti, Kathryn Hansen, Siobhan Lambert-Hurley, Anshu Malhotra, Ritu Menon, Shubhra Ray, Shweta Sachdeva Jha, Sylvia Vatuk
Sinha provides a rich historical narrative of the controversy surrounding Mother India, from the book’s publication through the passage in India of the Child Marriage Restraint Act in the closing months of 1929. She traces the unexpected trajectory of the controversy as critics acknowledged many of the book’s facts only to overturn its central premise. Where Mayo located blame for India’s social backwardness within the beliefs and practices of Hinduism, the critics laid it at the feet of the colonial state, which they charged with impeding necessary social reforms. As Sinha shows, the controversy became a catalyst for some far-reaching changes, including a reconfiguration of the relationship between the political and social spheres in colonial India and the coalescence of a collective identity for women.
"I couldn't put it down."
---Barbara Kingsolver
In 1955, Mary and Jim Leader have the American dream: careers in medicine; a young and healthy family; and even a vacation home---a shabby resort far from bustling Chicago. But one hot afternoon changes everything. Mary, now a widow, must find a path out of her grief into a future for herself and five small children.
In Michigan to sell the resort, Mary sees seven hawks riding the storm winds over the lake. This place, she thinks, can heal them with its wild beauty, so she moves her family to the northern lakeshore.
But Mary has forgotten what it's like to live in a tiny rural community, where almost everyone has a stake in maintaining the status quo. Secrets are kept at great cost as Mary's children often struggle to raise themselves. A coming-of-age story for each member of the family, this is a novel of quiet heroism and the power of personal freedom.
Praise for Marjorie Kowalski Cole and her previous novel, Correcting the Landscape:
". . . her writing is simple, vivid and gorgeous."
---Eugene Register-Guard
". . . a remarkable new talent. Critics have lined up to praise the book."
---Tucson Citizen
"Cole's style is subtle but engrossing . . . It is quite a debut."
---Booklist
Cover illustration: ©iStockphoto.com/ImagineGolf
When Tennessee became the thirty-sixth and final state needed to ratify the Nineteenth Amendment in August 1920, giving women the right to vote, one group of women expressed bitter disappointment and vowed to fight against “this feminist disease.” Why this fierce and extended opposition? In Splintered Sisterhood, Susan Marshall argues that the women of the antisuffrage movement mobilized not as threatened homemakers but as influential political strategists.
Drawing on surviving records of major antisuffrage organizations, Marshall makes clear that antisuffrage women organized to protect gendered class interests. She shows that many of the most vocal antisuffragists were wealthy, educated women who exercised considerable political influence through their personal ties to men in politics as well as by their own positions as leaders of social service committees. Under the guise of defending an ideal of “true womanhood,” these powerful women sought to keep the vote from lower-class women, fearing it would result in an increase in the “ignorant vote” and in their own displacement from positions of influence. This book reveals the increasingly militant style of antisuffrage protest as the conflict over female voting rights escalated. Splintered Sisterhood adds a missing piece to the history of women’s rights activism in the United States and illuminates current issues of antifeminism.
The typical female sports fan remains very different from her male counterparts. In their insightful and engaging book, Sportista, Andrei S. Markovits and Emily Albertson examine the significant ways many women have become fully conversant with sports—acquiring a knowledge of and passion for them as a way of forging identities that until recently were quite alien to women.
Sportista chronicles the relationship that women have developed with sports in the wake of the second wave of feminism of the late 1960s and early 1970s. The changes women athletes have achieved have been nothing short of revolutionary. But, as Markovits and Albertson argue, women’s identities as sports fans, though also changed in recent decades, remain notably different from that of men. Sportista highlights the impediments to these changes that women have faced and the reality that, even as bona fide fans, they “speak” sports differently from and remain largely unaccepted by men.
In the series Politics, History and Social Change, edited by John C. Torpey
In Staking Her Claim, Melanie Mayer and Robert N. DeArmond provide a faithful and comprehensive portrait of this unique character in North American frontier history. Their exhaustive research has resulted in a sweeping saga of determination and will, tempered by disaster and opportunity.
Like any good Horatio Alger hero, Belinda overcame the challenges that confronted her, including poverty, prejudice, a lack of schooling, and the early loss of parents. Her travels took her from her native Ireland as a young girl to a coal town in Pennsylvania to Chicago, San Francisco, and finally, in 1897, to the Yukon.
Staking Her Claim is a testament to the human spirit and to the idea of the frontier. It is a biography of a woman who made her own way in the world and in doing so left an indelible mark.
In Staking Her Claim, Melanie Mayer and Robert N. DeArmond provide a faithful and comprehensive portrait of this unique character in North American frontier history. Their exhaustive research has resulted in a sweeping saga of determination and will, tempered by disaster and opportunity.
Like any good Horatio Alger hero, Belinda overcame the challenges that confronted her, including poverty, prejudice, a lack of schooling, and the early loss of parents. Her travels took her from her native Ireland as a young girl to a coal town in Pennsylvania to Chicago, San Francisco, and finally, in 1897, to the Yukon.
Staking Her Claim is a testament to the human spirit and to the idea of the frontier. It is a biography of a woman who made her own way in the world and in doing so left an indelible mark.
Standing Our Ground: Women, Environmental Justice, and the Fight to End Mountaintop Removal examines women’s efforts to end mountaintop removal coal mining in West Virginia. Mountaintop removal coal mining, which involves demolishing the tops of hills and mountains to provide access to coal seams, is one of the most significant environmental threats in Appalachia, where it is most commonly practiced.
The Appalachian women featured in Barry’s book have firsthand experience with the negative impacts of Big Coal in West Virginia. Through their work in organizations such as the Coal River Mountain Watch and the Ohio Valley Environmental Coalition, they fight to save their mountain communities by promoting the development of alternative energy resources. Barry’s engaging and original work reveals how women’s tireless organizing efforts have made mountaintop removal a global political and environmental issue and laid the groundwork for a robust environmental justice movement in central Appalachia.
Among nineteenth-century women’s rights reformers, Elizabeth Cady Stanton (1815–1902) stands out for the maternal and secular advocacy that shaped her activism and public reception. A wife and mother of seven, she was also a prolific writer, transatlantic women’s rights leader, popular lecturer, congressional candidate, canny historian, and freethought champion. Her lifelong interest in women’s sexual and reproductive rights and late efforts to reform institutional religion are as relevant to our time as they were to her own.
Stanton’s professional life lasted a half-century, ranging from antebellum women’s rights organization and oratory, to a post–Civil War career as a lyceum lecturer, to a late-century role as an incisive religious and cultural critic. Acutely aware of the medical, religious, legal, and educational barriers to women’s independence, she advocated for married women’s right to vote, obtain a divorce, gain custody of their children, and own property. As she grew more radical over the years, she also demanded judicial reform, the separation of church and state, free love, progressive coeducational opportunities, and women’s right to limit their fertility.
In this richly contextualized collection of primary sources, Noelle A. Baker brings together accounts of Stanton’s life and ideas from both well-known and recently recovered figures. From the teacher chiding an assertive young woman to erstwhile allies worrying about her growing radicalism, their voices paint a vivid portrait of a woman of vaunting ambition, powerhouse intellect, and her share of human failings.
These poems give voice to the life of the first woman to fly faster than the speed of sound. While Jacqueline Cochran was alive, no man or woman in the world could match her records for speed, distance, and altitude flying. Founder and director of the Women’s Airforce Service Pilots (WASP) during World War II, Cochran continued to fly competitively until she was sixty, owned and operated her own line of designer cosmetics for three decades, ran for Congress, and generally placed herself on the path of history. Having begun life as a foundling in the crushing poverty of a lumber company town of the Florida panhandle, she described her life as “a passage from sawdust to stardust.” Yet after her death she has barely been remembered.
Poet Enid Shomer brings back this mercurial, dazzling, powerful woman. These poems speak in her voice and in the voices of her mother, teachers, husband, confidants, and political opponents, shaped by Shomer’s consummate formal control and stunning lyricism.
Lisa reconsiders the affluent upbringing he financed (filled with horses, lavish vacations, bulging closets), and the emotional distance that grew when he retired to Las Vegas and she remained in New Jersey where she and her husband earn moderate incomes. She also confronts death rituals, navigates new family dynamics, while living both in memory and the unfolding moment.
In this brutally honest yet compelling portrayal and tribute, Lisa searches for meaning, reconciling the Italian-American father—self-made textile manufacturer who liked newspapers, smoking, Las Vegas craps tables, and solitude—with the complex man she discovers influenced everything, from career choice to spouse.
By forging a new father-daughter “relationship,” grief is transformed to hopeful life-affirming redemption. In poignant, often lyrical prose, this powerful, honest book proves that when we dare to love the parent who challenged us most, it’s never too late.
Written in honor of Crawford Young, a foundational figure in the study of African politics, the essays reflect the breadth and intellectual legacy of this towering scholar and illustrate the vast impact Young had, and continues to have, on the field. The book’s themes build from his seminal publications, and the essays were written by leading scholars who were trained by Young.
The first comprehensive study dedicated to these trailblazing Arkansas legislators, Stateswomen will surely inspire history buffs, community-minded citizens, and political hopefuls alike.
A unique and important study, Stepping Forward examines the experiences of nineteenth- and twentieth-century black women in Africa and African diaspora communities from a variety of perspectives in a number of different settings.
This wide-ranging collection designed for classroom use explores the broad themes that have shaped black women’s goals, options, and responses: religion, education, political activism, migration, and cultural transformation. Essays by leading scholars in the field examine the lives of black women in the United States and the Caribbean Basin; in the white settler societies of Kenya, Zimbabwe, and South Africa; and in the black settler societies of Liberia and Sierra Leone.
Among the contributors to this volume are historians, political scientists, and scholars of literature, music, and law. What emerges from their work is an image of black women’s agency, self-reliance, and resiliency. Despite cultural differences and geographical variations, black women have provided foundations on which black communities have not only survived, but also thrived. Stepping Forward is a valuable addition to our understanding of women’s roles in these diverse communities.
The history of Alabama has been told, but most often in terms of white men and their politics and economics. Now a more complex story of the state is emerging from the shadows of history in a new book that investigates the place of women from the perspective of race, class, and gender. Stepping Out of the Shadows, is a compilation of articles first presented at the 1990 Alabama Women’s History Forum in Birmingh, and edited by Mary Martha Thomas. The writers discuss the lives of women in antebellum Alabama and reexamine the roles of both black and white women as missionaries during Reconstruction, as reformers and suffrage leaders in the Progressive era, and as members of the state legislature in the 20th century.
How did women in an economically underdeveloped Central American country, with little history of organizing, feminism, or democracy, succeed in creating networks, organizations, and campaigns that carved out a gender identity and challenged dominant ideologies (both revolutionary and conservative)? In Still Fighting, Katherine Isbester seeks to understand. She analyzes the complex and rich case of Nicaragua in order to learn more about the dynamics of social movements in general and women’s organizing in particular.
Social movement theory offers Isbester an analytic tool to explain the extraordinary evolution of the Nicaraguan movement. She theorizes that a sustainable movement is composed of three elements: a focused goal, a mobilization of resources, and an identity. The lack of any one of these weakens a social movement. Isbester shows how this theory is borne out by the experience of the Nicaraguan women’s movement over the past thirty years. She demonstrates, for example, how the revolutionary government of the 1980s co-opted the women’s movement, crippling its ability to create an autonomous identity, choose it own goals, and mobilize resources independent of the state. Hence, it lost legitimacy, membership, and influence. She traces the movement’s resurgence in the 1990s, the result of its redefinition as an autonomous movement organized around an identity of care.
Still Fighting combines social theory with field research, leading a new wave of scholarship on women in Latin America. Isbester interviewed more than a hundred key participants in the women’s movement, in addition to members of the National Assembly, male leaders of other social movements, and women outside the movement. In Nicaragua, she was witness to much political organizing, enabling her to reveal the organic intricacy, as well as the historical path, of a social movement.
Still Fighting will be an important book for a broad range of students and professionals in the areas of social movements, social change, gender, politics, and Latin America.
Drawing from 167 examples of decorative needlework—primarily samplers and quilts from 114 collections across the United States—made by individual women aged forty years and over between 1820 and 1860, this exquisitely illustrated book explores how women experienced social and cultural change in antebellum America.
The book is filled with individual examples, stories, and over eighty fine color photographs that illuminate the role that samplers and needlework played in the culture of the time. For example, in October 1852, Amy Fiske (1785–1859) of Sturbridge, Massachusetts, stitched a sampler. But she was not a schoolgirl making a sampler to learn her letters. Instead, as she explained, “The above is what I have taken from my sampler that I wrought when I was nine years old. It was w[rough]t on fine cloth [and] it tattered to pieces. My age at this time is 66 years.”
Situated at the intersection of women’s history, material culture study, and the history of aging, this book brings together objects, diaries, letters, portraits, and prescriptive literature to consider how middle-class American women experienced the aging process. Chapters explore the physical and mental effects of “old age” on antebellum women and their needlework, technological developments related to needlework during the antebellum period and the tensions that arose from the increased mechanization of textile production, and how gift needlework functioned among friends and family members. Far from being solely decorative ornaments or functional household textiles, these samplers and quilts served their own ends. They offered aging women a means of coping, of sharing and of expressing themselves. These “threads of time” provide a valuable and revealing source for the lives of mature antebellum women.
Publication of this book was made possible in part through generous funding from the Coby Foundation, Ltd and from the Quilters Guild of Dallas, Helena Hibbs Endowment Fund.
The Oregon Coast is a rugged, beautiful region. Separated from the state’s population centers by the Coast Range, it is a land of small towns reliant primarily on fishing and tourism, known for its dramatic landscapes and dramatic storms. Many of the stories Tobias covered were tragedies: car crashes, falls, drownings, capsizings. And those are just the accidents; Tobias covered plenty of violent crimes as well. But her stories also include more lighthearted moments, including her own experiences learning to live on and cover the coast. Tobias’s story is as much her own as it is the coast’s; she takes the reader through familiar beats of life (regular trips back east as her parents age), the decline of journalism in the twenty-first century, and the unexpected (and not entirely glamorous) experiences of a working reporter—such as a bout of vertigo after rappelling from a helicopter onto a ship. Ultimately, Tobias tells a compelling story of a region that many visit but few truly know.
To most of us, Rose O'Neill is best known as the creator of the Kewpie doll, perhaps the most widely known character in American culture until Mickey Mouse. Prior to O'Neill's success as a doll designer, however, she already had earned a reputation as one of the best-known female commercial illustrators. Her numerous illustrations appeared in America's leading periodicals, including Life, Harper's Bazaar, and Cosmopolitan. While highly successful in the commercial world, Rose O'Neill was also known among intellectuals and artists for her contributions to the fine arts and humanities. In the early 1920s, her more serious works of art were exhibited in galleries in Paris and New York City. In addition, she published a book of poetry and four novels.
Yet, who was Rose Cecil O'Neill? Over the course of the twentieth century, Rose O'Neill has captured the attention of journalists, collectors, fans, and scholars who have disagreed over whether she was a sentimentalist or a cultural critic. Although biographers of Rose O'Neill have drawn heavily on portions of her previously unpublished autobiography, O'Neill's own voice--richly revealed in her well-written manuscript--has remained largely unheard until now.
In these memoirs, O'Neill reveals herself as a woman who preferred art, activism, and adventure to motherhood and marriage. Featuring photographs from the O'Neill family collection, The Story of Rose O'Neill fully reveals the ways in which she pushed at the boundaries of her generation's definitions of gender in an effort to create new liberating forms.
In the spring of 1916, as the workers for woman suffrage were laying plans for another attack on the bastions of male supremacy, the idea for The Sturdy Oak was born. Based on the rules of an old parlor game, wherein one person begins a narrative, another continues it, and another follows, this collaborative effort by the leading writers of the day, such as Fannie Hurst, Dorothy Canfield, and Kathleen Norris, is a satiric look at the gender roles of the time.
There is much in The Sturdy Oak that reflects the New York campaign for suffrage of 1916–1917. The setting is the fictional city of Whitewater in upstate New York. Idealistic reformers are pitted against a ruthless political machine, and the traditional picture of man as “the sturdy oak” supporting woman, “the clinging vine,” is ridiculed in the portrayal of an engaging couple, George and Genevieve Remington. Nonetheless, the purpose of the book is not primarily ridicule but reform, and the reader is taken through the steps by which a confirmed anti-suffragist is gradually transformed into a supporter of the suffrage cause.
Beyond its historical interest, The Sturdy Oak is imbued with a political and social currency that makes it applicable even today. And because of the skill of the writers of this composite novel, even eight decades after its initial publication The Sturdy Oak is still, as the New York Times said in 1917, “irresistibly readable.”
Hodgkins delineates how in the 1920s and 1930s, popular novels by Dorothy Sayers and high-art fiction by Jean Rhys used dress to comment wittily and bitterly on gender relations. During World War II, changes in British Vogue and compromises made by the literary journal Horizon signaled the death of modernist styles, as Elizabeth Bowen’s gender-bent wartime stories show. Then demure and reserved postwar styles—Dior’s curvy New Look, the Movement’s understated literary irony—were intertwined in the fictions of Barbara Pym and Muriel Spark, who re-dressed the novel with a vengeance. Whether fashioning detective fiction, literary impressionism, or postwar comedy, these novelists used style in every sense to redefine that famous question, “What do women want?”
With acclaimed films like Sink or Swim and The Odds of Recovery, Su Friedrich’s body of work stands at the forefront of avant-garde and Queer cinema. Barbara Mennel examines the career of an experimental auteur whose merger of technical innovation and political critique connects with both cinephiles and activists. Friedrich’s integration of cinematic experimentation with lesbian advocacy serves as a beginning rather than an end point of analysis. With that in mind, Mennel provides an essential overview of the filmmaker’s oeuvre while highlighting the defining characteristics of her artistic and political signature. She also situates Friedrich within the cultural, political, and historical contexts that both shape the films and are shaped by them. Finally, Mennel expands our notion of auteurism to include directors who engage in collaborative and creative processes rooted in communities.
In this provocative new book, Elisabeth Young-Bruehl illuminates the psychological and intellectual demands writing biography makes on the biographer and explores the complex and frequently conflicted relationship between feminism and psychoanalysis.
A practicing psychoanalyst, a distinguished scholar, and the widely praised biographer of Anna Freud and Hannah Arendt, Young-Bruehl here reflects on the relations between self-knowledge, autobiography, biography, and cultural history. She considers what remains valuable in Sigmund Freud's work, and what areas--theory of character, for instance--must be rethought to be useful for current psychoanalytic work, for feminist studies, and for social theory.
Psychoanalytic theory used for biography, she argues, can yield insights for psychoanalysis itself, particularly in the understanding of creativity. Subject to Biography offers not simply the products of an astute mind, but an entrée into the thinking process; it welcomes the reader into the writer's workshop.
Shilyh Warren reopens this understudied period and links it to a neglected era of women's filmmaking that took place from 1920 to 1940, another key period of thinking around documentary, race, and gender. Drawing women’s cultural expression during these two explosive times into conversation, Warren reconsiders key debates about subjectivity, feminism, realism, and documentary and their lasting epistemological and material consequences for film and feminist studies. She also excavates the lost ethnographic history of women's documentary filmmaking in the earlier era and explores the political and aesthetic legacy of these films in more explicitly feminist periods like the Seventies.
Filled with challenging insights and new close readings, Subject to Reality sheds light on a profound and unexamined history of feminist documentaries while revealing their influence on the filmmakers of today.
Subject/Object and Beyond brings together essays by established and emerging scholars to honor the exceptionally rich contributions and career of scholar Colette H. Winn. It also celebrates fifty years of sustained scholarship on early modern women, along with the foundation of Women’s Studies as a recognized academic discipline in North America. The collection comprises seventeen articles that explore multiple perspectives on early modern women, including their writings, translations, reception, and contributions to various fields, including literature, music, politics, religion, and science.
In 1989 Jennifer Johnson was convicted of delivering a controlled substance to a minor. That the minor happened to be Johnson's unborn child made her case all the more complex, controversial, and ultimately, historical. Stephen R. Kandall, a neonatologist and pediatrician, testified as an expert witness on Johnson's behalf. The experience caused him to wonder how one disadvantaged black woman's case became a prosecutorial battlefield in the war on drugs. This book is the product of Kandall's search through the annals of medicine and history to learn how women have fared in this conflict and how drug-dependent women have been treated for the past century and a half.
Kandall's sleuthing uncovers an intriguing and troubling story. Opium, laudanum, and morphine were primary ingredients in the curative "powders" and strengthening "tonics" that physicians freely prescribed and pharmacists dispensed to women a hundred and fifty years ago. Or a woman could easily dose herself with narcotics and alcohol in the readily available form of "patent" medicines sold in every town and touted in popular magazines ("Over a million bottles sold and in every one a cure!"). For the most part unaware of their dangers, women turned to these remedies for "female complaints," such as "womb disease" and "congestion of the ovaries," as well as for "neurasthenia," a widespread but vague nervous malady attributed to women's weaker, more sensitive natures. Not surprisingly, by the latter half of the nineteenth century the majority of America's opiate addicts were women.
The more things change, the more they remain the same: Substance and Shadow shows how, though attitudes and drugs may vary over time--from the laudanum of yesteryear to the heroin of the thirties and forties, the tranquilizers of the fifties, the consciousness-raising or prescription drugs of the sixties, and the ascendance of crack use in the eighties--dependency remains an issue for women. Kandall traces the history of questionable treatment that has followed this trend. From the maintenance clinics of the early twenties to the "federal farms" of mid-century to the detoxification efforts and methadone maintenance that flourished in the wake of the Women's Movement, attempts to treat drug-dependent women have been far from adequate. As he describes current policies that put money into drug interdiction and prisons, but offer little in the way of treatment or hope for women like Jennifer Johnson, Kandall calls our attention to the social and personal costs of demonizing and punishing women addicts rather than trying to improve their circumstances and give them genuine help.
In Such Anxious Hours, Jo Ann Daly Carr places this material in historical context, detailing what was happening simultaneously in the nation, state, and local communities. Civil War history enthusiasts will appreciate these enlightening perspectives that demonstrate the variety of experiences in the Midwest during the bloody conflict.
This book gathers Pankhurst’s writings from the year-long visit, in which she reveals her shock at the darkness hidden in American life, and draws parallels to her experiences of imprisonment and misogyny in her own country. Never before published, these writings mark an important stage in the development of the suffragette's thought, which she brought back to Britain to inform the burgeoning suffrage campaign there.
A suicide scandal in Shanghai reveals the social fault lines of democratic visions in China’s troubled Republic in the early 1920s.
On September 8, 1922, the body of Xi Shangzhen was found hanging in the Shanghai newspaper office where she worked. Although her death occurred outside of Chinese jurisdiction, her US-educated employer, Tang Jiezhi, was kidnapped by Chinese authorities and put on trial. In the unfolding scandal, novelists, filmmakers, suffragists, reformers, and even a founding member of the Chinese Communist Party seized upon the case as emblematic of deep social problems. Xi’s family claimed that Tang had pressured her to be his concubine; his conviction instead for financial fraud only stirred further controversy.
The creation of a republic ten years earlier had inspired a vision of popular sovereignty and citizenship premised upon gender equality and legal reform. After the quick suppression of the first Chinese parliament, commercial circles took up the banner of democracy in their pursuit of wealth. But, Bryna Goodman shows, the suicide of an educated “new woman” exposed the emptiness of republican democracy after a flash of speculative finance gripped the city. In the shadow of economic crisis, Tang’s trial also exposed the frailty of legal mechanisms in a political landscape fragmented by warlords and enclaves of foreign colonial rule.
The Suicide of Miss Xi opens a window onto how urban Chinese in the early twentieth century navigated China’s early passage through democratic populism, in an ill-fated moment of possibility between empire and party dictatorship. Xi Shangzhen became a symbol of the failures of the Chinese Republic as well as the broken promises of citizen’s rights, gender equality, and financial prosperity betokened by liberal democracy and capitalism.
The title of this book, Supermadre, is ironic. It means, not that women have begun to exercise real power in Latin American political life, but that their participation is mostly confined to roles that are extensions of their roles as mothers—health, education, welfare, for example—and then only on the lower levels of policy-making.
Elsa Chaney begins her study with an examination of various attempts to explain women's virtual absence from decision-making councils not only in Latin America but also world-wide, concluding that their motherhood role has had the profoundest effect on the nature of their political activities. She then analyzes the images and realities of women in Latin American society from colonial times to the present.
The remainder of the book is a detailed study of women in politics and government in Latin America, with emphasis on the contrasting cases of Peru and Chile. In conclusion, Chaney suggests that women will make only slow progress toward full participation in public life until they themselves stop seeing their role in politics as that of the supermadre.
Of the hundreds of thousands of Ukrainian women were sentenced to the Gulag in the 1940s and 1950s, only half survived. In Survival as Victory, Oksana Kis has produced the first anthropological study of daily life in the Soviet forced labor camps as experienced by Ukrainian women prisoners.
Based on the written memoirs, autobiographies, and oral histories of over 150 survivors, this book fills a lacuna in the scholarship regarding Ukrainian experience. Kis details the women’s resistance to the brutality of camp conditions not only through the preservation of customs and traditions from everyday home life, but also through the frequent elision of regional and confessional differences. Following the groundbreaking work of Anne Applebaum’s Gulag: A History (2003), this book is a must-read for anyone interested in gendered strategies of survival, accommodation, and resistance to the dehumanizing effects of the Gulag.
After divorcing her first husband, Alma Dunford, the trauma associated with that union was such that she steadfastly refused to mention it ever again. She also lost some of her children over the course of her life and was unable to reconcile her older sister’s departure from the LDS Church and conversion to Catholicism. Yet despite her trials, Susa found fulfillment in her faith through service, as a prolific writer—co-authoring with her daughter Leah Dunford Widtsoe the 1930 biography of her father, Life Story of Brigham Young, founding the Young Women’s Journal in 1889, the Relief Society Magazine in 1915, and in her associations with such prominent women’s advocates such as Susan B. Anthony.
While known primarily as a cultural critic and novelist, Sontag was also a filmmaker, stage director, and dramatist. It was her status as a pop icon that was unusual for an American intellectual: she was filmed by Andy Warhol and Woody Allen, photographed by Annie Leibovitz and Diane Arbus, and her likeness adorned advertisements for Absolut vodka. Drawing on newly available sources, including interviews with Nadine Gordimer, Robert Wilson, and Sontag’s son, David Rieff, as well as on myriad interviews given by Sontag and her extensive correspondence with her friend and publisher Roger Straus, Schreiber explores the roles that Sontag played in influencing American public cultural and political conversations.
What drives the cycle of backlashes against women’s ongoing struggle for equality, freedom, and inclusion in American politics? In her innovative and provocative book, Suspect Citizens, Jocelyn Boryczka presents a feminist conceptual history that shows how American politics have largely defined women in terms of their reproductive and socializing functions. This framework not only denies women full citizenship, but also devalues the active political engagement of all citizens who place each other and their government under suspicion.
Developing the gendered dynamics of virtue and vice, Boryczka exposes the paradox of how women are perceived as both virtuous moral guardians and vice-ridden suspect citizens capable of jeopardizing the entire nation’s exceptional future. She uses wide-ranging examples from the Puritans and contemporary debates over sex education to S&M lesbian feminists and the ethics of care to show how to move beyond virtue and vice to a democratic feminist ethics.
Suspect Citizens advances a politics of collective responsibility and belonging.
Starting in 2002, Rubin and Sokoloff-Rubin traveled together to southern Brazil, where they interviewed activists over the course of ten years. Their vivid descriptions of women’s lives reveal the hard work of sustaining a social movement in the years after initial victories, when the political way forward was no longer clear and the goal of remaking gender roles proved more difficult than activists had ever imagined. Highlighting the tensions within the movement about how best to effect change, Sustaining Activism ultimately shows that democracies need social movements in order to improve people’s lives and create a more just society.
Now frequently anthologized, Zora Neale Hurston's short story "Sweat" was first published in Firell, a legendary literary magazine of the Harlem Renaissance, whose sole issue appeared in November 1926. Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular.
This casebook for the story includes an introduction by the editor, a chronology of the author's life, the authoritative text of "Sweat," and a second story, "The Gilded Six-Bits." Published in 1932, this second story was written after Hurston had spent years conducting fieldwork in the Southern United States. The volume also includes Hurston's groundbreaking 1934 essay, "Characteristics of Negro Expression," and excerpts from her autobiography, Dust Tracks on a Road. An article by folklorist Roger Abrahams provides additional cultural contexts for the story, as do selected blues and spirituals. Critical commentary comes from Alice Walker, who led the recovery of Hurston's work in the 1970s, Robert Hemenway, Henry Louis Gates, Gayl Jones, John Lowe, Kathryn Seidel, and Mary Helen Washington.
Janet Badia investigates the evolution of this narrative, tracing its origins, exposing the gaps and elisions that have defined it, and identifying it as a bullying mythology whose roots lie in a long history of ungenerous, if not outright misogynistic, rhetoric about women readers that has gathered new energy from the backlash against contemporary feminism.
More than just an exposé of our cultural biases against women readers, Badia's research also reveals how this mythology has shaped the production, reception, and evaluation of Plath's body of writing, affecting everything from the Hughes family's management of Plath's writings to the direction of Plath scholarship today. Badia discusses a wide range of texts and issues whose significance has gone largely unnoticed, including the many book reviews that have been written about Plath's publications; films and television shows that depict young Plath readers; editorials and fan tributes written about Plath; and Ted and (daughter) Frieda Hughes's writings about Plath's estate and audience.
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