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Mary Beth Rogers has led an eventful life rooted in the weeds of Texas politics, occasionally savoring a few victories—particularly the 1990 governor’s race when, as campaign manager for Ann Richards, she did the impossible and put a Democratic woman in office. She also learned to absorb her losses—after all, she was a liberal feminist in America’s most aggressively conservative state.

Rogers’s road to a political life was complex. Candidly and vulnerably, she shares both public and private memories of how she tried to maintain a rich family life with growing children and a husband with a debilitating illness. She goes on to provide an insider’s account of her experiences as Richards’s first chief of staff while weaving her way through the highs and lows of political intrigue and legislative maneuvering.

Reflecting on her family heritage and nascent spiritual quest, Rogers discovers a reality at once sobering and invigorating: nothing is ever completely lost or completely won. It is a constant struggle to create humane public policies built on a foundation of fairness and justice—particularly in her beloved Texas.

The American mustang—wild, wind-tossed, and thundering across the open West—might have vanished into myth if not for Velma Bronn Johnston. A shy woman who was left with physical effects from a childhood battle with polio, Johnston was living a quiet life on a struggling ranch near Reno, Nevada, when she discovered wild horses being brutally transported to slaughter. Outraged, she reported it—only to be offered a permit allowing her to do the same horrific deed. But instead of backing down, Johnston took a stand.

Her refusal to profit from cruelty launched her into a firestorm of activism, upending her life. Laughed at, threatened, and dismissed, she pressed on. When a rival mocked her as “Wild Horse Annie,” she seized the name as a badge of honor and purpose. Embracing her new identity, she began to raid illegal holding pens under the cover of darkness, captivated the media, and became the voice of a movement. Her biggest allies? Schoolchildren across America, whose letter-writing campaign swept the country. 

Johnston’s commitment to these majestic animals was finally recognized in 1971 when Congress unanimously passed legislation to protect the nation’s wild horses—an enduring victory for one determined woman and the animals she refused to abandon.

Award-winning author Terri Farley presents the captivating story of Horse Girl, revealing Velma Bronn Johnston in a new light through family photos and journal entries never before published. Farley’s storytelling brings Johnston’s unwavering courage into the spotlight, revealing a woman determined to protect the wild mustang—no matter the cost.

Winner of the Pulitzer Prize for Drama for The Young Man from Atlanta and Academy Awards for the screen adaptation of To Kill a Mockingbird and the original screenplay Tender Mercies, as well as the recipient of an Academy Award nomination for the screenplay of The Trip to Bountiful and the William Inge Lifetime Achievement Award, Horton Foote is one of America's most respected writers for stage and screen. The deep compassion he shows for his characters, the moral vision that infuses his social commentary, and the kindness and humanity that Foote himself radiates have also made him one of our most revered artists—the father-figure who understands our longings for home, for human connections, and for certainty in a world largely bereft of these.

This literary biography thoroughly investigates how Horton Foote's life and worldview have shaped his works for stage, television, and film. Tracing the whole trajectory of Foote's career from his small-town Texas upbringing to the present day, Charles Watson demonstrates that Foote has created a fully imagined mythical world from the materials supplied by his own and his family's and friends' lives in Wharton, Texas, in the early twentieth century. Devoting attention to each of Foote's major works in turn, he shows how this world took shape in Foote's writing for the New York stage, Golden Age television, Hollywood films, and in his nine-play masterpiece, The Orphan's Home Cycle. Throughout, Watson's focus on Foote as a master playwright and his extensive use of the dramatist's unpublished correspondence make this literary biography required reading for all who admire the work of Horton Foote.

    In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz.

    Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.

This work chronicles the lives and legacies of Chicana and Chicano scholars whose formative experiences in the Chicano Movement shaped the development of Chicano studies and transformed higher education. Originating from the Reuniónes de Colegas—gatherings of veteran scholars reflecting on their shared histories—the volume features sixteen essays organized into five thematic sections that explore the intersections of activism, scholarship, and institutional change.

The contributors document how grassroots organizing evolved into academic inquiry, leading to the creation of departments, student support systems, and policy reforms that advanced equity and representation in universities. Essays address how community-engaged research influenced urban planning, health advocacy, and cultural production, while also highlighting Indigenous and transnational epistemologies that redefined theoretical frameworks in Chicano studies. The volume concludes with reflections on academic leadership and the breaking of barriers by Chicana scholars in higher education administration.

Together, these essays offer a powerful intellectual history and a testament to a generation’s enduring commitment to social justice. How We Came to Be is both a scholarly archive and a call to action, preserving the legacy of those who built Chicano studies and inspiring future generations to continue the work of transformation within and beyond the academy.

Contributors

José Calderón

Gilberto Cárdenas

Teresa Carrillo

Teresa Córdova

Estevan Flores

Yvette G. Flores

Felipe Gonzales

Deena J. González

Francisco J. Hernández

Inés Hernández-Ávila

Francisco Hernández Vázquez

Aída Hurtado

Larry Trujillo

Avelardo Valdez

Carlos G. Vélez-Ibáñez

James Diego Vigil

British playwright Howard Barker coined the term “theatre of catastrophe” to describe his unique brand of complex, ambiguous, and often unsettling drama. Revered in continental Europe, North America, and Australia as one of the greatest living dramatists working in the English language, Barker is also a celebrated poet, theater theorist, and painter. The first collection of interviews conducted with Barker, Howard Barker Interviews 1980–2010 covers his entire career and gives a strong sense of the life and work of this innovative dramatist.

In the late 1960s, new age communes began springing up in the American Southwest with names like Drop City, New Buffalo, Lama Foundation, Morning Star, Reality Construction Company, and the Hog Farm. In the summer of 1969, Roberta Price, a recent college graduate, secured a grant to visit these communities and photograph them. When she and her lover David arrived at Libre in the Huerfano Valley of southern Colorado, they were so taken with what they found that they wanted to participate instead of observe. The following spring they married, dropped out of graduate school in upstate New York, packed their belongings into a 1947 Chrysler Windsor Coupe, and moved to Libre, leaving family and academia behind.

Huerfano is Price's captivating memoir of the seven years she spent in the Huerfano ("Orphan") Valley when it was a petri dish of countercultural experiments. She and David joined with fellow baby boomers in learning to mix cement, strip logs, weave rugs, tan leather, grow marijuana, build houses, fix cars, give birth, and make cheese, beer, and furniture as well as poetry, art, music, and love. They built a house around a boulder high on a ridge overlooking the valley and made ends meet by growing their own food, selling homemade goods, and hiring themselves out as day laborers. Over time their collective ranks swelled to more than three hundred, only to diminish again as, for many participants, the dream of a life of unbridled possibility gradually yielded to the hard realities of a life of voluntary poverty.

Price tells her story with a clear, distinctive voice, documenting her experiences with photos as well as words. Placing her story in the larger context of the times, she describes her participation in the antiwar movement, the advent of the women's movement, and her encounters with such icons as Ken Kesey, Gary Snyder, Abbie Hoffman, Stewart Brand, Allen Ginsberg, and Baba Ram Dass.

At once comic, poignant, and above all honest, Huerfano recaptures the sense of affirmation and experimentation that fueled the counterculture without lapsing into nostalgic sentimentality on the one hand or cynicism on the other.

The making of a Supreme Court justice in the crucible of Alabama politics.

Hugo Black: The Alabama Years by Virginia Van der Veer Hamilton is a richly researched political biography that explores the formative experiences of Hugo L. Black, one of the most influential justices in the history of the United States Supreme Court. Focusing on his early life and career in Alabama, Hamilton traces Black's journey from his rural upbringing and legal training to his emergence as a prominent attorney, politician, and United States senator. Through careful analysis of Alabama's social, economic, and political landscape, the book reveals the forces that shaped Black's ideas about government, democracy, and constitutional rights.

Hamilton examines Black's rise during a period of profound change in the South, highlighting the alliances, controversies, and challenges that defined his political career. The study places Black within the broader context of Progressive Era reform, the transformation of Southern politics, and the expanding role of the federal government in American life. At the same time, it provides a nuanced portrait of a complex public figure whose beliefs and actions continue to inspire debate among historians and legal scholars.

Essential reading for students of legal history, political science, Southern studies, and American government, this volume offers valuable insight into the Alabama roots of a justice who would profoundly influence modern constitutional interpretation and civil liberties jurisprudence.
 
 

In his many best-selling books, Yi-Fu Tuan seizes big, metaphysical issues and considers them in uniquely accessible ways. Human Goodness is evidence of this talent and is both as simple, and as epic, as it sounds.

Genuinely good people and their actions, Tuan contends, are far from boring, naive, and trite; they are complex, varied, and enormously exciting. In a refreshing antidote to skeptical times, he writes of ordinary human courtesies, as simple as busing your dishes after eating, that make society functional and livable. And he writes of extraordinary courage and inventiveness under the weight of adversity and evil. He considers the impact of communal goodness over time, and his sketches of six very different individuals—Confucius, Socrates, Wolfgang Amadeus Mozart, John Keats, Dr. Albert Schweitzer, and Simone Weil—confirm that there are human lives that can encourage and lead us to our better selves.

On a sweltering June night in 1959, Betty O'Malley died from lymphatic cancer, leaving behind an alcoholic husband and eight shell-shocked children—seven sons and one daughter, ranging in age from two to fifteen years. The daughter, Carole, was thirteen at the time. In this poignant memoir, she recalls in vivid detail the chaotic course of her family life over the next four years. 

The setting for the story is Hungry Hill, an Irish-Catholic working-class neighborhood in Springfield, Massachusetts. The author recounts her sad and turbulent story with remarkable clarity, humor, and insight, punctuating the narrative with occasional fictional scenes that allow the adult Carole to comment on her teenage experiences and to probe the impact of her mother's death and her father's alcoholism.

On a sweltering June night in 1959, Betty O'Malley died from lymphatic cancer, leaving behind an alcoholic husband and eight shell-shocked children—seven sons and one daughter, ranging in age from two to fifteen years. The daughter, Carole, was thirteen at the time. In this poignant memoir, she recalls in vivid detail the chaotic course of her family life over the next four years. 

The setting for the story is Hungry Hill, an Irish-Catholic working-class neighborhood in Springfield, Massachusetts. The author recounts her sad and turbulent story with remarkable clarity, humor, and insight, punctuating the narrative with occasional fictional scenes that allow the adult Carole to comment on her teenage experiences and to probe the impact of her mother's death and her father's alcoholism.