133 books match the query 'Classics' and 43 start with t
Robert Louis Stevenson
Northwestern University Press, 1993
Joseph Conrad
National University of Singapore Press, 2023
Wanda Gág
University of Minnesota Press, 0
A Newbery Honor Book (1934)
An unfortunate accident with an Apple drives Bunny from Bunnyland to Elsewhere. Every letter in the alphabet is represented in Bunny’s journey, through what he eats (Greens), to whom he meets (Insects, Jay, Kitten, Lizard), and then a little sleep (Nap), to Tripping back to town, right side Up and Up-side-down.
The creation of The ABC Bunny was a Gág family affair, with sister Flavia composing the “ABC Song,” included in this faithful edition; brother Howard penning the lettering; and Wanda writing and illustrating the story.
Gyula Krúdy
Central European University Press, 1998
In these marvellously written tales, Sindbad, a voyager in the realms of memory and imagination, travels through the centuries in pursuit of an ideal of love that is directed as much at the feminine essence as at his individual lovers. He is by nature a melancholy sensualist, but whether the women he seduces and loves are projections of his desire, or he of theirs, is a moot question.
These short stories flow without a strict narrative framework Sindbad journeys between the past and the present and is merely a ghost in many of his adventures. Although Sindbad can move through time, it is time that proves his chief enemy, and youth that remains his real love. This deeply autumnal book, full of resonances and associations, is an erotic elegy to the dying Habsburg Empire.
The stories are taken from the omnibus triple-volume Hungarian edition published as The Three Books of Sindbad in Hungary in 1944, which includes The Travels of Sindbad (1912), The Resurrection of Sindbad (1916), and The Youth and Grief of Sindbad (1917).
Virgil
University of Chicago Press, 2017
Raul Pompeia, Translated from the Portuguese by Renata R. M. Wasserman with an Introduction by César Braga-Pinto
Northwestern University Press, 2015
Jules Barbey d’Aurevilly
University of Minnesota Press, 2026
A haunting, resonant novel of passion and betrayal—in its first English translation since 1928
“When we bring true passions into our works, we don’t fear the cries of the offended.” So declared Jules Barbey d’Aurevilly in 1853 as he prepared to publish The Bewitched in book form, restoring the sections that were unceremoniously deleted from its serialized release by an editor who deemed them too explicit, irreverent, and inflammatory. Newly translated into English for modern readers, The Bewitched is a beguiling tale of politics, obsession, and horror set against the backdrop of Normandy in postrevolutionary France.
Late at night in a foggy moor, the far clock tower rends the still air to mark the midnight hour. As the darkness settles back into silence, another bell rings out, slow and somber, calling all who hear it to the abbé de La Croix-Jugan’s Mass of the Dead. Returned to the priesthood in shame after breaking his vows by shedding blood in battle and attempting suicide in defeat, the disfigured man enthralls the inhabitants of this small village. Before long, a young married woman becomes infatuated with the enigmatic priest, and their fates are irrevocably intertwined. When she succumbs to despair over her unrequited love, her husband is consumed by jealousy and vows revenge.
Layering stories within stories and continually shifting points of view, Barbey d’Aurevilly engages a mosaic of narrators to depict the era’s tensions between the aristocracy, the peasant class, and the church. Raymond N. MacKenzie’s lively translation is accompanied by his detailed introduction and notes that ground the novel in its historical, political, and literary contexts. A classic of French Gothic literature, The Bewitched blends religious transgression, satanic possession, and political upheaval into a fatal love story that is as gripping now as it was nearly two centuries ago.
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Jaroslaw Iwaszkiewicz
Central European University Press, 2002
Paul Scott
University of Chicago Press, 2013
Carl Spitteler
Central European University Press, 2022
This farcical tale tells how the British bombing of a Finnish port city changes the life of the Russian governor, his wife, their cook, and the cook's Finnish fiancé. The story takes place during a Nordic offshoot of the Crimean conflict, known as the Åland War, in which a British-French naval force attacked military and civilian facilities on the coast of the Grand Duchy of Finland in 1854–1856. The location of the novella is Åbo, today’s Turku, where soldiers in the Russian garrison enjoy life, Cossacks dance and drink, and the governor’s wife is preoccupied about her cook’s marriage to a local lad, against which the governor and the English admiral devise a plot.
After studies in Swiss and German universities, Carl Spitteler worked in Russia between 1871 and 1879 as the private tutor in the family of a Finnish general. In the process he came to know Finnish and Baltic noble families in Saint Petersburg and Finland. He published this story in 1889, and went on to become, in 1919, the first Swiss winner of the Nobel Prize for literature. The Bombardment of Åbo is an ironic Western gaze on life and culture in the Tsarist Empire. Spitteler’s deeply held pacifism breaks through his otherwise sarcastic description of the characters and episodes in the novella.
Ivo Andric
University of Chicago Press, 1977
Honore De Balzac
Northwestern University Press, 1993

Nathaniel Hawthorne
The Ohio State University Press, 1974
Paul Scott
University of Chicago Press, 2013
Herman Melville
Northwestern University Press, 2002
Herman Melville
Northwestern University Press, 1984
Charles Dickens
University of Chicago Press, 2018
Jane Austen
University of Chicago Press, 2019
Harlan Lane
Gallaudet University Press, 2006

Boleslaw Prus
Central European University Press, 1997
The city of Warsaw, under Russian rule in the late 1870s, is the setting for this story. The middle-aged hero, Wokulski, bold and successful in business, is being destroyed by his obsessive love for the frigid, aristocratic society ‘doll’ Izabela. The embattled aristocracy, the new men of finance, Dickensian tradesmen and the urban poor all come vividly to life on the vast, superbly detailed canvas.
Isaac Babel; Edited and translated from the Russian by Val Vinokur; Illustrations by Yefim Ladyzhensky
Northwestern University Press, 2018
Babel was born in 1894 into multicultural Odessa’s thriving Jewish community. Working as a journalist, he witnessed the Bolshevik Revolution and Civil War, and accompanied the Cossack horsemen of the Red Cavalry during the 1920 Polish-Soviet War, distilling these experiences into his fiction. Vinokur highlights Babel’s “horrified hopefulness” and “doleful and bespectacled Jewish comedy” in the face of the bloody conflicts that plagued his generation.
On the centenary of the revolution that toppled the Romanov tsars, Babel’s fictions continue to absorb and fascinate contemporary readers interested in eastern European and Jewish literature as well as the history and politics of the twentieth century.
Maximillian E. Novak
Bucknell University Press, 2022
Dobson, Joanne
Rutgers University Press, 1988
E.D.E.N. Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions.
When we first meet sharp and witty Capitola she is living among beggars and street urchins, and dressed as a boy because a boy can get work and be safe, whereas a girl is left to starve for want of "proper" employment. Unknown to her, Capitola has a very rich elderly guardian who finds her at a providential moment and takes her back to his palatial mansion where she finds herself "decomposing above ground for want of having my blood stirred." But not to fear. There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels.
The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.
Daniel Defoe
Bucknell University Press, 2019
Translated and Edited by James L. Fitzgerald
University of Chicago Press, 2026
R. K. Narayan
University of Chicago Press, 2013
Joseph Conrad
Northwestern University Press, 1988
Translated by Anthony C. Yu
University of Chicago Press, 2006
A compact abridgment of the legendary Chinese classic that inspired the hit game Black Myth: Wukong!
Anthony C. Yu’s celebrated translation of The Journey to the West reinvigorated one of Chinese literature’s most beloved classics for English-speaking audiences when it first appeared thirty years ago. Yu’s abridgment of his four-volume translation, The Monkey and the Monk, finally distills the epic novel’s most exciting and meaningful episodes without taking anything away from their true spirit.
These fantastic episodes recount the adventures of Xuanzang, a seventh-century monk who became one of China’s most illustrious religious heroes after traveling for sixteen years in search of Buddhist scriptures. Powerfully combining religious allegory with humor, fantasy, and satire, accounts of Xuanzang’s journey were passed down for a millennium before culminating in the sixteenth century with The Journey to the West. Now, readers of The Monkey and the Monk can experience the full force of his lengthy quest as he travels to India with four animal disciples, most significant among them a guardian-monkey known as “the Great Sage, Equal to Heaven.” Moreover, in its newly streamlined form, this acclaimed translation of a seminal work of world literature is sure to attract an entirely new following of students and fans.
“A new translation of a major literary text which totally supersedes the best existing version. . . . It establishes beyond contention the position of The Journey to the West in world literature, while at the same time throwing open wide the doors to interpretive study on the part of the English audience.”—Modern Language Notes, on the unabridged translation
Bonaventura
University of Chicago Press, 2014
Herman Melville
Northwestern University Press, 1987
Herman Melville
Northwestern University Press, 1996
Friedebert Tuglas
Central European University Press, 2007
Aleksandre Qazbegi
Central European University Press, 2015
The Prose of the Mountains contains three tales of the Caucasus by Aleksandre Qazbegi, one of the most prescient and gifted chroniclers of the Georgian encounter with colonial modernity. His stories offer an invaluable counterpoint to the predominantly Russian narratives that have hitherto shaped scholarly accounts of the nineteenth-century Caucasus. “Memoirs of a Shepherd” poignantly chronicles the young author’s decision to pass seven years of his life as a shepherd with Georgian mountaineers. “Eliso” (the name of a Chechen girl) offers one of the most searing accounts on record of the forced migration of this people from their homeland to Ottoman lands. Set in the sixteenth century, “Khevis Beri Gocha” (the name of a Georgian village chief) classically chronicles a tragic misunderstanding between a severe father and his loving son.
José Maria De Eça De Queirós
Tagus Press, 2012
The Relic is an irreverent fictional autobiography narrating the picaresque adventures of Teodorico, a Portuguese playboy determined to be the sole heir of his absurdly pious, sexually repressed, and tyrannical Auntie. Sent to the Holy Land, he returns with what he presumes is the “relic of relics” in hopes of persuading Auntie to bequeath her vast fortune to him. While in Jerusalem, Teodorico has a vision in which he witnesses Christ's trial and crucifixion and the founding of Christianity—with a twist.
William Makepeace Thackeray
University of Michigan Press, 2005
This volume of The Snobs of England and Punch's Prize Novelists is an addition to The Thackeray Edition collection, the first full-scale scholarly edition of William Makepeace Thackeray's works to appear in over seventy years, and the only one ever to be based on an examination of manuscripts and relevant printed texts. It is also a concrete attempt to put into practice a theory of scholarly editing that gives new insight into Thackeray's own compositional process. In The Snobs of England, a series of amusing satirical sketches, Thackeray provides a panoramic awareness of the many varieties of human folly, identifying snobbery not as a social attitude but as the unworthy admiration of foolish things. Punch's Prize Novelists presents a series of illustrated burlesque parodies of Thackeray's contemporary writers, including Edward Bulwer, Benjamin Disraeli, Mrs. Catherine Gore, G.P.R. James, Charles Lever, and James Fenimore Cooper. The works are edited here from a comparative study of all relevant documents: from the first published appearances to the last editions touched by the author.
Georgiana, Duchess of Devonshire
Northwestern University Press, 2007
This ranging epistolary novel follows Julia Grenville, a Welsh beauty who knows little of the world until her marriage to the older Lord Stanley. Through Julia’s letters to her sister, readers learn more of Julia’s new life in London—her unfaithful husband, her miscarriage, her disillusionment with the city and its fashions. Other letters reveal that Julia has a longtime admirer, Harry Woodley, from her former life, as well as a mysterious guardian angel: her Sylph. This character guides Julia away from the depravities of her life in London, including her gambling problem. The Sylph is also another sympathetic ear to Julia’s increasing marital dissatisfaction and growing affinity for another man, the Baron Ton-hausen. As Julia nearly falls prey to the overzealous admirations of one of her husband’s associates, her husband is consumed by gambling debts to that same associate. She is shocked to discover the depths of her husband’s ruin and plans to flee to Wales before she too can be claimed in payment. Her disgraced husband takes the ultimate way out and Julia goes home to her father and sister in Wales. Her Sylph is not far behind, however, and soon reveals himself to Julia to be more than she could have ever imagined.
Józef Lobodowski
Central European University Press, 2026
Janis Ezerins
Central European University Press, 2012
Janet Lewis
Ohio University Press, 1967
Margita Figuli
Central European University Press, 2014
Elizabeth Stuart Phelps, Edited and with an introduction by Emily E. VanDette
Northwestern University Press, 2019
Trixy is a 1904 novel by the best-selling but largely forgotten American author and women’s rights activist Elizabeth Stuart Phelps. The book decries the then common practice of vivisection, or scientific experiments on live animals. In Trixy, contemporary readers can trace the roots of the early animal rights movement in Phelps’s influential campaign to introduce legislation to regulate or end this practice. Phelps not only presents a narrative polemic against the cruelty of vivisection but argues that training young doctors in it makes them bad physicians. Emily E. VanDette’s introduction demonstrates that Phelps’s protest writing, which included fiction, pamphlets, essays, and speeches, was well ahead of its time.
Though not well known today, Phelps’s 1868 spiritualist novel, The Gates Ajar, which offered a comforting view of the afterlife to readers traumatized by the Civil War, was the century’s second best-selling American novel, surpassed only by Uncle Tom’s Cabin. Recently scholars and readers have begun to reexamine Phelps’s significance. As contemporary authors, including Peter Singer, Jonathan Safran Foer, Donna J. Haraway, Gary L. Francione, and Carol J. Adams, have extended her vision, they have also created new audiences for her work.
Herman Melville
Northwestern University Press, 2003
Herman Melville
Northwestern University Press, 1968