A SCHOLARLY BOOK REPOSITORY
This work answers the hypothetical question: What would the Americas be like today—politically, economically, culturally—if Columbus and the Europeans had never found them, and how would American peoples interact with the world’s other societies? It assumes that Columbus did not embark from Spain in 1492 and that no Europeans found or settled the New World afterward, leaving the peoples of the two American continents free to follow the natural course of their Native lives.
The Americas That Might Have Been is a professional but layman-accessible, fact-based, nonfiction account of the major Native American political states that were thriving in the New World in 1492. Granberry considers a contemporary New World in which the glories of Aztec Mexico, Maya Middle America, and Inca Peru survived intact. He imagines the roles that the Iroquois Confederacy of the American Northeast, the powerful city-states along the Mississippi River in the Midwest and Southeast, the Navajo Nation and the Pueblo culture of the Southwest, the Eskimo Nation in the Far North, and the Taino/Arawak chiefdoms of the Caribbean would play in American and world politics in the 21st Century.
Following a critical examination of the data using empirical archaeology, linguistics, and ethnohistory, Granberry presents a reasoned and compelling discussion of native cultures and the paths they would have logically taken over the past five centuries. He reveals the spectacular futures these brilliant pre-Columbian societies might have had, if not for one epochal meeting that set off a chain of events so overwhelming to them that the course of human history was forever changed.
The headlines about cities celebrating their resurgence—with empty nesters and Millennials alike investing in our urban areas, moving away from car dependence, and demanding walkable, transit-oriented neighborhoods. But, in reality, these changes are taking place in a scattered and piecemeal fashion. While areas of a handful of cities are booming, most US metros continue to follow old patterns of central city decline and suburban sprawl. As demographic shifts change housing markets and climate change ushers in new ways of looking at settlement patterns, pressure for change in urban policy is growing. More and more policy makers are raising questions about the soundness of policies that squander our investment in urban housing, built environment, and infrastructure while continuing to support expansion of sprawling, auto-dependent development. Changing these policies is the central challenge facing US cities and metro regions, and those who manage them or plan their future.
In America’s Urban Future, urban experts Tomalty and Mallach examine US policy in the light of the Canadian experience, and use that experience as a starting point to generate specific policy recommendations. Their recommendations are designed to help the US further its urban revival, build more walkable, energy-efficient communities, and in particular, help land use adapt better to the needs of the aging population. Tomalty and Mallach show how Canada, a country similar to the US in many respects, has fostered healthier urban centers and more energy- and resource-efficient suburban growth. They call for a rethinking of US public policies across those areas and look closely at what may be achievable at federal, state, and local levels in light of both the constraints and opportunities inherent in today’s political systems and economic realities.
America’s Vietnam challenges the prevailing genealogy of Vietnam’s emergence in the American imagination—one that presupposes the Vietnam War as the starting point of meaningful Vietnamese-U.S. political and cultural involvements. Examining literature from as early as the 1820s, Marguerite Nguyen takes a comparative, long historical approach to interpreting constructions of Vietnam in American literature. She analyzes works in various genres published in English and Vietnamese by Monique Truong and Michael Herr as well as lesser-known writers such as John White, Harry Hervey, and Võ Phiến. The book’s cross-cultural prism spans Paris, Saigon, New York, and multiple oceans, and its departure from Cold War frames reveals rich cross-period connections.
America’s Vietnam recounts a mostly unexamined story of Southeast Asia’s lasting and varied influence on U.S. aesthetic and political concerns. Tracking Vietnam’s transition from an emergent nation in the nineteenth century to a French colony to a Vietnamese-American war zone, Nguyen demonstrates that how authors represent Vietnam is deeply entwined with the United States’ shifting role in the world. As America’s longstanding presence in Vietnam evolves, the literature it generates significantly revises our perceptions of war, race, and empire over time.
The twenty-three American writers who appear in the book range chronologically from the colonial thinker John Wise to the contemporary poet John Ashbery. Their appearances are arranged to comment almost interactively on identifiable American issues like "Doing Your Thing," "How Writing Is Written," "Pursuit of Happiness," and "Right to Privacy." Douglas Crase has said that he finds rearrangement morally and artistically more interesting than opinions, as rearrangement involves choice and commitment, while opinions are only held. In the end, readers may conclude that Amerifil.Txt is not a commonplace book at all, but rather a spiritual autobiography of its compiler.
Douglas Crase is a widely anthologized poet, essayist, and critic. His acclaimed volume of poetry The Revisionist earned nominations for the National Book Critics Circle Award and the American Book Award in poetry. He has received an Ingram-Merrill Award, a Whiting Writer's Award, and fellowships from the MacArthur and Guggenheim foundations and the American Academy and Institute of Arts and Letters.
Ameriscopia reimagines New York City and its expansive inspirations, which for Torres capture the contradictions of America. Allusions to the Twin Towers, Coney Island hot dogs, and the Nuyorican Poet’s Cafe continuously recolor the pages. But even as he makes these iconic references, Torres allows his poems to invert and refract the identities they evoke—New-Yorker-American-Latino-Dad-Performer-Boy-Writer—to invigorate poetry out of its slumber into a deep cultural urgency. Torres’s kaleidoscopic vision is borne of decades of poetic experimentation. Audiences have delighted in his spontaneous mashups of disparate topic matters; writers have studied his skilled technique at synthesizing—for example, from a mundane curbside view to an imagined conversation with artists Marcel Duchamp and Yves Tanguy.
Torres writes, “I discovered that, this world uncovered / is like the soul / of The Puerto Rican man — occupied / by the weight of his balance.” Ameriscopia is Torres’s statement on growing up and the inspirational facets that accompany his journey into fatherhood. From conversations in cars to fast-beat lullabies, Torres’s poetry taps into rhythms both distinctive and dynamic. In Ameriscopia Torres is at full force, a poet in control, a writer emboldened by the page—in flight.
Contributions by Martha Saxton, Gary J. Kornblith, David W. Wills, Frederick E. Hoxie, Trent Maxey, Nicholas L. Syrett, Wendy H. Bergoffen, Rick López, Matthew Alexander Randolph, Daniel Levinson Wilk, K. Ian Shin, David S. Reynolds, Jane F. Thrailkill, Julie Dobrow, Richard F. Teichgraeber III, Debby Applegate, Michael E. Jirik, Bruce Laurie, Molly Michelmore, and Christian G. Appy.
The compelling translation by Samuel N. Rosenberg and Samuel Danon is accompanied by an introduction on the background, genre, and general sense of the tale. The volume also includes an afterword by David Konstan, which examines the medieval work's concept of friendship within a perspective extending back to classical antiquity.
This translation will reveal Ami and Amile as a major work of the French Middle Ages. In elegant and forceful prose, it weaves together the themes of friendship and love and the status of women, of sin and punishment, the moral problem of doing wrong for the right reason, and the mythic affliction of leprosy. The work will foster lively literary and philosophical discussion.
Ami and Amile is of interest to a wide range of readers, including students of history, comparative literature, and gender studies. Medievalists will find it a welcome addition to their libraries and a captivating experience for their students.
The volume is published in the series Stylus: Studies in Medieval Culture, edited by Eugene Vance, University of Washington. Samuel N. Rosenberg is Professor of French and Italian at Indiana University; Samuel Danon is Professor of French at Reed College.
Whom, or what, does composition—defined here as an intentional process of study, either oral or written—serve? Bradford T. Stull contends that composition would do well to articulate, in theory and practice, what could be called "emancipatory composition." He argues that emancipatory composition is radically theopolitical: it roots itself in the foundational theological and political language of the American experience while it subverts this language in order to emancipate the oppressed and, thereby, the oppressors.
To articulate this vision, Stull looks to those who compose from an oppressed place, finding in the works of W. E. B. Du Bois, Martin Luther King Jr., and Malcolm X radical theopolitical practices that can serve as a model for emancipatory composition. While Stull acknowledges that there are many sites of oppression, he focuses on what Du Bois has called the problem of the twentieth century: the color line, positing that the unique and foundational nature of the color line provides a fecund place in which, from which, a theory and practice of emancipatory composition might be elucidated.
By focusing on four key theopolitical tropes—The Fall, The Orient, Africa, and Eden—that inform the work of Du Bois, King, and Malcolm X, Stull discovers the ways in which these civil rights leaders root themselves in the vocabulary of the American experience in order to subvert it so that they might promote emancipation for African Americans, and thus all Americans.
In drawing on the work of Paulo Freire, Kenneth Burke, Edward Said, Christopher Miller, Ernst Bloch, and others, Stull also locates this study within the larger cultural context. By reading Du Bois, King, and Malcolm X together in a way that they have never before been read, Stull presents a new vision of composition practice to the African American studies community and a reading of African American emancipatory composition to the rhetoric and composition community, thus extending the question of emancipatory composition into new territory.
This collection of letters chronicles a remarkable, long-term friendship between two women who, despite differences of religion and ethnicity, have followed remarkably parallel paths from their first adolescent meeting in their native Chile to their current lives in exile as writers, academics, and political activists in the United States. Spanning more than thirty years (1966-2000), Agosín's and Sepúlveda's letters speak eloquently on themes that are at once personal and political—family life and patriarchy, women's roles, the loneliness of being a religious or cultural outsider, political turmoil in Chile, and the experience of exile.
2014 Choice Outstanding Academic Title
Amigas y Amantes (Friends and Lovers) explores the experiences of sexually nonconforming Latinas in the creation and maintenance of families. It is based on forty-two in-depth ethnographic interviews with women who identify as lesbian, bisexual, or queer (LBQ). Additionally, it draws from fourteen months of participant observation at LBQ Latina events that Katie L. Acosta conducted in 2007 and 2008 in a major northeast city. With this data, Acosta examines how LBQ Latinas manage loving relationships with the families who raised them, and with their partners, their children, and their friends.
Acosta investigates how sexually nonconforming Latinas negotiate cultural expectations, combat compulsory heterosexuality, and reconcile tensions with their families. She offers a new way of thinking about the emotion work involved in everyday lives, which highlights the informal, sometimes invisible, labor required in preserving family ties. Acosta contends that the work LBQ Latinas take on to preserve connections with biological families, lovers, and children results in a unique way of doing family.
Paying particular attention to the negotiations that LBQ Latinas undertake in an effort to maintain familial order, Amigas y Amantes explores how they understand femininity, how they negotiate their religious faiths, how they face the unique challenges of being in interracial/interethnic relationships, and how they raise their children while integrating their families of origin.
Driving the rural roads of Michigan one might suddenly come upon a black buggy driven by a bonneted woman or a bearded Amish man. In 1955 there were fewer than five hundred Amish in Michigan—in 2000 there were more than seven thousand. The Amish, with their unique life-style, are found only in North America where approximately 170,000 live in twenty-four states and one Canadian province. This sensitive and fascinating volume explores the Amish historical background, immigration into Michigan, occupations, marriage patterns, cultural conflicts, community-financed schools, medical practices, and cultural survival.
In 1895, forty-seven rebel military officers contested the terms of a law that granted them amnesty but blocked their immediate return to the armed forces. During the century that followed, numerous other Brazilians who similarly faced repercussions for political opposition or outright rebellion subsequently made claims to forms of recompense through amnesty. By 2010, tens of thousands of Brazilians had sought reparations, referred to as amnesty, for repression suffered during the Cold War–era dictatorship. This book examines the evolution of amnesty in Brazil and describes when and how it functioned as an institution synonymous with restitution. Ann M. Schneider is concerned with the politics of conciliation and reflects on this history of Brazil in the context of broader debates about transitional justice. She argues that the adjudication of entitlements granted in amnesty laws marked points of intersection between prevailing and profoundly conservative politics with moments and trends that galvanized the demand for and the expansion of rights, showing that amnesty in Brazil has been both surprisingly democratizing and yet stubbornly undemocratic.
A collaborative effort of twenty-four researchers, Amniote Paleobiology presents thirteen new and important scientific perspectives on the evolution and biology of this familiar group. It includes new discoveries of dinosaurs and primitive relatives of mammals; studies of mammalian chewing and locomotion; and examinations of the evolutionary process in plesiosaurs, mammals, and dinosaurs. Emphasizing the rich variety of analytical techniques available to vertebrate paleontologists—from traditional description to multivariate morphometrics and complex three-dimensional kinematics—Amniote Paleobiology seeks to understand how species are related to each other and what these relationships reveal about changes in anatomy and function over time. A timely synthesis of modern contributions to the field of evolutionary studies, Amniote Paleobiology furthers our understanding of this diverse group.
Contemporary America, with its unparalleled armaments and ambition, seems to many commentators a new empire. Others angrily reject the designation. What stakes would being an empire have for our identity at home and our role abroad?
A preeminent American historian addresses these issues in light of the history of empires since antiquity. This elegantly written book examines the structure and impact of these mega-states and asks whether the United States shares their traits and behavior. Eschewing the standard focus on current U.S. foreign policy and the recent spate of pro- and anti-empire polemics, Charles S. Maier uses comparative history to test the relevance of a concept often invoked but not always understood. Marshaling a remarkable array of evidence—from Roman, Ottoman, Moghul, Spanish, Russian, Chinese, and British experience—Maier outlines the essentials of empire throughout history. He then explores the exercise of U.S. power in the nineteenth and twentieth centuries, carefully analyzing its economic and strategic sources and the nation’s relationship to predecessors and rivals.
To inquire about empire is to ask what the United States has become as a result of its wealth, inventiveness, and ambitions. It is to confront lofty national aspirations with the realities of the violence that often attends imperial politics and thus to question both the costs and the opportunities of the current U.S. global ascendancy. With learning, dispassion, and clarity, Among Empires offers bold comparisons and an original account of American power. It confirms that the issue of empire must be a concern of every citizen.
It all started in 1965 with a guy riding a whale. The guy was Flip Nicklin’s father, Chuck, and the whale was an unlucky Bryde’s Whale that had gotten caught up in some anchor line. Hoping to free the whale, Chuck and some friends took their boat as near as they could, and, just before they cut it loose, Chuck posed astride it for a photo.
That image, carried on wire services nationwide, became a sensation and ultimately changed the life of Chuck’s young son, Flip. In the decades since that day, Flip Nicklin has made himself into the world’s premier cetacean photographer. It’s no exaggeration to say that his photos, published in such venues as National Geographic and distributed worldwide, have virtually defined these graceful, powerful creatures in the mind of the general public—even as they helped open new ground in the field of marine mammalogy.
Among Giants tells the story of Nicklin’s life and career on the high seas, from his first ill-equipped shoots in the mid-1970s through his long association with the National Geographic Society to the present, when he is one of the founders of Whale Trust, a nonprofit conservation and research group. Nicklin is equal parts photographer, adventurer, self-trained scientist, and raconteur, and Among Giants reflects all those sides, matching breathtaking images to firsthand accounts of their making, and highlighting throughout the importance of conservation and new advances in our understanding of whale behavior. With Nicklin as our guide, we see not just whales but also our slowly growing understanding of their hidden lives, as well as the evolution of underwater photography—and the stunning clarity and drama that can be captured when a determined, daring diver is behind the lens.
Humpbacks, narwhals, sperm whales, orcas—these and countless other giants of the ocean parade through these pages, spouting, breaching, singing, and raising their young. Nicklin’s photographs bring us so completely into the underwater world of whales that we can’t help but feel awe, while winning, personal accounts of his adventures remind us of what it’s like to be a lone diver sharing their sea.
For anyone who has marveled at the majesty of whales in the wild, Among Giants is guaranteed to be inspiring, even moving—its unmatched images of these glorious beings an inescapable reminder of our responsibility as stewards of the ocean.
The local people know him as the "Man of the Forest," who refused to speak for fear of being put to work. And indeed the bear-like Sumatran orangutan, with his moon face, lanky arms, and shaggy red hair, does seem uncannily human; one of our closest relatives in the animal kingdom, the orangutan may have much to tell us about the origins of human intelligence, technology, and culture. In this book one of the world's leading experts on Sumatran orangutans, working in collaboration with nature photographer Perry van Duijnhoven, takes us deep into the disappearing world of these captivating primates.
In a narrative that is part adventure, part field journal, part call to conscience, Carel van Schaik introduces us to the colorful characters and complex lives of the orangutans who inhabit the vanishing forests of Sumatra. In compelling words and pictures, we come to know the personalities and temperaments of our primate cousins as they go about their days: building double-decker tree nests; using leaves as napkins, gloves, rain hats, and blankets, and sticks as backscratchers and probes; nurturing their infants longer and more intensely than any other nonhuman mammal. Here are the births and deaths, the first use of a tool, the defeat of a rival, the gradual loss of influence that, while fascinating to observe, may also help us to reconstruct human evolution.
The year he graduated from college, 22-year-old Noah Strycker was dropped by helicopter in a remote Antarctic field camp with two bird scientists and a three months’ supply of frozen food. His subjects: more than a quarter million penguins.
Compact, industrious, and approachable, the Adélie Penguins who call Antarctica home visit their breeding grounds each Antarctic summer to nest and rear their young before returning to sea. Because of long-term studies, scientists may know more about how these penguins will adjust to climate change than about any other creature in the world.
Bird scientists like Noah are less well known. Like the intrepid early explorers of Antarctica, modern scientists drawn to the frozen continent face an utterly inhospitable landscape, one that inspires, isolates, and punishes.
With wit, curiosity, and a deep knowledge of his subject, Strycker recounts the reality of life at the end of the Earth—thousand-year-old penguin mummies, hurricane-force blizzards, and day-to-day existence in below freezing temperatures—and delves deep into a world of science, obsession, and birds.
Among Penguins weaves a captivating tale of penguins and their researchers on the coldest, driest, highest, and windiest continent on Earth. Birders, lovers of the Antarctic, and fans of first-person adventure narratives will be fascinated by Strycker’s book.
Bonner therefore brings both recent experience and the sharp eye of a veteran journalist to an analysis of the Afghan situation: the tenacity and courage of the resistance, the massive emmigration, and the toll taken by the seemingly endless conflict on the country and its people.
The author has seen both the great and small of Afghanistan--both the seared flesh of the hand that an Afghan mujahidin held in the fire to demonstrate his courage and the geopolitical reasons that impelled the former Soviet Union of set its might and treasure against a people who resisted with a fierce and sometimes (to Western eyes) thoughtless courage. This is the story of these antagonists--sobering, chilling, and finally enlightening.
Palestinian writer Hussein Barghouthi was in his late forties when he was diagnosed with lymphoma. He had feared it was HIV, so when the cancer diagnosis was confirmed, he left the hospital feeling a bitter joy because his wife and son would be spared. The bittersweetness of this reaction characterizes the alternating moods of narration and reflection that distinguish this meditative memoir, Among the Almond Trees.
Barghouthi’s way of dealing with finality is to return to memories of childhood in the village of his birth in central Palestine, where the house in which he grew up is surrounded by almond and fig orchards. He takes many healing walks in the moonlit shadows of the trees, where he observes curious foxes, dancing gazelles, a badger with an unearthly cry, a weasel, and a wild boar with its young—a return not only to the house but to nature itself. The author decides to build a house where he would live with his wife and son, in whom he sees a renewal of life. The realization of his impending death also urges him to vocalize this experience, and he relates the progress of the disease at infrequent intervals. And, ultimately, he details the imaginative possibility of a return to life—to the earth, where he would be buried among the almond trees.
Among the Aspen interweaves tales of companionable dogs, lucky hunts, and favorite coverts where quarry lurks with ruminations on the demise of hunting traditions, the sale of public lands and the privatization of places to hunt, the growing indifference to science, and the loss of wilderness on a planet increasingly transformed by the sprawl of humanity.
Among the Bieresch is Hans’s story—one of bizarre customs, tangled relationships, and the struggle between two mystical sects. The novel, translated by Isabel Fargo Cole, is a German cult favorite and a masterwork of culture shock fiction that revels in exploring oppressive cultural baggage and assimilation. Readers will encounter here an amalgam drawing from Kafka, Borges, and Beckett, among others, combining to make Klaus Hoffer’s novel a world utterly its own.
“One of the few works that will loom from the dust of this century one day.”—Urs Widmer
Among the Garifuna is the first ethnographic narrative of a Garifuna family. The Garifuna are descendants of the “Black Carib,” whom the British deposited on Roatan Island in 1797 and who settled along the Caribbean coast from Belize City to Nicaragua.
In 1980, medical anthropologist Marilyn McKillop Wells found herself embarking on an “improbable journey” when she was invited to the area to do fieldwork with the added challenge of revealing the “real” Garifuna. Upon her arrival on the island, Wells was warmly embraced by a local family, the Diegos, and set to work recording life events and indigenous perspectives on polygyny, Afro-indigenous identity, ancestor-worshiping religion, and more. The result, as represented in Among the Garifuna, is a lovingly intimate, earthy human drama.
The family narrative is organized chronologically. Part I, “The Old Ways,” consists of vignettes that introduce the family backstory with dialogue as imagined by Wells based on the family history she was told. We meet the family progenitors, Margaret and Cervantes Diego, during their courtship, experience Margaret’s pain as Cervantes takes a second wife, witness the death of Cervantes and ensuing mourning rituals, follow the return of Margaret and the children to their previous home in British Honduras, and observe the emergence of the children’s personalities.
In Part II, “Living There,” Wells continues the story when she arrives in Belize and meets the Diego children, including the major protagonist, Tas. In Tas’s household Wells learns about foods and manners and watches family squabbles and reconciliations. In these mini-stories, Wells interweaves cultural information on the Garifuna people with first-person narrative and transcription of their words, assembling these into an enthralling slice of life. Part III, “The Ancestor Party,” takes the reader through a fascinating postmortem ritual that is enacted to facilitate the journey of the spirits of the honored ancestors to the supreme supernatural.
Among the Garifuna contributes to the literary genres of narrative anthropology and feminist ethnography in the tradition of Zora Neal Hurston and other women writing culture in a personal way. Wells’s portrait of this Garifuna family will be of interest to anthropologists, Caribbeanists, Latin Americanists, students, and general readers alike.
"Has all the tension of the best true crime stories . . . This is journalism at its best."
--Library Journal
"A compelling argument against capital punishment. . . . Examining politicians, judges (including Supreme Court Justices), prosecutors, defense attorneys and the condemned themselves, the author makes an effective case that, despite new laws, execution is no less a lottery than it has always been."
--Publishers Weekly
"In a fine and important book, Von Drehle writes elegantly and powerfully. . . . Anyone certain of their opinion about the death penalty ought to read this book."
-- Booklist
"An extremely well-informed and richly insightful book of great value to students of the death penalty as well as intelligent general readers with a serious interest in the subject, Among the Lowest of the Dead is also exciting reading. The book is an ideal guide for new generations of readers who want to form knowledgeable judgments in the continuing--and recently accelerating--controversies about capital punishment."
--Anthony Amsterdam, New York University
"Among the Lowest of the Dead is a powerfully written and meticulously researched book that makes an invaluable contribution to the growing public dialogue about capital punishment in America. It's one of those rare books that bridges the gap between mass audiences and scholarly disciplines, the latter including sociology, political science, criminology and journalism. The book is required reading in my Investigative Journalism classes--and my students love it!"
--David Protess, Northwestern University
"Among The Lowest of the Dead deserves a permanent place in the literature as literature, and is most relevant to today's death penalty debate as we moderate advocates and abolitionists search for common ground."
--Robert Blecker, New York Law School
David Von Drehle is Senior Writer, The Washington Post and author of Triangle: The Fire that Changed America.
For most Americans, the Revolution’s main achievement is summed up by the phrase “life, liberty, and the pursuit of happiness.” Yet far from a straightforward attempt to be free of Old World laws and customs, the American founding was also a bid for inclusion in the community of nations as it existed in 1776. America aspired to diplomatic recognition under international law and the authority to become a colonizing power itself.
As Eliga Gould shows in this reappraisal of American history, the Revolution was an international transformation of the first importance. To conform to the public law of Europe’s imperial powers, Americans crafted a union nearly as centralized as the one they had overthrown, endured taxes heavier than any they had faced as British colonists, and remained entangled with European Atlantic empires long after the Revolution ended.
No factor weighed more heavily on Americans than the legally plural Atlantic where they hoped to build their empire. Gould follows the region’s transfiguration from a fluid periphery with its own rules and norms to a place where people of all descriptions were expected to abide by the laws of Western Europe—“civilized” laws that precluded neither slavery nor the dispossession of Native Americans.
Among the Swamp People is the story of author Watt Key’s discovery of the Mobile-Tensaw River Delta. “The swamp” consists of almost 260,000 acres of wetlands located just north of Mobile Bay. There he leases a habitable outcropping of land and constructs a primitive cabin from driftwood to serve as a private getaway. His story is one that chronicles the beauties of the delta’s unparalleled natural wonders, the difficulties of survival within it, and an extraordinary community of characters—by turns generous and violent, gracious and paranoid, hilarious and reckless—who live, thrive, and perish there.
There is no way into the delta except by small boat. To most it would appear a maze of rivers and creeks between stunted swamp trees and mud. Key observes that there are few places where one can step out of a boat without “sinking to the knees in muck the consistency of axle grease. It is the only place I know where gloom and beauty can coexist at such extremes. And it never occurred to me that a land seemingly so bleak could hide such beauty and adventure.”
It also chronicles Key’s maturation as a writer, from a twenty-five-year-old computer programmer with no formal training as a writer to a highly successful, award-winning writer of fiction for a young adult audience with three acclaimed novels published to date.
In learning to make a place for himself in the wild, as in learning to write, Key’s story is one of “hoping someone—even if just myself—would find value in my creations.”
He weathered brutal temperatures in the wild to document the wolves and provided exceptional insights into wolf behavior. Haber’s writings and photographs reveal an astonishing degree of cooperation between wolf family members as they hunt, raise pups, and play, social behaviors and traditions previously unknown. With the wolves at risk of being destroyed by hunting and trapping, his studies advocated for a balanced approach to wolf management. His fieldwork registered as one of the longest studies in wildlife science and had a lasting impact on wolf policies.
Haber’s field notes, his extensive journals, and stories from friends all come together in Among Wolves to reveal much about both the wolves he studied and the researcher himself. Wolves continue to fascinate and polarize people, and Haber’s work continues to resonate.
Women's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt.
Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.
Compelled by the emperor Nero to commit suicide at age 25 after writing uncomplimentary poems, Latin poet Lucan nevertheless left behind a significant body of work, including the Bellum Civile (Civil War). Sometimes also called the Pharsalia, this epic describes the war between Julius Caesar and Pompey.Author Giulio Celotto provides an interpretation of this civil war based on the examination of an aspect completely neglected by previous scholarship: Lucan’s literary adaptation of the cosmological dialectic of Love and Strife.
According to a reading that has found favor over the last three decades, the poem is an unconventional epic that does not conform to Aristotelian norms: Lucan composes a poem characterized by fragmentation and disorder, lacking a conventional teleology, and whose narrative flow is constantly delayed. Celotto’s study challenges this interpretation by illustrating how Lucan invokes imagery of cosmic dissolution, but without altogether obliterating epic norms. The poem transforms them from within, condemning the establishment of the Principate and the Julio-Claudian dynasty.
A/Moral Economics is an interdisciplinary historical study that examines the ways which social “science” of economics emerged through the discourse of the literary, namely the dominant moral and fictional narrative genres of early and mid-Victorian England. In particular, this book argues that the classical economic theory of early-nineteenth-century England gained its broad cultural authority not directly, through the well- known texts of such canonical economic theorists as David Ricardo, but indirectly through the narratives constructed by Ricardo’s popularizers John Ramsey McCulloch and Harriet Martineau.
By reexamining the rhetorical and institutional contexts of classical political economy in the nineteenth century, A/Moral Economics repositions the popular writings of both supporters and detractors of political economy as central to early political economists’ bids for a cultural voice. The now marginalized economic writings of McCulloch, Martineau, Henry Mayhew, and John Ruskin, as well as the texts of Charles Dickens and J. S. Mill, must be read as constituting in part the entities they have been read as merely criticizing. It is this repressed moral logic that resurfaces in a range of textual contradictions—not only in the writings of Ricardo’s supporters, but, ironically, in those of his critics as well.
Among the more interesting incunabula preserved in the Salle de la Réserve of the Bibliothèque National in Paris are the apparently unique copies of two editions, very similar in content, of a work entitled Les Adevineaux amoureux. In much more comprehensive form Les Adevineaux amoureux is preserved in a manuscript belonging to the Musée Conde at Chantilly. All three texts, in medieval French, appear to date from the 1470s. The present work, Amorous Games, is a critical edition of Les Adevineaux amoureux.
Amorous Games is a miscellany whose principal unifying force is the compiler's aim to provide a manual of conversation and entertainment for polite society. Included are series of questions and answers belonging to the well-established medieval tradition of the "Demandes amoureuses"; a very large number of riddles, mainly folk riddles; and "venditions en amours," little poems that apparently came into bing as part of a social game.
Students of medieval French literature, particularly those with a penchant for some of the minor genres, will find new material in the Amorous Games. Folklorists will discover what is probably the largest collection of riddles bequeathed to us by medieval France and also much that is of value to specialists in the proverb and folk tale.
For this critical edition of Les Adevineaux amoureux Professor Hassell has selected the Chantilly manuscript, because it is the most complete and also because it had not yet been published. The Appendix contains the text of the more complete of the two incunabula and the significant variants appearing in the other fifteenth-century printed edition. The manuscript text has been collated with that of the incunabula, and copious notes and an index to the riddles have been supplied. In his introduction Professor Hassell discusses in detail the major classes and subclasses of the riddle, drawing on the work of Petsch, Taylor, Abrahams, and other scholars of the genre.
The first sustained historical study of the emergence of cinema in China, An Amorous History of the Silver Screen is a fascinating narrative that illustrates the immense cultural significance of film and its power as a vehicle for social change. Named after a major feature film on the making of Chinese cinema, only part of which survives, An Amorous History of the Silver Screen reveals the intricacies of this cultural movement and explores its connections to other art forms such as photography, architecture, drama, and literature. In light of original archival research, Zhang Zhen examines previously unstudied films and expands the important discussion of how they modeled modern social structures and gender roles in early twentieth-century China.
The first volume in the new and groundbreaking series Cinema and Modernity, An Amorous History of the Silver Screen is an innovative—and well illustrated—look at the cultural history of Chinese modernity through the lens of this seminal moment in Shanghai cinema.
Valeria Miani’s Amorous Hope is a play of remarkable richness, subtlety, and verve. It presents a scathing exposure of society’s double-standards and it champions women’s dramatic agency by centering on the bleak reality they often faced, a reality that attempted to harm and silence its victims. The play’s salient episodes reflect realities modern women still face today.
Miani’s literary achievements attest to her emergence as a cultural protagonist alongside Europe’s most talented women writers, such as Isabella Andreini, and she challenged the premodern notion that a woman’s eloquence is an indication of her sexual promiscuity.
In this study of the A & P. the author inquires into cost and price policy in one of America's large corporations, and examines the fact–finding process in government regulation of an industry.
The first part of the book treats the history of The Great Atlantic & Pacific Tea Company from 1919 to 1951 as a case study of a business management which is seeking to understand its market, formulate a rational price policy, and enforce the policy despite the inarticulate but effective opposition of subordinate executives. The second part deals with the buying methods of the company and A & P's relations with large and small suppliers. Particular attention is given to price discrimination.
In the final part of his study, Mr. Adelman discusses in detail the antitrust suit of the 1940's against the company and the goals and values implicit in that suit. He shows the way in which these goals predetermined the "facts" that purportedly were found. The author shows how a standard inductive–deductive method of economic research would have improved on the process of ”trial by slogan and cliché.“
Costa Rica has played, and continues to play, a pivotal role in the study of tropical biology as well as the development of ecotourism and ecoprospecting, in part because more than half of the amphibians and reptiles in Costa Rica are also found elsewhere in Central America. The Amphibians and Reptiles of Costa Rica will be an essential book for a wide audience of nature lovers, naturalists, ecotourists, field biologists, conservationists, government planners, and those interested in Central America more generally.
"Written for the enthusiast as well as for the field researcher, this work is an excellent reference source for each of the 396 species of amphibians and reptiles that can be found in Costa Rica. Includes complete full-color photographs of all known species in the region, as well as maps showing their distribution patterns. . . . A must-have book for any library with interests in this subject area."—J. Elliott, Southeastern Naturalist
“A retired major general of the Marine Corps offers here an interpretive history of the campaign culminating in the battle of New Orleans, based on a meticulous review of the sources and employing the perceptive of modern military doctrine. Written with a military regard for precision . . . [the book] nevertheless gathers force and even suspense though its emphasis on the importance f the events at hand . . [T]his is now probably the best book on the topic.”—Choice
Amphion is the figure in Greek mythology who played so skillfully on a lyre that stones moved of their own accord to build walls for Thebes. While Amphion still presides over music and architecture, he was once fundamental to the concept of lyric poetry. Amphion figured the human power to inspire action, creating and undoing polities by means of language. In contrast to the individual inspiration we associate with the better-known Orpheus, Amphion represents the relentless, often violent, play of order and disorder in human social life. His lyre was a powerful metaphor in the age of European imperial expansion.
In this wide-ranging study, Leah Middlebrook introduces readers to Amphion-inspired poetics and lyrics and traces the tradition of the Amphionic from the Renaissance through modernist and postmodern poetry and translation from the Hispanic, Anglophone, French, Italian, and ancient Roman worlds. Amphion makes a significant contribution to scholarship on the connection between poetry and politics and the history of the lyric, offering an account well-suited to our times.
Funny happenings.
The rollicking comedies of Plautus, who brilliantly adapted Greek plays for Roman audiences ca. 205–184 BC, are the earliest Latin works to survive complete and are cornerstones of the European theatrical tradition from Shakespeare and Molière to modern times. This first volume of a new Loeb edition of all twenty-one of Plautus’ extant comedies presents Amphitruo, Asinaria, Aulularia, Bacchides, and Captivi with freshly edited texts, lively modern translations, and ample explanatory notes. Accompanying the plays is a detailed introduction to Plautus’ œuvre as a whole, discussing his techniques of translation and adaptation, his use of Roman humor, stage conventions, language and meter, and his impact on the Greco-Roman comedic theater and beyond.
Plautus (Titus Maccius), born about 254 BCE at Sarsina in Umbria, went to Rome, engaged in work connected with the stage, lost his money in commerce, then turned to writing comedies.
Twenty-one plays by Plautus have survived (one is incomplete). The basis of all is a free translation from comedies by such writers as Menander, Diphilus, and Philemon. So we have Greek manners of Athens about 300250 BCE transferred to the Roman stage of about 225185, with Greek places, people, and customs, for popular amusement in a Latin city whose own culture was not yet developed and whose manners were more severe. To make his plays live for his audience, Plautus included many Roman details, especially concerning slavery, military affairs, and law, with some invention of his own, notably in management of metres. The resulting mixture is lively, genial and humorous, with good dialogue and vivid style. There are plays of intrigue (Two Bacchises, The Haunted House, Pseudolus); of intrigue with a recognition theme (The Captives, The Carthaginian, Curculio); plays which develop character (The Pot of Gold, Miles Gloriosus); others which turn on mistaken identity (accidental as in the Menaechmi; caused on purpose as in Amphitryon); plays of domestic life (The Merchant, Casina, both unpleasant; Trinummus, Stichus, both pleasant).
The Loeb Classical Library edition of Plautus is in five volumes.
"Atkinson has put a fantastically exhaustive amount of work into this book for all of us global guitar nerds to enjoy. It’s so much fun to dive into it full immersion, and glean everything from details on iconic artist guitars to strange inventions from creatives on the fringe!"—Jennifer Batten, guitarist (Michael Jackson, Jeff Beck)
“A great resource for all guitar players, tinkerers, and enthusiasts. Atkinson’s well-researched book provides essential and fascinating facts of this unique instrument’s development over the course of more than a century.”—Paul Brett, rock guitarist, journalist, guitar designer
“Atkinson has dug deep into the history of the electric guitar to create a detailed view of the ways in which makers and musicians have tried—and in many cases succeeded—to move its design forward. This engaging new book will be required reading for anyone interested in the development of one of the most popular and revolutionary instruments ever created.”—Tony Bacon, guitar historian and author
An in-depth look at the invention and development of the electric guitar, this book explores how the electric guitar’s design has changed and what its design over the years has meant for its sound. A heavily illustrated history with amps turned up to eleven, Amplified celebrates this beloved instrument and reveals how it has evolved through the experiments of amateur makers and part-time tinkerers. Digging deep into archives and featuring new interviews with makers and players, it will find admirers in all shredders, luthiers, and fans of electric sound.
America has some of the most varied and dynamic weather in the world. Every year, the Gulf Coast is battered by hurricanes, the Great Plains are ravaged by tornados, the Midwest is pummeled by blizzards, and the temperature in the Southwest reaches a sweltering 120 degrees. Extreme weather can be a matter of life and death, but even when it is pleasant—72 degrees and sunny—weather is still central to the lives of all Americans. Indeed, it’s hard to imagine a topic of greater collective interest. Whether we want to know if we should close the storm shutters or just carry an umbrella to work, we turn to forecasts. But few of us really understand the science behind them.
All that changes with The AMS Weather Book. The most comprehensive and up-to-date guide to our weather and our atmosphere, it is the ultimate resource for anyone who wants to understand how hurricanes form, why tornados twirl, or even why the sky is cerulean blue. Written by esteemed science journalist and former USA Today weather editor Jack Williams, The AMS Weather Book, copublished with the American Meteorological Society, covers everything from daily weather patterns, air pollution, and global warming to the stories of people coping with severe weather and those who devote their lives to understanding the atmosphere, oceans, and climate. Words alone, of course, are not adequate to explain many meteorological concepts, so The AMS Weather Book is filled with engaging full-color graphics that explain such concepts as why winds blow in a particular direction, how Doppler weather radar works, what happens inside hurricanes, how clouds create wind and snow, and what’s really affecting the earth’s climate.
For Weather Channel junkies, amateur meteorologists, and storm chasers alike, The AMS Weather Book is an invaluable tool for anyone who wants to better understand how weather works and how it affects our lives.
Cosmopolitan, stylish, even a little decadent, Amsterdam--"the Venice of the North"--is a city of legendary beauty. From a twelfth-century settlement of wooden huts at the mouth of the River Amstel, it had become by the late sixteenth century one of the great cultural capitals of Europe and a major financial center.
In this gracefully written examination of Amsterdam's soul--part history, part travel guide--the Dutch writer Geert Mak imaginatively depicts the lives of early Amsterdammers and traces the city's progress from a small town of merchants, sailors, farmers, and fishermen to a thriving metropolis. Mak's Amsterdam is a city of dreams and nightmares, of grand civic architecture and magnificent monuments, but also of civil wars, uprisings, and bloody religious purges. In his delightfully instructive journey through the city and through time, Mak displays an eye for the bizarre and the unexpected: a Rembrandt sketch of a young girl executed for manslaughter; the shoe of a medieval lady unearthed during a remodeling project; a graffito foretelling the city's doom on the wall of a mansion, daubed by a deranged burgomaster with his own blood.
Amsterdam remains a magnet for travelers from around the world, and this charmingly detailed account of its origins and its history through the present day is designed to help the reader step into daily life in a truly modern city.
The boys and men who left their Greek valley and mountain villages in the early 1900s for America came with amulets their mothers had made for them. Some were miniature sacks attached to a necklace; more often they were merely a square of fabric enclosing the values of their lives: a piece of a holy book or a sliver of the True Cross representing their belief in Greek Orthodoxy; a thyme leaf denoting their wild terrain; a blue bead to ward off the Evil Eye; and a pinch of Greek earth.
In her evocative and meticulously researched book An Amulet of Greek Earth, author Helen Papanikolas explains and examines the vibrant culture these immigrants brought with them to the new world. The Romiosini culture, as it was called, provided the foundation for their new lives and was oftentimes the cause of strife as they passed on their beliefs and traditions to successive generations of Greek Americans.
In the tradition of her fictional accounts of Greek immigrant life, Helen Papanikolas unearths the cultural beliefs and passions that compelled the Greek-American community to make its own way into the broader culture of America. Based on extensive study, personal interviews, and a lifetime of experience, An Amulet of Greek Earth is a revealing and informative chronicle of the immigrant’s experience in becoming an American.
Decorated stone artifacts are a significant part of archaeological studies of Native Americans in the Northeast. The artifacts illuminated in Amulets, Effigies, Fetishes, and Charms: Native American Artifacts and Spirit Stones from the Northeast include pecked, sculpted, or incised figures, images, or symbols. These are rendered on pebbles, plaques, pendants, axes, pestles, and atlatl weights, and are of varying sizes, shapes, and designs. Lenik draws from Indian myths and legends and incorporates data from ethnohistoric and archaeological sources together with local environmental settings in an attempt to interpret the iconography of these fascinating relics. For the Algonquian and Iroquois peoples, they reflect identity, status, and social relationships with other Indians as well as beings in the spirit world.
Lenik begins with background on the Indian cultures of the Northeast and includes a discussion of the dating system developed by anthropologists to describe prehistory. The heart of the content comprises more than eighty examples of portable rock art, grouped by recurring design motifs. This organization allows for in-depth analysis of each motif. The motifs examined range from people, animals, fish, and insects to geometric and abstract designs. Information for each object is presented in succinct prose, with a description, illustration, possible interpretation, the story of its discovery, and the location where it is now housed. Lenik also offers insight into the culture and lifestyle of the Native American groups represented. An appendix listing places to see and learn more about the artifacts and a glossary are included.
The material in this book, used in conjunction with Lenik’s previous research, offers a reference for virtually every known example of northeastern rock art. Archaeologists, students, and connoisseurs of Indian artistic expression will find this an invaluable work.
In 1993, white American Fulbright scholar Amy Biehl was killed in a racially motivated attack near Cape Town, after spending months working to promote democracy and women’s rights in South Africa. The ironic circumstances of her death generated enormous international publicity and yielded one of South Africa’s most heralded stories of postapartheid reconciliation. Amy’s parents not only established a humanitarian foundation to serve the black township where she was killed, but supported amnesty for her killers and hired two of the young men to work for the Amy Biehl Foundation. The Biehls were hailed as heroes by Nelson Mandela, Desmond Tutu, and many others in South Africa and the United States—but their path toward healing was neither quick nor easy.
Granted unrestricted access to the Biehl family’s papers, Steven Gish brings Amy and the Foundation to life in ways that have eluded previous authors. He is the first to place Biehl’s story in its full historical context, while also presenting a gripping portrait of this remarkable young woman and the aftermath of her death across two continents.
Amy Levy has risen to prominence in recent years as one of the most innovative and perplexing writers of her generation. Embraced by feminist scholars for her radical experimentation with queer poetic voice and her witty journalistic pieces on female independence, she remains controversial for her representations of London Jewry that draw unmistakably on contemporary antisemitic discourse.
Amy Levy: Critical Essays brings together scholars working in the fields of Victorian cultural history, women’s poetry and fiction, and the history of Anglo-Jewry. The essays trace the social, intellectual, and political contexts of Levy’s writing and its contemporary reception. Working from close analyses of Levy’s texts, the collection aims to rethink her engagement with Jewish identity, to consider her literary and political identifications, to assess her representations of modern consumer society and popular culture, and to place her life and work within late-Victorian cultural debate.
This book is essential reading for undergraduate and postgraduate students offering both a comprehensive literature review of scholarship-to-date and a range of new critical perspectives.
Contributors:
Susan David Bernstein,University of Wisconsin-Madison
Gail Cunningham,Kingston University
Elizabeth F. Evans,Pennslyvania State University–DuBois
Emma Francis,Warwick University
Alex Goody,Oxford Brookes University
T. D. Olverson,University of Newcastle upon Tyne
Lyssa Randolph,University of Wales, Newport
Meri-Jane Rochelson,Florida International University
For decades, the work of one of America’s most influential poets, 1925 Pulitzer Prize–winner Amy Lowell (1874–1925), has been largely overlooked. This vigorous, courageous poet gave voice to an erotic, thoroughly American sensibility. Cigar-smoker, Boston Brahmin, lesbian, impresario, entrepreneur, and prolific poet, Lowell heralded the rush of an American poetic flowering. A best-selling poet as well as a wildly popular lecturer (autograph-seeking fans were sometimes so boisterous that she required a police escort), she was a respected authority on modern poetry, forging the path that led to the works of Allen Ginsberg, May Sarton, Sylvia Plath, and beyond. Yet, since her death, her work has suffered critical neglect.
This volume presents an essential revaluation of Lowell, and builds a solid critical basis for evaluating her poetry, criticism, politics, and influence. Essays explore the varied contributions of Lowell as a woman poet, a modernist, and a significant force of the literary debates of early twentieth-century poetics. In addition to placing Lowell in her proper historical context, contributors demonstrate her centrality to current critical and theoretical discussions: feminist, gay and lesbian, and postcolonial, in as well as in disability, American, and cultural studies. The book includes a transatlantic group of literary critics and scholars.
Amy Lowell, American Modern offers the most sustained examination of Lowell to date. It returns her to conversation and to literary history where she belongs.
“Thirty-seven years ago, I vowed to write a truthful book about raising a deaf child.” Rebecca Willman Gernon followed through on her promise with her deaf daughter Amy Willman in this extraordinary new narrative. Many stories have been told about a parent’s struggle to help her deaf child succeed in a mostly hearing world. Amy Signs marks a signature departure in that both Rebecca and Amy relate their perspectives on their journey together.
When she learns of 11-month-old Amy’s deafness in 1969, Rebecca fully expresses her anguish, and traces all of the difficulties she endured in trying to find the right educational environment for Amy. The sacrifices of the rest of her family weighed heavily on her, also. Though she resolved to place four-year-old Amy in Nebraska’s residential school for deaf students, the emotional toll seemed too much to bear.
Amy’s view acts as the perfect counterpoint. Interwoven with her mother’s story, Amy’s account confirms that signing served her best. She summarizes life in boarding school as “laughter and homesickness.” She laughed with all of her deaf friends, though felt homesick at times. Amy thanks her mother for the gift of sign, asserting that a mainstream education would never have led her to earn a master’s degree and later teach American Sign Language at the University of Nebraska. Amy Signs is a positive albeit cautionary tale for parents of deaf children today whose only choice is a mainstreamed education.
Amy, Wendy, and Beth, the 1980 recipient of the New York Academy of Sciences Edward Sapir Award, is a lively in-depth study of how three young children from an urban working-class community learned language under everyday conditions. It is a sensitive portrayal of the children and their families and offers an innovative approach to the study of language development and social class.
A major conclusion of the study is that the linguistic abilities of working-class children are consistent with previous cross-cultural accounts of the development of communicational skills and, as such, lend no support to past claims that children from the lower classes are linguistically deprived. Instead, Amy, Wendy, and Beth emerge as able and enthusiastic language learners; their families, as caring and competent partners in the language socialization process.
Sound scholarship and original findings about a hitherto neglected population of children lend special value to this work not only for scholars in psychology, linguistics, and anthropology, but for educators and policymakers as well.
Amythia results when cosmology and morality are not effectively integrated by a root metaphor, and the only possibility for the future is to transpose the old Christian God as Person to a root metaphor that is even older in origin, the concept of the Covenant tradition inherited from Israel but now understood in a nonsupernaturalist manner.
Rue asserts that amythia is a critical condition within the natural history of Western culture. The argument of the book begins with a theoretical perspective on the place of human culture within the scope of natural history and proceeds to establish the conceptual foundations for a natural history of culture.
Following an overview of the natural history of Western culture to expose the origins and depth of the contemporary intellectual and moral crisis, Rue moves on to specify and justify the limits of distinctiveness and plausibility appropriate for the task of transposing Covenant tradition. Finally, an appeal is made to the mythmakers of contemporary culture to take up the challenge of amythia.
In the preface to her memoir, Ercenia "Alice" Cedeño recalls the secrecy and turmoil that marked her youth: "I spent most of my growing years mad at my mother and wanting her to change to fit in with the rest of the world," she writes. "When my sisters and I wanted her to visit our friends' mothers, she would say, 'Why do people need to know other peoples' lives?' Looking back, I wonder if she was really saying, 'I don't want them to know our business.' There was so much to hide."
Now bringing those hidden memories to light, Amá, Your Story Is Mine traces the hardship, violence, deceit, and defiance that shaped the identity of two generations of women in Alice's family. Born in the mountains of northern Mexico, Alice's mother married at age 14 into a family rife with passion that often turned to anger. After losing several infant children to disease, the young couple crossed into the United States seeking a better life.
Unfolding in a series of powerful vignettes, Amá, Your Story Is Mine describes in captivating detail a daring matriarch who found herself having to protect her children from their own father while facing the challenges of cultural discrimination. By turns wry and tender, Alice's recollections offer a rare memoir that fully encompasses the Latina experience in the United States.
Several biographies of Américo Paredes have been published over the last decade, yet they generally overlook the paradoxical nature of his life’s work. Embarking on an in-depth, critical exploration of the significant body of work produced by Paredes, José E. Limón (one of Paredes’s students and now himself one of the world’s leading scholars in Mexican American studies) puts the spotlight on Paredes as a scholar/citizen who bridged multiple arenas of Mexican American cultural life during a time of intense social change and cultural renaissance.
Serving as a counterpoint to hagiographic commentaries, Américo Paredes challenges and corrects prevailing readings by contemporary critics of Paredes’s Asian period and of such works as the novel George Washington Gómez, illuminating new facets in Paredes’s role as a folklorist and public intellectual. Limón also explores how the field of cultural studies has drifted away from folklore, or “the poetics of everyday life,” while he examines the traits of Mexican American expressive culture. He also investigates the scholarly paradigm of ethnography itself, a stimulating inquiry that enhances readings of Paredes’s best-known study, “With His Pistol in His Hand,” and other works. Underscoring Paredes’s place in folklore and Mexican American literary production, the book questions the shifting reception of Paredes throughout his academic career, ultimately providing a deep hermeneutics of widely varied work. Offering new conceptions, interpretations, and perspectives, Américo Paredes gives this pivotal literary figure and his legacy the critical analysis they deserve.
Amílcar Cabral was an agronomist who led an armed struggle that ended Portuguese colonialism in Guinea-Bissau and Cabo Verde. The uprising contributed significantly to the collapse of a fascist regime in Lisbon and the dismantlement of Portugal’s empire in Africa. Assassinated by a close associate with the deep complicity of the Portuguese colonial authorities, Cabral not only led one of Africa’s most successful liberation movements, but was the voice and face of the anticolonial wars against Portugal.
A brilliant military strategist and astute diplomat, Cabral was an original thinker who wrote innovative and inspirational essays that still resonate today. His charismatic and visionary leadership, his active pan-Africanist solidarity and internationalist commitment to “every just cause in the world,” remain relevant to contemporary struggles for emancipation and self-determination. Peter Karibe Mendy’s compact and accessible biography is an ideal introduction to his life and legacy.
Greek mercenaries on the march.
Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.
Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government; the Loeb edition is in two volumes.
We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the last of the seven volumes of the Loeb Classical Library edition of Xenophon.
On the march to greatness.
Arrian (Flavius Arrianus), of the period ca. AD 95–175, was a Greek historian and philosopher of Nicomedia in Bithynia. Both a Roman and an Athenian citizen, he was governor of the Roman province of Cappadocia 132–137, and repelled an invasion of the Alani in 134. He retired then to Athens (where he was archon in 148–149) and later to Nicomedia.
Arrian’s Anabasis of Alexander in seven books is the best account we have of Alexander’s adult life. Indica (a description of India and of Nearchus’ voyage therefrom) was to be a supplement.
A student of Epictetus, Arrian took notes at his lectures and published them (in eight books, of which we have four, The Discourses) and also the Encheiridion or Manual of Epictetus. Both works are available in the Loeb edition of Epictetus (LCL 131, 218).
The Loeb Classical Library edition of Arrian is in two volumes.
On the march to greatness.
Arrian (Flavius Arrianus), of the period ca. AD 95–175, was a Greek historian and philosopher of Nicomedia in Bithynia. Both a Roman and an Athenian citizen, he was governor of the Roman province of Cappadocia 132–137, and repelled an invasion of the Alani in 134. He retired then to Athens (where he was archon in 148–149) and later to Nicomedia.
Arrian’s Anabasis of Alexander in seven books is the best account we have of Alexander’s adult life. Indica (a description of India and of Nearchus’ voyage therefrom) was to be a supplement.
A student of Epictetus, Arrian took notes at his lectures and published them (in eight books, of which we have four, The Discourses) and also the Encheiridion or Manual of Epictetus. Both works are available in the Loeb edition of Epictetus (LCL 131, 218).
The Loeb Classical Library edition of Arrian is in two volumes.
Laurie Mercier's look at "community unionism" examines the distinctive culture of cooperation and activism fostered by residents in Anaconda, Montana, home to the world's largest copper smelter and the namesake of the Anaconda Copper Mining Company.
Mercier depicts the vibrant life of the smelter city at full steam, incorporating the candid commentary of the locals ("the company furnished three pair of leather gloves . . . and all the arsenic [dust] you could eat"). During five decades of devoted unionism, locals embraced an "alternative Americanism" that championed improved living standards for working people as the best defense against communism. Mercier also explores how gender limits on women's political, economic, and social roles shaped the nature and outcome of labor struggles, and traces how union rivalries, environmental concerns, and the 1980 closing of the Anaconda smelter transformed the town.
A fascinating portrait of how community molds working class consciousness, Anaconda offers important insights about the changing nature of working class culture and collective action.
J.D. and Hoolie find their simple missing person case hides a web of murder, graft, and injustice tied to a network of bootleggers with links to the Ku Klux Klan. Set in the aftermath of the violent Tulsa race riot of 1921, Anadarko reveals a deadly and corrupt town filled with a toxic cocktail of booze, greed, and bigotry.
Tackling racial prejudice head-on, author Tom Holm expertly weaves a vivid and suspenseful tale set in Prohibition-era Indian Country. This gritty whodunit shows nothing is ever simple in the fight between good and evil.
“Experience” is a thoroughly political category, a social and historical product not authored by any individual. At the same time, “the personal is political,” and one's own lived experience is an important epistemic resource. In Anaesthetics of Existence Cressida J. Heyes reconciles these two positions, drawing on examples of things that happen to us but are nonetheless excluded from experience. If for Foucault an “aesthetics of existence” was a project of making one's life a work of art, Heyes's “anaesthetics of existence” describes antiprojects that are tacitly excluded from life—but should be brought back in. Drawing on critical phenomenology, genealogy, and feminist theory, Heyes shows how and why experience has edges, and she analyzes phenomena that press against those edges. Essays on sexual violence against unconscious victims, the temporality of drug use, and childbirth as a limit-experience build a politics of experience while showcasing Heyes's much-needed new philosophical method.
In Anagnorisis: Poems, the award-winning poet Kyle Dargan ignites a reckoning. From the depths of his rapidly changing home of Washington, D.C., the poet is both enthralled and provoked, having witnessed-on a digital loop running in the background of Barack Obama's unlikely presidency—the rampant state-sanctioned murder of fellow African Americans. He is pushed toward the same recognition articulated by James Baldwin decades earlier: that an African American may never be considered an equal in citizenship or humanity.
This recognition—the moment at which a tragic hero realizes the true nature of his own character, condition, or relationship with an antagonistic entity—is what Aristotle called anagnorisis. Not concerned with placatory gratitude nor with coddling the sensibilities of the country's racial majority, Dargan challenges America: "You, friends- / you peckish for a peek / at my cloistered, incandescent / revelry-were you as earnest / about my frostbite, my burns, / I would have opened / these hands, sated you all."
At a time when U.S. politics are heavily invested in the purported vulnerability of working-class and rural white Americans, these poems allow readers to examine themselves and the nation through the eyes of those who have been burned for centuries.
Volume I shows the surprising effects of the encounter with the imperial forces of commerce and Christianity—the distinctive ways the Hawaiian people culturally organized the experience, from the structure of the kingdom to the daily life of ordinary people. Volume II examines the material record of changes in local social organization, economy and production, population, and domestic settlement arrangements.
Volume 2, by Patrick V. Kirch, examines the material record of changes in local social organization, economy and production, population, and domestic settlement arrangements.
Though ubiquitous today, available as a single microchip and found in any electronic device requiring sound, the synthesizer when it first appeared was truly revolutionary. Something radically new--an extraordinary rarity in musical culture--it was an instrument that used a genuinely new source of sound: electronics. How this came to be--how an engineering student at Cornell and an avant-garde musician working out of a storefront in California set this revolution in motion--is the story told for the first time in Analog Days, a book that explores the invention of the synthesizer and its impact on popular culture.
The authors take us back to the heady days of the 1960s and early 1970s, when the technology was analog, the synthesizer was an experimental instrument, and synthesizer concerts could and did turn into happenings. Interviews with the pioneers who determined what the synthesizer would be and how it would be used--from inventors Robert Moog and Don Buchla to musicians like Brian Eno, Pete Townshend, and Keith Emerson--recapture their visions of the future of electronic music and a new world of sound.
Tracing the development of the Moog synthesizer from its initial conception to its ascension to stardom in Switched-On Bach, from its contribution to the San Francisco psychedelic sound, to its wholesale adoption by the worlds of film and advertising, Analog Days conveys the excitement, uncertainties, and unexpected consequences of a new technology that would provide the soundtrack for a critical chapter of our cultural history.
At the beginning of the twentieth century, two British inventors, Arthur Pollen and Harold Isherwood, became fascinated by a major military question: how to aim the big guns of battleships. These warships—of enormous geopolitical import before the advent of intercontinental missiles or drones—had to shoot in poor light and choppy seas at distant moving targets, conditions that impeded accurate gunfire. Seeing the need to account for a plethora of variables, Pollen and Isherwood built an integrated system for gathering data, calculating predictions, and transmitting the results to the gunners. At the heart of their invention was the most advanced analog computer of the day, a technological breakthrough that anticipated the famous Norden bombsight of World War II, the inertial guidance systems of nuclear missiles, and the networked “smart” systems that dominate combat today. Recognizing the value of Pollen and Isherwood’s invention, the British Royal Navy and the United States Navy pirated it, one after the other. When the inventors sued, both the British and US governments invoked secrecy, citing national security concerns.
Drawing on a wealth of archival evidence, Analog Superpowers analyzes these and related legal battles over naval technology, exploring how national defense tested the two countries’ commitment to individual rights and the free market. Katherine C. Epstein deftly sets out Pollen’s and Isherwood’s pioneering achievements, the patent questions raised, the geopolitical rivalry between Britain and the United States, and the legal precedents each country developed to control military tools built by private contractors.
Epstein’s account reveals that long before the US national security state sought to restrict information about atomic energy, it was already embroiled in another contest between innovation and secrecy. The America portrayed in this sweeping and accessible history isn’t yet a global hegemon but a rising superpower ready to acquire foreign technology by fair means or foul—much as it accuses China of doing today.
The book traces this mode of thinking in linguistics, collaborative intellectual work in the arts and sciences, and interpretations of literary and sacred texts, concluding with a reading of the concept of Enlightenment in a comparison of Descartes and Foucault. The book examines the poststructuralism of Derrida; the collaborations of information theory and modern science as opposed to the individualism of Adam Smith and others, and analogical interpretations of Yeats, Dinesen, the Bible, Dreiser, and Mailer. Its overall aim is to present an interdisciplinary examination of a particular kind of understanding that responds to the experiences of our time.
Ronald Schleifer is Professor of English, University of Oklahoma. His books include Rhetoric and Death: The Language of Modernism and Postmodern Discourse Theory, Criticism and Culture; and Culture and Cognition: The Boundaries of Literary and Scientific Inquiry.
The volume begins with a discussion of the risks and merits of 401(k) plans. Subsequent chapters present recent analysis of the growth of Medicare costs; the different aspects of disability; and the evolution of health, wealth, and living arrangements over the life course. Keeping with the global tradition of previous volumes, Analyses in the Economics of Aging also includes comparative studies on savings behavior in Italy, the Netherlands, and the United States; an examination of household savings among different age groups in Germany; and a chapter devoted to population aging and the plight of widows in India.
Carefully compiled and containing some of the most cutting-edge research and analysis available, this volume should be of interest to any specialist or policymaker concerned with ongoing changes in savings and retirement behaviors.
The authors harness over ten years of research on analyzing, scaffolding, and assessing argumentative writing in university classrooms to offer research-based tools for first-year writing and disciplinary instructors to make their expectations explicit to students. To articulate the linguistic resources of argumentation, the authors rely on genre-based pedagogy, informed by systemic functional linguistics (SFL). By leveraging their expertise , the authors offer practical tools for scaffolding writing in key genres across broader fields, such as writing studies, business administration, and information systems.
Each chapter focuses on a single tool, explaining it with mentor texts, sample texts, and visualizations, and provides guided classroom activities that teachers can adapt to fit their own contexts. With these tools, instructors and students will better understand how to:
- distinguish between descriptive and argumentative writing;
- write argumentative claims;
- apply an analytical framework in a written text;
- maintain a consistent position in an argumentative text while incorporating outside sources;
- argue for one position in favor of viable alternatives.
The theoretical constants Narmour uses are context-free and, therefore, applicable to all styles of melody. He places considerable emphasis on the listener's cognitive performance (that is, fundamental melodic perception as opposed to acquired musical competence). He concentrates almost exclusively on low-level, note-to-note relations. The result is a highly generalized theory useful in researching all manner of psychological and music-theoretic problems concerned with the analysis and cognition of melody.
"In this innovative, landmark book, a distinguished music theorist draws extensively from a variety of disciplines, in particular from cognitive psychology and music theory, to develop an elegant and persuasive framework for the understanding of melody. This book should be read by all scholars with a serious interest in music."—Diana Deutsch, Editor, Music Perception
Narmour explains the cognitive operations by which listeners assimilate and ultimately encode complex melodic structures, and goes on to show how sixteen melodic archetypes can combine to form some 200 complex structures that, in turn, can chain together in a theoretically infinite number of ways.
Of particular importance to music theorists and music historians is Narmour's argument that melodic analysis and formal analysis, though often treated separately, are in fact indissolubly linked. Illustrated with over 250 musical examples, The Analysis and Cognition of Melodic Complexity will also appeal to ethnomusicologists, psychologists, and cognitive scientists.
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press