A SCHOLARLY BOOK REPOSITORY
For more than two decades, film theory has been dominated by a model of identification tacitly based on the idea of feeling what the other feels or of imagining oneself to be the other. Building on the theories of affect and identification developed by André Green, Melanie Klein, Donald W. Winnicott, and Silvan Tomkins, Cartwright develops a model of spectatorship that takes into account and provides a way of critically analyzing the dynamics of a different kind of identification, one that is empathetic and highly intersubjective.
Moving images are used as diagnostic tools and locational devices every day in hospitals, clinics, and laboratories. But how and when did they come to be established and accepted sources of knowledge about the body in medical culture? How are the specialized techniques and codes of these imaging techniques determined, and whose bodies are studied, diagnosed, and treated with the help of optical recording devices?
Screening the Body traces the fascinating history of scientific film during the late nineteenth and early twentieth centuries to show that early experiments with cinema are important precedents of contemporary medical techniques such as ultrasound and PET scanning. Lisa Cartwright brings to light eccentric projects in the history of science and medicine, such as Thomas Edison's sensational attempt to image the brain with X rays before a public audience, and the efforts of doctors to use the motion picture camera to capture movements of the body, from the virtually imperceptible flow of blood to epileptic seizures.Drawing on feminist film theory, cultural studies, the history of film, and the writings of Foucault, Cartwright illustrates how this scientific cinema was part of a broader tendency in society toward the technological surveillance, management, and physical transformation of the individual body and the social body. She unveils an area of film culture that has rarely been discussed but that will leave readers with a new way of seeing the everyday practice of diagnostic imaging that we all inevitably encounter in clinics and hospitals.
Sensationalized accounts of white rural communities’ aberrant sexualities, racial intermingling, gender transgressions, and anomalous bodies and minds, which proliferated from the turn of the century, created a national view of the perversity of white rural poverty for the American public. Cartwright contends that these accounts, extracted and estranged from their own ambivalent forum of community gossip, must be read in kind: through a racialized, materialist queercrip optic of the deeply familiar and mundane. Taking in popular science, documentary photography, news media, documentaries, and horror films, Peculiar Places orients itself at the intersections of disability studies, queer studies, and gender studies to illuminate a racialized landscape both profoundly ordinary and familiar.
During this time, deaf Australians aspired to manage their own affairs. They enjoyed some success by establishing “breakaways” from the Deaf Societies, and they also established an independent national organization, which was contested and ultimately suppressed by the Deaf Societies. These developments were influenced by wider social movements in Australian society, such as the mobilization of minority groups in their push for autonomy and equal rights. Although most of the breakaway Deaf organizations did not survive beyond the 1930s, they significantly affected the power structures and relationships between deaf and hearing people in Australia. The Australian Deaf community’s attempts to organize independently during these years have been largely erased from collective memory, making Carty’s examination a particularly important and necessary addition to the historical literature.
Looking at the rich and mountainous land between the Ohio and Tennessee Rivers, The Appalachian Frontier follows the story of the Long Hunters in Kentucky; the struggles of the Regulators in North Carolina; the founding of the Watauga, Transylvania, Franklin, and Cumberland settlements; the siege of Boonesboro; and the patterns and challenges of frontier life. While narrating the gripping stories of such figures as Daniel Boone, George Rogers Clark, and Chief Logan, Caruso combines social, political, and economic history into a comprehensive overview of the early mountain South.
In his new introduction, John C. Inscoe examines how this work exemplified the so-called consensus school of history that arose in the United States during the cold war. Unabashedly celebratory in his analysis of American nation building, Caruso shows how the development of Appalachia fit into the grander scheme of the evolution of the country. While there is much in The Appalachian Frontier that contemporary historians would regard as one-sided and romanticized, Inscoe points out that “those of us immersed so deeply in the study of the region and its people sometimes tend to forget that the white settlement of the mountain south in the eighteenth century was not merely the chronological foundation of the Appalachian experience. As Caruso so vividly demonstrates, it is also represented a vital—even defining—stage in the American progression across the continent.”
The Author: John Anthony Caruso was a professor of history at West Virginia University. He died in 1997.
John C. Inscoe is professor of history at the University of Georgia. He is editor of Appalachians and Race: The Mountain South from Slavery to Segregation and author of Mountain Masters: Slavery and the Sectional Crisis in Western North Carolina.
"[A] superb collection of studies that substantially increases our understanding, not only of variation in subject personal pronouns, but also of variable morphosyntactic processes generally.... clearly relevant to all students and scholars who wish to understand the complexities of linguistic variation and dialect contact." -- Robert Bayley, professor of linguistics, University of California, Davis
"Students and scholars will find that this volume is an essential reference in the field of Spanish language variation. If the study of final /s/ has led Spanish sociophonetics, the study of subject pronouns stars in sociogrammar. This volume presents a 3D analysis of how subject pronouns are used and acquired in Spanish. This comprehensive volume is not only of interest to those concerned with Spanish grammar, but also to anyone interested in pro-drop languages. The vision of Carvalho, Orozco and Shin has harmonized an excellent collective volume." -- Francisco Moreno-Fernández, professor of Hispanic linguistics. University of Alcala (Spain) and Instituto Cervantes at Harvard University.
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"If you seek innovative, theoretically and empirically driven research into syntactic variation, open this book and read on. Here a variationist focus on alternating sound and silence, something and nothing, or subject pronouns and nulls generates striking insights into the nature of Spanish and those who speak and learn it." -- Richard Cameron,, University of Illinois at Chicago
Much recent scholarship has sought to identify the linguistic and social factors that favor the expression or omission of subject pronouns in Spanish. This volume brings together leading experts on the topic of language variation in Spanish to provide a panoramic view of research trends, develop probabilistic models of grammar, and investigate the impact of language contact on pronoun expression.
The book consists of three sections. The first studies the distributional patterns and conditioning forces on subject pronoun expression in four monolingual varieties—Dominican, Colombian, Mexican, and Peninsular—and makes cross-dialectal comparisons. In the second section, experts explore Spanish in contact with English, Maya, Catalan, and Portuguese to determine the extent to which each language influences this syntactic variable. The final section examines the acquisition of variable subject pronoun expression among monolingual and bilingual children as well as adult second language learners.
An innovative poetic interrogation of wrestling, queerness, and staying true to oneself
Quinn Carver Johnson’s debut collection, The Perfect Bastard, follows its titular protagonist, a nonbinary and queer professional wrestler, as they travel across Kansas, Oklahoma, Arkansas, and Missouri, working for a booker known as the Puppeteer. Inspired by their idol Adrian Street, the Perfect Bastard strives to positively represent queerness and resist the Puppeteer’s stereotypical and demeaning kayfabe. In the ring, they face off against the likes of champion Jack Holiday and the First Crusher, but their most important battles, against the Puppeteer, take place behind the scenes. They must choose between person and persona, authenticity and humiliating hype, if they want to succeed in the industry.
When offered success on the grandest scale—the championship belt—in exchange for mocking their own queerness, the Perfect Bastard questions their path: Will they betray their identity to achieve their dream, or will they walk away from the world of professional wrestling—a world that refuses to make a genuine, healthy space for them?
"They wouldn't let him rest—even in his grave." Thus Charles Carver opens his story of the climactic years of a journalist who had poured out such blazing prose that readers from England to Hawaii mourned his murder.
The impact of William Cowper Brann's Iconoclast upon the town of Waco, Texas, in the 1890's was like a rocket burst in a quiet sky. Rebelling against Victorian hypocrisy, the newspaperman took aim at organized virtue, exemplified for him by Baylor University and other Baptist organizations.
Dr. Roy Bedichek, noted author and naturalist, knew Brann, and after reading this book in manuscript said, "I am at once delighted and disappointed: disappointed to find my teen-age hero reduced to size... delighted with the art of the biographer.... It has genuine literary excellence... is a chapter in the history of the publishing business in Texas that needs to be put into print...."
This ethical and poetic ethnography analyses the upheavals to gender roles and marital relationships brought about by Somali refugee migration to the UK. Unmoored from the socio-cultural norms that made them men and women, being a refugee is described as making "everything" feel "different, mixed up, upside down." Marriage, Gender and Refugee Migration details how Somali gendered identities are contested, negotiated, and (re)produced within a framework of religious and politico-national discourses, finding that the most significant catalysts for challenging and changing harmful gender practices are a combination of the welfare system and Islamic praxis. Described as “an important and urgent monograph," this book will be a key text relevant to scholars of migration, transnational families, personal life, and gender. Written in a beautiful and accessible style, the book voices the participants with respect and compassion, and is also recommended for scholars of qualitative social research methods.
Winner, ISHS Annual Award for a Scholarly Publication, 2018
Abraham Lincoln was the first president to make storytelling, jokes, and laughter tools of the office, and his natural sense of humor has become legendary. Lincoln’s Sense of Humor registers the variety, complexity of purpose, and ethical dimension of Lincoln’s humor and pinpoints the political risks Lincoln ran in telling jokes while the nation was engaged in a bloody struggle for existence.
Complete with amusing anecdotes, this book shows how Lincoln’s uses of humor evolved as he matured and explores its versatility, range of expressions, and multiple sources: western tall tales, morality stories, bawdy jokes, linguistic tricks, absurdities, political satire, and sharp wit. While Lincoln excelled at self-mockery, nothing gave him greater pleasure than satirical work lampooning hypocrisy and ethical double standards. He particularly enjoyed David R. Locke’s satiric writings by Petroleum V. Nasby, a fictional bigoted secessionist preacher, and the book explores the nuances of Lincoln’s enthusiasm for what he called Locke’s genius, showing the moral springs of Lincoln’s humor.
Richard Carwardine methodically demonstrates that Lincoln’s funny stories were the means of securing political or personal advantage, sometimes by frontal assault on opponents but more often by depiction through parable, obfuscation through hilarity, refusal through wit, and diversion through cunning. Throughout his life Lincoln worked to develop the humorist’s craft and hone the art of storytelling. His jokes were valuable in advancing his careers as politician and lawyer and in navigating his course during a storm-tossed presidency. His merriness, however, coexisted with self-absorbed contemplation and melancholy. Humor was his lifeline; dark levity acted as a tonic, giving Lincoln strength to tackle the severe challenges he faced. At the same time, a reputation for unrestrained, uncontrollable humor gave welcome ammunition to his political foes. In fact, Lincoln’s jocularity elicited waves of criticism during his presidency. He was dismissed as a “smutty joker,” a “first rate second rate man,” and a “joke incarnated.”
Since his death, Lincoln’s anecdotes and jokes have become detached from the context that had given them their political and cultural bite, losing much of the ironic and satiric meaning that he had intended. With incisive analysis and laugh-inducing examples, Carwardine helps to recapture a strong component of Lincoln’s character and reanimates the good humor of our sixteenth president.
An ice-cold glass of root beer and a warm welcome greeted thousands of weary paddlers who stopped at the Isle of Pines to meet Dorothy Molter, the courageous, independent woman who became a North Woods legend. Bob Cary, Dorothy’s longtime friend, captures her life and spirit in Root Beer Lady.
Bob Cary’s entertaining stories of life in the outdoors will touch your heart and make you laugh. Despite Bob’s many years as an expert woodsman, when he relates an adventure or a misadventure, the joke is always on him. Whether you read Tales from Jackpine Bob by firelight or lamplight, you’ll enjoy Bob’s warm humor and buoyant spirit.
“That’s what we do really: we do miracles,” said Anne-Marie Nyiranshimiyimana, who learned masonry in helping to build the Butaro Hospital, a project designed for and with the people of Rwanda using local materials. This, and other projects designed with dignity, show the power of good design. Almost nothing influences the quality of our lives more than the design of our homes, our schools, our workplaces, and our public spaces. Yet, design is often taken for granted and people don’t realize that they deserve better, or that better is even possible.
In Design for Good, John Cary offers character-driven, real-world stories about projects around the globe that offer more—buildings that are designed and created with and for the people who will use them. The book reveals a new understanding of the ways that design shapes our lives and gives professionals and interested citizens the tools to seek out and demand designs that dignify.
For too long, design has been seen as a luxury, the province of the rich, not the poor. That can no longer be acceptable to those of us in the design fields, nor to those affected by design that doesn’t consider human aspects.
From the Mulan Primary School in Guangdong, China to Kalamazoo College’s Arcus Center for Social Justice Leadership, the examples in the book show what is possible when design is a collaborative, dignified, empathic process. Building on a powerful foreword by philanthropist Melinda Gates, Cary draws from his own experience as well as dozens of interviews to show not only that everyone deserves good design, but how it can be achieved. This isn’t just another book for and about designers. It’s a book about the lives we lead, inextricably shaped by the spaces and places we inhabit.
Here is the crossroads of East and West. A port held in turn by the Romans, the Venetians, the Austrians, the Germans, the Slavs, and finally the Italians, Trieste is the capital of nowhere, fertile source of a unique literary florescence before the First World War. At times an exile home and an exiled city. "I cannot claim to have walked across it all,:" wrote Saba, the poet of Trieste in 1910 of the city Cary crosses and recrosses, seeking the poetry of the place that inspired its literary giants. Trieste's cultural and historical riches, its geographical splendor of hills and sea and mysterious presence unfold in a series of stories, monologues and literary juxtapositions that reveal the city's charms as well as its seductive hold on the writer's imagination. Throughout, literary and immediate impressions alike are elaborated in paintings and maps, and in handsome line drawings by Nicholas Read.
This "clownish and adolescent Parsifal," this Trieste of the "prickly grace," this place "impaled in my heart like a permanent point," this symbol of the Adriatic, this "city made of books" — here the book remakes the city. The Trieste of allusions magically becomes a city of palpable allure, of warmth and trying contradictions and gritty beauty. Part travel diary, part guide book, part literary history, A Ghost in Trieste is a brilliant introduction to an extraordinary time and place. In Joseph Cary, Trieste has found a new poet, and readers, a remarkably captivating companion and guide.
From the time of Bismarck’s great rival Ludwig Windthorst to that of the first post–World War II Chancellor, Konrad Adenauer, the Catholic community in Germany took a distinctive historical path. Although it was by no means free of authoritarian components, it was at times the most democratic pathway taken by organized political Catholicism anywhere in Europe.
Challenging those who seek continuity in German history primarily in terms of its long march toward Nazism, Noel Cary crosses all the usual historical turning points from mid-nineteenth- to late-twentieth-century German history in search of the indigenous origins of postwar German democracy. Complementing recent studies of German Social Democracy, it links the postwar party system to the partisan traditions this new system transcended by documenting the attempts by reform-minded members of the old Catholic Center party to break out of the constraints of minority-group politics and form a democratic political party. The failure of those efforts before 1933 helped clear the way for Nazism, but their success after 1945 in founding the interdenominational Christian Democratic Union (CDU) helped tame political conservatism and allowed the emergence of the most stable democracy in contemporary Europe. Integrating those who needed to be integrated—the cultural and political conservatives—into a durable liberal order, this conservative yet democratic and interdenominational “catch-all” party broadened democratic sensibilities and softened the effect of religious tensions on the German polity and party system.
By crossing traditional chronological divides and exploring the links between earlier abortive Catholic initiatives and the range of competing postwar visions of the new party system, this book moves Catholic Germany from the periphery to the heart of the issue of continuity in modern German history.
The theater of Agustín Moreto y Cavana (1618–1669) badly needs reevaluation. Present estimation of the work of this Spanish playwright has frozen into a sterile pattern of praise for his technical skill and disapproval of his borrowings. There has been uncritical acceptance of the contention that Moreto's plays are simple reworkings, and no real effort has been made to assess the relevance of this generally accepted belief.
The road to a fair estimation and appreciation of Moreto, Frank Casa believes, is through a rigorous investigation of his plays and their sources. To achieve this purpose he has carefully selected five different comedias, of varying degrees of indebtedness to earlier works: a hagiographic play, San Franco de Sena; El licenciado Vidriera, based on Cervantes' short story; a reinterpretation of a classical theme, Antíoco y Seleuco; a reworked drama, El valiente justiciero; and the comedy El lindo don Diego. In each case he analyzes the original, then the Moreto version, pointing out differences in characterization, attitudes, dramatic elaboration, and themes. Casa proves that, in spite of their similarity to works of predecessors, Moreto's plays should be considered independent literary creations and their author a dramatist with a high degree of artistic integrity.
Born in Bryson City, North Carolina, Jim Casada has had a long career as a teacher, author, and avid outdoorsman. He grew up in a time and place where families depended on the land and their community to survive. Many of the Smoky Mountain customs and practices that Casada reflects on are gradually disappearing or have vanished from our collective memories.
In A Smoky Mountain Boyhood, Casada pairs his gift for storytelling and his training as a historian to produce a highly readable memoir of mountain life in East Tennessee and western North Carolina. His stories evoke a strong sense of place and reflect richly on the traits that make the people of Southern Appalachia a unique American demographic. Casada discusses traditional folkways; hunting, growing, preparing, and eating wide varieties of food available in the mountain region; and the overall fabric of mountain life. Divided into four main sections—High Country Holiday Tales and Traditions; Seasons of the Smokies; Tools, Toys, and Boyhood Treasures; and Precious Memories—each part reflects on a unique and memorable coming-of-age in the Smokies.
Containing a strong sense of adventure, nostalgic tone, and well-paced prose, Casada’s memoir will be appreciated by those who yearn to rediscover the Smokies of their childhoods as well as those who wish to imaginatively climb these mountains for the first time.
In Vergil's Aeneid, the poet implies that those who have been initiated into mystery cults enjoy a blessed situation both in life and after death. This collection of essays brings new insight to the study of mystic cults in the ancient world, particularly those that flourished in Magna Graecia (essentially the area of present-day Southern Italy and Sicily).
Implementing a variety of methodologies, the contributors to Mystic Cults in Magna Graecia examine an array of features associated with such "mystery religions" that were concerned with individual salvation through initiation and hidden knowledge rather than civic cults directed toward Olympian deities usually associated with Greek religion. Contributors present contemporary theories of ancient religion, field reports from recent archaeological work, and other frameworks for exploring mystic cults in general and individual deities specifically, with observations about cultural interactions throughout. Topics include Dionysos and Orpheus, the Goddess Cults, Isis in Italy, and Roman Mithras, explored by an international array of scholars including Giulia Sfameni Gasparro ("Aspects of the Cult of Demeter in Magna Graecia") and Alberto Bernabé ("Imago Inferorum Orphica"). The resulting volume illuminates this often misunderstood range of religious phenomena.
When the Safavid dynasty, founded in 1501, built a state that championed Iranian identity and Twelver Shi'ism, it prompted the more established Ottoman Empire to align itself definitively with Sunni legalism. The political, religious, and military conflicts that arose have since been widely studied, but little attention has been paid to their diplomatic relationship. Sinem Arcak Casale here sets out to explore these two major Muslim empires through a surprising lens: gifts. Countless treasures—such as intricate carpets, gilded silver cups, and ivory-tusk knives—flowed from the Safavid to the Ottoman Empire throughout the sixteenth century. While only a handful now survive, records of these gifts exist in court chronicles, treasury records, poems, epistolary documents, ambassadorial reports, and travel narratives. Tracing this elaborate archive, Casale treats gifts as representative of the complicated Ottoman-Safavid coexistence, demonstrating how their rivalry was shaped as much by culture and aesthetics as it was by religious or military conflict. Gifts in the Age of Empire explores how gifts were no mere accessories to diplomacy but functioned as a mechanism of competitive interaction between these early modern Muslim courts.
Between 1990 and 1993, breast cancer activism became a significant political movement. The issue began to receive extensive media attention, and federal funding for breast cancer research jumped dramatically. Describing the origins of this surge in interest, Maureen Hogan Casamayou attributes it to the emergence of politically potent activism among breast cancer survivors and their supporters. Exploring the creation and development of the National Breast Cancer Coalition (NBCC), she shows how many of its key leaders were mobilized by their own traumatic experiences with the disease and its treatments.
Casamayou details the NBCC’s meteoric rise and impressive lobbying efforts, explaining how—in contrast to grassroots movements founded by dedicated individuals—the coalition grew from the simultaneous efforts of a network of women who invested their time, energy, money, and professional skills in the fight for increased funding for breast cancer research. This multiple leadership—or collective entrepreneurialism, says Casamayou—was crucial to the NBCC’s success framing the issue in the minds of the public and policymakers alike.
To counteract some of the debates, Casanave explores the different sides of the arguments and provides examples of how other teachers have dealt with these issues. The book presents novice and seasoned teachers with thought-provoking issues and questions to consider when determining and reflecting on their own teaching strategies and criteria.
Topics discussed include:
contrastive rhetoric
product vs. process
fluency and accuracy
assessment of student work
audience
plagiarism
politics and ideology.
The second edition is a thorough revision with all chapters updated to refer to works written since the first edition was published. A few chapters have been added: one devoted to writing in a digital era (Chapter 3); one devoted to the debates about English as a lingua franca, "translingual literacy practices," and other hybrid uses of English that have been ongoing in the last ten years (Chapter 4); and one giving special attention to issues related to writing from sources and plagiarism (Chapter 6).
As with the first edition, the second edition of Controversies is not a book that will teach readers how to do things. Rather, it is a book designed to help readers think and to wrestle with issues in L2 writing that are not easily resolved by how-to prescriptions.
This volume is a sequel to Casanave’s popular Before the Dissertation. Like that volume, this book is designed as a companion for doctoral dissertation writers of qualitative or mixed methods work in fields related to language education. It could also benefit those writing master’s theses and those writing in other social science fields. It is meant to be consulted once the writing has begun—once students have settled on a topic, designed the project, or collected the data—because this is the time when they are analyzing, drafting, revising, polishing, and probably fretting, deleting, reconstructing, and even losing sleep. Also, like its predecessor, it is not designed to teach anyone how to write a dissertation as there are plenty of those available elsewhere.
For most doctoral students, writing will happen at different stages of the project. Strategies for timing of these kinds of writing differ across students, and also across supervisors and advisers. If dissertation writers do not know by the time they start writing which strategies and issues pertain to them, this book can help them craft some approaches to suit their own personalities, preferred practices, and individual goals and visions, as well as help them figure out how dissertation writing might fit into the real-life intrusions of work and family.
Issues covered in the book are: starting to write, envisioning the project as a whole, relationships with supervisors, perfectionism and other maladies, health, low- and high-IQ days, loneliness and isolation, distractions and interruptions, revising, and knowing when to stop.
Journal writing is not new--journals have been around for centuries. More recently, journals have been viewed as a means of scaffolding reflective teaching and encouraging reflectivity in research processes. As a result, some educators may ask, “What more do we need to know?” Those likely to raise this question are probably not thinking of the explosive growth of reflective writing enabled by social networking on the Web, the blogs and other interactive e-vehicles for reflection on experiences in our literate, “real,” and virtual lives This revisiting of journal writing from a 21st century perspective, informed by relevant earlier literature, is what Christine Pearson Casanave guides readers through in this first book-length treatment of the use of journal writing in the contexts of language learning, pre and in-service teaching, and research.
Casanave has put together existing ideas that haven't been put together before and has done it not as an edited collection, but as a single-authored book. She has done it in a way that will be especially accessible to teachers in language teacher education programs and to practicing teachers and researchers of writing in both second and foreign language settings, and in a way that will inspire all of us to think about, not just do, journal writing.
Those who have never attempted to use journals in their classes and own lives, as well as others who have used it with mixed results, will probably be tempted to try it in at least some of the venues Casanave provides guidance for. Those already committed to journal writing will very likely find in this book new reasons for expanding and enhancing their use of journals.
“This very readable book is what every graduate student needs as they start a program. I wish my own MA and PhD students, during my 40 years of supervising, could have been demystified by having Casanave's ‘textual mentor' as a companion."
--Merrill Swain, Professor Emerita, OISE, University of Toronto
“Before the Dissertation is an insightful, relevant, and accessible resource for doctoral students at any stage. Full of reflections and advice not found in other books, it serves as an indispensable guide for students and their supervisors. And the dispelling of myths is a superb idea!”
--Robert Kohls, PhD candidate, University of Toronto
Before the Dissertation speaks to an audience in the social sciences, but in particular to doctoral students who have experience with and interest in international, multilingual, as well as native English speaking students and settings and who wish to investigate topics in (second) language and multicultural-transcultural education. Athough appropriate for use in English-dominant doctoral programs throughout the world, the book will relate more closely to students in the North American educational system than to ones, for example, in the British system. The main audience for this book is thus doctoral students who are first or second/additional users of English, who are interested in pursuing topics in one of the social sciences, including education and multilingual inquiry, and who may just be finishing course work in an English-dominant university and are wondering what might happen next.
Globalization and economic restructuring have decimated formal jobs in developing countries, pushing many women into informal employment such as direct selling of cosmetics, perfume, and other personal care products as a way to "make up the difference" between household income and expenses. In Ecuador, with its persistent economic crisis and few opportunities for financially and personally rewarding work, women increasingly choose direct selling as a way to earn income by activating their social networks. While few women earn the cars and trips that are iconic prizes in the direct selling organization, many use direct selling as part of a set of household survival strategies.
In this first in-depth study of a cosmetics direct selling organization in Latin America, Erynn Masi de Casanova explores women's identities as workers, including their juggling of paid work and domestic responsibilities, their ideas about professional appearance, and their strategies for collecting money from customers. Focusing on women who work for the country's leading direct selling organization, she offers fascinating portraits of the everyday lives of women selling personal care products in Ecuador's largest city, Guayaquil. Addressing gender relations (including a look at men's direct and indirect involvement), the importance of image, and the social and economic context of direct selling, Casanova challenges assumptions that this kind of flexible employment resolves women's work/home conflicts and offers an important new perspective on women's work in developing countries.
During the 1980s, religious traditions around the world, from Islamic fundamentalism to Catholic liberation theology, began making their way, often forcefully, out of the private sphere and into public life, causing the "deprivatization" of religion in contemporary life. No longer content merely to administer pastoral care to individual souls, religious institutions are challenging dominant political and social forces, raising questions about the claims of entities such as nations and markets to be "value neutral", and straining the traditional connections of private and public morality.
Casanova looks at five cases from two religious traditions (Catholicism and Protestantism) in four countries (Spain, Poland, Brazil, and the United States). These cases challenge postwar—and indeed post-Enlightenment—assumptions about the role of modernity and secularization in religious movements throughout the world.
This book expands our understanding of the increasingly significant role religion plays in the ongoing construction of the modern world.
Based on actual events from 1989 in International Falls, Minnesota, Riot tells the story of sixth-grader Bryan, whose family becomes stressed when nonunion labor “rats” are hired by the local paper mill, leaving his father, a union worker, angry and out of a job. Tension erupts into daily fights at school and nightly acts of vandalism with no solution in sight. Already torn between his parents’ opposing viewpoints on how to handle the escalating situation, Bryan’s growing feelings for the daughter of a nonunion worker only complicate matters.
Bryan tries to understand the turmoil affecting his home and his town, but it is becomes harder and harder to separate his friends from his enemies. And when he witnesses a violent act that implicates his father, he must wrestle with family loyalty and telling the truth.
The "world of letters" has always seemed a matter more of metaphor than of global reality. In this book, Pascale Casanova shows us the state of world literature behind the stylistic refinements--a world of letters relatively independent from economic and political realms, and in which language systems, aesthetic orders, and genres struggle for dominance. Rejecting facile talk of globalization, with its suggestion of a happy literary "melting pot," Casanova exposes an emerging regime of inequality in the world of letters, where minor languages and literatures are subject to the invisible but implacable violence of their dominant counterparts.
Inspired by the writings of Fernand Braudel and Pierre Bourdieu, this ambitious book develops the first systematic model for understanding the production, circulation, and valuing of literature worldwide. Casanova proposes a baseline from which we might measure the newness and modernity of the world of letters--the literary equivalent of the meridian at Greenwich. She argues for the importance of literary capital and its role in giving value and legitimacy to nations in their incessant struggle for international power. Within her overarching theory, Casanova locates three main periods in the genesis of world literature--Latin, French, and German--and closely examines three towering figures in the world republic of letters--Kafka, Joyce, and Faulkner. Her work provides a rich and surprising view of the political struggles of our modern world--one framed by sites of publication, circulation, translation, and efforts at literary annexation.
Underlying Each One Teach One, with its vivid cast of characters and intimate descriptions of Harlem and other urban areas, is the profound sense that no matter what your circumstance, you can use your past experience to help others. Ultimately, Casanova's story is a message of hope for the future and for the possibility of self-sufficiency and self-empowerment for each individual.
Each One Teach One recounts Ron Casanova’s struggle out of poverty, homelessness, and drug addiction to find dignity and purpose in life. Through his own awakening, this Black Puerto Rican activist ultimately finds his salvation in helping other people. Placed in an orphanage on Staten Island at the age of three, Casanova faced overwhelming odds. His story illuminates significant twentieth-century protests, including the 1988 riot at Tompkins Square Park in Manhattan, the “Housing Now” march of the homeless on Washington, DC, in 1989, and community takeovers of housing in Kansas City, New York, and Philadelphia.
Underlying Each One Teach One, with its vivid cast of characters and intimate descriptions of Harlem, the Lower East Side, and Tent City, is the profound sense that, no matter what your circumstance, you can use your experience to help others. Ultimately, Casanova’s story demonstrates the possibility of self-sufficiency and self-empowerment. Amid today’s economic crisis and rising homelessness, Casanova’s story brings a message of hope.
Among the most dynamic and influential literary texts of the European sixteenth century, Ludovico Ariosto’s Orlando Furioso (1532) emerged from a world whose horizons were rapidly changing. The poem is a prism through which to examine various links in the chain of interactions that characterized the Mediterranean region from late antiquity through the medieval period into early modernity and beyond. Ariosto and the Arabs takes as its point of departure Jorge Luis Borges’s celebrated short poem “Ariosto y los Arabes” (1960), wherein the Furioso acts as the hinge of a past and future literary culture circulating between Europe and the Middle East. The Muslim “Saracen”—protagonist of both historical conflict and cultural exchange—represents the essential “Other” in Ariosto’s work, but Orlando Furioso also engages with the wider network of linguistic, political, and faith communities that defined the Mediterranean basin of its time.
The sixteen contributions assembled here, produced by a diverse group of scholars who work on Europe, Africa, and Asia, encompass several intertwined areas of analysis—philology, religious and social history, cartography, material and figurative arts, and performance—to shed new light on the relational systems generated by and illustrative of Ariosto’s great poem.
Analyzes nineteenth-century seafaring narratives and their importance to ideas of modernity
At once a literary-philosophical meditation on the question of modernity and a manifesto for a new form of literary criticism, Modernity at Sea argues that the nineteenth-century sea narrative played a crucial role in the emergence of a theory of modernity as permanent crisis.
In a series of close readings of such works as Herman Melville’s White-Jacket and Moby Dick, Joseph Conrad’s The Nigger of the "Narcissus” and The Secret Sharer, and Karl Marx’s Grundrisse, Cesare Casarino draws upon the thought of twentieth-century figures including Giorgio Agamben, Louis Althusser, Walter Benjamin, Leo Bersani, Gilles Deleuze, Félix Guattari, and Antonio Negri to characterize the nineteenth-century ship narrative as the epitome of Michel Foucault’s "heterotopia"—a special type of space that simultaneously represents, inverts, and contests all other spaces in culture.Elaborating Foucault’s claim that the ship has been the heterotopia par excellence of Western civilization since the Renaissance, Casarino goes on to argue that the nineteenth-century sea narrative froze the world of the ship just before its disappearance—thereby capturing at once its apogee and its end, and producing the ship as the matrix of modernity.
A groundbreaking volume introduces the unique feminist thought of the longstanding Italian group known as Diotima
Introducing Anglophone readers to a potent strain of Italian feminism known to French, Spanish, and German audiences but as yet unavailable in English, Another Mother argues that the question of the mother is essential to comprehend the matrix of contemporary culture and society and to pursue feminist political projects.
Focusing on Diotima, a community of women philosophers deeply involved in feminist politics since the 1960s, this volume provides a multifaceted panorama of its engagement with currents of thought including structuralism, psychoanalysis, linguistics, and Marxism. Starting from the simple insight that the mother is the one who gives us both life and language, these thinkers develop concepts of the mother and sexual difference in contemporary society that differ in crucial ways from both French and U.S. feminisms.
Arguing that Diotima anticipates many of the themes in contemporary philosophical discourses of biopolitics—exemplified by thinkers such as Giorgio Agamben, Antonio Negri, and Roberto Esposito—Another Mother opens an important space for reflections on the past history of feminism and on feminism’s future.
Contributors: Anne Emmanuelle Berger, Paris 8 U–Vincennes Saint-Denis; Ida Dominijanni; Luisa Muraro; Diana Sartori, U of Verona; Chiara Zamboni, U of Verona.
This book develops and applies a GIS procedure to use legacy survey data in settlement pattern analysis. It consists of two parts. One part regards the assessment of biases that can affect the spatial patterns exhibited by survey data. The other part aims to shed light on the location preferences and settlement strategy of ancient communities underlying site patterns. In this book, a case-study shows how the method works in practice. As part of the research by the Landscapes of Early Roman Colonization project (NWO, Leiden University, KNIR) site-based datasets produced by survey projects in central-southern Italy are examined in a comparative framework to investigate settlement patterns in the early Roman colonial period (3rd century B.C.).
The music of Queen and powerhouse lead singer Freddie Mercury are best experienced with the volume turned all the way up. Alfonso Casas’s Freddie Mercury delivers a sonorous homage to the formidable singer and the turning points that produced a game-changing body of music that continues to inspire fans around the globe.
First published in Spain and now available worldwide, this luminous work covers Freddie's three “births”: his birth as Farrokh Bulsara in Zanzibar; his adoption of the last name of Mercury and the launch of Queen with Brian May and Roger Taylor; and the emergence of the lasting legend after Freddie’s death at the age of forty-five. Casas's evocative illustrations highlight the key moments in the singer’s transformation from child prodigy to superstar, bringing to life the bold innovator who broke free of his conventional upbringing. Chronicling events from Freddie’s marriage to Mary Austin and early fame in London’s 1970s glam scene, to the making of multiple megahits (including the six-minute chart-topper “Bohemian Rhapsody”), to his final years in a lasting relationship with Jim Hutton, Freddie Mercury is an exhilarating, poignant portrait of a creative genius who lived life to the hilt.
The spectacle of thoroughbred horses dashing powerfully and gracefully down the track is one of the most stimulating and beautiful of all athletic events. Yet despite its mass appeal, an elite group of men and a few women have traditionally controlled the sport. What are the origins and personalities behind the sport in America?
In The Right Blood, Carole Case examines the history of American thoroughbred racing, in particular the story behind the Jockey Club. Formed in 1894 by the nation’s richest, most powerful, and often most notorious men, the Jockey Club continues to this day to exert a formidable influence on this “sport of kings.”
Using Jockey Club documents and personal interviews, Case traces the history of how club members created and enforced the rules governing racing, from the first decades of the twentieth century to the present day. She tells of how club members once assigned racing dates, issued licenses, appointed judges, and dictated who could train, ride, and own thoroughbred horses. Case also describes how many of them exploited the poor to work their horses, defeated those who posed a threat to their interests, and excluded people of different backgrounds from horse racing ¾ all in the name of improving the breed and promoting the sport. The Jockey Club maintained this stranglehold on the sport until 1950, when an appellate court took away its licensing power. Perhaps most interestingly, the men of the Jockey Club became and continue as keepers of the registry of North American thoroughbred horses, The American Stud Book, determining which horses can ¾ and cannot ¾ be considered thoroughbreds.
Written for the general reader interested in the sport and its culture, The Right Blood is an engaging look behind the scenes of American horse racing.
Through John Herschel’s astronomical career—in particular his work on constellation reform, double stars, and variable stars—the study of stellar objects became part of mainstream astronomy. He leveraged his mathematical expertise and his position within the scientific community to make sidereal astronomy accessible even to casual observers, allowing amateurs to make useful observations that could contribute to theories on the nature of stars. With this book, Case shows how Herschel’s work made the stars physical and laid the foundations for modern astrophysics.
Recently in the field of theatre studies there has been an increasing amount of debate and dissonance regarding the borders of its territory, its methodologies, subject matter, and scholarly perspectives. The nature of this debate could be termed "political" and, in fact, concerns "the performance of power"—the struggle over power relations embedded in texts, methodologies, and the academy itself.
This striking new collection of nineteen divergent essays represents this performance of power and the way in which the recent convergence of new critical theories with historical studies has politicized the study of the theatre. Neither play text, performance, nor scholarship and teaching can safely reside any longer in the "free," politically neutral, self-signifying realm of the aesthetic. Politicizing theatrical discourse means that both the hermeneutics and the histories of theatre reveal the role of ideology and power dynamics.
New strategies and concepts—and a vital new phase of awareness—appear in these illuminating essays. A variety of historical periods, from the Renaissance through the Victorian and up to the most contemporary work of the Wooster group, illustrate the ways in which contemporary strategies do not require contemporary texts and performances but can combine with historical methods and subjects to produce new theatrical discourse.
Described by William Morris as “most unimaginably strange,” the landscape of Iceland has fascinated and inspired travelers, scientists, artists, and writers throughout history. This book provides a contemporary understanding of the landscape as a whole, not only its iconic glaciers and volcanoes, but also its deserts, canyons, plants, and animals. The book examines historic and modern scientific studies of the landscape and animals, as well as accounts of early visitors to the land. These were captivating people, some eccentric but most drawn to Iceland by an enthrallment with all things northern, a desire to experience the land of the sagas, or plain scientific and touristic curiosity. Featuring many spectacular illustrations, this is a fine exploration of a most singular landscape.
Generations of Texans have believed that “to dance is to live.” At rustic “play parties” and elegant cotillions, in tiny family dance halls and expansive urban honky-tonks, from historic beginnings to next Saturday night, Texans have waltzed, polkaed, schottisched, and shuffled their way across the state.
In Dance across Texas, internationally known dance instructor and writer Betty Casey takes an informal look at the history of Texas dancing and, in clear diagrams, photos, and detailed instructions, tells “how to” do more than twenty Texas dances.
Previously, little had been recorded about the history of dancing on the frontier. Journal and diary entries, letters, and newspaper clippings preserve enticing, if sketchy, descriptions of the types of dances that were popular. Casey uses a variety of sources, including interviews and previously unpublished historical materials, such as dance cards, invitations, and photographs, to give us a delightful look at the social context of dance. The importance of dance to early Texans is documented through colorful descriptions of clothing worn to the dances, of the various locations where dances were held, ranging from a formal hall to a wagon sheet spread on the ground, and of the hardships endured to get to a dance.
Also included in the historical section of Dance across Texas are notes on the “morality” of dance, the influence of country music on modern dance forms, and the popularity of such Texas dance halls and clubs as Crider’s and Gilley’s.
The instruction section of the book diagrams twenty-two Texas dances, including standard waltzes and two-steps as well as the Cotton-Eyed Joe, Put Your Little Foot, Herr Schmidt, the Western Schottische, and such “whistle’” or mixer dances as Paul Jones, Popcorn, and Snowball. Clear and detailed directions for each dance, along with suggested musical selections, accompany the diagrams and photos. Dance and physical education teachers and students will find this section invaluable, and aspiring urban cowboys can follow the easy-to-read diagrammed footsteps to a satisfying spin around the honky-tonk floor. Anyone interested in dance or in the history of social customs in Texas will find much to enjoy in this refreshing and often amusing look at a Texas “national” pastime.
Born in the United States, Casey was raised in Cuba and spent most of his life there and in Europe. He chose Spanish as his primary artistic tongue. A member of the intelligentsia surrounding Castro in the early years of the revolution, he was eventually exiled—and in 1969 committed suicide in Rome at the age of forty-five. Although most of his luminous stories are set in Havana, his is not a touristy, picturesque landscape but an often strange and nightmarish theater of human passions, inhabited by figures—silhouettes, really—that live on the edge of normality. This volume, which showcases Casey’s mastery of the skill of indirect and gradual revelation, is the most complete to appear in any language and includes a biographical and critical introduction written by Ilan Stavans, the noted novelist and scholar of Hispanic culture.
Readers interested in the art of fiction and in the complexities of the human psyche will find Casey’s work irresistible.
Architectural history has tended to marginalize the many types of refinement and enrichment of surfaces in stone, wood, and plaster that were fundamental aspects of early modern architecture. Enriching Architecture aims to retrieve and rehabilitate surface achievement as a vital element of early modern buildings in Britain and Ireland, arguing for the historical legitimacy of creative craft skill as a primary agent in architectural production. The contributors draw upon the major rethinking of craft and materials within the wider cultural sphere in recent years to deconstruct traditional, oppositional ways of thinking about architectural production. The book explores broad themes of surface treatment such as wainscot, rustication, plasterwork, and staircase embellishment, along with chapters focused on virtuoso buildings and set pieces that illuminate these themes.
You are here, a map declares, but of course you are not, any more than you truly occupy the vantage point into which a landscape painting puts you. How maps and paintings figure and reconfigure space—as well as our place in it—is the subject of Edward S. Casey’s ambitious study, an exploration of how we portray the world and its many places.
Casey’s discussion ranges widely from Northern Sung landscape painting to nineteenth-century American and British landscape painting and photography, from prehistoric petroglyphs and medieval portolan charts to seventeenth-century Dutch cartography and land survey maps of the American frontier. From these culturally and historically diverse forays a theory of representation emerges. Casey proposes that the representation of place in visual works be judged in terms not of resemblance, but of reconnecting with an earth and world that are not the mere content of mind or language—a reconnection that calls for the embodiment and implacement of the human subject.
Representing Place is the third volume in Casey’s influential epic project of reinterpreting evolving conceptions of space in world thought. He combines history with philosophy, and cartography with art, to create a new understanding of how representation requires and thrives on space, ultimately renewing our appreciation of the power of place as it is set forth in paintings and maps.
This book begins with a brief critique of internalist views of emotion that hold that feelings are sequestered within a subject. Casey affirms that while certain emotions are felt as resonating within our subjectivity, many others are experienced as occurring outside any such subjectivity. These include intentional or expressive feelings that transpire between ourselves and others, such as an angry exchange between two people, as well as emotions or affects that come to us from beyond ourselves. Casey claims that such far‑out emotions must be recognized in a full picture of affective life. In this way, the book proposes to “turn emotion inside out.”
Using the U.S. wall at the border with Mexico as a focal point, two experts examine the global surge of economic and environmental refugees, presenting a new vision of the relationships between citizen and migrant in an era of “Juan Crow,” which systematically creates a perpetual undercaste.
Winner, National Association for Ethnic Studies (NAES) Outstanding Book Award, 2017
As increasing global economic disparities, violence, and climate change provoke a rising tide of forced migration, many countries and local communities are responding by building walls—literal and metaphorical—between citizens and newcomers. Up Against the Wall: Re-imagining the U.S.-Mexico Border examines the temptation to construct such walls through a penetrating analysis of the U.S. wall at the U.S.-Mexico border, as well as investigating the walling out of Mexicans in local communities. Calling into question the building of a wall against a friendly neighboring nation, Up Against the Wall offers an analysis of the differences between borders and boundaries. This analysis opens the way to envisioning alternatives to the stark and policed divisions that are imposed by walls of all kinds. Tracing the consequences of imperialism and colonization as citizens grapple with new migrant neighbors, the book paints compelling examples from key locales affected by the wall—Nogales, Arizona vs. Nogales, Sonora; Tijuana/San Diego; and the lower Rio Grande Valley of Texas. An extended case study of Santa Barbara describes the creation of an internal colony in the aftermath of the U.S. conquest of Mexican land, a history that is relevant to many U.S. cities and towns.
Ranging from human rights issues in the wake of massive global migration to the role of national restorative shame in the United States for the treatment of Mexicans since 1848, the authors delve into the broad repercussions of the unjust and often tragic consequences of excluding others through walled structures along with the withholding of citizenship and full societal inclusion. Through the lens of a detailed examination of forced migration from Mexico to the United States, this transdisciplinary text, drawing on philosophy, psychology, and political theory, opens up multiple insights into how nations and communities can coexist with more justice and more compassion.
The essays in this collection presume that the popular is here to stay and that its instructive implications are not merely noteworthy, but richly nuanced and deeply compelling. They address a broad variety of issues concerning canonicity, literature, genre, and the classroom, as its contributors teach everything from Stephen King and Lady Gaga to nineteenth-century dime novels and the 1852 best-seller Uncle Tom’s Cabin.
It is no secret that teaching popular texts fuels controversies about the value of cultural studies, the alleged relaxation of aesthetic standards, and the possible “dumbing down” of Americans. By implicitly and explicitly addressing such contentious issues, these essays invite a broader conversation about the place of the popular not only in higher education but in the reading lives of all Americans.
The first collection of critical essays to focus specifically on the fiction produced by American novelists of the Depression era, The Novel and the American Left contributes substantially to the newly emerging emphasis on twentieth-century American literary radicalism. Recent studies have recovered this body of work and redefined in historical and theoretical terms its vibrant contribution to American letters. Casey consolidates and expands this field of study by providing a more specific consideration of individual novels and novelists, many of which are reaching new contemporary audiences through reprints.
The Novel and the American Left focuses exclusively on left-leaning fiction of the Depression era, lending visibility and increased critical validity to these works and showing the various ways in which they contributed not only to theorizations of the Left but also to debates about the content and form of American fiction. In theoretical terms, the collection as a whole contributes to the larger reconceptualization of American modernity currently under way. More pragmatically, individual essays suggest specific authors, texts, and approaches to teachers and scholars seeking to broaden and/or complicate more traditional “American modernism” syllabi and research agendas.
The selected essays take up, among others, such “hard-core"” leftist writers as Mike Gold and Myra Page, who were associated with the Communist Party; the popular novels of James M. Cain and Kenneth Fearing, whose works were made into successful films; and critically acclaimed but nonetheless “lost” novelists such as Josephine Johnson, whose Now in November (Pulitzer Prize, 1936) anticipates and complicates the more popular agrarian mythos of Steinbeck’s The Grapes of Wrath.
This volume will be of interest not only to literary specialists but also to historians, social scientists, and those interested in American cultural studies.
In this lively and enlightening study, Kathleen B. Casey explores the ways in which the gender- and race-bending spectacles of vaudeville dramatized the economic, technological, social, and cultural upheaval that gripped the United States in the early twentieth century. She focuses on four key performers. Eva Tanguay, known as “The I Don’t Care Girl,” was loved for her defiance of Victorian decorum, linking white womanliness to animalistic savagery at a time when racial and gender ideologies were undergoing significant reconstruction. In contrast, Julian Eltinge, the era’s foremost female impersonator, used race to exaggerate notions of manliness
and femininity in a way that reinforced traditional norms more than it undermined them. Lillyn Brown, a biracial woman who portrayed a cosmopolitan black male dandy while singing about an antebellum southern past, offered her audiences, black and white, starkly different visual and aural messages about race and gender. Finally, Sophie Tucker, who often performed in blackface during the early years of her long and heralded career, strategically played with prevailing
ideologies by alternately portraying herself as white, Jewish, black, manly, and womanly, while managing, remarkably, to convince audiences that these identities could coexist within one body.
Analyzing a wide assortment of primary materials—advertisements, recordings, lyrics, sheet music, costumes, photographs, reviews, and press accounts from the era—Casey looks not only at gender and racial impersonation but also at how spectators reacted to these performances.
As Cash demonstrates, O’Connor’s sheltered childhood, extraordinary intellect, spiritual certainty, and unique personality—including a wry sense of humor—combined not only to make her something of an outsider but also to foster her literary genius. As a child, her favorite activities were reading, writing stories, and drawing. Perhaps more unusual was her childhood feat of teaching a rooster to walk backwards. Her passion for exotic fowl later found expression in the peacock symbolism in her fiction.
The family moved to Milledgeville, Georgia, in 1938, and there O’Connor attended high school and college. She left the South in 1945 and entered the graduate writing program at the University of Iowa, where she completed several chapters of her first novel, Wise Blood. She went on to live at the Yaddo writers’ colony in Saratoga Springs, New York, and she might have spent her most creative years in the North if illness had not interfered. However, lupus—the same disease that had killed her father—forced her to return to Milledgeville, where she lived and wrote for the remaining fourteen years of her life under the protective care of her mother.
The latter chapters of Cash’s biography address O’Connor’s adjustment to her debilitating illness and to a more circumscribed existence. As Cash explains, she learned to accommodate her mother’s insular outlook, and in many ways her fiction profited artistically during this period. Her friendships and active correspondence added to the variety and vitality of her life. She also traveled widely on the lecture circuit and reviewed books for a local Catholic publication. Even in her illness and relative isolation in Milledgeville, O’Connor continued to live a richly rewarding and creative life.
The Author: Jean W. Cash is professor of English at James Madison University.
Mark McGwire, Ozzie Smith, Lou Brock. These famous Cardinals are known by baseball fans around the world. But who and what were the predecessors of these modern-day players and their team? In Before They Were Cardinals, Jon David Cash examines the infancy of major-league baseball in St. Louis during the last quarter of the nineteenth century. His in-depth analysis begins with an exploration of the factors that motivated civic leaders to form the city's first major-league ball club. Cash delves into the economic trade rivalry between Chicago and St. Louis and examines how St. Louis's attempt to compete with Chicago led to the formation of the St. Louis Brown Stockings in 1875. He then explains why, three years later, despite its initial success, St. Louis baseball quickly vanished from the big-league map.
St. Louis baseball was revived with the arrival of German immigrant saloon owner Chris Von der Ahe. Cash explains how Von der Ahe, originally only interested in concession rights, purchased a controlling interest in the Brown Stockings. His riveting account follows the team after Von der Ahe's purchase, from the formation of the American Association, to its merger in 1891 with the rival National League. He chronicles Von der Ahe's monetary downturn, and the club's decline as well, following the merger.
Before They Were Cardinals provides vivid portraits of the ball players and the participants involved in the baseball war between the National League and the American Association. Cash points out significant differences, such as Sunday games and beer sales, between the two Leagues. In addition, excerpts taken from Chicago and St. Louis newspapers make the on-field contests and off-field rivalries come alive. Cash concludes this lively historical narrative with an appendix that traces the issue of race in baseball during this period.
The excesses of modern-day baseball—players jumping contracts or holding out for more money, gambling on games, and drinking to excess; owners stealing players and breaking agreements—were all present in the nineteenth-century sport. Players were seen then, as they are now, as an embodiment of their community. This timely treatment of a fascinating period in St. Louis baseball history will appeal to both baseball aficionados and those who want to understand the history of baseball itself.
Along with photographer Jack Parsons, Marie Romero Cash visited every church in the region and documented, identified, and measured each santos. Together they photographed more than 500 pieces, including 19 moradas (places of worship for Penitentes) and the Archdiocese of Santa Fe Collection housed at the Museum of International Folk Art.
Cash's extensive research into these formerly "anonymous" artisans fills a gap in the study of this unique form, making Santos indispensable for art historians and the general reader interested in the culture and art of the American Southwest.
When Jefferson Davis became president of the Confederacy, his wife, Varina Howell Davis, reluctantly became the First Lady. For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumors of her disaffection.
After the war, Varina Davis endured financial woes and the loss of several children, but following her husband's death in 1889, she moved to New York and began a career in journalism. Here she advocated reconciliation between the North and South and became friends with Julia Grant, the widow of Ulysses S. Grant. She shocked many by declaring in a newspaper that it was God's will that the North won the war.
A century after Varina Davis's death in 1906, Joan E. Cashin has written a masterly work, the first definitive biography of this truly modern, but deeply conflicted, woman. Pro-slavery but also pro-Union, Varina Davis was inhibited by her role as Confederate First Lady and unable to reveal her true convictions. In this pathbreaking book, Cashin offers a splendid portrait of a fascinating woman who struggled with the constraints of her time and place.
Ray Cashman, who has been interviewing McGrath for more than fifteen years, demonstrates how Packy Jim embellishes daily conversation with stories of ghosts and fairies, heroic outlaws and hateful landlords. Such folklore is a boundless resource that he uses to come to grips with the past and present, this world and the next. His stories reveal an intricate worldview that is both idiosyncratic and shared—a testament to individual intelligence and talent, and a window into Irish vernacular culture.
Theorizing vision and power at the intersections of the histories of psychoanalysis, media, scientific method, and colonization, Scenes of Projection poaches the prized instruments at the heart of the so-called scientific revolution: the projecting telescope, camera obscura, magic lantern, solar microscope, and prism. From the beginnings of what is retrospectively enshrined as the origins of the Enlightenment and in the wake of colonization, the scene of projection has functioned as a contraption for creating a fantasy subject of discarnate vision for the exercise of “reason.”
Jill H. Casid demonstrates across a range of sites that the scene of projection is neither a static diagram of power nor a fixed architecture but rather a pedagogical setup that operates as an influencing machine of persistent training. Thinking with queer and feminist art projects that take up old devices for casting an image to reorient this apparatus of power that produces its subject, Scenes of Projection offers a set of theses on the possibilities for felt embodiment out of the damaged and difficult pasts that haunt our present.
Artificial Intelligence fuels both enthusiasm and panic. Technologists are inclined to give their creations leeway, pretend they’re animated beings, and consider them efficient. As users, we may complain when these technologies don’t obey, or worry about their influence on our choices and our livelihoods. And yet, we also yearn for their convenience, see ourselves reflected in them, and treat them as something entirely new. But when we overestimate the automation of these tools, award-winning author Antonio A. Casilli argues, we fail to recognize how our fellow humans are essential to their efficiency. The danger is not that robots will take our jobs, but that humans will have to do theirs.
In this bracing and powerful book, Casilli uses up-to-the-minute research to show how today’s technologies, including AI, continue to exploit human labor—even ours. He connects the diverse activities of today’s tech laborers: platform workers, like Uber drivers and Airbnb hosts; “micro workers,” including those performing atomized tasks like data entry on Amazon Mechanical Turk; and the rest of us, as we evaluate text or images to show we’re not robots, react to Facebook posts, or approve or improve the output of generative AI. As Casilli shows us, algorithms, search engines, and voice assistants wouldn’t function without unpaid or underpaid human contributions. Further, he warns that if we fail to recognize this human work, we risk a dark future for all human labor.
Waiting for Robots urges us to move beyond the simplistic notion that machines are intelligent and autonomous. As the proverbial Godot, robots are the bearers of a messianic promise that is always postponed. Instead of bringing prosperity for all, they discipline the workforce, so we don’t dream of a world without drudgery and exploitation. Casilli’s eye-opening book makes clear that most “automation” requires human labor—and likely always will—shedding new light on today’s consequences and tomorrow’s threats of failing to recognize and compensate the “click workers” of today.
Altman is one of those directors whose films audiences can easily recognize, but what exactly are the distinctive elements that have become his signature? Caso identifies more than twenty such elements in Altman’s style, tracing some—such as his use of free-hand cameras and engagement with Christian imagery—to the beginning of his career. Caso also examines Altman’s unsettling mix of offbeat comedic tone with a predominance of violence, murder, and death, showing how their counterpointing effects rendered his films at once naturalistic and otherworldly.
Exploring these and other aspects of the Altmanesque style, Caso maps the innovations that have made Altman a master filmmaker. Enriched with illustration throughout, Robert Altman will appeal to fans of this distinctive American auteur or anyone interested in ground-breaking cinema.
Clarence Cason belonged to that restless generation of southern intellectuals who, between the world wars, questioned the South's stubborn traditionalism, even as they tried to explain and defend its distinctiveness. From his professorial perch at The University of Alabama, Cason wrote polished essays for leading national publications while contributing weekly editorials for newspaper readers. As a journalist in academia, he cultivated a broad audience for his eloquent though tentative observations about the "character" of a region that seemed to be a separate province of the nation.
In 1935, Cason collected his thoughts in a small book of essays titled 90° in the Shade. In it, he declared that climate and the relaxation afforded by field and stream had given southerners excellent reasons for their notoriously slow pace of life. Still, he wrote, "there is much work that ought to be done below the Potomac." Cason captured the pathos of race relations and other persistent problems and declared that the abominable practice of lynching would end when the best people of the South risked their personal and commercial standing to denounce it. Just days before the book's publication, however, Cason shot himself in his campus office. He left no explanation, but apparently he feared angry reaction from fellow citizens to his mild criticisms and gentle suggestions for change.
The University of Alabama Press brought the book back into print in 1983. This new edition of Cason's classic features an introduction by journalist and UA professor H. Bailey Thomson, allowing yet another generation the enjoyment of Cason's perceptive writing, not so much for any remedy he proposed but rather for the open-minded and loving way in which he addressed the region's tragic experience.
In 1935, Cason collected his thoughts in a small book of essays titled 90° in the Shade. In it, he declared that climate and the relaxation afforded by field and stream had given southerners excellent reasons for their notoriously slow pace of life. Still, he wrote, "there is much work that ought to be done below the Potomac." Cason captured the pathos of race relations and other persistent problems and declared that the abominable practice of lynching would end when the best people of the South risked their personal and commercial standing to denounce it. Just days before the book's publication, however, Cason shot himself in his campus office. He left no explanation, but apparently he feared angry reaction from fellow citizens to his mild criticisms and gentle suggestions for change.
The University of Alabama Press brought the book back into print in 1983. This new edition of Cason's classic features an introduction by journalist and UA professor H. Bailey Thomson, allowing yet another generation the enjoyment of Cason's perceptive writing, not so much for any remedy he proposed but rather for the open-minded and loving way in which he addressed the region's tragic experience.
The separation of powers along functional lines--legislative, executive, and judicial--has been a core concept of American constitutionalism ever since the Revolution. As noted constitutional law scholar Gerhard Casper points out in this collection of essays, barren assertions of the importance of keeping the powers separate do not capture the complexity of the task when it is seen as separating power flowing from a single source--the people. Popular sovereignty did not underlie earlier versions of the separation of powers doctrine.
Casper vividly illustrates some of the challenges faced by Washington, Adams, Hamilton, Madison, Gallatin, Jefferson, and many others in Congress and the executive branch as they guided the young nation, setting precedents for future generations. He discusses areas such as congressional-executive relations, foreign affairs, appropriations, and the Judiciary Act of 1789 from the separation of powers vantage point.
The picture of our government's formative years that emerges here, of a rich and overlapping understanding of responsibilities and authority, runs counter to rigid, syllogistic views. Separating Power gives us a clear portrait of the issues of separation of power in the founding period, as well as suggesting that in modern times we should be reluctant to tie separation of powers notions to their own procrustean bed.
Examining the Marcos and Aquino administrations in the Philippines, and a number of cases in Latin Amarica, Casper discusses the legacies of authoritarianism and shows how difficult it is for popularly elected leaders to ensure that democracy will flourish. Authoritarian regimes leave an imprint on society long after their leaders have been overthrown because they transform or destroy the social institutions on which a successful democracy depends. Casper concludes that redemocratization is problematic, even in countries with strong democratic traditions.
This book explains why some countries succeed in installing democracy after authoritarian rule, and why some of these new democracies make progress toward consolidation. Casper and Taylor show that a democratic government can be installed when elite bargaining during the transition process is relatively smooth. They view elite bargaining in twenty-four transitions cases, some where continued authoritarianism was the result, others where a democratic government was the result, and a third outcome where progress towards consolidation was the end product.
It is now possible for physicians to recognize that a pregnant woman's fetus is facing life-threatening problems, perform surgery on the fetus, and if it survives, return it to the woman's uterus to finish gestation. Although fetal surgery has existed in various forms for three decades, it is only just beginning to capture the public's imagination. These still largely experimental procedures raise all types of medical, political and ethical questions. Who is the patient? What are the technical difficulties involved in fetal surgery? How do reproductive politics seep into the operating room, and how do medical definitions and meanings flow out of medicine and into other social spheres? How are ethical issues defined in this practice and who defines them? Is fetal surgery the kind of medicine we want? What is involved in reframing fetal surgery as a women's health issue, rather than simply a pediatric concern? In this ethnographic study of the social, cultural and historical aspects of fetal surgery, Monica Casper addresses these questions. The Making of the Unborn Patient examines two important and connected events of the second half of the 20th century: the emergence of fetal surgery as a new medical specialty and the debut of the unborn patient.
While innovative ideas and creative works increasingly drive economic success, the historic approach to encouraging innovation and creativity by granting property rights has come under attack by a growing number of legal theorists and technologists. In Laws of Creation, Ronald Cass and Keith Hylton take on these critics with a vigorous defense of intellectual property law. The authors look closely at the IP doctrines that have been developed over many years in patent, copyright, trademark, and trade secret law. In each area, legislatures and courts have weighed the benefits that come from preserving incentives to innovate against the costs of granting innovators a degree of control over specific markets. Over time, the authors show, a set of rules has emerged that supports wealth-creating innovation while generally avoiding overly expansive, growth-retarding licensing regimes.
These rules are now under pressure from detractors who claim that changing technology undermines the case for intellectual property rights. But Cass and Hylton explain how technological advances only strengthen that case. In their view, the easier it becomes to copy innovations, the harder to detect copies and to stop copying, the greater the disincentive to invest time and money in inventions and creative works. The authors argue convincingly that intellectual property laws help create a society that is wealthier and inspires more innovation than those of alternative legal systems. Ignoring the social value of intellectual property rights and making what others create and nurture “free” would be a costly mistake indeed.
The contributors to Universalism without Uniformity offer tools for bridging silos that have historically separated anthropology’s attention to culture and psychology’s interest in universal mental processes. Throughout, they seek to answer intricate yet fundamental questions about why we are motivated to find meaning in everything around us and, in turn, how we constitute the cultural worlds we inhabit through our intentional involvement in them. Laying bare entrenched disciplinary blind spots, this book offers a trove of insights on issues such as morality, emotional functioning, and conceptions of the self across cultures. Filled with impeccable empirical research coupled with broadly applicable theoretical reflections on taking psychological diversity seriously, Universalism without Uniformity breaks new ground in the study of mind and culture.
Cassarino takes the reader through the changing dynamics of food production and consumption, from wartime sensibilities of patriotic eating to the postwar excess of culinary cosmopolitanism and finally to contemporary supermarket pastorals. She pairs chefs and poets—Julia Child and Gertrude Stein, Poppy Cannon and Frank O’Hara, Vertamae Smart-Grosvenor and Harryette Mullen—to argue that each converts eating into an aesthetic opportunity that has the power to impact how people consume. In this way, Cassarino reveals the modern cookbook not just as a literary counterpart to contemporary poetry but also as vital to the literature and art occurring around it. From Futurist cookbooks to fast food lyrics, from Gullah recipes to Eat Art, she reminds us that global foodscapes are connected to aesthetic movements in literature and art.
“A work of great breadth, originality, and distinction. Rarely do we see such a successful marriage between historical demography and the history of medicine. The interconnections between population increase, migration and immigration on the one hand, and disease and the development of medicine on the other in antebellum America are brilliantly presented.”—Irvine Loudon, Bulletin of the History of Medicine
Tim Cassedy’s fascinating study examines the role that language played at the turn of the nineteenth century as a marker of one’s identity. During this time of revolution (U.S., French, and Haitian) and globalization, language served as a way to categorize people within a world that appeared more diverse than ever. Linguistic differences, especially among English-speakers, seemed to validate the emerging national, racial, local, and regional identity categories that took shape in this new world order.
Focusing on six eccentric characters of the time—from the woman known as “Princess Caraboo” to wordsmith Noah Webster—Cassedy shows how each put language at the center of their identities and lived out the possibilities of their era’s linguistic ideas. The result is a highly entertaining and equally informative look at how perceptions about who spoke what language—and how they spoke it—determined the shape of communities in the British American colonies and beyond.
This engagingly written story is sure to appeal to historians of literature, culture, and communication; to linguists and book historians; and to general readers interested in how ideas about English developed in the early United States and throughout the English-speaking world.
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