A SCHOLARLY BOOK REPOSITORY
Taking inspiration from African American fiction, historical accounts of black life, Afrofuturism, and black popular culture in music and on screen, David turns her attention to Sapphire’s Push, Octavia Butler’s Dawn, and Suzan-Lori Parks’s Getting Mother’s Body as well as the performance art of Erykah Badu and the films of Tyler Perry. She draws out the implications of black maternal figures in these texts who balk at tradition and are far from “ideal.” David’s study shows how representations of blackness are deeply embedded in the neoliberal language of contemporary American politics and how black writers and performers resist such mainstream ideologies with their own transgressive black maternal figures.
With The Corporate Contract in Changing Times, Steven Davidoff Solomon and Randall Stuart Thomas bring together leading corporate law scholars, judges, and lawyers from top corporate law firms to explore what needs to change and what has prevented reform thus far. Among the topics addressed are how the law could be adapted to the reality that activist hedge funds pose a more serious threat to corporations than the hostile takeovers and how statutory laws, such as the rules governing appraisal rights, could be reviewed in the wake of appraisal arbitrage. Together, the contributors surface promising paths forward for future corporate law and public policy.
"The book explores how the middle class constructed its own institutions, material culture and values during the industrial revolution, looking at two settings—urban manufacturing Birmingham and rural Essex—both centers of active capitalist development. The use of sources is dazzling: family business records, architectural designs, diaries, wills and trusts, newspapers, prescriptive literature, sermons, manuscript census tracts, the papers of philanthropic societies, popular fiction, and poetry.
"Family Fortunes occupies a place beside Mary Ryan's The Cradle of the Middle Class and Suzanne Lebsock's Free Women of Petersburg. It provides scholars with a definitive study of the middle class in England, and facilitates a comparative perspective on the history of middle-class women, property, and the family."—Judith Walkowitz, Johns Hopkins University
Women’s Camera Work ranges from American women’s photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers’ distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women’s eyes.
In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women’s studies, and general readers alike.
these ideas—and the individuals behind them—by delving into historical disruptions that led to lasting change in Jewish thought. A distinguished array of scholars take us
on a journey from the disruptive prophets of ancient times, through rational, mystical, and extremist medievalists, to the impact of Haskalah and early Reform thought in
modernity. Contemporary innovations such as changes in liturgy and music, feminism, and post-Holocaust theology are included, as are insights into Sephardic and North
African experiences. By showing how Judaism forms—then re-forms, and re-forms again—the contributors demonstrate that tensions between continuity and change
have always been part of Jewish life, helping us to both understand the past and contemplate the future.
Davidson details the evolution of the U.S. and Canadian Western forms, tracing the divergence between the two as Canadian writers responded to their unique historical circumstances by reinventing the West as well as the Western and establishing a new literary landscape where author and reader could work out new possibilities of being. Surveying a range of texts by Canada’s most innovative writers, with special attention to women writers and Native stories of Coyote, he provides close readings of novels by Howard O’Hagan, Sheila Watson, Robert Kroetsch, Aritha van Herk, Anne Cameron, Peter Such, W. O. Mitchell, Beatrice Culleton, and Thomas King. A unique study, Coyote Country offers at one and the same time a theory of Canadian Western fiction, a history of crosscultural paradigms of the West as manifested in novels, and an intensive reading of some of Canada’s best literature.
In a book that moves between philosophy and history, and with lasting significance for both, Arnold Davidson elaborates a powerful new method for considering the history of concepts and the nature of scientific knowledge, a method he calls "historical epistemology." He applies this method to the history of sexuality, with important consequences for our understanding of desire, abnormality, and sexuality itself.
In Davidson's view, it was the emergence of a science of sexuality that made it possible, even inevitable, for us to become preoccupied with our true sexuality. Historical epistemology attempts to reveal how this new form of experience that we call "sexuality" is linked to the emergence of new structures of knowledge, and especially to a new style of reasoning and the concepts employed within it. Thus Davidson shows how, starting in the second half of the nineteenth century, a new psychiatric style of reasoning about diseases emerges that makes possible, among other things, statements about sexual perversion that quickly become commonplace in discussions of sexuality.
Considering a wide range of examples, from Thomas Aquinas to Freud, Davidson develops the methodological lessons of Georges Canguilhem and Michel Foucault in order to analyze the history of our experience of normativity and its deviations.
This volume also includes several important works by Foucault previously unpublished in English. The other contributors are Georges Canguilhem, Gilles Deleuze, Jacques Derrida, Pierre Hadot, Michel Serres, and Paul Veyne.
Here for the first time is the French Foucault.
This volume offers lucid and important texts that will appeal to students and professors at every level of study. It is essential reading for all scholars of twentieth-century philosophy and critical theory.
The African Genius presents the ideas, social systems, religions, moral values, arts, and metaphysics of a range of African peoples. Basil Davidson points toward the Africa that might emerge from an ancient civilization that was overlaid and battered by colonialism, then torn apart by the upheaval of colonialism’s dismantlement. Davidson disputes the notion that Africa gained under colonialism by entering the modern world. He sees, instead, an ancient order replaced by modern dysfunction. Davidson’s depiction of the sophisticated “native genius” that has carried Africans through centuries of change is vital to an understanding of modern Africa as well.
36 Views of Mount Fuji not only transforms our image of Japan, it offers a stirring look at the very nature of culture and identity. Often funny, sometimes liltingly sad, it is as intimate and irresistible as a long-awaited letter from a good friend.
In No More Separate Spheres! both established and new scholars look at the changing categories of analysis—from seventies feminism to nineties postcolonialism—that have shaped this discussion. In her introduction, Cathy N. Davidson assesses the state of criticism with regard to the separate spheres debate, and sets a constructive and often provocative tone for the rest of the volume. While one essay provides an overview of the multiple fronts on which the post-separate spheres model of criticism has been engaged, others offer perspectives that either support of directly confront and critique this model. Rather than seeking to establish yet another critical formula based on the opposition of binary terms, this special issue of American Literature will help move the debate to the next level.
Contributors. José F. Aranda, Lauren Berlant, Lawrence Buell, Judith Fetterley, Amy Kaplan, You-me Park, Marjorie Pryse, Gail Wald
Using American literary studies as a way to talk about changing categories of analysis, these essays discuss the work of such major authors as Catharine Sedgwick, Herman Melville, Pauline E. Hopkins, Frederick Douglass, Catharine Beecher, Ralph Waldo Emerson, W. E. B. Du Bois, Sarah Orne Jewett, Nathaniel Hawthorne, María Ampara Ruiz de Burton, Ann Petry, Gwendolyn Brooks, Cynthia Kadohata, Chang Rae-Lee, and Samuel Delany. No More Separate Spheres! shows scholars and students different ways that gender can be approached and incorporated into literary interpretations. Feisty and provocative, it provides a forceful analysis of the limititations of any theory of gender that applies only to women, and urges suspicion of any argument that posits “woman” as a universal or uniform category.
By bringing together essays from the influential special issue of American Literature of the same name, a number of classic essays, and several new pieces commissioned for this volume, No More Separate Spheres! will be an ideal teaching tool, providing a key supplementary text in the American literature classroom.
Contributors. José F. Aranda, Lauren Berlant, Cathy N. Davidson, Judith Fetterley, Jessamyn Hatcher, Amy Kaplan, Dana D. Nelson, Christopher Newfield, You-me Park, Marjorie Pryse, Elizabeth Renker, Ryan Schneider, Melissa Solomon, Siobhan Somerville, Gayle Wald , Maurice Wallace
Consolation Miracle is a book of visceral, image-driven poems that search for the miraculous in the seemingly ordinary. This collection fashions art out of artless objects as a consolation, or perhaps compensation, for their smallness. Yawns and pears, cockroaches and crows resonate against historically conflated backdrops, while our own hands seem suddenly strange as they hide themselves in our pockets, balance a burning cigarette between two fingers, or grip the gun that shot Lincoln. Other poems address the destruction of empire, the end of old Hollywood, and the hyperbolic fizzling out of entire centuries. Here, consolation miracles are rarely the ones sought after, yet they radiate in their neglect. Davidson’s poems help us understand the inner life of cows, imagine the plight of a banished Kama Sutra illustrator, speculate about Cleopatra’s lingerie. With a title borrowed from Gabriel García Márquez, Consolation Miracle contains a magical realism for the twenty-first century.
“What if the end were as colorless as real / estate?” the speaker asks in Unearth. Poet Chad Davidson’s latest collection takes a hard look at our world as it collapses under numerous trials and tribulations. Fashioned mostly of elegiac poems, Unearth charts the way in which personal grief ripples out to meet and mirror larger systems of loss. The first section deals with local traumas and bereavements—the loss of pets, the disintegration of a friends’ marriage. These tragedies combine with more ominous, larger breakdowns in the second section until, in the final section, grief roils over into historical wickedness, institutionalized violence, and state-sanctioned wrath. Ultimately, “Even the mouth / of a volcano, from far away, / is beautiful.”
The poetry itself offers us vessels into which we can pour out our despair. To understand the failing earth, Davidson’s speaker cajoles us to see the pain at its roots. From the opening poem—a reluctant elegy for a mother—to the final eschatological survey, an ode to maddening violence and destruction on a global scale, this collection imagines a world in which private and public terrors feed on each other, ultimately growing to a fever pitch. An act of resistance, this collection gives voice to our deep-seated emotional pain and offers us constructive ways to deal with it.
In From the Fire Hills, poet Chad Davidson shows us an Italy that is far from the romanticized notions of sun-drenched fields and self-discovery. Instead we see a maelstrom of chaos and contradiction, a place where the frenetic pace of modernity is locked in a daily struggle with recalcitrant history.
This autobiographical collection explores the myriad ways in which Italian culture survives its own parodies and evokes a modern ferocity that harkens back to Italy’s barbarian past. As the narrator, rendered vulnerable by language, embarks on his journey, lines of location, time, and perception blur. From the siren song of Dante’s grave to the heights of San Luca, from streets where policemen with Uzis tread a hair’s breadth away from the macabre remains of Capuchin monks, Davidson’s Italy is a study in contrast between the contemporary and the classical, the sacred and the profane. Within these poems sensual and savage revelations unfold, exposing new, uncanny, and often uncomfortable spaces to explore in this well-traveled realm of Western imagination.
Throughout the volume loom “the fire hills”: the scorched mountains of Sicily in summer; the memories of Italians living near the Gothic Line outside Bologna, where the Germans dug in and received heavy bombing at the close of World War II; even the wildfires igniting the San Gabriel foothills in southern California; all the way back to the burning city of Carthage in Virgil’s Aeneid. As the ash settles and the smoke clears, we realize that what we remember is often just remains, shells, and burned out wreckage, as if there were another type of memory.
The Last Predicta is Chad Davidson's searing collection of poetry dedicated to endings of all varieties. From odes to the corporate cornucopia of Target and the aggressive cheer of a Carnival cruise, to emotive examinations of Caravaggio's The Calling of St. Matthew or flies circling a putrescent bowl of forgotten fruit, Davidson weaves a lyrical web of apocalyptic scenarios and snapshots of pop culture. Throughout the volume appear cataclysms large and small, whether the finality of a minute passed or the deaths of a thousand swans at Seneca Lake in 1912. Images of King Kong, Starburst candies, and the Brady Bunch swim with mythological figures, Roman heroes, and dead animals as Davidson deftly explores the relationship between the mundane and the profound. At the center of the collection sits the Predicta television itself, "the lives blooming there in Technicolor," at once futuristic and nostalgic in its space age prophecy.
Moving in their very simplicity, these poems resonate with discoveries that belie their seemingly ordinary wellsprings. Chad Davidson's stunning collection repeatedly explores the moment of revelation and all its accompanying aftermaths. The Last Predicta leads readers to ponder all manner of predictions, endings, and everything that follows.
In Norwegians in Michigan, Clifford Davidson shows how Norwegians took advantage of opportunities when they began settling in Michigan in the nineteenth century. Norwegians sailed Lake Michigan, joined the lumber trade, farmed the northwest part of the state, and mined copper and iron in the Upper Peninsula. At the same time, they brought a unique culture that came to be associated with Michigan and the Midwest. The first generations of Norwegians in Michigan maintained close cultural ties with their homeland.
Some Norwegian immigrants adjusted to life in a new land more quickly than others. Among these, according to Davidson, were engineers trained in Norway who developed Michigan's bridges, tunnels, and eventually even the cars that used them.
Illustrated with photographs, maps, and documents, Norwegians in Michigan vividly chronicles a now-familiar pattern of immigrants' cultural understandings prodding and shaping the culture of an emerging region and nation.
The decades following the French Revolution saw unprecedented political and social experimentation. As the Napoleonic and Restoration regimes attempted to build a stable order, ordinary city dwellers began to create their own sense of how society operated through everyday activities. Interactions between men and women--in theaters, cafes, and other public settings--helped to fashion new social norms.
In this extensively researched work, Denise Z. Davidson offers a powerful reevaluation of the effects of the French Revolution, especially on women. Arguing against the view that the Revolution forced women from the public realm of informed political discussion, Davidson demonstrates that women remained highly visible in urban public life. Women of all classes moved out of the domestic sphere to participate in the spectacle of city life, inviting frequent commentary on their behavior. This began to change only in the 1820s, when economic and social developments intensified class distinctions and made the bourgeoisie fear the "dangerous classes."
This book provides an important corrective to prevailing views on the ramifications of the French Revolution, while shedding light on how ordinary people understood, shaped, and contested the social transformations taking place around them.
This brief book takes readers to the very heart of what it is that philosophy can do well. Completed shortly before Donald Davidson's death at 85, Truth and Predication brings full circle a journey moving from the insights of Plato and Aristotle to the problems of contemporary philosophy. In particular, Davidson, countering many of his contemporaries, argues that the concept of truth is not ambiguous, and that we need an effective theory of truth in order to live well.
Davidson begins by harking back to an early interest in the classics, and an even earlier engagement with the workings of grammar; in the pleasures of diagramming sentences in grade school, he locates his first glimpse into the mechanics of how we conduct the most important activities in our life--such as declaring love, asking directions, issuing orders, and telling stories. Davidson connects these essential questions with the most basic and yet hard to understand mysteries of language use--how we connect noun to verb. This is a problem that Plato and Aristotle wrestled with, and Davidson draws on their thinking to show how an understanding of linguistic behavior is critical to the formulating of a workable concept of truth.
Anchored in classical philosophy, Truth and Predication nonetheless makes telling use of the work of a great number of modern philosophers from Tarski and Dewey to Quine and Rorty. Representing the very best of Western thought, it reopens the most difficult and pressing of ancient philosophical problems, and reveals them to be very much of our day.
In this book, Elizabeth Davidson shares amazing stories about diseases of insects and other invertebrates important to people—and about the scientists who learned to use those diseases to control pests and create products beneficial to humans. Focusing on insect-microbial interactions crucial to public health, she tells detective stories ranging across global history, from the silkworm farms of nineteenth-century Japan to the research labs of modern America. In these fascinating accounts, Davidson shows us how human health often comes down to a contest of bug against bug. Even habitats seething with bacteria, such as the runoff from cattle farms or sewage treatment plants, are also teeming with invertebrate life—animals that, like ourselves, have ways of fighting infection.
Scientific curiosity about what allows creatures as simple as water fleas to survive in such polluted environments has led to the discovery of chemicals with remarkable properties and potential usefulness to humankind. From diseases of shellfish to parasites of bees, Davidson opens a window on a world most of us never stop to consider—but which matters to all of us more than we might ever imagine. In our present era of pandemic scares, Big Fleas Have Little Fleas is a sweeping historical review that’s as timely as tomorrow’s headlines, showing us that the most exciting discoveries can emerge from the smallest sources.
Offering much more than a detached historical account of the "German miracle"—a ruined, war-torn nation evolving within a decade into the most flourishing country in Europe—Eugene Davidson delves into this intriguing story as a "participant observer." Drawing on countless interviews with Germans and Americans of various backgrounds and perspectives, from High Commissioner's office personnel to occupation troop GIs, storekeepers to housewives, Davidson insightfully conveys the atmosphere of postwar Germany and the role of the American occupation in achieving the nation's economic miracle.
The Death and Life of Germany examines the transformation of Germany, focusing on such key episodes as the unprecedented war-crimes tribunal at Nuremberg, the almost unceasing attempts of the Western Allies to cooperate with the Russians, the startling effects of the currency reform and Marshall Plan aid, the break between East and West Germany that culminated in the Berlin airlift, the heroic East German uprising of June 17, 1953, and the eventual formation of the Federal Republic of Germany and the German Democratic Republic.
Davidson traces the progress of thought among Germans and Americans alike as their conceptions of postwar Germany gradually evolved and the leaders of a new, democratic West Germany emerged from the ashes of defeat.
The strength of Davidson's research and analysis and the continuing relevance of this important volume make The Death and Life of Germany an invaluable addition to the collections of scholars and general readers interested in the evolution of postwar Germany.
The harsh Armistice terms of 1918, the short-lived Weimar Republic, Hindenburg's senile vacillations, and behind-the-scene power plays form the backbone of this excellent study covering German history during the first three-and-a-half decades of the century.
Available for the first time in paperback, The Nuremberg Fallacy examines the inherent shortcomings of the Nuremberg "rules of war" and the War Crimes Tribunal's impossible expectations. In 1946, the Tribunal declared all aggressive war, war crimes, and crimes against humanity illegal. Yet the period since World War II has witnessed an unprecedented number of armed conflicts. In light of recent crises, including those in Rwanda, Bosnia and Serbia, and the Middle East, it is clear that the issues explored in The Nuremberg Fallacy are as relevant today as they were at the time of the book's first publication a quarter century ago.
In this volume, Eugene Davidson continues his investigations begun in The Trial of the Germans (University of Missouri Press), which studied the Nuremberg trials themselves, by focusing on five major conflicts since the end of World War II: the Suez crisis of 1956; Algeria's war of independence; Israel's recurring (and ongoing) battles with its Arab neighbors, complicated and worsened by intervention of the superpowers; the wars in Southeast Asia; and the Soviet Union's suppression of Czechoslovakia and other border states of Eastern Europe.
By exploring the roots and ramifications of these five conflicts, Davidson is able to chart the crosscurrents between large and small states, between individual nations and the United Nations, between the rules of Nuremberg and the significantly older rules of self- interest. The result is a thoughtful and thought-provoking study of the dynamics of war and peace in the post-Nuremberg world.
The rules of war proclaimed at Nuremberg—observing the flag of truce, prohibiting attacks on surrendered enemies, treating prisoners of war and civilian populations humanely—have become virtually irrelevant in modern guerrilla warfare. If anything, Davidson suggests, conditions have actually become worse than they were before the Nuremberg War Crimes Tribunal.
The continuing importance and relevance of The Nuremberg Fallacy is best summarized in the final sentences of Davidson's text: "The survival of a nation cannot be successfully entrusted to simplistic formulae or to principles that reflect unworkable doctrines. No computers have been programmed for the wisdom that remains essential for survival. People still have to provide that from their own inner and outer resources, no matter how far the weapons may seem to have outdistanced them."
As editor of Modern Age in the 1960s, Eugene Davidson introduced each quarterly issue with a thought-provoking contemplation of one or another of the decade's dizzying events. Gathered together here for the first time, the essays in Reflections on a Disruptive Decade present an intellectual conservative's perspective on an era which, because it underscores so many of the political divisions still with us today, continues to hold our fascination.
Davidson deals with the marvelous but confused realm of post-1945 international politics, in which the American people faced a new enemy, one often baffling and terrifying. The Cuban missile crisis was probably the most uncertain moment in foreign policy during this century. Although the crisis was resolved without bloodshed, there was intense danger of irrationality, for the Russians foolhardily had sent nuclear missiles to Cuba.
Other topics Davidson addresses are the Civil Rights movement, the policies and programs of Lyndon Johnson's Great Society, and the East-West battles of ideology and arms in Europe, Vietnam, and the Middle East. With remarkable shrewdness, Davidson illuminates many contradictions and excesses of the decade's liberal ascendancy, and presciently detects signs pointing to a resurgence of the nation's conservative forces.
Although more than thirty years have passed, Davidson's essays still contain great clarity, and his appraisals are still keen. Reflections on a Disruptive Decade is a truly remarkable addition to the work of this distinguished scholar.
The "definitive one-volume study of Nuremberg," The Trial of the Germans is now available in paperback. An astute observer of the Nuremberg trial, Eugene Davidson has struggled with the issues it raised: Was it a necessary response to the heinous crimes of the Third Reich? How were Germany and the Germans capable of such extraordinary evil? Was the trial just, given the claims that the defendants were simply serving their country, doing as they had been told to do? And if not just, was it nonetheless necessary as a warning to prevent future crimes against humanity? Davidson's approach to these and other large questions of justice is made through examination of each of the defendants in the trial. His reluctant, but firm, conclusion is: "In a world of mixed human affairs where a rough justice is done that is better than lynching or being shot out of hand, Nuremberg may be defended as a political event if not as a court." Some sentences may have seemed too severe, but none was harsher than the punishments meted out to innocent people by the regime these men served. "In a certain sense," says Davidson, "the trial succeeded in doing what judicial proceedings are supposed to do: it convinced even the guilty that the verdict against them was just."
Faulty as the trial was from the legal point of view, a catharsis of the pent-up emotions of millions of people had to be provided and a record of what had taken place duly preserved for whatever use later generations would make of it.
Available only in the USA and Canada.
As any reader of the Symposium knows, the ancient Greek philosopher Socrates conversed over lavish banquets, kept watch on who was eating too much fish, and imbibed liberally without ever getting drunk. In other words, James Davidson writes, he reflected the culture of ancient Greece in which he lived, a culture of passions and pleasures, of food, drink, and sex before—and in concert with—politics and principles. Athenians, the richest and most powerful of the Greeks, were as skilled at consuming as their playwrights were at devising tragedies. Weaving together Greek texts, critical theory, and witty anecdotes, this compelling and accessible study teaches the reader a great deal, not only about the banquets and temptations of ancient Athens, but also about how to read Greek comedy and history.
“A comprehensive case study . . . . Essential reading for students of the West Kalimantan violence.”—Dave McRae, Indonesia
"Lifting the Fog of Peace is a captivating study of an agile and adaptive military evolving through the chaos of the post-9/11 world. In what is certain to be regarded as the definitive analysis of the reshaping of American combat power in the face of a complex and uncertain future, Dr. Janine Davidson firmly establishes herself as a rising intellectual star in government and politics. A thoroughly captivating study of organizational learning and adaptation—a 'must read' for leaders in every field."
---LTG William B. Caldwell, IV, Commanding General, NATO Training Mission - Afghanistan
"In Lifting the Fog of Peace, Dr. Janine Davidson explains how the American military has adapted itself to succeed in the wars in Afghanistan and Iraq that are the most likely future face of combat. The book is informed by her experience of these wars in the Department of Defense, where she now plays a critical role in continuing the process of learning that has so visibly marked the military's performance in today's wars. Highly recommended."
---John A. Nagl, President, Center for a New American Security
"Janine Davidson’s Lifting the Fog of Peace is a superb, concise, and well-written book that makes important contributions in three areas. It advances our knowledge of organizational learning in the Armed Forces. It also accurately captures the rich post-Vietnam operational and doctrinal history of the Army and the Marine Corps. The simplistic cartoon of dim-witted generals fixated on the Fulda Gap is replaced here by a more accurate version, where engaged senior officers studied the security environment, absorbed important lessons, and began to improve the learning capacity of the military services. Finally, Lifting the Fog of Peace assesses the state of contemporary stability operations and what must be done to further prepare our Armed Forces for modern war on the low end of the spectrum of conflict. It will be a 'must read' on the E-Ring of the Pentagon and in security studies programs across the nation."
---Joseph J. Collins, Professor, National War College, and former Deputy Assistant Secretary of Defense for Stability Operations
Counterinsurgency and stability operations in Iraq and Afghanistan are only the most recent examples of the U.S. Armed Forces fighting insurgents, building infrastructure, enforcing laws, and governing cities. For more than two centuries, these assignments have been a regular part of the military's tasks; yet until recently the lessons learned from the experiences have seldom been formally incorporated into doctrine and training. As a result, each generation of soldiers has had to learn on the job.
Janine Davidson traces the history of the U.S. military's involvement in these complex and frustrating missions. By comparing the historical record to the current era, Davidson assesses the relative influence of organizational culture and processes, institutional structures, military leadership, and political factors on the U.S. military's capacity to learn and to adapt. Pointing to the case of Iraq, she shows that commanders serving today have benefited at the tactical level from institutional changes following the Vietnam War and from the lessons of the 1990s. Davidson concludes by addressing the question of whether or not such military learning, in the absence of enhanced capabilities and capacity in other U.S. government agencies, will be sufficient to meet the complex challenges of the 21st century.
Janine Davidson, a former Air Force pilot, is a professor of national security at George Mason University, currently serving in the Pentagon as Deputy Assistant Secretary of Defense for Plans.
The views presented in this book are those of the author and do not necessarily represent the views of the Department of Defense or its Components.
The author has conducted an impressive amount of research in nine countries, including conversations with male and female sex tourists, adult and child prostitutes, procurers, and clients. Through her research, O'Connell Davidson demonstrates the complexity of prostitution, arguing that it is not simply an effect of male oppression and violence or insatiable sexual needs, nor is it an unproblematic economic encounter. The book provides a sophisticated explanation of the economic and political inequalities underlying prostitution, but also shows that while prostitution necessarily implies certain freedoms for the clients, the amount of freedom experienced by individual prostititutes varies greatly.
This highly accessible book will be of great interest to those in gender and women's studies, sexuality and cultural studies, the sociology of work and organizations, and social policy. General readers will also appreciate having new ways of thinking about this age-old social phenomenon.
Julia O'Connell Davidson is Lecturer in Sociology, University of Leicester.
Most scholars of genocide focus on mass murder. Lawrence Davidson, by contrast, explores the murder of culture. He suggests that when people have limited knowledge of the culture outside of their own group, they are unable to accurately assess the alleged threat of others around them. Throughout history, dominant populations have often dealt with these fears through mass murder. However, the shock of the Holocaust now deters today’s great powers from the practice of physical genocide. Majority populations, cognizant of outside pressure and knowing that they should not resort to mass murder, have turned instead to cultural genocide as a “second best” politically determined substitute for physical genocide.
In Cultural Genocide, this theory is applied to events in four settings, two events that preceded the Holocaust and two events that followed it: the destruction of American Indians by uninformed settlers who viewed these natives as inferior and were more intent on removing them from the frontier than annihilating them; the attack on the culture of Eastern European Jews living within Russian-controlled areas before the Holocaust; the Israeli attack on Palestinian culture; and the absorption of Tibet by the People’s Republic of China.
In conclusion, Davidson examines the mechanisms that may be used to combat today’s cultural genocide as well as the contemporary social and political forces at work that must be overcome in the process.
"Professor Davidson---an accomplished literary critic---offers a focused and balanced analysis of poetry, film, and the arts honed with his excellent knowledge of the latest advances in disability studies. He is brilliant at reading texts in a sophisticated and aesthetically pleasurable way, making Concerto for the Left Hand one of the smartest books to date in disability studies."
---Lennard Davis, University of Illinois, Chicago
---Rachel Blau DuPlessis, Temple University
Concerto for the Left Hand is at the cutting edge of the expanding field of disability studies, offering a wide range of essays that investigate the impact of disability across various art forms---including literature, performance, photography, and film. Rather than simply focusing on the ways in which disabled persons are portrayed, Michael Davidson explores how the experience of disability shapes the work of artists and why disability serves as a vital lens through which to interpret modern culture. Covering an eclectic range of topics---from the phantom missing limb in film noir to the poetry of American Sign Language---this collection delivers a unique and engaging assessment of the interplay between disability and aesthetics.
Written in a fluid, accessible style, Concerto for the Left Hand will appeal to both specialists and general audiences. With its interdisciplinary approach, this book should appeal not only to scholars of disability studies but to all those working in minority art, deaf studies, visual culture, and modernism.
Michael Davidson is Professor of American Literature at the University of California, San Diego. His other books include Guys Like Us: Citing Masculinity in Cold War Poetics and Ghostlier Demarcations: Modern Poetry and the Material World.
The book draws on a variety of sources to explain how border issues intersect and how the current situation, while made worse under the Trump administration, is in fact the result of decades of prohibition, crackdowns, and wall building on the border. Davidson addresses subjects such as violence in Mexico, particularly against the press; cross-border gun smuggling and legal gun sales; the rise in migrant detentions, deportations, and deaths since the crackdown began; controversy over humanitarian aid in the desert; border patrol crimes and abuses; and the legal, ethical, and moral issues raised by increased police presence and militarization on the border. The book also looks at the environmental impact of wall building and construction of a planned copper mine near Tucson, especially on the jaguar and other endangered species.
Davidson shares the history of sanctuary and argues that this social movement and others that have originated on the border are vanguards of larger global movements against the mistreatment of migrant workers and refugees, police brutality, and other abuses of human and natural rights. She gives concrete examples of positive ways in which border people are promoting local culture and cross-border solidarity through health care, commerce, food, art, and music. While death and suffering continue to occur, The Beloved Border shows us how the U.S.-Mexico border could be, and in many ways already is, a model for peaceful coexistence worldwide.
Corbett first worked within the law to help refugees process applications for asylum, but the U.S. Immigration and Naturalization Service soon began a program of arrests; then he began to smuggle refugees from the Mexican border to the homes of citizens willing to provide shelter, making hundreds of trips over the next two years; finally he enlisted the support of the Tucson Ecumenical Council and persuaded John Fife, pastor of the Southside Presbyterian Church, to open that building as a refuge. When legal action against Corbett and the others seemed imminent, Southside became, on March 24, 1982, the first of two hundred churches in the country to declare itself a sanctuary.
Convictions of the Heart takes readers inside the santuary movement to reveal its founders' motives and underlying beliefs, and inside the courtroom to describe the government's efforts to stop it. Although the book addresses many points of view, its primary focus is on the philosophy of Jim Corbett. Rooted in the nonviolence of Gandhi, the Society of Friends, and Martin Luther King, Corbett's beliefs challenged individuals and communities of faith across the country to examine the strength of their commitment to the needs and rights of others.
In Lives on the Line, Miriam Davidson tells five true stories from these border cities to show the real-life effects that the maquiladora boom and the law enforcement crackdown have had on the people of "Ambos (Both) Nogales." Readers will meet Yolanda Sánchez, a single mother who came to work in the factories; Jimmy Teyechea, a cancer victim who became an outspoken environmental activist; Dario Miranda Valenzuela, an undocumented immigrant who was shot and killed by a U.S. Border Patrol agent; Cristina, a "tunnel kid" who aspired to flee the gang lifestyle; and Hope Torres and Tom Higgins, maquiladora managers who have made unique contributions to the community.
In sharing these stories of people transformed by love and faith, by pain and loss, Davidson relates their experiences to larger issues and shows that, although life on the border is tough, it is not without hope.
Lives on the Line is an impassioned look at the changes that have swept the U.S.-Mexico border: the rising tension concerning free trade and militarization, the growing disparity between the affluent and the impoverished. At the same time, the book highlights the positive aspects of change, revealing challenges and opportunities not only for the people who live on the border but for all Americans.
Davidson explores the political and economic changes of these years, revealing how social and economic power was transferred from one class to another. He describes how Scotland was transformed from a backward and feudal economy to a new centre of emergent capitalism. He traces the economic and social crisis that led to Scotland's incorporation into the Union in 1707, but argues that the Union did not lead to the transformation of Scottish society. The decisive period was instead the aftermath of the last Jacobite revolt in 1746, whose failure was integral to the survival and consolidation of British, and ultimately global capitalism.
'His opinions are bound to cause controversy and discussion ... a good thing as Scottish history desperately needs the airing and voicing of new approaches.'
John R Young, Albion.
‘What is so good about Neil Davidson’s brave study is that he brings a Marxist perspective to bear on Scottish history in very clear and readable prose. Quotations and statistics drawn from uncannily wide reading will make this book of great value even to those who disagree with it.’
Angus Calder, author of Revolutionary Empire and Revolving Culture: Notes from the Scottish Republic
Many spectacular examples of Persianate art survive to the present day, safeguarded in Istanbul and beyond—celebrating the glory of the Persian Empire (and, later, the Ottoman Empire). These include illustrated books, featuring exquisitely painted miniatures artfully embedded in the texts of literary masterpieces, as well as tile decorations in medieval Anatolian architecture.
Because of their beauty, many Persianate books were deliberately disassembled, their illustrations re-used in newer books or possessed as isolated art objects. As fragments found their way to collections around the world, the essential integration of text and image in the original books was lost. Six art historians and a literary historian—instrumental in reconstruction efforts—trace the long journey from the destructive dispersal of fragments to the joys of restoration.
Between 1940 and the mid 1980s, farm production expenses in America's Heartland tripled, capital purchases quadrupled, interest payments jumped tenfold, profits fell by 10 percent, the number of farmers decreased by two-thirds, and nearly every farming community lost population, businesses, and economic stability. Growth for these desperate communities has come to mean low-paying part-time jobs, expensive tax concessions, waste dumps, and industrial hog farming, all of which come with environmental and psychological price tags. In Broken Heartland, Osha Gray Davidson chronicles the decline of the Heartland and its transformation into a bitterly divided and isolated regional ghetto. Through interviews with more than two hundred farmers, social workers, government officials, and scholars, he puts a human face on the farm crisis of the 1980s.
In this expanded edition Davidson emphasizes the tenacious power of far-right-wing groups; his chapter on these burgeoning rural organizations in the original edition of Broken Heartland was the first in-depth look—six years before of the Oklahoma City bombing—at the politics of hate they nurture. He also spotlights NAFTA, hog lots, sustainable agriculture, and the other battles and changes over the past six years in rural America.
Arctic bound, Davidson takes the reader on a journey from the heart of society to the most far-flung outposts of human geography, packing in our rucksacks a treasure trove of stories and artworks, from the Icelandic Sagas to Nabokov’s snowy kingdom of Zembla, from Hans Christian Andersen’s forbidding Snow Queen to the works of artists such as Eric Ravilious, Ian Hamilton Finlay, and Andy Goldsworthy. He celebrates the different ways our artists and writers have illuminated our relationship with the earth’s most dangerous and austere terrain. Through Davidson’s astonishing but inviting erudition, we ultimately come to see north as a permanent goal, frozen forever on a horizon we never seem to quite reach.
Field Observations, the debut fiction collection from Rob Davidson, contains stories about people who find themselves at difficult turning points in their lives—times when they are faced with hard choices, broken promises, and the fear of self-destruction. Davidson's characters are diverse: a retired math teacher, an auto repair worker, a technical writer, a nurse living overseas. What connects them is the way Davidson renders each character with essential human dignity, regardless of his or her flaws. This collection addresses such contemporary concerns as love relationships, cultural interaction, divorce, aging, and alcoholism in a lively, sometimes offbeat way.
In "Inventory"—winner of a 1997 AWP Intro Journals Award—the young narrator, fresh out of the army, struggles to take stock of his civilian life and assume responsibility for himself. An estranged wife, in "You Have to Say Something," competes for attention with her husband's manic approach to work, finding both solace and frustration in a new friend, a compulsive gift-giver. "A Private Life" renders a young Peace Corps volunteer grappling with her loneliness in a foreign country, with a sense of exposure and violation. In "What We Leave Behind," a college dropout and onetime golf prodigy finds himself dissatisfied with his current career as a vacuum cleaner salesman; after a quirky encounter with a client, he finds hope for a new beginning.
A recurrent motif in the stories is the presentation of characters who either tend to observe, even spy on, others, or who have the sense that they themselves are being watched. The notion of a passive observer extends to several characters who seem to treat their own lives as subject for observation rather than action, frequently persisting in patterns of behavior that are clearly destructive.
Rendered in clean, smooth prose with sharply observed details and driven by Davidson's fine ear for dialogue, these stories poignantly capture the difficult in-between states that trouble people every day. Fully defined and evocatively written, this collection addresses important real-life issues and concerns.
The Michel Henry Reader is an indispensable resource for those who are approaching Henry for the first time as well as for those who are already familiar with his work. It provides broad coverage of the major themes in his philosophy and new translations of Henry’s most important essays. Sixteen chapters are divided into four parts that demonstrate the profound implications of Henry’s philosophy of life: for phenomenology; for subjectivity; for politics, art, and language; and for ethics and religion.
"Davie's voice—judgemental, ironic, epigrammatic, humorous, self-lacerating—speaks always with reference to an unhuman perpendicular standard that itself goes unquestioned. It is not a standard of Beauty or Truth; Davie is a poet of the third member of the Platonic triad, Justice."—Helen Vendler, The New Yorker
"[Davie's poems] are on the quiet side, often casual and musing in mood and tone; determined to resist large gestures of assent or denial. . .Donald Davie may just be the best English poet-critic of our time."—William Pritchard, The New Republic
"Donald Davie's Collected Poems does more than mark the culmination of one of the most distinguished careers in post-war British poetry; it is the autobiographical journey of a living poet at the height of his creative powers and the mastery of his craft. Davie is considered the most important and valuable contemporary link between poetry in England and America."—Sarah E. McNeil, Little Rock Free Press
"Few modern poets have managed to achieve Donald Davie's sense of human worth."—Times Higher Educational Supplement
Under Briggflatts is organized in three large chapters, one devoted to each decade. In the 1960s, Davie pays particular attention to the work of Austin Clarke, Hugh MacDiarmid, Norman McCaig, Keith Douglas, Edwin Muir, Basil Bunting (the gurus whose prose writings helped catalyze the traumatic events of 1968), Elaine Feinstein, Sylvia Townsend Warner, Philip Larkin, Charles Tomlinson, Thomas Kinsella, and Ted Hughes. The second chapter follows these figures into the new decade and explores the work of (among others) Thom Gunn, C. H. Sisson, R. S. Thomas, John Betjeman, and such themes as women's poetry, translation, poetic theory, and the later impact of T. S. Eliot and of Edward Thomas. Perhaps the most controversial chapter is the third, in which David—without abandoning the poets already introduced—assesses Geoffrey Hill, Tony Harrison, and Seamus Heaney, and looks too at the recovery of Ivor Gurney's poems, at Ted Hughes as Laureate, the posthumous work of Sylvia Townsend Warner, the burgeoning Hardy industry, and the critical writings of Kenneth Cox.
The rise of British neoliberalism—a renewed emphasis on privatization and market-oriented economics—over the last fifty years is often characterized as the product of right-wing political economists, think tanks, and politicians. The Neoliberal Age? argues that this pat narrative ignores broader forces in British left-wing culture that collaborated to transform twentieth-century social life. Through a variety of case studies, the authors demonstrate that our austere, individualistic age emerged from more complex sociopolitical negotiations than typically described.
Combining the experiences of ordinary people with urban politics and history, Saving San Francisco challenges the long-lived myth that the 1906 disaster erased social differences as it leveled the city. Highlighting new evidence from San Francisco’s relief camps, Andrea Rees Davies shows that as policy makers directed various forms of aid to groups and projects that enjoyed high social status before the disaster, the widespread need and dislocation created opportunities for some groups to challenge biased relief policy. Poor and working-class refugees organized successful protests, while Chinatown business leaders and middle-class white women mobilized resources for the less privileged. Ultimately, however, the political and financial elite shaped relief and reconstruction efforts and cemented social differences in San Francisco.
Authoritative and accessible, this book is a concise and comprehensive introduction to the philosophy of religion. It shows how philosophers have used the tools of philosophy to examine the validity of religious ideas and values.
Distinguished North American, British, and Australian authors explain how philosophers of the past and present have approached key concepts of religious faith: Does God exist? Can God’s existence be proved? If so, what might God be like? Is there life after death? Is faith in an unseen God rationally tenable at all in a post-Enlightenment, postmodern, scientific age in which different faith traditions coexist and make claims to the ownership of eternal truths?
This book is an essential reader and reference for scholars, teachers, and students of religion and for anyone who seeks to answer key questions challenging the life of faith today.
The Prefabricated Home outlines the methods and motives of prefabricated buildings and assesses their architectural implications. Davies traces the origins of the branded building phenomenon with examples ranging from the Dymaxion bathroom to IKEA's "Bo Klok" house. He also analyzes the use of industrialized buildings worldwide—including McDonald's drive-through restaurants and contrasts the aesthetic concerns of architects against the economic ones of industrialized building manufacturers. Ultimately, The Prefabricated Home proposes a partnership of architects and industrialized building that could potentially produce an exciting new type of humane and eco-conscious architecture.
Widely recognized as modern China’s preeminent man of letters, Lu Xun (1881–1936) is revered as the voice of a nation’s conscience, a writer comparable to Shakespeare and Tolstoy in stature and influence. Gloria Davies’s portrait now gives readers a better sense of this influential author by situating the man Mao Zedong hailed as “the sage of modern China” in his turbulent time and place.
In Davies’s vivid rendering, we encounter a writer passionately engaged with the heady arguments and intrigues of a country on the eve of revolution. She traces political tensions in Lu Xun’s works which reflect the larger conflict in modern Chinese thought between egalitarian and authoritarian impulses. During the last phase of Lu Xun’s career, the so-called “years on the left,” we see how fiercely he defended a literature in which the people would speak for themselves, and we come to understand why Lu Xun continues to inspire the debates shaping China today.
Although Lu Xun was never a Communist, his legacy was fully enlisted to support the Party in the decades following his death. Far from the apologist of political violence portrayed by Maoist interpreters, however, Lu Xun emerges here as an energetic opponent of despotism, a humanist for whom empathy, not ideological zeal, was the key to achieving revolutionary ends. Limned with precision and insight, Lu Xun’s Revolution is a major contribution to the ongoing reappraisal of this foundational figure.
Every year, thousands of people visit butterfly conservatories to stand in quiet awe of the simple beauty displayed by these magical creatures. Hazel Davies and Carol A. Butler capture the sense of wonderment and curiosity experienced by adults and children alike in this book about butterflies and their taxonomic cousins, the moths and the skippers. Beautifully illustrated with color and black and white photographs, and drawings by renowned artist William Howe, this book is an essential resource for parents, teachers, students, or anyone who has ever been entranced by these fascinating, fluttering creatures.
Covering everything from their basic biology to their complex behaviors at every stage of life to issues in butterfly conservation, Davies and Butler explore wide-ranging topics and supply a trove of intriguing facts. You'll find tips on how to attract more butterflies to your garden, how to photograph them, and even how to raise them in your own home. Arranged in a question and answer format, the book provides detailed information written in an accessible style that brings to life the science and natural history of these insects. In addition, sidebars throughout the book detail an assortment of butterfly trivia, while extensive appendices direct you to organizations, web sites, and more than 200 indoor and outdoor public exhibits, where you can learn more or connect with other lepidopterophiles (butterfly lovers).
Often experienced as universal and incorporeal, music seems an innocent art form. The air, the very medium by which music constitutes itself, shares with music a claim to invisibility. In Creatures of the Air, J. Q. Davies interrogates these claims, tracing the history of music’s elemental media system in nineteenth-century Atlantic worlds. He posits that air is a poetic domain, and music is an art of that domain.
From West Central African ngombi harps to the European J. S. Bach revival, music expressed elemental truths in the nineteenth century. Creatures of the Air tells these truths through stories about suffocation and breathing, architecture and environmental design, climate strife, and racial turmoil. Contributing to elemental media studies, the energy humanities, and colonial histories, Davies shows how music, no longer just an innocent luxury, is implicated in the struggle for control over air as a precious natural resource. What emerges is a complex political ecology of the global nineteenth century and beyond.
Sound Knowledge examines how scientific truth was accrued by means of visual and aural experience, and, in turn, how musical knowledge was located in relation to empirical scientific practice. James Q. Davies and Ellen Lockhart gather work by leading scholars to explore a crucial sixty-year period, beginning with Charles Burney’s ambitious General History of Music, a four-volume study of music around the globe, and extending to the Great Exhibition of 1851, where musical instruments were assembled alongside the technologies of science and industry in the immense glass-encased collections of the Crystal Palace. Importantly, as the contributions show, both the power of science and the power of music relied on performance, spectacle, and experiment. Ultimately, this volume sets the stage for a new picture of modern disciplinarity, shining light on an era before the division of aural and visual knowledge.
Drawing - The Process is a collection of papers, theories and interviews based on the conference and exhibition of the same name held at Kingston University in 2003.
Much debate and research is currently undertaken in this area and it is the intention of the book to galvanize this, while providing a vehicle for deep enquiry. The publication will firstly comprise a collection of refereed papers representing a breadth of activity and research around the issues of drawing within the broad context of art and design activity. The second dimension of the book will be an examination of the drawing processes of high profile practitioners.
The publication will encompass the best contemporary investigation of a subject pivotal to art and design activity, and should be recognized as a fundamental text for students at both undergraduate and postgraduate levels.
From 1950 to 1990, the Soviet Army conducted a global topographic mapping program, creating large-scale maps for much of the world that included a diversity of detail that would have supported a full range of military planning. For big cities like New York, DC, and London to towns like Pontiac, MI and Galveston, TX, the Soviets gathered enough information to create street-level maps. What they chose to include on these maps can seem obvious like locations of factories and ports, or more surprising, such as building heights, road widths, and bridge capacities. Some of the detail suggests early satellite technology, while other specifics, like detailed depictions of depths and channels around rivers and harbors, could only have been gained by actual Soviet feet on the ground. The Red Atlas includes over 350 extracts from these incredible Cold War maps, exploring their provenance and cartographic techniques as well as what they can tell us about their makers and the Soviet initiatives that were going on all around us.
A fantastic historical document of an era that sometimes seems less distant, The Red Atlas offers an uncanny view of the world through the eyes of Soviet strategists and spies.
The North Atlantic World in the Seventeenth Century was first published in 1974. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In his preface the author writes: "Europe's style was both courageous and ignoble, Europe's achievement both magnificent and appalling. There is less need now that Europe's hegemony is over, for pride or shame to color historical judgments." In that candid vein Mr. Davies provides a balanced and impartial history of British, French, and Dutch beginnings in North America, the Caribbean, and West Africa to the end of the seventeenth century. He contrasts two styles of empire: the planting of trading posts in order to gather fur, fish, and slaves; and the planting of people in colonies of settlement to grow tobacco and sugar. He shows that the first style, involving little outlay of capital, was favored by European merchants; the second, by rulers and landlords. In his conclusion he examines the impact made by the Europeans on the people they traded with and expropriated, and assesses the diplomatic, economic, and cultural repercussions of the North Atlantic on Europe itself.
"Should provide valuable supplementary reading in courses in British imperial and American colonial history, as well as a source of information for those who teach them." –History.
In 1540 a small number of Spaniards founded the city of Arequipa in southwestern Peru. These colonists, later immigrants, and their descendants devoted considerable energy to exploiting the surrounding area. At first, like many other Spaniards in the Americas, they relied primarily on Indian producers; by the late 1500s they had acquired land and established small farms and estates. This, the first study to examine the agrarian history of a region in South America from the mid-sixteenth through late-seventeenth century, demonstrates that colonials exploited the countryside as capitalists. They ran their rural enterprises as efficiently as possible, expanded their sources of credit and labor, tapped widespread markets, and lobbied strenuously to influence the royal government. The reasons for such behavior have seldom been explored beyond the colonists’ evident need to sustain themselves and their dependents.
Arequipa’s case suggests another fundamental cause of capitalist behavior in colonial South America: rural wealth was inextricably tied to the colonists’ desire to reinforce and improve their stature. Arequipa’s Spanish families of the upper and middle social levels consistently employed land and its proceeds to attract prominent spouses, to acquire prestigious political and military posts, and to enhance their standing by becoming benefactors of the Church. They rarely lost sight of the crucial role that wealth played in their lives. Thus, when the region’s economy flourished, as it did during the late 1500s, they expanded and improved their holdings. When it faltered at the beginning of the next century, they made every effort to retain properties, even fragmenting land to accommodate family members and new spouses. Unlike patterns sometimes suggested for Spanish America, many Arequipan colonial families possessed land and retained it over many generations. Neither the increasingly rich Church nor a few powerful persons managed to build up extensive estates.
Landowners in Colonial Peru explains how and why rural property became so important. It emphasizes both the capitalist bent of Hispanics and the manner in which wealth served social aspirations. The approach makes clear that many of the economic and social characteristics so often attributed to eighteenth- and nineteenth-century Latin Americans were present from the early Colonial period.
The Cypria, so named because its poet supposedly came from the island of Cyprus, was an early Greek epic that is known to us primarily through quotations and references to passages by later authors, as well as through a prose summary of its plot and contents.
Malcolm Davies uses linguistic evidence from the available verbatim fragments, along with other considerations, to suggest that the Cypria was written after Homer and was intended as a sort of prequel to the plot of the Iliad. In light of this evidence, it is noteworthy that many of the incidents described in the Cypria seem markedly un-Homeric; to give just one example, the Judgment of Paris, a popular subject in later Greek literature and art, most likely received its first detailed treatment in the Cypria, whereas the Iliad mentions it only fleetingly.
Here Davies collects and translates the extant fragments of the Cypria and provides a commentary that anchors it in the Homeric context as well as in the broader world of ancient Greek art and literature.
It may seem odd to devote an entire book, however short, to a lost epic of which hardly any fragments (as normally defined) survive. The existence of a late prose summary of the epic’s contents hardly dispels that oddness. One (rather long) word may supply justification: Neoanalysis.
This once influential theory held that motifs and episodes in the Iliad derive from the Aethiopis, called thus after an Ethiopian prince who allied with Troy against the Greeks, only to be killed by the Greeks’ greatest hero, Achilles. The death of that hero himself, at the hands of Paris, was then described, followed by the suicide of Ajax and preparations for the sack of Troy. The prose summary thus suggests a sequel to Homer’s poem, rather than its source, and for various reasons, especially the theory’s apparent failure to allow for the concept of oral composition, Neoanalysis fell into disfavor. Its recent revival in subtler form, given its vast potential implications for the Iliad’s origins, has inspired this volume’s critical reappraisal of that theory’s more sophisticated reincarnation. In addition, even more than with other lost early epics, the possibility that Greek vase paintings may reflect episodes of the poem must be examined.
In antiquity, the story of the failed assault of the Seven against Thebes ranked second only to the Trojan War. But whereas the latter was immortalized by Homer’s Iliad, the account of the former in the epic Thebais survives only in fragments preserved in later authors. The same is true of the Oedipodeia and Epigoni, which dealt respectively with events leading up to the Seven’s campaign and with the successful assault on the city in the next generation. The Thebais was probably the most important of the three—certainly more and longer fragments of it have survived—and it has been alleged that its recovery would tell us more about Homer than any comparable discovery.
Paradoxically, these fragments suggest very un-Homeric content and style (in particular its detail of the hero Tydeus forfeiting immortality by gnawing on the head of a dying enemy). The same is true of the epic Alcmaeonis, named after one of the Epigoni, whose few surviving fragments pullulate with un-Homeric features. Malcolm Davies provides the first full commentary on all four epics’ fragments. He attempts to set them in context and examines whether artistic depictions of the relevant myths can help reconstruct the lost epics’ contents.
The problem this book is concerned with is the compulsory apprenticeship of seven years required by the Statute of Artificers of 1563 for entry to existing crafts and retail trades. This statute was the most comprehensive expression of the internal policy of English mercantilism, and it initiated national regulation of apprenticeship that was uniform for town and country.
As a result of her penetrating study, Margaret Gay Davies establishes the predominance of private agencies and interests over public ones in enforcement, especially in the case of the common informer—accepted during the Elizabethan and Stuart periods as a normal and necessary instrument. Davies shows the consistent inattention of county authorities and of the central government to the apprenticeship requirements of the Act of 1563, central though these were to internal regulation of economic life.
Though the Vietnam War did not directly involve West Germany, it was nonetheless a decisive catalyst for the era’s wider protest movements in that country, and it gave rise to an ardent anti-war discourse. Poetry and poetic writing were key to anti-war work. Hundreds of poems and related writings about Vietnam circulated in West Germany, yet they are almost entirely forgotten today. Poetic Writing and the Vietnam War in West Germany uncovers and explores some of that rich artistic production in order to present a new history of engaged poetic writing in West Germany in the 1960s and 1970s and to draw out distinctive characteristics of wider protest culture. In doing so, it makes the case for attending to marginal, non-canonical, or neglected literary and cultural forms, and for critical thinking about why they might, over time, have been obscured. The book also offers a case study for reflection on the representation of war, on ways in which German oppositional culture could imagine its others, and on the relationship of poetry to the historical world.
In this classic work, Nigel Davies offers a clear view into Inca political history, economy, governance, religion, art, architecture, and daily life. The Incas has become a classic in its many years in print; readers and scholars interested in ancient American cultures will relish this paperback edition.
The Herbarium Handbook has been an important reference for herbarium collections care and management since it was first published in 1989. Based on standard herbarium practices and personal experience from experts at the Royal Botanic Gardens, Kew, the book also draws on examples from partners and collaborators around the world, making it accessible and adaptable for all herbarium practitioners. The book covers everything from creating herbarium collections to preparing and caring for specimens, managing a herbarium building, and public engagement and outreach. It is the essential reference for anyone working in this field.
In this critically acclaimed book, first published in 1988 and now reprinted in paperback, scientist and author Paul Davies explains how recent scientific advances are transforming our understanding of the emergence of complexity and organization in the universe.
Melding a variety of ideas and disciplines from biology, fundamental physics, computer science, mathematics, genetics, and neurology, Davies presents his provocative theory on the source of the universe's creative potency. He explores the new paradigm (replacing the centuries-old Newtonian view of the universe) that recognizes the collective and holistic properties of physical systems and the power of self-organization. He casts the laws in physics in the role of a "blueprint," embodying a grand cosmic scheme that progressively unfolds as the universe develops.
Challenging the viewpoint that the physical universe is a meaningless collection of particles, he finds overwhelming evidence for an underlying purpose: "Science may explain all the processes whereby the universe evolves its own destiny, but that still leaves room for there to be a meaning behind existence."
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