Viktoria von Hoffmann explores four kinds of early modern texts--culinary, medical, religious, and philosophical--to follow taste's ascent from the sinful to the beautiful. Combining food studies and sensory history, she takes readers on an odyssey that redefined a fundamental human experience. Scholars and cooks rediscovered a vast array of ways to prepare and present foods. Far-sailing fleets returned to Europe bursting with new vegetables, exotic fruits, and pungent spices. Hosts refined notions of hospitality in the home while philosophers pondered the body and its perceptions. As von Hoffmann shows, these labors produced a sea change in perception and thought, one that moved taste from the base realm of the tongue to the ethereal heights of aesthetics.
Film is in a state of rapid change: the transition from analog to digital is profoundly affecting not just filmmaking and film distribution but a number of other facets of the industry, including the ways in which films are archived. In From Grain to Pixel—the first volume in the new Framing Filmseries from Amsterdam University Press—Giovanna Fossati brings together scholars and archivists to discuss their theories on digitization and to propose new possibilities for future archives.
In 1991 the Eritrean People’s Liberation Front (EPLF) took over Asmara and completed the liberation of Eritrea; formal independence came two years later after a referendum in May 1993. It was the climax of a thirty-year struggle, though the EPLF itself was formed only in the early 1970s.
From the beginning, Eritrean nationalism was divided. Ethiopia’s appeal to a joint Christian imperial past alienated the Muslim pastoral lowland people in the areas where Eritrean nationalism first appeared. It was not until the early 1970s that the Christian elements of the population finally joined the liberation struggle on a substantial scale.
The title of this anthology calls attention to the process whereby aspects of the Vietnam War have been appropriated by the American cultural industry. Probing the large body of emotion-laden, controversial films, From Hanoi to Hollywood is concerned with the retelling of history and the retrospection that such a process involves. In this anthology, an awareness of film as a cultural artifact that molds beliefs and guides action is emphasized, an awareness that the contributors bring to a variety of films. Their essays span over one hundred documentary and fiction films, and include in-depth analyses of major commercial films, ranging from Apocalypse Now to Platoon, Rambo: First Blood Part II, and Full Metal Jacket, and documentaries from In the Year of the Pig to Dear America: Letters Home from Vietnam.
The essays in this volume deal with representations of the Vietnam war in documentary film and television reporting, examining the ways the power of film is used to deliver political messages. There are surprises here, new readings, and important insights on the ways we as a society have attempted to come to terms with the experiences of the Vietnam era. The book also contains two appendixes-a detailed chronology charting the relationship between major historical events and the release of American war films from 1954 through 1988, and a filmography listing information on over four hundred American and foreign films about the Vietnam War.
"Sue Hubbell's From Here to There and Back Again is stylish and thought-provoking. As her brother I have long admired her mince pies and her ability to knit her own thermal underwear."
---Bil Gilbert
"The real masterwork that Sue Hubbell has created is her life."
---New York Times Book Review
"A latter-day Henry Thoreau with a sense of the absurd."
---Chicago Sun-Times
"Sue Hubbell writes splendidly."
---William Least Heat-Moon
"Prose as clear, languorous and beautiful as honey poured from a jar."
---People
From Here to There and Back Again is the much-anticipated collection of essays on an array of offbeat and engrossing subjects by magazine essayist and nature writer Sue Hubbell, author of A Country Year, Shrinking the Cat, and Waiting for Aphrodite.
Reading Sue Hubbell is like embarking on a journey of discovery with a close friend. Her writing is witty, learned yet unassuming, intensely personal, and pointedly honest as she ranges far and wide on such topics as after-hours truck stops, the country's best pie restaurants, bowling shoes, Costa Rica's blue morpho butterfly, earthquakes, and the honey trade. Several of her pieces take place in Michigan locales as well, including Elvis sightings in Vicksburg and the magicians' convention in Colon. In the end you'll return from these travels refreshed, enlightened-and wiser.
A Wired Most Fascinating Book of the Year
“An important book that reminds us that navigation remains one of our most underappreciated arts.”
—Tristan Gooley, author of The Lost Art of Reading Nature’s Signs
“If you want to understand what rats can teach us about better-planned cities, why walking into a different room can help you find your car keys, or how your brain’s grid, border, and speed cells combine to give us a sense of direction, this book has all the answers.”
—The Scotsman
How is it that some of us can walk unfamiliar streets without losing our way, while the rest of us struggle even with a GPS? Navigating in uncharted territory is a remarkable feat if you stop to think about it. In this beguiling mix of science and storytelling, Michael Bond explores how we do it: how our brains make the “cognitive maps” that keep us orientated and how that anchors our sense of wellbeing. Children are instinctive explorers, developing a spatial understanding as they roam. And yet today few of us make use of the wayfinding skills that we inherited from our nomadic ancestors.
Bond tells stories of the lost and found—sailors, orienteering champions, early aviators—and explores why being lost can be such a devastating experience. He considers how our understanding of the world around us affects our psychology and helps us see how our reliance on technology may be changing who we are.
“Bond concludes that, by setting aside our GPS devices, by redesigning parts of our cities and play areas, and sometimes just by letting ourselves get lost, we can indeed revivify our ability to find our way, to the benefit of our inner world no less than the outer one.”
—Science
“A thoughtful argument about how our ability to find our way is integral to our nature.”
—Sunday Times
Today, over 75 percent of high school seniors aspire to graduate from college. However, only one-third of Americans hold a bachelor’s degree, and college graduation rates vary significantly by race/ethnicity and parental socioeconomic status. If most young adults aspire to obtain a college degree, why are these disparities so great? In From High School to College, Charles Hirschman analyzes the period between leaving high school and completing college for nearly 10,000 public and private school students across the Pacific Northwest.
Hirschman finds that although there are few gender, racial, or immigration-related disparities in students’ aspirations to attend and complete college, certain groups succeed at the highest rates. For example, he finds that women achieve better high school grades and report receiving more support and encouragement from family, peers, and educators. They tend to outperform men in terms of preparing for college, enrolling in college within a year of finishing high school, and completing a degree. Similarly, second-generation immigrants are better prepared for college than first-generation immigrants, in part because they do not have to face language barriers or learn how to navigate the American educational system.
Hirschman also documents that racial disparities in college graduation rates remain stark. In his sample, 35 percent of white students graduated from college within seven years of completing high school, compared to only 19 percent of black students and 18 percent of Hispanic students. Students’ socioeconomic origins—including parental education and employment, home ownership, and family structure—account for most of the college graduation gap between disadvantaged minorities and white students. Further, while a few Asian ethnic groups have achieved college completion rates on par with whites, such as Chinese and Koreans, others, whose socioeconomic origins more resemble those of black and Hispanic students, such as Filipinos and Cambodians, also lag behind in preparedness, enrollment, and graduation from college.
With a growing number of young adults seeking college degrees, understanding the barriers that different students encounter provides vital information for social scientists and educators. From High School to College illuminates how gender, immigration, and ethnicity influence the path to college graduation.
West German filmmakers have tried to repeatedly over the past half-century to come to terms with Germany’s stigmatized history. How can Hitler and the Holocaust, how can the complicity and shame of the average German be narrated and visualized? How can Auschwitz be reconstructed? Anton Kaes argues that a major shift in German attitudes occurred in the mid-1970s—a shift best illustrated in films of the New German Cinema, which have focused less on guilt and atonement than on personal memory and yearning for national identity.
To support his claim, Kaes devotes a chapter to each of five complex and celebrated films of the modern German era: Hans Jürgen Syberberg's Hitler, a Film from Germany, a provocative restaging of German history in postmodern tableaux; The Marriage of Maria Braun, the personal and political reflection on postwar Germany with which Rainer Werner Fassbinder first caught the attention of American and European audiences; Helma Sanders-Brahms's feminist and autobiographical film Germany, Pale Mother, relating the unexplored role of German women during and after the war; Alexander Kluge's The Patriot, a self-reflexive collage of verbal and visual quotations from the entire course of the German past; and, finally, Edgar Reitz's Heimat, a 16-hour epic rendering of German history from 1918 to the present from the perspective of everyday life in the provinces.
Despite radical differences in style and form, these films are all concerned with memory, representation, and the dialogue between past and present Kaes draws from a variety of disciplines, interweaving textual interpretation, cultural history, and current theory to create a dynamic approach to highly complex and multi-voiced films. His book will engage readers interested in postwar German history, politics, and culture; in film and media studies; and in the interplay of history, memory, and film.
West German filmmakers have tried to repeatedly over the past half-century to come to terms with Germany’s stigmatized history. How can Hitler and the Holocaust, how can the complicity and shame of the average German be narrated and visualized? How can Auschwitz be reconstructed? Anton Kaes argues that a major shift in German attitudes occurred in the mid-1970s—a shift best illustrated in films of the New German Cinema, which have focused less on guilt and atonement than on personal memory and yearning for national identity.
To support his claim, Kaes devotes a chapter to each of five complex and celebrated films of the modern German era: Hans Jürgen Syberberg's Hitler, a Film from Germany, a provocative restaging of German history in postmodern tableaux; The Marriage of Maria Braun, the personal and political reflection on postwar Germany with which Rainer Werner Fassbinder first caught the attention of American and European audiences; Helma Sanders-Brahms's feminist and autobiographical film Germany, Pale Mother, relating the unexplored role of German women during and after the war; Alexander Kluge's The Patriot, a self-reflexive collage of verbal and visual quotations from the entire course of the German past; and, finally, Edgar Reitz's Heimat, a 16-hour epic rendering of German history from 1918 to the present from the perspective of everyday life in the provinces.
Despite radical differences in style and form, these films are all concerned with memory, representation, and the dialogue between past and present Kaes draws from a variety of disciplines, interweaving textual interpretation, cultural history, and current theory to create a dynamic approach to highly complex and multi-voiced films. His book will engage readers interested in postwar German history, politics, and culture; in film and media studies; and in the interplay of history, memory, and film.
"I hadn't, till I really started digging, gauged the fierce intensity of the need for myth in the human psyche, of any age, or sensed the variety of motives dictating that need," writes Peter Green in the introduction to this wide-ranging collection of essays on classical mythology and the mythic experience. Using the need for myth as the starting point for exploring a number of topics in Greek mythology and history, Green advances new ideas about why the human urge to make myths persists across the millennia and why the borderland between mythology and history can sometimes be hard to map.
Green looks at both specific problems in classical mythology and larger theoretical issues. His explorations underscore how mythic expression opens a door into non-rational and quasi-rational modes of thought in which it becomes possible to rewrite painful truths and unacceptable history—which is, Green argues, a dangerous enterprise. His study of the intersections between classical mythology and Greek history ultimately drives home a larger point, "the degree of mythification and deception (of oneself no less than of others) of which the human mind is capable."
From Improvement to City Planning emphasizes the ways people in nineteenth-century America managed urban growth. Historian Henry Binford shows how efforts to improve space were entwined with the evolution of urban governance (i.e., regulation)—and also influenced by a small group of advantaged families.
Binford looks specifically at Cincinnati, Ohio, then the largest and most important interior city west of the Appalachian Mountains. He shows that it was not just industrialization, but also beliefs about morality, race, health, poverty, and “slum” environments, that demanded an improvement of urban space. As such, movements for public parks and large-scale sanitary engineering in the 1840s and ’50s initiated the beginning of modern city planning. However, there were limitations and consequences to these efforts..
Many Americans believed that remaking city environments could also remake citizens. From Improvement to City Planning examines how the experiences of city living in the early republic prompted city dwellers to think about and shape urban space.
Since Margret A. Winzer wrote her landmark work The History of Special Education, much has transpired in this field, which she again has captured in a remarkable display of scholarship. Winzer’s new study From Integration to Inclusion: A History of Special Education in the 20th Century focuses chiefly on the significant events of the twentieth and early twenty-first centuries in the United States and Canada. Its key dynamics consist of a retrospective overview of the paradigms that emerged from and shaped special education; a critical assessment of past progress and reform, including failures and disappointments; and an analysis of the theoretical diversity within the discipline.
In this stand-alone volume, Winzer juxtaposes the historical study of disability and of special schooling and service provision with reference to broader social systems, protocols, and practices. She documents how prevailing emotional and intellectual climates influence disability and schooling, and also takes into account the social, political, and ideological factors that affect educational theory and practice. Winzer recognizes that reform has been the Zeitgeist of the history of special education. Crucial problems such as defining exceptional conditions and separating them from one another were formulated in contexts organized along moral, theological, legislative, medical, and social dimensions. Many of these reforms failed for various reasons, which Winzer thoroughly explains in her study. Most of these reforms evolved from the long and honorable pedigree that the field of special education has possessed since its earliest antecedents, now admirably brought up to date by this outstanding work.
Contributors. Roger E. Backhouse, Márcia L. Balisciano, Bradley W. Bateman, Jeff Biddle, Ross B. Emmett, Crauford D. W. Goodwin, D. Wade Hands, Anne Mayhew, Steven G. Medema, Perry Mehrling, Philip Mirowski, Mary S. Morgan, Malcolm Rutherford, E. Roy Weintraub
From Jail to Jail is the political autobiography of Sutan Ibrahim gelar Tan Malaka, an enigmatic and colorful political thinker of twentieth-century Asia, who was one of the most influential figures of the Indonesian Revolution. Variously labeled a communist, Trotskyite, and nationalist, Tan Malaka managed to run afoul of nearly every political group and faction involved in the Indonesian struggle for independence. During his decades of political activity, he spent periods of exile and hiding in nearly every country in Southeast Asia. As a Marxist who was expelled from and became a bitter enemy of his country’s Communist Party and as a nationalist who was imprisoned and murdered by his own government’s forces as a danger to its anticolonial struggle, Tan Malaka was and continues to be soaked in contradiction and controversy.
Translated by Helen Javis and with a new introduction from Harry A. Poeze, this edition of From Jail to Jail contextualizes the life and political accomplishments of Tan Malaka in one of the few known autobiographies by a Marxist of this political era and region.
From Jail to Jail is the political autobiography of Sutan Ibrahim gelar Tan Malaka, an enigmatic and colorful political thinker of twentieth-century Asia, who was one of the most influential figures of the Indonesian Revolution. Variously labeled a communist, Trotskyite, and nationalist, Tan Malaka managed to run afoul of nearly every political group and faction involved in the Indonesian struggle for independence. During his decades of political activity, he spent periods of exile and hiding in nearly every country in Southeast Asia. As a Marxist who was expelled from and became a bitter enemy of his country’s Communist Party and as a nationalist who was imprisoned and murdered by his own government’s forces as a danger to its anticolonial struggle, Tan Malaka was and continues to be soaked in contradiction and controversy.
From Jane Austen to Joseph Conrad was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
David Daisches, Douglas Bush, Robert B. Heilman, Arthur Mizener, and William Van O'Connor are among the contributors to this volume of essays on the nineteenth-century British novel. Each of the selections has been written expressly for this book and is published here for the first time.
There are a total of 20 essays, each by a different contributor. In addition, Rathburn, in an introductory essay, relates the nineteenth-century novel to that of the eighteenth century and Steinmann, in the concluding essay, discusses the nineteenth-century novel in relation to that of the present century.
The contributors, in addition to the two editors of the volume, and the novelists they discuss are the following: Charles Murrah, Jane Austen; Alan D Mckillop, Jane Austen; David Dasches, Walter Scott; Curtis Dahl, Edward Bulwer-Lytton; J. Y T. Greig, William Makepeace Thackeray; Douglas Bush, Charles Dickens; George H. Ford, Dickens; Melvin; R. Watson, the Brontes; Robert B. Heilman, Charlotte Bronte; Yvonne French, Elizabeth Gaskell; Bradford A. Booth, Anthony Trollope; Arthur Mizener, Anthony Trollope; Gordon S. Haight, George Eliot; Sumner J. Ferris, George Eliot; Wayne Burns, Charles Reade; Fabian Gudas, George Meredith; John Holloway, Thomas Hardy; Jacob Korg, George Gissing; William Van O'Connor, Samuel Burlter; W. Y. Tindall, Joseph Conrad. Although each essay is focused on a single novel or on one aspect of the novelist, all of them are written to give the reader sense of the novelist's whole achievement.
From Jim Crow to Jay-Z traces black male representations to chattel slavery and American minstrelsy as early examples of fetishization and commodification of black male subjectivity. Continuing with diverse discussions including black action films, heavyweight prizefighting, Elvis Presley's performance of blackness, and white rappers such as Vanilla Ice and Eminem, White establishes a sophisticated framework for interpreting and critiquing black masculinity in hip-hop music and culture. Arguing that black music has undeniably shaped American popular culture and that hip-hop tropes have exerted a defining influence on young male aspirations and behavior, White draws a critical link between the body, musical sound, and the construction of identity.
In From Kant to Husserl, Charles Parsons examines a wide range of historical opinion on philosophical questions, from mathematics to phenomenology. Amplifying his early ideas on Kant’s philosophy of arithmetic, Parsons uses Kant’s lectures on metaphysics to explore how his arithmetical concepts relate to the categories. He then turns to early reactions by two immediate successors of Kant, Johann Schultz and Bernard Bolzano, to shed light on disputed questions regarding interpretation of Kant’s philosophy of mathematics. Interested, as well, in what Kant meant by “pure natural science,” Parsons considers the relationship between the first Critique and the Metaphysical Foundations of Natural Science. His commentary on Kant’s Transcendental Aesthetic departs from mathematics to engage the vexed question of what it tells about the meaning of Kant’s transcendental idealism.
Proceeding on to phenomenology, Parsons examines Frege’s evolving idea of extensions, his attitude toward set theory, and his correspondence, particularly exchanges with Russell and Husserl. An essay on Brentano brings out, in the case of judgment, an alternative to the now standard Fregean view of negation, and, on truth, alternatives to the traditional correspondence view that are still discussed today. Ending with the question of why Husserl did not take the “linguistic turn,” a final essay included here marks the only article-length discussion of Husserl Parsons has ever written, despite a long-standing engagement with this philosopher.
Anita M. Mallinckrodt traces the 750-year history of the Mallinckrodt family from its earliest documented beginnings in thirteenth-century Westphalia (in the Dortmund area) through immigration to Missouri in 1831 and beyond.
In part 1, Mallinckrodt tells the story of some of her family’s leading personalities in order to explicate the history and society of medieval and early modern Germany: the life and times of knight Ludwig (c. 1241) and crusader Gerd (c. 1450–1504); the 1451 and 1492 adventures of the mercenary knight Hermann and his son Wilhelm; the 1594 feuding of the noble brothers Dietrich and Hermann, which led to a double murder; the liberal Dortmund publisher Arnold’s struggles in the early 1800s to establish freedom of the press and to free Westphalian farmers from serfdom; and the wealthy, aristocratic Sister Pauline (b. 1817), founder of the Sisters of Charity and recently beatified for her efforts on behalf of the poor and blind children of her day.
In parts 2 and 3, Mallinckrodt focuses on the first of her forebears to immigrate to the New World—Julius and Emil in 1831, followed by Conrad, Hermann, August, Helene, Sophie, and Luise in 1838—and their immediate families and descendants in Missouri. These early pioneers cleared the forests, built schools and churches, supported German-language periodicals, and founded social and cultural organizations that would benefit later waves of immigrants. In the 1860s, they participated in their adopted country’s Civil War and held strong views toward slavery and the Union. Mallinckrodt ends her family’s history with the deaths of the Dortmund pioneers in the 1890s.
But From Knights to Pioneers is much more than a single family’s history. The experiences Mallinckrodt relates reflect those of many German families who left their mark on centuries of history and of many midwestern families transplanted from the Old World. Especially interesting is the continuity between the old and new ways of life—entries on genealogical tables need not end with the comment "immigrated to the USA," for immigrants often wrote notable chapters of family history that deserve recognition in their old homelands. Similarly, knowledge of pre-immigration history is essential for those Americans whose traditions surely did not begin, as oral history often suggests, with the fact that "great-grandfather arrived in the Midwest from Germany in 1831." Thus the purpose of this book is to set a family’s immigration chapter against its European background, without passing judgment on the cultural influence of outstanding individuals in the United States or of German immigration per se.
Drawing on her extensive research in both Europe and the United States, Mallinckrodt presents an exceptionally detailed picture of the social and political contexts of each of her subjects. The richness of her exposition of both the Old World background and the lives of the immigrants to the New World offers important insights into aspects of European and American history.
A cultural history of Sápmi and the Nordic countries as told through objects and artifacts
Material objects—things made, used, and treasured—tell the story of a people and place. So it is for the Indigenous Sámi living in Norway, Sweden, Finland, and Russia, whose story unfolds across borders and centuries, in museums and private collections. The objects created by the Sámi for daily and ceremonial use were purchased and taken by Scandinavians and foreign travelers in Lapland from the seventeenth century to the present, and the collections described in From Lapland to Sápmi map a complex history that is gradually shifting to a renaissance of Sámi culture and craft, along with the return of many historical objects to Sápmi, the Sámi homeland.
The Sámi objects first collected in Lapland by non-Indigenous people were drums and other sacred artifacts, but later came to include handmade knives, decorated spoons, clothing, and other domestic items owned by Sámi reindeer herders and fishers, as well as artisanal crafts created for sale. Barbara Sjoholm describes how these objects made their way via clergy, merchants, and early scientists into curiosity cabinets and eventually to museums in Copenhagen, Stockholm, Oslo, and abroad. Musicians, writers, and tourists also collected Sámi culture for research and enjoyment. Displays of Sámi material culture in Scandinavia and England, Germany, and other countries in museums, exhibition halls, and even zoos often became part of racist and colonial discourse as examples of primitive culture, and soon figured in the debates of ethnographers and curators over representations of national folk traditions and “exotic” peoples. Sjoholm follows these objects and collections from the Age of Enlightenment through the twentieth century, when artisanship took on new forms in commerce and museology and the Sámi began to organize politically and culturally. Today, several collections of Sámi objects are in the process of repatriation, while a new generation of artists, activists, and artisans finds inspiration in traditional heritage and languages.
Deftly written and amply illustrated, with contextual notes on language and Nordic history, From Lapland to Sápmi brings to light the history of collecting, displaying, and returning Sámi material culture, as well as the story of Sámi creativity and individual and collective agency.
This handbook offers a synopsis of the regular changes that Latin words underwent in the course of their evolution into modern Romance languages (Italian, Spanish, Portuguese, and French, with their English cognates). Although it is intended for the nonspecialist, students of Romance philology will find it useful as a ready reference and as a source of abundant examples of Latin sound changes.
The synopsis is presented in the form of separate alphabetical charts for each major sound change. The rules, stated as simply as possible, do not generally explain the evolution of the changes, but only the end results. For those desiring further information, there are notes after most rules outlining exceptions to or modifications of that rule and often sketching successive stages in the development of the sound. Several minor or sporadic sound changes are also treated in note form. Each chart is supplemented by a list of additional words illustrating the same sound change.
From Latin to Roman in Sound Charts has been used successfully as a graduate level text for such courses as History of Spanish, History of French, and Romance Linguistics.
Cinema has been undergoing a profound technological shift: celluloid film is being replaced by digital media in the production, distribution, and reception of moving images. Concerned with the debate surrounding digital cinema’s ontology and the interrelationship between cinema cultures, From Light to Byte investigates the very idea of change as it is expressed in the current technological transition. Markos Hadjioannou asks what is different in the way digital movies depict the world and engage with the individual and how we might best address the issue of technological shift within media archaeologies.
Hadjioannou turns to the technical basis of the image as his first point of departure, considering the creative and perceptual activities of moviemakers and viewers. Grounded in film history, film theory, and philosophy, he explores how the digital configures its engagement with reality and the individual while simultaneously replaying and destabilizing celluloid’s own structures. He observes that, where film’s photographic foundation encourages an existential association between individual and reality, digital representations are graphic renditions of mathematical codes whose causal relations are more difficult to trace.
Throughout this work Hadjioannou examines how the two technologies set themselves up with reference to reality, physicality, spatiality, and temporality, and he concludes that the question concerning digital cinema is ultimately one of ethical implications—a question, that is, of the individual’s ability to respond to the image of the world.
What do we mean by “space” in the Iliad? The aim of this book is to offer a systematic and comprehensive presentation of the different types and functions of space in the earliest work of Greek literature. By adopting a twofold division between simple and embedded story space, the former pertaining to the actions of characters and the latter to their thoughts, Christos Tsagalis shows how character drawing and authority are deeply influenced by active spatial representation.
Similes and descriptive passages, in which space looms large, are also viewed in a new light as the author explores the relation between space designated in the similes and in the corresponding action of the main narrative. Given the importance in cognitive theory of the role of memory in an oral medium such as epic song, the book analyzes Homeric modes of visual memory, implicit knowledge, and mnemonic formats in order to better understand the composition and presentation of descriptive and ekphrastic passages, with special emphasis on the numerous prized objects and the monumental shield of Achilles.
Greg Eghigian has compiled a unique anthology of readings, from ancient times to the present, that includes Hippocrates; Julian of Norwich's Revelations of Divine Love, penned in the 1390s; Dorothea Dix; Aaron T. Beck; Carl Rogers; and others, culled from religious texts, clinical case studies, memoirs, academic lectures, hospital and government records, legal and medical treatises, and art collections. Incorporating historical experiences of medical practitioners and those deemed mentally ill, From Madness to Mental Health also includes an updated bibliography of first-person narratives on mental illness compiled by Gail A. Hornstein.
This compact history traces the computer industry from its origins in 1950s mainframes, through the establishment of standards beginning in 1965 and the introduction of personal computing in the 1980s. It concludes with the Internet’s explosive growth since 1995. Across these four periods, Martin Campbell-Kelly and Daniel Garcia-Swartz describe the steady trend toward miniaturization and explain its consequences for the bundles of interacting components that make up a computer system. With miniaturization, the price of computation fell and entry into the industry became less costly. Companies supplying different components learned to cooperate even as they competed with other businesses for market share. Simultaneously with miniaturization—and equally consequential—the core of the computer industry shifted from hardware to software and services. Companies that failed to adapt to this trend were left behind.
Governments did not turn a blind eye to the activities of entrepreneurs. The U.S. government was the major customer for computers in the early years. Several European governments subsidized private corporations, and Japan fostered R&D in private firms while protecting its domestic market from foreign competition. From Mainframes to Smartphones is international in scope and broad in its purview of this revolutionary industry.
Upon its publication, The Origin of Species was critically embraced in Europe and North America. But how did Darwin’s theories fare in other regions of the world? Adriana Novoa and Alex Levine offer here a history and interpretation of the reception of Darwinism in Argentina, illuminating the ways culture shapes scientific enterprise.
In order to explore how Argentina’s particular interests, ambitions, political anxieties, and prejudices shaped scientific research, From Man to Ape focuses on Darwin’s use of analogies. Both analogy and metaphor are culturally situated, and by studying scientific activity at Europe’s geographical and cultural periphery, Novoa and Levine show that familiar analogies assume unfamiliar and sometimes startling guises in Argentina. The transformation of these analogies in the Argentine context led science—as well as the interaction between science, popular culture, and public policy—in surprising directions. In diverging from European models, Argentine Darwinism reveals a great deal about both Darwinism and science in general.
Novel in its approach and its subject, From Man to Ape reveals a new way of understanding Latin American science and its impact on the scientific communities of Europe and North America.
Epic poets of the Renaissance looked to emulate the poems of Greco-Roman antiquity, but doing so presented a dilemma: what to do about the gods? Divine intervention plays a major part in the epics of Homer and Virgil—indeed, quarrels within the family of Olympian gods are essential to the narrative structure of those poems—yet poets of the Renaissance recognized that the cantankerous Olympians could not be imitated too closely. The divine action of their classical models had to be transformed to accord with contemporary tastes and Christian belief.
From Many Gods to One offers the first comparative study of poetic approaches to the problem of epic divine action. Through readings of Petrarch, Vida, Ariosto, Tasso, and Milton, Tobias Gregorydescribes the narrative and ideological consequences of the epic’s turn from pagan to Christian. Drawing on scholarship in several disciplines—religious studies, classics, history, and philosophy, as well as literature—From Many Gods to One sheds new light on two subjects of enduring importance in Renaissance studies: the precarious balance between classical literary models and Christian religious norms and the role of religion in drawing lines between allies and others.
Unique among readers in American political and social thought, From Many, One is a broad and balanced anthology that explores the problem of diversity and American political identity throughout American history. From the classic texts of the American political tradition to diverse minority writings, this book offers a wide spectrum of ideas about identity, gender, immigration, race, and religion, and addresses how these issues relate to the concept of national unity.
Covering the gamut of viewpoints from majority to minority, from conservative to radical, from assimilationist to separatist, the authors range from the Founding Fathers to Frederick Jackson Turner, from Abigail Adams to bell hooks and Catharine MacKinnon; from Abraham Lincoln to Malcolm X; from Roger Williams to Ralph E. Reed.
Sinopoli's extensive introductory and concluding essays set the context for and draw out the implications of the fifty readings. The conclusion includes case studies of three minority groups—homosexuals, Mexican-Americans, and Chinese-Americans—to illustrate further the themes of the volume. Brief introductions to each reading and to each of the five sections provide background information.
In examining one of the central questions of American public life—the issue of national diversity—From Many, One will be a useful text for courses in American political thought, sociology, American Studies, and American history.
From Mastery to Mystery is an original and provocative contribution to the burgeoningfield of ecophenomenology. Informed by current debates in environmental philosophy, Bannon critiques the conception of nature as u200a“substance” that he finds tacitly assumed by the major environmental theorists. Instead, this book reconsiders the basic goals of an environmental ethic by questioning the most basic presupposition that most environmentalists accept: that nature is in need of preservation.
Beginning with Bruno Latour’s idea that continuing to speak of nature in the way we popularly conceive of it is ethically and politically disastrous, this book describes a way in which the concept of nature can retain its importance in our discussion of the contemporary state of the environment. Based upon insights from the phenomenological tradition, specifically the work of Martin Heidegger and Maurice Merleau-Ponty, the concept of nature developed in the book preserves the best antihumanistic intuitions of environmentalists without relying on either a reductionistic understanding of nature and the sciences or dualistic metaphysical constructions.
What do the Chinese literature and film inspired by the Cultural Revolution (1966–1976) have in common with the Chinese literature and film of the May Fourth movement (1918–1930)? This new book demonstrates that these two periods of the highest literary and cinematic creativity in twentieth-century China share several aims: to liberate these narrative arts from previous aesthetic orthodoxies, to draw on foreign sources for inspiration, and to free individuals from social conformity.
Although these consistencies seem readily apparent, with a sharper focus the distinguished contributors to this volume reveal that in many ways discontinuity, not continuity, prevails. Their analysis illuminates the powerful meeting place of language, imagery, and narrative with politics, history, and ideology in twentieth-century China.
Drawing on a wide range of methodologies, from formal analysis to feminist criticism, from deconstruction to cultural critique, the authors demonstrate that the scholarship of modern Chinese literature and film has become integral to contemporary critical discourse. They respond to Eurocentric theories, but their ultimate concern is literature and film in China’s unique historical context. The volume illustrates three general issues preoccupying this century’s scholars: the conflict of the rural search for roots and the native soil movement versus the new strains of urban exoticism; the diacritics of voice, narrative mode, and intertextuality; and the reintroduction of issues surrounding gender and subjectivity.
The recent reopening of Iraq’s National Museum attracted worldwide attention, underscoring the country’s dual image as both the cradle of civilization and a contemporary geopolitical battleground. A sweeping account of the rich history that has played out between these chronological poles, From Mesopotamia to Iraq looks back through 10,000 years of the region’s deeply significant yet increasingly overshadowed past.
Hans J. Nissen and Peter Heine begin by explaining how ancient Mesopotamian inventions—including urban society, a system of writing, and mathematical texts that anticipated Pythagoras—profoundly influenced the course of human history. These towering innovations, they go on to reveal, have sometimes obscured the major role Mesopotamia continued to play on the world stage. Alexander the Great, for example, was fascinated by Babylon and eventually died there. Seventh-century Muslim armies made the region one of their first conquests outside the Arabian peninsula. And the Arab caliphs who ruled for centuries after the invasion built the magnificent city of Baghdad, attracting legions of artists and scientists. Tracing the evolution of this vibrant country into a contested part of the Ottoman Empire, a twentieth-century British colony, a republic ruled by Saddam Hussein, and the democracy it has become, Nissen and Heine repair the fragmented image of Iraq that has come to dominate our collective imagination.
In hardly any other continuously inhabited part of the globe can we chart such developments in politics, economy, and culture across so extended a period of time. By doing just that, the authors illuminate nothing less than the forces that have made the world what it is today.
The economic growth of South Korea has been a remarkable success story. After the Korean War, the country was one of the poorest economies on the planet; by the twenty-first century, it had become a middle-income country, a member of the Organization of Economic Cooperation and Development (the club of advanced economies), and home to some of the world’s leading industrial corporations. And yet, many Koreans are less than satisfied with their country’s economic performance, given the continuing financial volatility and sluggish growth since the Korean economic crisis of 1997–1998.
From Miracle to Maturity offers a comprehensive qualitative and quantitative analysis of the growth of the Korean economy, starting with the aggregate sources of growth (growth of the labor force, the stock of capital, and productivity) and then delving deeper into the roles played by structural change, exports, foreign investment, and financial development. The authors provide a detailed examination of the question of whether the Korean economy is now underperforming and ask, if so, what can be done to solve the problem.
From Monastery to Hospital traces the origin of the late Roman hospital to the earliest groups of Christian monastics. Often characterized as holy men and miracle-workers who transformed late antique spirituality, monks held an equally significant impact on the development of medicine in Late Antiquity. Andrew Crislip illuminates the innovative approaches to health care within the earliest monasteries that provided the model for the greatest medical achievement of Late Antiquity: the hospital.
From Monastery to Hospital draws on some of the most vibrant areas of scholarship of the ancient world, including asceticism, the study of the body, history of the family, and the history of medicine. The book will be of interest to scholars and students of early Christianity, Roman History, the history of medicine, and Catholic, Coptic, and Eastern Orthodox history and theology. It will also be of interest to the broader field of history of Christianity, especially with its connections to charitable traditions in the church through the modern period.
Andrew Crislip is Assistant Professor of Religion at the University of Hawaii.
For the preconquest Maya, sexuality was a part of ritual discourse and performance, and all sex acts were understood in terms of their power to create, maintain, and destroy society. As postconquest Maya adapted to life under colonial rule, they neither fully abandoned these views nor completely adopted the formulation of sexuality prescribed by Spanish Catholicism. Instead, they evolved hybridized notions of sexual desire, represented in the figure of the Virgin Mary as a sexual goddess, whose sex acts embodied both creative and destructive components.
This highly innovative book decodes the process through which this colonization of Yucatan Maya sexual desire occurred. Pete Sigal frames the discussion around a series of texts, including the Books of Chilam Balam and the Ritual of the Bacabs, that were written by seventeenth and eighteenth century Maya nobles to elucidate the history, religion, and philosophy of the Yucatecan Maya communities. Drawing on the insights of philology, discourse analysis, and deconstruction, he analyzes the sexual fantasies, fears, and desires that are presented, often unintentionally, in the "margins" of these texts and shows how they illuminate issues of colonialism, power, ritual, and gender.
Tracing teachers' experiences in the Third Reich and East Germany, Charles Lansing analyzes developments in education of crucial importance to both dictatorships. Lansing uses the town of Brandenburg an der Havel as a case study to examine ideological reeducation projects requiring the full mobilization of the schools and the active participation of a transformed teaching staff. Although lesson plans were easily changed, skilled teachers were neither quickly made nor easily substituted. The men and women charged in the postwar era with educating a new “antifascist” generation were, to a surprising degree, the same individuals who had worked to “Nazify” pupils in the Third Reich. But significant discontinuities existed as well, especially regarding the teachers' professional self-understanding and attitudes toward the state-sanctioned teachers' union. The mixture of continuities and discontinuities helped to stabilize the early GDR as it faced its first major crisis in the uprising of June 17, 1953.
This uniquely comparative work sheds new light on an essential story as it reconceptualizes the traditional periodization of postwar German and European history.
Sally Chivers provides a fascinating look at and challenge to how North American popular culture has portrayed old age as a time of disease, decline, and death. Within contemporary Canadian literary and film production, a tradition of articulate central elderly female characters challenges what the aging body has come to signify in a broader cultural context. Rather than seek positive images of aging, which can do their own prescriptive damage, the author focuses on constructive depictions that provide a basis on which to create new stories and readings of growing old. This type of humanities approach to the study of aging promises neither to fixate on nor avoid consideration of the role of the body in the much broader process of getting older. The progression implied in the title from the solitary symbol of The Old Woman toward a community of older women, indicates not a move toward euphemism, but rather an increasing and necessary awareness of the social and cultural dimensions of aging.
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