A SCHOLARLY BOOK REPOSITORY
In many countries, public sector institutions impose heavy burdens on economic life: heavy and arbitrary taxes retard investment, regulations enrich corrupt bureaucrats, state firms consume national wealth, and the most talented people turn to rent-seeking rather than productive activities. As a consequence of such predatory policies--described in this book as the grabbing hand of the state--entrepreneurship lingers and economies stagnate.
The authors of this collection of essays describe many of these pathologies of a grabbing hand government, and examine their consequences for growth. The essays share a common viewpoint that political control of economic life is central to the many government failures that we observe. Fortunately, a correct diagnosis suggests the cures, including the best strategies of fighting corruption, privatization of state firms, and institutional building in the former socialist economies. Depoliticization of economic life emerges as the crucial theme of the appropriate reforms. The book describes the experiences with the grabbing hand government and its reform in medieval Europe, developing countries, transition economies, as well as today's United States.
Winner of the 2005 Donald Hall Prize in Poetry.
Grace is John Hodgen’s third book of poetry. He is a poet of extreme contrasts, offering us the dregs of despair, yet instantly recalling hope in the beauty of nature or in a moment in time when all is right, when we realize grace. In “For the Leapers” the narrator relates, “We will fall past the angels, / we will fall from such height, / our tears will lift up from our eyes. / We will fall straight through hell. / And then we will rise.” Hodgen’s poems roam through history, religion, man-made disasters, baseball, pop culture, and Wal-Marts, on paths that come full circle with remarkable completeness, maturity, and dexterity.
The difference between belief and knowledge and the consequences of mistaking one for the other are at the heart of Craig Wright’s play Grace. An evangelical Christian couple, Sara and Steve, leave a dreary life in Minnesota for sunny Florida and the hope of fast money from turning abandoned hotels into a chain of gospel-themed inns. Their new neighbor, Sam, is struggling to emerge from the trauma of a car accident that killed his fiancée and left him badly maimed. And the building’s pest exterminator, Karl, is still tormented by a dark childhood episode. As their stories converge, Wright’s characters find themselves face-to-face with the most eternally vexing questions—the nature of faith, the meaning of suffering, and the possibility of redemption. Acidly funny and relentlessly searching, Grace is a trenchant work from an immensely gifted playwright.
Thirteen-year-old Grace is not looking forward to her summer vacation. She’ll have to fend for herself and take care of her siblings while her mom smokes the day away in the back bedroom of the cabin. But when an unexpected companion shows up in the middle of a crisis, she gains hope that maybe the summer won’t be a disaster after all. In Grace Above All, readers will experience a young summer romance and join Grace in gaining a newfound appreciation of family.
Kestenbaum argues that to Dewey, the pragmatic struggle for ideal meaning occurs at the frontier of the visible and the invisible, the tangible and the intangible. Penetrating analyses of Dewey's early and later writings, as well as comparisons with the works of Hans-Georg Gadamer, Michael Oakeshott, and Wallace Stevens, shed new light on why Dewey regarded the human being's relationship to the ideal as "the most far-reaching question" of philosophy. For Dewey, the pragmatic struggle for the good life required a willingness "to surrender the actual experienced good for a possible ideal good." Dewey's pragmatism helps us to understand the place of the transcendent ideal in a world of action and practice.
Burton experiments with spaces, absences, and forms in navigating the tensions between shame and accountability, guilt and forgiveness, to understand how one finds the ability to cope under the worst of conditions. With patience and ferocity, he delves into generational and familial trauma to question whether black strength is inherent to blackness and to build a mechanism to survive and heal.
both at the moment they unwed
themselves of shame
and before that.
—Excerpt from “Grace Engine”
“Rubiaux Rising” (a Best American Short Stories selection) is a tale of triumph amid calamity during Hurricane Katrina, while “Her Great Blue” a surreal interspecies love story. “Mulligan” reveals the private pain of parents traveling across the country to give away their children, and “Wraiths in a Swelter” is both a ghost story and a confessional memoir—following a deliriously exhausted EMT through a deadly Chicago heat wave.
Many of the stories in Grace for Grace are set against the backdrop of natural or manmade catastrophes. These disasters test the characters’ limits as they confront sudden changes and extremes, discovering through their unexpected resourcefulness and endurance something beyond suffering. . . something that approaches the sublime.
"Ever since I was 10 years old, I’d felt myself yearning to 'go astray.' For me, that didn’t mean drinking and cavorting with boys; it meant being myself without fear."—from the book
What happens when a trained singer who grew up in a "house of vowels" finds that her voice is not her own? What happens when a woman loses the Mormon faith of her childhood and abandons the rituals she’s always known? What does a woman, already married for thirteen years by her early thirties, do when she realizes she has been "lying for years?" How does one sing, with grace, from the heart?
In the spirit of Mary Catherine Bateson’s Composing a Life and Kathleen Norris’s Cloister Walk, Heidi Hart’s luminous memoir retraces her search for an opening to her heart’s path. She finds that the religious life of her Latter-day Saint family—which includes a revered General Authority—robs her of her voice and her spirit. When she discovers Catharine, a mute, Quaker ancestor, Hart begins a vital journey—a journey blessed by her devout and devoted husband; a journey that leads her as she studies Zuni mythology, Jewish tradition, Benedictine monastic ritual, Emily Dickinson, and Saint Hildegard of Bingen—a journey that leads her to a place that feels like home: the company of Friends, the Quaker community of Salt Lake City.
With grace and lyricism, Hart shares the private, personal wisdom she has earned in her community of friends, a community that embraces silences and dissonance, a place where she can't keep from singing.
This irresistible collection of stories is perfect for anyone interested in a fresh perspective on what it means to be a human being who creates art. Grace Notes for a Year sheds light on the fragile and perilous process of inspiration, composition, and performance required to create classical music, whether the final product is a masterpiece or a mess. Each page of the book corresponds to a different day of the year and features a true story about a famous figure in musical history. These delightful anecdotes—inspirational, informative, and often hilarious—disprove the myth of the artist as untouchable. Instead, Norman Gilliland exposes in them human vulnerability we can all relate to. From Beethoven to Wagner, these artists suffered from poverty, spent lazy days in bed, had scandalous love affairs, and often failed in their creative endeavors as often as they succeeded.
Grace Paley is a "writer's writer," admired by both scholars and the reading public for her originality and unique voice. In this first book-length study of her work, Jacqueline Taylor explores the source of Paley's originality, locating it in the way Paley transforms language to create strongly woman-centered stories.
Drawing on interviews with the author, as well as the stories themselves, Taylor emphasizes Paley's awareness that women's voices have been muted and their stories ignored or left untold in our culture's male-oriented dominant discourse. She watches Paley in the process of reshaping language at both the semantic and narrative levels to make it express women's perceptions and experiences. In Paley's stories, it becomes possible to ignore traditional heroic and dramatic themes and instead talk about women and children in such everyday settings as the playground, the kitchen, and the grocery store.
Some of the specific techniques Paley uses to accomplish this include identifying and repudiating sexist language in the dominant discourse and redefining ordinary words from the perspective of women. At the narrative level, Taylor reveals how she draws on women's oral traditions to tell open-ended stories that resist rigid beginning-middle-and-end structuring.
This transformed language enables Paley to construct a social world where woman-centered meanings can flourish. In her nontraditional stories, no single narrator or version of events dominates. Anyone can be a storyteller and no one has the last word.
A masterpiece by one of the West’s best-loved authorsJust when Sacramento journalist Marty Martinez thinks his life can’t get any worse, it does. His beloved son has died of AIDS, his wife has divorced him and joined a cult, and his daughter blames him for the disintegration of their family. Then a chance medical examination reveals that he has prostate cancer. Marty faces his new role as a cancer patient with awkward grit and desperation. He is a sympathetic, utterly convincing character seeking faith in a Catholic Church as troubled as he is. He brings increased intensity to his career as he investigates a far-reaching political scandal, reunites his family in unexpected ways, and finds love with a fellow cancer patient. Grace Period is a profound and sometimes hilarious novel about living with serious illness. Marty copes with fear and the painful, sometimes embarrassing, treatment of his disease, but instead of winding down his life he finds fresh purpose and a joyful new love. Haslam brilliantly depicts the complexities of everyday life and the intricate, sometimes tortured bonds of family and friendship. In Grace Period, Haslam shows us that existence at the precarious edge of life offers not only pain and loss but hope, a chance at redemption, love, and even happiness. Grace Period is his masterwork.
Reading Pindar's poems with their public performance in mind, Hilary Mackie suggests that the poet was forced to tread a precarious path: weighing the interests of various groups of audience members against one another, balancing praise of the victorious athlete with praise of the deeds of mythic heroes, and catering at the same time to an uncertain future. Mackie's new approach illuminates apparent contradictions in the poet's pronouncements by bringing to the fore the variety of messages conveyed in his wishes and prayers. Her innovative examination of the moment-to-moment dynamic between Pindar and his audience shows that the poet's performance often contained one message for the victor and his family, and quite another for the gods.
Graceful Errors significantly changes our perspective on Pindar's work, providing a lucid appreciation of Pindaric poetry that takes into account the oral context of these poems' performance. It will be of interest not only to classicists but also to scholars and students interested in oral performance, the social function of poetry, and the role and status of poets in traditional cultures, whether ancient or modern.
Hilary Mackie is Associate Professor of Classics at Rice University.
Capoeira began as a martial art developed by enslaved Afro-Brazilians. Today, the practice incorporates song, dance, acrobatics, and theatrical improvisation—and leads many participants into activism.
Lauren Miller Griffith’s extensive participant observation with multiple capoeira groups informs her ethnography of capoeiristas--both individuals and groups--in the United States. Griffith follows practitioners beyond their physical training into social justice activities that illuminate capoeira’s strong connection to resistance and subversion. As both individuals and communities of capoeiristas, participants march against racial discrimination, celebrate Martin Luther King Jr. Day and Juneteenth, organize professional clothing drives for job seekers, and pursue economic and environmental justice in their neighborhoods. For these people, capoeira becomes a type of serious leisure that contributes to personal growth, a sense of belonging, and an overall sense of self, while also imposing duties and obligations.
An innovative look at capoeira in America, Graceful Resistance reveals how the practicing of an art can catalyze action and transform communities.
Chosen for the 2024 Illinois Reads Program by the Illinois Reading Council
One of Chicago’s landmark attractions, Graceland Cemetery chronicles the city’s sprawling history through the stories of its people. Local historian and Graceland tour guide Adam Selzer presents ten walking tours covering almost the entirety of the cemetery grounds. While nodding to famous Graceland figures from Marshall Field to Ernie Banks to Ludwig Mies van der Rohe, Selzer also leads readers past the vaults, obelisks, and other markers that call attention to less recognized Chicagoans like:
- Jessie Williams de Priest, the Black wife of a congressman whose 1929 invitation to a White House tea party set off a storm of controversy;
- Engineer and architect Fazlur Khan, the Bangladeshi American who revived the city's skyscraper culture;
- The still-mysterious Kate Warn (listed as Warn on her tombstone), the United States’ first female private detective.
Filled with photographs and including detailed maps of each tour route, Graceland Cemetery is an insider's guide to one of Chicago's great outdoor destinations for city lore and history.
One of the first books to approach advising from the advisor’s point of view, the handbook highlights the importance of a partnership in which both parties need to be invested. Shore emphasizes the interpersonal relationships at the heart of advising and reveals how advisors can draw on their own strengths to create a rewarding rapport.
The Graduate Advisor Handbook moves chronologically through the advising process, from the first knock on the door to the last reference letter. Along the way it covers transparent communication, effective motivation, and cooperative troubleshooting. Its clear-eyed approach also tackles touchy subjects, including what to do when personal boundaries are crossed and how to deliver difficult news. Sample scripts help advisors find the right words for even the toughest situations.
With resources dwindling and student and advising loads increasing, graduate advisors need all the resources they can find to give their students the help they need. The Graduate Advisor Handbook has the cool-headed advice and comprehensive coverage that advisors need to make the advising relationship not just effective but also enjoyable.
It is no secret that American graduate education is in disarray. Graduate students take too long to complete their studies and face a dismal academic job market if they succeed. The Graduate School Mess gets to the root of these problems and offers concrete solutions for revitalizing graduate education in the humanities. Leonard Cassuto, professor and graduate education columnist for The Chronicle of Higher Education, argues that universities’ heavy emphasis on research comes at the expense of teaching. But teaching is where reforming graduate school must begin.
Cassuto says that graduate education must recover its mission of public service. Professors should revamp the graduate curriculum and broaden its narrow definition of success to allow students to create more fulfilling lives for themselves both inside and outside the academy. Cassuto frames the current situation foremost as a teaching problem: professors rarely prepare graduate students for the demands of the working worlds they will actually join. He gives practical advice about how faculty can teach and advise graduate students by committing to a student-centered approach.
In chapters that follow the career of the graduate student from admissions to the dissertation and placement, Cassuto considers how each stage of graduate education is shaped by unexamined assumptions and ancient prejudices that need to be critically confronted. Written with verve and infused with history, The Graduate School Mess returns our national conversation about graduate study in the humanities to first principles.
Tattoos and graffiti immediately bring to mind contemporary urban life and its inhabitants. But in fact, both practices date back much further than is generally thought—even by scholars. Drawing on a previously unavailable archive, Juliet Fleming reveals the unknown and disregarded literary arts of sixteenth century England.
In Graffiti and the Writing Arts of Early Modern England, Fleming argues that our modern assumptions of what constitutes written expression have limited our access to and understanding of early modern history and writing. Fleming combines detailed historical scholarship with intellectual daring in a work that describes how writing practices have not been limited to the boundaries of the page; instead they have included body surfaces, ceramics, ceilings, walls, and windows.
Moving beyond what has been preserved in print and manuscript, this book claims the whitewashed wall as the primary textual canvas of the early modern English, explores the tattooing practices of sixteenth-century Europeans, and uncovers the poetics of ceramic cookware. Graffiti and the Writing Arts of Early Modern England will provide a startling new perspective for scholars of early modern literature and cultural history.
Chicago’s reputation for corruption is the basis of local and national folklore and humor. Grafters and Goo Goos: Corruption and Reform in Chicago, 1833–2003 unfolds the city’s notorious history of corruption and the countervailing reform struggles that largely failed to clean it up. More than a regional history of crime in politics, this wide-ranging account of governmental malfeasances traces ongoing public corruption and reform to its nineteenth-century democratic roots. Former Chicago journalist James L. Merriner reveals the battles between corrupt politicos and ardent reformers to be expressions of conflicting class, ethnic, and religious values.
From Chicago’s earliest years in the 1830s, the city welcomed dollar-chasing businessmen and politicians, swiftly followed by reformers who strived to clean up the attendant corruption. Reformers in Chicago were called “goo goos,” a derisive epithet short for “good-government types.” Grafters and Goo Goos contends a certain synergy defined the relationship between corruption and reform. Politicians and reformers often behaved similarly, their separate ambitions merging into a conjoined politics of interdependency wherein the line between heroes and villains grew increasingly faint. The real story, asserts Merriner, has less to do with right against wrong than it does with the ways the cultural backgrounds of politicians and reformers steered their own agendas, animating and defining each other by their opposition.
Drawing on original and archival research, Merriner identifies constants in the struggle between corruption and reform amid a welter of changing social circumstances and customs—decades of alternating war and peace, hardships and prosperity. Three areas of reform and resistance are identified: structural reform of the political system to promote honesty and efficiency, social reform to provide justice to the lower classes, and moral reform to combat vice. “In the matter of corruption and reform, the constants might be stronger than the variables,” writes Merriner in the Preface. “The players, rules, and scorekeepers change, but not the essential game.”
Complemented by eighteen illustrations, Grafters and Goo Goos is rife with shocking and amusing anecdotes and peppered with the personalities of famous muckrakers, bootleggers, mayors, and mobsters. While other studies have profiled infamous Chicago corruption cases and figures such as Al Capone and Richard J. Daley, this is the first to provide an overview appropriate for historians and general readers alike. In examining Chicago’s notorious saga of corruption and reform against a backdrop of social history, Merriner calls attention to our constant problems of both civic and national corruption and contributes to larger discussions about the American experiment of democratic self-government.
Grafting Helen looks at "classicism"—the privileged rhetorical language for describing cultural origins in the West—as a protracted form of cultural embezzlement. No coin in the realm has been more valuable, more circulated, more coveted, or more counterfeited than the one that bears the face of Helen of Troy. Gumpert uncovers Helen as the emblem for the past as something to be stolen, appropriated, imitated, extorted, and coveted once again.
Tracing the figure of Helen from its classical origins through the Middle Ages, the French Renaissance, and the modern era, Gumpert suggests that the relation of current Western culture to the past is not like the act of coveting; it is the act of coveting, he argues, for it relies on the same strategies, the same defenses, the same denials, and the same delusions.
The first critical evaluation of Greene's novels since his death in 1991, Graham Greene's Fictions: The Virtues of Extremity is a reconsideration of the author's major literary achievements, as well as a recasting of his overall worldview. Hitherto, most criticism of Greene's fiction has forced him into the constricting category of the "Catholic novelist," consequently flattening the peaks and valleys of his uncompromising vision of life. Graham Greene's Fictions is Cates Baldridge's response to this critical disservice—an exploration that ignores the conventional preconceptions about Greene's fiction and reveals him to be one of the leading British novelists of the twentieth century.
More than a general assessment, Graham Greene's Fictions offers a fresh interpretation of familiar texts and attempts to discover within Greene's work a structure of thought that has not yet been seen with sufficient clarity. Each chapter focuses on a major aspect of Greene's vision as expressed through his novels. Greene's caustic attitude toward middle-class orthodoxies and his critiques of the three reigning ideologies of his time--Christianity, Marxism, and liberalism—are just two of the areas that Baldridge explores. Although five of Greene's novels are singled out for extensive evaluation—Brighton Rock, The Power and the Glory, The Heart of the Matter, The Comedians, and The Honorary Consul—what Baldridge attempts is nothing less than a comprehensive re-imagination of "Greeneland's" fictional topography.
Written for both the scholar and the general audience, this innovative study successfully captures the attention of all readers whether it is the first or the fifty-first work of Greene criticism one has read.
Rosamund Marriott Watson was a gifted poet, an erudite literary and art critic, and a daring beauty whose life illuminates fin-de-siècle London and the way in which literary reputations are made—and lost. A participant in aestheticism and decadence, she wrote six volumes of poems noted for their subtle cadence, diction, and uncanny effects. Linda K. Hughes unfolds a complex life in Graham R.: Rosamund Marriott Watson, Woman of Letters, tracing the poet’s development from accomplished ballads and sonnets, to avant-garde urban impressionism and New Woman poetry, to her anticipation of literary modernism.
Despite an early first divorce, she won fame writing under a pseudonym, Graham R. Tomson. The influential Andrew Lang announced the arrival of a new poet he assumed to be a man. She was soon hosting a salon attended by Lang, Oscar Wilde, and other 1890s notables. Publishing to widespread praise as Graham R., she exemplified the complex cultural politics of her era. A woman with a man’s name and a scandalous past, she was also a graceful beauty who captivated Thomas Hardy and left an impression on his work. At the height of her success she fell in love with writer H. B. Marriott Watson and dared a second divorce.
Graham R. combines the stories of a gifted poet, of London literary networks in the 1890s, and of a bold woman whose achievements and scandals turned on her unusual history of marriage and divorce. Her literary history and her uncommon experience reveal the limits and opportunities faced by an unconventional, ambitious, and talented woman at the turn of the century.
When Bob Quinn was a kid, a stranger at a county fair gave him a few kernels of an unusual grain. Little did he know, that grain would change his life. Years later, after finishing a PhD in plant biochemistry and returning to his family’s farm in Montana, Bob started experimenting with organic wheat. In the beginning, his concern wasn’t health or the environment; he just wanted to make a decent living and some chance encounters led him to organics.
But as demand for organics grew, so too did Bob’s experiments. He discovered that through time-tested practices like cover cropping and crop rotation, he could produce successful yields—without pesticides. Regenerative organic farming allowed him to grow fruits and vegetables in cold, dry Montana, providing a source of local produce to families in his hometown. He even started producing his own renewable energy. And he learned that the grain he first tasted at the fair was actually a type of ancient wheat, one that was proven to lower inflammation rather than worsening it, as modern wheat does.
Ultimately, Bob’s forays with organics turned into a multimillion dollar heirloom grain company, Kamut International. In Grain by Grain, Quinn and cowriter Liz Carlisle, author of Lentil Underground, show how his story can become the story of American agriculture. We don’t have to accept stagnating rural communities, degraded soil, or poor health. By following Bob’s example, we can grow a healthy future, grain by grain.
Weiss examines the vast stylistic range of ceramics and investigates both the theoretical and personal reasons for viewing, using, and collecting them. Relating ceramics to other arts and practices—especially those surrounding food—he explores their different uses such as in the celebrated tea ceremony of Japan. Most notably, he considers how works previously viewed as crafts have found their rightful way into museums, as well as how this new-found engagement with finely wrought natural materials may foster an increased ecological sensitivity. The result is a wide-ranging and sensitive look at a crucial part of our material culture.
This book brings together the great majority of Barthes’s interviews that originally appeared in French in Le Figaro Littéraire, Cahiers du Cinéma, France-Observateur, L'Express, and elsewhere. Barthes replied to questions—on the cinema, on his own works, on fashion, writing, and criticism—in his unique voice; here we have Barthes in conversation, speaking directly, with all his individuality. These interviews provide an insight into the rich, probing intelligence of one of the great and influential minds of our time.
Grain Storage was first published in 1969. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The deterioration or spoilage of stored grain is a problem of serious dimension, both from the standpoint of the financial balance sheet of those engaged in commercial grain enterprises and as a formidable factor in the worldwide fight against hunger. In this useful book the authors present practical information, in non-technical language, about the causes and methods of preventing the deterioration of stored grains and seeds.
The emphasis is on the role of fungi but material also is included on problems with insects, mites, and rodents in connection with grain storage. The fungi are of prime importance since not until recently have they been recognized as a major cause of loss of quality in grains and seeds. Even today many of those who deal with grains, from warehouses to management personnel, fail to realize that fungi may play a decisive role in their operations.
The book will be of special interest and value to grain merchants and processors, grain elevator managers and operators, grain inspectors, agronomists and agricultural economists concerned with crop production, and many others in agricultural or food processing fields.
Christina Pugh’s Grains of the Voice exhibits a pervasive fascination with sound in all its manifestations. The human voice, musical instruments, the sounds produced by the natural and man-made worlds—all serve at one time or another as both the framework of poems and the occasion for their lightning-quick changes of direction, of tone, of point of reference. The poems are eclectic in their allusiveness, filled with echoes—and sometimes the words themselves—of other poets, but just as often of songs both popular and obscure, of the noise of pop culture, and of philosophers’ writings. But Pugh always wears her learning lightly. Beneath the jewellike surfaces of her poems is a strenuous investigation of the nature of and need for communication and a celebration of the endless variety of its forms.
Taken from the surviving contemporary documentary sources, Julian Granberry's volume describes the grammar and lexicon for the extinct 17th-century Timucua language of Central and North Florida and traces the origins of the 17th-century Timucua speakers and their language. Originally privately published in 1987, with limited circulation, this is the only available publication on the Timucuan language. It provides full grammatical analysis and complete lexical data, and it synthesizes both linguistic and archaeological data in order to provide a coherent picture of the Timucua peoples. Granberry traces the probable historical origins of Timucua speakers to a central Amazonian homeland at approximately 2,500 B.C. and proposes that Timucua speakers were responsible for introducing ceramic wares into North America.
Kuno and Takami begin by looking at extraction phenomena, including extraction from complement clauses, the overt subject requirement, and subjacency, and provide functional accounts that improve on the Barriers analysis. Next, they discuss multiple wh questions in English and Japanese, with special reference to why and naze. The authors also examine and ultimately reject the major arguments in support of Larson's "light predicate raising" analysis. Finally, Kuno and Takami discuss coreferentiality of picture noun reflexives and the relation of quantifier scope interpretations, particularly those in sentences involving psychological verbs such as bother, worry, and please.
In this subtly argued book, the authors raise questions of critical importance for theoretical linguists of all persuasions.
The 100 questions are organized into 12 chapters on topics that teachers and students can relate to well: adjectives, articles, clauses, connectors, gerunds and infinitives, prepositions, pronouns, pronunciation, subject-verb agreement, suffixes, verbs, and vocabulary-grammar connections. The number of questions in each chapter ranges from 3 to 13 and is based on the questions submitted. Each chapter begins with a short overview of the topic that features key terminology and a chart explaining three common ESL errors.
Each question is presented in a box and is followed by an "answer" that can inform instruction, often in chart format. Examples of questions are:
- How do you know if a word is an adjective?
- Can I say the Monday or the January?
- Do you say on July or in July?
- I received an email from someone that said “Greetings from my wife and I.” Is this right? Why?
- How do I know which way to pronounce the -ed at the end of a word?
- Which verb tenses are the most common in English? Which ones should I study?
- Why do you say turn on the light instead of turn the light?
- In my language, we have one word for make and do. In English, when should I use make and when should I use do?
The book is the ideal teacher resource and professional development tool.
Each of the eight units in Grammar Choices contains: an overview of the grammar topic; a preview test that allows students to assess their control of the target grammar and teachers to diagnose areas of difficulty; an authentic example of graduate-student writing showing the unit grammar in use; clear descriptions of essential grammar structures using the framework of functional grammar, cutting-edge research in applied linguistics, and corpus studies; vocabulary relevant to the grammar point is introduced—for example, common verbs in the passive voice, summary nouns used with this/these, and irregular plural nouns; authentic examples for every grammar point from corpora and published texts; exercises for every grammar point that help writers develop grammatical awareness and use, including completing sentences, writing, revising, paraphrasing, and editing; and a section inviting writers to investigate discipline-specific language use and apply it to an academic genre.
Among the changes in the Second Edition are:
- new sections on parallel form (Unit 2) and possessives (Unit 5)
- revised and expanded explanations, but particularly regarding verb complementation, complement noun clauses, passive voice, and stance/engagement
- a restructured Unit 2 and significantly revised/updated Unit 7
- new Grammar Awareness tasks in Units 3, 5, and 6
- new exercises plus revision/updating of many others
- self-editing checklists in the Grammar in Your Discipline sections at the end of each unit
- representation of additional academic disciplines (e.g., engineering, management) in example sentences and texts and in exercises.
The Grammar Crammer is a concise, sensible grammar handbook that explains lucidly how to remember correct word forms and sentence structures. Useful as a reference tool for high school and beyond, it packs an entire grammar encyclopedia into just over a hundred pages.
This original study considers the effects of language and meaning on the brain. Jens Erik Fenstad—an expert in the fields of recursion theory, nonstandard analysis, and natural language semantics—combines current formal semantics with a geometric structure in order to trace how common nouns, properties, natural kinds, and attractors link with brain dynamics.
Morano focuses first on her year of living in Oviedo, in the early 1990s, a time spent immersing herself in a new culture and language while working through the relationship she had left behind with an emotionally dependent and suicidal man. Next, after subsequent trips to Spain, she explores the ways that travel sparks us to reconsider our personal histories in the context of larger historical legacies. Finally, she turns to the aftereffects of travel, to the constant negotiations involved in retelling and understanding the stories of our lives. Throughout she details one woman’s journey through vocabulary and verb tense toward a greater sense of her place in the world.
Grammar Lessons illustrates the difficulty and delight, humor and humility of living in a new language and of carrying that pivotal experience forward. Michele Morano’s beautifully constructed essays reveal the many grammars and many voices that we collect, and learn from, as we travel.
Originally spoken across the northern Andamanese Islands in the Bay of Bengal, the Akajeru language is spoken today by only three people. A Grammar of Akajeru describes this unique grammatical system as it was reported at the turn of the twentieth century. Based primarily on research conducted by Victorian anthropologists Alfred R. Radcliffe-Brown and Edward Horace Man, this book offers a linguistic analysis of all extant Akajeru material as well as the scant documentation of adjacent dialects Akabo and Akakhora. This volume includes a grammatical sketch of Akajeru, an English-Akajeru lexicon, and a comparison between Akajeru and present-day Andamanese.
Fijian is an agglutinating language, one in which words are formed by the profligate combining of morphemes. There are no case inflections, and tense and aspect as shown by independent clitics or words within a predicate complex. Most verbs come in both transitive and intransitive forms, and nouns can be build up regularly from verbal parts and verbs from nouns. The language is also marked by a highly developed pronoun system and by a vocabulary rich in areas of social significance.
In the opening chapters, Dixon describes the Islands' political, social, and linguistic organization, outlines the main points of Fijian phonology, and presents an overview of the grammar. In succeeding chapters, he examines a number of grammatical topics in greater detail, including clause and phrase structure, verbal syntax, deictics, and anaphora. The volume also includes a full vocabulary of all forms treated in discussion and three of the fifteen texts recorded from monolingual village elders on which the grammar is based.
This is the first full-length reference grammar of Mam, a Mayan language spoken today by over 400,000 people in the western highlands of Guatemala and the state of Chiapas, Mexico. The result of over three years of extensive fieldwork in Guatemala, A Grammar of Mam, a Mayan Language is based on the dialect of Mam spoken by 12,000 people in San Ildefonso Ixtahuacan in the department of Huehuetenango, Guatemala.
England organizes A Grammar of Mam according to two complementary principles: to analyze Mam following basically traditional levels of grammatical description and to present material in such a way that the background information necessary for understanding each topic of discussion shall have been previously provided. Accordingly, England's analysis of the sound system and morphophonemic processes of Mam is followed by a description of the characteristics of root, inflectional, and derivational morphology. Chapters on phrase structure precede two chapters on sentence-level syntax.
A Grammar of Mam is of particular interest in analyzing a Mayan language that is both syntactically and morphologically ergative and that is innovative in the direction of strengthening the ergative system. Indeed at all levels of linguistic organization Mam is innovative, and for this reason it is uniquely interesting both historically and theoretically.
The dark shadows and offscreen space that force us to imagine violence we cannot see. The real slaughter of animals spliced with the fictional killing of men. The missing countershot from the murder victim’s point of view. Such images, or absent images, Karla Oeler contends, distill how the murder scene challenges and changes film.
Reexamining works by such filmmakers as Renoir, Hitchcock, Kubrick, Jarmusch, and Eisenstein, Oeler traces the murder scene’s intricate connections to the great breakthroughs in the theory and practice of montage and the formulation of the rules and syntax of Hollywood genre. She argues that murder plays such a central role in film because it mirrors, on multiple levels, the act of cinematic representation. Death and murder at once eradicate life and call attention to its former existence, just as cinema conveys both the reality and the absence of the objects it depicts. But murder shares with cinema not only this interplay between presence and absence, movement and stillness: unlike death, killing entails the deliberate reduction of a singular subject to a disposable object. Like cinema, it involves a crucial choice about what to cut and what to keep.
Contributors. Ash Amin, Teresa Caldeira, Filip De Boeck, Suzanne Hall, Caroline Knowles, Michele Lancione, Colin McFarlane, Natalie Oswin, Edgar Pieterse, Ananya Roy, AbdouMaliq Simone, Tatiana Thieme, Nigel Thrift, Mariana Valverde
Pritchett critiques the major performance-based parsing models to argue that the principles of grammar drive the parser; the parser, furthermore, is the apparatus that tries to enforce the conditions of the grammar at every point in the processing of a sentence. In comparing garden path phenomena, those instances when the parser fails on the first reading of a sentence and must reanalyze it, with occasions when the parser successfully functions the first time around, Pritchett makes a convincing case for a grammar-derived parsing theory.
Grammatical Framework is a programming language designed for writing grammars, which has the capability of addressing several languages in parallel. This thorough introduction demonstrates how to write grammars in Grammatical Framework and use them in applications such as tourist phrasebooks, spoken dialogue systems, and natural language interfaces. The examples and exercises presented here address several languages, and the readers are shown how to look at their own languages from the computational perspective.
Newmeyer's formidable scholarship raises the level of debate on transformational generative grammar. He stresses the central importance of an autonomous formal grammar, discusses the limitations of "discourse-based" approaches to syntax, cites support for generativist theory in recent research, and clarifies misunderstood concepts associated with generative grammar.
This volume challenges theories which describe language as a static system, as well as those which assume that linguistic categorization is based on discrete morpheme types, word classes, or sentence constituents. In contrast, the book's central argument is that both language structure and language use are dynamic phenomena and that linguistic behavior is essentially a creative activity. That creativity manifests itself, for example, in conceptual transfer leading to the encoding of more abstract concepts and of grammatical categories. Another key element of this theory is captured in the term "grammaticalization chain," which refers to a specific kind of linguistic category which cuts across morpheme types and word classes and has both a synchronic and diachronic dimension.
How might an oceanic Gramsci speak to Black aquafuturism and other forms of oceanic critique? This succinct work reads Antonio Gramsci’s writings on the sea, focused in his prison notes on waves of imperial power in the inter-war oceans of his time. Sharad Chari argues that the imprisoned militant’s method is oceanic in form, and that this oceanic Marxism can attend to the roil of sociocultural dynamics, to waves of imperial power, as well as to the capacity of Black, Drexciyan, and other forms of oceanic critique to “storm” us on different shores.
Contributors. Alberto Burgio, Cesare Casarino, Maria Elisa Cevasco, Kate Crehan, Roberto M. Dainotto, Michael Denning, Harry Harootunian, Fredric Jameson, R. A. Judy, Patrizia Manduchi, Andrea Scapolo, Peter D. Thomas, Catherine Walsh, Pu Wang, Cosimo Zene
Unlike previous revolutionary movements, Day argues, most contemporary radical social movements do not strive to take control of the state. Instead, they attempt to develop new forms of self-organisation that can run in parallel with---or as alternatives to---existing forms of social, political, and economic organization. This is to say that they follow a logic of affinity rather than one of hegemony.
This book draws together a variety of different strands in political theory to weave together an innovative new approach to politics today. Rigorous and wide-ranging, Day introduces and interrogates key concepts. From Hegel's concept of recognition, through theories of hegemony and affinity to Hardt and Negri's reflections on Empire, Day maps academia's theoretical and philosophical concerns onto today's politics of the street.
Ideal for all students of political theory, Day's fresh approach combines Marxist, Anarchist and Post-structuralist theory to shed new light on the politics and practice of contemporary social movements.
Is it possible to fight for social justice if you’ve never really loved another person? Can you save a country if you’re in love? Forty-six-year-old Anton Stöver’s marriage is broken. His affairs are a thing of the past, and his career at the university has reached a dead end. One day he is offered the chance to go to Rome to conduct research on Antonio Gramsci, at one time the leading figure of Italian communism. Once there, he falls obsessively in love with a young woman he has met while continuing to focus his attention on the past: the frail and feverish Gramsci recovering in a Soviet sanatorium. Though Gramsci is supposed to save Italy from Mussolini’s seizure of power, he falls in love with a Russian comrade instead. With a subtle sense of the absurd, Nora Bossong explores the conflicts between having intense feelings for another and fighting for great ideals.
Integrating grammar and composition, this comprehensive new edition guides the advanced student through progressively more complex types of writing by organizing the grammar lessons on a functionalist basis around the needs of composition. This innovative approach to teaching Spanish grammar and composition promotes systematic language development and enables students to strengthen their expressive and editing skills in the language in order to write more effectively and more confidently. Refined by years of classroom testing and analysis of the problems students encounter, this bestselling textbook has been substantially rewritten and incorporates current research in composition, pedagogy, second-language acquisition, and linguistics. Expanded self-correcting exercises are also available online, making Gramática para la composición one of the most valuable textbooks available for advanced students of Spanish.
FEATURES: • Focuses on work in six level-appropriate types of composition: description, synopsis, personal narrative, creative narrative, exposition, and argumentation;
• Based on ACTFL guidelines for students progressing from intermediate to advanced levels of proficiency;
• Covers syntax, dictionary skills, problematic word distinctions, and rhetorical features of discourse structure;
• Contains exercises on grammar practice, working with sentences and paragraphs, guided essays, and free composition.
NEW TO THE SECOND EDITION:
• Each lesson has been clearly divided into two distinct parts: Presentación (material that students prepare before class) and Aplicación (the activities they do in class or as homework);
• Prácticas individuales have been expanded and recreated as self-checking exercises that provide immediate feedback and scoring. These prácticas are available for free online at www.gramaticaparalacomposicion.com;
• Images from William Bull's Visual Grammar of Spanish help with distinctions that seem difficult;
• An Instructor's Manual—available for free online—reviews teaching and grading methodology for writing-intensive courses, offers suggestions for syllabus organization and for teaching each lesson, and provides additional exercises and activities. To download this free PDF, visit www.press.georgetown.edu;
• Free website created by authors contains self-checking exercises at www.gramaticaparalacomposicion.com.
E-Textbooks are now available to purchase or rent through VitalSource.com! Please visit VitalSource for more information on pricing and availability.
As of January 1, 2021, Smart Sparrow Companion Websites are no longer available for any of our textbook programs. New companion websites are coming soon, and will be hosted by Lingco. Instructors may sample the new companion websites now by visiting GUPTextbooks.com/companionwebsites. The full websites will be available for fall 2021 course adoption.
Until the new companion websites become available, eBook Workbooks with exercises from the Smart Sparrow Electronic Workbook are available for purchase on the GUP website and VitalSource.com, as are Workbook Answer Keys. They will both be sold in eBook format only.
About Gramática para la composición, tercera edición
This best-selling textbook guides advanced students through progressively more complex types of writing by organizing the grammar lessons on a functionalist basis around the needs of composition. This innovative approach to teaching Spanish grammar and composition promotes systematic language development and enables students to strengthen their expressive and editing skills in the language in order to write more effectively and confidently.
Refined by years of classroom testing and analysis of the problems students encounter, Gramática para la composición features the following:
• A colorful design helps students navigate the book more easily and engage visual learning strategies• Readings for major composition exercises that stress authentic, connected discourse• A Workbook with all of the homework exercises needed for practice (sold separately)• Streamlined treatment of points of grammar, including an explanation for more than twelve functions of se with a rule of subject reflexivization
For Teachers:
Exam copies of the textbook, Workbook, and Workbook Answer Keys are available free of charge to instructors and must be requested separately. Textbook exam copies can be ordered on this page. To request digital exam copies of the Workbook and Workbook Answer Keys, please visit the pages for each of those products.
This best-selling textbook guides advanced students through progressively more complex types of writing by organizing the grammar lessons on a functionalist basis around the needs of composition. This innovative approach to teaching Spanish grammar and composition promotes systematic language development and enables students to strengthen their expressive and editing skills in the language in order to write more effectively and confidently. The accompanying companion website–included with the book–offers fully integrated exercises to use alongside the text.
Features:
• A colorful design that helps students navigate the book more easily and engage visual learning strategies
• Readings for major composition exercises that stress authentic, connected discourse
• Streamlined treatment of points of grammar, including an explanation for more than twelve functions of se with a rule of subject reflexivization
For Instructors: Separate print Teacher's Editions of Gramática para la compocisión are no longer available. Instead, instructors should submit exam and desk copy requests using ISBN 978-1-64712-215-7.
Grand & Arsenal begins “Bless me I am not myself,” but it is not long before the probability of being blessed is revealed to be as remote as the concept of a whole self. Thus begins the book’s defining struggle, enacted by a multitude of voices which move from rush to stumble and back again—meanwhile using all the tools we as a culture use to hold fear at arm’s length.
We hear a familiar irony, as in “On a trip West, porn in the hotel room. I can take or leave it. The climax that puts me in the seats? World’s end.” We hear humor, as in “I believed in . . . / . . . a certain apocalypse not so much foretold as crafted / by large-brained monkeys.” We hear understatement, as in “knowing it does not matter / in the grand—she would say scheme, I would say / mishap—.” Most importantly, though, these poems allow for the fleeting triumph of an undefended voice, which appears often to emerge tentatively from a sort of exhausted collapse.
From the Gilded Age through the Progressive era, labor movements reinterpreted Abraham Lincoln as a liberator of working people while workers equated activism with their own service fighting for freedom during the war. Matthew E. Stanley explores the wide-ranging meanings and diverse imagery used by Civil War veterans within the sprawling radical politics of the time. As he shows, a rich world of rituals, songs, speeches, and newspapers emerged among the many strains of working class cultural politics within the labor movement. Yet tensions arose even among allies. Some people rooted Civil War commemoration in nationalism and reform, and in time, these conservative currents marginalized radical workers who tied their remembering to revolution, internationalism, and socialism.
An original consideration of meaning and memory, Grand Army of Labor reveals the complex ways workers drew on themes of emancipation and equality in the long battle for workers’ rights.
The Grand Canyon became a microcosm of the history and evolving values of the National Park Service, long conflicted between encouraging tourism and protecting nature. Many vivid characters shaped the canyon’s past. Its largest story is one of cultural history and changing American visions of the land.
Grand Canyon: A History of a Natural Wonder and National Park is a mixture of great storytelling, unlikely characters, and important ideas. The book will appeal to both general readers and scholars interested in seeking a broader understanding of the canyon.
"Will benefit all amateur naturalists because of its survey of the life zone patterns in [the] southwestern United States." —Science Books & Films
"The subtitle accurately reflects the contents of this excellent book on the birds of a unique natural wonder and national treasure. . . . An annotated checklist discusses the status and abundance of each of the over 300 species of birds known to have occurred in the Grand Canyon region, which is defined here as the river between Glen Canyon Dam and Lake Mead and the contiguous plateaus to the north and south." —Journal of Arizona History
Contents
Foreword, by Ann H. Zwinger
1. The Geologic Record, by Stanley S. Beus
2. The Living Canyon, by Steven W. Carothers
3. Grand Canyon Indians, by Robert C. Euler
4. Historical Explorations, by Robert C. Euler
5. The Canyon by River, by Kim Crumbo
6. Hiking the Canyon, by Frank Tikalsky
Grand Concourse is a play by playwright and two-time Obie Award-winning actor Heidi Schreck. It tells the story of Shelley. Having dedicated her life to religious service, Shelley runs a Bronx soup kitchen with unsentimental efficiency. When Emma—a rainbow-haired college dropout—arrives to volunteer, her volatile mix of generosity and self-involvement throws Shelley’s life into chaos. She brings a needed jolt to the place, helping a long-time client toward a new job, but her energy also proves unsettling. Even as Emma’s behavior grows steadily more erratic, Shelley still wants to believe in her, despite the mounting evidence that she shouldn’t.
Shelley must finally ask herself how well she really knows the people she sees every day, how much she can trust them, and what she can and cannot forgive. With both humor and generosity Grand Concourse asks big questions about the limits of both compassion and forgiveness.
The assumptions that literary criticism and philosophy are closely linked—and that both disciplines can learn much from each other—lead David White to examine key passages in James Joyce’s novels both as a philosopher and as literary critic. In so doing, he develops a thesis that Joyce’s attempt to capture the mysterious process whereby perception and consciousness are translated into language entails a fundamental challenge to everyday notions of reality. Joyce’s stylistic brilliance and virtuosity, his destruction of normal syntax and meaning, “shock one into a new reality.” In the book’s final section, White examines the subtle relation between literary language and human consciousness and traces parallels between Joyce’s stylistic experimentation and Wittgenstein’s and Husserl’s ideas about language.
Drawing on a wide range of sources, including museum guidebooks, design manuals, illustrated newspapers, pattern books, and government reports, Kriegel brings to life the many Victorians who claimed a stake in aesthetic reform during the middle years of the nineteenth century. The aspiring artists who attended the Government School of Design, the embattled provincial printers who sought a strengthened industrial copyright, the exhibition-going millions who visited the Crystal Palace, the lower-middle-class consumers who learned new principles of taste in metropolitan museums, and the working men of London who critiqued the city’s art and design collections—all are cast by Kriegel as leading cultural actors of their day. Grand Designs shows how these Victorians vied to upend aesthetic hierarchies in an imperial age and, in the process, to refashion London’s public culture.
One hundred and fifty years later, the thirteen essays in this volume examine the activities and environments of the 1854 Grand Excursion and place them in the context of an evolving regional identity for the Upper Mississippi River Valley based on the economy, culture, geography, and history of the area. In a series of “excursions,” the contributors explore the building of the Chicago and Rock Island Railroad, eastern newspaper accounts of the 1854 excursion, steamboating, the area’s pictorial landscape, passenger trains along the scenic river, the genesis and features of river towns, the control of the river for navigation, the development of preserves, parks, and recreation areas, the lumber industry, and commercial fishing. The book concludes by examining the resurgence of river-oriented development, as river towns are once again embracing the Mississippi.
Generously illustrated with maps, engravings, ephemera, and historic and present-day photographs, Grand Excursions on the Upper Mississippi River will be of interest to tourists and residents of the area, river aficionados, railroad and steamboat history buffs, as well as academics interested in the history, geography, and regional development of the area.
Through beautifully-told stories from around the world, Kevin Walker reveals the unintended consequences of our myopic focus on quantity over quality. A trip to a Costa Rica plantation shows how the Cavendish banana became the most common fruit in the world and also one of the most vulnerable to disease. Walker’s early career in agribusiness taught him how pressure to sell more and more fertilizer obscured what that growth did to waterways. His family farm illustrates how an unquestioning belief in “free markets” undercut opportunity in his hometown.
By the end of the journey, we not only understand how the drive to produce ever more food became hardwired into the American psyche, but why shifting our mindset is essential. It starts, Walker argues, with remembering that what we eat affects the wider world. If each of us decides that bigger isn’t always better, we can renegotiate the grand food bargain, one individual decision at a time.
After two years of defeats and reverses, 1778 had been a year of success for George Washington and the Continental Army. France had entered the war as the ally of the United States, the British had evacuated Philadelphia, and the redcoats had been fought to a standstill at the Battle of Monmouth. While the combined French-American effort to capture Newport was unsuccessful, it lead to intelligence from British-held New York that indicated a massive troop movement was imminent. British officers were selling their horses and laying in supplies for their men. Scores of empty naval transports were arriving in the city. British commissioners from London were offering peace, granting a redress of every grievance expressed in 1775. Spies repeatedly reported conversations of officers talking of leaving. To George Washington, and many others, it appeared the British would evacuate New York City, and the Revolutionary War might be nearing a successful conclusion. Then, on September 23, 1778, six thousand British troops erupted into neighboring Bergen County, New Jersey, followed the next day by three thousand others surging northward into Westchester County, New York. Washington now faced a British Army stronger than Burgoyne’s at Saratoga the previous year. What, in the face of all intelligence to the contrary, had changed with the British?
Through period letters, reports, newspapers, journals, pension applications, and other manuscripts from archives in the United States, Canada, United Kingdom, and Germany, the complete picture of Britain’s last great push around New York City can now be told. The strategic situation of Britain’s tenuous hold in America is intermixed with the tactical views of the soldiers in the field and the local inhabitants, who only saw events through their narrow vantage points. This is the first publication to properly narrate the events of this period as one campaign. Grand Forage 1778: The Battleground Around New York City by historian Todd W. Braisted explores the battles, skirmishes, and maneuvers that left George Washington and Sir Henry Clinton playing a deadly game of chess in the lower Hudson Valley as a prelude to the British invasion of the Southern colonies.
The Grand Gennaro, a riveting saga set at the turn of the last century in Italian American Harlem, reflects on how youthful acts of cruelty and desperation follow many to the grave. A classic in the truest sense, this operatic narrative is alive once again, addressing the question: How does one become an "American"?
Franco-German cultural exchange reached its height at the 1937 Paris World’s Fair, where the Third Reich worked to promote an illusion of friendship between the two countries. Through the prism of this decisive event, Grand Illusion examines the overlooked relationships among Nazi elites and French intellectuals. Their interaction, Karen Fiss argues, profoundly influenced cultural production and normalized aspects of fascist ideology in 1930s France, laying the groundwork for the country’s eventual collaboration with its German occupiers.
Tracing related developments across fine arts, film, architecture, and mass pageantry, Fiss illuminates the role of National Socialist propaganda in the French decision to ignore Hitler’s war preparations and pursue an untenable policy of appeasement. France’s receptiveness toward Nazi culture, Fiss contends, was rooted in its troubled identity and deep-seated insecurities. With their government in crisis, French intellectuals from both the left and the right demanded a new national culture that could rival those of the totalitarian states. By examining how this cultural exchange shifted toward political collaboration, Grand Illusion casts new light on the power of art to influence history.
Crasnaru portrays the lives of people so used to hardship that it never occurs to them to surrender. An unhappily married woman waits in vain for a call from a potential lover. A foul-mouthed mother of seven accuses a war hero of conning her out of her life savings. A lawyer is lured to a forest by a dead coworker's stories of a beautiful woman. Those with drab lives use fantasy to endure and those who believe themselves happy are forced to face grim realities. Crasnaru mixes elements of the ridiculous, the fanciful, and the grotesque with vivid realism and her remarkable stories, while taking place in a dark era in her nation's history, are about the human as well as the Romanian condition.
"With unsparing candor, Susan Messer thrusts us into a time when racial tensions sundered friends and neighbors and turned families upside down. The confrontations in Grand River and Joy are complex, challenging, bitterly funny, and---painful though it is to acknowledge it---spot-on accurate."
---Rosellen Brown, author of Before and After and Half a Heart
"Grand River and Joy is a rare novel of insight and inspiration. It's impossible not to like a book this well-written and meaningful---not to mention as historically significant, humorous, and meditative."
---Laura Kasischke, author of The Life Before Her Eyes and Be Mine
Halloween morning 1966, Harry Levine arrives at his wholesale shoe warehouse to find an ethnic slur soaped on the front window. As he scavenges around the sprawling warehouse basement, looking for the supplies he needs to clean the window, he makes more unsettling discoveries: a stash of Black Power literature; marijuana; a new phone line running off his own; and a makeshift living room, arranged by Alvin, the teenaged tenant who lives with his father, Curtis, above the warehouse. Accustomed to sloughing off fears about Detroit's troubled inner-city neighborhood, Harry dismisses the soaped window as a Halloween prank and gradually dismantles “Alvin's lounge” in a silent conversation with the teenaged tenant. Still, these events and discoveries draw him more deeply into the frustrations and fissures permeating his city in the months leading up to the Detroit riots.
Grand River and Joy, named after a landmark intersection in Detroit, follows Harry through the intersections of his life and the history of his city. It's a work of fiction set in a world that is anything but fictional, a novel about the intersections between races, classes and religions exploding in the long, hot summers of Detroit in the 1960s. Grand River and Joy is a powerful and moving exploration of one of the most difficult chapters of Michigan history.
Susan Messer's fiction and nonfiction have appeared in numerous publications, including Glimmer Train Stories, North American Review, and Colorado Review. She received an Illinois Arts Council Fellowship in prose, an Illinois Arts Council literary award for creative nonfiction, and a prize in the Jewish Cultural Writing Competition of the Dora Teitelboim Center for Yiddish Culture.
Cover photograph copyright © Bill Rauhauser and Rauhauser Photographic Trust
American foreign policy is the subject of extensive debate. Many look to domestic factors as the driving forces of bad policies. Benjamin Miller instead seeks to account for changes in US international strategy by developing a theory of grand strategy that captures the key security approaches available to US decision-makers in times of war and peace.
Grand Strategy from Truman to Trump makes a crucial contribution to our understanding of competing grand strategies that accounts for objectives and means of security policy. Miller puts forward a model that is widely applicable, based on empirical evidence from post-WWII to today, and shows that external factors—rather than internal concerns—are the most determinative.
In this book, the distinguished writer Edward N. Luttwak presents the grand strategy of the eastern Roman empire we know as Byzantine, which lasted more than twice as long as the more familiar western Roman empire, eight hundred years by the shortest definition. This extraordinary endurance is all the more remarkable because the Byzantine empire was favored neither by geography nor by military preponderance. Yet it was the western empire that dissolved during the fifth century.
The Byzantine empire so greatly outlasted its western counterpart because its rulers were able to adapt strategically to diminished circumstances, by devising new ways of coping with successive enemies. It relied less on military strength and more on persuasion—to recruit allies, dissuade threatening neighbors, and manipulate potential enemies into attacking one another instead. Even when the Byzantines fought—which they often did with great skill—they were less inclined to destroy their enemies than to contain them, for they were aware that today’s enemies could be tomorrow’s allies. Born in the fifth century when the formidable threat of Attila’s Huns were deflected with a minimum of force, Byzantine strategy continued to be refined over the centuries, incidentally leaving for us several fascinating guidebooks to statecraft and war.
The Grand Strategy of the Byzantine Empire is a broad, interpretive account of Byzantine strategy, intelligence, and diplomacy over the course of eight centuries that will appeal to scholars, classicists, military history buffs, and professional soldiers.
Editor Robert Righter has selected thirty-five contributors whose work takes readers from the Tetons’ geological origins to the time of Euro-American encroachment and the park’s politically tumultuous creation. Selections range from Laine Thom’s Shoshone legend of the Snake River and Owen Wister’s essay “Great God! I’ve Just Killed a Bear,” to Grace Gallatin Seton-Thompson’s humorous yet fearful account of crossing the Snake River, and William Owen’s first attempt to climb the Grand Teton. Conservationists, naturalists, and environmentalists are also represented: Terry Tempest Williams chronicles her multiyear encounter with her “Range of Memory,” and Olaus and Mardy Murie recount the difficulties of “park-making” in an often-hostile human environment.
Anyone seeking a deeper understanding of the park’s wild beauty and controversial past will want to read these stories by people who lived it.
The collection contains the following eight essays:
• “Verisimilitude and the Portrait of an Angel: On the Fortunes of a Swedish-Russian artist” (on painter Carl August Tholander)
• “The Grand Theme: A Journey in the Musical Universe” (on composer Tommie Haglund, music, and classical philosophy)
• “An Angle of Vision”(on Swedenborg’s clairvoyance)
• “The Heart of the Matter” (on Swedenborg’s influence on psychology)
• “In the Garden of God” (on Swedenborg’s and Carl Linnaeus’s influence in Australia)
• “Jardin des Plantes: The Most Important Place on Earth’” (on Swedenborg, Emerson, Strindberg, and Honoré de Balzac in Paris)
• “In the Shadow of Le Morne Brabant” (on Swedenborgianism in Mauritius)
• “The Oceanic Mind” (on Swedenborgianism in Cuba)
The Detroit, Michigan-based Grand Trunk Corporation was established more than two decades ago by Canadian National to oversee and maximize the potential of its railroad holdings in the United States. By making use of corporate records, oral histories, and archival material, Hofsommer uncovers the interesting and complex history of Grand Trunk from its inception in 1971 through 1992.
Grandeur of the Everyday is the first full-length volume dedicated to the life and work of Dale Kennington—an accomplished master of contemporary American realism. Kennington’s works often hold a strange familiarity, even for those coming to her work for the first time. Her paintings are at once familiar and yet defy specificity of place, clear and lucid while also dense in content. These effects derive from her unique ability to capture the essence of everyday living, the ordinary “in between” moments we often overlook in our day-to-day habits and transactions.
Kennington referred to her paintings as “merged memories.” Combining elements of photography, memory, and imagination, Kennington’s art is an entrancing blend of contemporary and magical realism, with themes ranging from loneliness to community and culture, from class and race relations to the juxtaposition of private and public life. Rather than study the spectacular, she concentrated on commonplace moments of human interaction, inviting observers of her paintings to ponder their significance and to complete their implicit narratives. Often relying on local subjects for her paintings—barbershops, bars, restaurants, gospel concerts, motel rooms, nursing homes—she presented a diversity of local experience.
Grandeur of the Everyday is a treasure trove of her most accomplished creations and includes more than eighty-five examples of both Kennington’s easel paintings on canvas and her freestanding wooden folding screens. The volume also offers an original interview with the artist conducted by Kristen Miller Zohn, an introduction by art historian Daniel White, and a critical essay by the director of the Wiregrass Museum of Art, Rebecca Brantley.
By the year 2030, the average life expectancy of women in industrialized countries could reach ninety—exceeding that of men by about ten years. At the present time, postmenopausal women represent more than fifteen percent of the world’s population and this figure is likely to grow.
From an evolutionary perspective, these demographic numbers pose some intriguing questions. Darwinian theory holds that a successful life is measured in terms of reproduction. How is it, then, that a woman’s lifespan can greatly exceed her childbearing and childrearing years? Is this phenomenon simply a byproduct of improved standards of living, or do older women—grandmothers in particular—play a measurable role in increasing their family members’ biological success?
Until now, these questions have not been examined in a thorough and comprehensive manner. Bringing togethertheoretical and empirical work byinternationally recognized scholars in anthropology, psychology, ethnography, and the social sciences, Grandmotherhood explores the evolutionary purpose and possibilities of female post-generative life. Students and scholars of human evolution, anthropology, and even gerontology will look to this volume as a major contribution to the current literature in evolutionary studies.
The Grandmothers is the chronicle of Alwyn’s ancestors: the bitter Henry Tower, who returned from Civil War battlefields to find his beautiful wife Serena lost in a fatal fever; Rose Hamilton, robust and eager, who yearned to leave the cabin of her bearded, squirrel-hunting brothers for the company of courteous Leander Tower; the boy-soldier Hilary Tower, whose worship of his brother made him desperate; fastidious Nancy Tower, whose love for her husband Jesse Davis could not overcome her disgust with the dirt under his fingernails; Ursula Duff, proud and silent, maligned among her neighbors by her venal husband; Alwyn’s parents, Ralph Tower and Marianne Duff, whose happiness is brought about only by the intervention of a determined spinster.
For about a decade, one of the most influential forces in US anti-immigrant politics was the Minuteman Project. The armed volunteers made headlines patrolling the southern border. What drove their ethno-nationalist politics?
Jennifer L. Johnson spent hundreds of hours observing and interviewing Minutemen, hoping to answer that question. She reached surprising conclusions. While the public face of border politics is hypermasculine—men in uniforms, fatigues, and suits—older women were central to the Minutemen. Women mobilized support and took part in border missions. These women compel us to look beyond ideological commitments and material benefits in seeking to understand the appeal of right-wing politics. Johnson argues that the women of the Minutemen were motivated in part by the gendered experience of aging in America. In a society that makes old women irrelevant, aging white women found their place through anti-immigrant activism, which wedded native politics to their concern for the safety of their families. Grandmothers on Guard emphasizes another side of nationalism: the yearning for inclusion. The nation the Minutemen imagined was not only a space of exclusion but also one in which these women could belong.
While they were training for the Iditarod, Granite became deathly ill. The veterinarians said he would never be strong enough to run the race. Granite refused to accept this, and slowly he started to recover. By the time of the race he was strong enough to start, but Susan wondered if he could finish the entire thousand-mile race. Confidently Granite guided the team into the lead of the race, when suddenly they were caught in a raging Arctic blizzard. Now Susan and the whole team depended on Granite to get them through the storm. He had to call on all his inner strength and courage to save them—if he could.
Drawing together the humanistic and scientific significance of the wild landscapes he traverses, Michael uncovers relationships between people and places and meaning and substance, rendering this text part memoir—but also considerably more. On-the-rock encounters by hand and foot open up a dialogue between the heart of a philosopher and the mind of a geologist. Michael adds a literary softness to this hard landscape, blending excursions with exposition and literature with science. It is through his graceful representations that the geological becomes metaphorical, while the science turns mythological.
This high country, where in 1889 John Muir and Robert Underwood Johnson planned what would become Yosemite National Park, is significant for cultural as well as natural reasons. Discoursing on everything from Camus’s “Myths of Sisyphus” to the poems of Gary Snyder, Michael adds depth to an already splendorous landscape. Premier early geologists, such as François Matthes, shaped the language of Yosemite’s landscape. Even though Yosemite has changed over half a century, the rock has not. As Michael explores the beauty and grace of his familiar towering vistas, he demonstrates why, of the many aspects of the world to which one might get attached, the most secure is granite.
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