Few have written more memorably about the work of poetry and the poetics of work than Juan Ramón Jiménez, winner of a Nobel Prize and discerning teacher of an entire generation of Spanish poets. In this series of aphorisms, Jiménez brings together the elements of perfect work, both in writing and in other realms. Among these elements—the wellsprings of any kind of creation—are instinct and inspiration, memory and forgetting, silence and noise, love and regret.

This lyric portrait of life—and the little donkey, Platero—in a remote Andalusian village is the masterpiece of Juan Ramón Jiménez, the Spanish poet awarded the 1956 Nobel Prize for Literature.

Webtoons—a form of comic that are typically published digitally in chapter form—are the latest manifestation of the Korean Wave of popular culture that has increasingly caught on across the globe, especially among youth. Originally distributed via the Internet, they are now increasingly distributed through smartphones to ravenous readers in Korea and around the world.

The rise of webtoons has fundamentally altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other media platforms, such as films, television, and digital games—and the convergence of cultural content and digital technologies. Fans can enjoy this content anytime and anywhere, either purely as webtoons or as webtoon-based big-screen culture.

Understanding Korean Webtoon Culture analyzes webtoons through the lens of emerging digital cultures and discusses relevant cultural perspectives by combining two different, yet connected approaches, political economy and cultural studies. The book demonstrates the dynamics between structural forces and textual engagement in global media flows, and it illuminates snack-culture and binge-reading as two new forms of digital culture that webtoon platforms capitalize on to capture people’s shifting media consumption.

Webtoons—a form of comic that are typically published digitally in chapter form—are the latest manifestation of the Korean Wave of popular culture that has increasingly caught on across the globe, especially among youth. Originally distributed via the Internet, they are now increasingly distributed through smartphones to ravenous readers in Korea and around the world.

The rise of webtoons has fundamentally altered the Korean cultural market due to the growth of transmedia storytelling—the flow of a story from the original text to various other media platforms, such as films, television, and digital games—and the convergence of cultural content and digital technologies. Fans can enjoy this content anytime and anywhere, either purely as webtoons or as webtoon-based big-screen culture.

Understanding Korean Webtoon Culture analyzes webtoons through the lens of emerging digital cultures and discusses relevant cultural perspectives by combining two different, yet connected approaches, political economy and cultural studies. The book demonstrates the dynamics between structural forces and textual engagement in global media flows, and it illuminates snack-culture and binge-reading as two new forms of digital culture that webtoon platforms capitalize on to capture people’s shifting media consumption.

This updated second edition of Global Technological Change reconsiders how we make and use technology in the twenty-first century. With human-centered "soft technology" driving machine-based "hard technology" in ever more complex ways, Zhouying Jin provides an understanding of the human dimension of technological advancement. Through a theoretical framework that incorporates elements of both Eastern and Western philosophy, she offers insight into the dynamic between the two as it relates to a variety of technological innovation. More relevant than ever, Global Technological Change continues to challenge assumptions about technology and the gap between the developed and developing countries in the twenty-first century.

In the mid-1990s, when the United Nations adopted positions affirming a woman's right to be free from bodily harm and to control her own reproductive health, it was both a coup for the international women's rights movement and an instructive moment for nongovernmental organizations (NGOs) seeking to influence UN decision making.

Prior to the UN General Assembly's 1993 Declaration on the Elimination of All Forms of Violence against Women and the 1994 decision by the UN's Conference on Population and Development to vault women's reproductive rights and health to the forefront of its global population growth management program, there was little consensus among governments as to what constituted violence against women and how much control a woman should have over reproduction. Jutta Joachim tells the story of how, in the years leading up to these decisions, women's organizations got savvy—framing the issues strategically, seizing political opportunities in the international environment, and taking advantage of mobilizing structures—and overcame the cultural opposition of many UN-member states to broadly define the two issues and ultimately cement women's rights as an international cause.

Joachim's deft examination of the documents, proceedings, and actions of the UN and women's advocacy NGOs—supplemented by interviews with key players from concerned parties, and her own participant-observation—reveals flaws in state-centered international relations theories as applied to UN policy, details the tactics and methods that NGOs can employ in order to push rights issues onto the UN agenda, and offers insights into the factors that affect NGO influence. In so doing, Agenda Setting, the UN, and NGOs departs from conventional international relations theory by drawing on social movement literature to illustrate how rights groups can motivate change at the international level.

What are the origins of the idea of human rights and universal human dignity? How can we most fully understand—and realize—these rights going into the future? In The Sacredness of the Person, internationally renowned sociologist and social theorist Hans Joas tells a story that differs from conventional narratives by tracing the concept of human rights back to the Judeo-Christian tradition or, alternately, to the secular French Enlightenment. While drawing on sociologists such as Émile Durkheim, Max Weber, and Ernst Troeltsch, Joas sets out a new path, proposing an affirmative genealogy in which human rights are the result of a process of “sacralization” of every human being.

According to Joas, every single human being has increasingly been viewed as sacred. He discusses the abolition of torture and slavery, once common practice in the pre-18th century west, as two milestones in modern human history. The author concludes by portraying the emergence of the UN Declaration of Human Rights of 1948 as a successful process of value generalization. Joas demonstrates that the history of human rights cannot adequately be described as a history of ideas or as legal history, but as a complex transformation in which diverse cultural traditions had to be articulated, legally codified, and assimilated into practices of everyday life. The sacralization of the person and universal human rights will only be secure in the future, warns Joas, through continued support by institutions and society, vigorous discourse in their defense, and their incarnation in everyday life and practice.

Ellis Joffe has drawn on a lifetime of experience as an analyst of Chinese military affairs in this authoritative assessment of a highly elusive subject: military modernization and the politics of civilian-military relations in the post-Mao period. He has sifted vast amounts of evidence, primary and secondary, to show that during the past few years the Chinese army has been transformed into a relatively modern and professional force that will be the basis for future growth of China’s military power.

The author begins by describing the development of the People’s Liberation Army in the Maoist era and explains the reasons for its decline. He analyzes the political changes and the shifts in strategic outlook of Mao’s successors that have made possible a new policy of military modernization: a policy of raising the combat capability of the PLA through slow improvements of technology—including buying some material abroad—and a thorough upgrading of the nontechnological components of military power.

Joffe examines all aspects of the PLA’s modernization, focusing on the wide-ranging changes in doctrine, weapons, organization, structure, and modes of operation, and concludes with an analysis of the PLA’s political role and the state of civil–military relations. There is a particularly perspicacious chapter dissecting Deng’s maneuvers to remove the military influence in politics that had burgeoned during and after the Cultural Revolution.

A princely tale inspired by Christianity and Buddhism.

One of the best known examples of the hagiographic novel, this is the tale of an Indian prince who becomes aware of the world’s miseries and is converted to Christianity by the monk Barlaam. Barlaam and Josaphat (Ioasaph) were believed to have re-converted India after her lapse from conversion to Christianity, and they were numbered among the Christian saints. Centuries ago likenesses were noticed between the life of Josaphat and the life of the Buddha; the resemblances are in incidents, doctrine, and philosophy, and Barlaam’s rules of abstinence resemble the Buddhist monk’s. But not till the mid-nineteenth century was it recognized that, in Josaphat, the Buddha had been venerated as a Christian saint for about a thousand years.

The origin of the story of Barlaam and Ioasaph—which in itself has little peculiar to Buddhism—appears to be a Manichean tract produced in Central Asia. It was welcomed by the Arabs and by the Georgians. The Greek romance of Barlaam appears separately first in the 11th century. Most of the Greek manuscripts attribute the story to John the Monk, and it is only some later scribes who identify this John with John Damascene (ca. 676–749). There is strong evidence in Latin and Georgian as well as Greek that it was the Georgian Euthymius (who died in 1028) who caused the story to be translated from Georgian into Greek, the whole being reshaped and supplemented. The Greek romance soon spread throughout Christendom, and was translated into Latin, Old Slavonic, Armenian, and Arabic. An English version (from Latin) was used by Shakespeare in his caskets scene in The Merchant of Venice.

David M. Lang’s Introduction traces parallels between the Buddhist and Christian legends, discusses the importance of Arabic versions, and notes influences of the Manichean creed.

The telegraph and the telephone were the first electrical communications networks to become hallmarks of modernity. Yet they were not initially expected to achieve universal accessibility. In this pioneering history of their evolution, Richard R. John demonstrates how access to these networks was determined not only by technological imperatives and economic incentives but also by political decision making at the federal, state, and municipal levels.

In the decades between the Civil War and the First World War, Western Union and the Bell System emerged as the dominant providers for the telegraph and telephone. Both operated networks that were products not only of technology and economics but also of a distinctive political economy. Western Union arose in an antimonopolistic political economy that glorified equal rights and vilified special privilege. The Bell System flourished in a progressive political economy that idealized public utility and disparaged unnecessary waste.

The popularization of the telegraph and the telephone was opposed by business lobbies that were intent on perpetuating specialty services. In fact, it wasn’t until 1900 that the civic ideal of mass access trumped the elitist ideal of exclusivity in shaping the commercialization of the telephone. The telegraph did not become widely accessible until 1910, sixty-five years after the first fee-for-service telegraph line opened in 1845.

Network Nation places the history of telecommunications within the broader context of American politics, business, and discourse. This engrossing and provocative book persuades us of the critical role of political economy in the development of new technologies and their implementation.

In the seven decades from its establishment in 1775 to the commercialization of the electric telegraph in 1844, the American postal system spurred a communications revolution no less far-reaching than the subsequent revolutions associated with the telegraph, telephone, and computer. This book tells the story of that revolution and the challenge it posed for American business, politics, and cultural life.

During the early republic, the postal system was widely hailed as one of the most important institutions of the day. No other institution had the capacity to transmit such a large volume of information on a regular basis over such an enormous geographical expanse. The stagecoaches and postriders who conveyed the mail were virtually synonymous with speed.

In the United States, the unimpeded transmission of information has long been hailed as a positive good. In few other countries has informational mobility been such a cherished ideal. Richard John shows how postal policy can help explain this state of affairs. He discusses its influence on the development of such information-intensive institutions as the national market, the voluntary association, and the mass party. He traces its consequences for ordinary Americans, including women, blacks, and the poor. In a broader sense, he shows how the postal system worked to create a national society out of a loose union of confederated states. This exploration of the role of the postal system in American public life provides a fresh perspective not only on an important but neglected chapter in American history, but also on the origins of some of the most distinctive features of American life today.

Since the rise of Napster and other file-sharing services in its wake, most of us have assumed that intellectual piracy is a product of the digital age and that it threatens creative expression as never before. The Motion Picture Association of America, for instance, claimed that in 2005 the film industry lost $2.3 billion in revenue to piracy online. But here Adrian Johns shows that piracy has a much longer and more vital history than we have realized—one that has been largely forgotten and is little understood.

Piracy explores the intellectual property wars from the advent of print culture in the fifteenth century to the reign of the Internet in the twenty-first. Brimming with broader implications for today’s debates over open access, fair use, free culture, and the like, Johns’s book ultimately argues that piracy has always stood at the center of our attempts to reconcile creativity and commerce—and that piracy has been an engine of social, technological, and intellectual innovations as often as it has been their adversary. From Cervantes to Sonny Bono, from Maria Callas to Microsoft, from Grub Street to Google, no chapter in the story of piracy evades Johns’s graceful analysis in what will be the definitive history of the subject for years to come.

Archaeological evidence of truly domestic dogs dates back to the Stone Age, when humans lived as bands of hunter-gatherers. The long association that followed, with dogs living alongside people as hunters and companions, guardians and guides, has a treasured place in history and myth—and in a wealth of art and artifacts that document and celebrate this ancient relationship.

Dogs: History, Myth, Art explores these cultural expressions and reflections of our deep and long-standing interest in dogs. Here, in exquisite reproductions, are life-size sculptures and tiny engraved gems, ceramic floor tiles and stone wall-reliefs, gold ornaments and ceramic vessels, pocketknife handles and miniature paintings, all depicting dogs from prehistory to the present. Through these illustrations—drawn from the collections of the British Museum—author Catherine Johns considers the evolution of the species, its earliest interactions with human communities, its importance in history and culture, and its role in symbolism, mythology, and legend. Dogs’ wild cousins, wolves, jackals, and foxes, also play a role in this story, and so appear alongside their domestic counterparts in this book’s engaging tour of cultural perceptions and depictions of dogs.

The juxtaposition and explanation of images as diverse as Greek pottery, Victorian jewelry, Assyrian sculpture, and Japanese netsuke, as well as drawings and paintings from 1850 bc to the twentieth century, illuminates our understanding of the place of dogs in human society around the world.

The remarkable relationship between people and horses has been evoked in art from the beginning of the bond between them. In this beautifully illustrated book, Catherine Johns explores the horse in art from the ancient world to the modern era.

In early human history, horses were among the wild creatures hunted for meat; they were domesticated comparatively late, around 4000 B.C. As people developed from hunter-gatherers to farmers, the horse offered the potential for a revolution in power and transport—the ability to move farther and faster transformed society. Johns tells the story of the horse and highlights the key roles this animal has played in human warfare, travel, ceremony, hunting, racing, and in myth and symbolism.

The themes are presented in stunning four-color illustrations of British Museum objects that trace our perceptions of the horse through time and space, and convey the wide variety of images that have been created of this magnificent creature: in colossal and life-sized sculpture, in paintings, and in minuscule form on coins, gems, and jewelry; and from the world of ancient Greece and Rome to the arts of India, Africa, China, and Japan.

Horses appear in stone and metal, ceramic, wood, bone, ivory, and textiles. From the Horse of Selene and a gold model chariot from the Oxus treasure to Persian miniatures and prints by Duerer, Stubbs, and Hokusai, this book will inform, entertain, and delight horse lovers and all readers interested in this inspiring animal and its profound contribution to human culture.

Mexico City assumed its current character around the turn of the twentieth century, during the dictatorship of Porfirio Díaz (1876-1911). In those years, wealthy Mexicans moved away from the Zócalo, the city's traditional center, to western suburbs where they sought to imitate European and American ways of life. At the same time, poorer Mexicans, many of whom were peasants, crowded into eastern suburbs that lacked such basic amenities as schools, potable water, and adequate sewerage. These slums looked and felt more like rural villages than city neighborhoods. A century—and some twenty million more inhabitants—later, Mexico City retains its divided, robust, and almost labyrinthine character.

In this provocative and beautifully written book, Michael Johns proposes to fathom the character of Mexico City and, through it, the Mexican national character that shaped and was shaped by the capital city. Drawing on sources from government documents to newspapers to literary works, he looks at such things as work, taste, violence, architecture, and political power during the formative Díaz era. From this portrait of daily life in Mexico City, he shows us the qualities that "make a Mexican a Mexican" and have created a culture in which, as the Mexican saying goes, "everything changes so that everything remains the same."

“I went to Nicaragua with nothing but a tourist visa, $1,500 in cash, the name of someone at the Agrarian Reform Ministry, and the idea of being a revolutionary intellectual. . . . The idea took hold in a simple character flaw: wanting to believe that I knew better than everyone else.” —From the preface

When Michael Johns joined a Sandinista militia in 1983, a fellow revolutionary dubbed him a rábano, a radish: red on the outside but white on the inside. Now, more than twenty-five years later, Johns appreciates the wisdom of that label as he revisits the questions of identity he tried to resolve by working with the Sandinistas at that point in his life. In The Education of a Radical, Johns recounts his immersion in Marxism and the Nicaraguan sojourn it led to, with a painful maturation process along the way.

His conversion began in college, where he joined a student group called the Latin American Solidarity Association and traveled to Chiapas, Mexico, for research on his senior thesis. Overwhelmed by the poverty he witnessed (and fascinated by a new friend named Maricela who was trying to turn peasants into revolutionaries and who carried a heavily highlighted copy of Late Capitalism), he experienced an ideological transformation. When a Marxist professor later encouraged him to travel to Nicaragua, the real internal battle began for him, a battle that was intensified by the U.S. invasion of Grenada and its effect on the Sandinistas, who believed they were the next target for an imminent American invasion. Before he knew it, Johns was digging trenches and learning how to use an AK-47. His intellectual ideals came face-to-face with revolutionary facts, and the results would perplex him for years to come.

Bringing to life a vivid portrait of the sometimes painful process of reconciling reality with romanticized principles, The Education of a Radical encapsulates a trove of truths about humanity, economics, and politics in one man’s memorable journey.

"As I write this, I am sitting in a cabin at Cedar Point Biological Station in southwestern Nebraska.... The glorious elemental mixture of earth, water, and sky around me is the home of nearly three hundred species of birds, and comprises one of my favorite places in the world. Here no radio stations blare out the most recent results of meaningless sports events ... no traffic noises confound the senses. Instead the wind is the unquestioned dominating summer influence. The prairie grasses bend willingly and gracefully before it, and the leaves of the cottonwood trees convert its breezes into soft music."

Paul Johnsgard is one of America's most prominent ornithologists and a world authority on waterfowl behavior. In these popularly written, often lyrical essays, he describes some of his most fascinating encounters with birds, from watching the annual mating displays of prairie-chickens on a hilltop in Pawnee County, Nebraska, to attempting to solve some of the mysteries surrounding Australia's nearly flightless musk duck.

Reflecting his worldwide interests and travels, the birds Johnsgard describes inhabit many parts of the globe. Grouping the birds by the element they frequent most—earth, water, or sky—he weaves a wealth of accurate natural history into personal stories drawn from a lifetime of avian observation. And, as a bonus, Johnsgard's lovely pen-and-ink drawings illustrate each species he describes.