Two rabbis, visiting Palestine in 1897, observed that the land was like a bride, 'beautiful, but married to another man'. By which they meant that, if a place was to be found for Israel in Palestine, where would the people of Palestine go? This is a dilemma that Israel has never been able to resolve.
No conflict today is more dangerous than that between Israel and the Palestinians. The implications it has for regional and global security cannot be overstated. The peace process as we know it is dead and no solution is in sight. Nor, as this book argues, will that change until everyone involved in finding a solution accepts the real causes of conflict, and its consequences on the ground.
Leading writer Ghada Karmi explains in fascinating detail the difficulties Israel's existence created for the Arab world and why the search for a solution has been so elusive. Ultimately, she argues that the conflict will end only once the needs of both Arabs and Israelis are accommodated equally. Her startling conclusions overturn conventional thinking -- but they are hard to refute.
Susan Staves’s venture in feminist critical legal history is a comprehensive account of the changing laws governing married women’s property and a critical analysis of those laws and the ideology behind them. Staves offers an argument differing sharply from conventional appraisals of rule change as “progress.” She shows that, although there was a brief period in the mid-eighteenth century when contract law was applied to women’s rights to own and dispose of property, the results were socially intolerable, and the courts soon retreated to the older patriarchal structures that deprived married women of full ownership of property.
These patriarchal structures had always functioned to facilitate the transmission of significant property from male to male. Entitlements of women were designed to provide them with subsistence for themselves and minor children dependent upon them and to prevent their becoming an expense to the community. In examining several species of married women’s property—dower, jointure, pin money, and separate maintenance allowances—Staves shows that, despite the supposed importance of the of precedent in the legal system, judges had considerable room to maneuver and acted on their own ideological biases.
This story is packed with human interest and illustrative anecdote. Staves uses vivid examples from literature of the times, including plays such as Vanbrugh’s Relapse, Congreve’s Way of the World, and Sheridan’s School for Scandal, and novels like Tom Jones and Pride and Prejudice. Her book will interest a diverse audience of historians, legal scholars, students of eighteenth-century culture and literature, and general readers concerned with women’s issues.
Composed over several decades, the essays here are remarkably fresh and relevant. They offer instruction for the student just beginning the study of folklore as well as repeated value for the many established scholars who continue to wrestle with issues that Wilson has addressed. As his work has long offered insight on critical matters—nationalism, genre, belief, the relationship of folklore to other disciplines in the humanities and arts, the currency of legend, the significance of humor as a cultural expression, and so forth—so his recent writing, in its reflexive approach to narrative and storytelling, illuminates today’s paradigms. Its notable autobiographical dimension, long an element of Wilson’s work, employs family and local lore to draw conclusions of more universal significance. Another way to think of it is that newer folklorists are catching up with Wilson and what he has been about for some time.
As a body, Wilson’s essays develop related topics and connected themes. This collection organizes them in three coherent parts. The first examines the importance of folklore—what it is and its value in various contexts. Part two, drawing especially on the experience of Finland, considers the role of folklore in national identity, including both how it helps define and sustain identity and the less savory ways it may be used for the sake of nationalistic ideology. Part three, based in large part on Wilson’s extensive work in Mormon folklore, which is the most important in that area since that of Austin and Alta Fife, looks at religious cultural expressions and outsider perceptions of them and, again, at how identity is shaped, by religious belief, experience, and participation; by the stories about them; and by the many other expressive parts of life encountered daily in a culture.
Each essay is introduced by a well-known folklorist who discusses the influence of Wilson’s scholarship. These include Richard Bauman, Margaret Brady, Simon Bronner, Elliott Oring, Henry Glassie, David Hufford, Michael Owen Jones, and Beverly Stoeltje.
Marsden Hartley was first published in 1952. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Art connoisseurs and students, who are becoming increasingly aware of the importance of Marsden Hartley in an understanding of modern at, will welcome this book. It contains a biographical and critical essay on the artist and his work, a checklist of items in the Hudson D. Walker collection of Hartley's works, a biography of writings by and about Hartley, a chronology of his life, and halftone reproductions illustrating his development as an artist. The illustrations are taken from works in the Walker collection, which is on long-term loan to the University of Minnesota Gallery.
Stretching from the craggy reaches of the Pocono Mountains to the rolling farmlands of Lancaster County, Pennsylvania, sprawling east across the Delaware River basin and New Jersey’s coastal plain Atlantic beaches—here is a land of rich historical, cultural, and environmental diversity. Few other locales in the United States have as many varied habitats, each with its own distinctive vegetation and wildlife. The nature lover in the Delaware Valley can travel from ocean, across barrier-beaches, salt-water and fresh-water marshes, pine barrens, deciduous woodlands and fields, to mountains, all in a few hours.
Marsh, Meadow, Mountain, a combination tour guide and ecological primer, is written for the thousands of people in the area with an interest in natural history or for those seeking alternative recreational activities. Each chapter, written by an experienced naturalist intimately familiar with one of the seven major ecosystems, introduces the reader to the dynamic interrelationships in nature, the interactions between a particular habitat and its inhabitants, and its plants and wildlife. Over 135 locations are described including the Pocono Mountains, the Pine Barrens, Stone Harbor, Delaware Water Gap National Recreation Area, Ridley Creek State Park, Tyler Arboretum, and Tinicum National Environmental Center, which in any season can provide fascinating viewing opportunities depending upon your interests. Each site also includes addresses, directions, trail maps, artistic drawings, and a suggested reading list.
Marsh, Meadow, Mountain conveys both a sense of fun and learning and, ultimately, will instill in the reader a special intimacy with the Delaware Valley’s precious wild places.
Eliza Orzeszkowa was a trailblazing Polish novelist who, alongside Leo Tolstoy and Henryk Sienkiewicz, was a finalist for the 1905 Nobel Prize in Literature. Of her many works of social realism, Marta (1873) is among the best known, but until now it has not been available in English. Easily a peer of The Awakening and A Doll’s House, the novel was well ahead of the English literature of its time in attacking the ways the labor market failed women.
Suddenly widowed, the previously middle-class Marta Świcka is left penniless and launched into a grim battle for her survival and that of her small daughter. As she applies for job after job in Warsaw—portrayed here as an every-city, an unforgiving commercial landscape that could be any European metropolis of the time—she is told time after time that only men will be hired, that men need jobs because they are fathers and heads of families.
Marta burns with Orzeszkowa’s feminist conviction that sexism was not just an annoyance but a threat to the survival of women and children. It anticipated the need for social safety nets whose existence we take for granted today, and could easily read as an indictment of current efforts to dismantle those very programs. Tightly plotted and exquisitely translated by Anna Gąsienica-Byrcyn and Stephanie Kraft, Marta resonates beyond its Polish setting to find its place in women’s studies, labor history, and among other works of nineteenth-century literature and literature of social change.
In this age of the sound bite, what sort of author could be more relevant than a master of the epigram? Martial, the most influential epigrammatist of classical antiquity, was just such a virtuoso of the form, but despite his pertinence to today’s culture, his work has been largely neglected in contemporary scholarship. Arguing that Martial is a major author who deserves more sustained attention, William Fitzgerald provides an insightful tour of his works, shedding new and much-needed light on the Roman poet’s world—and how it might speak to our own.
Writing in the late first century CE—when the epigram was firmly embedded in the social life of the Roman elite—Martial published his poems in a series of books that were widely read and enjoyed. Exploring what it means to read such a collection of epigrams, Fitzgerald examines the paradoxical relationship between the self-enclosed epigram and the book of poems that is more than the sum of its parts. And he goes on to show how Martial, by imagining these books being displayed in shops and shipped across the empire to admiring readers, prophetically behaved like a modern author. Chock-full of epigrams itself—in both Latin and English versions—Fitzgerald’s study will delight classicists, literary scholars, and anyone who appreciates an ingenious witticism.
Those who have read Orpheus in the Bronx, Reginald Shepherd's previous collection of essays about the act of creating poetry, and those who take on the task, can immediately understand why it was a national finalist for a prestigious National Book Critics Circle Award. Shepherd was candid and disarming, practical and funny, able to mix thoughts about the Transformers with meditations on the realities of growing up poor.
This is Reginald Shepherd's final opportunity to speak his mind about the craft he loved, the art of using words to express the soul and the wit of every person's experience. Edited by Shepherd's longtime partner and intellectual confidant, Robert Philen, A Martian Muse stands as a final monument to a master in the craft, but is also a readable, important work in its own right.
"Reginald Shepherd died September 10, 2008, after a hard struggle with cancer. While he had completed the essays presented here and had selected them from his available essays to form a collection, he didn't have time to organize the presentation of the essays within the collection.
"The task of editing this collection has been a daunting challenge as I struggle to live up to the level of intellectual engagement, clarity, and coherence that Reginald always expected. While daunting, it has also been a labor of love and a compulsion for me, based on the many years I spent with him as a partner, friend, lover, intellectual companion, and sharer of common passions."
---Robert Philen, from the Introduction
Reginald Shepherd was the editor of The Iowa Anthology of New American Poetries and Lyric Postmodernisms: An Anthology of Contemporary Innovative Poetries and the author of five books of poetry. He was a finalist for the 2009 National Book Critics Circle Award and was the recipient of grants from the NEA, the Illinois Arts Council, the Saltonstall Foundation, the Florida Arts Council, and the Vogelstein Foundation, among many other awards and honors.
Much like Vladimir Lenin, his onetime rival for the leadership of the Bolshevik party during its formative years, Alexander Bogdanov (1873–1928) was a visionary. In two science fiction novels set on Mars, Bogdanov imagined a future in which the workers of the world, liberated from capitalist exploitation, create a “physiological collective” that rejuvenates and unites its members through regular blood exchanges. But Bogdanov was not merely a dreamer. He worked tirelessly to popularize and realize his vision, founding the first research institute devoted to the science of blood transfusion.
In A Martian Stranded on Earth, the first broad-based book on Bogdanov in English, Nikolai Krementsov examines Bogdanov’s roles as revolutionary, novelist, and scientist, presenting his protagonist as a coherent thinker who pursued his ideas in a wide range of venues. Through the lens of Bogdanov’s involvement with blood studies on one hand, and of his fictional and philosophical writings on the other, Krementsov offers a nuanced analysis of the interactions between scientific ideas and societal values.
One of the five Hungarian scientific geniuses dubbed "the Martians" by their colleagues, John von Neumann is often hailed as the greatest mathematician of the twentieth century and even as the greatest scientist after Einstein. He was a key figure in the Manhattan Project; the inventor of game theory; the pioneer developer of the modern stored-program electronic computer; and an adviser to the top echelons of the American military establishment. In The Martian's Daughter, Marina von Neumann Whitman reveals intimate details about the famed scientist and explores how the cosmopolitan environment in which she was immersed, the demanding expectations of her parents, and her own struggles to emerge from the shadow of a larger-than-life parent shaped her life and work.
Unfortunately, von Neumann did not live to see his daughter rise to become the first or highest-ranking woman in a variety of arenas. Whitman became a noted academic during the 1960s and '70s, casting her teaching and writing in the framework of globalization before the word had been invented; became the first woman ever to serve on the President's Council of Economic Advisers and participated actively in U.S. efforts to reshape the international monetary and financial system during the early 1970s; pioneered the role of women on the boards of leading multinational corporations; and became the highest-ranking female executive in the American auto industry in the 1980s. In her memoir, Whitman quotes from personal letters from her father and describes her interactions with such figures as Roger Smith of GM and President Nixon. She also details the difficulties she encountered as an early entrant into a world dominated by men and how she overcame the obstacles to, in her words, "have it all."
One of the century’s greatest philosophers, without whom there would be no Sartre, no Foucault, no Frankfurt School, Martin Heidegger was also a man of great failures and flaws, a Faustus who made a pact with the devil of his time, Adolf Hitler. The story of Heidegger’s life and philosophy, a quintessentially German story in which good and evil, brilliance and blindness are inextricably entwined and the passions and disasters of a whole century come into play, is told in this brilliant biography.
Heidegger grew up in Catholic Germany where, for a chance at pursuing a life of learning, he pledged himself to the priesthood. Soon he turned apostate and sought a university position, which set him on the path to becoming the star of German philosophy in the 1920s. Rüdiger Safranski chronicles Heidegger’s rise along with the thought he honed on the way, with its debt to Heraclitus, Plato, and Kant, and its tragic susceptibility to the conservatism that emerged out of the nightmare of Germany’s loss in World War I. A chronicle of ideas and of personal commitments and betrayals, Safranski’s biography combines clear accounts of the philosophy that won Heidegger eternal renown with the fascinating details of the loves and lapses that tripped up this powerful intellectual.
The best intellectual biography of Heidegger ever written and a best-seller in Germany, Martin Heidegger: Between Good and Evil does not shy away from full coverage of Heidegger’s shameful transformation into a propagandist for the National Socialist regime; nor does it allow this aspect of his career to obscure his accomplishments. Written by a master of Heidegger’s philosophy, the book is one of the best introductions to the thought and to the life and times of the greatest German philosopher of the century.
In Martin Heidegger Saved My Life, Grant Farred combines autobiography with philosophical rumination to offer this unusual meditation on American racism. In the fall of 2013 while raking leaves outside his home, Farred experienced a racist encounter: a white woman stopped to ask him, “Would you like another job?” Farred responded, “Only if you can match my Cornell faculty salary.” The moment, however, stuck with him. The black man had gravitated to, of all people, Martin Heidegger, specifically Heidegger’s pronouncement, “Only when man speaks, does he think—and not the other way around,” in order to unpack this encounter.
In this essay, Farred grapples with why it is that Heidegger—well known as a Nazi—resonates so deeply with him during this encounter instead of other, more predictable figures such as Malcolm X, W. E. B. DuBois, or Frantz Fanon.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Dr. Martin Luther King Jr. is as relevant today as he was when he led civil rights campaigns in the 1950s and 1960s. He was an agent and a prophet of political change in this country, and the election of President Barack Obama is his direct legacy.
Now from one of Britain's most experienced political observers comes a new, accessible biography of the man and his works. The story of King is dramatic, and Godfrey Hodgson presents it with verve, clarity, and acute insight based in part on his own reporting on-scene at the time. He interviewed King half a dozen times or more; heard his speech at the March on Washington; was in Birmingham, Selma and Chicago; and met many of the characters in King's life story. Martin Luther King combines the best of his own reporting, plus the work of other biographers and researchers, to trace the iconic civil rights leader's career from his birth in Atlanta in 1929, through the campaigns that made possible the Civil Rights Act of 1964 and the Voting Rights Act of 1965, to his assassination in Memphis in 1968. Hodgson sheds light on every aspect of an extraordinary life: the Black Baptist culture in which King grew up, his theology and political philosophy, his physical and moral courage, his insistence on the injustice of inequality, his campaigning energy, his repeated sexual infidelities.
Hodgson describes the political minefield in which King operated; follows how he gradually persuaded President Kennedy that he could not stand by and allow the civil rights movement to be frustrated; and describes how, on the verge of success, his career was threatened by President Johnson's anger at King's principled decision to come out against the Vietnam War. He also puts King's career into the context of American history in the crisis of the 1960s. In his life, King was frustrated; but in death, he has been triumphant.
Martin Luther King allows the charisma and power of King's personality to shine through, showing in gripping narrative style exactly how one man helped America to progress toward its truest ideals. Hodgson's extensive research and detail help paint an accurate, complex portrait of one of America's most important leaders.
Godfrey Hodgson has worked in Britain and America as a newspaper and magazine journalist; as a television reporter, documentary maker and anchor; as a university teacher and lecturer; and as the author of a dozen well-received books about U.S. politics and recent history, including America in Our Time, a history of the United States in the 1960s; More Equal than Others, on politics and society in twentieth-century America; and most recently, a biography of Senator Daniel Patrick Moynihan, The Gentleman from New York. Hodgson met King on a number of occasions between 1956 and 1967. He recently retired as director of the Reuters Foundation Programme at Oxford University and is a visiting journalism professor at City University in London.
PRAISE FOR America in Our Time
"A critique so stimulating and compelling that I can only say read it."
---Richard Lingeman, The New York Times
"It simply gets right, without great fuss, the detail and proportion of things like the civil rights movement, student unrest, the stages of our Vietnam engagement."
---Garry Wills, The New York Review of Books
PRAISE FOR More Equal than Others
"The most thoughtful, thorough and sorrowful book imaginable on what has happened in these years."
---Bernard Crick, The Independent
Critical studies of the range of King’s public discourse as forms of sermonic rhetoric
The nine essays in this volume offer critical studies of the range of King’s public discourse as forms of sermonic rhetoric. They focus on five diverse and relative short examples from King’s body of work: “Death of Evil on the Seashore,” “Letter from Birmingham Jail,” “I Have a Dream,” “A Time to Break Silence,” and “I’ve Been to the Mountaintop.”
Taken collectively, these five works span both the duration of King’s career as a public advocate but also represent the broad scope of his efforts to craft and project a persuasive vision a beloved community that persists through time.
Few figures in history have defined their time as dramatically as Martin Luther. And few books have captured the spirit of such a figure as truly as this robust and eloquent life of Luther. A highly regarded historian and biographer and a gifted novelist and playwright, Richard Marius gives us a dazzling portrait of the German reformer--his inner compulsions, his struggle with himself and his God, the gestation of his theology, his relations with contemporaries, and his responses to opponents. Focusing in particular on the productive years 1516-1525, Marius' detailed account of Luther's writings yields a rich picture of the development of Luther's thought on the great questions that came to define the Reformation.
Marius follows Luther from his birth in Saxony in 1483, during the reign of Frederick III, through his schooling in Erfurt, his flight to an Augustinian monastery and ordination to the outbreak of his revolt against Rome in 1517, the Wittenberg years, his progress to Worms, his exile in the Wartburg, and his triumphant return to Wittenberg. Throughout, Marius pauses to acquaint us with pertinent issues: the question of authority in the church, the theology of penance, the timing of Luther's "Reformation breakthrough," the German peasantry in 1525, Müntzer's revolutionaries, the whys and hows of Luther's attack on Erasmus.
In this personal, occasionally irreverent, always humane reconstruction, Luther emerges as a skeptic who hated skepticism and whose titanic wrestling with the dilemma of the desire for faith and the omnipresence of doubt and fear became an augury for the development of the modern religious consciousness of the West. In all of this, he also represents tragedy, with the goodness of his works overmatched by their calamitous effects on religion and society.
Martín Ramírez, a Mexican migrant worker and psychiatric patient without formal artistic training, has been hailed by leading New York art critics as one of the twentieth century’s greatest artists. His work has been exhibited alongside masters such as José Clemente Orozco, Diego Rivera, Rufino Tamayo, Salvador Dalí, Marc Chagall, Paul Klee, and Joan Miró. A landmark exhibition of Ramírez’s work at the American Folk Art Museum in 2007 broke attendance records and garnered praise from major media, including the New York Times, New Yorker, and Village Voice.
Martín Ramírez offers the first sustained look at the life and critical reception of this acclaimed artist. Víctor Espinosa challenges the stereotype of outsider art as an indecipherable enigma by delving into Ramírez’s biography and showing how he transformed memories of his life in Mexico, as well as his experiences of displacement and seclusion in the United States, into powerful works of art. Espinosa then traces the reception of Ramírez’s work, from its first anonymous showings in the 1950s to contemporary exhibitions and individual works that have sold for as much as a half-million dollars. This eloquently told story reveals how Ramírez’s three-decades-long incarceration in California psychiatric institutions and his classification as “chronic paranoid schizophrenic” stigmatized yet also protected what his hands produced. Stripping off the labels “psychotic artist” and “outsider master,” Martín Ramírez demonstrates that his drawings are not passive manifestations of mental illness. Although he drew while confined as a psychiatric patient, the formal elements and content of Ramírez’s artwork are shaped by his experiences of cultural and physical displacement.
Although many of its stories originated centuries ago in the Middle East, the Arabian Nights is regarded as a classic of world literature by virtue of the seminal French and English translations produced in the eighteenth and nineteenth centuries. Supporting the suspicion that the story collection is more Parisian than Persian, some of its most famous tales, including the stories of Aladdin and Ali Baba, appear nowhere in the original sources. Yet as befits a world where magic lamps may conceal a jinni and fabulous treasures lie just beyond secret doors, the truth of the Arabian Nights is richer than standard criticism suggests.
“Marvellous Thieves, which draws on hitherto neglected sources, is a brilliant, fluent and original work of literary scholarship.”
—Robert Irwin, Literary Review
“This fine book…cogently probes an influential period in the knotted and at times sordid history of the Arabian Nights, serving as a fine example to those unraveling this promiscuous and forever malleable set of stories.”
—Charles Shafaieh, Wall Street Journal
“Intelligent and engrossing…The great merit of Horta’s book is that its interest always lies in the story of the story, in mapping out the complex network of the translators, editors and travellers behind the Arabian Nights, in ways that enrich our sense of this remarkable text.”
—Shahidha Bari, Times Higher Education
Educating and uniting the players as a workforce, Miller embarked on a long campaign to win the concessions that defined his legacy: decent workplace conditions, a pension system, outside mediation of player grievances and salary disputes, a system of profit sharing, and the long-sought dismantling of the reserve clause that opened the door to free agency. Through it all, allies and adversaries alike praised Miller's hardnosed attitude, work ethic, and honesty.
Comprehensive and illuminating, Marvin Miller, Baseball Revolutionary tells the inside story of a time of change in sports and labor relations, and of the contentious process that gave athletes in baseball and across the sporting world a powerful voice in their own games.
In this book Marx's observations on history, which are found scattered throughout his voluminous writings, are brought together and subjected to searching analysis.
D. Ross Gandy writes in refreshingly direct language, without resorting to jargon. For the first time we have a thoughtful assessment of Marx's views on all the epochs that cross his historical vision. Gandy treats Marx's ideas on primitive societies, on ancient Roman and Asiatic civilization, on the structure of feudalism, on strategies for overthrowing capitalism, and on the hypothetical communist future. Among the author's departures from traditional readings of Marx are his interpretations of class struggle, his conception of social strata, and his cogent analysis of the "new Marxism."
Since many aspects of Marxist historical theory have been neglected or distorted, Gandy's remarkably clear commentary, based on extensive research—including an exhaustive study of the forty-volume Marx-Engels Werke—will doubtless stimulate debate among sociologists and other students of social change, political scientists, and historians.
In Marx at the Margins, Kevin Anderson uncovers a variety of extensive but neglected texts by the well-known political economist which cast what we thought we knew about his work in a startlingly different light. Analyzing a variety of Marx’s writings, including journalistic work written for the New York Tribune, Anderson presents us with a Marx quite at odds with our conventional interpretations. Rather than providing us with an account of Marx as an exclusively class-based thinker, Anderson here offers a portrait of Marx for the twenty-first century: a global theorist whose social critique was sensitive to the varieties of human social and historical development, including not just class, but nationalism, race, and ethnicity, as well.
Marx at the Margins ultimately argues that alongside his overarching critique of capital, Marx created a theory of history that was multi-layered and not easily reduced to a single model of development or revolution. Through highly-informed readings on work ranging from Marx’s unpublished 1879–82 notebooks to his passionate writings about the antislavery cause in the United States, this volume delivers a groundbreaking and canon-changing vision of Karl Marx that is sure to provoke lively debate in Marxist scholarship and beyond.
John Frow’s book is a novel contribution to Marxist literary theory, proposing a reconciliation of formalism and historicism in order to establish the basis for a new literary history. Through a critique of his forerunners in Marxist theory (the historicist Marxism of Lukács, the work of Macherey, Eagleton, and Jameson), Frow seeks to define the strengths and the limitations of this tradition and then to extend its possibilities in a radical reworking of the concept of discourse. He develops the notion of literature as a historically specific system within a network of discourses.
Frow goes on to elaborate a number of central theoretical categories and to explore the historical dimension of those categories. Drawing in particular on Russian Formalism, he develops a theory of the dynamics of literary change and of the historical pressures that shape the literary system. He tests and extends his categories through readings of texts by Petronius, Hölderlin, DeLillo, Dickens, Frank Hardy, and others. The final chapter, a reading of Derrida and Foucault, poses the question of the possibility of setting limits to reading and the power of limits to determine literary history.
V. N. Vološinov’s important work, first published in Russian in 1929, had to wait a generation for recognition. This first paperback edition of the English translation will be capital for literary theorists, philosophers, linguists, psychologists, and many others.
Vološinov is out to undo the old disciplinary boundaries between linguistics, rhetoric, and poetics in order to construct a new kind of field: semiotics or textual theory. Ladislav Matejka and I. R. Titunik have provided a new preface to discuss Vološinov in relation to the great resurgence of interest in all the writing of the circle of Mikhail Bakhtin.
How does one explain the presence of educated recruits in movements that were overwhelmingly working class in composition? How did intellectuals function within the movements? In the first in-depth exploration of this question, Stanley Pierson examines the rise, development, and ultimate failure of the German Social Democrats, the largest of the European socialist parties, from 1887 to 1912. Prominent figures, such as Karl Kautsky, August Bebel, Rosa Luxemburg, and Eduard Bernstein are discussed, but the book focuses primarily on the younger generation. These forgotten intellectuals—Max Schippel, Paul Kampffmeyer, Conrad Schmidt, Paul Ernst, and others—struggled most directly with the dilemmas arising out of the attempt to translate Marxist doctrines into practical and personal terms.
These young writers, speakers, and politicians set out to supplant old ways of thinking with a Marxist understanding of history and society. Pierson weaves together over thirty intellectual biographies to explore the relationship between ideology and politics in Germany. He examines the conflict within Social Democracy between the “revisionist” intellectuals, who sought to adapt Marxist theory to changing economic and social realities, and those “orthodox” and “radical” intellectuals who attempted to remain faithful to the Marxist vision. By examining the struggles of the socialist intellectuals in Germany, Pierson brings out the special features of German cultural, social, and political life before World War I. His study of this critical time in the development of the German Social Democratic party also illuminates the wider development of Marxism in Europe during the twentieth century.
Contributors. Andrew Cole, Valerie Forman, Bruce Holsinger, Ethan Knapp, Maura B. Nolan, John Parker, Stephen H. Rigby, D. Vance Smith
Although the influence of deconstruction, post-Marxism, and other postmodernist practices is felt in this volume, many of the essays indicate a move to reengage the Marxist legacies. In their complex interactions with topics such as the tradition of Chinese Marxism, the Kwangju Uprising and massacre, the fetishism of cult leaders, and community policing in China, these essays demonstrate the analytical importance of categories such as exploitation, alienation, and violence for any engagement with the politics of knowledge.
Contributors. Bill Brugger, Li Dazhao, Michael Dutton, D. R. Howland, Liu Kang, Rajeswari Mohan, You-me Park, William Pietz, Claudia Pozzana, Sanjay Seth, Gi-Wook Shin, Tomiyama Ichiro, Jing Wang, Gang Yue
Daniel Brudney traces the development of post-Hegelian thought from Ludwig Feuerbach and Bruno Bauer to Karl Marx's work of 1844 and his Theses on Feuerbach, and concludes with an examination of The German Ideology. Brudney focuses on the transmutations of a set of ideas about human nature, the good life, and our relation to the world and to others; about how we end up with false beliefs about these matters; about whether one can, in a capitalist society, know the truth about these matters; and about the critique of capitalism which would flow from such knowledge.
Brudney shows how Marx, following Feuerbach, attempted to reveal humanity's nature and what would count as the good life, while eschewing and indeed polemicizing against "philosophy"--against any concern with metaphysics and epistemology. Marx attempted to avoid philosophy as early as 1844, and the central aims of his texts are the same right through The German Ideology. There is thus no break between an early and a late Marx; moreover, there is no "materialist" Marx, no Marx who subscribes to a metaphysical view, even in The German Ideology, the text canonically taken as the origin of Marxist materialism. Rather, in all the texts of this period Marx tries to mount a compelling critique of the present while altogether avoiding the dilemmas central to philosophy in the modern era.
Mary Austin Holley found life challenging and made it interesting for others. As wife and widow of Horace Holley, eminent orator, clergyman, and educator, and as cousin and friend of Stephen F. Austin, founder of the first Texas colony, she formed friendships among important people. From New Haven to New Orleans and Brazoria, Texas, she was beloved.
The panorama of her life, described in vivid detail by a former head of the English Department at Texas Christian University, transports the reader to the tempestuous early years of the American Republic and, finally, to Texas during its colonization and early Republic years. Throughout this charming book Mrs. Holley's "intuition for important people" brings the reader into the company of many of America's great and accomplished: Noah Webster, John Quincy Adams, President and Mrs. Monroe, Andrew Jackson, Sam Houston, and many others.
A genteel southern intellectual, saloniste, and wife to a prominent colonel in Jefferson Davis’s inner circle, Mary Chesnut today is remembered best for her penetrating Civil War diary. Composed between 1861 and 1865 and revised thoroughly from the late 1870s until Chesnut’s death in 1886, the diary was published first in 1905, again in 1949, and later, to great acclaim, in 1981. This complicated literary history and the questions that attend it—which edition represents the real Chesnut? To what genre does this text belong?—may explain why the document largely has, until now, been overlooked in literary studies.
Julia A. Stern’s critical analysis returns Chesnut to her rightful place among American writers. In Mary Chesnut’s Civil War Epic, Stern argues that the revised diary offers the most trenchant literary account of race and slavery until the work of Faulkner and that, along with his Yoknapatawpha novels, it constitutes one of the two great Civil War epics of the American canon. By restoring Chesnut’s 1880s revision to its complex, multidecade cultural context, Stern argues both for Chesnut’s reinsertion into the pantheon of nineteenth-century American letters and for her centrality to the literary history of women’s writing as it evolved from sentimental to tragic to realist forms.
Mary Lincoln is a lightning rod for controversy. Stories reveal widely different interpretations, and it is impossible to write a definitive version of her life that will suit everyone. The thirteen engaging essays in this collection introduce Mary Lincoln’s complex nature and show how she is viewed today.
The authors’ explanations of her personal and private image stem from a variety of backgrounds, and through these lenses—history, theater, graphic arts, and psychiatry—they present their latest research and assessments. Here they reveal the effects of familial culture and society on her life and give a broader assessment of Mary Lincoln as a woman, wife, and mother. Topics include Mary’s childhood in Kentucky, the early years of her marriage to Abraham, Mary’s love of travel and fashion, the presidential couple’s political partnership, and Mary’s relationship with her son Robert.
The fascinating epilogue meditates on Mary Lincoln’s universal appeal and her enigmatic personality, showcasing the dramatic differences in interpretations. With gripping prose and in-depth documentation, this anthology will capture the imagination of all readers.
Univeristy Press Books for Public and Secondary Schools 2013 edition
In 1875 Mary Lincoln, the widow of a revered president, was committed to an insane asylum by her son, Robert. The trial that preceded her internment was a subject of keen national interest. The focus of public attention since Abraham Lincoln's election in 1860, Mary Lincoln had attracted plentiful criticism and visible scorn from much of the public, who perceived her as spoiled, a spendthrift, and even too much of a Southern sympathizer. Widespread scrutiny only increased following her husband's assassination in 1865 and her son Tad's death six years later, after which her overwhelming grief led to the increasingly erratic behavior that led to her being committed to a sanitarium. A second trial a year later resulted in her release, but the stigma of insanity stuck. In the years since, questions emerged with new force, as the populace and historians debated whether she had been truly insane and subsequently cured, or if she was the victim of family maneuvering.
In this volume, noted Lincoln scholar Jason Emerson provides a documentary history of Mary Lincoln's mental illness and insanity case, evenhandedly presenting every possible primary source on the subject to enable a clearer view of the facts. Beginning with documents from the immediate aftermath of her husband's assassination and ending with reminiscences by friends and family in the mid-twentieth century, Mary Lincoln's Insanity Case: A Documentary History compiles more than one hundred letters, dozens of newspaper articles, editorials, and legal documents, and the daily patient progress reports from Bellevue Place Sanitarium during Mary Lincoln's incarceration. Including many materials that have never been previously published, Emerson also collects multiple reminiscences, interviews, and diaries of people who knew Mary Lincoln or were involved in the case, including the first-hand recollection of one of the jurors in the 1875 insanity trial.
Suggesting neither accusation nor exoneration of the embattled First Lady, Mary Lincoln's Insanity Case: A Documentary History gives scholars and history enthusiasts incomparable access to the documents and information crucial to understanding this vexing chapter in American history.
Why did some early Christians consider Mary Magdalene to be an apostle while others did not? Some Christian texts, underlining her role as one of the very first witnesses to the resurrection, portray Mary Magdalene as the "apostle to the apostles," while other sources exclude or replace her in their resurrection accounts.
This book examines how the conferral, or withholding, of apostolic status operated as a tool of persuasion in the politics of early Christian literature. Drawing on both canonical and noncanonical literature in her comprehensive study, the author reveals some intriguing correlations between the prominence of Peter in a text and a corresponding diminishment of women's leadership and apostolicity.
This historical study of early Christian tensions has serious implications for current denominational discourse because authority, apostolic status, and the ordination of women continue to be highly disputed topics within many Christian circles today.
Mary McCarthy - American Writers 72 was first published in 1968. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Mary McLeod Bethune was a significant figure in American political history. She devoted her life to advancing equal social, economic, and political rights for blacks. She distinguished herself by creating lasting institutions that trained black women for visible and expanding public leadership roles. Few have been as effective in the development of women’s leadership for group advancement. Despite her accomplishments, the means, techniques, and actions Bethune employed in fighting for equality have been widely misinterpreted.
Mary McLeod Bethune was born on May 10, 1875, in a log cabin in rural Sumter County, South Carolina. She was the fifteenth child among seventeen siblings but the first born free of the bonds of slavery. As a child she attended a Presbyterian mission school in nearby Mayesville and Scotia Seminary in Concord, North Carolina. After some years at Scotia she was admitted in 1894 to the Moody Bible Institute in Chicago. Her two years of training at Moody did not lead to missionary work in Africa, as she had dreamed, but to missionlike teaching positions in the South and eventually her founding, in 1904, of the Daytona Normal and Industrial Institute for Girls, in Daytona Beach, Florida. That institution would grow to the present-day Bethune-Cookman University.
In this religious biography, author Yahya Jongintaba traces Bethune’s life of service in lively prose, structuring his book in a five-part framework that organizes his subject’s life in parallel with the Lord’s Prayer and virtues identified by Bethune herself: freedom, creativity, integrity, discipline, and love. With unfettered access to Bethune’s personal archive, Jongintaba paints a picture of a mother figure and mentor to generations, a nearsaint who lived “a blameless life for four-score years.” With deep empathy and the kind of “spiritual understanding” that Bethune had despaired of finding in a biographer in her own lifetime (despite attempts by publishers and herself to find just the right person), Jongintaba endeavors to achieve in his biography what Bethune wrote that she hoped to accomplish in an autobiography that never materialized: to “give to the world the real Mary McLeod Bethune’s life as I have lived it.”
The physical signs of Roman Catholicism pervade the Mexican countryside. Colonial churches and neighborhood chapels, wayside shrines, and mountaintop crosses dot the landscape. Catholicism also permeates the traditional cultures of rural communities, although this ideational influence is less immediately obvious. It is often couched in enigmatic idiom and imagery, and it is further obscured by the vestiges of pagan customs and the anticlerical attitudes of many villagers. These heterodox tendencies have even led some observers to conclude that Catholicism in rural Mexico is little more than a thin veneer on indigenous practice.
In Mary, Michael, and Lucifer John M. Ingham attempts to develop a modern semiotic and structuralist interpretation of traditional Mexican culture, an interpretation that accounts for the culture's apparent heterodoxy. Drawing on field research in Tlayacapan, Morelos, a village in the central highlands, he shows that nearly every domain of folk culture is informed with religious meaning. More precisely, the Catholic categories of spirit, nature, and evil compose the basic framework of the villagers' social relations and subjective experiences.
A Mother who nurtures, empathizes, and heals... a Warrior who defends, empowers, and resists oppression... the Virgin Mary plays many roles for the peoples of Spain and Spanish-speaking America. Devotion to the Virgin inspired and sustained medieval and Renaissance Spaniards as they liberated Spain from the Moors and set about the conquest of the New World. Devotion to the Virgin still inspires and sustains millions of believers today throughout the Americas.
This wide-ranging and highly readable book explores the veneration of the Virgin Mary in Spain and the Americas from the colonial period to the present. Linda Hall begins the story in Spain and follows it through the conquest and colonization of the New World, with a special focus on Mexico and the Andean highlands in Peru and Bolivia, where Marian devotion became combined with indigenous beliefs and rituals. Moving into the nineteenth century, Hall looks at national cults of the Virgin in Mexico, Bolivia, and Argentina, which were tied to independence movements. In the twentieth century, she examines how Eva Perón linked herself with Mary in the popular imagination; visits contemporary festivals with significant Marian content in Spain, Peru, and Mexico; and considers how Latinos/as in the United States draw on Marian devotion to maintain familial and cultural ties.
LOOK INSIDE THE LIFE — AND HOME — OF LEGENDARY 'OUTSIDER' ARTIST MARY NOHL
"Mary Nohl: A Lifetime in Art" by Barbara Manger and Janine Smith, tells the story of Milwaukee-born artist, Mary Nohl. A prolific and fanciful maker who worked in a variety of media, Nohl was both a mysterious figure and an iconic "outsider" artist. This new addition to the Badger Biographies series captures her life and will capture the imagination of readers, and artists, of all ages.
Nohl didn't just make art — she lived it. From the time she was young, Mary enjoyed making things, from the model airplane that won her a citywide prize to assignments in shop class, where she learned to work with tools.
Her interests in art blossomed during the years she spent training at the Art Institute of Chicago, leading to a lifetime of curiosity and ventures into new artistic media. From pottery to silver jewelry and oil painting to concrete sculpture, Mary explored new ways of making art. Many of her pieces were made from found objects that other people might think of as junk — like chicken bones, bedsprings and sand that she made into concrete.
Nohl, who made her home on the shores of Lake Michigan, decorated the interior of her cottage with bright colors and eye-catching figures in driftwood and glass. During her later years, her home became known as the "Witch's House" — a place of local legend known far beyond Fox Point. Though she died in 2001, Mary's legacy continues. Her art is held at the John Michael Kohler Arts Center in Sheboygan, and her home is listed on the National Register of Historic Places.
The popular Badger Biographies series for young readers explores the lives of famous and not-so-famous figures in Wisconsin history. The Wisconsin Historical Society Press is proud to celebrate the release of this, the 21st book in the series.
Extensively illustrated, with over 100 drawings and 11 unique Mary Schafer patterns, Mary Schafer, American Quilt Maker is a must-have book for anyone passionate about American quilting.
While we take that passion for granted today, author Gwen Marston shows that it wasn't always so; indeed, one woman, Mary Schafer, was largely responsible for the restoration of interest in one of our greatest folk arts -- long before the American bicentennial turned quilting into what seemed like an overnight sensation.
Marston presents Schafer as an unassuming scholar: the anonymous quilter, remaining humble and somewhat retiring. Behind the modest façade, however, Schafer displayed a remarkable devotion to research, historical accuracy, and community through her efforts to make quilting available to as many people as possible.
Nonquilters will find Mary Schafer, American Quilt Maker a welcome addition to their collection of the work of masters of American folk art, while quilting aficionados will appreciate it not only for the story it tells, but for the generous selection of patterns and illustrations it offers.
Gwen Marston is a nationally known quilt maker, teacher, and author. She is the author of over fifteen books on quilting, including Liberated String Quilts, 70 Classic Quilting Patterns, and Amish Quilting Patterns.
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