It is difficult to think of a family more endowed with literary genius than the Shelley family—from the Romantic poet Percy Bysshe Shelley and his wife, novelist Mary Shelley, to Mary’s parents, William Godwin and Mary Wollstonecraft—all were authors in their own right. Using extensive archival material, Shelley’s Ghost explores the making of this remarkable literary family’s reputation.
Drawing on the Bodleian Library’s outstanding collection of letters, poetry manuscripts, rare printed books, portraits, and other personalia—including Shelley’s working notebooks, Keats’s letters to Shelley, William Godwin’s diary, and the original manuscript of Mary Shelley’s Frankenstein—Stephen Hebron charts the history of this talented yet troubled family. After Percy Bysshe Shelley’s drowning in 1822, Mary published various manuscripts relating to both her husband’s and her father’s lives, and passed this historical legacy to her son, Sir Percy Florence Shelley and his wife, Lady Jane Shelley. As guardians of the archive until they bequeathed it to the Bodleian in 1892, Sir Percy Florence and Lady Jane helped shape the posthumous reputations of these writers. An afterword by Elizabeth Denlinger of the New York Public Library offers an additional perspective, exploring material relating to the Shelley family that slipped beyond the family’s control.
An unparalleled look at one of the most significant families of British Romantic literature, Shelley’s Ghost will be welcomed by scholars and the many fans of this enduring literacy legacy.
Shelley has long been viewed as a dreamer isolated from reality, a “beautiful and ineffectual angel,” in Arnold’s words. In contrast, Stuart Sperry’s book emphasizes the life forces originating in the poet’s childhood that impelled and shaped his career, and reasserts Shelley’s relevance to the social and cultural dilemmas of contemporary life.
Concentrating on the major narrative and dramatic poems and the patterns of development they reveal, Sperry reintegrates Shelley’s poetry with his life by showing how, following the traumatic events of his early years, the poet sought to preserve and extend those life impulses by creating a network of personal relationships that provided the inspiration and model for his poems. As the circumstances of his life and his relationships to others changed and as his thought evolved, he was led to reshape his major poems. Three chapters at the center of the book, devoted to Shelley’s visionary masterpiece Prometheus Unbound, provide the finest introduction so far to its conceptions and intent as well as a powerful vindication of the poet’s enduring idealism. In defining Shelley’s true originality, Sperry defends the poet against his harshest critics by suggesting that his vision of human potential may represent a vital resource against the competitive drives and self-destructive compulsions of our own day.
Sperry’s approach to the poetry through the formative events of Shelley’s early life provides an excellent biographical introduction. His reinterpretation of the major works and the career will appeal to first-time readers as well as to mature students of Shelley.
In the 1800s, when California was captivated by gold fever, a small group of Chinese immigrants recognized the fortune to be made from the untapped resources along the state’s coast, particularly from harvesting the black abalone of southern and Baja California. These immigrants, with skills from humble beginnings in a traditional Chinese fishing province, founded California’s commercial abalone industry, and led its growth and expansion for several decades. By the turn of the twentieth century, however, their successful livelihood was stolen from them through targeted legislation of the U.S. and California governments.
Today, the physical evidence of historical Chinese abalone fishing on the mainland has been erased by development. On California’s Channel Islands, however, remnants of temporary abalone collecting and processing camps lie scattered along the coastlines. These sites hold a treasure trove of information, stories, lifeways, and history. Braje has excavated many of these sites and uses them to explore the history of Chinese abalone fishing, presenting a microcosm of the broader history of Chinese immigrants in America—their struggles, their successes, the institutionalized racism they faced, and the unique ways in which they helped to shape the identity of the United States.
Hamza Bogary describes a bygone way of life that has now irreversibly disappeared. He speaks of life in Mecca before the advent of oil. Only partly autobiographical, the memoir is nevertheless rich in remembered detail based on Bogary's early observations of life in Mecca. He has transformed his knowledge into art through his sense of humor, empathy, and remarkable understanding of human nature. This work not only entertains; it also informs its readers about the Arabia of the first half of the twentieth century in a graphic and fascinating way. The narrator, young Muhaisin, deals with various aspects of Arabian culture, including education, pilgrimages, styles of clothing, slavery, public executions, the status of women, and religion. Muhaisin is frank in his language and vivid in his humor. The reader quickly comes to love the charming and mischievous boy in this universal tale.
Shen Gua (1031−1095) is a household name in China, known as a distinguished renaissance man and the author of Brush Talks from Dream Brook, an old text whose remarkable “scientific” discoveries make it appear curiously ahead of its time. In this first book-length study of Shen in English, Ya Zuo reveals the connection between Shen’s life as an active statesman and his ideas, specifically the empirical stance manifested through his wide-ranging inquiries. She places Shen on the broad horizon of premodern Chinese thought, and presents his empiricism within an extensive narrative of Chinese epistemology.
Relying on Shen as a searchlight, Zuo focuses in on how an individual thinker summoned conditions and concepts from the vast Chinese intellectual tradition to build a singular way of knowing. Moreover, her study of Shen provides insights into the complex dynamics in play at the dawn of the age of Neo-Confucianism and compels readers to achieve a deeper appreciation of the diversity in Chinese thinking.
An award-winning Hong Kong–based architect with decades of experience designing buildings and planning cities in the People’s Republic of China takes us to the Pearl River delta and into the heart of China’s iconic Special Economic Zone, Shenzhen.
Shenzhen is ground zero for the economic transformation China has seen in recent decades. In 1979, driven by China’s widespread poverty, Deng Xiaoping supported a bold proposal to experiment with economic policies in a rural borderland next to Hong Kong. The site was designated as the City of Shenzhen and soon after became China’s first Special Economic Zone (SEZ). Four decades later, Shenzhen is a megacity of twenty million, an internationally recognized digital technology hub, and the world’s most successful economic zone. Some see it as a modern miracle city that seemingly came from nowhere, attributing its success solely to centralized planning and Shenzhen’s proximity to Hong Kong. The Chinese government has built hundreds of new towns using the Shenzhen model, yet none has come close to replicating the city’s level of economic success.
But is it true that Shenzhen has no meaningful history? That the city was planned on a tabula rasa? That the region’s rural past has had no significant impact on the urban present? Juan Du unravels the myth of Shenzhen and shows us how this world-famous “instant city” has a surprising history—filled with oyster fishermen, villages that remain encased within city blocks, a secret informal housing system—and how it has been catapulted to success as much by the ingenuity of its original farmers as by Beijing’s policy makers. The Shenzhen Experiment is an important story for all rapidly urbanizing and industrializing nations around the world seeking to replicate China’s economic success in the twenty-first century.
Modern tourism in the Ozark Mountains of Missouri and Arkansas is concentrated around the area’s glistening man-made lakes, its fish-filled streams and rivers, and the entertainment mecca of Branson. But recreational excursions into this part of the country began over one hundred years ago as urban Midwesterners, many of them captivated by Harold Bell Wright’s novel The Shepherd of the Hills, sought the outdoors for spiritual and physical regeneration.
Morrow and Myers-Phinney excavate the beginnings of commercial tourism in the region and follow it through six decades as the influx of visitors who became familiar with the Ozarks and its investment opportunities brought capital, new commerce, and additional residents to the hills. Chapters focus on float fishing, game parks, cave exploration, the influence of the railroad, and the men who were instrumental in the region’s transformation. The authors discuss traditional lifestyles rooted in “living off the land,” with stock raising and lumbering providing basic subsistence, and changes wrought by tourism, which affected all classes of people across the White River landscape. They describe the flowering of “Ozarks folklore”—how stories told around gravel-bar fishing camps and retold by newspaper journalists translated the hills’ oral tradition for mass audiences.
While the main theme of this study is the development of tourism, it is also a social history of the interior highlands of the Ozarks. We see how the residents and their way of life were discovered, exploited, and changed by new opportunities and the demands of tourism and increasing trade. As such, this book is a valuable new addition to the University of Arkansas Press’s Ozarks Collection.
Dogged by depression, doubt, and—as a trip to the Mayo Clinic has revealed—emphysema, 66-year-old Sherlock Holmes is preparing to return to England when he receives a shock: a note slipped under his hotel room door, from a vicious murderer
Sherlock Holmes is bored between cases at 221B Baker Street. So when King Oskar II of Sweden—who has heard of the discovery of the Kensington Rune Stone by a farmer in Minnesota—asks to engage his services, Holmes jumps at the chance to decipher the runes and determine whether the find is real or a hoax. With Dr. John H. Watson by his side, faithfully recording every detail, Holmes makes his way to Minnesota for a third time. But, in the first of many strange and unfortunate coincidences, the farmer who found the mysterious stone is murdered, and the stone itself is stolen on the day the famous detective arrives.
With the help of one Shadwell Rafferty, now a friend and partner, Holmes must solve this baffling case to find both the stone and the murderer.
As the city of Minneapolis prepares for a visit from President William McKinley, someone else prepares for murder. On the day before the visit, a union activist is found hanged, naked, outside a ruined mansion. A placard around his neck reads “THE SECRET ALLIANCE HAS SPOKEN.” Who is the alliance? What does it want? How was the victim involved with the city’s corrupt mayor? And why did he possess a photograph of a prominent citizen in a compromising position? Shadwell Rafferty searches for answers, encountering bribery, corruption, union organizers, anarchists, and conspiracy, putting himself in danger. But as luck would have it, his old friends Sherlock Holmes and Dr. John H. Watson are on their way.
In this fourth installment of Larry Millett’s Minnesota Mystery series, Shadwell Rafferty commands center stage in a brand-new city. Packed with Millett’s signature historical and architectural detail, this book is deviously delightful.
Sherlock Holmes remains more popular than ever some 130 years after the detective first appeared in print. These days, the iconic character’s staying power is due in large part to the success of the recent BBC series Sherlock, which brings the famous sleuth into the twenty-first century.
One of the most-watched television series in BBC history, Sherlock is set in contemporary London, where thirtysomething Sherlock and John (no longer fussy old Holmes and Watson), alongside New Scotland Yard, solve crimes with the help of smartphones, texting, online forums, and the internet. In their modernization of Sir Arthur Conan Doyle’s nineteenth-century world, Sherlock creators Stephen Moffatt and Mark Gatiss make London as much a character of their show as the actors themselves. The highly stylized series has inspired an impassioned fan community in Britain, the U.S., and beyond. Fans create and share their writings, which reimagine the characters in even more dramatic ways than the series can.
Interweaving fan fiction studies, world-building, and genre studies, Ann McClellan examines the hit series and the fan fiction it inspires. Using Sherlock to trace the changing face of fan fiction studies, McClellan’s book explores how far fans are willing to go to change the Sherlockian canon while still reinforcing its power and status as the source text. What makes Sherlock fanfic Sherlockian? How does it stay within the canon even while engaging in the wildest reimaginings? Sherlock’s World explores the boundaries between canon, genre, character, and reality through the lenses of fan fiction and world-building. This book promises to be a valuable resource for fan studies scholars, those who write fan fiction, and Sherlock fans alike.
Sherman: A Soldier’s Passion for Order is the premier biography of William Tecumseh Sherman, the Civil War commander known for his “destructive war” policy against Confederates and as a consummate soldier. This updated edition of John F. Marszalek’s award-winning book presents the general as a complicated man who, fearing anarchy, searched for the order that he hoped would make his life a success.
Sherman was profoundly influenced by the death of his father and his subsequent relationship with the powerful Whig politician Thomas Ewing and his family. Although the Ewings treated Sherman as one of their own, the young Sherman was determined to make it on his own. He graduated from West Point and moved on to service at military posts throughout the South. This volume traces Sherman’s involvement in the Mexican War in the late 1840s, his years battling prospectors and deserting soldiers in gold-rush California, and his 1850 marriage to his foster sister, Ellen. Later he moved to Louisiana, and, after the state seceded, Sherman returned to the North to fight for the Union.
Sherman covers the general’s early Civil War assignments in Kentucky and Missouri and his battles against former Southern friends there, the battle at Shiloh, and his rise to become second only to Grant among the Union leadership. Sherman’s famed use of destructive war, controversial then and now, is examined in detail. The destruction of property, he believed, would convince the Confederates that surrender was their best option, and Sherman’s successful strategy became the stuff of legend.
This definitive biography, which includes forty-six illustrations, effectively refutes misconceptions surrounding the controversial Union general and presents Sherman the man, not the myth.
Sherman Alexie is, by many accounts, the most widely read American Indian writer in the United States and likely in the world. A literary polymath, Alexie's nineteen published books span a variety of genres and include his most recent National Book Award-winning The Absolutely True Diary of a Part-Time Indian.
Now, for the first time, a volume of critical essays is devoted to Alexie's work both in print and on the big screen. Editors Jeff Berglund and Jan Roush have assembled twelve leading scholars of American Indian literature to provide new perspectives on a writer with his finger on the pulse of America.
Interdisciplinary in their approach to Alexie's work, these essays cover the writer's entire career, and are insightful and accessible to scholars and lay readers alike. This volume is a worthy companion to the work of one of our nations's most recognized contemporary voices.
Henry Warner Slocum, a Union major general who was a corps and army commander in the Civil War, served from the first call for troops until he stood with William Tecumseh Sherman to receive Joseph E. Johnston’s surrender after Appomattox. He saw action at Bull Run, Chancellorsville, and Gettysburg, and by the end of the war he had taken command of the Army of Georgia, yet historians have largely overlooked this key commander.
Brian Melton has written the first scholarly account of this important general—the first full-length biography in nearly a century—who as one of Sherman’s most trusted commanders exercised significant influence during the Civil War. Although Slocum is remembered primarily for his lackluster performance at Gettysburg, Melton discloses that there is more to him than current history credits, offering a holistic account of his life to show that his career was much more significant than has been supposed.
Slocum took on the characteristics of the leaders he served, and Melton reveals how Slocum’s attitudes and tactics changed dramatically between commanders to explain why he proved to be of little help to George McClellan and almost a liability while serving under “Fighting Joe” Hooker and yet was an effective commander under Sherman. Slocum became Sherman’s “left arm” and adapted so thoroughly to his style of generalship that he anticipated the general’s intentions on two important occasions, and Melton contends that Slocum was a much more important contributor to the success of Sherman’s later campaigns than has been acknowledged, becoming at times more aggressive and driving than Sherman himself.
Melton ultimately considers Slocum’s fate as one of the forgotten generals of the Civil War—brought on largely by his joining the Democratic Party in 1865—and demonstrates why previous simplistic depictions of Slocum miss the mark. By providing the first detailed look at this important second-tier commander, Sherman’s Forgotten General illuminates the influences, events, and individuals of Slocum’s career to show that, while he may not have changed the course of the war, he played a conspicuous and important role in its successful execution that has long deserved to be recognized.
Sherwood Anderson: A Writer in America is the definitive biography of this major American writer of novels and short stories, whose work includes the modern classic Winesburg, Ohio. In the first volume of this monumental two-volume work, Walter Rideout chronicles the life of Anderson from his birth and his early business career through his beginnings as a writer and finally to his move in the mid-1920s to “Ripshin,” his house near Marion, Virginia. The second volume will cover Anderson’s return to business pursuits, his extensive travels in the South touring factories, which resulted in his political involvement in labor struggles and several books on the topic, and finally his unexpected death in 1941.
No other existing Anderson biography, the most recent of which was published nearly twenty years ago, is as thoroughly researched, so extensively based on primary sources and interviews with a range of Anderson friends and family members, or as complete in its vision of the man and the writer. The result is an unparalleled biography—one that locates the private man, while astutely placing his life and writings in a broader social and political context.
"When Bill Faulkner came to New Orleans he was a skinny little guy, three years older than I, and was not taken very seriously except by a few of us." Thus the late William Spratling, popularly known as the Taxco "Silver King," recalled the mid-1920's, when Faulkner, a young man fresh from Oxford, Mississippi, roomed with Spratling in Pirates Alley.
"By the time I would be up, say at seven, Bill would already be out on the little balcony over the garden tapping away on his portable, an invariable glass of alcohol-and-water at hand."
A result of their friendship was a book depicting "various people who were then engaged … with the arts in New Orleans." It was based on firsthand observation.
"There were casual parties with wonderful conversation and with plenty of grand, or later to be grand, people." Some of the names, in addition to Sherwood Anderson, were Horace Liveright, Carl Van Doren, Carl Sandberg, John Dos Passos, Anita Loos, and Oliver La Farge.
Spratling supplied sharp caricatures of the people and Faulkner contributed succinct captions and a Foreword. It was all "sort of a private joke," but the four hundred copies were sold within a week and the original edition is now a collector's item. This book is a charming reminder of exciting days and talented people.
In 1919 a middle-aged Chicago advertising writer from Ohio, a failure as a businessman, husband, and father, published a small yellow book of short stories intended to “reform” American literature. Against all expectations, Winesburg, Ohio: A Group of Tales of Ohio Small Town Life achieved what its author intended: after 1919 and after Winesburg, Ohio, American literature would be written and read freshly and differently.
Winesburg, Ohio has never been out of print, but never has Anderson’s book been published in the form and with the editorial care that the work has needed and deserved. The present text, authorized by the Sherwood Anderson Literary Estate Trust, is an expert text. The editor has relied on years of experience in editing Sherwood Anderson and has consulted all Anderson manuscripts, typescripts, letters, and diaries and all editions of the book to present the masterpiece in its intended state.
New to this expert edition of Winesburg, Ohio are historical and cultural annotations, documentation of changes in the various editions, identification of the Ohio originals for Anderson’s characters, and maps bearing the streets and buildings of the real town of Clyde, Ohio, which is the basis of Anderson’s fictional account.
Included as well are unique photographs of Anderson and Clyde, Ohio, illustrations that deepen knowledge and feeling for the author’s actual hometown and time, revealing Winesburg, Ohio to be an intensely local narrative—very much an “Ohio” book—and yet a book that has found and held worldwide attention.
Antiquity’s original didactic poet.
Hesiod describes himself as a Boeotian shepherd who heard the Muses call upon him to sing about the gods. His exact dates are unknown, but he has often been considered a younger contemporary of Homer.
The first volume of this revised Loeb Classical Library edition offers Hesiod’s two extant poems and a generous selection of testimonia regarding his life, works, and reception. In Theogony, Hesiod charts the history of the divine world, narrating the origin of the universe and the rise of the gods, from first beginnings to the triumph of Zeus, and reporting on the progeny of Zeus and of goddesses in union with mortal men. In Works and Days, Hesiod shifts his attention to humanity, delivering moral precepts and practical advice regarding agriculture, navigation, and many other matters; along the way he gives us the myths of Pandora and of the Golden, Silver, and other Races of Men.
The second volume contains The Shield and extant fragments of other poems, including the Catalogue of Women, that were attributed to Hesiod in antiquity. The former provides a Hesiodic counterpoint to the shield of Achilles in the Iliad; the latter presents several legendary episodes organized according to the genealogy of their heroes’ mortal mothers. None of these is now thought to be by Hesiod himself, but all have considerable literary and historical interest.
Glenn W. Most has thoroughly revised his edition to take account of the textual and interpretive scholarship that has appeared since its initial publication.
Is America’s alliance system so quietly effective that politicians and voters fail to appreciate its importance in delivering the security they take for granted?
For the first century and a half of its existence, the United States had just one alliance—a valuable but highly controversial military arrangement with France. Largely out of deference to George Washington’s warnings against the dangers of “entangling alliances,” subsequent American presidents did not consider entering another until the Second World War. Then everything suddenly changed. Between 1948 and 1955, US leaders extended defensive security guarantees to twenty-three countries in Europe and Asia. Seventy years later, the United States had allied with thirty-seven.
In Shields of the Republic, Mira Rapp-Hooper reveals the remarkable success of America’s unprecedented system of alliances. During the Cold War, a grand strategy focused on allied defense, deterrence, and assurance helped to keep the peace at far lower material and political costs than its critics allege. When the Soviet Union collapsed, however, the United States lost the adversary the system was designed to combat. Its alliances remained without a core strategic logic, leaving them newly vulnerable.
Today the alliance system is threatened from without and within. China and Russia seek to break America’s alliances through conflict and non-military erosion. Meanwhile, US politicians and voters are increasingly skeptical of alliances’ costs and benefits and believe we may be better off without them. But what if the alliance system is a victim of its own quiet success? Rapp-Hooper argues that America’s national security requires alliances that deter and defend against military and non-military conflict alike. The alliance system is past due for a post–Cold War overhaul, but it remains critical to the country’s safety and prosperity in the 21st century.
“Rapp-Hooper takes on directly and convincingly the Trumpian critique that alliances are not worth the investment and have led the nation to fight other people’s battles for them…Her deep erudition, crisp prose style, and innate brilliance shine through on most every page.”
—Boston Review
“The threat of COVID-19 has bolstered her argument, making plain both the importance of the alliance system and the imperative to adapt alliances to new ends.”
—Foreign Policy
“Musters rock-solid evidence to demonstrate what policymakers have long believed: that America’s alliances are a remarkably effective foreign policy tool.”
—Stephen Hadley, former National Security Advisor
“Argues persuasively that the complex alliance system instituted after the devastation of World War II has proven remarkably successful.”
—Kirkus Reviews
For the first 150 years of its existence, heeding George Washington’s warning about the dangers of “entangling alliances,” the United States had just one alliance—a valuable but highly controversial military arrangement with France. That changed dramatically with the Second World War. Between 1948 and 1955, the United States extended defensive security guarantees to twenty-three countries in Europe and Asia. Seventy years later, it is allied with thirty-seven countries.
Today the alliance system is threatened from without and within. China and Russia seek to break America’s alliances through conflict and non-military erosion, while US politicians and voters, skeptical of costs, believe we may be better off without them. But what if the alliance system is a victim of its own quiet success? Mira Rapp-Hooper argues that a grand strategy focused on allied defense, deterrence, and assurance helped to keep the peace throughout the Cold War and that the alliance system remains critical to America’s safety and prosperity in the twenty-first century.
The life of a Mormon intellectual in the secular academic community is likely to include some contradictions between belief, scholarship, and the changing times. In his memoir, Armand L. Mauss recounts his personal and intellectual struggles—inside and outside the LDS world—from his childhood to his days as a graduate student at UC Berkeley in the 1960s through his many years as a professor.
As an important and influential observer and author in the Mormon intellectual world, Mauss has witnessed how, in attempting to suppress independent and unsponsored scholarship during the final decades of the twentieth century, LDS leaders deliberately marginalized important intellectual support and resources that could have helped, in the twenty-first century, to refurbish the public image of the church. As a sociologist, he notes how the LDS Church, as a large, complex organization, strives to adjust its policies and practices in order to maintain an optimal balance between unique, appealing claims on the one hand and public acceptance on the other. He also discusses national and academic controversies over the New Religious Movements of the 1960s and 1970s. Writing in clear language, Mauss shows how he has navigated the boundaries where his faith and academic life intersect, and reveals why a continuing commitment to the LDS Church must be a product of choice more than of natural or supernatural “proof.”
"Like articles representing the positions of proponents of the measure, those representing opponents constructing the nation as potentially in danger as a result of undocumented immigration."
How do we learn to recognize the damning effects of good rhetorical intentions? And where will we find arguments which escape this trap that permeates the liberal social policy world? Shifting Borders uses an evaluation of the debate over California Proposition 187 to demonstrate how this quandary is best understood by close interrogation of mainstream reports and debates and by bringing to the fore voices that are often left out of mediated discussions.
It is these voices outside the mainstream, so-called "outlaw" discourses, that hold the best possibilities for real social change. To illustrate their claim, the authors present dominant and outlaw discourses around Proposition 187, from television reports, internet chat sites, and religious discourse to coverage of the Los Angeles Times. Their critique ably demonstrates how difficult it is to maintain a position outside the mainstream, but also how important it is for the press, citizens and scholars to actively search out such voices. The findings are organized through a model that provides an innovative method for understanding events and arguments through their rhetorical and communicative construction. In a world where the mediated word defines so much of what we know, Shifting Borders provides a lucid introduction to analyzing the spoken and written word that constitutes political debate in contemporary U.S. culture. In doing so, it makes an important contribution to any future development of progressive political strategy.
postamble();During the 1991 Gulf War, pundits and experts scrambled unsuccessfully to explain Iraq's “claim” to Kuwait. In a lucid and measured account of a complex historical and geographic drama that culminated in Operation Desert Storm, David Finnie elucidates the long Kuwaiti-Iraqi border dispute and lays Saddam Hussein's dubious claim to rest. He also raises larger questions about European colonialism and about the creation of new nation-states in the Middle East in the nineteenth and twentieth centuries.
Finnie vividly portrays how arbitrary the drawing of frontiers can be, and how they come to serve internal, regional, and international rivalries and ambitions. This history begins in the eighteenth century, when Kuwait was first settled by nomads from the Arabian desert. Finnie describes the country's growing prosperity under a merchant oligarchy, then shows how the Kuwaitis, seeking British protection from the sprawling Ottoman Empire, came to serve England's imperial strategy. He details the ways in which Britain parlayed its mandatory control of Iraq and its protectorate over Kuwait to curb the larger nation's ambitions and to ensure Kuwait's independence under British auspices.
A fresh look at British diplomatic documents reveals how Whitehall covered its tracks, heading off the Iraqis, obfuscating League of Nations proceedings, and confounding scholars and researchers down to the present day. Pursuing his story through Britain's withdrawal from the Persian Gulf and Iraq's 1963 recognition of Kuwait's boundaries, Finnie examines the U.N. post-war measures to secure the frontier in the face of Iraq's continuing pressure for better access to Gulf waters.
How China’s borderlands transformed politically and culturally throughout the twentieth and twenty-first centuries.
China’s land borders, shared with fourteen other nations, are the world’s longest. Like all borders, they are not just lines on a map but also spaces whose histories and futures are defined by their frontier status. An ambitious appraisal of China’s borderlands, Shifting Sands addresses the full scope and importance of these regions, illustrating their transformation from imperial backwaters to hotbeds of resource exploitation and human development in the age of neoliberal globalization.
Xiaoxuan Lu brings to bear an original combination of archival research, fieldwork, cartography, and landscape analysis, broadening our understanding of the political economy and cultural changes in China’s borderlands in the twentieth and twenty-first centuries. While conventional wisdom looks to the era of Deng Xiaoping for China’s “opening,” Lu shows the integration of China’s borderlands into national and international networks from Sun Yat-sen onward. Yet, while the state has left a firm imprint on the borderlands, they were hardly created by China alone. As the Chinese case demonstrates, all borderlands are transnational, their physical and socioeconomic landscapes shaped by multidirectional flows of materials, ideas, and people.
Shifting Stories explores the tale literature of eighth- and ninth-century China to show how the written tales we have today grew out of a fluid culture of hearsay that circulated within elite society. Sarah M. Allen focuses on two main types of tales, those based in gossip about recognizable public figures and those developed out of lore concerning the occult. She demonstrates how writers borrowed and adapted stories and plots already in circulation and how they transformed them—in some instances into unique and artfully wrought tales.
For most readers of that era, tales remained open texts, subject to revision by many hands over the course of transmission, unconstrained by considerations of textual integrity or authorship. Only in the mid- to late-ninth century did some readers and editors come to see the particular wording and authorship of a tale as important, a shift that ultimately led to the formation of the Tang tale canon as it is envisioned today.
More than just a study of legal history, Shifting the Blame looks at the "abuse excuse" defense as an indicator of broad social change in cultural understandings of victimization, responsibility, and womanhood. The introduction of victimization as an exculpatory condition within the context of a criminal defense tells the story of a society that has accepted victimization as a new way of explaining and excusing misbehavior.
Through case law analysis, the book documents the initial development of the strategy in three different types of cases in the 1970s - "rotten social background", brainwashing, and battered women's self-defense cases. Since its initial acceptance in battered women's cases in the early 1980s, the use of the strategy has expanded to a variety of offenders in different types of relationships arguing different defenses. In lively, readable prose, Westervelt examines each form of expansion, revealing that while the expansion of the strategy has been fairly extensive, it has also been limited in some important ways. Her research shows readers that only certain types of "victims," particularly victims of physical abuse, have successfully used this defense. Shifting the Blame exposes the ways in which the acceptance of this new defense strategy illuminates a cultural shift in understandings of individual responsibility and shows how the law plays a role in defining who can be an acceptable victim.
Saundra D. Westervelt is an assistant professor in the Sociology Department at the University of North Carolina at Greensboro.
More than just a study of legal history, Shifting the Blame looks at the "abuse excuse" defense as an indicator of broad social change in cultural understandings of victimization, responsibility, and womanhood. The introduction of victimization as an exculpatory condition within the context of a criminal defense tells the story of a society that has accepted victimization as a new way of explaining and excusing misbehavior.
Through case law analysis, the book documents the initial development of the strategy in three different types of cases in the 1970s - "rotten social background", brainwashing, and battered women's self-defense cases. Since its initial acceptance in battered women's cases in the early 1980s, the use of the strategy has expanded to a variety of offenders in different types of relationships arguing different defenses. In lively, readable prose, Westervelt examines each form of expansion, revealing that while the expansion of the strategy has been fairly extensive, it has also been limited in some important ways. Her research shows readers that only certain types of "victims," particularly victims of physical abuse, have successfully used this defense. Shifting the Blame exposes the ways in which the acceptance of this new defense strategy illuminates a cultural shift in understandings of individual responsibility and shows how the law plays a role in defining who can be an acceptable victim.
Saundra D. Westervelt is an assistant professor in the Sociology Department at the University of North Carolina at Greensboro.
Despite the substantial economic and political strides that African-Americans have made in this century, welfare remains an issue that sharply divides Americans by race. Shifting the Color Line explores the historical and political roots of enduring racial conflict in American welfare policy, beginning with the New Deal.
Through Social Security and other social insurance programs, white workers were successfully integrated into a strong national welfare state. At the same time, African-Americans--then as now disproportionately poor--were relegated to the margins of the welfare state, through decentralized, often racist, public assistance programs.
Over the next generation, these institutional differences had fateful consequences for African-Americans and their integration into American politics. Owing to its strong national structure, Social Security quickly became the closest thing we have to a universal, color-blind social program. On the other hand, public assistance--especially Aid to Families with Dependent Children (AFDC)--continued to treat African-Americans badly, while remaining politically weak and institutionally decentralized.
Racial distinctions were thus built into the very structure of the American welfare state. By keeping poor blacks at arm's length while embracing white workers, national welfare policy helped to construct the contemporary political divisions--middle-class versus poor, suburb versus city, and white versus black--that define the urban underclass.
For a Western world anxious to understand Islam and, in particular, Shi’ism, this book arrives with urgently needed information and critical analysis. Hamid Dabashi exposes the soul of Shi’ism as a religion of protest—successful only when in a warring position, and losing its legitimacy when in power.
Dabashi makes his case through a detailed discussion of the Shi’i doctrinal foundations, a panoramic view of its historical unfolding, a varied investigation into its visual and performing arts, and finally a focus on the three major sites of its contemporary contestations: Iran, Iraq, and Lebanon. In these states, Shi’ism seems to have ceased to be a sect within the larger context of Islam and has instead emerged to claim global political attention. Here we see Shi’ism in its combative mode—reminiscent of its traumatic birth in early Islamic history. Hezbollah in Lebanon claims Shi’ism, as do the militant insurgents in Iraq, the ruling Ayatollahs in Iran, and the masses of youthful demonstrators rebelling against their reign. All declare their active loyalties to a religion of protest that has defined them and their ancestry for almost fourteen hundred years.
Shi’sm: A Religion of Protest attends to the explosive conflicts in the Middle East with an abiding attention to historical facts, cultural forces, religious convictions, literary and artistic nuances, and metaphysical details. This timely book offers readers a bravely intelligent history of a world religion.
Western accounts of the Hajj, the ritual Muslim pilgrimage to Mecca, are rare, since access to Mecca is forbidden to non-Muslims. In the Muslim world, however, pilgrimage literature is a well-established genre, dating back to the earliest centuries of the Islamic era. A Shiʿite Pilgrimage to Mecca is taken from the original nineteenth-century Persian manuscript of the Safarnâmeh of Mirzâ Moḥammad Ḥosayn Farâhâni, a well-educated, keenly observant, Iranian Shiʿite gentleman.
This memoir holds a wealth of social and economic information about Czarist Russia, the Ottoman Empire, Egypt, Northern Iran, and Arabia. The author is a meticulous observer, recording details of distances, currencies, accommodations, modes of travel, and so on. He records the experiences encountered by pilgrims of his day: physical hardships, disease, generosity and compassion, banditry, hospitality, comradeship, and exaltation. And, without prejudice, he discusses the tensions between the Shiʿites and the Sunnites in the holy places—tensions that still exist and have erupted in bloody clashes during recent pilgrimages.
A Shiʿite Pilgrimage to Mecca will appeal to a wide audience of general readers, Middle Eastern scholars, anthropologists, and historians.
The last decades of the eighteenth century gave rise to an explosion of literary activity in Edo (now Tokyo) that lasted until the mid-nineteenth century, with an army of writers producing prodigious quantities of fiction. This study traces the life and literary career of Shikitei Sanba (1776-1822), a writer in the mainstream of that generation, the author of more than a hundred works of fiction, many in the comic vein.
This book-length critical treatment of a major writer of gesaku (playful compositions) is a welcome breakthrough, since Sanba's life, his era of literary activity, and the popular genres in which he worked have received scant treatment in English. Leutner describes Sanba as a representative writer within a literary scene shifting from amateur to professional and becoming increasingly commercial.
The text is enhanced by Leutner's translations of excerpts from Sanba's various writings. The Appendix encompasses two long passages in original translation, fully annotated, of Ukiyoburo, "The Bathhouse of the Floating World," one of Sanba's best-known works. In "The Men's Bath" and "The Women's Bath" readers will encounter an array of Edo types. Their informal conversations convey the quality of humor, the sociological characteristics, and much of the flavor of life in Sanba's Edo.
Some 100,000 soldiers fought in the April 1862 battle of Shiloh, and nearly 20,000 men were killed or wounded; more Americans died on that Tennessee battlefield than had died in all the nation’s previous wars combined. In the first book in his new series, Steven E. Woodworth has brought together a group of superb historians to reassess this significant battleandprovide in-depth analyses of key aspects of the campaign and its aftermath.
The eight talented contributors dissect the campaign’s fundamental events, many of which have not received adequate attention before now. John R. Lundberg examines the role of Albert Sidney Johnston, the prized Confederate commander who recovered impressively after a less-than-stellar performance at forts Henry and Donelson only to die at Shiloh; Alexander Mendoza analyzes the crucial, and perhaps decisive, struggle to defend the Union’s left; Timothy B. Smith investigates the persistent legend that the Hornet’s Nest was the spot of the hottest fighting at Shiloh; Steven E. Woodworth follows Lew Wallace’s controversial march to the battlefield and shows why Ulysses S. Grant never forgave him; Gary D. Joiner provides the deepest analysis available of action by the Union gunboats; Grady McWhineydescribes P. G. T. Beauregard’s decision to stop the first day’s attack and takes issue with his claim of victory; and Charles D. Grear shows the battle’s impact on Confederate soldiers, many of whom did not consider the battle a defeat for their side. In the final chapter, Brooks D. Simpson analyzes how command relationships—specifically the interactions among Grant, Henry Halleck, William T. Sherman, and Abraham Lincoln—affected the campaign and debunks commonly held beliefs about Grant’s reactions to Shiloh’s aftermath.
The Shiloh Campaign will enhance readers’ understanding of a pivotal battle that helped unlock the western theater to Union conquest. It is sure to inspire further study of and debate about one of the American Civil War’s momentous campaigns.
Colorful, dramatic, blundering, and tragic – these are some of the adjectives that have been applied to the two-day engagement at Shiloh. This battle, which bears the biblical name meaning “place of peace,” was one of the bloodiest encounters of the Civil War. The Union colonel, whose words give the present book its title, foretold the losses when he told his men: “Fill your canteens Boys! Some of you will be in hell before night….”
Fought in the early spring of 1862 on the west bank of the Mississippi state line, Shiloh was, up to that time, the biggest battle of American history. One hundred thousand men were involved, and major Civil War commanders such as Grant, Sherman, Johnston, Beauregard, Bragg, and Forrest participated. The battle took the life of Johnston and it left a lasting impact on the reputation of other commanders. More-over, it played a significant role in the campaign for control of the Mississippi Valley.
Although hundreds of books have been written about the Civil War and its battle, questions about the disorganized struggle at Shiloh have continued to perplex historians. Why was Grant absent when his army was attacked? Why did Grant and Sherman apparently ignore evidence of a Confederate advance? What happened to Lew Wallace that he never got his division into the fight on the first day of battle? Why did it take the Rebels so long to make their way from Corinth to the battlefield? Did the Rebels really have a distinct opportunity to win the battle, as it seems in retrospect, or were they doomed from the start? Were Johnston and Beauregard working at cross-purposes? Shiloh-In Hell Before Night provides answers or clues to answers of clues to answers for these and other questions arising from this controversial engagement.
The author tells his story by placing Shiloh in the larger context of the war and by exploring the very personal side of the conflict through the words of the Union and Confederate participants, officers and common soldiers alike. Touches of humor and even or romance are revealed in the midst of the carnage, but the overriding element is the specter of death. Among those who survived, the soldiers who had been eager to “see the elephant,” as they commonly referred to combat, could never again feel so eager for a fight.
James Lee McDonough is professor of history at Auburn University, and the author of Stones River – Bloody Winter in Tennessee, Chattanooga – A Death Grip on the Confederacy, and the co-author of Five Tragic Hours: The Battle of Franklin.
The rules are simple enough: “Here’s the deal: Whoever keeps his hands longest on one of the dealer’s brand new pickup trucks owns it and gets to drive it away.” An actual contest hosted by an auto dealership in Texas is the prompt for this fictional exploration, which seeks to probe the depths and shallows of the American soul.
To the players vying for this shiny new prize, competition revs up as the hours wear on, positions harden, sightlines narrow, and sleep-deprivation intensifies. At the center is the reporter Trew Reade, struggling to make sense of the event and his own role in it. Early on, he muses that “surface and substance were rarely the same; transparency could be the most cunning of masks.” So, too, is the author’s transparent prose. Reviewers have sometimes found Mojtabai’s vision akin to that of Marilynne Robinson and Flannery O’Connor, but the characterization from Books & Culture—“not like anyone else”—is perhaps best, inviting readers to discover this provocative writer for themselves.
The contributors—a team of Peruvian and U.S. historians, social scientists, and human rights activists—explore the origins, social dynamics, and long-term consequences of the effort by Shining Path to effect an armed communist revolution. The book begins by interpreting Shining Path’s emergence and decision for war as one logical culmination, among several competing culminations, of trends in oppositional politics and social movements. It then traces the experiences of peasants and refugees to demonstrate how human struggle and resilience came together in grassroots determination to defeat Shining Path, and explores the unsuccessful efforts of urban shantytown dwellers, as well as rural and urban activists, to build a “third path” to social justice. Integral to this discussion is an examination of women’s activism and consciousness during the years of the crisis. Finally, this book analyzes the often paradoxical and unintended legacies of this tumultuous period for social and human rights movements, and for presidential and military leadership in Peru.
Extensive field research, broad historical vision, and strong editorial coordination enable the authors to write a coherent and deeply humanistic account, one that draws out the inner tragedies, ambiguities, and conflicts of the war.
Providing historically grounded explication of the conflicts that reshaped contemporary Peru, Shining and Other Paths will be widely read by Latin Americanists, historians, anthropologists, gender theorists, sociologists, political scientists, and human rights activists.
Contributors. Jo-Marie Burt, Marisol de la Cadena, Isabel Coral Cordero, Carlos Iván Degregori, Iván Hinojosa, Carlos Basombrío Iglesias, Florencia E. Mallon, Nelson Manrique, Hortensia Muñoz, Enrique Obando, Patricia Oliart, Ponciano del Pino H., José Luis Rénique, Orin Starn, Steve J. Stern
In the 2000s, new technologies transformed the experiences of movie-going and movie-making, giving us the first generation of stars to be just as famous on the computer screen as on the silver screen.
Shining in Shadows examines a wide range of Hollywood icons from a turbulent decade for the film industry and for America itself. Perhaps reflecting our own cultural fragmentation and uncertainty, Hollywood’s star personas sent mixed messages about Americans’ identities and ideals. Disheveled men-children like Will Ferrell and Jack Black shared the multiplex with debonair old-Hollywood standbys like George Clooney and Morgan Freeman. Iconic roles for women ranged from Renee Zellweger’s dithering romantics to Tina Fey’s neurotic professionals to Hilary Swank’s vulnerable boyish characters. And in this age of reality TV and TMZ, stars like Jennifer Aniston and “Brangelina” became more famous for their real-life romantic dramas—at the same time that former tabloid fixtures like Johnny Depp and Robert Downey Jr. reinvented themselves as dependable leading men. With a multigenerational, international cast of stars, this collection presents a fascinating composite portrait of Hollywood stardom today.
A successful professional painter and art instructor for years, Benedict was dissatisfied that she could paint petal-perfect flowers and expensive portraits of wealthy clients, but could not capture the light on the garden at dusk or the tender hands and faces of her own children. Seven years ago she walked into a poetry workshop and found "the window I needed for my imagination." She never painted another painting, and has never stopped writing. She got her BA in English and her MFA in writing at Goddard College, taught workshops, won scholarships, and recieved grants and awards for her fiction. her stories have appeared in INTRO and fiction international, and the title story in this award-winning collection was published as an Atlantic Monthly First.
Originating from the Shinto tradition, shinzjj (wooden statues of kami) are among the finest wooden sculptures in Japan and have long commanded great reverence from the Japanese people. This comprehensive examination of the stylistic and iconographic evolution of shinzjj from the ninth through the fourteenth centuries is the first of its kind. Primary attention is given to images of Hachiman, which are the earliest surviving examples of Shinto deities depicted in anthropomorphic form. Focus on this lineage of forms provides a clear view of the development of Shinto aesthetic attitudes and their relationship to Buddhist influences.
Three works are examined in detail: a ninth-century triad housed at Toji, Kyoto; a tenth-century triad made for Yakushiji, Nara; and a single statue carved by Kaikei in the thirteenth century for Todaiji, Nara. A less-detailed discussion of other portrayals of Hachiman and other deities amplifies the central focus. This authoritative text is enriched by the inclusion of 76 plates, many depicting hitherto unknown or seldom-seen sculptures. The book should be of great interest to scholars of art, religion, and history.
From oar-powered quinqueremes, to steam-powered freighters, to luxury ocean liners such as the Titanic,to aircraft carriers like the Abraham Lincoln,ships have played an integral role in trade, transportation, and war throughout history. Today, ships remain the largest and most expensive moving objects on the planet; engineers and designers constantly push the limits of design, creating vessels that continue to rival newer technologies such as airplanes and cars. But unlike other more common modes of transportation, the great ships of the world travel in the deep oceans, out of sight and out of mind—until, that is, something goes wrong. In Ship, Gregory Votolato explores the fiction and the reality of modern ships, the technology that creates them, and the events that can lead to disasters such as the Exxon Valdez or Amoco Cadiz.
Here Votolato delves into the world of the ship, describing the unpredictable and often-hostile environment of weather at sea, the resurgent threats posed by pirates, and the responsibilities of captains and crews onboard. Ship’sbroad overview of technology and design also offers unique insights into this extraordinary result of human creativity. Votolato’s book will appeal to readers interested in the general design history of ships as well as their social, political, and technological impact on our modern world.
Ann Lewis's childhood was marked by an unusual rhythm. Each year the thawing and freezing of the Great Lakes signaled the beginning and end of the shipping season, months of waiting that were punctuated by brief trips to various ports to meet her father, the captain.
With lively storytelling and vivid details, Lewis captures the unusual life of shipping families whose days and weeks revolved around the shipping industry on the Great Lakes. She paints an intriguing and affectionate portrait of her father, a talented pianist whose summer job aboard an ore freighter led him to a life on the water. Working his way up from deckhand to ship captain, Willis Michler became the master of thirteen ships over a span of twenty-eight years. From the age of twelve, Ann accompanied the captain to the ports of Milwaukee, Chicago, Toledo, and Cleveland on the lower Great Lakes. She describes sailing through stormy weather and starry nights, visiting the engine room, dining at the captain's table, and wheeling the block-long ship with her father in the pilot house. Through her mother's stories and remarks, Lewis also reveals insights into the trials and rewards of being a ship captain's wife. The book is enhanced by the author's vintage snapshots, depicting this bygone lifestyle.
Shipwreck Modernity engages early modern representations of maritime disaster in order to describe the global experience of ecological crisis. In the wet chaos of catastrophe, sailors sought temporary security as their worlds were turned upside down. Similarly, writers, poets, and other thinkers searched for stability amid the cultural shifts that resulted from global expansion. The ancient master plot of shipwreck provided a literary language for their dislocation and uncertainty.
Steve Mentz identifies three paradigms that expose the cultural meanings of shipwreck in historical and imaginative texts from the mid-sixteenth through the early eighteenth centuries: wet globalization, blue ecology, and shipwreck modernity. The years during which the English nation and its emerging colonies began to define themselves through oceangoing expansion were also a time when maritime disaster occupied sailors, poets, playwrights, sermon makers, and many others. Through coming to terms with shipwreck, these figures adapted to disruptive change.
Traces of shipwreck ecology appear in canonical literature from Shakespeare to Donne to Defoe and also in sermons, tales of survival, amateur poetry, and the diaries of seventeenth-century English sailors. The isolated islands of Bermuda and the perils of divine anger hold central places. Modern sailor-poets including Herman Melville serve as valuable touchstones in the effort to parse the reality and understandings of global shipwreck.
Offering the first ecocritical account of early modern shipwreck narratives, Shipwreck Modernity reveals the surprisingly modern truths to be found in these early stories of ecological collapse.
The recurrent treatment of shipwrecks in the creative arts demonstrates an enduring fascination with this archetypal scene: a shipwreck survivor confronting the elements. It is remarkable, for example, that the characters in the 2004 television show Lost share so many features with those from Homer’s Odyssey and Shakespeare’s The Tempest.
For survivors who are stranded on an island for some period of time, shipwrecks often present the possibility of a change in political and social status—as well as romance and even paradise. In each of the major shipwreck narratives examined, the poet or novelist links the castaways’ arrival on a new shore with the possibility of a new sort of life. Readers will come to appreciate the shift in attitude toward the opportunities offered by shipwreck: older texts such as the Odyssey reveals a trajectory of returning to the previous order. In spite of enticing new temptations, Odysseus—and some of the survivors in The Tempest—revert to their previous lives, rejecting what many might consider paradise. Odysseus is reestablished as king; Prospero travels back to Milan. In such situations, we may more properly speak of potential transformations. In contrast, many recent shipwreck narratives instead embrace the possibility of a new sort of existence. That even now the shipwreck theme continues to be treated, in multiple media, testifies to its long-lasting appeal to a very wide audience.
Global identity politics rest heavily on notions of ethnicity and authenticity, especially in contexts where indigenous identity becomes a basis for claims of social and economic justice. In contemporary Latin America there is a resurgence of indigenous claims for cultural and political autonomy and for the benefits of economic development. Yet these identities have often been taken for granted.
In this historical ethnography, Baron Pineda traces the history of the port town of Bilwi, now known officially as Puerto Cabezas, on the Atlantic coast of Nicaragua to explore the development, transformation, and function of racial categories in this region. From the English colonial period, through the Sandinista conflict of the 1980s, to the aftermath of the Contra War, Pineda shows how powerful outsiders, as well as Nicaraguans, have made efforts to influence notions about African and Black identity among the Miskito Indians, Afro-Nicaraguan Creoles, and Mestizos in the region. In the process, he provides insight into the causes and meaning of social movements and political turmoil. Shipwrecked Identities also includes important critical analysis of the role of anthropologists and other North American scholars in the Contra-Sandinista conflict, as well as the ways these scholars have defined ethnic identities in Latin America.
As the indigenous people of the Mosquito Coast continue to negotiate the effects of a long history of contested ethnic and racial identity, this book takes an important step in questioning the origins, legitimacy, and consequences of such claims.
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