A SCHOLARLY BOOK REPOSITORY
Allen describes the exhilaration of his youthful rule-breaking behavior
as well as the crushing reality that followed.”
– William Stephens, Ph.D.
In selecting Suzanne Greenberg's fiction for the 2003 Drue Heinz Literature Prize, Rick Moody wrote, “A charge sometimes leveled against contemporary fiction these days is that it has abrogated its responsibility to depict civilization as it actually exists. . . . Speed-Walk replies forcefully to this aesthetic error by locating its protagonists in completely recognizable environments. . . . [They] are ever engaged by the routines of American life: walking the dog, eating at the sushi bar, doing the laundry.” Tightly written yet realistically spare, these stories provide a blueprint for survival when the unexpected is thrust into an ordinary life.
In this spirited book, Pavel shows that structuralism's flawed use of linguistic theory has rendered hollow the philosophical core of a whole generation of work in the human sciences.
"I couldn't put it down."
---Barbara Kingsolver
In 1955, Mary and Jim Leader have the American dream: careers in medicine; a young and healthy family; and even a vacation home---a shabby resort far from bustling Chicago. But one hot afternoon changes everything. Mary, now a widow, must find a path out of her grief into a future for herself and five small children.
In Michigan to sell the resort, Mary sees seven hawks riding the storm winds over the lake. This place, she thinks, can heal them with its wild beauty, so she moves her family to the northern lakeshore.
But Mary has forgotten what it's like to live in a tiny rural community, where almost everyone has a stake in maintaining the status quo. Secrets are kept at great cost as Mary's children often struggle to raise themselves. A coming-of-age story for each member of the family, this is a novel of quiet heroism and the power of personal freedom.
Praise for Marjorie Kowalski Cole and her previous novel, Correcting the Landscape:
". . . her writing is simple, vivid and gorgeous."
---Eugene Register-Guard
". . . a remarkable new talent. Critics have lined up to praise the book."
---Tucson Citizen
"Cole's style is subtle but engrossing . . . It is quite a debut."
---Booklist
Cover illustration: ©iStockphoto.com/ImagineGolf
Through close readings of the novels of Dickens, Eliot, and Charlotte Brontë; the poetry of Tennyson and Christina Rossetti; the visual artistry of Burne-Jones and Punch; and the popular theatricals of dramatists like Planche and Buckingham, Spellbound opens fresh territory into well-traversed titles of the Victorian canon. Hillard demonstrates that these literary forms were all cross-pollenated by the fairy tale and that their authors were—however reluctantly—purveyors of disruptive fairy tale matter over which they had but imperfect control.
Millions of people want to learn to spell correctly, but they fear the task will be tedious and painful. Now, with the unique, logical approach presented in Spelling Simplified, anyone can become a skilled speller quickly and easily. Through the use of simple and effective exercises and tips, Spelling Simplified illustrates what many poor spellers forget—that the way a word is spelled is closely related to the sound and meaning of that word.
Chapters devoted to syllables and stress, patterns in the language, consonant clusters, and vowel-consonant combinations are included, each complete with its own set of examples and exercises. From the simplest root words through longer words derived from foreign languages, Spelling Simplified guides you through basic techniques for learning how to “hear” a word, how to master irregularities, and how to form large words from smaller ones. Breezily written and easy to use, Spelling Simplified shows that mastering spelling cn be painless—and even fun.
This appealing memoir introduces the family of Charles Hart Spencer and his wife Mary Acheson: seven children born between 1884 and 1895. It also introduces a large Victorian house in Shadyside (a Pittsburgh neighborhood) and a middle-class way of life at the turn of the century.
Mr. Spencer, who worked—not very happily—for Henry Clay Frick, was one of the growing number of middle-management employees in American industrial cities in the 1880s and 1890s. His income, which supported his family of nine, a cook, two regular nurses, and at times a wet nurse and her baby, guaranteed a comfortable life but not a luxurious one. In the words of the editors, the Spencers represent a class that "too often stands silent or stereotyped as we rush forward toward the greater glamour of the robber barons or their immigrant workers."
Through the eyes of Ethel Spencer, the third daughter, we are led with warmth and humor through the routine of everyday life in this household: school, play, church on Sundays, illness, family celebrations, and vacations. Ethel was an observant child, with little sentimentality, and she wrote her memoir in later life as a professor of English with a gift for clear prose and the instincts of an anthropologist. As the editors observe, her memoir is "a fascinating insight into one kind of urban life of three generations ago."
“Poems so severely beautiful that they become unforgettable after one reading. . . . If you’re a reader who loves poetry whatever mood it’s in, just open Spending the Winter anywhere to find poems that hurt, enlighten, and delight.” —Rhina P. Espaillat, author of Rehearsing Absence and winner of the T.S. Eliot Prize
“Joseph Bottum is a brilliant formalist, and to read him is to enter the world of the tried-and-true classics, all achieved with an amazingly contemporary ring. His Spending the Winter is a delight. Here is a poetry of elegy, humor, wit, political savvy, and vast learning.” —Paul Mariani, author The Great Wheel and winner of the John Ciardi Award
“Joseph Bottum’s Spending the Winter is a throwback to a time when lovers of poetry outside the literary establishment looked for poetry of depth, wit, and craft from the likes of Auden and Larkin. This is poetry from another age—an age when we expected intellectual, religious, and literary significance from our verse.” —A.M. Juster, author of Wonder and Wrath and winner of the Willis Barnstone Translation Prize
“Spending the Winter is a word-lover’s dream: Joseph Bottum’s poems pierce, probe, dazzle, and delight. They will open the eyes of your soul.” —Karen Swallow Prior, author of On Reading Well
“When reading Spending the Winter, I recalled C.S. Lewis’s description of joy as a wanting for something that is beyond this world. There’s a sense in these poems that things around us are fleeting, yet for that reason, the poems ask us to pay all the more attention.” —Jessica Hooten Wilson, author of Giving the Devil his Due
From the distinguished literary scholar Gordon Teskey comes an essay collection that restores Spenser to his rightful prominence in Renaissance studies, opening up the epic of The Faerie Queene as a grand, improvisatory project on human nature, and arguing—controversially—that it is Spenser, not Milton, who is the more important and relevant poet for the modern world.
There is more adventure in The Faerie Queene than in any other major English poem. But the epic of Arthurian knights, ladies, and dragons in Faerie Land, beloved by C. S. Lewis, is often regarded as quaint and obscure, and few critics have analyzed the poem as an experiment in open thinking. In this remarkable collection, the renowned literary scholar Gordon Teskey examines the masterwork with care and imagination, explaining the theory of allegory—now and in Edmund Spenser’s Elizabethan age—and illuminating the poem’s improvisatory moments as it embarks upon fairy tale, myth, and enchantment.
Milton, often considered the greatest English poet after Shakespeare, called Spenser his “original.” But Teskey argues that while Milton’s rigid ideology in Paradise Lost has failed the test of time, Spenser’s allegory invites engagement on contemporary terms ranging from power, gender, violence, and virtue ethics, to mobility, the posthuman, and the future of the planet. The Faerie Queene was unfinished when Spenser died in his forties. It is the brilliant work of a poet of youthful energy and philosophical vision who opens up new questions instead of answering old ones. The epic’s grand finale, “The Mutabilitie Cantos,” delivers a vision of human life as dizzyingly turbulent and constantly changing, leaving a future open to everything.
Edmund Spenser's art is intricate, intellectual, fanciful, and, finally, magnificent. Spenser is enshrined as one of the great English writers, and Book One of The Faerie Queene is regularly taught in colleges, not only in advanced courses but also in introductory surveys. Many teachers as well as students, however, find the poem baffling and know of no way to approach it except as an allegory whose several levels of meaning must be deciphered. Mark Rose shows that it is possible to read the poem as poetry—savoring the language, tracing Spenser's vision—without prior expertise in religion and philosophy, Renaissance iconography and mythology, or Tudor history. He offers a close reading of Book One, following the poem as it develops canto by canto.
Rather than expound the meaning, he attempts to draw the meaning out of the text while helping the reader respond freshly to the emotion, humor, grace, and humanity of the poem and conveying a sense of its richness and subtlety. Specialists will find many new insights in Spenser's Art, though the book is not addressed primarily to them; teachers who are not experts on Spenser will find it especially rewarding.
Exploring professional passenger driving and the gig economy through feminist theories of labor
Are taxi drivers in today’s era of the ride-hail app performing care work akin to domestic and household labor? So argue the authors of Spent behind the Wheel. Bringing together sociological and legal perspectives with feminist theoretical insights, Julietta Hua and Kasturi Ray examine the case study of contemporary professional passenger driving in the United States. On the one hand, they show, the rise of the gig economy has brought new attention to the industry of professional passenger driving. On the other hand, the vulnerabilities that professional drivers experience remain hidden.
Drawing on interviews with drivers, labor organizers, and members of licensing commissions, as well as case law and other published resources, Hua and Ray argue that working for ride-hail companies like Uber and Lyft shares similarities with driving for taxi companies in the impact on driver lives. Lyft and Uber sell the idea of industry disruption, but in fact they entrench long-standing modes of extracting the reproductive labor of their drivers for the benefit of consumer lives. Reproductive labor—conventionally understood as feminized labor—is extracted, but masked, behind the masculinized, racialized bodies of drivers. Professional driving is thus best understood alongside domestic and other gendered service work as reproductive labors devalued and often demonetized to benefit the national economy.
Spent behind the Wheel is a must for readers interested in critical studies of technological change and the gig economy, showing how drivers’ capacities are drained for the benefit of riders, corporations, and the maintenance of the racial state.
Daniel Nugent's approach combines an emphasis on peasants' own perceptions of Mexican society after the revolution with an analysis of the organization and formation of state power. He shows that popular discontent in Chihuahua is motivated not only by immediate economic crises but by two centuries of struggle between the people of Northern Mexico and the government.
With this book, Hal Whitehead gives us a clearer picture of the ecology and social life of sperm whales than we have ever had before. Based on almost two decades of field research, Whitehead describes their biology, behavior, and habitat; how they organize their societies; and how their complex lifestyles may have evolved in this unique environment. Among the many fascinating topics he explores is the crucial role that culture plays in the life of the sperm whale, and he traces the consequences of this argument for both evolution and conservation. Finally, drawing on these findings, Whitehead builds a general model of how the ocean environment influences social behavior and cultural evolution among mammals as well as other animals.
The definitive portrait of a provocative creature, Sperm Whales will interest animal behaviorists, conservationists, ecologists, and evolutionary biologists as well as marine mammalogists.
Founded in 1918, the South Philadelphia Hebrew Association's basketball team, known as the SPHAS, was a top squad in the American Basketball League-capturing seven championships in thirteen seasons-until it disbanded in 1959. In The SPHAS, the first book to chronicle the history of this team and its numerous achievements, Douglas Stark uses rare and noteworthy images of players and memorabilia as well as interviews and anecdotes to recall how players like Inky Lautman, Cy Kaselman, and Shikey Gotthoffer fought racial stereotypes of weakness and inferiority while spreading the game's popularity. Team owner Eddie Gottlieb and Temple University coach Harry Litwack, among others profiled here, began their remarkable careers with the SPHAS.
Stark explores the significance of basketball to the Jewish community during the game's early years, when Jewish players dominated the sport and a distinct American Jewish identity was on the rise. At a time when basketball teams were split along ethnic lines, the SPHAS represented the Philadelphia Jewish community. The SPHAS is an inspiring and heartfelt tale of the team on and off the court.
The Sphere of Birds, Ciaran Berry’s debut collection of poems, effortlessly moves back and forth between here and there, then and now, the personal and the historic, the modern and the mythic.
Berry imagines the transatlantic journeys of John James Audubonand reveals his own heartfelt experience moving from his first house. The poems take as their subject such varied experiences as an eye exam in Manhattan and chasing rabbits around a beach in Donegal. These poems have a strong sense of place, whether it’s the imagined space of Coney Island in 1903 or the playground of Berry’s childhood convent school.
The Sphere of Birds delights in forging unlikely links, earthed in the stuff of paintings and in the lives of poets, artists, and the occasional saint. Drawing on the poet’s life in Ireland and the United States, the poems explore the joy and grief found in those places.
Moving from rural Ireland to the heart of New York City, from local detail to historical specifics, and from the experienced occasion to the imagined or interpreted event, Berry’s poems effectively master shifts in both time and space. Berry delves into the lives of artists, obscure historical figures, and other poets for inspiration. He embraces elements of both Irish and American poetry, paying tribute as much to the spirit of Larry Levis as to that of W. B. Yeats.
Accessible, immediate, and visceral, The Sphere of Birds offers a musicality that is increasingly rare in contemporary poetry.
With the same sensitive insight and searching intelligence he has exhibited throughout his career, Meyer transcends the boundaries that so often separate fields of inquiry. The Spheres of Music joins music theory to history, history to culture, culture to aesthetics, aesthetics to psychology, and psychology back to theory. In so doing, the book highlights the complex interrelationships at the heart of the creation, comprehension, and history of music. Diverse and adventurous, The Spheres of Music presents an intriguing and impressive collection of Meyer's work.
"Ever since the publication of his Emotion and Meaning in Music . . . I have considered Leonard B. Meyer one of the keenest thinkers about music among us."—Winthrop Sargeant, The New Yorker
We may think of “globalism” as a recent development but its origins date back to the fifteenth century and beyond, when seafarers pioneered routes across the oceans with the objectives of exploration, trade, and profit.
These voyages only became possible after certain technical innovations—improvements in ship design, compasses, and mapping—enabled navigation across unprecedented distances. The mariners’ embarkation points were the vibrant ports of the West—Venice, Amsterdam, Lisbon—and their destinations the exotic ports of the East—Malacca, Goa, Bombay—where they tracked down the elusive spices, so much in demand by Western palates.
This development of maritime communication brought benefits apart from culinary delights: the spread of ideas on art, literature, and science. But it was not necessarily beneficial for everyone concerned: colonial ambitions were often disastrous for local populations, who were frequently exploited as slave plantation labor.
This wide-ranging account of a fascinating period of global history uses original maps and contemporary artists’ views to tell the story of how each port developed individually while also encouraging us to consider contrasting points of view of the benefits and the damages of the maritime spice trade.
The scent of oregano immediately conjures the comforts of Italian food, curry is synonymous with Indian flavor, and the fire of chili peppers ignites the cuisine of Latin America. Spices are often the overlooked essentials that define our greatest eating experiences. In this global history of spices, Fred Czarra tracks the path of these fundamental ingredients from the trade routes of the ancient world to the McCormick’s brand’s contemporary domination of the global spice market.
Focusing on the five premier spices—black pepper, cinnamon, nutmeg, cloves, and chili pepper—while also relating the story of many others along the way, Czarra describes how spices have been used in cooking throughout history and how their spread has influenced regional cuisines around the world. Chili peppers, for example, migrated west from the Americas with European sailors and spread rapidly in the Philippines and then to India and the rest of Asia, where the spice quickly became essential to local cuisines. The chili pepper also traveled west from India to Hungary, where it eventually became the national spice—paprika.
Mixing a wide range of spice fact with fascinating spice fable—such as giant birds building nests of cinnamon—Czarra details how the spice trade opened up the first age of globalization, prompting a cross-cultural exchange of culinary technique and tradition. This savory spice history will enliven any dinner table conversation—and give that meal an unforgettable dash of something extra.
The last thirty years have seen immigrants flood British shores, but Spicing Up Britain reveals that foreign influences have been infusing British cuisine for the past 150 years. From the arrival of Italian ice cream vendors and German butchers in the nineteenth century to the British curry that permeates dishes today, Panayi chronicles the rich and fascinating social history behind the rise of a truly multicultural cuisine. The author argues that Britons’ eating habits have been reshaped by immigration, globalization, and increased wealth, and he explores how other cultures have woven themselves into British society through the portal of food—whether Anglo-Indian fusion dishes like chicken tikka masala, New British cuisine restaurants, or the popular home-cooked dish of spaghetti bolognese. Panayi reveals how these changes in British cuisine shed light on the role of multiculturalism in the construction of modern British identity: Britain is a diverse nation in which different peoples are united by willingness to sample the foods produced by other ethnic groups—but those ethnic groups are at the same time ghettoized by not moving beyond their own culinary traditions.
A comprehensive and engaging investigation, Spicing Up Britain serves up delicious new facets of food in Britain today.
Both fascinating and frightening, the spider has a rich symbolic presence in the imagination. At once a representative of death, due to its fangs and dangerous poison, the spider can also represent life and creation, because of its intricate web and females who carry sacs of thousands of tiny eggs. In this wide-ranging book, Katarzyna and Sergiusz Michalskiinvestigate the natural history and cultural significance of the spider.
From ancient Greek myth to Dostoyevsky, the authors explore the appearance of spiders in literature and their depictions in art, paying particular attention to the sculptures of Louise Bourgeois. Horror stories, science fiction, folklore, and children’s tales are also investigated, as well as the affliction of arachnophobia and the procedures used to cure it. The association of the spider with women or mothers is explored alongside the role of the spider metaphor in Freudian and Jungian psychoanalysis, and the Michalskis’ in-depth account concludes with a look at the unfavorable portrayal of the sinister spider in film.
A thorough and engaging look at the natural and cultural history of the spider, this book will appeal to anybody who admires or fears this delicate yet dangerous creature.
Au excels at inhabiting the minds and hearts of children and the elderly. In the title story, Sophie Chu dresses daily in her increasingly shabby elephant costume to ensure her missing parents recognize her upon their return. In “The Unfed,” a village elder seeks to revive, with her dimming magic, a mountain community struck by tragedy. “Louise” follows, with deceptive hilarity (involving a one-eyed duck), the nuanced give and take between May Zhou and Lai, dissimilar yet passionate partners considering parenthood. The volume also offers sparkling speculative work that taps into the strength of nature—fox spirits and fire beetles, swollen rivers and rippling clouds—to showcase the sometimes surreal transformations of Au’s protagonists.
Spider Love Song and Other Stories treads the fault line that forms between lovers, families, friends, cultures—exposing injuries and vulnerabilities, but also the strength and courage necessary to recast resentment and anger into wonder and power. Au’s lyrical style, humor, and tender attention to her characters’ fancies and failings make this powerful debut a delight to read.
As Eberhard reveals, the extraordinary diversity of webs includes ingenious solutions to gain access to prey in esoteric habitats, from blazing hot and shifting sand dunes (to capture ants) to the surfaces of tropical lakes (to capture water striders). Some webs are nets that are cast onto prey, while others form baskets into which the spider flicks prey. Some aerial webs are tramways used by spiders searching for chemical cues from their prey below, while others feature landing sites for flying insects and spiders where the spider then stalks its prey. In some webs, long trip lines are delicately sustained just above the ground by tiny rigid silk poles.
Stemming from the author’s more than five decades observing spider webs, this book will be the definitive reference for years to come.
Illuminating a powerful intersection between popular culture and global politics, Spies and Holy Wars draws on a sampling of more than eight hundred British and American thrillers that are propelled by the theme of jihad—an Islamic holy war or crusade against the West. Published over the past century, the books in this expansive study encompass spy novels and crime fiction, illustrating new connections between these genres and Western imperialism.
Demonstrating the social implications of the popularity of such books, Reeva Spector Simon covers how the Middle Eastern villain evolved from being the malleable victim before World War II to the international, techno-savvy figure in today's crime novels. She explores the impact of James Bond, pulp fiction, and comic books and also analyzes the ways in which world events shaped the genre, particularly in recent years. Worldwide terrorism and economic domination prevail as the most common sources of narrative tension in these works, while military "tech novels" restored the prestige of the American hero in the wake of post-Vietnam skepticism. Moving beyond stereotypes, Simon examines the relationships between publishing trends, political trends, and popular culture at large—giving voice to the previously unexamined truths that emerge from these provocative page-turners.
A Financial Times Best Book of the Year
The untold story of how Russian espionage in imperial China shaped the emergence of the Russian Empire as a global power.
From the seventeenth to the nineteenth century, the Russian Empire made concerted efforts to collect information about China. It bribed Chinese porcelain-makers to give up trade secrets, sent Buddhist monks to Mongolia on intelligence-gathering missions, and trained students at its Orthodox mission in Beijing to spy on their hosts. From diplomatic offices to guard posts on the Chinese frontier, Russians were producing knowledge everywhere, not only at elite institutions like the Academy of Sciences in St. Petersburg. But that information was secret, not destined for wide circulation.
Gregory Afinogenov distinguishes between the kinds of knowledge Russia sought over the years and argues that they changed with the shifting aims of the state and its perceived place in the world. In the seventeenth century, Russian bureaucrats were focused on China and the forbidding Siberian frontier. They relied more on spies, including Jesuit scholars stationed in China. In the early nineteenth century, the geopolitical challenge shifted to Europe: rivalry with Britain drove the Russians to stake their prestige on public-facing intellectual work, and knowledge of the East was embedded in the academy. None of these institutional configurations was especially effective in delivering strategic or commercial advantages. But various knowledge regimes did have their consequences. Knowledge filtered through Russian espionage and publication found its way to Europe, informing the encounter between China and Western empires.
Based on extensive archival research in Russia and beyond, Spies and Scholars breaks down long-accepted assumptions about the connection between knowledge regimes and imperial power and excavates an intellectual legacy largely neglected by historians.
A Financial Times Book of the Year
Gold Medal in World History, Independent Publisher Book Awards
“Superb…At once a history of science, of empire, and of espionage, the book traces the rise of the Russian empire as a putative rival to Qing dynasty China in the Far East. Afinogenov has chosen a genuinely compelling cast of characters to populate this story of imperial intrigue.”—New Rambler
“The history of Sino-Russian relations appears in a much-altered light thanks to Gregory Afinogenov’s impressive new book…It is a little-known story, and [he] tells it beautifully.”—Tony Barber, Financial Times
“Reads like a detective novel…a tour de force that offers new information about the rise of empires and the globalization of the world.”—Journal of Jesuit Studies
Beginning in the seventeenth century, Russian officials made a concerted effort to collect information about the Qing dynasty in China. From diplomatic missions in the Forbidden City to remote outposts on the border, Russian spies and scholars collected trade secrets, recipes for porcelain, and gossip about the country and its leaders—but the information was secret, not destined for wide circulation.
Focused at first on the Siberian frontier, tsarist bureaucrats relied on spies, some of whom were Jesuit scholars stationed in China. When their attention shifted to Europe in the nineteenth century, they turned to more public-facing means to generate knowledge, including diplomatic and academic worlds, which would ultimately inform the broader encounter between China and Western empires. Peopled with a colorful cast of characters and based on extensive archival research in Russia and beyond, Spies and Scholars is a dramatic tale of covert machinations that breaks down long-accepted assumptions about the connection between knowledge and imperial power.
The Critical Role of British, French, and American Intelligence Operations in Colonial Pennsylvania
It did not take long after the Seven Years’ War—the French and Indian War in North America—for France to return spies to America in order to determine the likelihood of regaining the territory they lost to Britain. One of the key places of French espionage was the colony of Pennsylvania since its frontier had been an important crossroads of French influence in North America. The French recognized then that there was a real possibility that the colonies would seek their independence from Britain. Against this backdrop, award-winning historian John A. Nagy begins his investigation of espionage in colonial Pennsylvania.
Philadelphia played a key role in the history of spying during the American Revolution because it was the main location for the Continental Congress, was occupied by the British Command, and then returned to Continental control. Philadelphia became a center of spies for the British and Americans—as well as double agents. George Washington was a firm believer in reliable military intelligence; after evacuating New York City, he neglected to have a spy network in place: when the British took over Philadelphia, he did not make the same mistake, and Washington was able to keep abreast of British troop strengths and intentions. Likewise, the British used the large Loyalist community around Philadelphia to assess the abilities of their Continental foes, as well as the resolve of Congress. In addition to describing techniques used by spies and specific events, such as the Major André episode, Nagy has scoured rare primary source documents to provide new and compelling information about some of the most notable agents of the war, such as Lydia Darragh, a celebrated American spy.
An important contribution to Revolutionary War history, Spies in the Continental Capital: Espionage Across Pennsylvania During the American Revolution demonstrates that intelligence operations on both sides emanating from Pennsylvania were vast, well-designed, and critical to understanding the course and outcome of the war.
Students and enthusiasts of American history are familiar with the Revolutionary War spies Nathan Hale and Benedict Arnold, but few studies have closely examined the wider intelligence efforts that enabled the colonies to gain their independence. Spies, Patriots, and Traitors provides readers with a fascinating, well-documented, and highly readable account of American intelligence activities during the era of the Revolutionary War, from 1765 to 1783, while describing the intelligence sources and methods used and how our Founding Fathers learned and practiced their intelligence role.
The author, a retired CIA officer, provides insights into these events from an intelligence professional’s perspective, highlighting the tradecraft of intelligence collection, counterintelligence, and covert actions and relating how many of the principles of the era’s intelligence practice are still relevant today. Kenneth A. Daigler reveals the intelligence activities of famous personalities such as Samuel Adams, George Washington, Benjamin Franklin, Nathan Hale, John Jay, and Benedict Arnold, as well as many less well-known figures. He examines the important role of intelligence in key theaters of military operations, such as Massachusetts, New York, New Jersey, Pennsylvania, and in General Nathanael Greene’s campaign in South Carolina; the role of African Americans in the era’s intelligence activities; undertakings of networks such as the Culper Ring; and intelligence efforts and paramilitary actions conducted abroad.
Spies, Patriots, and Traitors adds a new dimension to our understanding of the American Revolution. The book’s scrutiny of the tradecraft and management of Revolutionary War intelligence activities will be of interest to students, scholars, intelligence professionals, and anyone who wants to learn more about this fascinating era of American history.
Students and enthusiasts of American history are familiar with the Revolutionary War spies Nathan Hale and Benedict Arnold, but few studies have closely examined the wider intelligence efforts that enabled the colonies to gain their independence. Spies, Patriots, and Traitors provides readers with a fascinating, well-documented, and highly readable account of American intelligence activities during the era of the Revolutionary War, from 1765 to 1783, while describing the intelligence sources and methods used and how our Founding Fathers learned and practiced their intelligence role.
The author, a retired CIA officer, provides insights into these events from an intelligence professional’s perspective, highlighting the tradecraft of intelligence collection, counterintelligence, and covert actions and relating how many of the principles of the era’s intelligence practice are still relevant today. Kenneth A. Daigler reveals the intelligence activities of famous personalities such as Samuel Adams, George Washington, Benjamin Franklin, Nathan Hale, John Jay, and Benedict Arnold, as well as many less well-known figures. He examines the important role of intelligence in key theaters of military operations, such as Massachusetts, New York, New Jersey, Pennsylvania, and in General Nathanael Greene’s campaign in South Carolina; the role of African Americans in the era’s intelligence activities; undertakings of networks such as the Culper Ring; and intelligence efforts and paramilitary actions conducted abroad.
Spies, Patriots, and Traitors adds a new dimension to our understanding of the American Revolution. The book’s scrutiny of the tradecraft and management of Revolutionary War intelligence activities will be of interest to students, scholars, intelligence professionals, and anyone who wants to learn more about this fascinating era of American history.
Since the release of Do the Right Thing in 1989, Spike Lee has established himself as a cinematic icon. Lee's mostly independent films garner popular audiences while at the same time engaging in substantial political and social commentary. He is arguably the most accomplished African American filmmaker in cinematic history, and his breakthrough paved the way for the success of many other African Americans in film.
In this first single-author scholarly examination of Spike Lee's oeuvre, Todd McGowan shows how Lee's films, from She's Gotta Have It through Red Hook Summer, address crucial social issues such as racism, paranoia, and economic exploitation in a formally inventive manner. McGowan argues that Lee uses excess in his films to intervene in issues of philosophy, politics, and art. McGowan contends that it is impossible to watch a Spike Lee film in the way that one watches a typical Hollywood film. By forcing observers to recognize their unconscious enjoyment of violence, paranoia, racism, sexism, and oppression, Lee's films prod spectators to see differently and to confront their own excess. In the process, his films reveal what is at stake in desire, interpersonal relations, work, and artistic creation itself.
Gathered in this anthology are critical writings on Spike Lee's films by leading scholars in the fields of cinema studies and African American studies. In sixteen new and reprinted essays, the contributors to The Spike Lee Reader consider the nexus of race, gender, and sexuality in Lee's work, and in so doing encourage readers to further explore the cultural, social, and political implications of Lee's films as well as his entire body of work.
Contributors include: Christine Acham, Toni Cade Bambara, Mark D. Cunningham, Anna Everett, Daniel Flory, Krin Gabbard, David A. Gerstner, Ed Guerrero, Keith M. Harris, bell hooks, Wahneema Lubiano, James C. McKelly, Tavia Nyong'o, Beretta E. Smith-Shomade, Michele Wallace, S. Craig Watkins, and the editor.
#66, The 100 Greatest Film Books of All Time, The Hollywood Reporter
The legendary figure who launched the careers of Spike Lee, Michael Moore, and Richard Linklater offers a no-holds-barred look at the deals and details that propel an indie film from a dream to distribution.
Pierson, a producer’s representative, explains how he has helped filmmakers with no profile at the time to get their work made, sold and seen by the world, sharing stories about Lee’s She’s Gotta Have It, Moore’s Roger & Me and Linklater’s Slackers, plus Hoop Dreams, Clerks and many others. Chats with Kevin Smith serve as interstitials between chapters.
Spill is a book in contradictions, embodying helplessness in the face of our dual citizenship in the realms of trauma and gratitude, artistic aspiration and political reality. The centerpiece of this collection is a lyrical essay that recalls the poet’s time working at the Federal Penitentiary at Lewisburg in the 1960s. Mentored by the insouciant inmate S, the speaker receives a schooling in race, class, and culture, as well as the beginning of an apprenticeship in poetry. As he and S consult the I Ching, the Book of Changes, the speaker becomes cognizant of other frequencies, other identities; poetry, divination, and a synchronous, alternative reading of life come into focus. On either side of this prose poem are related poems of excess and witness, of the ransacked places and of new territories that emerge from the monstrous. Throughout, these poems inhabit rather than resolve their contradictions, their utterances held in tension “between the hemispheres of songbirds and the hemispheres of men.”
At heart, the poems themselves seek peace through close observation's associative power to reveal cohering relationships and meaning within the 21st century-and during its dark turn. In the everyday tally of "the good against the violence" the speaker asks, "why can't the line around the block on the free night/ at the museum stand for everything, why can't the shriek /of the girls in summer waves . . . / be the call and response of all people living on the earth?" A descendant of the New York school and the second wave, Greenbaum "spills" details that she simultaneously replaces-through the spiraling revelations only poems with an authentic life-force of humanism can nurture.
Since the 1980s, a prolific "second wave" of Chicano/a writers and artists has tremendously expanded the range of genres and subject matter in Chicano/a literature and art. Building on the pioneering work of their predecessors, whose artistic creations were often tied to political activism and the civil rights struggle, today's Chicano/a writers and artists feel free to focus as much on the aesthetic quality of their work as on its social content. They use novels, short stories, poetry, drama, documentary films, and comic books to shape the raw materials of life into art objects that cause us to participate empathetically in an increasingly complex Chicano/a identity and experience.
This book presents far-ranging interviews with twenty-one "second wave" Chicano/a poets, fiction writers, dramatists, documentary filmmakers, and playwrights. Some are mainstream, widely recognized creators, while others work from the margins because of their sexual orientations or their controversial positions. Frederick Luis Aldama draws out the artists and authors on both the aesthetic and the sociopolitical concerns that animate their work. Their conversations delve into such areas as how the artists' or writers' life experiences have molded their work, why they choose to work in certain genres and how they have transformed them, what it means to be Chicano/a in today's pluralistic society, and how Chicano/a identity influences and is influenced by contact with ethnic and racial identities from around the world.
Spinal cord injury, or SCI, is frequently sudden and unexpected—through accident, disease, or violence, patients temporarily lose control of their bodies and, it seems, their lives. With rehabilitation, they can learn to navigate their world once more, retraining muscles and mind to compensate for paralyzed limbs and diminished strength. But as Dr. Michelle Alpert shows here, there is far more to recapturing full, independent lives than regaining movement. Central to long-term success is mending the family unit.
Combining Dr. Alpert’s clinical experience with patients’ own stories, Spinal Cord Injury and the Family is for individuals and their families who must climb back from injury: for the young quad couple, both quadriplegic, who wish to conceive and raise a child; for the paraplegic dad who wants to teach his daughter to drive; for the couple wondering how they can regain the sexual spark in their relationship.
The authors cover the causes of and prognosis for SCI through case studies, review common courses of rehabilitation, and answer the “what now?” questions—from daily routines to larger issues concerning sex, education and employment, childbearing, and parenting with SCI. Rich in clinical information and practical advice, the book shows how real patients and their families are living full lives after spinal cord injury.
How did people who prided themselves on making everything from scratch manage to afford annual trips to Disney World? Did her mother really have psychic abilities? Why did her sensitive youngest nephew speak in a voice that wasn’t his own? How do family legacies of grief and dysfunction and creativity intersect? How can she escape her circumstances without replicating the escapist fantasies with which she was raised?
Teague attempts to understand and contextualize her family in terms of trauma and mental health, but also with deep love and humor. Carefully attuned to the vagaries of geographical cultures, she weaves her family’s history with explorations of pop culture and the specific cultures of the places she and her family pass through: a Texas city, an Victorian tourist town in Arkansas, a Southwest ghost town, Central Florida, the Bay Area, Kansas City, and a college town in the Inland Northwest.
Spinning Tea Cups will appeal to readers interested in American cultural studies, those concerned with the ongoing crisis of mental illness in this country, and anyone seeking to explore the dangerous and recuperative powers of fantasy.
Spinoza initially presents imagination as an inadequate and confused way of thinking, always inferior to ideas that adequately represent things as they are. It would seem to follow that one ought to purge the mind of imaginative ideas and replace them with rational ideas as soon as possible, but as Garver shows, the Ethics don’t allow for this ultimate ethical act until one has cultivated a powerful imagination. This is, for Garver, “the cunning of imagination.” The simple plot of progress becomes, because of the imagination, a complex journey full of reversals and discoveries. For Garver, the “cunning” of the imagination resides in our ability to use imagination to rise above it.
Engaging with Spinoza’s insistence on the centrality of the passions as the site of the creative and productive forces shaping society, this collection critiques the impulse to transcendence and regimes of mastery, exposing universal values as illusory. Spinoza Now pursues Spinoza’s challenge to abandon the temptation to think through the prism of death in order to arrive at a truly liberatory notion of freedom. In this bold endeavor, the essays gathered here extend the Spinozan project beyond the disciplinary boundaries of philosophy to encompass all forms of life-affirming activity, including the arts and literature. The essays, taken together, suggest that “Spinoza now” is not so much a statement about a “truth” that Spinoza’s writings can reveal to us in our present situation. It is, rather, the injunction to adhere to the attitude that affirms both necessity and impossibility.
Contributors: Alain Badou, École Normale Supérieure; Mieke Bal, Amsterdam School for Cultural Analysis; Cesare Casarino, U of Minnesota; Justin Clemens, U of Melbourne; Simon Duffy, U of Sydney; Sebastian Egenhofer, U of Basel; Alexander García Düttmann, Goldsmiths, U of London; Arthur Jacobson, Yeshiva U; A. Kiarina Kordela, Macalester College; Michael Mack, U of Nottingham; Warren Montag, Occidental College; Antonio Negri; Christopher Norris, U of Cardiff, Wales; Anthony Uhlmann, U of Western Sydney.
Strauss's autobiographical Preface, traces his dilemmas as a young liberal intellectual in Germany during the Weimar Republic, as a scholar in exile, and as a leader of American philosophical thought.
"[For] those interested in Strauss the political philosopher, and also those who doubt whether we have achieved the 'final solution' in respect to either the character of political science or the problem of the relation of religion to the state." —Journal of Politics
"A substantial contribution to the thinking of all those interested in the ageless problems of faith, revelation, and reason." —Kirkus Reviews
Leo Strauss (1899-1973) was the Robert Maynard Hutchins Distinguished Service Professor Emeritus of political science at the University of Chicago. His contributions to political science include The Political Philosophy of Hobbes, The City and the Man, What is Political Philosophy?, and Liberalism Ancient and Modern.
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.
A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.
“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review
“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic
“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times
“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune
“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker
Erin Hogan hit the road in her Volkswagen Jetta and headed west from Chicago in search of the monuments of American land art: a salty coil of rocks, four hundred stainless steel poles, a gash in a mesa, four concrete tubes, and military sheds filled with cubes. Her journey took her through the states of Utah, Nevada, New Mexico, Arizona, and Texas. It also took her through the states of anxiety, drunkenness, disorientation, and heat exhaustion. Spiral Jetta is a chronicle of this journey.
A lapsed art historian and devoted urbanite, Hogan initially sought firsthand experience of the monumental earthworks of the 1970s and the 1980s—Robert Smithson’s Spiral Jetty, Nancy Holt’s Sun Tunnels, Walter De Maria’s Lightning Field, James Turrell’s Roden Crater, Michael Heizer’s Double Negative, and the contemporary art mecca of Marfa, Texas. Armed with spotty directions, no compass, and less-than-desert-appropriate clothing, she found most of what she was looking for and then some.
“I was never quite sure what Hogan was looking for when she set out . . . or indeed whether she found it. But I loved the ride. In Spiral Jetta, an unashamedly honest, slyly uproarious, ever-probing book, art doesn’t magically have the power to change lives, but it can, perhaps no less powerfully, change ways of seeing.”—Tom Vanderbilt, New York Times Book Review
“The reader emerges enlightened and even delighted. . . . Casually scrutinizing the artistic works . . . while gamely playing up her fish-out-of-water status, Hogan delivers an ingeniously engaging travelogue-cum-art history.”—Atlantic
“Smart and unexpectedly hilarious.”—Kevin Nance, Chicago Sun-Times
“One of the funniest and most entertaining road trips to be published in quite some time.”—June Sawyers, Chicago Tribune
“Hogan ruminates on how the work affects our sense of time, space, size, and scale. She is at her best when she reexamines the precepts of modernism in the changing light of New Mexico, and shows how the human body is meant to be a participant in these grand constructions.”—New Yorker
Copublished with the Tanner Trust Fund, J. Willard Marriott Library.
Robert Smithson’s earthwork, Spiral Jetty (1970), an icon of the Land Art movement of the 1960s and 1970s, is located on the northern shores of Utah’s Great Salt Lake. Smithson built a masterpiece from local materials, one that spirals counterclockwise into the lake and appears or is submerged with fluctuations in the lake’s locally red, saline water.
The Spiral Jetty Encyclo draws on Smithson’s writings for encyclopedic entries that bring to light the context of the earthwork and Smithson’s many points of reference in creating it. Visitors and armchair travelers, too, will discover how much significance Smithson placed on regional considerations, his immersion in natural history, his passion for travel, and his ability to use diverse mediums to create a cohesive and lasting work of art. Containing some 220 images, most of them in color, with some historical black and whites, The Spiral Jetty Encyclo lets readers explore the construction, connections, and significance of Smithson’s 1,500-foot-long curl into Great Salt Lake, created, in Smithson’s words, of “mud, salt crystals, rocks, water.”
Winner of 15 Bytes Book Award for Art Book.
Finalist for the Utah State Historical Society Best Book Award.
A multigenerational epic, Spiral of Silence (Espiral de Silencios) opens in the early 1980s, as peace and amnesty agreements spark optimism and hope. We meet Norma, a privileged, upper-class woman who is married to an army general; Maria Teresa (Mariate), a young rebel who loves a guerrilla fighter and navigates commitments to motherhood and revolutionary activism; and Amparo, a woman who comes of age later, and carries the confusion and dislocation of a younger generation. Each contends with the consequences of war and violence on her life; each is empowered through community-building and working for change.
Few authors have considered the role of women in Colombia during this wartime period, and Sánchez-Blake's nuanced exploration of gender and sexism—framed by conflict and social upheaval—distinguishes the novel. Drawing on stories from women who have worked within organizations in Colombia to end state violence, Spiral of Silence celebrates resistance, reinvention, and how women create and protect their families and communities.
For this second edition, Noelle-Neumann has added three new chapters: the first discusses new discoveries in the history of public opinion; the second continues the author's efforts to construct a comprehensive theory of public opinion, addressing criticisms and defenses of her "spiral of silence" theory that have appeared since 1980; the third offers a concise and updated summary of the book's arguments.
Geographer Laura Harjo demonstrates that Mvskoke communities have what they need to dream, imagine, speculate, and activate the wishes of ancestors, contemporary kin, and future relatives—all in a present temporality—which is Indigenous futurity.
Organized around four methodologies—radical sovereignty, community knowledge, collective power, and emergence geographies—Spiral to the Stars provides a path that departs from traditional community-making strategies, which are often extensions of the settler state. Readers are provided a set of methodologies to build genuine community relationships, knowledge, power, and spaces for themselves. Communities don’t have to wait on experts because this book helps them activate their own possibilities and expertise. A detailed final chapter provides participatory tools that can be used in workshop settings or one on one.
This book offers a critical and concrete map for community making that leverages Indigenous way-finding tools. Mvskoke narratives thread throughout the text, vividly demonstrating that theories come from lived and felt experiences. This is a must-have book for community organizers, radical pedagogists, and anyone wishing to empower and advocate for their community.
A case study about the formation of American pluralism and religious liberty, The Spires Still Point to Heaven explores why—and more importantly how—the early growth of Cincinnati influenced the changing face of the United States. Matthew Smith deftly chronicles the urban history of this thriving metropolis in the mid-nineteenth century. As Protestants and Catholics competed, building rival domestic missionary enterprises, increased religious reform and expression shaped the city. In addition, the different ethnic and religious beliefs informed debates on race, slavery, and immigration, as well as disease, temperance reform, and education.
Specifically, Smith explores the Ohio Valley’s religious landscape from 1788 through the nineteenth century, examining its appeal to evangelical preachers, abolitionists, social critics, and rabbis. He traces how Cincinnati became a battleground for newly energized social reforms following a cholera epidemic, and how grassroots political organizing was often tied to religious issues. He also illustrates the anti-immigrant sentiments and anti-Catholic nativism pervasive in this era.
The first monograph on Cincinnati’s religious landscape before the Civil War, The Spires Still Point to Heaven highlights Cincinnati’s unique circumstances and how they are key to understanding the cultural and religious development of the nation.
In Spirit and Sport: Religion and the Fragile Athletic Body in Popular Culture, Sean O’Neil studies the intersectionality of religion and disability as it exists within contemporary sports. To do so, he calls to the forefront various contemporary stories about trauma and disability—some fictional, others biographical—and examines how we tell and interpret these stories within the frameworks of athletic activity, competition, failure, and success. O’Neil studies a wide range of perspectives, from John Irving’s A Prayer for Owen Meany and the big-screen’s Signs to the experiences of real-life athletes like Tim Tebow, Muhammad Ali, and Bethany Hamilton. Woven throughout his examination of each is a consideration of religious belief and practice, especially within Christianity, as it relates to athletic ability—the lighthearted stories of victory and overcoming, the inspiring triumph over fragility and limitation so often couched in religious terms.
O’Neil’s study draws upon his experiences as a hospital chaplain and his own battle with skin cancer. By blending personal experience with sociological observation, O’Neil argues that the intersection of religion, sports, and disability in popular culture is a revealing site of cultural struggle over competing myths, identities, and values related to the body—both the physical bodies we inhabit as well as the broader social bodies to which we subscribe.
Spirit and Sport is a study with broad appeal: from O’Neil’s autoethnographic storytelling to the wide range of narrative media he examines, religious scholars, sports historians, and general audiences alike are sure to find it a thought-provoking and engaging read.
Boyer analyzes the creation and mediation of the social knowledge of "German-ness" from nineteenth-century university culture and its philosophies of history, to the media systems and redemptive public cultures of the Third Reich and the German Democratic Republic, to the present-day experiences of former East German journalists seeking to explain life in post-unification Germany. Throughout this study, Boyer reveals how dialectical knowledge of "German-ness"—that is, knowledge that emphasizes a cultural tension between an inner "spirit" and an external "system" of social life —is modeled unconsciously upon intellectuals' self-knowledge as it tracks their fluctuation between alienation and utopianism in their interpretations of nation and modernity.
The flight path of The Spirit Bird traces many landscapes and different transitory lives. A young man scratches out a living from the desert; a woman follows a rarely seen bird in the far reaches of Alaska; a poor single mother sorts out her life in a fancy mountain town. Other protagonists yearn to cross a racial divide, keep developers from a local island, explore their sexuality, and mourn a lost loved one. The characters in this collection are compelled to seek beyond their own horizons, and as the stories unfold, the search becomes the expression of their desires. The elusive spirit bird is a metaphor for what we’ve lost, for what we hope for, and for what we don’t know about ourselves.
Refusing to generalize or oversimplify, Aaron R. Denham offers an ethnographic study of the spirit child phenomenon in Northern Ghana that considers medical, economic, religious, and political realities. He examines both the motivations of the families and the structural factors that lead to infanticide, framing these within the context of global public health. At the same time, he turns the lens on Western societies and the misunderstandings that prevail in discourse about this controversial practice. Engaging the complexity of the context, local meanings, and moral worlds of those confronting a spirit child, Denham offers visceral accounts of families' life and death decisions.
Spirituality is an important part of many clients’ lives. It can be a resource for stabilization, healing, and growth. It can also be the cause of struggle and even harm. More and more therapists—those who consider themselves spiritual and those who do not—recognize the value of addressing spirituality in therapy and increasing their skill for engaging it ethically and effectively.
In this immensely practical book, Russell Siler Jones helps therapists feel more competent and confident about having spiritual conversations with clients. With a refreshing, down-to-earth style, he describes how to recognize the diverse explicit and implicit ways spirituality can appear in psychotherapy, how to assess the impact spirituality is having on clients, how to make interventions to maximize its healthy impact and lessen its unhealthy impact, and how therapists can draw upon their own spirituality in ethical and skillful ways. He includes extended case studies and clinical dialogue so readers can hear how spirituality becomes part of case conceptualization and what spiritual conversation actually sounds like in psychotherapy.
Jones has been a therapist for nearly 30 years and has trained therapists in the use of spirituality for over a decade. He writes about a complex topic with an elegant simplicity and provides how-to advice in a way that encourages therapists to find their own way to apply it.
Spirit in Session is a pragmatic guide that therapists will turn to again and again as they engage their clients in one of the most meaningful and consequential dimensions of human experience.
New research into Numic archaeology, ethnohistory, and ethnography is significantly changing the understanding of migratory patterns, cultural interactions, chronology, and shared cultural-religious practices of regionally defined Numic branches and non-Numic populations of the American West. Contributors examine case studies of Ute and Shoshone material culture (ceramics, lithics, features and structures, trade and seasonal migration), chronology (dendrochronology, radiocarbon dating, thermoluminescence), and subsistence systems (hunting camps, game drives, faunal and botanical evidence of food sources). They also delineate different hunter-gatherer “ethnic groups” who co-occupied or interacted within one another’s territories through trade, raiding, or seasonal subsistence migrations, such as the Late Fremont/Ute and the Shoshone or the early Navajo/Ute and the Shoshone.
With a strong emphasis on diverse cases and new and original archaeological, ethnohistoric, and ethnographic lines of evidence, Spirit Lands of the Eagle and Bear interweaves anthropological theory and innovative applications of leading-edge scientific methodologies and technologies. The book presents a cross-section of field, laboratory, and ethnohistoric studies—including indigenous consultation—that explore past, recent, and ongoing developments in Numic cultural history and prehistory. It will be of interest to scholars of Southwestern archaeology, as well as private and government cultural resource specialists and museum staff.
Contributors:
Richard Adams, John Cater, Christine Chady, David Diggs, Rand Greubel, John Ives, Byron Loosle, Curtis Martin, Sally McBeth, Lindsay Montgomery, Bryon Schroeder, Matthew Stirn
The Spirit Level is the first collection by an exciting new voice in American poetry. Representing the world as a place of feverish energies, David Barber creates a virtuoso tension between playful, sometimes flamboyant, diction, and the seriousness of his concerns. Balance and grace, but also wit and verbal energy, and a deft hand at shaping the poem, make Barber's first book a superb debut.
The Spirit of 1848 offers much new information and insight concerning craftwork, the nature of the antebellum labor movement (including the great New York City tailors' strike of 1850), the meaning of nativism, the significance of the push for land reform, the diverse character of the free-soil movement, and the popular appeals of both the Democratic and Republican parties.
The end result of these competing efforts, Tammy S. Gordon shows, was a national celebration that reflected some common themes, including a mistrust of federal power, an embrace of decentralized authority, and a new cultural emphasis on the importance of the self. The American Revolution Bicentennial can thus be seen as both a product of the social and political changes of the 1960s and a harbinger of things to come. After 1976, the postwar myth of a consensus view of American history came to an end, ensuring that future national commemorations would continue to be contested.
Library of Congress subject headings for this publication:
Upfield, Arthur William, -- 1888-1964 -- Criticism and interpretation.
Detective and mystery stories, Australian -- History and criticism.
Bonaparte, Napoleon, Inspector (Fictitious character)
National characteristics, Australian, in literature.
Australia -- In literature.
Police in literature.
Crime in literature.