A SCHOLARLY BOOK REPOSITORY
Though better known for his theological writings, Swedish scientist and visionary Emanuel Swedenborg (1688-1772) was also an inventor who was extraordinarily ahead of his time. One of his early designs, circa 1714, was "a machine to fly in the air" -- anticipating the modern airplane by more than 150 years. With its oval, fixed "sail," Swedenborg's contribution soars above its predecessors with its simple, workable design.
Henry Soderberg encountered this remarkable invention while research for a book on the history of flight. In this account Soderberg offers an overview on the dream of flight through the centuries and places Swedenborg at a pivotal point in aviation history.
Swedish man of letters Lars Bergquist explains the often enigmatic but always fascinating dream journal kept by Emanuel Swedenborg from 1743 to 1744. A scientist, Swedenborg meticulously recorded his dreams and visions, adding interpretations that foreshadowed modern dream analysis. After an Easter vision in 1745, Swedenborg abandoned his scientific studies and dedicated his life to studying the inner meaning of Sacred Scripture. In his diary, he reveals his daily life and the reflections that are a key to understanding his later spiritual works.
"The book enables us to follow Swedenborg...from dismal gloom to inner splendor."
--Gunnar Bronerg, Upsala Nya Tidning
When he entered the visionary phase of his life, Swedish theologian Emanuel Swedenborg (1688-1772) set out on a journey to document all that he had seen, heard, and learned while in contact with the spirits of heaven and hell. Before his death, he wrote eighteen different works published in twenty-five volumes, totaling about three and a half million words.
Navigating that rich garden of thought has been a challenge even for scholars of Swedenborg, let alone those new to his work. In this compact guide, Jonathan S. Rose introduces readers to the basic concepts of Swedenborg’s thought, including Swedenborg’s view of God and the afterlife and his description of humanity’s spiritual history. Rose also examines how Swedenborg’s theology relates to other Christian denominations, both in his time and ours, and takes a side trip into some of Swedenborg’s more unusual ideas.
Swedenborg’s Garden of Theology provides an ideal introduction for anyone seeking a starting point to delve into Swedenborg’s religious thought.
As evidenced in the self-reliance of the great Ralph Waldo Emerson, who went so far as to refer to the early part of the nineteenth century as the age of Swedenborg, the socialist tendencies of Henry James, Sr., and the pragmatic philosophy of his highly esteemed son William James, Swedenborg has had a powerful impact on a number of prominent individual thinkers and their lasting traditions.
With love for one’s neighbor sharing pride of place among his ideas, it comes as no surprise that Swedenborg’s outlook on human interaction worked its way into the various social reform movements that vitalized the American landscape during the nineteenth and early twentieth centuries. From the more politically oriented single-tax movement of Henry George to the utopian aspirations of Charles Fourier and the more spiritually inclined social gospel and pastoral clinical movements, those who took Swedenborg’s principles of usefulness to heart sought ways to reflect the divine design in human society.
John Haller’s treatment of the era draws a magnifying glass to those intellectual titans whose fortitude in the face of psychological and social adversities stands as a testament to the robustness of Swedenborg’s concept of usefulness. As James F. Lawrence, Dean of the Center for Swedenborgian Studies at the Graduate Theological Union in Berkeley, California, so aptly states in his foreword, “this book tells stories and builds perspectives that will prove without a doubt to be very useful.”
Using a wealth of historical material, Lars Bergquist paints a vivid portrait of an ambitious and practical man who was one of the greatest figures of the Enlightenment, a polymath who was a poet, inventor, mathematician, mineralogist, anatomist, and cosmologist. Bergquist also reveals Swedenborg to be a “man of two worlds,” someone who not only played an active part in the political life of his nation but who was also a spiritual visionary, setting out a stunning vision of human destiny in works such as Heaven and Hell and New Jerusalem. Swedenborg’s Secret reclaims Swedenborg from the margins of contemporary thought and places him where he belongs: as a founding figure of modern spirituality and Western philosophy.
The book also contains a chronology of Swedenborg’s life and contemporary events, an appendix listing the contents of Swedenborg’s personal library and other books he was known to have owned or read, a comprehensive bibliography, and a full index.
Sweden's Development From Poverty to Affluence, 1750–1970 was first published in 1975. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Contemporary Sweden commands a degree of interest and attention from foreigners that is all out of proportion to its small size and its present position among the world powers. The country, at least since the publication of Marquis Childs's book Sweden: The Middle Way in 1936, has become synonymous with the idea of a welfare state or cradle-to-grave social security. But accurate, unbiased information about the development of modern Sweden has been scanty, and this book is designed to fill the gap.
Thirteen Swedish scholars—historians, political scientists, sociologists, and an economist—look at particular aspects of Swedish history over the last two centuries. Steven Koblik, the editor, provides an extensive general introduction as well as brief introductions as background for each of the essays.
In the late nineteenth and early twentieth centuries, large numbers of Swedish immigrants came to Michigan seeking new opportunities in the United States and relief from economic, religious, or political problems at home. In addition to establishing early farming communities, Swedish immigrants worked on railroad construction, mining, fishing, logging, and urban manufacturing. As a result, Swedish Americans made significant contributions to the economic and cultural landscape of Michigan, a history this book explores in engaging and illustrative depth. Swedes in Michigan traces the evolution of hard-working people who valued education and assimilated actively while simultaneously maintaining their cultural ties and institutions. Moving from past to present, the book examines community patterns, family connections, social organizations, exchange programs, ethnic celebrations, and business and technical achievements that have helped Swedes in Michigan maintain a sense of their heritage even as they have adapted to American life.
Hale describes the mass emigration from Sweden to the Midwest that began during the late 1860s and fundamentally changed both Sweden and the Midwest. During this time more than a million Swedes left their homeland for North America, motivated at least in part by a huge population surge that overtaxed Sweden’s relatively small amount of arable land (agriculture served until the twentieth century as the Swedish economy’s mainstay).
Updates for the new edition include new photos and excerpts from letters Swedish novelist and feminist Fredrika Bremer wrote to her sister while touring the Wisconsin frontier in the autumn of 1850.
"America fever" gripped Sweden in the middle of the nineteenth century, seethed to a peak in 1910, when one-fifth of the world’s Swedes lived in America, cooled during World War I, and chilled to dead ash with the advent of the Great Depression in 1930.
Swedish Exodus, the first English translation and revision of Lars Ljungmark’s Den Stora Utvandringen, recounts more than a century of Swedish emigration, concentrating on such questions as who came to America, how the character of the emigrants changed with each new wave of emigration, what these people did when they reached their adopted country, and how they gradually became Americanized.
Ljungmark’s essential challenge was to capture in a factual account the broad sweep of emigration history. But often he narrows his focus to look closely at those who took part in this mass migration. Through historical records and personal letters, Ljungmark brings many of these people back to life. One young woman, for example, loved her parents, but loved America more: "I never expect to speak to you in this life. . . . Your loving daughter unto death." Like most immigrants, she never expected to return. Another immigrant wrote back seeking a wife: "I wonder how you have it and if you are living. . . . Are you married or unmarried? If you are unmarried, you can have a good home with me."
Ljungmark also focuses closely on some of the leaders: Peter Cassel, a liberal temperance supporter and free-church leader whose community in America prospered; Hans Mattson, a colonel in the Civil War and founder of a colony in Minnesota; Erik Jansson, a book burner, self-proclaimed messiah, and founder of the Bishop Hill Colony; Gustaf Unonius, a student idealist and founder of a Wisconsin colony that faltered.
The story of Swedish immigrants in the United States is the story in miniature of the greatest mass migration in human history, that of thirty-five million Europeans who left their homes to come to America. It is a human story of interest not only to Swedes but to everyone.
Combining contemporary case studies with comprehensive analyses of advertisements, critical responses, and censorship records, Larsson deconstructs the complexities and paradoxes of the Swedish porn scene. Looking as closely at the exhibition spaces where porn was seen as at the productions themselves and their audiences, Larsson reveals the conditions and social changes that allowed pornography in Sweden to flourish in the period.
José Antonio Antón-Pacheco exercises his expertise in philosophy in this meditation on the ideas of Emanuel Swedenborg.
In this book he tackles subjects as diverse as the nature of unity and the way that the Divine manifests in the world; the nature of human beings as they relate to the higher realms, and specifically Swedenborg’s concept of the Grand Man or Universal Human; the mystical nature of Swedenborg’s interpretation of the Bible; and the nature of time and space in the spiritual world. Alongside his exploration of Swedenborg’s thought are examinations of Swedenborg’s influence on a variety of different thinkers and authors, from Jorge Luis Borges to Ibn ’Arabi.
This book was originally published in Spanish as El profeta del norte: Un libro sobre Swedenborg. Perfect for scholars and serious students of Swedenborg’s thought, Antón Pacheco’s powerful writing casts a new light on the Swedish prophet.
Reframing Swedish–American relations by focusing on contacts, crossings, and convergences beyond migration
Studies of Swedish American history and identity have largely been confined to separate disciplines, such as history, literature, or politics. In Swedish–American Borderlands, this collection edited by Dag Blanck and Adam Hjorthén seeks to reconceptualize and redefine the field of Swedish–American relations by reviewing more complex cultural, social, and economic exchanges and interactions that take a broader approach to the international relationship—ultimately offering an alternative way of studying the history of transatlantic relations.
Swedish–American Borderlands studies connections and contacts between Sweden and the United States from the seventeenth century to today, exploring how movements of people have informed the circulation of knowledge and ideas between the two countries. The volume brings together scholars from a wide range of disciplines within the humanities and social sciences to investigate multiple transcultural exchanges between Sweden and the United States. Rather than concentrating on one-way processes or specific national contexts, Swedish–American Borderlands adopts the concept of borderlands to examine contacts, crossings, and convergences between the nations, featuring specific case studies of topics like jazz, architecture, design, genealogy, and more.
By placing interactions, entanglements, and cross-border relations at the center of the analysis, Swedish–American Borderlands seeks to bridge disciplinary divides, joining a diverse set of scholars and scholarship in writing an innovative history of Swedish–American relations to produce new understandings of what we perceive as Swedish, American, and Swedish American.
Contributors: Philip J. Anderson, North Park U; Jennifer Eastman Attebery, Idaho State U; Marie Bennedahl, Linnaeus U; Ulf Jonas Björk, Indiana U–Indianapolis; Thomas J. Brown, U of South Carolina; Margaret E. Farrar, John Carroll U; Charlotta Forss, Stockholm U; Gunlög Fur, Linnaeus U; Karen V. Hansen, Brandeis U; Angela Hoffman, Uppsala U; Adam Kaul, Augustana College; Maaret Koskinen, Stockholm U; Merja Kytö, Uppsala U; Svea Larson, U of Wisconsin–Madison; Franco Minganti, U of Bologna; Frida Rosenberg, KTH Royal Institute of Technology, Stockholm; Magnus Ullén, Stockholm U.
Crehore’s stories of his youth in 1950s Wisconsin are peppered with engaging characters and a quiet wit. A grouse-hunting expedition goes awry when an eccentric British businessman bags an escaped bantam rooster with a landing net. Crehore's great-grandfather gets in trouble one Christmas when he sneaks a whoopee-cushion under a guest’s seat. The elderly Frau Blau gets trapped in an outhouse by a shady auctioneer during a farm sale. Through all the adventures—and misadventures—in a small town and in the great outdoors of Wisconsin, family is always at the center. This gently humorous look back at a baby-boomer’s awakening to adulthood will be appreciated by members of any generation.
Finalist, Humor, Midwest Book Awards
Laura Redden Searing (1839-1923) defied critics of the time by establishing herself as a successful poet, a poet who was deaf. She began writing verse at the Missouri School for the Deaf in 1858, and, under the pseudonym Howard Glyndon, soon found herself catapulted into national prominence by her patriotic Civil War poems. Abraham Lincoln himself bought her books, the most critically acclaimed being Idylls of Battle and Poems of the Rebellion, published in 1864. Her poem “Belle Missouri” became the song of the Missouri Volunteers, and she was sent by the St. Louis Republican newspaper to Washington as a war correspondent.
Despite her success, detractors decried her poetry simply because she was deaf, asking how she could know anything of rhyme, rhythm, or musical composition. She quieted them with the simple elegance of her words and the sophistication of her allegorical themes. Readers can enjoy her work again in this volume, which features more than 70 of her finest poems. They also will learn her feelings about the constraints imposed on 19th-century women in her epic narrative of misunderstanding and lost love “Sweet Bells Jangled:”
Out of sight of the heated land
Over the breezy sea;
Into the reach of the solemn mist
Quietly drifted we.
Her restoration will be an event welcomed by poetry aficionados everywhere.
From the late eighteenth century to early 1836, the heart of the Florida sugar industry was concentrated in East Florida, between the St. Johns River and the Atlantic Ocean. Producing the sweetest sugar, molasses, and rum, at least 22 sugar plantations dotted the coastline by the 1830s. This industry brought prosperity to the region—employing farm hands, slaves, architects, stone masons, riverboats and their crews, shop keepers, and merchant traders. But by January 1836, Native American attacks of the Second Seminole War, intending to rid the Florida frontier of settlers, devastated the whole sugar industry.
Although sugar works again sprang up in other Florida regions just prior to the Civil War, the competition from Louisiana and the Caribbean blocked a resurgence of sugar production for the area. The sugar industry would never regain its importance in East Florida—only two of the original sugar works were ever rebuilt. Today, remains of this once thriving industry are visible in a few parks. Some are accessible but others lie hidden, slowly disintegrating and almost forgotten. Archaeological, historical, and architectural research in the last decade has returned these works to their once prominent place in Florida’s history, revealing the beauty, efficiency of design, as well as early industrial engineering. Equally important is what can be learned of the lives of those associated with the sugar works and the early plantation days along the East Florida frontier
Far from the jaded professionals, the stories in Taylor Bell's Sweet Charlie, Dike, Cazzie, and Bobby Joe are of hungry young men playing their hearts out, where high-tops and high hopes inspire "hoop dreams" from Peoria to Pinckneyville, and Champaign to Chicago. Bell, a life-long fan and authority on high school basketball in Illinois, brings together for the first time the stories of the great players, teams, and coaches from the 1940s through the 1990s.
The book is titled for four players who reflect the unique quality of high school basketball, and whose first names are enough to trigger memories in fans who love the sport -- Sweet Charlie Brown, Dike Eddleman, Cazzie Russell, and Bobby Joe Mason. Bell offers exciting accounts of their exploits, told with a journalistic flair.
Beyond a lifetime spent covering the sport, Bell's research includes three hundred and fifty personal interviews with coaches, administrators, family members, and fans. He has attended the Elite Eight finals of every boys' state basketball tournament since 1958, and met and written about many of the most outstanding teams, coaches, and players who helped to make Illinois one of the most exciting arenas for high school basketball in the United States. Sixty photographs add depth to the accounts.
By a fan, for the fans, Sweet Charlie, Dike, Cazzie, and Bobby Joe is the authoritative book on high school basketball in Illinois, and will elate anyone who has thrilled to the poignant highs and shattering lows of high school sports.
Drucker shows that artists today are aware of working within the ideologies of mainstream culture and have replaced avant-garde defiance with eager complicity. Finding their materials at flea markets or exploring celebrity culture, contemporary artists have created a vibrantly participatory movement that exudes enthusiasm and affirmation—all while critics continue to cling to an outmoded vocabulary of opposition and radical negativity that defined modernism's avant-garde. At the cutting edge of new media research, Drucker surveys a wide range of exciting contemporary artists, demonstrating their clear departure from the past and petitioning viewers and critics to shift their terms and sensibilities as well. Sweet Dreams is a testament to the creative processes and self-conscious heterogeneity of art today as well as a revolutionary effort to solicit collaboration that will encourage the production of imaginative thought and contribute to contemporary life.
Ann Flesor Beck's charming personal account recreates the atmosphere of her grandfather's candy kitchen with its odors of chocolate and popcorn and the comings-and-goings of family members. "The Store" represented success while anchoring the business district of Gus's chosen home. It also embodied the Midwest émigré experience of chain migration, immigrant networking, resistance and outright threats by local townspeople, food-related entrepreneurship, and tensions over whether later generations would take over the business.
An engaging blend of family memoir and Midwest history, Sweet Greeks tells how Greeks became candy makers to the nation, one shop at a time.
Judith Paterson was just nine years old in 1946 when her mother died of a virulent combination of alcoholism and mental illness at the age of 31. Sweet Mystery: A Book of Remembering is Paterson’s harrowing account of the memories of her mother, told with eloquence and understanding. Set largely in Montgomery, Alabama, the story plays out against a backdrop of relatives troubled almost as much by southern conflicts over race and class as by the fallout from a long family history of drinking, denial, and mental illness.
While rich in the details and flavor of small-town life in the South during the 1940s, Sweet Mystery transcends time and regionalism to evoke universal American themes. Ultimately, it confirms the damaging effects of early trauma on children as well as the innate and familial strengths that enable some children to survive, grow up, and heal.
Originally published in 1996 to critical acclaim in the national media, Sweet Mystery was called “a beautifully written, excruciating collision of form and emotion, joy and pain, willpower and self-examination, control and surrender” by the Washington Post. This edition contains a new afterword written by the author as well as a list of suggested readings.
Dominique Laxalt was sixteen when he left the French Pyrenees for America. He became a sheepherder in the Nevada desert and nearby hills of the Sierra. Like all his fellow Basque immigrants, Dominique dreamed of someday returning to the land of his beginnings. Most Basques never made the journey back, but Dominique finally did return for a visit with family and friends. Sweet Promised Land is the story of that trip, told by his son Robert, who accompanied him to the pastoral mountain village of Tardets in France. Dominique came home victorious, the adventurer who had conquered the unknown and found his fortune in the New World. He told of his life in America, the hardships and challenges, and began to realize that he had changed since his departure from Tardets. By the end of the visit, he knew with certainty where he belonged.
During the past fifty years, this book has become a classic in Western American literature, still beloved by the Basque-American community. In celebration of the fiftieth anniversary of the book’s publication, western literature scholar Ann Ronald wrote a new foreword, discussing the book in the context of American and Nevada literature.
Dominique Laxalt was sixteen when he left the French Pyrenees for America. He became a sheepherder in the Nevada desert and nearby hills of the Sierra. Like all his fellow Basque immigrants, Dominique dreamed of someday returning to the land of his beginnings. Most Basques never made the journey back, but Dominique finally did return for a visit with family and friends. Sweet Promised Land is the story of that trip, told by his son Robert, who accompanied him to the pastoral mountain village of Tardets in France. Dominique came home victorious, the adventurer who had conquered the unknown and found his fortune in the New World. He told of his life in America, the hardships and challenges, and began to realize that he had changed since his departure from Tardets. By the end of the visit, he knew with certainty where he belonged.
During the past fifty years, this book has become a classic in Western American literature, still beloved by the Basque-American community. In celebration of the fiftieth anniversary of the book’s publication, western literature scholar Ann Ronald wrote a new foreword, discussing the book in the context of American and Nevada literature.
Susan Wells is associate professor of English at Temple University.
Tony Hoagland captures the recognizably American landscape of a man of his generation: sex, friendship, rock and roll, cars, high optimism, and disillusion. With what Robert Pinsky has called “the saving vulgarity of American poetry,” Hoagland’s small biographies of destruction reveal that defeat is a natural prelude to grace and loss a kind of threshold to freedom.
“A remarkable book. Without any rhetorical straining, with a disarming witty directness, these poems manage to transform every subject they touch, from love to politics, reaching out from the local and the personal to place the largest issues in the context of feeling. It’s hard to think of a recent book that succeeds with equal grace in fusing the truth-telling and the lyric impulse, clarity and song, in a way that produces such consistent pleasure and surprise.”—Carl Dennis
“This is wonderful poetry: exuberant, self-assured, instinct with wisdom and passion.”—Carolyn Kizer
“There is a fine strong sense in these poems of real lives being lived in a real world. This is something I greatly prize. And it is all colored, sometimes brightly, by the poet’s own highly romantic vision of things, so that what we may think we already know ends up seeming rich and strange.”—Donald Justice
“In Sweet Ruin, we’re banging along the Baja of our little American lives, spritzing truth from our lapels, elbowing our compadres, the Seven Deadly Sins. Maybe we’re unhappy in a less than tragic way, but our ruin requires of us a love and understanding and loyalty just as deep and sweet as any tragic hero’s. And it’s all the more poignant in a sad and funny way because the purpose of this forced spiritual march, Hoagland seems to be saying, is to leave ourselves behind. Undoubtedly, you will recognize among the body count many of your selves.”—Jack Myers
Goldstein puts apparently literary projects, such as William Blake’s poetry of embryogenesis, Goethe’s journals On Morphology, and Percy Shelley’s “poetry of life,” back into conversation with the openly poetic life sciences of Erasmus Darwin, J. G. Herder, Jean-Baptiste Lamarck, and Étienne Geoffroy Saint-Hilaire. Such poetic sciences, Goldstein argues, share in reviving Lucretius’s De rerum natura to advance a view of biological life as neither self-organized nor autonomous, but rather dependent on the collaborative and symbolic processes that give it viable and recognizable form. They summon De rerum natura for a logic of life resistant to the vitalist stress on self-authorizing power and to make a monumental case for poetry’s role in the perception and communication of empirical realities. The first dedicated study of this mortal and materialist dimension of Romantic biopoetics, Sweet Science opens a through-line between Enlightenment materialisms of nature and Marx’s coming historical materialism.
He began his career by creating cards and soon was lending his art to posters and logos for many community-based Native organizations. Winning recognition from these groups, his work was soon actively sought by them. Chana’s work also appears on the covers and as interior art in a number of books on southwestern and American Indian topics.
The Sweet Smell of Home is an autobiographical work, written in Chana’s own voice that unfolds through oral history interviews with anthropologist Susan Lobo. Chana imparts the story of his upbringing and starting down the path toward a career as an artist. Balancing humor with a keen eye for cultural detail, he tells us about life both on and off the reservation.
Eighty pieces of art—26 in color—grace the text, and Chana explains both the impetus for and the evolution of each piece. Leonard Chana was a people’s artist who celebrated the extraordinary heroism of common people’s lives. The Sweet Smell of Home now celebrates this unique artist whose words and art illuminate not only his own remarkable life, but also the land and lives of the Tohono O’odham people
Classical deities and down-and-out junkies, high school sweethearts and the inner life of JFK—these are the coordinates of J.T. Barbarese’s terrain. The poems in Sweet Spot set up shop where average lived experience meets American history. Masterfully evokes both the specific land- and cityscapes of his poems as well the psychological types of the varied characters that populate them, Sweet Spot confirms Barbarese’s preeminence as a chronicler of the heroic everyday, the telling detail, the subtle reminders of the human predicament hidden in habit and memory.
Based on several tours and individual stagings, Sweet Tea: A Play invites readers, students, theater practitioners, and audiences from different backgrounds to engage with the lives of eleven men and one gender-nonconforming person—incredible characters all originally played by the author in a one-man show.
A Sweet View explores how writers and artists in the nineteenth century shaped the English countryside as a partly imaginary idyll, with its distinctive repertoire of idealized scenery: the village green, the old country churchyard, hedgerows and cottages, scenic variety concentrated into a small compass, snugness and comfort. The book draws on a very wide range of contemporary sources and features some of the key makers of the “South Country” rural idyll, including Samuel Palmer, Myles Birket Foster, and Richard Jefferies. The legacy of the idyll still influences popular perceptions of the essential character of a certain kind of English landscape—indeed for Henry James that imagery constituted “the very essence of England” itself. As A Sweet View makes clear, the countryside idyll forged over a century ago is still with us today.
The poems, including the long meditation of more than five hundred lines, “A Poem with No Ending,” are beautiful and essential. Restored to print, they will resonate with readers who love both the earlier and the later work of one of our most important poets.
An Irish working-class hero of Pittsburgh, Billy Conn captured hearts through his ebullient personality, stellar boxing record, and good looks. A light heavyweight boxing champion best remembered for his sensational near-defeat of heavyweight champion Joe Louis in 1941, Conn is still regarded as one of the greatest fighters of all time. Andrew O'Toole chronicles the boxing, Hollywood, and army careers of "the Pittsburgh Kid" by drawing from newspaper accounts, Billy's personal scrapbooks, and fascinating interviews with family. Presenting an intimate look at the champion's relationships with his girlfriend, manager, and rivals, O'Toole compellingly captures the personal life of a public icon and the pageantry of sports during the 1930s and '40s.
Sweetgum & Lightning lets us into an extraordinary poetic universe, shaped by a vernacular rooted in the language of self, one’s origins, and music. In poems that are deeply sensual in nature, Rodney Terich Leonard considers gender and sexuality, art, poverty, and community. Imagery expands through unexpected lexical associations and rumination on the function of language; words take on new meaning and specificity, and the music of language becomes tantamount to the denotations of words themselves. Through extensive webs of connotation, Leonard’s narratives achieve a sense of accuracy and intimacy. The nuanced lens of these poems is indicative of the honesty of expression at work in the collection—one that affirms the essentiality of perception to living and memory.
A bold new indictment of the racialization of science
Decades of data cannot be ignored: African American adults are far more likely to develop Type 2 diabetes than white adults. But has science gone so far in racializing diabetes as to undermine the search for solutions? In a rousing indictment of the idea that notions of biological race should drive scientific inquiry, Sweetness in the Blood provides an ethnographic picture of biotechnology’s framings of Type 2 diabetes risk and race and, importantly, offers a critical examination of the assumptions behind the recruitment of African American and African-descent populations for Type 2 diabetes research.
James Doucet-Battle begins with a historical overview of how diabetes has been researched and framed racially over the past century, chronicling one company’s efforts to recruit African Americans to test their new diabetes risk-score algorithm with the aim of increasing the clinical and market value of the firm’s technology. He considers African American reticence about participation in biomedical research and examines race and health disparities in light of advances in genomic sequencing technology. Doucet-Battle concludes by emphasizing that genomic research into sub-Saharan ancestry in fact underlines the importance of analyzing gender before attempting to understand the notion of race. No disease reveals this more than Type 2 diabetes.
Sweetness in the Blood challenges the notion that the best approach to understanding, managing, and curing Type 2 diabetes is through the lens of race. It also transforms how we think about sugar, filling a neglected gap between the sugar- and molasses-sweetened past of the enslaved African laborer and the high-fructose corn syrup- and corporate-fed body of the contemporary consumer-laborer.
The Sweetness of Freedom presents an eclectic grouping of late nineteenth- and twentieth-century immigrants' narratives and the personal artifacts, historical documents, and photographs these travelers brought on their journeys to Michigan. Most of the oral histories in this volume are based on interviews conducted with the immigrants themselves.
Some of the immigrants presented here hoped to gain better education and jobs. Others—refugees—fled their homelands because of war, poverty, repression, religious persecution, or ethnic discrimination. All dreamt of freedom and opportunity. They tell why they left their homelands, why they chose to settle in Michigan, and what they brought or left behind. Some wanted to preserve their heritage, religious customs, traditions, and ethnic identity. Others wanted to forget past conflicts and lost family members. Their stories reveal how they established new lives far away from home, how they endured homesickness and separation, what they gave up and what they gained.
From marzipan pigs and nutty nougat to bubblegum and bonbons, Sweets and Candy looks beneath the glamour and sparkle to explore the sticky history of confectionary. Methods for making sweets can be traced back to the importance of sugar in Arabic medicine and the probable origin of this practice in ancient India—a place where sweetness is still important for both humans and gods. Gorging on gobstoppers from these early candy antecedents to modern-day delectables, Laura Mason describes the bewildering and fascinating ways in which different cultures have made, consumed, valued, and adored sweets throughout history. Featuring a selection of mouthwatering illustrations and scrumptious recipes to try at home, this global candy trail will delight sweet-toothed foodies and history buffs everywhere.
This is the second volume of Irvin Ehrenpreis's trilogy, and deals with the period 1699-1714. The years between 1699 and 1710 were a time of training—in some ways unfortunate, as Ehrenpreis shows—for the dramatic four years which followed for Swift, as a political journalist in England.
Swift's ecclesiastical career, his search for preferment and the gradual transformation of his social life are examined. The author also scrutinizes Swift's attachment to Esther Johnson and Esther Vanhomrigh, the evolution of his political principles, and his unconscious motivations, and he reaches some original conclusions. Above all, however, Ehrenpreis concentrates on Swift's literary works of this period; and for some of these, such as An Argument against Abolishing Christianity, The Conduct of the Allies, and A Discourse of the Contests and Dissensions, he provides analyses that can stand as independent critical essays.
Volume Two lives up in every way to the high hopes generated for it by Volume One. It draws widely on contemporary documents and on modern research into Swift's life and times, providing much new information as well as judgements that are both judicious and original.
A unique dataset for studying past social interactions comes from Swift Creek Complicated Stamped pottery that linked sites throughout much of the Eastern Woodlands but that was primarily distributed over the lower Southeast. Although connections have been demonstrated, their significance has remained enigmatic. How and why were apparently utilitarian vessels, or the wooden tools used to make them, distributed widely across the landscape?
This book assesses Woodland Period interactions using technofunctional, mineralogical, and chemical data derived from Swift Creek Complicated Stamped sherds whose provenience is fully documented from both mortuary mounds and village middens along the Atlantic coast. Together, these data demonstrate formal and functional differences between mortuary and village assemblages along with the nearly exclusive occurrence of foreign-made cooking pots in mortuary contexts. The Swift Creek Gift provides insight into the unique workings of gift exchanges to transform seemingly mundane materials like cooking pots into powerful tools of commemoration, affiliation, and ownership.
Examining dramatic works in water and performances at four water parks, Kokai shows that the evolution of these works and performances helps us better understand our ever-changing relationship with the oceans and their inhabitants. Kokai sorts the regard for and harnessing of water in aquatic spectacles into three categories—natural, tamed, and domesticated—and discusses the ways in which these modes of water are engaged in the performances throug an aesthetics of descension. Ultimately, this study links the uncritical love of aquatic spectacles to a disregard for the rights of marine animals and lack of concern for the marine environment.
“They looked at us like we were not supposed to be scientists,” says one young African American girl, describing one openly hostile reaction she encountered in the classroom. In this significant study, Sandra Hanson explains that although many young minority girls are interested in science, the racism and sexism in the field discourage them from pursuing it after high school. Those girls that remain highly motivated to continue studying science must “swim against the tide.”
Hanson examines the experiences of African American girls in science education using multiple methods of quantitative and qualitative research, including a web survey and vignette techniques. She understands the complex interaction between race and gender in the science domain and, using a multicultural and feminist framework of analysis, addresses the role of agency and resistance that encourages and sustains interest in science in African American families and communities.
Swimming at Midnight collects the short and middle-length poems from John Matthias’s earlier books together with twenty poems that have previously appeared only in magazines. It is published simultaneously with Beltane at Aphelion, which includes all of Matthias’s longer poems. The two books together represent some thirty years of his work.
The poems in Swimming at Midnight range from early lyrics written in American during the late 1960s to meditative poems dealing with historical, geographical and cultural themes deriving from Matthias’s years in England in the seventies and eighties; they include the epistolary poems from Turns, “Poem for Cynouai” from Crossing, “A Wind in Roussillon” from Northern Summer, and the formal experiments engaging issues of poetics and metaphysics for which Matthias is well known. The book concludes with a section of new poems and translations dealing both with the public world of modern history and the private experience of life in the century’s final decade. The last poem of all connects the work in Swimming at Midnight with the last of the long poems in Beltane at Aphelion.
Critics have been warm in their praise of Matthias’s work. Robert Duncan called his early poetry “the work of a Goliard—one of those wandering souls out of a Dark Age in our own time,” and Guy Davenport has said that his recent work makes him “one of the leading poets in the USA.” D. M. Thomas in the TLS admired the “virtuosity” of Turns and the way “life presses into the poems,” while John Fuller in the same journal found the poems in Crossing “bursting with a masterful intelligence.” In a long essay on Northern Summer, Jeremy Hooker wrote: “In his combination of lyrical and discursive voices, as in subject and concern, Matthias has an exciting range…He writes in some poems from a tension between a scribe’s respect for the integrity of his materials and a magician’s freedom to transform them, and in many poems he brings together the contrasting gifts and is fully present as himself, both scribe and magician.”
Nothing beats a natural swimming hole for cooling off on a scorching summer day in Texas. Cold, clear spring water, big old shade trees, and a quiet stretch of beach or lawn offer the perfect excuse to pack a cooler and head out with family and friends to the nearest natural oasis. Whether you’re looking for a quick getaway or an unforgettable summer vacation, let The Swimming Holes of Texas be your guide.
Julie Wernersbach and Carolyn Tracy highlight one hundred natural swimming spots across the entire state. The book is organized by geographic regions, so you can quickly find local places to swim—or plan a trip to a more distant spot you’d like to explore. Each swimming hole is illustrated with an inviting color photo and a description of what it’s like to swim there, as well as the site’s history, ecology, and conservation. The authors include all the pertinent info about admission fees and hours, parking, and on-site amenities such as showers and restrooms. They also offer tips for planning your trips and lists of the swimming holes that are most welcoming to families and pets.
So when the temperature tops 100 and there’s nothing but traffic in sight, take a detour down the backroads and swim, sunbathe, revel, and relax in the swimming holes of Texas.
Writing to competitive and novice swimmers alike, contributors to this volume break down every aspect of the sport. Swimming Science covers physiology, psychology, and safety, as well as hydrodynamics, nutrition, and technique. Each chapter examines these topics through a series of practical questions. What are the forces acting on you when you swim, and how do your muscles best generate propulsion against those forces? How much protein, salt, and iron should a swimmer consume, and how does energy from carbohydrates compare to energy from fats? How important is the “swimmer’s physique” in competitive swimming, and is technique or strength more necessary for generating speed? These questions are examined with the aid of explanatory diagrams and illustrations, and the book can be used to search for particular topics, or read straight through for a comprehensive overview.
Whether you are a competitive swimmer looking to optimize your performance or just beginning to dip a toe into the sport, Swimming Science is a must-read.
Maldon is an adjunct literature instructor at a prestigious East Coast university, with a deteriorating heart condition and no insurance. She finds herself caught between the demands of her job and the needs of her body, triggering economic and emotional strains that cause her to fantasize about taking her own life. But Maldon, who has pledged to safeguard her mother ever since their arrival in the US on a refugee ship from postwar Vietnam, has vowed to forgo suicide for as long as her mother is living.
In time, her heart worsens rapidly, and she ventures cross-country to a place called Cloud for the operation that may save her life. In Cloud, Maldon is joined by old friend planet Neptune, who is hermaphroditic, peculiar, and has agreed to accompany Maldon through the operation.
Swimming with Dead Stars is a hallucinatory meditation on the stars and planets, the precariousness of our existence, the cruel inequities of labor and healthcare, chickens and ice cream, and the grace that comes from enduring the physical and psychic pain wrought by pernicious social forces that enslave us all.
How “innovative” finance schemes skim public wealth while hijacking public governance
Charter school expansion. Vouchers. Scholarship tax credit programs. The Swindle of Innovative Educational Finance offers a new social theory to explain why these and other privatization policies and programs win support despite being unsupported by empirical evidence. Kenneth J. Saltman details how, under the guise of innovation, cost savings, and corporate social responsibility, new and massive neoliberal educational privatization schemes have been widely adopted in the United States. From a trillion-dollar charter school bubble to the Chan Zuckerberg Initiative to celebrities branding private schools, Saltman ultimately connects such schemes to the country’s current crisis of truth and offers advice for resistance.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
In May 1835 in a Sydney courtroom, a slight, balding man named John Dow stood charged with forgery. The prisoner shocked the room by claiming he was Edward, Viscount Lascelles, eldest son of the powerful Earl of Harewood. The Crown alleged he was a confidence trickster and serial impostor. Was this really the heir to one of Britain's most spectacular fortunes?
Part Regency mystery, part imperial history, A Swindler's Progress is an engrossing tale of adventure and deceit across two worlds—British aristocrats and Australian felons—bound together in an emerging age of opportunity and individualism, where personal worth was battling power based on birth alone. The first historian to unravel the mystery of John Dow and Edward Lascelles, Kirsten McKenzie illuminates the darker side of this age of liberty, when freedom could mean the freedom to lie both in the far-flung outposts of empire and within the established bastions of British power.
The struggles of the Lascelles family for social and political power, and the tragedy of their disgraced heir, demonstrate that British elites were as fragile as their colonial counterparts. In ways both personal and profound, McKenzie recreates a world in which Britain and the empire were intertwined in the transformation of status and politics in the nineteenth century.
When people think of the hottest cities of the Jazz Age and Swing Era, New York, Nashville, New Orleans, Memphis, Kansas City, and Chicago immediately spring to mind. But Newark, New Jersey was just as happening as each of these towns. On any given evening, you could listen to a legendary singer like Sarah Vaughan or laugh at the celebrated comedy of Red Foxx. Newark was a veritable maze of thriving theaters, clubs, and after-hours joints where the sporting folks rambled through the night. There were plenty of jobs for musicians and entertainers, so the city was teaming with musical talent.
Swing City reveals Newark’s role as an undocumented entertainment mecca between 1922 and 1950. The book is based on interviews with musicians, singers, dancers, comedians, bartenders, waitresses, nightclub owners, and their families and is heavily illustrated with rare photographs from the author’s personal collection. Barbara J. Kukla presents a musical tour of the city, covering the vaudeville acts, the musicians who started at Newark’s Orpheum Theater and went on to join famous bands, and the teenage dancers who started as chorus girls and eventually toured with famous tap dancers. She also describes the house rent parties of the 1930s, the “colored only” clubs, the entertainment at Newark’s 1,000 saloons during Prohibition, and the Coleman Hotel where Billie Holiday often stayed. Throughout the book, which concentrates on performers’ lives and personalities, Kukla discusses music and other forms of entertainment as social and economic survival tools in Newark’s Third Ward during a time of ruthless segregation.
Swing City includes several appendixes that provide a virtual “Who’s Who” of 25 years of nightlife activities in Newark. Music and nostalgia buffs, students of African American history, and anyone who’s ever been to Newark will find in this bookfabulous entertainment.
McDaniel compares the mortality rates of the emigrants to those of other migrants to tropical areas. He finds that, contrary to popular belief, black immigrants during this period died at unprecedented rates. Moreover, he shows that though the emigrant's mortality levels were exceptionally high, their mortality patterns were consistent with those of other populations.
McDaniel concludes that the greater the variance between the environment left and the environment entered, the higher the probability of contracting a new disease, and, in some cases, of death from these diseases. Additionally, a migrant's health can be affected by dietary changes, differences in local pathogens, inappropriate immunities, and increased risk of accidents due to unfamiliar surroundings.
Filled with firsthand accounts of more than a hundred women who performed during this era and complemented by thorough—and eye-opening—archival research, Swing Shift not only offers a history of this significant aspect of American society and culture but also examines how and why whole bands of dedicated and talented women musicians were dropped from—or never inducted into—our national memory. Tucker’s nuanced presentation reveals who these remarkable women were, where and when they began to play music, and how they navigated a sometimes wild and bumpy road—including their experiences with gas and rubber rationing, travel restrictions designed to prioritize transportation for military needs, and Jim Crow laws and other prejudices. She explains how the expanded opportunities brought by the war, along with sudden increased publicity, created the illusion that all female musicians—no matter how experienced or talented—were “Swing Shift Maisies,” 1940s slang for the substitutes for the “real” workers (or musicians) who were away in combat. Comparing the working conditions and public representations of women musicians with figures such as Rosie the Riveter, WACs, USO hostesses, pin-ups, and movie stars, Tucker chronicles the careers of such bands as the International Sweethearts of Rhythm, Phil Spitalny’s Hours of Charm, The Darlings of Rhythm, and the Sharon Rogers All-Girl Band.
"Swing the Sickle for the Harvest Is Ripe" compares the work, family, and economic experiences of enslaved women and men in upcountry and lowland Georgia during the nineteenth century. Mining planters' daybooks, plantation records, and a wealth of other sources, Daina Ramey Berry shows how slaves' experiences on large plantations, which were essentially self-contained, closed communities, contrasted with those on small plantations, where planters' interests in sharing their workforce allowed slaves more open, fluid communications. By inviting readers into slaves' internal lives through her detailed examination of domestic violence, separation and sale, and forced breeding, Berry also reveals important new ways of understanding what it meant to be a female or male slave, as well as how public and private aspects of slave life influenced each other on the plantation.
A volume in the series Women in American History, edited by Anne Firor Scott, Susan Armitage, Susan K. Cahn, and Deborah Gray White
A dance contest winner by 14, Norma Miller became a member of Herbert White's Lindy Hoppers and a celebrated Savoy Ballroom Lindy Hop champion. Swingin' at the Savoy chronicles a significant period in American cultural history and race relations, as it glorifies the home of the Lindy Hop and he birthplace of memorable dance hall fads. Miller shares fascinating anecdotes about her youthful encounters with many of the greatest jazz legends in music history, including Ella Fitzgerald, Count Basie, Benny Goodman, Billie Holiday, Artie Shaw, Duke Ellington, Ethel Waters, and even boxer Joe Louis. Readers will experience the legend of the celebrated Harlem ballroom and the phenomenal Swing generation that changed music and dance history forever.
"Swingin' the Dream is an intelligent, provocative study of the big band era, chiefly during its golden hours in the 1930s; not merely does Lewis A. Erenberg give the music its full due, but he places it in a larger context and makes, for the most part, a plausible case for its importance."—Jonathan Yardley, Washington Post Book World
"An absorbing read for fans and an insightful view of the impact of an important homegrown art form."—Publishers Weekly
"[A] fascinating celebration of the decade or so in which American popular music basked in the sunlight of a seemingly endless high noon."—Tony Russell, Times Literary Supplement
Yet it was African American culture, Dinerstein argues, that ultimately provided the means of aesthetic adaptation to the accelerated tempo of modernity. Drawing on a legacy of engagement with and resistance to technological change, with deep roots in West African dance and music, black artists developed new cultural forms that sought to humanize machines. In "The Ballad of John Henry," the epic toast "Shine," and countless blues songs, African Americans first addressed the challenge of industrialization. Jazz musicians drew on the symbol of the train within this tradition to create a set of train-derived aural motifs and rhythms, harnessing mechanical power to cultural forms. Tap dance and the lindy hop brought machine aesthetics to the human body, while the new rhythm section of big band swing mimicked the industrial soundscape of northern cities. In Dinerstein's view, the capacity of these artistic innovations to replicate the inherent qualities of the machine-speed, power, repetition, flow, precision-helps explain both their enormous popularity and social function in American life.
In this concise introduction to the state’s Swiss settlers, Frederick Hale traces the catalysts for Swiss emigration, their difficult journeys, and their adjustments to life on Wisconsin soil. Updates for this expanded edition include additional historic photographs and the selected writings of John Luchsinger, who settled at the Swiss colony at New Glarus, in 1856.
From the telegraph to the touchscreen, how the development of binary switching transformed everyday life and changed the shape of human agency
The Switch traces the sudden rise of a technology that has transformed everyday life for billions of people: the binary switch. By chronicling the rapid growth of binary switching since the mid-nineteenth century, Jason Puskar contends that there is no human activity as common today as pushing a button or flipping a switch—the deceptively simple act of turning something on or off. More than a technical history, The Switch offers a cultural and political analysis of how reducing so much human action to binary alternatives has profoundly reshaped modern society.
Analyzing this history, Puskar charts the rapid shift from analog to digital across a range of devices—keyboards, cameras, guns, light switches, computers, game controls, even the “nuclear button”—to understand how nineteenth-century techniques continue to influence today’s pervasive digital technologies. In contexts that include musical performance, finger counting, machine writing, voting methods, and immersive play, Puskar shows how the switch to switching led to radically new forms of action and thought.
The innovative analysis in The Switch makes clear that binary inputs have altered human agency by making choice instantaneous, effort minimal, and effects more far-reaching than ever. In the process, it concludes, switching also fosters forms of individualism that, though empowering for many, also preserve a legacy of inequality and even domination.
Media critics invariably disparage the quality of programming produced by the U.S. television industry. But why the industry produces what it does is a question largely unasked. It is this question, at the crux of American popular culture, that Switching Channels explores.
In the past twenty-five years, the expansion of cable and satellite systems has transformed television. Richard Caves examines the economics of this phenomenon--and the nature and logic of the broadcast networks' response to the incursion of cable TV, especially the shift to inexpensive unscripted game and "reality" shows and "news" magazines. An explanation of these changes, Caves argues, requires an understanding of two very different sectors: the "creative industry," which produces programs; and the commercial channels, which bring them to viewers. His book shows how distributors' judgment of profitability determines the quality and character of the programs the creative industry produces. This determination, writes Caves, depends on the number and types of viewers that various programs can attract and advertisers' willingness to pay for their attention, as well as the organization of the networks that package programs, the distributors that transmit them, and the deals these parties strike with one another.
Half a century into the digital era, the profound impact of information technology on intellectual and cultural life is universally acknowledged but still poorly understood. The sheer complexity of the technology coupled with the rapid pace of change makes it increasingly difficult to establish common ground and to promote thoughtful discussion.
Responding to this challenge, Switching Codes brings together leading American and European scholars, scientists, and artists—including Charles Bernstein, Ian Foster, Bruno Latour, Alan Liu, and Richard Powers—to consider how the precipitous growth of digital information and its associated technologies are transforming the ways we think and act. Employing a wide range of forms, including essay, dialogue, short fiction, and game design, this book aims to model and foster discussion between IT specialists, who typically have scant training in the humanities or traditional arts, and scholars and artists, who often understand little about the technologies that are so radically transforming their fields. Switching Codes will be an indispensable volume for anyone seeking to understand the impact of digital technology on contemporary culture, including scientists, educators, policymakers, and artists, alike.
We see the open truck cab, the farm workers on the corner waiting for pick-up; we see the speaker returning west to find the long-abandoned story of the birthfather. There is no stable landscape here except the horizontal action of moving through. Landscape becomes story. In this extended tale of the idea of family, we find stand-ins for the father in the form of a hit man, Jim Morrison, and ultimately the unyielding road takes the place of the body. The Switching/Yard is at once the horizontal world of the birth table where babies are switched, the complex yard of the body where gender routinely shifts and switches, and the actual switching yard of the trains that run the inevitable tracks of this book.
Switzerland: A Village History is an account of an Alpine village that illuminates the broader history of Switzerland and its rural, local underpinnings. It begins with the colonization of the Alps by Romanized Celtic peoples who came from the plain to clear the wilderness, establish a tiny monastic house, and create a dairy economy that became famous for its cheeses. Over ten centuries the village, like the rest of Switzerland, went through the traumas of religious reformation and political revolution. A single currency, a unified postal service, and eventually an integrated army brought improved stability and prosperity to the union of two dozen small republics.
Yet Switzerland’s enduring foundation remains the three thousand boroughs to which the Swiss people feel they truly belong. In Switzerland: A Village History, distinguished scholar David Birmingham tells the story of his childhood village-Château-d’Oex-where records of cheesemaking date to 1328. The evolution of this ancient grazing and forest economy included the rise of the legal profession to keep track of complex deeds, grazing allotments, and animal rights-of-way. Switzerland’s eventual privatization of communal grazing land drove many highlanders to emigrate to the European plains and overseas to the Americas. The twentieth century brought wealth from foreign tourism to Switzerland, punctuated by austerities imposed by Europe’s wars. Alpine peasants were integrated into Swiss union society and began at last to share in some of the prosperity flowing from urban industry.
Switzerland: A Village History replaces the mythology and patriotic propaganda that too often have passed for Swiss history with a rigorous, insightful, and charming account of the daily life, small-scale rivalries, and local loyalties that actually make up Swiss history.
When her parents died and her marriage disintegrated within the span of a few months, art historian and performance artist Joanna Frueh entered a painful period of grief and mourning. This book is about how she healed herself and in the process explored the range of her potential as a woman.Swooning Beauty is an intimate memoir of discovery and healing. Frueh’s path to recovery lay through a profound examination of her intuitions, desires, fantasies, dreams, and emotions, her capacity for pleasure—visual, sensual, intellectual, gastronomic, and erotic—and her sense of her own heroic female identity. Hers is the passionate voice of a creative, intelligent woman scrutinizing the nature of love in all its forms and the ways of being that make us free, flexible, more fully real and more fully human. The result is an engaging view into the rich and colorful inner life of a woman at the threshold of middle age, of the blossoming of mind and spirit that comes after suffering and self-realization. Pleasure, she concludes, “is the absence of lack. Self-love is a necessary plenitude. Vigilance in love brings us freedom. Freedom is not an absolute whose attainment is humanly impossible. Yogis say that the self that is not ego is free. That self is the spacious heart, the spacious mind.” Frueh offers us wisdom and comfort for the journey into middle age, and the deep pleasure of encountering a generous, lively spirit and a remarkably spacious mind.
In a time when only a select few are prosperous, A Sybil Society paints a portrait of the present moment and unveils a restless truth. The collection is fearless in the face of convention and gives readers a sense of devastating sorrow in a world gone mad.
This ranging epistolary novel follows Julia Grenville, a Welsh beauty who knows little of the world until her marriage to the older Lord Stanley. Through Julia’s letters to her sister, readers learn more of Julia’s new life in London—her unfaithful husband, her miscarriage, her disillusionment with the city and its fashions. Other letters reveal that Julia has a longtime admirer, Harry Woodley, from her former life, as well as a mysterious guardian angel: her Sylph. This character guides Julia away from the depravities of her life in London, including her gambling problem. The Sylph is also another sympathetic ear to Julia’s increasing marital dissatisfaction and growing affinity for another man, the Baron Ton-hausen. As Julia nearly falls prey to the overzealous admirations of one of her husband’s associates, her husband is consumed by gambling debts to that same associate. She is shocked to discover the depths of her husband’s ruin and plans to flee to Wales before she too can be claimed in payment. Her disgraced husband takes the ultimate way out and Julia goes home to her father and sister in Wales. Her Sylph is not far behind, however, and soon reveals himself to Julia to be more than she could have ever imagined.
From militant suffragette at the beginning of the twentieth century to campaigner against colonialism in Africa after the Second World War, Sylvia Pankhurst dedicated her life to fighting oppression and injustice.
In this vivid biography Katherine Connelly examines Pankhurst’s role at the forefront of significant developments in the history of radical politics. She guides us through Pankhurst's construction of a suffragette militancy which put working-class women at the heart of the struggle, her championing of the Bolshevik Revolution and her clandestine attempts to sabotage the actions of the British state, as well as her early identification of the dangers of Fascism.
The book explores the dilemmas, debates and often painful personal consequences faced by Pankhurst which were played out in her art, writings and activism. It argues that far from being an advocate of disparate causes, Pankhurst’s campaigns were united by an essential continuity which hold vital lessons for achieving social change. This lively and accessible biography presents Pankhurst as a courageous and inspiring campaigner, of huge relevance to those engaged in social movements today.
Janet Badia investigates the evolution of this narrative, tracing its origins, exposing the gaps and elisions that have defined it, and identifying it as a bullying mythology whose roots lie in a long history of ungenerous, if not outright misogynistic, rhetoric about women readers that has gathered new energy from the backlash against contemporary feminism.
More than just an exposé of our cultural biases against women readers, Badia's research also reveals how this mythology has shaped the production, reception, and evaluation of Plath's body of writing, affecting everything from the Hughes family's management of Plath's writings to the direction of Plath scholarship today. Badia discusses a wide range of texts and issues whose significance has gone largely unnoticed, including the many book reviews that have been written about Plath's publications; films and television shows that depict young Plath readers; editorials and fan tributes written about Plath; and Ted and (daughter) Frieda Hughes's writings about Plath's estate and audience.
More than eighty years ago, before we knew much about the structure of cells, Russian botanist Boris Kozo-Polyansky brilliantly outlined the concept of symbiogenesis, the symbiotic origin of cells with nuclei. It was a half-century later, only when experimental approaches that Kozo-Polyansky lacked were applied to his hypotheses, that scientists began to accept his view that symbiogenesis could be united with Darwin's concept of natural selection to explain the evolution of life. After decades of neglect, ridicule, and intellectual abuse, Kozo-Polyansky's ideas are now endorsed by virtually all biologists.
Kozo-Polyansky's seminal work is presented here for the first time in an outstanding annotated translation, updated with commentaries, references, and modern micrographs of symbiotic phenomena.
Utah Series in Middle East Studies
Today, nationalism and nationalist sentiments are becoming more and more pronounced, creating a global emergence of ethno-nationalist and religious fundamentalist identity conflicts. In the post-9/11 era of international terrorism, it is appropriate to suggest that nationalism will retain its central place in politics and local and world affairs for the foreseeable future. It is in this vein that there has been a recent upsurge of interest concerning the power of nationalist tendencies as one of the dominant ideologies of modern times.
Symbiotic Antagonisms looks at the state-centric mode of modernization in Turkey that has constituted the very foundation on which nationalism has acquired its ideological status and transformative power. The book documents a symposium held at Sabanci University, presenting nationalism as a multidimensional, multiactor-based phenomenon that functions as an ideology, a discourse, and a political strategy. Turkish, Kurdish, and Islamic nationalisms are systematically compared in this timely and significant work.
This significant contribution to the theory of status conflict also discloses the importance of political acts as symbolic acts and offers a dramatistic theory of status politics, Gusfield provides a useful addition to the economic and psychological modes of analysis current in the study of political and social movements.
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