A SCHOLARLY BOOK REPOSITORY
With over 50 original essays by leading scholars, artists, critics, and curators, this is the first book to trace the “unwatchable” across our contemporary media environment, in which viewers encounter difficult content on various screens and platforms. Appealing to a broad academic and general readership, the volume offers multidisciplinary approaches to the vast array of troubling images that circulate in global visual culture.
The book is broken into sections based on journeying: searching for wellness, finding wellness, and imagining a “well” future that includes a sustainable model of writing center work. Each chapter begins with a personal narrative about wellness issues in writing centers, including the author’s experiences in and responses to local emergencies. She shares findings from a longitudinal assessment study on non-institutional interventions in writing centers and provides resources for administrators to create more ethical "well" writing centers. The book also includes an appendix of training documents, emergency planning documents, and several wellness-specific interventions developed from anti-racist, anti-neoliberal, and organizational theories.
Establishing the need for a field-specific response to the austerity-minded eruption of wellness-focused interventions in higher education, Unwell Writing Centers is a critical text for graduate students and new directors that can easily be applied in workplaces in and outside of higher education.
Over the past one hundred years, the office has been integral to the development of modern society. It has shaped the architecture of our cities, the behavior of our organizations, and the everyday movements of millions of people. In 2020, however, the global pandemic brought our attendance in the office to an abrupt halt and triggered a complete reevaluation of the purpose of the workplace. This book offers a panoramic view of the office and explores what happens next. The authors advance a manifesto for “unworking”—unlearning old habits and rituals established for an outdated office and crafting and creating new ones fit for an age of digital technology, design innovation, and diverse workforces.
The essayists consider the complex state of anthropology, its relation to other disciplines and the public sphere beyond academia, the significance of the convergence of linguistic and cultural anthropology, and whether or not anthropology is the best home for archaeology. While the contributors are not in full agreement with one another, they all critique “official” definitions of anthropology as having a fixed, four-field core. The editors are keenly aware that anthropology is too protean to be remade along the lines of any master plan, and this volume does not offer one. It does open discussions of anthropology’s institutional structure to all possible outcomes, including the refashioning of the discipline as it now exists.
Contributors. James Clifford, Ian Hodder, Rena Lederman, Daniel A. Segal, Michael Silverstein, Sylvia J. Yanagisako
As ts’íib refers to a broad range of artistic production from painted codices and textiles to works composed in Latin script as well as plastic arts, the authors argue that texts by contemporary Maya writers must be read as dialoguing with a multimodal Indigenous understanding of text. In other words, ts’íib is an alternative to understanding “writing” that does not stand in opposition to but rather fully encompasses alphabetic writing, placing it alongside and in dialogue with a number of other forms of recorded knowledge. This shift in focus allows for a critical reexamination of the role that weaving and bodily performance play in these literatures, as well as for a nuanced understanding of how Maya writers articulate decolonial Maya aesthetics in their works.
Unwriting Maya Literature places contemporary Maya literatures within a context situated in Indigenous ways of knowing and being. Through ts’íib, the authors propose an alternative to traditional analysis of Maya cultural production that allows critics, students, and admirers to respectfully interact with the texts and their authors. Unwriting Maya Literature offers critical praxis for understanding Mesoamerican works that encompass non-Western ways of reading and creating texts.
Nathan Gorelick’s The Unwritten Enlightenment: Literature between Ideology and the Unconscious traces the relations between literary criticism and psychoanalysis to their shared origins in the Enlightenment era’s novels and novelistic discourse, where the period’s efforts to invent new notions of subjectivity and individualism are most apparent. Gorelick shows how modern concepts of literature and the unconscious were generated in response to these efforts and by an ethical concern for what the language of the Enlightenment excludes, represses, or struggles to erase. Troubling the idea of the Enlightenment on its own terms, subverting its supposed authority from within, Gorelick thus reveals the workings of unconscious fantasy at the foundations of our contemporary political realities. The Unwritten Enlightenment makes clear that to criticize the Enlightenment’s deficiencies, ambiguities, and legacies of violence without regard for the unconscious fantasies that drive them risks reproducing the very patterns of thought, action, and imagination that the Enlightenment novel already unsettles.
Not since Ireland broke away from the United Kingdom has the British state been so fragile. Northern Ireland now operates under trading rules that are legally separate from the rest of the nation. In Wales, support for independence is running at a historical high, and Scotland is more conscious than ever of its individual identity and has aspirations for a European future. With public trust and confidence in government at record lows, the United Kingdom faces a crisis that can only be repaired by a new constitutional settlement. Unwritten Rule calls for a radical realignment, embracing a federal approach that would accommodate devolution as the best way of bringing about a successful and diverse national life, increasing democratic control over local and national decision-making, and modernizing national political structures.
In The Unwritten War, Daniel Aaron examines the literary output of American writers—major and minor—who treated the Civil War in their works. He seeks to understand why this devastating and defining military conflict has failed to produce more literature of a notably high and lasting order, why there is still no "masterpiece" of Civil War fiction.
In his portraits and analyses of 19th- and some 20th-century writers, Aaron distinguishes between those who dealt with the war only marginally—Henry Adams, Henry James, William Dean Howells, Mark Twain-and those few who sounded the war's tragic import—Herman Melville, Walt Whitman, and William Faulkner. He explores the extent to which the war changed the direction of American literature and how deeply it entered the consciousness of American writers. Aaron also considers how writers, especially those from the South, discerned the war's moral and historical implications.
The Unwritten War was originally published by Alfred A. Knopf in 1973. The New Republic declared, [This book's] major contribution will no doubt be to American literary history. In this respect it resembles Edmund Wilson's Patriotic Gore and is certain to become an indispensable guide for anyone who wants to explore the letters, diaries, journals, essays, novels, short stories, poems-but apparently no plays-which constitute Civil War literature. The mass of material is presented in a systematic, luminous, and useful way.
What can Evelyn Birkby possibly do to follow up the success of Neighboring on the Air: Cooking with the KMA Radio Homemakers? She can do what she has done in writing Up a Country Lane Cookbook. For forty-three years she has written a column entitled "Up a Country Lane" for the Shenandoah Evening Sentinel. Now she has chosen the best recipes from her column and interspersed them with a wealth of stories of rural life in the 1940s and 1950s, supplemented by a generous offering of vintage photographs. She has created a book that encompasses lost time.
With chapters on "The Garden," "Grocery Stores and Lockers," "Planting," and "Saturday Night in Town," to name a few, Up a Country Lane Cookbook recalls the noble simplicity of a life that has all but vanished. This is not to say that farm life in the forties and fifties was idyllic. As Birkby writes, "Underneath the pastoral exterior were threats of storms, droughts, ruined crops, low prices, sickness, and accidents."
Following the Second World War, many soldiers returned to mid-America and a life of farming. From her vantage point as a farm wife living in Mill Creek Valley in southwestern Iowa, Birkby observed the changes that accompanied improved roads, telephone service, and the easy availability of electricity. Her observations have been carefully recorded in her newspaper column, read by thousands of rural Iowans.
Up a Country Lane Cookbook is, then, much more than a cookbook. It is an evocation of a time in all its wonder and complexity which should be read by everyone from Evelyn Birkby's nearest neighbor in Mill Creek Valley to the city slicker seeking an education. Cook a meal of Plum-Glazed Baked Chicken, Elegant Peas, Creamed Cabbage, and Seven-Grain Bread, then finish it off with Frosted Ginger Creams with Fluffy Frosting. While the chicken is baking, read Evelyn's stories and think about the world the way it was.
With Up Against the Real, Nadja Millner-Larsen offers the first comprehensive study of the group Black Mask and its acrimonious relationship to the New York art world of the 1960s. Cited as pioneers of now-common protest aesthetics, the group’s members employed incendiary modes of direct action against racism, colonialism, and the museum system. They shut down the Museum of Modern Art, fired blanks during a poetry reading, stormed the Pentagon in an antiwar protest, sprayed cow’s blood at the secretary of state, and dumped garbage into the fountain at Lincoln Center. Black Mask published a Dadaist broadside until 1968, when it changed its name to Up Against the Wall Motherfucker (after line in a poem by Amiri Baraka) and came to classify itself as “a street gang with analysis.” American activist Abbie Hoffman described the group as “the middle-class nightmare . . . an anti-media phenomenon simply because their name could not be printed.”
Up Against the Real examines how and why the group ultimately rejected art in favor of what its members deemed “real” political action. Exploring this notorious example of cultural activism that rose from the ruins of the avant-garde, Millner-Larsen makes a critical intervention in our understanding of political art.
Using the U.S. wall at the border with Mexico as a focal point, two experts examine the global surge of economic and environmental refugees, presenting a new vision of the relationships between citizen and migrant in an era of “Juan Crow,” which systematically creates a perpetual undercaste.
Winner, National Association for Ethnic Studies (NAES) Outstanding Book Award, 2017
As increasing global economic disparities, violence, and climate change provoke a rising tide of forced migration, many countries and local communities are responding by building walls—literal and metaphorical—between citizens and newcomers. Up Against the Wall: Re-imagining the U.S.-Mexico Border examines the temptation to construct such walls through a penetrating analysis of the U.S. wall at the U.S.-Mexico border, as well as investigating the walling out of Mexicans in local communities. Calling into question the building of a wall against a friendly neighboring nation, Up Against the Wall offers an analysis of the differences between borders and boundaries. This analysis opens the way to envisioning alternatives to the stark and policed divisions that are imposed by walls of all kinds. Tracing the consequences of imperialism and colonization as citizens grapple with new migrant neighbors, the book paints compelling examples from key locales affected by the wall—Nogales, Arizona vs. Nogales, Sonora; Tijuana/San Diego; and the lower Rio Grande Valley of Texas. An extended case study of Santa Barbara describes the creation of an internal colony in the aftermath of the U.S. conquest of Mexican land, a history that is relevant to many U.S. cities and towns.
Ranging from human rights issues in the wake of massive global migration to the role of national restorative shame in the United States for the treatment of Mexicans since 1848, the authors delve into the broad repercussions of the unjust and often tragic consequences of excluding others through walled structures along with the withholding of citizenship and full societal inclusion. Through the lens of a detailed examination of forced migration from Mexico to the United States, this transdisciplinary text, drawing on philosophy, psychology, and political theory, opens up multiple insights into how nations and communities can coexist with more justice and more compassion.
Illuminating a remarkably widespread cross-pollination between the two cultural and intellectual traditions, Dale E. Peterson frames much of his argument around W. E. B. DuBois’s concept of “double-consciousness,” wherein members of an oppressed section of society view themselves simultaneously through their own self-awareness and through the internalized standards of the dominant culture. He shows how the writings of Dostoevsky, Hurston, Chesnutt, Turgenev, Ellison, Wright, Gorky, and Naylor—texts that enacted and described this sense of double awareness—were used both to perform and to contest the established genres of Western literacy. Woven through Peterson’s textual analyses is his consideration of cultural hybridism and its effects: The writers he examines find multiple ways to testify to and challenge the symptoms of postcolonial trauma. After discussing the strong and significant affinity expressed by contemporary African American cultural theorists for the dialogic thought of Russian linguist Mikhail Bakhtin, Peterson argues that a fuller appreciation of the historic connection between the two cultures will enrich the complicated meanings of being black or Russian in a world that has traditionally avoided acknowledging pluralistic standards of civilization and cultural excellence.
This investigation of comparable moments in the development of Russian and African American ethnic self-consciousness will be valuable to students and scholars of comparative literature, philosophy, cultural theory, ethnicity, linguistics, and postcolonialism, in addition to Slavic and African American studies.
Since the 1960s, Martin Luther King, Jr., has personified black leadership with his use of direct action protests against white authority. A century ago, in the era of Jim Crow, Booker T. Washington pursued a different strategy to lift his people. In this compelling biography, Norrell reveals how conditions in the segregated South led Washington to call for a less contentious path to freedom and equality. He urged black people to acquire economic independence and to develop the moral character that would ultimately gain them full citizenship. Although widely accepted as the most realistic way to integrate blacks into American life during his time, Washington’s strategy has been disparaged since the 1960s.
The first full-length biography of Booker T. in a generation, Up from History recreates the broad contexts in which Washington worked: He struggled against white bigots who hated his economic ambitions for blacks, African-American intellectuals like W. E. B. Du Bois who resented his huge influence, and such inconstant allies as Theodore Roosevelt. Norrell details the positive power of Washington’s vision, one that invoked hope and optimism to overcome past exploitation and present discrimination. Indeed, his ideas have since inspired peoples across the Third World that there are many ways to struggle for equality and justice. Up from History reinstates this extraordinary historical figure to the pantheon of black leaders, illuminating not only his mission and achievement but also, poignantly, the man himself.
The cyclotron laboratory at MSU has been known for years as the best university nuclear physics laboratory in the United States, and perhaps in the world. But very few, even in its hometown of East Lansing, know how it achieved that status or why it prospered when laboratories at many other famous universities faded.
In this book Austin, a nuclear physicist who has been at the laboratory since the beginning of its ascent, gives us a remarkable story. It begins with an exceptional individual, Henry Blosser, who founded the laboratory, built a cyclotron accelerator of uniquely high precision, and recruited a team of nuclear physicists that used it to establish the laboratory’s reputation. Its credibility led to a sequence of accelerators, each operating in a different sub?eld while continuing a tradition of forefront science, and to a laboratory culture that fostered the courage and foresight to compete for the FRIB in the face of daunting odds.
The juveniles’ attitudes toward Dostert change, however, once he begins working as a “Children’s Attendant” at the Audy Home, clocking in for eight hours every day to enforce rules and maintain order on the cellblocks. His colorblind, altruistic volunteer world fractures into a full-time, emotionally charged reality of white and black and brown. When the boys change, he must change too. Despite wanting to help them feel human in such a dehumanizing environment, Dostert realizes he needs to make sure his kindness is not perceived as weakness. Dostert learns to march the juveniles through the facility to school, recreation activities, and chapel. He must strip-search them, interrupt their brawls, root through their cells for drugs and handcrafted weapons, and monitor group showers to thwart sexual extortion and the inscription of gang symbols in soap on walls and mirrors. Week after week and month after month, the job exposes hidden views not only of the juveniles and the “system” incarcerating them, but of Children’s Attendant Dostert himself.
From one man’s struggle to reconcile his humanitarian intentions with his actual job responsibilities in what, to him, is a strange new world, emerges a sincere effort to confront the realities of America’s persisting racial tensions and institutionalized poverty. Dostert’s story is an honest and unflinching journey from thinking he has many of the answers for how to change this world to discovering how little he really knows about the world he is trying to change.
Before the turn of the twentieth century, many Swedish men emigrated to the American Rockies as itinerant laborers, drawn by the region’s developing industries. Single Swedish women ventured west, too, and whole families migrated, settling into farm communities. By 1920, one-fifth of all Swedish immigrants were living in the West.
In Up in the Rocky Mountains, Jennifer Eastman Attebery offers a new perspective on Swedish immigrants’ experiences in Idaho, Montana, Utah, Wyoming, Colorado, and New Mexico from 1880 to 1917 by interpreting their letters home. Considering more than three hundred letters, Attebery analyzes their storytelling, repetitive language, traditional phrasing, and metaphoric images. Recognizing the letters’ power as a folk form, Attebery sees in them the writers’ relationships back in Sweden as well as their encounters with religious and labor movements, regionalism, and nationalism in their new country.
By defining personal letters as a vernacular genre, Attebery provides a model for discerning immigrants’ shared culture in correspondence collections. By studying their words, she brings to life small Swedish communities throughout the Rocky Mountain region.
Jennifer Eastman Attebery is professor of English and director of American studies at Idaho State University.
"The feel of now lives in John Murillo's UP JUMP THE BOOGIE, but it's tempered by bows to the tradition of soulful music and oral poetry. The lived dimensions embodied in this collection say that here's an earned street knowledge and a measured intellectual inquiry that dare to live side by side, in one unique voice. The pages of UP JUMP THE BOOGIE breathe and sing; the tributes and cultural nods are heartfelt, and in these honest poems no one gets off the hook."—Yusef Komunyakaa
And yet the essence of this region, known to many as simply “Up North,” has proved remarkably perennial. Millions of acres of state and national forests and other public lands remain intact. Small towns peppered across the rural countryside have changed little over the decades, pushing back the machinery of progress with the help of dedicated land conservancies, conservation organizations, and other advocacy groups.
Up North in Michigan, the new collection from celebrated nature writer Jerry Dennis, captures its author’s lifelong journey to better know this place he calls home by exploring it in every season, in every kind of weather, on foot, on bicycle, in canoes and cars. The essays in this book are more than an homage to a particular region, its people, and its natural wonders. They are a reflection on the Up North that can only be experienced through your feet and fingertips, through your ears, mouth, and nose—the Up North that makes its way into your bones as surely as sand makes its way into wood grain.
Historian Brooks Blevins has spent his life studying and writing about the people of his native regions—the South and the Ozarks. He has been in the vanguard of a new and vibrant Ozarks Studies movement that has worked to refract the stories of Ozarkers through a more realistic and less exotic lens. In Up South in the Ozarks: Dispatches from the Margins, Blevins introduces us with humor and fairness to mostly unseen lives of the past and present: southern gospel singing schools and ballad collectors, migratory cotton pickers and backroad country storekeepers, fireworks peddlers and impoverished diarists.
Part historical and part journalistic, Blevins’s essays combine the scholarly sensibilities of a respected historian with the insights of someone raised in rural hill country. His stories of marginalized characters often defy stereotype. They entertain as much as they educate. And most of them originate in the same place Blevins does: up south in the Ozarks.
At a time when the traditional sheltered workshop model has fallen under rightful criticism, and a new paradigm for disability programming is not yet in place, Upcycling Sheltered Workshops offers a revolutionary alternative. As many push to dismantle sheltered workshops, Susan Dlouhy and Patty Mitchell present the Creative Abundance Model, a proven method that redirects sheltered workshops from routine to creativity, putting participants in the driver’s seat.
The Creative Abundance Model does away with the repetitive tasks that characterize traditional workshops. Instead, it is a structured but more open program that incorporates art, music, and other creative pursuits, freeing participants to discover their individual skills and talents. The authors both advocate for the model and provide instructions for implementing it, outlining such steps as obtaining funding, gaining the support and participation of the surrounding community, and preparing studios. Case studies from around the nation and inspiring photographs illustrate Dlouhy and Mitchell’s methods and document the many ways in which participants in Creative Abundance thrive.
With the advent of easy-to-use websites, ordinary people have become internet writers, disseminating their texts to large audiences. Social media sites enable writers’ audiences to communicate back to the them, instantly and often. Even professional writers work within interfaces that place comments adjacent to their text, privileging the audience’s voice. Thus, writers face the prospect of attending to their writing after they deliver their initial arguments. Update Culture and the Afterlife of Digital Writing describes the conditions that encourage “published” texts to be revisited. It demonstrates—through forty case studies of Amazon reviewers, redditors, and established journalists—how writers consider the timing, attention, and management of their writing under these ever-evolving conditions.
Online culture, from social media to blog posts, requires a responsiveness to readers that is rarely duplicated in print and requires writers to consistently reread, edit, and update texts, a process often invisible to readers. This book takes questions of circulation online and shows, via interviews with both writers and participatory audience members, that writing studies must contend with writing’s afterlife. It will be of interest to researchers, scholars, and students of writing studies and the fields of rhetoric, communication, education, technical communication, digital writing, and social media, as well as all content creators interested in learning how to create more effective posts, comments, replies, and reviews.
Mary O’Connell examines the role of socially constructed masculinity in John Updike’s Rabbit tetralogy—Rabbit Run, Rabbit Redux, Rabbit Is Rich, and Rabbit at Rest—which comprises the longest and most comprehensive representation of masculinity in American literature and places Updike firmly with the precursors of the contemporary movement among men to reevaluate their cultural inheritance.
A disturbing element exists, O’Connell determines, in both the texts of the Rabbit novels and in the critical community that examines them. In the novels, O’Connell finds substantial evidence to demonstrate patterns of psychological and physical abuse toward women, citing as the culminating example the mounting toll of literally or metaphorically dead women in the texts. Critics who characterize Updike as a nonviolent writer who strangely overlooks Rabbit’s repressive and violent behaviors avoid a discomforting but crucial aspect of Updike’s portrait.
Because the critical verdict of nonviolence in Updike’s novels contrasts sharply with the string of female corpses, O’Connell deems that something within the text or culture—or both—is seriously amiss.
Although she examines negative aspects of Rabbit’s behavior, O’Connell avoids the oversimplification of labeling Updike a misogynist. Instead, she looks closely at the forces shaping Rabbit’s gender identity as well as at the ways he experiences masculinity and the ways his gender identity affects his personal and spiritual development, his relationships, and, ultimately, his society. She shows how Updike challenges stereotypical masculinity, revealing its limitations and proscriptions as the source of much unhappiness for both men and women. Further, she substantiates the relation between gender, form, structure, perspective, and language use in the novels, alerting the reader to the ambivalence arising from the male author’s examination of masculinity.
O’Connell maintains that Updike does more than write Rabbit as a stereotypical male; he instead explores in depth his character’s habitually flawed ways of seeing and responding to the world. As she discusses these issues, O’Connell uses the term patriarchy in its broadest sense to refer to the practice of centralizing the male and marginalizing the female in all areas of human life. Patriarchal ideology—the assumptions, values, ideas, and patterns of thought that perpetuate the arrangement—is written as hidden text, permeating every aspect of culture, particularly language, from which it spreads to other signifying systems.
Contrary to conventional critical wisdom, Updike is not a straightforward writer; the Rabbit novels create meaning by challenging, undermining, and qualifying their own explicit content. Updike claims that his novels are "moral debates with the reader," and according to O’Connell, the resisting reader, active and skeptical, is the one most likely to discover what Rabbit conceals and to register the nuances of layered discourse.
For two spring days in 2001, John Updike visited Cincinnati, Ohio, engaging and charming his audiences, reading from his fiction, fielding questions, sitting for an interview, participating in a panel discussion, and touring the Queen City.
Successful writers typically spend a portion of their lives traveling the country to give readings and lectures. While a significant experience for author and audience alike, this public spectacle, once covered in detailed newspaper accounts, now is barely noticed by the media. Updike in Cincinnati—composed of a wealth of materials, including session transcripts, short stories discussed and read by the author, photographs, and anecdotal observations about Updike's performance and personal interactions--is unique in its comprehensive coverage of a literary visit by a major American author.
Updike's eloquence, intelligence, improvisational skills, and gift for comedy are all on display. With natural grace, he discusses a range of topics, including his novels and short stories, his mother and oldest son as writers, Pete Rose and Shoeless Joe Jackson, the Nobel Prize, his appearance on The Simpsons, the Cold War, and Hamlet.
Augmented with commentary by critics W. H. Pritchard and Donald Greiner, and an introduction and interview by James Schiff, Updike in Cincinnati provides an engaging and detailed portrait of one of America's contemporary literary giants.
The deep oceans are the last great frontier remaining on Earth. Humans have conquered the vast wilderness of the terrestrial surface, from the searing deserts and dark forests of the tropics to the icy polar regions. Today, anyone with enough ambition and money can travel upriver into the heart of the Borneo jungle, climb Mount Everest, or spend the night at the South Pole. But the oceans beyond the continental shelves remain forbidding, beyond the reach of science, adventurism, and commerce.
Not long ago, scientists viewed the ocean floor as a vast, featureless plain, an ancient repository of detritus eroded from the surface of an unchanging Earth. Light never reached the seemingly lifeless depths. The ocean basins were only of marginal scholarly interest. This all changed with the Herculean quest to discover what lay on the world's ocean floor—a quest that inspired the continental drift-plate tectonics revolution and overturned prevailing scientific notions of how the Earth’s surface was created, rearranged, and destroyed.
Upheaval from the Abyss spans a 130-year period, beginning with the early, backbreaking efforts to map the depths during the age of sail; continuing with improvements in research methods spurred by maritime disaster and war; and culminating in the publication of the first map of the world’s ocean floor in 1977. The author brings this tale to life by weaving through it the personalities of the scientists-explorers who struggled to see the face of the deep, and reveals not only the facts of how the ocean floor was mapped, but also the human dimensions of what the scientists experienced and felt while in the process.
Betsy Wood examines the evolution of ideas about child labor and the on-the-ground politics of the issue against the backdrop of broad developments related to slavery and emancipation, industrial capitalism, moral and social reform, and American politics and religion. Wood explains how the decades-long battle over child labor created enduring political and ideological divisions within capitalist society that divided the gatekeepers of modernity from the cultural warriors who opposed them. Tracing the ideological origins and the politics of the child labor battle over the course of eighty years, this book tells the story of how child labor debates bequeathed an enduring legacy of sectionalist conflict to modern American capitalist society.
In Upon the Ruins of Liberty, Roger Aden offers a compelling account that explores the development of this important historic site and how history, space, and public memory intersected with contemporary racial politics. Aden constructs this engrossing tale by drawing on archival material and interviews with principal figures in the controversy-including historian Ed Lawler, site activist Michael Coard, and site designer Emanuel Kelly.
Upon the Ruins of Liberty chronicles the politically-charged efforts to create a fitting tribute to the place where George Washington (and later, John Adams) shaped the presidency while denying freedom to the nine enslaved Africans in his household. From design to execution, the plans prompted advocates to embrace stories informed by race, and address difficulties that included how to handle the results of the site excavation. As such, this landmark project raised concerns and provided lessons about the role of public memory and how places are made to shape the nation's identity.
Published by the Center for Literary Publishing at Colorado State University
As young Dene migrate to towns and cities far from their homeland on the upper Tanana River of east central Alaska, they may never learn what it was like living from the land. In these interviews elders express concern that young Dene are becoming ignorant of the traditions that made their ancestors disciplined and strong enough to withstand the rigors of life on the land. The old life was taxing and made demands on the body and soul, and the struggle to achieve security placed a premium on knowledge, endurance, and constant effort. Modern conveniences have made life easier, but elders believe their knowledge is still vital to the survival of future generations.
With text in both Dene and English, The Upper Tanana Dene is a link to Dene experiences, lives, and understanding of the world and is meant for those interested in Dene heritage, as well as students and scholars of cultural and ethnic studies and history.
Tracing journeys of Cantonese migrants along the West River and its tributaries, this book describes the circulation of people through one of the world’s great river systems between the late sixteenth and mid-nineteenth centuries. Steven B. Miles examines the relationship between diaspora and empire in an upriver frontier, and the role of migration in sustaining families and lineages in the homeland of what would become a global diaspora. Based on archival research and multisite fieldwork, this innovative history of mobility explores a set of diasporic practices ranging from the manipulation of household registration requirements to the maintenance of split families.
Many of the institutions and practices that facilitated overseas migration were not adaptations of tradition to transnational modernity; rather, they emerged in the early modern era within the context of riverine migration. Likewise, the extension and consolidation of empire required not only unidirectional frontier settlement and sedentarization of indigenous populations. It was also responsible for the regular circulation between homeland and frontier of people who drove imperial expansion—even while turning imperial aims toward their own purposes of socioeconomic advancement.
In this remarkable story of one man’s encounter with an indigenous people of Peru, Michael Brown guides his readers upriver into a contested zone of the Amazonian frontier, where more than 50,000 Awajún—renowned for their pugnacity and fierce independence—remain determined, against long odds, to live life on their own terms.
When Brown took up residence with the Awajún in 1976, he knew little about them other than their ancestors’ reputation as fearsome headhunters. The fledgling anthropologist was immediately impressed by his hosts’ vivacity and resourcefulness. But eventually his investigations led him into darker corners of a world where murderous vendettas, fear of sorcery, and a shocking incidence of suicide were still common. Peru’s Shining Path insurgency in the 1980s forced Brown to refocus his work elsewhere. Revisiting his field notes decades later, now with an older man’s understanding of life’s fragility, Brown saw a different story: a tribal society trying, and sometimes failing, to maintain order in the face of an expanding capitalist frontier. Curious about how the Awajún were faring, Brown returned to the site in 2012, where he found a people whose combative self-confidence had led them to the forefront of South America’s struggle for indigenous rights.
Written with insight, sensitivity, and humor, Upriver paints a vivid picture of a rapidly growing population that is refashioning its warrior tradition for the twenty-first century. Embracing literacy and digital technology, the Awajún are using hard-won political savvy to defend their rainforest home and right of self-determination.
Humor is often dismissed as cruel ridicule or harmless fun. But what if laughter is a vital force to channel rage against patriarchy, Islamophobia, or mass incarceration? To create moments of empathy and dialogue between Black Lives Matter and the police? These and other such questions are at the heart of this powerful reassessment of humor. Placing theorists in conversation with comedians, Uproarious offers a full-frontal approach to the very foundation of comedy and its profound political impact.
Here Cynthia Willett and Julie Willett address the four major theories of humor—superiority, relief, incongruity, and social play—through the lens of feminist and game-changing comics such as Wanda Sykes, Margaret Cho, Hannah Gadsby, Hari Kondabolu, and Tig Notaro. They take a radical and holistic approach to the understanding of humor, particularly of humor deployed by those from groups long relegated to the margins, and propose a powerful new understanding of humor as a force that can engender politically progressive social movements. Drawing on a range of cross-disciplinary sources, from philosophies and histories of humor to the psychology and physiology of laughter to animal studies, Uproarious offers a richer understanding of the political and cathartic potential of humor.
A major new contribution to a wider dialogue on comedy, Uproarious grounds for us explorations of outsider humor and our golden age of feminist comics—showing that when women, prisoners, even animals, laugh back, comedy along with belly laughs forge new identities and alter the political climate.
Uprooted: Race, Public Housing, and the Archaeology of Four Lost New Orleans Neighborhoods uses archaeological research on four neighborhoods that were razed during the construction of public housing in World War II–era New Orleans. Although each of these neighborhoods was identified as a “slum” historically, the material record challenges the simplicity of this designation. D. Ryan Gray provides evidence of the inventiveness of former residents who were marginalized by class, color, or gender and whose everyday strategies of survival, subsistence, and spirituality challenged the city’s developing racial and social hierarchies.
These neighborhoods initially appear to have been quite distinct, ranging from the working-class Irish Channel, to the relatively affluent Creole of Color–dominated Lafitte area, to the former location of Storyville, the city’s experiment in semilegal prostitution. Archaeological and historical investigations suggest that race was the crucial factor in the areas’ selection for clearance. Each neighborhood manifested a particular perceived racial disorder, where race intersected with ethnicity, class, or gender in ways that defied the norms of Jim Crow segregation.
Gray’s research makes use of both primary documents—including census records, city directories, and even the brothel advertising guides called “Blue Books”—and archaeological data to examine what this entailed at a variety of scales, reconstructing narratives of the households and communities affected by clearance. Public housing, both in New Orleans and elsewhere, imposed a new kind of control on urban life that had the effect of making cities both more segregated and less equal. The story of the neighborhoods that were destroyed provides a reminder that their erasure was not an inevitable outcome, and that a more equitable and just city is still possible today. A critical examination of the rise of public housing helps inform the ongoing debates over its demise, especially in light of the changing face of post-Katrina New Orleans.
In Uprooting Community, Selfa A. Chew examines the lived experience of Japanese Mexicans in the U.S.-Mexico borderlands during World War II. Studying the collaboration of Latin American nation-states with the U.S. government, Chew illuminates the efforts to detain, deport, and confine Japanese residents and Japanese-descent citizens of Latin American countries during World War II. These narratives challenge the notion that Japanese Mexicans enjoyed the protection of the Mexican government during the war and refute the mistaken idea that Japanese immigrants and their descendants were not subjected to internment in Mexico during this period. Through her research, Chew provides evidence that, despite the principles of racial democracy espoused by the Mexican elite, Japanese Mexicans were in fact victims of racial prejudice bolstered by the political alliances between the United States and Mexico.
The treatment of the ethnic Japanese in Mexico was even harsher than what Japanese immigrants and their children in the United States endured during the war, according to Chew. She argues that the number of persons affected during World War II extended beyond the first-generation Japanese immigrants “handled” by the Mexican government during this period, noting instead that the entire multiethnic social fabric of the borderlands was reconfigured by the absence of Japanese Mexicans.
In Upsetting Composition Commonplaces, Ian Barnard argues that composition still retains the bulk of instructional practices that were used in the decades before poststructuralist theory discredited them. While acknowledging that some of the foundational insights of poststructuralist theory can be difficult to translate to the classroom, Barnard upends several especially intransigent tenets that continue to influence the teaching of writing and how students are encouraged to understand writing.
Using six major principles of writing classrooms and textbooks—clarity, intent, voice, ethnography, audience, and objectivity—Barnard looks at the implications of poststructuralist theory for pedagogy. While suggesting some evocative poststructuralist pedagogical practices, the author focuses on diagnosing the fault lines of composition's refusal of poststructuralism rather than on providing "solutions” in the form of teaching templates.
Upsetting Composition Commonplaces addresses the need to more effectively engage in poststructuralist concepts in composition in an accessible and engaging voice that will advance the conversation about relations between the theory and teaching of writing.
Battle lines have long been drawn over how food is produced, what food is made available to whom, and how best to protect consumers from risky or unhealthy food. Jeffrey Haydu resurrects the history of food reform and protest in Upsetting Food, showing how activists defined food problems, articulated solutions, and mobilized for change in the United States.
Haydu’s sociological history starts in the 1830s with diet reformer Sylvester Graham, who blamed alcohol and store-bought bread—signs of a commercializing urban society—for poor health and moral decline. His successors at the turn of the twentieth century rallied against impure food and pushed for women to be schooled in scientific food preparation and nutrition. Decades later, in the 1960s and ’70s, a grassroots movement for organic food battled commercial food production in favor of food grown ecologically, by small farmers, and without artificial chemicals.
Each campaign raised doubts about food safety, health, and transparency, reflecting how a capitalist system can undermine trust in food. But Haydu also considers how each movement reflects the politics, inequalities, and gender relations of its time. And he traces how outcomes of each campaign laid the groundwork for the next. The three eras thus come together as parts of a single, recurring food movement.
Upsetting Food offers readers a historical background to better understand contemporary and contentious food politics.
The Upside of Down takes the reader on a mind-stretching tour of societies' management, or mismanagement, of disasters over time. From the demise of ancient Rome to contemporary climate change, this spellbinding book analyzes what happens when multiple crises compound to cause what the author calls "synchronous failure." But, crisis doesn't have to mean total global calamity. Through catagenesis, or creative, bold reform in the wake of breakdown, it is possible to reinvent our future.
Drawing on the worlds of archeology, poetry, politics, science, and economics, The Upside of Down is certain to provoke controversy and stir imaginations across the globe. The author's wide-ranging expertise makes his insights and proposals particularly acute, as people of all nations try to grapple with how we can survive tomorrow's inevitable shocks to our global system. There is no guarantee of success, but there are ways to begin thinking about a better world, and The Upside of Down is the ideal place to start thinking.
Over the course of the nation’s history, the Constitution has been turned upside-down, Michael Greve argues in this provocative book. The Constitution’s vision of a federalism in which local, state, and federal government compete to satisfy the preferences of individuals has given way to a cooperative, cartelized federalism that enables interest groups to leverage power at every level for their own benefit. Greve traces this inversion from the Constitution’s founding through today, dispelling much received wisdom along the way.
The Upside-Down Constitution shows how federalism’s transformation was a response to states’ demands, not an imposition on them. From the nineteenth-century judicial elaboration of a competitive federal order, to the New Deal transformation, to the contemporary Supreme Court’s impoverished understanding of constitutional structure, and the “devolution” in vogue today, Greve describes a trend that will lead to more government and fiscal profligacy, not less. Taking aim at both the progressive heirs of the New Deal and the vocal originalists of our own time, The Upside-Down Constitution explains why the current fiscal crisis will soon compel a fundamental renegotiation of a new federalism grounded in constitutional principles.
Stratification defines cities in the contemporary United States. In an era marked by increasing income segregation, one of the main sources of this inequality is housing prices. A crucial part of wealth inequality, housing prices are also directly linked to the uneven distribution of resources across neighborhoods and to racial and ethnic segregation. Upsold shows how the interactions between real estate agents and buyers make or break neighborhood reputations and construct neighborhoods by price.
Employing revealing ethnographic and quantitative housing data, Besbris outlines precisely how social influences come together during the sales process. In Upsold, we get a deep dive into the role that the interactions with sales agents play in buyers’ decision-making and how neighborhoods are differentiated, valorized, and deemed to be worthy of a certain price.
What happens, then, when a feminist who directs for the theater decides that there is something called a feminist director, someone who sees her job as protesting and intervening in the existing system of representation? The contributors to this volume provide a wide range of answers, in original essays that disrupt traditional approaches of directing by showing how feminist theory might be applied in practice.
Essays and interviews by a wide variety of directors, scholars, and other theater specialists offer fresh new models for thinking about directing. The collection includes essays on African-American theater, feminist “classics,” and male directors working on feminist plays, as well as concrete suggestions for directing a variety of plays, from works by Shakespeare and Euripides to those by Caryl Churchill, Aishah Rahman, and Helene Cixous. The theoretical material, drawing from a wide range of contemporary critics and theorists, has been written with the director in mind, partly for the purpose of analyzing texts but also for inspiring creative directorial and design solutions.
By promoting superpower cooperation, decolonization, nuclear disarmament, and other taboo causes, dissident artists such as Lillian Hellman, Arthur Miller, Rod Serling, Dalton Trumbo, Reginald Rose, and Paddy Chayefsky managed both to stretch the boundaries of Cold War ideology and to undermine some of its basic assumptions. Working at times under assumed names and in some cases outside the United States, they took on the role of informal diplomats who competed with Washington in representing America to the world.
Ironically, the dissidents' international appeal eventually persuaded the U.S. foreign policy establishment that their unconventional views could be an asset in the Cold War contest for "hearts and minds," and their artistic work an effective means to sell American values and culture abroad. By the end of the 1950s, the Eisenhower administration not only appropriated the work of these talented artists but enlisted some of them to serve as official voices of Cold War cultural diplomacy.
Set in a landscape of red sunsets and wildfire smoke, Queen Anne’s lace on the roadsides, and toxic chemicals in the watershed, Lindsay Turner’s The Upstate is a book about southern Appalachia in a contemporary moment of change and development. Layering a personal lyric voice with a broader awareness of labor issues and political and ecological crises, The Upstate redefines a regional poetics as one attuned to national and global systems. These poems observe and emote, mourning acts of devastation and raging in their own quiet way against their continuation.
The poems in The Upstate arise from moments of darkness and desperation, mobilizing a critical intelligence against the status quo of place and history, all while fiercely upholding belief in the role of poetry to affect these conditions. Turner’s poems weave spells around beloved places and people, yearning to shield them from destruction and to profess faith in the delicate beauties of the world at hand.
Upstream documents the significance of the Allotment Era to a long and ongoing history of cultural and community disruption. It also details Indigenous resistance to both hydropower and disruptive conservation efforts. With a focus on northeastern California, this book highlights points of intervention to increase justice for Indigenous peoples in contemporary natural resource policy making.
Author Beth Rose Middleton Manning relates the history behind the nation’s largest state-built water and power conveyance system, California’s State Water Project, with a focus on Indigenous resistance and activism. She illustrates how Indigenous history should inform contemporary conservation measures and reveals institutionalized injustices in natural resource planning and the persistent need for advocacy for Indigenous restitution and recognition.
Upstream uses a multidisciplinary and multitemporal approach, weaving together compelling stories with a study of placemaking and land development. It offers a vision of policy reform that will lead to improved Indigenous futures at sites of Indigenous land and water divestiture around the nation.
The first known prose romance written by a woman in Italian, Bigolina's Urania centers on the monomaniacal love of a female character falling into melancholy when her beloved leaves her for a more beautiful woman. A tale that includes many of the conventions that would later become standards of the genre—cross-dressing, travel, epic skirmishes, and daring deeds—Urania also contains the earliest treatise on the worth of women.
Also included in this volume, the novella Giulia Camposampiero is the only extant part of a probable longer narrative written in the style of the Decameron. While employing some of those same gender and role reversals as Urania, including the privileging of heroic constancy in both men and women, it chronicles the tribulations that a couple undergoes until their secret marriage is publicly recognized.
The most distant planets in our solar system, Uranus and Neptune were unknown by the ancients—Uranus was discovered in the 1780s and Neptune only in the 1840s. Our discovery and observation of both planets have been hampered by their sheer distance from Earth: there has only been one close encounter, Voyager 2 in the late 1980s. The Voyager mission revealed many enticing details about the planets and their moons but also left many more questions unanswered. This book is an informative and accessible introduction to Uranus, Neptune, and their moons. It takes readers on a journey from discovery to the most recent observations made from space- and ground-based telescopes, and it will appeal to amateur and professional astronomers alike.
In Urban Acupuncture, Lerner celebrates these “pinpricks” of urbanism—projects, people, and initiatives from around the world that ripple through their communities to uplift city life. With meditative and descriptive prose, Lerner brings readers around the world to streets and neighborhoods where urban acupuncture has been practiced best, from the bustling La Boqueria market in Barcelona to the revitalization of the Cheonggyecheon River in Seoul, South Korea. Through this journey, Lerner invites us to re-examine the true building blocks of vibrant communities—the tree-lined avenues, night vendors, and songs and traditions that connect us to our cities and to one another.
Urban Acupuncture is the first of Jaime Lerner’s visionary work to be published in English. It is a love letter to the elements that make a street hum with life or a neighborhood feel like home, penned by one of the world’s most successful advocates for sustainable and livable urbanism.
Historians, sociologists, and foodies alike will devour the story of the origins of New York City’s food industry in Urban Appetites. Cindy R. Lobel focuses on the rise of New York as both a metropolis and a food capital, opening a new window onto the intersection of the cultural, social, political, and economic transformations of the nineteenth century. She offers wonderfully detailed accounts of public markets and private food shops; basement restaurants and immigrant diners serving favorites from the old country; cake and coffee shops; and high-end, French-inspired eating houses made for being seen in society as much as for dining. But as the food and the population became increasingly cosmopolitan, corruption, contamination, and undeniably inequitable conditions escalated. Urban Appetites serves up a complete picture of the evolution of the city, its politics, and its foodways.
In this book, Pavla Šimková reinterprets the Boston Harbor Islands as an urban archipelago, arguing that they have been an integral part of Boston since colonial days, transformed by the city's changing values and catering to its current needs. Drawing on archival sources, historic maps and photographs, and diaries from island residents, this absorbing study attests that the harbor islands' story is central to understanding the ways in which Boston has both shaped and been shaped by its environment over time.
To create the Guide, the authors conducted an extensive worldwide literature search from design guidelines and real-life experience. They worked closely with a panel of urban bikeway planning professionals from NACTO member cities and from numerous other cities worldwide, as well as traffic engineers, planners, and academics with deep experience in urban bikeway applications. The Guide offers substantive guidance for cities seeking to improve bicycle transportation in places where competing demands for the use of the right-of-way present unique challenges.
First and foremost, the NACTO Urban Bikeway Design Guide, Second Edition will help practitioners make good decisions about urban bikeway design. The treatments outlined in this updated Guide are based on real-life experience in the world's most bicycle friendly cities and have been selected because of their utility in helping cities meet their goals related to bicycle transportation. Praised by Former Transportation Secretary Ray LaHood as an “extraordinary piece of work,” the Guide is an indispensable tool every planner must have for their daily transportation design work.
The completely revised and updated third edition of the NACTO Urban Bikeway Design Guide sets a new standard for street design in North America. Developed for cities, by cities, the new guide is more than a permission slip for better street design--it's a prescription for safe, connected, equitable bike networks. It captures lessons learned and emerging practices to set a new bar for the design of city streets.
The NACTO Urban Bikeway Design Guide, Third Edition, will help city leaders and street designers meet the needs of our time. New topics address critical gaps in existing guidance for planning and project development. Contextual guidance for bikeway design encompasses the needs of a wider swath of potential riders, across genders, ages, races, ethnicities, incomes, and abilities. The guide offers substantive guidance for safe intersection design, with a focus on conflict reduction. It is a blueprint for implementing safe, connected, and equitable bike networks. Every transportation professional, from design to maintenance and from field staff to executives, needs a copy for their daily work.
Praise for the second edition
“NACTO's Urban Bikeway Design Guide gives American planners and designers the tools they need to make cycling accessible to more people.”
—Janette Sadik-Khan, former New York City Transportation Commissioner
“This is an extraordinary piece of work that's long overdue.”
—Ray LaHood, former United States Secretary of Transportation
“The guide will serve as an essential blueprint for safe, active, multi-modal streets.”
—Gabe Klein, former Chicago Transportation Commissioner
“A Must-read… Landscape architects, planners, and city officials should find this guide invaluable. Anyone who advocates for increasing bicycle infrastructure in our cities will find many useful tools for implementing best practice infrastructure.”
―ASLA's The Dirt
"Enlightening. . . . [Keil] has given a provocative indication of the role of the blues singer as a focal point of ghetto community expression."—John S. Wilson, New York Times Book Review
"[Urban Blues] expresses authentic concern for people who are coming to realize that their past was . . . the source of meaningful cultural values."—Atlantic
"An achievement of the first magnitude. . . . He opens our eyes and introduces a world of amazingly complex musical happening."—Robert Farris Thompson, Ethnomusicology
"[Keil's] vigorous, aggressive scholarship, lucid style and sparkling analysis stimulate the challenge. Valuable insights come from treating urban blues as artistic communication."—James A. Bonar, Boston Herald
Nadine George-Graves presents a comprehensive history of Urban Bush Women since their founding in 1984. She analyzes their complex work, drawing on interviews with current and former dancers and her own observation of and participation in Urban Bush Women rehearsals. This illustrated book captures the grace and power of the dancers in motion and provides an absorbing look at an innovative company that continues to raise the bar for socially conscious dance.
While ancient literature and the physical remains of cities attest to the power that urban values held over the lives of their inhabitants, the rural areas in which the majority of imperial citizens lived have not been well served by the historical record. Only recently have archeological excavations and integrated field surveys sufficiently enhanced our knowledge of the rural contexts to demonstrate the continuing interdependence of urban centers and rural communities in Late Antiquity. These new data call into question the conventional view that this interdependence progressively declined as a result of governmental crises, invasions, economic dislocation, and the success of Christianization.
The essays in this volume require us to abandon the search for a single model of urban and rural change; to reevaluate the cities and towns of the Empire as centers of habitation, rather than archeological museums; and to reconsider the evidence of continuous and pervasive cultural change across the countryside. Deploying a wide range of material as well as literary evidence, the authors provide access not only into the world of élites, but also to the scarcely known lives of those without a voice in the literature, those men and women who worked in the shops, labored in the fields, and humbled themselves before their gods. They bring us closer to the complexity of life in late ancient communities and, in consequence, closer to both urban and rural citizens.
An unstructured genre that blends high aesthetic standards with nonfiction commentary, the journalistic crónica, or chronicle, has played a vital role in Latin American urban life since the nineteenth century. Drawing on extensive archival research, Viviane Mahieux delivers new testimony on how chroniclers engaged with modernity in Mexico City, Buenos Aires, and São Paulo during the 1920s and 1930s, a time when avant-garde movements transformed writers' and readers' conceptions of literature. Urban Chroniclers in Modern Latin America: The Shared Intimacy of Everyday Life examines the work of extraordinary raconteurs Salvador Novo, Cube Bonifant, Roberto Arlt, Alfonsina Storni, and Mário de Andrade, restoring the original newspaper contexts in which their articles first emerged.
Each of these writers guided their readers through a constantly changing cityscape and advised them on matters of cultural taste, using their ties to journalism and their participation in urban practice to share accessible wisdom and establish their role as intellectual arbiters. The intimate ties they developed with their audience fostered a permeable concept of literature that would pave the way for overtly politically engaged chroniclers of the 1960s and 1970s. Providing comparative analysis as well as reflection on the evolution of this important genre, Urban Chroniclers in Modern Latin America is the first systematic study of the Latin American writers who forged a new reading public in the early twentieth century.
Urban Cinematics surveys the mechanisms by which cinema contributes to our understanding of cities to address two key issues: How do filmmakers make use of urban spaces, and how do urban spaces make use of cinema? Merging the disciplines of architecture, landscape design, and urban planning with film studies, this book explores the potential of cinema as a tool to investigate the communal narratives of cities. A series of dialogues with filmmakers rounds out this insightful and methodologically innovative volume.
The future of smart cities has arrived, courtesy of citizens and their phones. To prove it, Daniel T. O’Brien explains the transformative insights gleaned from years researching Boston’s 311 reporting system, a sophisticated city management tool that has revolutionized how ordinary Bostonians use and maintain public spaces. Through its phone service, mobile app, website, and Twitter account, 311 catalogues complaints about potholes, broken street lights, graffiti, litter, vandalism, and other issues that are no one citizen’s responsibility but affect everyone’s quality of life. The Urban Commons offers a pioneering model of what modern digital data and technology can do for cities like Boston that seek both prosperous growth and sustainability.
Analyzing a rich trove of data, O’Brien discovers why certain neighborhoods embrace the idea of custodianship and willingly invest their time to monitor the city’s common environments and infrastructure. On the government’s side of the equation, he identifies best practices for implementing civic technologies that engage citizens, for deploying public services in collaborative ways, and for utilizing the data generated by these efforts.
Boston’s 311 system has narrowed the gap between residents and their communities, and between constituents and local leaders. The result, O’Brien shows, has been the creation of more effective policy and practices that reinvigorate the way citizens and city governments approach their mutual interests. By unpacking when, why, and how the 311 system has worked for Boston, The Urban Commons reveals the power and potential of this innovative system, and the lessons learned that other cities can adapt.
In the past, we were accustomed to seeing the city as a circumscribed space, the setting for cultural, social, and political life that enabled the civic integration of individuals. Now we find ourselves confronted by both seemingly limitless, gigantic megalopolises and the emergence of global networks of entities cut off from a physical environment. The current reconfiguration is cause for concern: Are we witnessing the terminal decline of the urban values that have been a concomitant part of recent human history? Will fragmentation and chaotic urban sprawl inevitably prevail? Are we doomed to lament the lost legacies of the Greek polis, the Renaissance city, Enlightenment Paris, and the great industrial cities of the nineteenth century?
Urban Design Governance takes a deep dive into the governance of urban design around Europe. It examines interventions in the means and processes of designing the built environment as devised by public authorities and other stakeholders across the continent, paying particular attention to the use of soft powers and allied financial mechanisms to influence design quality in the public interest. In doing so, the book traces the scope, use, and effectiveness of the range of informal, non-regulatory urban design governance tools that governments, municipalities, and others have at their disposal.
With increased awareness of the role of plans in shaping urban and suburban landscapes has come increased criticism of planners and the planning profession. Developers, politicians, and citizens alike blame "poor planning" for a host of community ills. But what are plans really supposed to do? How do they work? What problems can they successfully address, and what is beyond their scope? In Urban Development, leading planning scholar Lewis Hopkins tackles these thorny issues as he explains the logic of plans for urban development and justifies prescriptions about when and how to make them. He explores the concepts behind plans, some that are widely accepted but seldom examined, and others that modify conventional wisdom about the use and usefulness of plans. The book:
- places the role of plans and planners within the complex system of urban development
- offers examples from the history of plans and planning
- discusses when plans should be made (and when they should not be made)
- gives a realistic idea of what can be expected from plans
- examines ways of gauging the success or failure of plans
The author supports his explanations with graphics, case examples, and hypothetical illustrations that enliven, clarify, and make concrete the discussions of how decisions about plans are and should be made.
Urban Development will give all those involved with planning human settlements a more thorough understanding of why and how plans are made, enabling them to make better choices about using and making plans. It is an important contribution that will be essential for students and faculty in planning theory, land use planning, and planning project courses.
In Urban Disorder and the Shape of Belief, Carl Smith explores the imaginative dimensions of these events as he traces the evolution of interconnected beliefs and actions that increasingly linked city, disorder, and social reality in the minds of Americans. Examining a remarkable range of writings and illustrations, as well as protests, public gatherings, trials, hearings, and urban reform and construction efforts, Smith argues that these three events—and the public awareness of them—not only informed one another, but collectively shaped how Americans understood, and continue to understand, Chicago and modern urban life.
This classic of urban cultural history is updated with a foreword by the author that expands our understanding of urban disorder to encompass such recent examples as Hurricane Katrina, the Oklahoma City Bombing, and 9/11.
“Cultural history at its finest. By utilizing questions and methodologies of urban studies, social history, and literary history, Smith creates a sophisticated account of changing visions of urban America.”—Robin F. Bachin, Journal of Interdisciplinary History
The Malian market at the terminus in Dakar was bulldozed in 2009 and, following the privatization of the railway, passenger services in Senegal soon ceased altogether. The consequences were felt especially by women traders who had traveled the line since its inauguration, making the terminus in Dakar the center of a thriving network of traders and migrants. To examine the fates of those whose livelihoods were destroyed or disrupted, Gunvor Jónsson spent a year with the women evicted from the terminus. Urban Displacement and Trade in a Senegalese Market explores what happens at the end of urban displacement, when people find themselves scattered in sometimes unfamiliar surroundings, trying to pick up the pieces and create something meaningful.
In this book, Jónsson argues that rupture and ensuing displacement do not produce a clean slate where identities, networks, and histories must be produced from scratch. When evicted, traders and their markets do not simply vanish into thin air. The book examines not only what is lost but what emerges when a dense node, such as the terminus, is dissolved and fragmented. The ethnography of the traders reveals that the aftermath of eviction in cities may lead to diasporic forms of consciousness and identity formations. Displacement, whether on a local or global scale, demands difficult adjustments, and people’s capacities to adapt to new circumstances and environments vary. This book uncovers the different capacities and variations in traders’ reactions to displacement.
Paul Musselwhite details the unsuccessful urban development that defined the region from the seventeenth century through the Civil War, showing how places like Jamestown and Annapolis—despite their small size—were the products of ambitious and cutting-edge experiments in urbanization comparable to those in the largest port cities of the Atlantic world. These experiments, though, stoked ongoing debate about commerce, taxation, and self-government. Chesapeake planters responded to this debate by reinforcing the political, economic, and cultural authority of their private plantation estates, with profound consequences for the region’s laborers and the political ideology of the southern United States. As Musselwhite makes clear, the antebellum economy around this well-known waterway was built not in the absence of cities, but upon their aspirational wreckage.
The authors note that urban design is viewed as an interface between different disciplines. They describe the field as "peacefully overrun, invaded, and occupied" by city planners, architects, engineers, and landscape architects (with developers and politicians frequently joining in). They suggest that environmental concerns demand the consideration of ecology and sustainability issues in urban design. It is, after all, the urban designer who helps to orchestrate human relationships with other living organisms in the built environment.
The overall objective of the book is to reinforce the role of the urban designer as an honest broker and promoter of design processes and as an active agent of social creativity in the production of the public realm.
Across the country, white ethnics have fled cities for suburbs. But many have stayed in their old neighborhoods. When the busing crisis erupted in Boston in the 1970s, Catholics were in the forefront of resistance. Jews, 70,000 of whom had lived in Roxbury and Dorchester in the early 1950s, were invisible during the crisis. They were silent because they departed the city more quickly and more thoroughly than Boston's Catholics. Only scattered Jews remained in Dorchester and Roxbury by the mid-1970s.
In telling the story of why the Jews left and the Catholics stayed, Gerald Gamm places neighborhood institutions--churches, synagogues, community centers, schools--at its center. He challenges the long-held assumption that bankers and real estate agents were responsible for the rapid Jewish exodus. Rather, according to Gamm, basic institutional rules explain the strength of Catholic attachments to neighborhood and the weakness of Jewish attachments. Because they are rooted, territorially defined, and hierarchical, parishes have frustrated the urban exodus of Catholic families. And because their survival was predicated on their portability and autonomy, Jewish institutions exacerbated the Jewish exodus.
Gamm shows that the dramatic transformation of urban neighborhoods began not in the 1950s or 1960s, but in the 1920s. Not since Anthony Lukas's Common Ground has there been a book that so brilliantly explores not just Boston's dilemma but the roots of the American urban crisis.
Robert Carriker examines for the first time the intricate histories of these subsistence homestead projects, which have long been buried in bureaucratic records and clouded by misunderstanding, showing that in many ways they were among the agency’s most successful efforts. He provides case studies of the projects, rescuing their obscure histories using archival documents and rare photographs. He also reveals the machinations of civic groups and private citizens across the West who jockeyed for access to the funds being allotted for New Deal community building.
By describing what took place on these western homesteads, Carriker shows that the DSH’s agenda was not as far-fetched as some have reported. The tendency to condemn the Division and its projects, he argues, has failed to appreciate the good that came from some of the individual homestead communities—particularly those in the Far West.
Although overshadowed by the larger undertakings of the New Deal, some of these western communities remain thriving neighborhoods—living legacies to FDR’s efforts that show how the country once chose to deal with economic hardship. Too often the DSH is noted for its failures; Carriker’s study shows that its western homesteads were instead qualified accomplishments.
The contributors analyze the historical and social conditions that gave rise to the Urban Generation, its aesthetic innovation, and its ambivalent relationship to China’s mainstream film industry and the international film market. Focusing attention on the Urban Generation’s sense of social urgency, its documentary impulses, and its representations of gender and sexuality, the contributors highlight the characters who populate this new urban cinema—ordinary and marginalized city dwellers including aimless bohemians, petty thieves, prostitutes, postal workers, taxi drivers, migrant workers—and the fact that these “floating urban subjects” are often portrayed by non-professional actors. Some essays concentrate on specific films (such as Shower and Suzhou River) or filmmakers (including Jia Zhangke and Zhang Yuan), while others survey broader concerns. Together the thirteen essays in this collection give a multifaceted account of a significant, ongoing cinematic and cultural phenomenon.
Contributors. Chris Berry, Yomi Braester, Shuqin Cui, Linda Chiu-han Lai, Charles Leary, Sheldon H. Lu, Jason McGrath, Augusta Palmer, Bérénice Reynaud, Yaohua Shi, Yingjin Zhang, Zhang Zhen, Xueping Zhong
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press