Just remembering the crispy fried chicken and luscious peach cobblers a grandmother or aunt used to make can set your mouth watering. And since remembering is no substitute for eating, cooks across the country have turned to Cooking Texas Style to find recipes for the comfort foods we love best. Thirty years after its first publication, popular acclaim has made this collection of favorite family recipes the standard source for traditional Texas cooking.

Here are over three hundred tasty recipes from the kitchens of Candy Wagner and Sandra Marquez. You’ll find classic Texas dishes such as chicken-fried steak, barbecue, chili, guacamole, and cornbread hot with jalapeños, as well as novel, exciting ways to prepare old favorites such as Tortilla Soup, Fajitas, and Chicken and Dumplings. Organized for easy reference, all the recipes are clearly explained, simple to prepare, and simply delicious. Cooking Texas Style is an invaluable addition to the kitchen bookshelf of anyone interested in cooking—and eating—Texas style.

Whether you're hungry for down-home barbecue and Tex-Mex, or you want to try more exotic dishes such as Paella Valenciana and Thai Pesto, Texas Highways has long been a trusted source for delicious recipes that reflect wide-ranging Lone Star tastes. The state's official travel magazine published its first Texas Highways Cookbook, which has sold 20,000 copies, in 1986. Responding to the public's demand for a new collection of the magazine's recipes, the editors are pleased to bring you Cooking with Texas Highways, a compilation of more than 250 recipes that are as richly diverse and flavorful as Texas itself.

Cooking with Texas Highways samples all the major ethnic cuisines of the state with recipes from home cooks, well-known chefs, and popular restaurants. It offers a varied and intriguing selection of snacks and beverages, breads, soups and salads, main dishes, vegetables and sides, sauces and spreads, desserts, and more. A special feature of this cookbook is a chapter on Dutch-oven cooking, which covers all the basics for cooking outdoors with live coals, including seventeen mouth-watering recipes. In addition, you'll find dozens of the lovely color photographs that have long made Texas Highways such a feast for the eyes, along with tips on cooking techniques and sources for ingredients and stories about some of the folks who created the recipes. If you want to sample all the tastes of Texas, there's no better place to start than Cooking with Texas Highways.

Thomas Frank coined the term ‘the conquest of cool’. This book shows how this conquest is at the heart of the dynamics of contemporary capitalism.

Jim McGuigan argues that 'cool capitalism' incorporates disaffection into capitalism itself, absorbing rebellion and thereby neutralising opposition to the present system of culture and society.

McGuigan explores a huge variety of cultural examples, from the sleek images of mainstream advertising, to the fringes of artistic production, offering a vigourous critique of our understanding of subversion, resistance and counter-culturalism.

Has capitalism really colonised our planet? McGuigan shows that there is still some space left for rebellion against the seductive power of the free market economy.

Charting a new course in the criticism of postwar fiction, Cool Characters examines the changing status of irony in American cultural and political life from World War II to the present, showing how irony migrated from the countercultural margins of the 1950s to the cultural mainstream of the 1980s. Along the way, irony was absorbed into postmodern theory and ultimately became a target of recent writers who have sought to create a practice of “postirony” that might move beyond its limitations.

As a concept, irony has been theorized from countless angles, but Cool Characters argues that it is best understood as an ethos: an attitude or orientation toward the world, embodied in different character types, articulated via literary style. Lee Konstantinou traces five such types—the hipster, the punk, the believer, the coolhunter, and the occupier—in new interpretations of works by authors including Ralph Ellison, William S. Burroughs, Thomas Pynchon, Kathy Acker, Dave Eggers, William Gibson, Jennifer Egan, Jonathan Lethem, and Rachel Kushner.

For earlier generations of writers, irony was something vital to be embraced, but beginning most dramatically with David Foster Wallace, dissatisfaction with irony, especially with its alleged tendency to promote cynicism and political passivity, gained force. Postirony—the endpoint in an arc that begins with naive belief, passes through irony, and arrives at a new form of contingent conviction—illuminates the literary environment that has flourished in the United States since the 1990s.

Introducing radical counter-visions of race and slavery, and probing the legal and philosophical questions raised by indenture, The Coolie Speaks offers the first critical reading of a massive testimony case from Cuba in 1874. From this case, Yun traces the emergence of a "coolie narrative" that forms a counterpart to the "slave narrative." The written and oral testimonies of nearly 3,000 Chinese laborers in Cuba, who toiled alongside African slaves, offer a rare glimpse into the nature of bondage and the tortuous transition to freedom. Trapped in one of the last standing systems of slavery in the Americas, the Chinese described their hopes and struggles, and their unrelenting quest for freedom.

Yun argues that the testimonies from this case suggest radical critiques of the "contract" institution, the basis for free modern society. The example of Cuba, she suggests, constitutes the early experiment and forerunner of new contract slavery, in which the contract itself, taken to its extreme, was wielded as a most potent form of enslavement and complicity. Yun further considers the communal biography of a next-generation Afro-Chinese Cuban author and raises timely theoretical questions regarding race, diaspora, transnationalism, and globalization.

In the villages and small towns of Oaxaca, Mexico, as in much of rural Latin America, cooperation among neighbors is essential for personal and community survival. It can take many forms, from godparenting to sponsoring fiestas, holding civic offices, or exchanging agricultural or other kinds of labor. This book examines the ways in which the people of Santa Ana del Valle practice these traditional cooperative and reciprocal relationships and also invent new relationships to respond to global forces of social and economic change at work within their community.

Based on fieldwork he conducted in this Zapotec-speaking community between 1992 and 1996, Jeffrey Cohen describes continuities in the Santañeros' practices of cooperation, as well as changes resulting from transnational migration, tourism, increasing educational opportunities, and improved communications. His nuanced portrayal of the benefits and burdens of cooperation is buttressed by the words of many villagers who explain why and how they participate-or not-in reciprocal family and community networks. This rich ethnographic material offers a working definition of community created in and through cooperative relationships.

Most agricultural production is of commodity or undifferentiated products. Producers suffer from a roller-coaster ride of price swings, over- or under-production, weather and pest threats, and the inability of family famers to capture anything beyond a small percentage of the final price.

Cooperatives Across Clusters provides lessons from the cranberry industry, a commodity product organized mostly into family farms in seven different clusters around North America. The industry is remarkable in that it's substantially organized around one large cooperative, Ocean Spray. The authors examine how the cooperative came to be, the challenges of coordination and industry leadership across the diverging clusters, and the lessons for cooperation for other agricultural industries.

The book provides a multi-layered contribution to agricultural economics. First, it examines location decisions and what factors supersede growing conditions to allow industries to arise around production. Second, it explores pathways available for farmers to try to overcome, through cooperative organization, the natural boom-bust cycles of commodity price swings. Third, it looks at how cooperative decisions are made, and the challenges of providing industry leadership, including research and development and collective marketing, through a cooperative that faces continual defections and new problems. Finally, through in-depth historical, statistical, and field research, it provides a comprehensive study of the cranberry industry and suggests ways farmers can grow the industry. Agricultural policymakers, farmers, industry specialists, and researchers of agriculture and clusters more generally will find this to be an important and informative new resource.

The Copan Sculpture Museum in western Honduras features the extraordinary stone carvings of the ancient Maya city known as Copan. The city’s sculptors produced some of the finest and most animated buildings and temples in the Maya area, in addition to stunning monolithic statues and altars. The ruins of Copan were named a UNESCO World Heritage site in 1980, and more than 150,000 national and international tourists visit the ancient city each year.

Opened in 1996, the Copan Sculpture Museum was initiated as an international collaboration to preserve Copan’s original stone monuments. Its exhibits represent the best-known examples of building façades and sculptural achievements from the ancient kingdom of Copan. The creation of this on-site museum involved people from all walks of life: archaeologists, artists, architects, and local craftspeople. Today it fosters cultural understanding and promotes Hondurans’ identity with the past.

In The Copan Sculpture Museum, Barbara Fash—one of the principle creators of the museum—tells the inside story of conceiving, designing, and building a local museum with global significance. Along with numerous illustrations and detailed archaeological context for each exhibit in the museum, the book provides a comprehensive introduction to the history and culture of the ancient Maya and a model for working with local communities to preserve cultural heritage.

For scientist and layman alike this book provides vivid evidence that the Copernican Revolution has by no means lost its significance today. Few episodes in the development of scientific theory show so clearly how the solution to a highly technical problem can alter our basic thought processes and attitudes. Understanding the processes which underlay the Revolution gives us a perspective, in this scientific age, from which to evaluate our own beliefs more intelligently. With a constant keen awareness of the inseparable mixture of its technical, philosophical, and humanistic elements, Thomas S. Kuhn displays the full scope of the Copernican Revolution as simultaneously an episode in the internal development of astronomy, a critical turning point in the evolution of scientific thought, and a crisis in Western man’s concept of his relation to the universe and to God.

The book begins with a description of the first scientific cosmology developed by the Greeks. Mr. Kuhn thus prepares the way for a continuing analysis of the relation between theory and observation and belief. He describes the many functions—astronomical, scientific, and nonscientific—of the Greek concept of the universe, concentrating especially on the religious implications. He then treats the intellectual, social, and economic developments which nurtured Copernicus’ break with traditional astronomy. Although many of these developments, including scholastic criticism of Aristotle’s theory of motion and the Renaissance revival of Neoplatonism, lie entirely outside of astronomy, they increased the flexibility of the astronomer’s imagination. That new flexibility is apparent in the work of Copernicus, whose De Revolutionibus Orbium Coelestium (On the Revolutions of the Heavenly Spheres) is discussed in detail both for its own significance and as a representative scientific innovation.

With a final analysis of Copernicus’ life work—its reception and its contribution to a new scientific concept of the universe—Mr. Kuhn illuminates both the researches that finally made the heliocentric arrangement work, and the achievements in physics and metaphysics that made the planetary earth an integral part of Newtonian science. These are the developments that once again provided man with a coherent and self-consistent conception of the universe and of his own place in it.

This is a book for any reader interested in the evolution of ideas and, in particular, in the curious interplay of hypothesis and experiment which is the essence of modern science. Says James Bryant Conant in his Foreword: “Professor Kuhn’s handling of the subject merits attention, for…he points the way to the road which must be followed if science is to be assimilated into the culture of our times.”

In a cure-focused profession, the death of a patient can often feel like a failure. Yet, every patient will inevitably transition from health to illness, independence to dependence, and life to death. These transitions often mark some of the most meaningful interactions between patients and care providers. Coping with Loss is a self-directed workbook that provides addresses common questions, concerns, and emotional responses to these interactions with dying patients. Each lesson opens with real stories of professional grief that will resonate with healthcare professionals at multiple stages of their careers. Critical topics covered include recognizing the diverse presentations of grief, identifying dying patients, decompressing individually, and debriefing as a team. Significant portions of the text discuss how challenging patient cases impact the formation of professional identity.  Ultimately, this workbook provides a place for healthcare providers to reflect on their patient interactions and learn how to support themselves and their healthcare teams through grief.

    B-Day, as it came to be known, finally arrived. It was a Friday. A school day. I identified with Cinderella as I watched Dad get ready for work. Holster, check. Gun, check.  Billy club, check. Handcuffs, check. . . . Saturday morning I got up early. Dad was already gone. Back to work. Ushering the Beatles out of town. On the table . . . there were two small bars of soap, slightly used, the words "Coach House Inn" still legible. One book of matches with four missing. And a note from Dad, "From their room." . . . No one else’s dad comes home from work with something that might, just might, have been intimate with a Beatle.
    Growing up, Mel Miskimen thought that a gun and handcuffs on the kitchen table were as normal as a gallon of milk and a loaf of Mrs. Karl’s bread. Her father, a Milwaukee cop for almost forty years was part Super Hero (He simply held up his hand and three lanes of traffic came to a screeching halt) and part Supreme Being (He could be anywhere at anytime. I never knew when or where he would pop up.) Miskimen’s memoir, told in humorous vignettes, tells what it was like for a girl growing up with a dad who packed a lunch and packed heat.

This book has a threefold purpose: to date and explain the beginning of legal protection of copyholders in courts of law and equity; to reconstruct and explain the first stage in the creation of a body of law relating to copyholds; and to provide a case study in sixteenth-century jurisprudence of a sort that may tend to illuminate larger questions about the judicial process in that period. Mr. Gray has based his book largely on manuscript law reports never before used.

Copyhold, and its ancestor, villein tenure, were originally not protected by the central law courts in England, with the result that the tenant was at the mercy of his lord. There has been considerable uncertainty and dispute as to when this state of affairs was changed. This book argues that the Chancery possibly did not extend protection to tenants until the end of the fifteenth century, and that the common law did not provide protection until the middle of the sixteenth century. Mr. Gray explains why and how the change was effected. Since the extension of common-law protection brought many collateral issues before the courts, the judges had to write a new chapter in the law of property. The authordescribes the perplexities they faced and the changing techniques used to meet them.

This history of a new field of law developed in the Elizabethan period has implications for general questions on the judicial process, such as the use made of precedents, the methods of interpreting statutes, and the character of legal analysis. An introduction provides the Medieval background and explains the technical language and fundamental concepts necessary for understanding the specific studies.

Copyright law never sleeps, making it imperative to keep abreast of the latest developments. Declared “an exemplary text that seals the standards for such books” (Managing Information), this newly revised and updated edition by respected copyright authority Crews offers timely insights and succinct guidance for LIS students, librarians, and educators alike. Readers will

• learn basic copyright definitions and key exceptions for education and library services;
• find information quickly with “key points” sidebars, legislative citations, and cross-references;
• get up to speed on fresh developments, such as how the recently signed Marrakesh Treaty expands access for people with disabilities and why the latest ruling in the Georgia State University case makes developing a fair use policy so important;
• understand the concept of fair use, with fresh interpretations of its many gray areas that will aid decision making;
• learn the current state of affairs regarding mass digitization, Creative Commons, classroom use and distance education, the Digital Millennium Copyright Act, and other important topics;
• receive guidance on setting up on a copyright service at a library, college, or university; and
• find many helpful checklists for navigating copyright in various situations.

This straightforward, easy-to-use guide provides the tools librarians and educators need to take control of their rights and responsibilities as copyright owners and users.

A captivating meditation on coral beyond iconic tropical corals

Coralations is a philosophical exploration of the media that come into focus when we shift our attention from the highly recognizable coral of the tropics. Focusing on soft corals and deep-water corals leads to different narratives about climate change and involves different analogies to media. Through thought-provoking analyses of photography, science fiction, visual art, and scientific images, Melody Jue renews our curiosity and broadens our understanding of corals beyond the dominant narratives about their endangerment. Coralations shows how paying attention to particular corals can change what we take for granted.

People live by their stories—how can we use them to accelerate action on climate change?
 

Climate scientist and policy expert Anna Farro Henderson embarks on a remarkable narrative journey in Core Samples, exploring how science is done, discussed, legislated, and imagined. Through stories both raucous and poignant—of far-flung expeditions, finding artistic inspiration in research, and traversing the systemic barriers women and mothers face in science and politics—she brings readers into the daily rhythms and intimacies of scientific research and political negotiation.

Grounded in her experiences as a climate scientist, an environmental policy advisor to Minnesota Senator Al Franken and Governor Mark Dayton, and a constant juggler of the many roles and responsibilities of professional moms, Henderson’s eclectic, unconventional essays range from observations, confessions, and meditations on lab and fieldwork to a packing list for a trip to the State Capitol and a lactation diary. Readers are invited on voyages as far afield as the Trinity nuclear test site in New Mexico, the Juneau Icefield in Alaska, and a meteor crater in Ghana—and as close to home as a town hall meeting in America’s corn belt.

A love letter to science and a bracing (and sometimes hilarious) portrait of the many obstacles women, mothers, and people digging for truth navigate, Core Samples illuminates the messy, contradictory humanity of our scientific and political institutions. Bringing us behind the closed doors of discovery and debate, Henderson exposes the flaws in research institutions, the halls of government, and the role of science in policy, yet she shows how each crack is also an invitation for camaraderie, creativity, and change.

Although the treasury of King Croesus held great quantities of gold and silver plate, the Lydians clearly loved fine ceramic wares imported from Greece. This preference was entirely appropriate for the capital of the expansive Lydian Kingdom, which occupied a pivotal position between the city states of the Greeks and the gigantic empire of the Persians. The importation of Greek pottery corresponds to the visits from poets, philosophers, and politicians mentioned by the historian Herodotus.

This collaborative work consists of three generously illustrated sections presenting the ceramic finds excavated at Sardis, but produced in the mainland Greek centers of Corinth, Athens, and Sparta. Judith Snyder Schaeffer analyzes the Corinthian imports, Nancy H. Ramage the Attic, and Crawford H. Greenewalt, Jr., the Lakonian. Their study of this material from the Harvard-Cornell excavations at Sardis offers new evidence of the taste for specific Greek wares and shapes in Anatolia before the time of Alexander the Great.

Cormac McCarthy is renowned as the author of popular and acclaimed novels such as Blood Meridian, All the Pretty Horses, and The Road. Throughout his career, however, McCarthy has also invested deeply in writing for film and theater, an engagement with other forms of storytelling that is often overlooked. He is the author of five screenplays and two plays, and he has been significantly involved with three of the seven film adaptations of his work. In this book, Stacey Peebles offers the first extensive overview of this relatively unknown aspect of McCarthy’s writing life, including the ways in which other artists have interpreted his work for the stage and screen.

Drawing on many primary sources in McCarthy’s recently opened archive, as well as interviews, Peebles covers the 1977 televised film The Gardener’s Son; McCarthy’s unpublished screenplays from the 1980s that became the foundation for his Border Trilogy novels and No Country for Old Men; various successful and unsuccessful productions of his two plays; and all seven film adaptations of his work, including John Hillcoat’s The Road (2009) and the Coen brothers’ Oscar-winning No Country for Old Men (2007). Emerging from this narrative is the central importance of tragedy—the rich and varied portrayals of violence and suffering and the human responses to them—in all of McCarthy’s work, but especially his writing for theater and film.

Novelist Cormac McCarthy’s brilliant and challenging work demands deep engagement from his readers. In Cormac McCarthy’s House, author, painter, photographer, and actor-director Peter Josyph draws on a wide range of experience to pose provocative, unexpected questions about McCarthy’s work, how it is achieved, and how it is interpreted.

As a visual artist, Josyph wrestles with the challenge of rendering McCarthy’s former home in El Paso as a symbol of a great writer’s workshop. As an actor and filmmaker, he analyzes the high art of Tommy Lee Jones in The Sunset Limited and No Country for Old Men. Invoking the recent suicide of a troubled friend, he grapples with the issue of “our brother’s keeper” in The Crossing and The Sunset Limited. But for Josyph, reading the finest prose-poet of our day is a project into which he invites many voices, and his investigations include a talk with Mark Morrow about photographing McCarthy while he was writing Blood Meridian; an in-depth conversation with director Tom Cornford on the challenges of staging The Sunset Limited and The Stonemason; a walk through the streets, waterfronts, and hidden haunts of Suttree with McCarthy scholar and Knoxville resident Wesley Morgan; insights from the cast of The Gardener’s Son about a controversial scene in that film; actress Miriam Colon’s perspective on portraying the Dueña Alfonsa opposite Matt Damon in All the Pretty Horses; and a harsh critique of Josyph’s views on The Crossing by McCarthy scholar Marty Priola, which leads to a sometimes heated debate. Illustrated with thirty-one photographs, Josyph’s unconventional journeys into the genius of Cormac McCarthy form a new, highly personal way of appreciating literary greatness.

Corn is among the most familiar of grains; it is also one of the most mysterious. In this handsomely illustrated new book, Paul Mangelsdorf, perhaps the world's foremost expert on the corn plant, summarizes the work of a lifetime devoted to unraveling the enigma of corn.

This unique grain--it has no close counterpart elsewhere in the plant kingdom--exists only in association with man, and it survives only as a result of his intervention. Thus, the story of corn is in many ways a story about people. Combining the skills of scientist and storyteller, Professor Mangelsdorf in his search for the origin of corn takes the reader to archaeological digs in once-inhabited caves in Mexico and the United States Southwest, to the discovery of fossil pollen in drill cores taken deep below Mexico City, and to experimental fields where the great diversity of corn is revealed and where the plant is hybridized with its relatives teosinte and Tripsacum.

Drawing upon the evidence from botany, genetics, cytology, archaeology, and history, the author seeks to evaluate various hypotheses on the origin of corn. He concludes that the ancestor of cultivated corn was a wild form of pod corn; that corn may have been domesticated more than once in both Mexico and South America from different geographical races of wild corn; and that hybridizations between corn and its various relatives have resulted in explosive evolution leading to a diversity of varieties and forms unmatched in any other crop plant.

This is a book about corn, but it is a book for biologists, agronomists, anthropologists, and historians, and for the interested layman who would like to know something about the grain which, "transformed, as three fourths of it is, into meat, milk, eggs, and other animal products, is our basic food plant, as it was of the people who preceded us in this hemisphere."

Roman biographies of foreign commanders.

Cornelius Nepos was born in Cisalpine Gaul but lived in Rome and was a friend of Cicero, Atticus, and Catullus. Most of his writings, which included poems, moral examples from history, a chronological sketch of general history, a geographical work, Lives of Cato the Elder and Cicero, and other biographies, are lost. Extant is a portion of his De viris illustribus: (i) part of his parallel Lives of Roman and non-Roman famous men, namely the portion containing Lives of non-Roman generals (all Greeks except three) and a chapter on kings; and (ii) two Lives from the class of historians. The Lives are short popular biographies of various kinds, written in a usually plain readable style, of value today because of Nepos’ use of many good sources.

Cornerstone of the Nation is the first historical account of the complex alliance of military and civilian forces that catapulted South Korea’s conjoined militarization and industrialization under Park Chung Hee (1961–1979). Kwon reveals how Park’s secret program to build an independent defense industry spurred a total mobilization of business, science, labor, and citizenry, all of which converged in military-civilian forces that propelled an unprecedented model of modernization in Korea.

Drawing on largely untapped declassified materials from Korea and personal interviews with contemporaneous participants in the nascent defense industry, as well as declassified US documents and other external sources, Kwon weaves together oral histories and documentary evidence in an empirically rich narrative that details how militarization shaped the nation’s rapid economic, technological, political, and social transformation. Cornerstone of the Nation makes the case that South Korea’s arms development under Park may be the most durable and yet least acknowledged factor behind the country’s rise to economic prominence in the late twentieth century. Through an analysis that simultaneously engages some of the most contested issues in Korean historiography, development literature, contemporary politics, and military affairs, this book traces Korea’s distinct pathway to becoming a global economic force.