This volume is the first to examine at length and in detail the impact of the missionary experience on American cultural, political, and religious history.

This collection of 15 essays provides a fully developed account of the domestic significance of foreign missions from the 19th century through the Vietnam War. U.S. and Canadian missions to China, South America, Africa, and the Middle East have, it shows, transformed the identity and purposes of their mother countries in important ways. Missions provided many Americans with their first significant exposure to non-Western cultures and religions. They helped to establish a variety of new academic disciplines in home universities—linguistics, anthropology, and comparative religion among them. Missionary women helped redefine gender roles in North America, and missions have vitalized tiny local churches as well as entire denominations, causing them to rethink their roles and priorities, both here and abroad. In fact, missionaries have helped define our own national identity by influencing our foreign, trade, military, and immigration policies over the last two centuries.

Topics in the collection range from John Saillant's essay on the missions of free African Americans to Liberia in the 19th century to Grant Wacker's essay on the eventual disillusionment of noted writer Pearl S. Buck. Kathryn T. Long’s essay on the “Auca martyrs” offers a sobering case study of the missionary establishment's power to, in tandem with the evangelical and secular press, create and record the stories of our time. William L. Svelmoe documents the improbable friendship between fundamentalist Bible translator William Cameron Townsend and Mexico’s secular socialist president Lázaro Cárdenas. And Anne Blue Wills details the ways many American groups—black, Protestant, Catholic, and Mormon—sought to convert one another, stead-
fastly envisioning “others” as every bit as “heathen” as those in far-off lands.

The Foreign Missionary Enterprise at Home is an insightful, provocative collection that will stimulate much discussion and debate. It is valuable for academic libraries and seminaries, scholars of religious history and American studies, missionary groups, cultural historians and ethnographers, and political scientists.

With world affairs so troubled, what kind of foreign policy should the United States pursue? Benjamin Page and Marshall Bouton look for answers in a surprising place: among the American people. Drawing on a series of national surveys conducted between 1974 and 2004, Page and Bouton reveal that—contrary to conventional wisdom—Americans generally hold durable, coherent, and sensible opinions about foreign policy. Nonetheless, their opinions often stand in opposition to those of policymakers, usually because of different interests and values, rather than superior wisdom among the elite. The Foreign Policy Disconnect argues that these gaps between leaders and the public are harmful, and that by using public opinion as a guideline policymakers could craft a more effective, sustainable, and democratic foreign policy. 

Page and Bouton support this argument by painting a uniquely comprehensive portrait of the military, diplomatic, and economic foreign policies Americans favor. They show, for example, that protecting American jobs is just as important to the public as security from attack, a goal the current administration seems to pursue single-mindedly. And contrary to some officials’ unilateral tendencies, the public consistently and overwhelmingly favors cooperative multilateral policy and participation in international treaties. Moreover, Americans’ foreign policy opinions are seldom divided along the usual lines: majorities of virtually all social, ideological, and partisan groups seek a policy that pursues the goals of security and justice through cooperative means. Written in a clear and engaging style, The Foreign Policy Disconnect calls, in an original voice, for a more democratic approach to creating such a policy.

Television shows like CSI, Forensic Files, and The New Detectives make it look so easy. A crime-scene photographer snaps photographs, a fingerprint technician examines a gun, uniformed officers seal off a house while detectives gather hair and blood samples, placing them carefully into separate evidence containers. In a crime laboratory, a suspect's hands are meticulously examined for gunshot residue. An autopsy is performed in order to determine range and angle of the gunshot and time-of-death evidence. Dozens of tests and analyses are performed and cross-referenced. A conviction is made. Another crime is solved. The credits roll.

The American public has become captivated by success stories like this one with their satisfyingly definitive conclusions, all made possible because of the wonders of forensic science. Unfortunately, however, popular television dramas do not represent the way most homicide cases in the United States are actually handled. Crime scenes are not always protected from contamination; physical evidence is often packaged improperly, lost, or left unaccounted for; forensic experts are not always consulted; and mistakes and omissions on the autopsy table frequently cut investigations short or send detectives down the wrong investigative path.

In Forensics Under Fire, Jim Fisher makes a compelling case that these and other problems in the practice of forensic science allow offenders to escape justice and can also lead to the imprisonment of innocent people. Bringing together examples from a host of high-profile criminal cases and familiar figures, such as the JonBenet Ramsey case and Dr. Henry Lee who presented physical evidence in the O. J. Simpson trial, along with many lesser known but fascinating stories, Fisher presents daunting evidence that forensic science has a long way to go before it lives up to its potential and the public's expectations.

Hannah Arendt, Walter Benjamin, and Theodor W. Adorno were intellectual giants of the first half of the twentieth century. The drama Foreplay explores their deeply human and psychologically intriguing private lives, focusing on professional and personal jealousies, the mutual dislike of Theodor Adorno and Hannah Arendt, the association between Walter Benjamin and Georges Bataille, and the border between erotica and pornography.

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Back in print at last in a third edition, the classic Forest and Shade Trees of Iowa now has a wealth of full-color photographs and updated, reorganized information that will please both new and returning readers.

Part 1 of this guide focuses on identification, with user-friendly keys to both summer and winter trees and illustrated descriptions of more than one hundred common species. The trees are arranged according to similarities in foliage; each entry includes a large scan of a leafy branch along with two or three smaller photos of buds, flowers, fruits, and winter twigs. The text contains a description of the species, its geographical distribution, and notes on how to distinguish it from similar species. Part 2 is divided into conifers and flowering trees and includes all trees native to Iowa, trees that are widely planted, invasive species, some less commonly planted trees, and tall native shrubs that might be mistaken for trees. The authors provide information about the natural history of individual trees, their ecological requirements, pests and diseases that affect them, and their usefulness for such different purposes as windbreaks, landscaping, wildlife plantings, fuel, lumber, and food. Following these two main parts, three shorter sections describe the planting and care of trees, Iowa’s forest communities, and good places to see trees in the state; a glossary and a bibliography are also included.

A complete guide to Iowa’s trees, both native and introduced, full of hundreds of color photos, this new edition of Forest and Shade Trees of Iowa will be immensely useful to arborists, foresters, horticulturists, landscape architects, gardeners, and all Iowans and midwesterners who appreciate the beauty and value of trees and want to learn more about them.

If sociology could teach everyone just one thing, what would it be? The Forest and the Trees is one sociologist's response to the hypothetical—the core insight with the greatest potential to change how people see the world and themselves in relation to it.

This revised and updated edition features:

• A new chapter that brings together the various aspects of the sociological model described in previous chapters with a detailed application to the origins of racism in the United States

•A discussion of how individuals can participate in social change by stepping off paths of least resistance

•The addition of graphics to illustrate the sociological model of systems and individuals

Forest Conservation in the Anthropocene provides thought-provoking insight into the ongoing environmental crises that climate change is generating and raises critical questions about how public and private land managers in North America will adapt to the climatological disruptions that are already transforming the ecological structures of these forests.

In this pathbreaking anthology, a team of leading environmental researchers probes the central dilemmas that ecologists, forest land managers, state and federal agencies, and grassroots organizations are confronting—and will continue to confront—in the coming century. Each chapter examines strategies that are currently being tested across the country as scientists, citizen-­scientists, policy makers, academics, and activists work to grasp their options and opportunities for a future that will be shaped by ongoing environmental upheaval.

Successful adaptation to the challenges of climate change requires a transdisciplinary perspective. Forest Conservation in the Anthropocene provides a compelling set of arguments and case studies that underscores the need for innovative policies and energetic actions.

“Extraordinarily valuable, illuminating, and even entertaining, Forest of Pressure brims with the types of information that only a key insider can get his hands on.” —Mitsuhiro Yoshimoto, New York University

Ogawa Productions—known in Asia as Ogawa Pro—was an influential filmmaking collective that started in the 1960s under the direction of Ogawa Shinsuke (1936–1992). Between 1968 and the mid-1970s, Ogawa Pro electrified the Japanese student movement with its Sanrizuka documentary series—eight films chronicling the massive protests over the construction of the Narita airport—which has since become the standard against which documentaries are measured in Japan.

A critical biography of a collective, Forest of Pressure explores the emergence of socially committed documentary filmmaking in postwar Japan. Analyzing Ogawa Pro’s films and works by other Japanese filmmakers, Abé Mark Nornes addresses key issues in documentary theory and practice, including individual and collective cinema production modes and the relationship between subject and object. Benefiting from unprecedented access to Ogawa Pro’s archives and interviews with former members, Forest of Pressure is an innovative look at the fate of political filmmaking in the wake of the movement’s demise.

Abé Mark Nornes is associate professor of screen arts and cultures and Asian languages and cultures at the University of Michigan. He is a coordinator at the Yamagata International Documentary Film Festival and the author of Japanese Documentary Film: The Meiji Era through Hiroshima (Minnesota, 2003).

“The Forest of Taboos may be considered among the most important books ever written by an anthropologist. Valeri writes superbly, and this book makes a fundamental contribution to one of the most central lines of thought in twentieth-century anthropology. He shows that taboo is finally comprehensible.”—John Stephen Lansing, University of Michigan
 
“The Forest of Taboos is no conventional ethnography, more an extended meditative essay on its subject, erudite, rich in ideas and data, wide-ranging in its theoretical inspiration, and self-consciously literary in form. It is a fitting memorial to an author whose life was so tragically cut short.”—Roy Ellen, University of Kent at Canterbury

This eloquent and profound book, completed by Valerio Valeri shortly before his death in 1998, contends that the ambivalence felt by all humans about sex, death, and eating other animals can be explained by a set of coordinated principles that are expressed in taboos. In elegant prose, Valeri evokes the world of the Huaulu, forest hunters of Indonesia. The hidden attractions of the animal world, which invades the human world in perilous ways, he shows, also delineate that which the Huaulu regard as most human about themselves.

Climate change poses a huge threat to the West. The current mountain pine beetle epidemic with over 50 million acres of dying trees in western North America has created a powerful “teachable moment” across the region.

A primary goal of the Forests At Risk symposium was to reframe the nation’s climate change dialogue by making the issue both personal and real to many who may not appreciate its connection to the immediate world around them. While some may have difficulty relating to rising sea levels, falling water tables, imperiled polar bears and melting glaciers in far-off places, they are still shocked by the sight of vast dying forests around their homes. The Forests At Risk symposium explored the statement by Andy Jacobson, a carbon cycle scientist at the National Oceanic and Atmospheric Administration in Boulder, that “this is the kind of feedback we're all very worried about in the carbon cycle ... a warming planet leading to, in this case, an insect outbreak that increases carbon dioxide into the atmosphere, which can increase warming.”

The overwhelming scientific consensus holds that climate change is one of the most serious threats facing humankind today. We have a soberingly short time in which to reduce atmospheric greenhouse gases if we are to preserve our quality of life and environment. In addition to the global urgency, the American West is deeply dependent on the health of its forests, mountains and streams for both its quality of life and its economy. Put simply, if global warming shortens our winters, diminishes our recreation, and unleashes wildfires, diseases and insect epidemics that devastate our forests, the regional damage would be incalculable.

NOW is the perfect time to learn more in this ebook.  The Forests At Risk symposium represented the first substantial public forum focused directly on the connection between climate change and forest health in the American West. In the wake of millions of acres of pine beetle devastation across our continent, this is the ideal moment to highlight the climate change connection and focus on the question of what happens when our forests transform from carbon sinks into carbon sources.

Forests of Gold is a collection of essays on the peoples of Ghana with particular reference to the most powerful of all their kingdoms: Asante. Beginning with the global and local conditions under which Akan society assumed its historic form between the fifteenth and seventeenth centuries, these essays go on to explore various aspects of Asante culture: conceptions of wealth, of time and motion, and the relationship between the unborn, the living, and the dead. The final section is focused upon individuals and includes studies of generals, of civil administrators, and of one remarkable woman who, in 1831, successfully negotiated peace treaties with the British and the Danes on the Gold Coast. The author argues that contemporary developments can only be fully understood against the background of long-term trajectories of change in Ghana.

This tale of youth and the immutable forces of society arrayed against its innocence and optimism has been called the best football novel in years.

I died exactly the way I lived.” So begins the astonishing story of C. P. (Corinthians Phillipians) McKay, a star football player and passionate student who loves poetry. C. P. is a young man who appears to have everything going for him. But his downfall begins when he receives a scholarship to a major university. There, he finds his dream blocked from all directions by a ruthless coach, an unethical university president, and a cynical professor as he attempts to play the game he loves, satisfy his desire for knowledge, and guard his integrity.

Said to rival John Grisham’s A Time to Kill among debut novels, The Forever Season was first published by St. Martin’s Press in 1995. Bookpage proclaimed, “It is so much more than a sports story. . . . As understated and as clearly written as the better work of Erskine Caldwell. And as shocking!” The Chattanooga Free Press described it as “a fast-paced, funny and poignant look at coming of age [with] vivid characters [and] well-drawn witty prose [that] will engage readers who don’t know a clip from a couplet.”

In The Forever Season, Don Keith writes with a concise, hard-edged pen about a subject he knows well—the South, its trailer park culture, and its passion for gridiron glory—while exploring universal themes of fumbling youth and innocence lost.

 

The first book in T. S. Stribling's award-winning Vaiden Trilogy about life in north Alabama at the onset, during, and after the Civil War

Originally published in 1931, The Forge introduces the Vaiden family, residents of the rural north Alabama of Stribling’s own youth. The Vaidens are a family of white yeoman farmers who scratch out a living in the social and financial shadow of the Lacefields, masters of an opulent plantation nearby.
 
The novel opens on Alabama’s secession and the onset of the Civil War. It traces the story of Miltiades Vaiden, who enlists in the Confederate army, and explores the ways the Vaidens, Lacefields, and freed slaves attempt to adapt to the collapse of southern society on the home front.
 
After The Forge, Stribling continued the Vaiden saga in 1932 with The Store, which earned him the Pulitzer Prize. He completed the trilogy in 1934 with The Unfinished Cathedral. Together, the three books paint a portrait of the agrarian South of the mid-nineteenth century, its destruction, and the beginnings of a mercantile future.

Between 1905 and 1939 a conspicuously tall white man with a shock of red hair, dressed in a silk shirt and white linen trousers, could be seen on the streets of Onitsha, in Eastern Nigeria. How was it possible for an unconventional, boy-loving Englishman to gain a social status among the local populace enjoyed by few other Europeans in colonial West Africa?

In The Forger’s Tale: The Search for Odeziaku Stephanie Newell charts the story of the English novelist and poet John Moray Stuart-Young (1881–1939) as he traveled from the slums of Manchester to West Africa in order to escape the homophobic prejudices of late-Victorian society. Leaving behind a criminal record for forgery and embezzlement and his notoriety as a “spirit rapper,” Stuart-Young found a new identity as a wealthy palm oil trader and a celebrated author, known to Nigerians as “Odeziaku.”

In this fascinating biographical account, Newell draws on queer theory, African gender debates, and “new imperial history” to open up a wider study of imperialism, (homo)sexuality, and nonelite culture between the 1880s and the late 1930s. The Forger’s Tale pays close attention to different forms of West African cultural production in the colonial period and to public debates about sexuality and ethics, as well as to movements in mainstream English literature.

By November 1822, the British reading public had already voraciously consumed both Walter Scott’s expensive novels and Rudolf Ackermann’s exquisite lithographs. The next decade, referred to by some scholars as dormant and unproductive, is in fact bursting with Forget Me Nots, Friendship’s Offerings, Keepsakes, and Literary Souvenirs. By wrapping literature, poetry, and art into an alluring package, editors and publishers saturated the market with a new, popular, and best-selling genre, the literary annual. In Forget Me Not, Katherine D. Harris assesses the phenomenal rise of the annual and its origins in other English, German, and French literary forms as well as its social influence on women, its redefinition of the feminine, and its effects on late nineteenth- and early twentieth-century print culture. Harris adopts an interdisciplinary approach that uses textual and social contexts to explore a forum of subversive femininity, where warfare and the masculine hero were not celebrated.

Initially published in diminutive, decoratively bound volumes filled with engravings of popularly recognized artwork and “sentimental” poetry and prose, the annuals attracted a primarily middle-class female readership. The annuals were released each November, making them an ideal Christmas gift, lover’s present, or token of friendship. Selling more than 100,000 copies during each holiday season, the annuals were accused of causing an epidemic and inspiring an “unmasculine and unbawdy age” that lasted through 1860 and lingered in derivative forms until the early twentieth century in both the United States and Europe. The annual thrived in the 1820s and after despite—or perhaps because of—its “feminine” writing and beautiful form.

Behdad shows how political, cultural, and legal texts have articulated American anxiety about immigration from the Federalist period to the present day. He reads texts both well-known—J. Hector St. John de Crèvecoeur’s Letters from an American Farmer, Alexis de Tocqueville’s Democracy in America, and Walt Whitman’s Leaves of Grass—and lesser-known—such as the writings of nineteenth-century nativists and of public health officials at Ellis Island. In the process, he highlights what is obscured by narratives and texts celebrating the United States as an open-armed haven for everyone: the country’s violent beginnings, including its conquest of Native Americans, brutal exploitation of enslaved Africans, and colonialist annexation of French and Mexican territories; a recurring and fierce strand of nativism; the need for a docile labor force; and the harsh discipline meted out to immigrant “aliens” today, particularly along the Mexican border.

In 1811, deaf student Ferdinand Berthier commenced his education at the National Institute for the Deaf in Paris under its director Abbé Sicard and his teachers Auguste Bébian, Jean Massieu, and Laurent Clerc. Their tutelage eventually led Berthier to join the faculty at the Institute and become a life-long proponent of sign language and Deaf culture. Berthier earned fame for instituting the famous silent banquets in Paris in 1834. He also learned to advance his agenda by writing biographies of important figures who advocated sign over oralism to educate deaf French students. Forging Deaf Education in Nineteenth-Century France offers the first translation of Berthier’s biographical sketches of the four men above who influenced him most.

Berthier wrote first about Bébian in 1839, timed to advocate sign language for teaching deaf students after the death of the pro-oralism Institute Director Désiré Ordinaire. Berthier extolled Bébian’s linguistic acumen and his educational philosophy. In later sketches, however, he described Sicard and Massieu in positive terms, but also criticized them for supporting “methodical” signing that conformed to spoken language conventions.  In contrast, he lauded  Clerc in his portrayal for using “natural” signing to teach deaf students. The clarity of these translations will introduce a brand new audience to Berthier’s biographies shaped by his unswerving beliefs about Deaf French education.