An exploration of the ways a particular religious tradition and a distinct social context have interacted over a 300-year period, including the unique story of the oldest and largest African American Calvinist community in America
The South Carolina low country has long been regarded—not only in popular imagination and paperback novels but also by respected scholars—as a region dominated by what earlier historians called “a cavalier spirit” and by what later historians have simply described as “a wholehearted devotion to amusement and the neglect of religion and intellectual pursuits.” Such images of the low country have been powerful interpreters of the region because they have had some foundation in social and cultural realities. It is a thesis of this study, however, that there has been a strong Calvinist community in the Carolina low country since its establishment as a British colony and that this community (including in its membership both whites and after the 1740s significant numbers of African Americans) contradicts many of the images of the "received version" of the region. Rather than a devotion to amusement and a neglect of religion and intellectual interests, this community has been marked throughout most of its history by its disciplined religious life, its intellectual pursuits, and its work ethic.
A BBC Sky at Night Best Astronomy and Space Book of the Year
“[A] luminous guide to the cosmos…Jo Dunkley swoops from Earth to the observable limits, then explores stellar life cycles, dark matter, cosmic evolution and the soup-to-nuts history of the Universe.”
—Nature
“A grand tour of space and time, from our nearest planetary neighbors to the edge of the observable Universe…If you feel like refreshing your background knowledge…this little gem certainly won’t disappoint.”
—Govert Schilling, BBC Sky at Night
Most of us have heard of black holes and supernovas, galaxies and the Big Bang. But few understand more than the bare facts about the universe we call home. What is really out there? How did it all begin? Where are we going?
Jo Dunkley begins in Earth’s neighborhood, explaining the nature of the Solar System, the stars in our night sky, and the Milky Way. She traces the evolution of the universe from the Big Bang fourteen billion years ago, past the birth of the Sun and our planets, to today and beyond. She then explains cutting-edge debates about such perplexing phenomena as the accelerating expansion of the universe and the possibility that our universe is only one of many. Our Universe conveys with authority and grace the thrill of scientific discovery and a contagious enthusiasm for the endless wonders of space-time.
An eyewitness account of this controversial environmental action.
Construction plans for the reroute of Highway 55 through south Minneapolis sparked an environmental movement that pitted activists against public authorities in one of the most dramatic episodes in the city’s history. Mary Losure was there; as a reporter for Minnesota Public Radio she witnessed the neighborhood’s transformation from a quiet street to the center of an emotionally charged standoff. Fueled by idealism and anger, a diverse coalition banded together to try to stop the highway expansion. Beginning in 1998, this group sustained protests for more than one year and eventually faced an unprecedented show of force by law enforcement.
In Our Way or the Highway Losure offers an inside view of the activist subculture that converged into a makeshift encampment dubbed the "Minnehaha Free State." Here, a retired stenographer befriended EarthFirst! members and appeared in the organization’s national journal, fist raised in protest of the destruction of her home. A pipe fitter abandoned his old life to defend what he believed to be the sacred sites of his Dakota ancestors. A dreamy, dreadlocked seeker hitchhiked to Minneapolis and spent days perched in a doomed cottonwood tree. A police lieutenant watched the trees fall and felt surprising sympathy for the activists’ beliefs. Engagingly written, Our Way or the Highway reveals the motivations, perceptions, and dynamics of those involved in this conflict of wills and ideals.Among the issues Losure explores are the roles of ecoanarchism and grassroots activism in the age of globalization. This fascinating subculture, brought to the spotlight during protests over the World Trade Organization in Seattle and Genoa, has been largely undocumented in the mainstream press. With a practiced reporter’s eye, Mary Losure shows the activists’ world and the way the establishment views them, and ultimately she lays bare the power of the existing order and the fragility and absolute necessity of dissent.Culture jamming is so twentieth century! What’s next?
When reporters asked about the Bush administration’s timing in making their case for the Iraq war, then Chief of Staff Andrew Card responded that “from a marketing point of view, you don’t introduce new products in August.” While surprising only in its candor, this statement signified the extent to which consumer culture has pervaded every aspect of life. For those troubled by the long reach of the marketplace, resistance can seem futile. However, a new generation of progressive activists has begun to combat the media supremacy of multinational corporations by using the very tools and techniques employed by their adversaries.
In OurSpace, Christine Harold examines the deployment and limitations of “culture jamming” by activists. These techniques defy repressive corporate culture through parodies, hoaxes, and pranks. Among the examples of sabotage she analyzes are the magazine Adbusters’s spoofs of familiar ads and the Yes Men’s impersonations of company spokespersons.While these strategies are appealing, Harold argues that they are severely limited in their ability to challenge capitalism. Indeed, many of these tactics have already been appropriated by corporate marketers to create an aura of authenticity and to sell even more products. For Harold, it is a different type of opposition that offers a genuine alternative to corporate consumerism. Exploring the revolutionary Creative Commons movement, copyleft, and open source technology, she advocates a more inclusive approach to intellectual property that invites innovation and wider participation in the creative process.From switching the digital voice boxes of Barbie dolls and G.I. Joe action figures to inserting the silhouetted image of Abu Ghraib’s iconic hooded and wired victim into Apple’s iPod ads, high-profile instances of anticorporate activism over the past decade have challenged, but not toppled, corporate media domination. OurSpace makes the case for a provocative new approach by co-opting the logic of capitalism itself.Out and Running is the first systematic analysis of lesbian, gay, bisexual, and transgender (LGBT) political representation that explores the dynamics of state legislative campaigns and the influence of lesbian and gay legislators in the state policymaking process. By examining state legislative elections from 1992 to 2006 and state policymaking from 1992 to 2009, Donald Haider-Markel suggests that the LGBT community can overcome hurdles and win elections; and, once in office, these officials can play a critical role in the policy representation of the community.
However, he also discovers that there are limits to where and when LGBT candidates can run for office and that, while their presence in office often enhances policy representation, it can also create backlash. But even with some of these negative consequences, Out and Running provides compelling evidence that gays and lesbians are more likely to see beneficial legislation pass by increasing the number of LGBT state legislators. Indeed, grassroots politics in the states may allow the LGBT community its best opportunity for achieving its policy goals.
Over the past 50 years, lesbian, gay, bisexual, transgender, and queer professionals have organized to achieve greater inclusion into the fields of science, technology, engineering, and mathematics (STEM). This inclusion, however, has come at a cost. In the 1970s, these professionals sought to radically transform STEM fields by confronting the homophobia and sexism embedded within them. Instead, these fields became more corporatized and privatized, and STEM institutions and workspaces—particularly in the spheres of government and business—became dominated by a focus on individualism, self-improvement/advancement, and meritocracy, which are hallmarks of neoliberalism. For many LGBTQ STEM professionals, inclusion now required becoming more apolitical, pro-capital, and focused on professional development.
In Out Doing Science, Tom Waidzunas, Ethan Czuy Levine, and Brandon Fairchild explore this transformation of LGBTQ STEM professionals from oppositional outsiders to assimilationist insiders. Drawing on historical archives, oral interviews, and participant observation of professional societies and workspaces, the authors interrogate the meanings of “inclusion” and why some LGBTQ STEM professionals have benefited from it more than others. They also advocate for a “queer STEM” that challenges and transforms the racism, classism, sexism, cisheterosexism, and imperialism of these fields, institutions, and workspaces. Written in an accessible and engaging style, Out Doing Science will appeal to readers interested in LGBTQ studies, and science and technology studies, as well as anyone who wants to create a more diverse and inclusive work environment.
Contributors. Cathy J. Cohen, Bill Fletcher Jr., Tami Gold, Yvette Herrera, Amber Hollibaugh, Gloria Johnson, Kitty Krupat, Patrick McCreery, Van Allen Sheets, Nikhal Pal Singh, John J. Sweeney
Visibility matters to activists—to their social and political relevance, their credibility, their influence. But invisibility matters, too, in times of political hostility or internal crisis. Out in Africa is the first to present an intimate look at how Namibian and South African lesbian, gay, bisexual, and transgender (LGBT) organizations have cultivated visibility and invisibility as strategies over time. As such, it reveals the complexities of the LGBT movements in both countries as these organizations make use of Western terminology and notions of identity to gain funding even as they work to counter the perception that they are “un-African.”
Different sociopolitical conditions in Namibia and South Africa affected how activists in each country campaigned for LGBT rights between 1995 and 2006. Focusing on this period, Ashley Currier shows how, in Namibia, LGBT activists struggled against ruling party leaders’ homophobic rhetoric and how, at the same time, black LGBT citizens of South Africa, though enjoying constitutional protections, greater visibility, and heightened activism, nonetheless confronted homophobic violence because of their gender and sexual nonconformity.
As it tells the story of the evolving political landscape in postapartheid Namibia and South Africa, Out in Africa situates these countries’ movements in relation to developments in pan-African LGBT organizing and offers broader insights into visibility as a social movement strategy rather than simply as a static accomplishment or outcome of political organizing.
Contributors. Sabrina Barton, Edith Becker, Rhona J. Berenstein, Nayland Blake, Michelle Citron, Danae Clark, Corey K. Creekmur, Alexander Doty, Richard Dyer, Heather Findlay, Jan Zita Grover, Essex Hemphill, John Hepworth, Jeffrey Hilbert, Lucretia Knapp, Bruce La Bruce, Al LaValley, Julia Lesage, Michael Moon, Michael Musto, B. Ruby Rich, Marlon Riggs, Arlene Stein, Chris Straayer, Anthony Thomas, Mark Thompson, Valerie Traub, Thomas Waugh, Patricia White, Robin Wood
In this book gays and lesbians from the Deep South to East Texas and Appalachia speak from vivid personal experience and turn an analytical eye on the South and its culture. Some contributors examine the power of traditional Southern attitudes toward race and religion, and consider the "don't ask, don't tell" attitude about homosexuality in some communities (the "public secret"). Other contributors show how gay culture is thriving in the form of women's festivals, gay bars, and unusual networks like that of Asian and Pacific Islanders in Atlanta.
Out in the South is organized into sections that focus on a central metaphor of space and location. This grounds the book in the sense of the South as a special region and in the inside/outside dilemma faced by many gay and lesbian Southerners as they negotiate their place in an often-inhospitable homeland.
Out in the Union tells the continuous story of queer American workers from the mid-1960s through 2013. Miriam Frank shrewdly chronicles the evolution of labor politics with queer activism and identity formation, showing how unions began affirming the rights of lesbian, gay, bisexual, and transgender workers in the 1970s and 1980s. She documents coming out on the job and in the union as well as issues of discrimination and harassment, and the creation of alliances between unions and LGBT communities.
Featuring in-depth interviews with LGBT and labor activists, Frank provides an inclusive history of the convergence of labor and LGBT interests. She carefully details how queer caucuses in local unions introduced domestic partner benefits and union-based AIDS education for health care workers-innovations that have been influential across the U.S. workforce. Out in the Union also examines organizing drives at queer workplaces, campaigns for marriage equality, and other gay civil rights issues to show the enduring power of LGBT workers.
Explores the intrinsic relation of life to air, and breathing, through contemporary art
In Out of Breath, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic Architecture’s Cloud Studies video, which investigates eight different kinds of clouds from airstrikes to herbicides to tear gas, Albano focuses on breath as both an intuitive process and a conveyer of meanings.
Conceived in response to the Covid-19 pandemic and systemic inequalities that it has laid bare, Out of Breath shows the potential of artistic practices to mobilize affect as a form of cultural and political critique.
Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.
Nationalism matters in China, and what matters in China matters to everyone. China’s new nationalism, Robert Bickers shows, is rooted not in its present power but in shameful memories of its former weaknesses. Invaded, humiliated, and looted in the nineteenth and twentieth centuries by foreign powers, China looks out at the twenty-first century through the lens of the past. History matters deeply to Beijing’s current rulers, and Out of China explains why.
Bickers tracks the long, often agonizing process by which the Chinese regained control of their own country. He describes the corrupt, lurid modernity of prewar Shanghai, the often tiny patches of extraterritorial land controlled by foreign powers, the entrepôts of Hong Kong and Macao, and the myriad means—through armed threats, technology, and legal chicanery—by which China was kept subservient until, gradually, it emerged from Western control. This plural and partial subjugation of China is a story that involves not only European powers and Japan but also the United States.
This complex history must be grasped not to atone for the sins of the past but to recognize China’s internationalized landscapes with all their contradictions, violence, cosmopolitanism, and ambitions. The story of the foreign presence in China in the nineteenth and twentieth centuries is too important to be left in the hands of the Chinese party-state and its approved script. Out of China is essential reading for anyone wishing to understand what shapes China’s view of the world in the twenty-first century.
Adál’s artistry is neither conventional nor pleasing for the spectator, as it is acquired through the continuous questioning of the particular condition of Puerto Ricans in the United States. The blurry portraits in this collection reflect the Nuyorican experience, but such a lesson becomes an ethical one: we are requested to learn to appreciate them in their opacity, because just as Rev. Pedro Pietri proclaims in the accompanying text, the Out of Focus Nuyoricans are proud “to not be figured out,” ever. If there is anything we should clearly get out of these out-of-focus portraits it is that to look fuzzy to some and opaque to others is not a condition to be feared or dreaded, but an achievement to be attained.
This book was published as a companion to the exhibits “Auto-Portraits/Blue Bananas on Fire” and “Blueprints for a Nation” at the David Rockefeller Center for Latin American Studies in 2004.
“Stan Isaacs is directly responsible for my television career--and much of how I approached what I’ve said and whom I’ve said it about.” --Keith Olbermann
Iconoclastic and irreverent, Stan Isaacs was part of a generation that bucked the sports establishment with a skepticism for authority, an appreciation for absurdity, and a gift for placing athletes and events within the context of their tumultuous times. Isaacs draws on his trademark wink-and-a-grin approach to tell the story of the long-ago Brooklyn that formed him and a career that placed him amidst the major sporting events of his era. Mixing reminiscences with column excerpts, Isaacs recalls antics like stealing a Brooklyn Dodgers pennant after the team moved to Los Angeles and his many writings on Paul Revere’s horse. But Isaacs also reveals the crusading and humanist instincts that gave Black athletes like Muhammad Ali a rare forum to express their views and celebrated the oddball, unsung Mets over the straitlaced Yankees.
Insightful and hilarious, Out of Left Field is the long-awaited memoir of the influential sportswriter and his adventures in the era of Jim Brown, Arthur Ashe, and the Amazin’ Mets.
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A Behavioral Scientist Notable Book of the Year
A Guardian “Best Book about Ideas” of the Year
No one likes to be bored. Two leading psychologists explain what causes boredom and how to listen to what it is telling you, so you can live a more engaged life.
We avoid boredom at all costs. It makes us feel restless and agitated. Desperate for something to do, we play games on our phones, retie our shoes, or even count ceiling tiles. And if we escape it this time, eventually it will strike again. But what if we listened to boredom instead of banishing it?
Psychologists James Danckert and John Eastwood contend that boredom isn’t bad for us. It’s just that we do a bad job of heeding its guidance. When we’re bored, our minds are telling us that whatever we are doing isn’t working—we’re failing to satisfy our basic psychological need to be engaged and effective. Too many of us respond poorly. We become prone to accidents, risky activities, loneliness, and ennui, and we waste ever more time on technological distractions. But, Danckert and Eastwood argue, we can let boredom have the opposite effect, motivating the change we need. The latest research suggests that an adaptive approach to boredom will help us avoid its troubling effects and, through its reminder to become aware and involved, might lead us to live fuller lives.
Out of My Skull combines scientific findings with everyday observations to explain an experience we’d like to ignore, but from which we have a lot to learn. Boredom evolved to help us. It’s time we gave it a chance.
About half of all species under threat of extinction in the world today are plants. The loss of plant biodiversity is disturbing for many reasons, but especially because it is a reflection of the growing disconnect between humans and nature. Plants have been used for millennia in traditional systems of healing and have held a significant place in drug development for Western medicine as well. Despite the recent dominance of synthetic drug production, natural product discovery remains the backbone of drug development. As the diversity of life on Earth is depleted and increasing numbers of species become lost to extinction, we continue to lose opportunities to achieve advances in medicine.
Through stories of drug revelation in nature and forays into botany, human behavior, and conservation, Kara Rogers sheds light on the multiple ways in which humans, medicine, and plants are interconnected. With accessible and engaging writing, she explores the relationships between humans and plants, relating the stories of plant hunters of centuries past and examining the impact of human activities on the environment and the world's biodiversity. Rogers also highlights the role that plant-based products can play in encouraging conservation and protecting the heritage and knowledge of indigenous peoples.
Out of Nature provides a fresh perspective on modern drug innovation and its relationship with nature. The book delves into the complexity of biophilia—the innate human attraction to life in the natural world—and suggests that the reawakening of this drive is fundamental to expanding conservation efforts and improving medicine. Rogers's examination of plants, humans, and drug discovery also conveys a passionate optimism for the future of biodiversity and medicine. Including a collection of hand-drawn maps and plant illustrations created by the author, this well-researched narrative will inspire as well as inform.
Moving through time and space, Out of Peel Tree unfolds the patterns of an Appalachian sensibility that reverberate everywhere: a fatalism balanced by humor and flinty, hard-won hope, an appreciation for the surprises of the everyday, and a search for love and home amid strange and familiar places and people.
This innovative debut novel reveals the lives of a far-flung contemporary Appalachian family through a web of delicate turning points. A child discovers a grandmother she never knew has died. A runaway teen schemes to start a new life in Texas. A man on parole falls hopelessly in love with a shoplifter. A woman receives a letter about her husband’s other wife. An old woman confronts a burglar with the help of her ghost-husband.
United by a connection to their matriarch, these characters search at home and beyond to make a fresh sense of their changing lives. As a novel in stories, Out of Peel Tree brings a new lyricism to the page and a new voice to American and Appalachian literature—a voice deeply inflected by the beauty of the natural world and by working-class grit.
The writer Nakagami Kenji (1946-1992) rose to fame in the mid-1970s for his vivid stories about a clan scarred by violence and poverty on the underside of the Japanese economic miracle. Drawing upon the lives, experiences, and languages of the burakumin, the outcaste communities long discriminated against in Japanese society as a defiled underclass, Nakagami's works of fiction and nonfiction record with vitality and violence the realities—actual and imagined—of buraku culture.
In this critical study of Nakagami's life and oeuvre, Eve Zimmerman delves into the writer's literary world, exploring the genres, forms, and themes with which Nakagami worked and experimented. These chapters trace the biographical thread running through his works while foregrounding such diverse facets of his writing as his interest in the modern possibilities of traditional myths and forms of storytelling, his deployment of shocking tropes and images, and his crafting of a unique poetic language.
By bringing to the fore the literary urgency and social engagement that informed all aspects of Nakagami's creative and intellectual production, from his works of prose and poetry to his criticism, this book argues eloquently and effectively for us to appreciate Nakagami as a distinctive and relevant voice in modern Japanese literature.
Effie Marquess Carmack (1885-1974) grew up in the tobacco-growing region of southern Kentucky known as the Black Patch. As an adult she moved to Utah, back to Kentucky, to Arizona, and finally to California. Economic necessity primarily motivated Effie and her husband's moves, but her conversion to the Mormon Church in youth also was a factor. Throughout her life, she was committed to preserving the rural, southern folkways she had experienced as a child. She and other members of her family were folk musicians, at times professionally, and she also became a folk poet and artist, teaching herself to paint. In the 1940s she began writing her autobiography and eventually also completed a verse adaptation of it and an unpublished novel about life in the Black Patch.
More than fifty years ago the discovery of scrolls in eleven caves beside the Dead Sea ignited the imagination of the world--and launched a vast academic field. Expectations abounded that the scrolls would reveal actual contemporaneous accounts of the birth of Christianity, perhaps even of the life of Jesus. The research that followed--its inner logic, and what its impassioned and often highly controversial theories reveal about the framing of facts and the interpreting of texts--is what interests philosopher Edna Ullmann-Margalit in this thoroughly absorbing book.
Since the inception of Dead Sea Scrolls research, a central theory has emerged. Known as the Qumran-Essene Hypothesis, it asserts that the scrolls belonged to the Essenes, a sect whose center was at the nearby site of Qumran. In Out of the Cave, Ullmann-Margalit focuses on this theory and the vicissitudes of its career. Looking at the Essene connection, the archaeology of Qumran, and the sectarian nature of the scrolls community, she explores the different arenas, and ways, in which contesting theories of the scrolls do battle. In this context she finds fascinating examples of issues that exercise philosophers of science as well as the general public--issues that only amplify the already intrinsic interest of the Dead Sea scrolls.
Since Vatican Council II, convent walls have crumbled. and the structures that once separated nuns from the world are gone. Out of the Cloister is an organizational analysis of the structural and ideological changes that took place in Catholic religious orders of women in the United States. Many nuns today dress in street clothes, choose their own jobs, have a degree of financial independence from the larger order, and may not be recognized by their coworkers as nuns. What might once have been defined as a "total institution" has become, within the span of a few years, a type of voluntary organization where members join together loosely to achieve a common purpose.
Helen Rose Fuchs Ebaugh approaches religious orders as utopian communities and examines how contact with the larger society has affected the distinctiveness and solidarity that hold such groups together. She analyzes the patterns occurring within orders with particular focus on the relationship between organizational change and membership loss. Since changes have been introduced into religious orders at different rates, and since orders vary in such characteristics as size and educational level of members, it is possible to analyze relationships between exit rates and other organizational variables. The complex interplay of education and membership loss is one of the organizational dilemmas the author examines.
Although she is no longer a part of organized religious life, Ebaugh spent ten years as a nun and during that time collected much of the data presented in this book. As a nun she also helped conduct a number of self-studies and evaluations involved with the post-Vatican II reform and renewal efforts. She is therefore in the unique position of a researcher who collected data as an insider and analyzed it as an outsider.
This book is one of the first systematic, empirical studies of religious orders in the United States and one of the few sociological investigations of convents and the changes occurring within them.
The intense piety of late T'ang essays on Buddhism by literati has helped earn the T'ang its title of the "golden age of Chinese Buddhism." In contrast, the Sung is often seen as an age in which the literati distanced themselves from Buddhism. This study of Sung devotional texts shows, however, that many literati participated in intra-Buddhist debates. Others were drawn to Buddhism because of its power, which found expression and reinforcement in its ties with the state. For some, monasteries were extravagant houses of worship that reflected the corruption of the age; for others, the sacrifice and industry demanded by such projects were exemplars worthy of emulation. Finally, Buddhist temples could evoke highly personal feelings of filial piety and nostalgia.
This book demonstrates that representations of Buddhism by lay people underwent a major change during the T'ang-Sung transition. These changes built on basic transformations within the Buddhist and classicist traditions and sometimes resulted in the use of Buddhism and Buddhist temples as frames of reference to evaluate aspects of lay society. Buddhism, far from being pushed to the margins of Chinese culture, became even more a part of everyday elite Chinese life.
Even before he wrote his bestselling book The Ethnic Cleansing of Palestine, historian Ilan Pappe was a controversial figure in Israel. In Out of the Frame, he gives a full account of his break with mainstream Israeli scholarship and its consequences.
Here he traces his journey of discovery from the whispers of Palestinian classmates to his realisation that the 'enemy's' narrative of the events of 1948 was correct. After completing his thesis at Oxford University in the early 1980s, he returned to Palestine determined to protect the memory of the Nakbah. For the first time he gives the details of the formidable opposition he faced in Israel, including death threats fed by the media, denunciations by the Knesset and calls for him to be sacked from his post at Haifa university.
This revealing work, written with dignity and humour, highlights Israel's difficulty in facing up to its past and forging a peaceful, inclusive future in Palestine.
Out of the Girls' Room and into the Night is a spirited, offbeat collection of stories, elongated riffs on that thing we call …love. All manner of love stories: thwarted love stories, imaginary love stories, love stories offhand and obsessive, philosophical love stories, erudite and amusing love stories.
“People don't meet because they both like Burmese food,” says one character, “or because someone's sister has a friend who's single and new in town, or because Billy's nose happened to crook just slightly to the left at an angle that made me want to weep…People don't fall in love with each other …they just fall into love.”
Everyone does it: women of fierce independence, men of thin character, rambling Deadheads, gay teenage girls, despondent Peace Corps volunteers, anorexic Broadway theatre dancers, the eager, the grieving, the uncommunicative. Even the confused do it. And they don't just fall in love with each other—they fall in love with certain moments and familiar places, with things as ephemeral as gestures and as evanescent as sunlight.
Quirky, real, idealistic, deluded, bohemian, and true, these are people who can—and often do—fall in love with a pair of ears, August afternoons, saucers of vitamins, New Age carpenters, and dead bumblebees. And if there's something they can teach us, it's how to conceive of alternative worlds and the terror and the exhilaration of venturing outside the confines of the lives we know and making our way into a dark, glittering unknown.
Meredith Sue Willis’s Out of the Mountains is a collection of thirteen short stories set in contemporary Appalachia. Firmly grounded in place, the stories voyage out into the conflicting cultural identities that native Appalachians experience as they balance mainstream and mountain identities.
Willis’s stories explore the complex negotiations between longtime natives of the region and its newcomers and the rifts that develop within families over current issues such as mountaintop removal and homophobia. Always, however, the situations depicted in these stories are explored in the service of a deeper understanding of the people involved, and of the place. This is not the mythic version of Appalachia, but the Appalachia of the twenty-first century.
Winner, A Choice Outstanding Academic Book
When the Oakland, California, school board called African American English "Ebonics" and claimed that it "is not a black dialect or any dialect of English," they reignited a debate over language, race, and culture that reaches back to the era of slavery in the United States. In this book, John Baugh, an authority on African American English, sets new parameters for the debate by dissecting and challenging many of the prevailing myths about African American language and its place in American society.
Baugh's inquiry ranges from the origins of African American English among slaves and their descendants to its recent adoption by standard English speakers of various races. Some of the topics he considers include practices and malpractices for educating language minority students, linguistic discrimination in the administration of justice, cross-cultural communication between Blacks and whites, and specific linguistic aspects of African American English. This detailed overview of the main points of debate about African American language will be important reading for both scholars and the concerned public.
Every American has heard of the lumberjack hero Paul Bunyan and his big blue ox. For 100 years his exploits filled cartoons, magazines, short stories, and children's books, and his name advertised everything from pancake breakfasts to construction supplies. By 1950 Bunyan was a ubiquitous icon of America's strength and ingenuity. Until now, no one knew where he came from—and the extent to which this mythical hero is rooted in Wisconsin.
This contributed volume explores the functions of belief and supernatural experience within an array of cultures, as well as the stance of academe toward the study of belief and the supernatural. The essays in this volume call into question the idea that supernatural experience is extraordinary.
Among the contributors are Shelley Adler, David Hufford, Barre Toelken, and Gillian Bennett.
From a major British political thinker and activist, a passionate case that both the left and right have lost their faith in ordinary people and must learn to find it again.
This is an age of polarization. It’s us vs. them. The battle lines are clear, and compromise is surrender.
As Out of the Ordinary reminds us, we have been here before. From the 1920s to the 1950s, in a world transformed by revolution and war, extreme ideologies of left and right fueled utopian hopes and dystopian fears. In response, Marc Stears writes, a group of British writers, artists, photographers, and filmmakers showed a way out. These men and women, including J. B. Priestley, George Orwell, Barbara Jones, Dylan Thomas, Laurie Lee, and Bill Brandt, had no formal connection to one another. But they each worked to forge a politics that resisted the empty idealisms and totalizing abstractions of their time. Instead they were convinced that people going about their daily lives possess all the insight, virtue, and determination required to build a good society. In poems, novels, essays, films, paintings, and photographs, they gave witness to everyday people’s ability to overcome the supposedly insoluble contradictions between tradition and progress, patriotism and diversity, rights and duties, nationalism and internationalism, conservatism and radicalism. It was this humble vision that animated the great Festival of Britain in 1951 and put everyday citizens at the heart of a new vision of national regeneration.
A leading political theorist and a veteran of British politics, Stears writes with unusual passion and clarity about the achievements of these apostles of the ordinary. They helped Britain through an age of crisis. Their ideas might do so again, in the United Kingdom and beyond.
From New York to Singapore, from Chicago to London, the trading floors of the world’s financial markets are icons of global capitalism. Images of them are used on the news all the time—traders burying their heads in their hands when the market is down, their arms flailing in a frenzy when fortunes are rising—to convey the current state of the economy. But these marketplaces, and the cultural life that sustains them, are dissolving into the ether of the digital age: powerful financial institutions are shutting down the trading pits, replacing face-to-face exchanges with an electronic network where traders sit, face to screen, finger to mouse, and compete in a global arena made up of digits and charts.
Out of the Pits considers the implications of this sea change for everyone involved, from the traders and brokers to the market as a whole. Caitlin Zaloom takes us down to the floor at the Chicago Board of Trade and into a digital dealing room in the City of London. Drawing on her own firsthand experiences as a clerk and a trader and on her unusual access to these key sites of global finance, she explainshow changes at the world’s leading financial exchanges have transformed economic cultures and the craft of speculation; how people and places are responding to the digital transition; how traders are remaking themselves to compete in the contemporary marketplace; and how brokers, business managers, and software designers are collaborating to build new financial markets.
A penetrating and richly detailed account of how cities, culture, and technology shape everyday life in the new global economy, Out of the Pits will be must reading for business buffs or anyone who has ever wondered how financial markets work.
Guatemala’s “Ten Years of Spring” (1944–1954) began when citizens overthrew a military dictatorship and ushered in a remarkable period of social reform. This decade of progressive policies ended abruptly when a coup d’état, backed by the United States at the urging of the United Fruit Company, deposed a democratically elected president and set the stage for a period of systematic human rights abuses that endured for generations. Presenting the research of diverse anthropologists and historians, Out of the Shadow offers a new examination of this pivotal chapter in Latin American history.
Marshaling information on regions that have been neglected by other scholars, such as coastlines dominated by people of African descent, the contributors describe an era when Guatemalan peasants, Maya and non-Maya alike, embraced change, became landowners themselves, diversified agricultural production, and fully engaged in electoral democracy. Yet this volume also sheds light on the period’s atrocities, such as the US Public Health Service’s medical experimentation on Guatemalans between 1946 and 1948. Rethinking institutional memories of the Cold War, the book concludes by considering the process of translating memory into possibility among present-day urban activists.
The book of Job is a complex, sophisticated treatment of the problem of undeserved suffering. It is also a sustained meditation on creation, on humanity’s place in creation, and on God’s ordering of creation. In this study, Kathryn Schifferdecker offers a close literary and theological reading of the book of Job—particularly of the speeches of God at the end of the book—in order to articulate its creation theology, which is particularly pertinent in our environmentally-conscious age.
After all of Job’s agonized questioning, God’s answer does not directly address Job’s questions about undeserved suffering or divine justice. Instead, the divine speeches take Job on a God’s-eye tour of creation in all its beauty and complexity. In extraordinarily detailed and beautiful poetry, the divine speeches show Job that the world is radically non-anthropocentric, that there exist wild places and animals whose value has nothing to do with their usefulness to humanity, and that God delights in the freedom of God’s creatures. This vision of the divine speeches enables Job to move out of despair into renewed participation in God’s often-dangerous but beautiful world.
This creation theology of Job, virtually unique in the Bible, has much to say to us today, as we struggle theologically and politically with the issues of environmental degradation and humanity’s relationship to the natural world.
Out of the Woods: A Bird Watcher’s Year is a journey through the seasons and a joyous celebration of growing old. In fifty-nine essays and poems, Ora E. Anderson, birder, bird carver, naturalist, and nature writer, reveals the insights and recollections of a keen-eyed observer of nature, both human and avian. The essays follow the rivers and creeks, the highways and little-known byways of Appalachia, and along the way we become nearly as familiar with its numerous bird, plant, and animal species as with the author himself.
These are not the memories of a single year, however, but of a long lifetime spent immersed in the natural world. Out of the Woods, presented with humor and passion, is an account of a well-lived, productive, and satisfying life. The essays offer an intimate portrait of a half century of Anderson's life on his beloved old farm (more nearly a nature preserve), where he lived in harmony with birds and nature and followed the rhythm of the seasons. We are invited to share the joys—and the disappointments and sorrows—inherent in such a life.
Generously illustrated with Julie Zickefoose’s detailed and evocative drawings, this book will delight bird watchers, artists, naturalists, backyard gardeners, and anyone who is ever tempted to take a rutted, overgrown path just to see where it leads.
Seventy deeply troubled teenagers spend weeks, months, even years on a locked psychiatric ward. They’re not just failing in school, not just using drugs. They are out of control—violent or suicidal, in trouble with the law, unpredictable, and dangerous. Their futures are at risk.
Twenty years later, most of them still struggle. But astonishingly, a handful are thriving. They’re off drugs and on the right side of the law. They’ve finished school and hold jobs that matter to them. They have close friends and are responsible, loving parents.
What happened? How did some kids stumble out of the woods while others remain lost? Could their strikingly different futures have been predicted back during their teenage struggles? The kids provide the answers in a series of interviews that began during their hospitalizations and ended years later. Even in the early days, the resilient kids had a grasp of how they contributed to their own troubles. They tried to make sense of their experience and they groped toward an understanding of other people’s inner lives.
In their own impatient voices, Out of the Woods portrays edgy teenagers developing into thoughtful, responsible adults. Listening in on interviews through the years, narratives that are often poignant, sometimes dramatic, frequently funny, we hear the kids growing into more composed—yet always recognizable—versions of their tough and feisty selves.
Examining Afro-German artists’ use of Afrofuturist tropes to critique German racial history
The term Afrofuturism was first coined in the 1990s to describe African diasporic artists’ use of science fiction, speculative fiction, and fantasy to reimagine the diaspora’s pasts and to counter not only Eurocentric prejudices but also pessimistic narratives. Out of This World: Afro-German Afrofuturism focuses on contemporary Black German Afrofuturist literature and performance that critiques Eurocentrism and, specifically, German racism and colonial history. This young generation has, Priscilla Layne argues, engaged with Afrofuturism to disrupt linear time and imagine alternative worlds, to introduce non-Western technologies into the German cultural milieu, and to consider the possibilities of posthumanism. Their experiments in futurist and speculative narratives offer new tools for breaking with the binary thinking about race, culture, and gender identity that have been enforced by repressive ideological and state apparatuses, such as educational, cultural, and police institutions. Rather than providing escapism or purely imaginary alternatives, however, they have created a space—outer and artistic—in which their lives matter.
An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.
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