Sufism, the mystical path of Islam, is a key feature of the complex Islamic culture of South Asia today. Influenced by philosophies and traditions from other Muslim lands and by pre-Islamic rites and practices, Sufism offers a corrective to the image of Islam as monolithic and uniform.

In Sacred Spaces, Pakistani artist and educator Samina Quraeshi provides a locally inflected vision of Islam in South Asia that is enriched by art and by a female perspective on the diversity of Islamic expressions of faith. A unique account of a journey through the author’s childhood homeland in search of the wisdom of the Sufis, the book reveals the deeply spiritual nature of major centers of Sufism in the central and northwestern heartlands of South Asia. Illuminating essays by Ali S. Asani, Carl W. Ernst, and Kamil Khan Mumtaz provide context to the journey, discussing aspects of Sufi music and dance, the role of Sufism in current South Asian culture and politics, and the spiritual geometry of Sufi architecture.

Quraeshi relies on memory, storytelling, and image making to create an imaginative personal history using a rich body of photographs and works of art to reflect the seeking heart of the Sufi way and to demonstrate the diversity of this global religion. Her vision builds on the centuries-old Sufi tradition of mystical messages of love, freedom, and tolerance that continue to offer the promise of building cultural and spiritual bridges between peoples of different faiths.

Liu Zhi (ca. 1670–1724) was one of the most important scholars of Islam in traditional China. His Tianfang xingli (Nature and Principle in Islam), the Chinese-language text translated here, focuses on the roots or principles of Islam. It was heavily influenced by several classic texts in the Sufi tradition. Liu’s approach, however, is distinguished from that of other Muslim scholars in that he addressed the basic articles of Islamic thought with Neo-Confucian terminology and categories. Besides its innate metaphysical and philosophical value, the text is invaluable for understanding how the masters of Chinese Islam straddled religious and civilizational frontiers and created harmony between two different intellectual worlds.

The introductory chapters explore both the Chinese and the Islamic intellectual traditions behind Liu’s work and locate the arguments of Tianfang xingli within those systems of thought. The copious annotations to the translation explain Liu’s text and draw attention to parallels in Chinese-, Arabic-, and Persian-language works as well as differences.

Working simultaneously on two levels, Saladin represents the best kind of biography—a portrait of a man who is said to have made an age, and the most complete account we have to date of an age that made the man. Unlike biographies that focus on Saladin’s military exploits, especially the recapturing of Jerusalem from European Crusaders in 1187, Eddé’s narrative draws on an incredible array of contemporary sources to develop the fullest picture possible of a ruler shaped profoundly by the complex Arabian political environment in which he rose to prominence. The result is a unique view of the Crusades from an Arab perspective.

Saladin became a legend in his own time, venerated by friend and foe alike as a paragon of justice, chivalry, and generosity. Arab politicians ever since have sought to claim his mantle as a justification for their own exercise of power. But Saladin's world-historical status as the ideal Muslim ruler owes its longevity to a tacit agreement among contemporaries and later chroniclers about the set of virtues Saladin possessed—virtues that can now be tested against a rich tapestry of historical research. This tension between the mythical image of Saladin, layered over centuries and deployed in service of specific moral and political objectives, and the verifiable facts of his life available to a judicious modern historian is what sustains Anne-Marie Eddé's erudite biography, published to acclaim in France in 2008 and offered here in smooth, readable English translation.

In this remarkable and deeply felt book, Virginia Kerns uncovers the singular and forgotten life of a young Indian woman who was captured in 1847 in what was then Mexican territory. Sold to a settler, a son-in-law of Brigham Young, the woman spent the next thirty years as a servant to Young’s family. Sally, as they called her, lived in the shadows, largely unseen. She was later remembered as a “wild” woman made “tame” who happily shed her past to enter a new and better life in civilization. 

Drawing from a broad range of primary sources, Kerns retrieves Sally from obscurity and reconstructs her complex life before, during, and after captivity. This true story from the American past resonates deeply in the current moment, attentive as it is to killing epidemics and racial injustices. In telling Sally’s story, Kerns presents a new narrative of the American West. 

Acclaimed biographer Howard Pollack (Aaron Copland, George Gershwin) offers a multifaceted account of Barber’s life and music while placing the artist in his social and cultural milieu. Born into a musical family, Barber pursued his artistic ambitions from childhood. Pollack follows Barber’s path from his precocious youth through a career where, from the start, the composer consistently received prizes, fellowships, and other recognition. Stylistic analyses of works like the Adagio for Strings, the Violin Concerto, Knoxville: Summer of 1915 for voice and orchestra, the Piano Concerto, and the operas Vanessa and Antony and Cleopatra, stand alongside revealing accounts of the music’s commissioning, performance, reception, and legacy. Throughout, Pollack weaves in accounts of Barber’s encounters with colleagues like Aaron Copland and Francis Poulenc, performers from Eleanor Steber and Leontyne Price to Vladimir Horowitz and Van Cliburn, patrons, admirers, and a wide circle of eminent friends and acquaintances. He also provides an eloquent portrait of the composer’s decades-long relationship with the renowned opera composer Gian Carlo Menotti.

Informed by new interviews and immense archival research, Samuel Barber is a long-awaited critical and personal biography of a monumental figure in twentieth-century American music.

Samuel Bell Maxey was an important political figure in nineteenth-century Texas, but no previous book-length study of his life and career has been published. Louise Horton has utilized his private papers as well as numerous other sources in preparing this biography, which includes many of Maxey's own comments on his contemporaries. The letters also provide new information on the development of railroads across the Southwest.

An emigrant from Kentucky, Samuel Bell Maxey practiced law in North Texas, raised a regiment at the beginning of the Civil War, returned to Texas to defend the Indian Territory during 1863-1865, and was elected on his first candidacy to be the first Democratic senator from Texas after the Civil War. After two years in office he became Texas's senior senator and held that position until defeated by John H. Reagan in 1887. Maxey's term of office spanned the turbulent period immediately following Reconstruction, and a great deal of his influence derived from his moderation. He was concerned that the breach caused by the Civil War be healed. He was influential among Republican congressmen from the North and aided substanially in Texas's regaining its status in the Union. Louise Horton's biography of Maxey emphasizes the contribution he made to the state and the nation and fills a gap in the history of the post-Civil War period.

This readable book is the first authoritative biography of Samuel Gridley Howe, the remarkable Bostonian who actively participated in most of the major reform movements of the nineteenth century. He founded the Perkins School for the Blind which quickly became the foremost institution of its type in the world. There he developed techniques for teaching the deaf-blind, the first man in history to succeed in this field. He supported Horace Mann in reforming the public school system and Dorothea Dix in protecting the interests of the insane. After 1845, he spent most of his energies, political and literary, in abolitionist activities. Yet he found time to give his medical services in the Greek war of independence 1825-1830, and in our Civil War; and he worked on the presidential commission sent to Santo Domingo in 1871.

Schwartz traces Howe's public career, but he also describes Howe's childhood, his choice of a medical career, his membership--together with Longfellow, Cornelius Felton, Charles Sumner, and George Hillard--in the social circle called the Five of Clubs, and his marriage to Julia Ward. This book carries the full flavor of mid-nineteenth-century Boston.

Howe's own activities, the reform movements he supported, and the striking individuals with whom he was associated are merged into one integrated story. The spotlight often shifts from Howe to Horace Mann, John Brown, Theodore Parker, Laura Bridgman, and--most of all--Charles Sumner; and in the background we can see the slow development of the slavery issue, which eventually overrode all other reform movements. Here too is the story of a marriage: Julia Ward Howe led but half a life with a husband whose ideas about a woman's place did not stretch to include her talents.

Schwartz bases his admirable biography on extensive research in primary, and largely untouched, sources: these include the Howe papers--which contain many letters to Mann, Parker, and Sumner, and never used by their biographers--the Sumner and Laura Bridgman papers, and contemporary newspapers as well as Howe's own books, pamphlets, and articles. Schwartz is thus able to cast new light onthe personalities of the Bostonian reformers: harsh, sanctimonious, or unfair as they might appear to their opponents, they were, Schwartz reminds us, basically earnest men who, by acting on their faith in progress and their sense of duty to the helpless did, in fact, improve the lot of humanity.

Bewigged, muscular and for his day unusually tall, adorned in soiled, rumpled clothes, beset by involuntary tics, opinionated, powered in his conversation by a prodigious memory and intellect, Samuel Johnson (1709–1784) was in his life a literary and social icon as no other age has produced. “Johnsonianissimus,” as Boswell called him, became in the hands of his first biographers the rationalist epitome and sage of Enlightenment. These clichés—though they contain elements of truth—distort the complexity of the public and private Johnson. Peter Martin portrays a Johnson wracked by recriminations, self-doubt, and depression—a man whose religious faith seems only to have deepened his fears. His essays, scholarship, biography, journalism, travel writing, sermons, fables, as well as other forms of prose and poetry in which he probed himself and the world around him, Martin shows, constituted rational triumphs against despair and depression. It is precisely the combination of enormous intelligence and frank personal weakness that makes Johnson’s writing so compelling.

Benefiting from recent critical scholarship that has explored new attitudes toward Johnson, Martin’s biography gives us a human and sympathetic portrait of Dr. Johnson. Johnson’s criticism of colonial expansion, his advocacy for the abolition of slavery, his encouragement of women writers, his treatment of his female friends as equals, and his concern for the underprivileged and poor make him a very “modern” figure. The Johnson that emerges from this enthralling biography, published for the tercentenary of Johnson’s birth, is still the foremost figure of his age but a more rebellious, unpredictable, flawed, and sympathetic figure than has been previously known.

He was a servant to the public, a writer for hire. He was a hero, an author adding to the glory of his nation. But can a writer be both hack and hero? The career of Samuel Johnson, recounted here by Lawrence Lipking, proves that the two can be one. And it further proves, in its enduring interest for readers, that academic fashions today may be a bit hasty in pronouncing the "death of the author."

A book about the life of an author, about how an author is made, not born, Lipking's Samuel Johnson is the story of the man as he lived--and lives--in his work. Tracing Johnson's rocky climb from anonymity to fame, in the course of which he came to stand for both the greatness of English literature and the good sense of the common reader, the book shows how this life transformed the very nature of authorship.

Beginning with the defiant letter to Chesterfield that made Johnson a celebrity, Samuel Johnson offers fresh readings of all the writer's major works, viewed through the lens of two ongoing preoccupations: the urge to do great deeds--and the sense that bold expectations are doomed to disappointment. Johnson steers between the twin perils of ambition and despondency. Mounting a challenge to the emerging industry that glorified and capitalized on Shakespeare, he stresses instead the playwright's power to cure the illusions of everyday life. All Johnson's works reveal his extraordinary sympathy with ordinary people. In his groundbreaking Dictionary, in his poems and essays, and in The Lives of the English Poets, we see Johnson becoming the key figure in the culture of literacy that reaches from his day to our own.

"Until Hank Williams came along, it was just Bob Willis," says Willie Nelson. "He was it." And indeed he was, especially for the thousands in the Southwest who knew and loved the King of Western Swing. The colorful band leader-composer-fiddler from Turkey, Texas, lassoed the emotions of country-and-western fans nationwide. In the early 1940s, his records outsold those of any other recording artist. He was voted not only into the Country Music Hall of Fame but also into the National Cowboy Hall of Fame, the only performer other than Gene Autry to be so honored. 

Affectionately written by a Texan who responded to the legendary fiddler's style, San Antonio Rose captures Wills's magnetism and the musical excitement he created. Charles R. Townsend traces Wills's dynamic life from his birth into a family of frontier fiddlers through his career and stardom and on to the poignant last recording session in 1973 and his death two years later. Townsend shows how Wills brought black and white music together and examines the tremendous impact he had on both popular and country music through the more than 550 selections he recorded and the forty years he and his Texas Playboys performed in dance halls and on radio.

The latest title in the Central European Medieval Texts series contains the lives of saints who were canonized in the eleventh through thirteenth centuries in the newly Christianized countries of Central and Eastern Europe (Bohemia, Poland, Hungary, and Dalmatia). A rejoinder to the earlier volume in the series, the Saints of the Christianization Age of Central Europe (CEMT, Vol. 6), containing hermits, missionaries, and martyrs, this second volume of hagiography is dominated by political or ecclesiastical leaders who became saintly patrons of their region and were highly venerated throughout the Middle Ages.

The legends in the volume present the two Hungarian holy kings Stephen and Ladislas, the holy duke Emeric, the Czech holy abbot Prokop of Sázava, three bishops, the Venetian-Hungarian Gellért of Csanád, the Polish Stanislas of Cracow (both martyrs), and the Dalmatian holy bishop Saint John of Trogir. Each “vita” is published in Latin original with an English translation and with prefaces discussing the textual tradition.

Saints’ lives have been recognized as an invaluable source of information on social and economic history, the history of mentalities and everyday life, cultural history, and, above all, as a special genre with crucial importance and prevalence in medieval literature.

Silver winner of the 2023 Midwest Book Award for History 

She lived on the island of Lesbos around 600 B.C.E. She composed lyric poetry, only fragments of which survive. And she was--and is--the most highly regarded woman poet of Greek and Roman antiquity.

Little more than this can be said with certainty about Sappho, and yet a great deal more is said. Her life, so little known, is the stuff of legends; her poetry, the source of endless speculation. This book is a search for Sappho through the poetry she wrote, the culture she inhabited, and the myths that have risen around her. It is an expert and thoroughly engaging introduction to one of the most enduring and enigmatic figures of antiquity.Margaret Williamson conducts us through ancient representations of Sappho, from vase paintings to appearances in Ovid, and traces the route by which her work has reached us, shaped along the way by excavators, editors, and interpreters. She goes back to the poet's world and time to explore perennial questions about Sappho: How could a woman have access to the public medium of song? What was the place of female sexuality in the public and religious symbolism of Greek culture? What is the sexual meaning of her poems? Williamson follows with a close look at the poems themselves, Sappho's "immortal daughters." Her book offers the clearest picture yet of a woman whose place in the history of Western culture has been at once assured and mysterious.

In 1889 two Russian immigrants, Emma Goldman and Alexander Berkman, met in a coffee shop on the Lower East Side. Over the next fifty years Emma and Sasha would be fast friends, fleeting lovers, and loyal comrades. This dual biography offers an unprecedented glimpse into their intertwined lives, the lasting influence of the anarchist movement they shaped, and their unyielding commitment to equality and justice.

Berkman shocked the country in 1892 with "the first terrorist act in America," the failed assassination of the industrialist Henry Clay Frick for his crimes against workers. Passionate and pitiless, gloomy yet gentle, Berkman remained Goldman's closest confidant though the two were often separated-by his fourteen-year imprisonment and by Emma's growing fame as the champion of a multitude of causes, from sexual liberation to freedom of speech. The blazing sun to Sasha's morose moon, Emma became known as "the most dangerous woman in America." Through an attempted prison breakout, multiple bombing plots, and a dramatic deportation from America, these two unrelenting activists insisted on the improbable ideal of a socially just, self-governing utopia, a vision that has shaped movements across the past century, most recently Occupy Wall Street.

Sasha and Emma is the culminating work of acclaimed historian of anarchism Paul Avrich. Before his death, Avrich asked his daughter to complete his magnum opus. The resulting collaboration, epic in scope, intimate in detail, examines the possibilities and perils of political faith and protest, through a pair who both terrified and dazzled the world.

More than any other filmmaker, Sam Peckinpah opened the door for graphic violence in movies. In this book, Stephen Prince explains the rise of explicit violence in the American cinema, its social effects, and the relation of contemporary ultraviolence to the radical, humanistic filmmaking that Peckinpah practiced.

Prince demonstrates Peckinpah's complex approach to screen violence and shows him as a serious artist whose work was tied to the social and political upheavals of the 1960s. He explains how the director's commitment to showing the horror and pain of violence compelled him to use a complex style that aimed to control the viewer's response.

Prince offers an unprecedented portrait of Peckinpah the filmmaker. Drawing on primary research materials—Peckinpah's unpublished correspondence, scripts, production memos, and editing notes—he provides a wealth of new information about the making of the films and Peckinpah's critical shaping of their content and violent imagery. This material shows Peckinpah as a filmmaker of intelligence, a keen observer of American society, and a tragic artist disturbed by the images he created.

Prince's account establishes, for the first time, Peckinpah's place as a major filmmaker. This book is essential reading for those interested in Peckinpah, the problem of movie violence, and contemporary American cinema.

A powerful and original argument that the practice of scholarship is grounded in the concept of radical freedom, beginning with the freedoms of inquiry, thought, and expression.

Why are scholars and scholarship invariably distrusted and attacked by authoritarian regimes? Geoffrey Galt Harpham argues that at its core, scholarship is informed by an emancipatory agenda based on a permanent openness to the new, an unlimited responsiveness to evidence, and a commitment to conversion. At the same time, however, scholarship involves its own forms of authority. As a worldly practice, it is a struggle for dominance without end as scholars try to disprove the claims of others, establish new versions of the truth, and seek disciples.

Scholarship and Freedom threads its general arguments through examinations of the careers of three scholars: W. E. B. Du Bois, who serves as an example of scholarly character formation; South African Bernard Lategan, whose New Testament studies became entangled on both sides of his country’s battles over apartheid; and Linda Nochlin, whose essay “Why Have There Been No Great Women Artists?” virtually created the field of feminist art history.

This richly detailed biography of a key figure in nineteenth-century philosophy pays equal attention to the life and to the work of Arthur Schopenhauer. Rüdiger Safranski places this visionary skeptic in the context of his philosophical predecessors and contemporaries Kant, Fichte, Schelling, Hegel—and explores the sources of his profound alienation from their “secularized religion of reason.” He also provides a narrative of Schopenhauer’s personal and family life that reads like a Romantic novel: the struggle to break free from a domineering father, the attempt to come to terms with his mother’s literary and social success (she was a well-known writer and a member of Goethe’s Weimar circle), the loneliness and despair when his major philosophical work, The World as Will and Representation, was ignored by the academy. Along the way Safranski portrays the rich culture of Goethe’s Weimar, Hegel’s Berlin, and other centers of German literary and intellectual life.

When Schopenhauer first proposed his philosophy of “weeping and gnashing of teeth,” during the heady “wild years” of Romantic idealism, it found few followers. After the disillusionments and failures of 1848, his work was rediscovered by philosophers and literary figures. Writers from Nietzsche to Samuel Beckett have responded to Schopenhauer’s refusal to seek salvation through history.

The first biography of Schopenhauer to appear in English in this century, Schopenhauer and the Wild Years of Philosophy succeeds in bringing to life an intriguing figure in philosophy and the intellectual battles of his time, whose consequences still shape our world.

A miscellany of minor works.

Xenophon (ca. 430 to ca. 354 BC) was a wealthy Athenian and friend of Socrates. He left Athens in 401 and joined an expedition including ten thousand Greeks led by the Persian governor Cyrus against the Persian king. After the defeat of Cyrus, it fell to Xenophon to lead the Greeks from the gates of Babylon back to the coast through inhospitable lands. Later he wrote the famous vivid account of this “March Up-Country” (Anabasis); but meanwhile he entered service under the Spartans against the Persian king, married happily, and joined the staff of the Spartan king, Agesilaus. But Athens was at war with Sparta in 394 and so exiled Xenophon. The Spartans gave him an estate near Elis where he lived for years, writing and hunting and educating his sons. Reconciled to Sparta, Athens restored Xenophon to honor, but he preferred to retire to Corinth.

Xenophon’s Anabasis is a true story of remarkable adventures. Hellenica, a history of Greek affairs from 411 to 362, begins as a continuation of Thucydides’ account. There are four works on Socrates (collected in LCL 168). In Memorabilia Xenophon adds to Plato’s picture of Socrates from a different viewpoint. The Apology is an interesting complement to Plato’s account of Socrates’ defense at his trial. Xenophon’s Symposium portrays a dinner party at which Socrates speaks of love; and Oeconomicus has him giving advice on household management and married life. Cyropaedia, a historical romance on the education of Cyrus (the Elder), reflects Xenophon’s ideas about rulers and government.

We also have his Hiero, a dialogue on government; Agesilaus, in praise of that king; Constitution of Lacedaemon (on the Spartan system); Ways and Means (on the finances of Athens); Manual for a Cavalry Commander; a good manual of Horsemanship; and a lively Hunting with Hounds—mostly hare hunting. The Constitution of the Athenians, though clearly not by Xenophon, is an interesting document on politics at Athens. These eight books are collected in the present volume.

A frank, honest, and insightful look into the lives of women over fifty. 
 
The Second Half explores, in photographic portraits and interviews, how the second half of life is experienced by women from many different cultures. From a French actress to a British novelist, from an Algerian nomad to a Saudi Arabian doctor, and an American politician, Ellen Warner traveled all over the world to interview women about their lives.  She asked them what they learned in the first half that was helpful in the second, and what advice they would give to younger women. Their revealing and inspiring stories are enlightening for all readers, and are illustrated by Warner’s stunning portraits which tell their own story.

An Israeli political leader’s riveting first-hand account of pivotal moments from recent Israeli history, including the Oslo Peace Accords, the founding of the Birthright Initiative, the assassination of Yitzhak Rabin, the rise of the Israeli far right, and more

In Secrets I Won't Take with Me, Yossi Beilin, a key Israeli political and ministerial leader, offers an intimate and candid memoir that chronicles pivotal events in the nation’s recent history. From the crucible of its founding to the complexities of the modern era, Beilin reveals an insider’s perspective and previously undocumented insights about the events that have and continue to shape Israel.

Beginning his career as an academic and a journalist, Beilin became the spokesperson of the Labor Party in 1977. Among his many career highlights include the chairmanship of the Meretz-Yachad Party, Minister of Justice, Minister of Religious Affairs, and Deputy Finance Minister, and perhaps most significantly, as Deputy Foreign Minister during the Israel-PLO Oslo Peace Accords. As a key architect of the Oslo Peace Accords, he shares unprecedented details of the negotiations that defined an era.

Beyond diplomacy, Beilin illuminates his role in shaping Israel’s identity, from steering Israel away from its alliance with apartheid South Africa to the foundation of the influential Birthright program. With unflinching honesty, Beilin navigates the triumphs and tragedies of a nation, from the euphoria of the Six-Day War to the heartbreak of Yitzhak Rabin’s assassination. A deeply personal memoir of one man’s life interwoven with a nation’s, Beilin’s stunning account of his career serves as a masterful tour d’horizon of Israel’s recent past and evolving future.

In her autobiography Seeds of Disquiet, Cheryl Heppner writes of experiencing severe hearing loss twice. Spinal meningitis caused a profound loss of hearing when she was six, and for the next 18 years she worked hard to live the life of a “normal” hearing person. Through exhaustive work in speech therapy and speechreading, she excelled in school and college, performing Herculean feats without the assistance of trained interpreters or notetakers.

       Then, when she was 25, two strokes left her completely deaf. For the next 20 years she worked to recreate her life through sign language and the Deaf community. The process stunned her by revealing how much she had missed before. Initially embittered, Cheryl Heppner later went on to use her astonishing energy as an advocate for deaf and hard of hearing people.

       Seeds of Disquiet celebrates her accomplishments, the most significant of which, perhaps, was her reconciliation with her loved ones from her former life with her new outlook.