Finding Italy explores the journey of the Romans’ ancestor Aeneas and his fellow Trojans from their old home, Troy, to their new country, Italy, narrated in Vergil’s epic poem Aeneid. K. F. B. Fletcher argues that a main narrative theme is patriotism, specifically the problem of how one comes to love one’s new country. The various directions Aeneas receives throughout the first half of the poem are meant to create this love, explaining both to Aeneas and to Vergil’s readers how they should respond to the new, unified Italy synonymous with Rome. These directions come from the gods, or from people close to Aeneas who have divine connections, and they all serve to instill an emotional connection to the land, creating a mental image of Italy that tells him far more about his destination than merely its location, and ultimately making him fall in love with Italy enough to fight for it soon after his arrival. The poem thus dramatizes the birth of nationalism, as Italy is only a concept to Aeneas throughout his trip; these directions do not describe Italy as it is at the time of Aeneas’ journey, but as an ideal to be realized by Aeneas and his descendants, reaching its final, perfect form under Augustus Caesar.
Finding Italy provides a very detailed reading of the directions Aeneas receives by situating them within their relevant contexts: ancient geography, Greek colonization narratives, prophecy, and ancient views of wandering. Vergil draws on all of these concepts to craft instructions that create in Aeneas an attachment to Italy before he ever arrives, a process that dramatizes a key emotional problem in the late first century BCE in the wake of the Social and Civil Wars: how to balance the love of one's modest birthplace with the love of Rome, the larger city that now encompasses it.
"The HIV+ men incarcerated in Limestone Prison's Dorm 16 were put there to be forgotten. Not only do Benjamin Fleury-Steiner and Carla Crowder bring these men to life, Fleury-Steiner and Crowder also insist on placing these men in the middle of critical conversations about health policy, mass incarceration, and race. Dense with firsthand accounts, Dying Inside is a nimble, far-ranging and unblinking look at the cruelty inherent in our current penal policies."
---Lisa Kung, Director, Southern Center for Human Rights
"The looming prison health crisis, documented here at its extreme, is a shocking stain on American values and a clear opportunity to rethink our carceral approach to security."
---Jonathan Simon, University of California, Berkeley
"Dying Inside is a riveting account of a health crisis in a hidden prison facility."
---Michael Musheno, San Francisco State University, and coauthor of Deployed
"This fresh and original study should prick all of our consciences about the horrific consequences of the massive carceral state the United States has built over the last three decades."
---Marie Gottschalk, University of Pennsylvania, and author of The Prison and the Gallows
"An important, bold, and humanitarian book."
---Alison Liebling, University of Cambridge
"Fleury-Steiner makes a compelling case that inmate health care in America's prisons and jails has reached the point of catastrophe."
---Sharon Dolovich, University of California, Los Angeles
"Fleury-Steiner's persuasive argument not only exposes the sins of commission and omission on prison cellblocks, but also does an excellent job of showing how these problems are the natural result of our nation's shortsighted and punitive criminal justice policy."
---Allen Hornblum, Temple University, and author of Sentenced to Science
Dying Inside brings the reader face-to-face with the nightmarish conditions inside Limestone Prison's Dorm 16---the segregated HIV ward. Here, patients chained to beds share their space with insects and vermin in the filthy, drafty rooms, and contagious diseases spread like wildfire through a population with untreated---or poorly managed at best---HIV.
While Dorm 16 is a particularly horrific human rights tragedy, it is also a symptom of a disease afflicting the entire U.S. prison system. In recent decades, prison populations have exploded as Americans made mass incarceration the solution to crime, drugs, and other social problems even as privatization of prison services, especially health care, resulted in an overcrowded, underfunded system in which the most marginalized members of our society slowly wither from what the author calls "lethal abandonment."
This eye-opening account of one prison's failed health-care standards is a wake-up call, asking us to examine how we treat our forgotten citizens and compelling us to rethink the American prison system in this increasingly punitive age.
"The HIV+ men incarcerated in Limestone Prison's Dorm 16 were put there to be forgotten. Not only do Benjamin Fleury-Steiner and Carla Crowder bring these men to life, Fleury-Steiner and Crowder also insist on placing these men in the middle of critical conversations about health policy, mass incarceration, and race. Dense with firsthand accounts, Dying Inside is a nimble, far-ranging and unblinking look at the cruelty inherent in our current penal policies."
---Lisa Kung, Director, Southern Center for Human Rights
"The looming prison health crisis, documented here at its extreme, is a shocking stain on American values and a clear opportunity to rethink our carceral approach to security."
---Jonathan Simon, University of California, Berkeley
"Dying Inside is a riveting account of a health crisis in a hidden prison facility."
---Michael Musheno, San Francisco State University, and coauthor of Deployed
"This fresh and original study should prick all of our consciences about the horrific consequences of the massive carceral state the United States has built over the last three decades."
---Marie Gottschalk, University of Pennsylvania, and author of The Prison and the Gallows
"An important, bold, and humanitarian book."
---Alison Liebling, University of Cambridge
"Fleury-Steiner makes a compelling case that inmate health care in America's prisons and jails has reached the point of catastrophe."
---Sharon Dolovich, University of California, Los Angeles
"Fleury-Steiner's persuasive argument not only exposes the sins of commission and omission on prison cellblocks, but also does an excellent job of showing how these problems are the natural result of our nation's shortsighted and punitive criminal justice policy."
---Allen Hornblum, Temple University, and author of Sentenced to Science
Dying Inside brings the reader face-to-face with the nightmarish conditions inside Limestone Prison's Dorm 16---the segregated HIV ward. Here, patients chained to beds share their space with insects and vermin in the filthy, drafty rooms, and contagious diseases spread like wildfire through a population with untreated---or poorly managed at best---HIV.
While Dorm 16 is a particularly horrific human rights tragedy, it is also a symptom of a disease afflicting the entire U.S. prison system. In recent decades, prison populations have exploded as Americans made mass incarceration the solution to crime, drugs, and other social problems even as privatization of prison services, especially health care, resulted in an overcrowded, underfunded system in which the most marginalized members of our society slowly wither from what the author calls "lethal abandonment."
This eye-opening account of one prison's failed health-care standards is a wake-up call, asking us to examine how we treat our forgotten citizens and compelling us to rethink the American prison system in this increasingly punitive age.
Despite a career spanning over forty years, filmmaker Alan Rudolph has flown largely under the radar of independent film scholars and enthusiasts, often remembered as Robert Altman’s protégé. Through a reading of his 1985 film Trouble in Mind, Caryl Flinn demonstrates that Rudolph is long overdue for critical re-evaluation.
Exploring Trouble in Mind’s influence on indie filmmaking, Rudolph’s dream-like style, and the external political influences of the Reagan era, Flinn effectively conveys the originality of Rudolph’s work through this multifaceted film. Utilizing archival materials and interviews with Rudolph himself and his collaborators, Flinn argues for this career-defining film’s relevance to American independent cinema and the decade of the 1980s. Amply illustrated with frame enlargements and set photographs, this book uncovers new production stories and reception contexts of a film that Flinn argues deserves a place in the limelight.This book teaches English language learners about language learning and classroom expectations. It is a compilation of advice, experiences, suggestions, strategies, and learning theories collected over many years of teaching this population.
What Every ESL Student Should Know was written to help English language learners be successful in community college and college classrooms—specifically, how to prepare students for expectations and behavior within the classroom and how to help them to be good students, how to participate in class, what to expect from the class, and what to do to learn English. Learning strategies and language theories are presented in brief.
Clear Grammar 3 introduces high-intermediate grammar. Clear Grammar 3, 2nd Ed., includes
Clear Grammar 3 concludes with a review of this volume’s contents of high-intermediate grammar points.
Clear Grammar is a four-level grammar series that features a unique combination of useful grammar information written inclearlanguage with activities that promote more accurate and fluent writing, speaking, reading, and vocabulary usage. Important features of the new editions of Clear Grammar include:
Clear Grammar 4 introduces advanced grammar. Clear Grammar 4, 2nd Ed., includes
Clear Grammar 4 concludes with a review of this volume’s contents of advanced grammar points.
Clear Grammar is a four-level grammar series that features a unique combination of useful grammar information written in clear language with activities that promote more accurate and fluent writing, speaking, reading, and vocabulary usage. Important features of the new editions of Clear Grammar include:
“Elaine Ford’s collection roams the territory between the intellect and the heart. She writes of the human condition with precision, in language that is both grave and conversational. Her characters step out of the real world onto the page, where she develops them quietly, but with compassionate fullness. This writer grips the reader with her keen knowledge of the psyche of individuals-—their motives and secrets—and also with the surprising things that happen to them.”
—Laura Kasischke, judge, Michigan Literary Fiction Awards
Of Elaine Ford’s novel, Missed Connections, the Washington Post wrote that it is a work “of small episodes, of precise sentences, of unusual clarity.” That same clarity proves an unsettling force in Ford’s stories, where precision of prose often belies uncertainties hidden beneath. In the title piece, an American woman in England, embroiled in a relationship doomed to fail, discovers how little she understands about her own desires and impulses. In another story, another American wife, abandoned in Greece by her archaeologist husband, struggles to solve a crime no one else believes to have been committed.
Throughout her stories Ford touches on the mysteries that make up our lives. Each story in itself is a masterpiece of such detail and power as to transform the way we see the world.
In Candidates, Congress, and the American Democracy Linda L. Fowler provides a wide-ranging examination of candidacy as a source of both stability and change in U.S. politics. An expert on political candidates, she brings a novel perspective to the topic by emphasizing that candidates are necessary instruments for popular control of government.
Fowler maintains that the ambitions of individual candidates are essential to the functioning of the nation's constitutional system and are important factors in its political history. She traces the influence of candidates in fostering electoral competition, promoting the representation of such newly mobilized groups of citizens as women and ethnic minorities, and transforming political institutions and parties. Despite the importance of candidacy, the institution is poorly understood because both scholars and voters tend to limit their focus on candidates to the narrow context of election campaigns. The author argues that a broader view reveals how candidates are linked to a variety of trends and contradictions in contemporary U.S. politics.
"'All I gotta do is act naturally,' Buck Owens sang, and Pamela Fox knows where the acting comes in. From early hillbilly acts to alt.country, Natural Acts lays bare, with wide-ranging scholarship and incisive analysis, the ideologies of authenticity on which country music rests. As engrossing and useful as any book I know on country music."
---Eric Lott, author of Love and Theft: Blackface Minstrelsy and the American Working Class
"The first completely mature book of country music historical criticism. It is a deep investigation of country music's power to articulate the displaced pleasures and anxieties of a society wracked by structural change. Historically rigorous, Fox uncovers documents that demonstrate the ongoing power of minstrelsy in barn dance programs across the country past World War II; musically and lyrically astute, she shows how the best honky-tonk music simultaneously critiques the dangers of that setting while seductively luring listeners to those sawdust and alcohol drenched environments; with her ear attuned to the formal complexities of autobiography, Fox directs our attention to the contradictory performance of identity that characterizes the life stories of Reba McEntire, Naomi Judd, Dolly Parton, and others. Natural Acts is provocative, stunning, and engagingly written. Country music studies has come of age."
---Barry Shank, The Ohio State University
Whether found in country barn dances, the plaintive twang of Hank Williams, the glitzy glamour of Dolly Parton, or the country-pop sound of Faith Hill, country music has always maintained an allegiance to its own authenticity. Its specific sounds and images have changed over the past century, but country music has consistently been associated with rusticity, a notion connected to the working class and rooted in ideals like unspoiled rural life and values and humble origins. The music suggests not only uncomplicated musical arrangements and old-time instruments such as the banjo and fiddle, but performers who identify with their everyday fans.
Natural Acts explores the ways that country musicians---particularly women artists---have established a "natural" country identity. Pamela Fox focuses on five revealing moments in country performance: blackface comedy during country music's "Golden Age" of pre-1945 radio and stage programming; the minstrel's "rube" or hillbilly equivalent in the same period; postwar honky-tonk music and culture; the country star memoir or autobiography of the '80s and '90s; and the recent roots phenomenon known as alt.country.
Pamela Fox is Associate Professor of English and Director of the Women's and Gender Studies Program at Georgetown University. She is the author of Class Fictions: Shame and Resistance in the British Working-Class Novel, 1890-1945 and coeditor (with Barbara Ching) of Old Roots, New Routes: The Cultural Politics of Alt.Country Music.
Photo: Lulu Belle Wiseman and Red Foley, 1930s. Courtesy of Country Music Hall of Fame ® and Museum.
The long awaited new edition of a classic offers memories, myths, and meanings of the largest contiguous piece of wild land in Michigan's Lower Peninsula.
This updated edition explores more deeply why and how the outdoors moves and compels us. It’s a book about mice who sing, elk who wear collars, deer who kiss, and birds who could dictate their compositions to Mozart. It's about the human species interacting in generous and sometimes misguided ways with the rest of life. It's about men trying to ripen pinecones into pineapples and women taking better aim with a revolver than expected. It's about poetry—from Mary Oliver, Lao Tzu, and Theodore Roethke—and seeing hawks dive in a night sky or feeling oil geologists shake the earth below. It's about finding fish dead in the river by the thousands and crouching behind a stump to watch beaver build a dwelling. While this book considers life beyond the boundaries of Pigeon River Country, it is steeped in the specifics of a place that lives mostly on its own, instead of human, terms.
The Pigeon River Country is a remote northern forest, ecologically distinct from most of the United States. Laced with waterways, it has a storied past. Dale Clarke Franz has collected personal accounts from various people intrigued with the Pigeon River Country—including loggers, conservationists, mill workers, campers, even the young Ernest Hemingway, who said he loved the forest "better than anything in the world." There are comprehensive discussions of the area's flora and fauna, guides to trails and camping sites, and photos showcasing the changing face of this hidden national treasure.
Social scientists study complex phenomena about which they often propose intricate hypotheses tested with linear-interactive or multiplicative terms. While interaction terms are hardly new to social science research, researchers have yet to develop a common methodology for using and interpreting them. Modeling and Interpreting Interactive Hypotheses in Regression Analysis provides step-by-step guidance on how to connect substantive theories to statistical models and how to interpret and present the results.
"Kam and Franzese is a must-have for all empirical social scientists interested in teasing out the complexities of their data."
---Janet M. Box-Steffensmeier, Ohio State University
"Kam and Franzese have written what will become the definitive source on dealing with interaction terms and testing interactive hypotheses. It will serve as the standard reference for political scientists and will be one of those books that everyone will turn to when helping our students or doing our work. But more than that, this book is the best text I have seen for getting students to really think about the importance of careful specification and testing of their hypotheses."
---David A. M. Peterson, Texas A&M University
"Kam and Franzese have given scholars and teachers of regression models something they've needed for years: a clear, concise guide to understanding multiplicative interactions. Motivated by real substantive examples and packed with valuable examples and graphs, their book belongs on the shelf of every working social scientist."
---Christopher Zorn, University of South Carolina
"Kam and Franzese make it easy to model what good researchers have known for a long time: many important and interesting causal effects depend on the presence of other conditions. Their book shows how to explore interactive hypotheses in your own research and how to present your results. The book is straightforward yet technically sophisticated. There are no more excuses for misunderstanding, misrepresenting, or simply missing out on interaction effects!"
---Andrew Gould, University of Notre Dame
Cindy D. Kam is Assistant Professor, Department of Political Science, University of California, Davis.
Robert J. Franzese Jr. is Associate Professor, Department of Political Science, University of Michigan, and Research Associate Professor, Center for Political Studies, Institute for Social Research, University of Michigan.
For datasets, syntax, and worksheets to help readers work through the examples covered in the book, visit: www.press.umich.edu/KamFranzese/Interactions.html
As the number of women in the U.S. Senate grows, so does the number of citizens represented by women senators. At the same time, gender remains a key factor in senators’ communications to constituents as well as in news media portrayals of senators. Focusing on 32 male and female senators during the 2006 congressional election year, Kim L. Fridkin and Patrick J. Kenney examine in detail senators’ official websites, several thousand press releases and local news stories, and surveys of 18,000 citizens to discern constituents’ attitudes about their senators.
The authors conclude that gender role expectations and stereotypes do indeed constrain representational and campaign messages and influence news coverage of both candidates and elected senators. Further, while citizens appear to be less influenced by entrenched stereotypes, they pay more attention to female senators’ messages and become more knowledgeable about them, in comparison to male senators.
This second edition assesses some of the major refinements, extensions, and useful applications that have developed in neoinstitutionalist thought in recent years. More attention is given to the overlap between the New Institutional Economics and developments in economic history and political science. In addition to updated references, new material includes analysis of parallel developments in the field of economic sociology and its attacks on representatives of the NIE as well as an explanation of the institution-as-an-equilibrium-of-game approach.
Already an international best seller, Institutions and Economic Theory is essential reading for economists and students attracted to the NIE approach. Scholars from such disciplines as political science, sociology, and law will find the work useful as the NIE continues to gain wide academic acceptance. A useful glossary for students is included.
Eirik Furubotn is Honorary Professor of Economics, Co-Director of the Center for New Institutional Economics, University of Saarland, Germany and Research Fellow, Private Enterprise Research Center, Texas A&M University.
Rudolph Richter is Professor Emeritus of Economics and Director of the Center for New Institutional Economics, University of Saarland, Germany.
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