A SCHOLARLY BOOK REPOSITORY
1834 scholarly books by University of Alabama Press and 137
1834 scholarly books by University of Alabama Press
137 have author last names that start with H have author last names that start with H
137 have author last names that start with H have author last names that start with H
Opening the Doors
The Desegregation of the University of Alabama and the Fight for Civil Rights in Tuscaloosa
B. J. Hollars
University of Alabama Press, 2013
Opening the Doors is a wide-ranging account of the University of Alabama’s 1956 and 1963 desegregation attempts, as well as the little-known story of Tuscaloosa, Alabama’s, own civil rights movement.
Whereas E. Culpepper Clark’s The Schoolhouse Door remains the standard history of the University of Alabama’s desegregation, in Opening the Doors B. J. Hollars focuses on Tuscaloosa’s purposeful divide between “town” and “gown,” providing a new contextual framework for this landmark period in civil rights history.
The image of George Wallace’s stand in the schoolhouse door has long burned in American consciousness; however, just as interesting are the circumstances that led him there in the first place, a process that proved successful due to the concerted efforts of dedicated student leaders, a progressive university president, a steadfast administration, and secret negotiations between the U.S. Justice Department, the White House, and Alabama’s stubborn governor.
In the months directly following Governor Wallace’s infamous stand, Tuscaloosa became home to a leader of a very different kind: twenty-eight-year-old African American reverend T. Y. Rogers, an up-and-comer in the civil rights movement, as well as the protégé of Martin Luther King Jr. After taking a post at Tuscaloosa’s First African Baptist Church, Rogers began laying the groundwork for the city’s own civil rights movement. In the summer of 1964, the struggle for equality in Tuscaloosa resulted in the integration of the city’s public facilities, a march on the county courthouse, a bloody battle between police and protesters, confrontations with the Grand Wizard of the Ku Klux Klan, a bus boycott, and the near-accidental-lynching of movie star Jack Palance.
Relying heavily on new firsthand accounts and personal interviews, newspapers, previously classified documents, and archival research, Hollars’s in-depth reporting reveals the courage and conviction of a town, its university, and the people who call it home.
[more]
The Road South
Personal Stories of the Freedom Riders
B. J. Hollars
University of Alabama Press, 2018
Revisits the inspiring and heroic stories of the Freedom Riders, through their own words.
In May 1961, despite multiple Supreme Court rulings, segregation remained alive and well within the system of interstate travel. All across the American South, interstate buses as well as their travel facilities were divided racially. This blatant disregard for law and morality spurred the Congress of Racial Equality to send thirteen individuals—seven black, six white—on a harrowing bus trip throughout the South as a sign of protest.
These original riders were met with disapproval, arrests and violence along the way, but that did not stop the movement. That summer, more than four hundred Freedom Riders continued their journey—many of them concluding their ride at Mississippi’s notorious Parchman Farm, where they endured further abuses and indignities. As a result of the riders sacrifice, by November of 1961, the Interstate Commerce Commission finally put an end to interstate commerce segregation, and in the process, elevated the riders to become a source of inspiration for other civil rights campaigns such as voter registration rights and school desegregation.
While much has been written on the Freedom Rides, far less has been published about the individual riders. Join award-winning author B. J. Hollars as he sets out on his own journey to meet them, retracing the historic route and learning the stories of as many surviving riders as he could. The Road South: Personal Stories of the Freedom Riders offers an intimate look into the lives and legacies of the riders. Throughout the book these civil rights veterans’ poignant, personal stories offer timely insights into America’s racial past and hopeful future.
Weaving the past with the present, Hollars aims to demystify the legendary journey, while also confronting more modern concerns related to race in America. The Road South is part memoir and part research-based journalism. It transcends the traditional textbook version of this historical journey to highlight the fascinating stories of the many riders—both black and white—who risked their lives to move the country forward.
In May 1961, despite multiple Supreme Court rulings, segregation remained alive and well within the system of interstate travel. All across the American South, interstate buses as well as their travel facilities were divided racially. This blatant disregard for law and morality spurred the Congress of Racial Equality to send thirteen individuals—seven black, six white—on a harrowing bus trip throughout the South as a sign of protest.
These original riders were met with disapproval, arrests and violence along the way, but that did not stop the movement. That summer, more than four hundred Freedom Riders continued their journey—many of them concluding their ride at Mississippi’s notorious Parchman Farm, where they endured further abuses and indignities. As a result of the riders sacrifice, by November of 1961, the Interstate Commerce Commission finally put an end to interstate commerce segregation, and in the process, elevated the riders to become a source of inspiration for other civil rights campaigns such as voter registration rights and school desegregation.
While much has been written on the Freedom Rides, far less has been published about the individual riders. Join award-winning author B. J. Hollars as he sets out on his own journey to meet them, retracing the historic route and learning the stories of as many surviving riders as he could. The Road South: Personal Stories of the Freedom Riders offers an intimate look into the lives and legacies of the riders. Throughout the book these civil rights veterans’ poignant, personal stories offer timely insights into America’s racial past and hopeful future.
Weaving the past with the present, Hollars aims to demystify the legendary journey, while also confronting more modern concerns related to race in America. The Road South is part memoir and part research-based journalism. It transcends the traditional textbook version of this historical journey to highlight the fascinating stories of the many riders—both black and white—who risked their lives to move the country forward.
[more]
Thirteen Loops
Race, Violence, and the Last Lynching in America
B. J. Hollars
University of Alabama Press, 2011
Thirteen Loops: Race, Violence, and the Last Lynching in America recounts the story of three innocent victims, all of whom suffered violent deaths through no fault of their own: Vaudine Maddox in 1933 in Tuscaloosa, Sergeant Gene Ballard in 1979 in Birmingham, and Michael Donald in 1981 in Mobile.
The death of Vaudine Maddox—and the lynchings that followed—serves as a cautionary tale about the violence that occurred in the same region nearly fifty-years later, highlighting the cowardice, ignorance, and happenstance that sustained a culture of racial intolerance far into the future.Nearly half a century later, after a black bank robber was acquitted for the murder of police Sergeant Gene Ballard, two Klansmen took it upon themselves to exact revenge on an innocent victim--nineteen-year-old African American Michael Donald. Donald's murder--deemed the last lynching in America--reignited the race debate in America and culminated in a courtroom drama in which the United Klans of America were at long last put on trial.
While tracing the relationships among these murders, B. J. Hollars's research led him deep into the heart of Alabama’s racial, political, and legal landscapes. A work of literary journalism, Thirteen Loops draws upon rarely examined primary sources, court documents, newspaper reports, and first-hand accounts in an effort to unravel the twisted tale of a pair of interconnected murders that forever altered United States' race relations.
The death of Vaudine Maddox—and the lynchings that followed—serves as a cautionary tale about the violence that occurred in the same region nearly fifty-years later, highlighting the cowardice, ignorance, and happenstance that sustained a culture of racial intolerance far into the future.Nearly half a century later, after a black bank robber was acquitted for the murder of police Sergeant Gene Ballard, two Klansmen took it upon themselves to exact revenge on an innocent victim--nineteen-year-old African American Michael Donald. Donald's murder--deemed the last lynching in America--reignited the race debate in America and culminated in a courtroom drama in which the United Klans of America were at long last put on trial.
While tracing the relationships among these murders, B. J. Hollars's research led him deep into the heart of Alabama’s racial, political, and legal landscapes. A work of literary journalism, Thirteen Loops draws upon rarely examined primary sources, court documents, newspaper reports, and first-hand accounts in an effort to unravel the twisted tale of a pair of interconnected murders that forever altered United States' race relations.
[more]
Foraging in the Tennessee River Valley
12,500 to 8,000 Years Ago
Kandace D. Hollenbach
University of Alabama Press, 2009
Plants are inarguably a significant component of the diets of foraging peoples in non-arctic environments. As such, the decisions and activities associated with the gathering and exploitation of plants are important to foragers’ subsistence pursuits. Plant remains are particularly important for understanding gathering activities. Inasmuch as plant foods comprised a considerable portion of early foragers’ diets, and the gathering and processing of these plant resources occupied a significant proportion of the population, namely women, children, and the elderly, an understanding of gathering activities and how they relate to use of the landscape is critical. Organic remains are poorly preserved in the acidic soils of the Southeast and are often limited or absent from open-air sites, but archaeological deposits protected within rockshelters provide an exception. Organic remains are consistently well preserved in their rain-protected deposits, and rockshelters are locations that groups repeatedly visited. Because of this repeated use and remarkable preservation, significant quantities of well-preserved faunal and botanical remains can be recovered from rockshelter deposits.
In Foraging, Hollenbach analyzes and compares botanical remains from archaeological excavations in four rockshelters in the Middle Tennessee River Valley. The artifact assemblages of rockshelter and open-air sites are similar, so it is reasonable to assume that faunal and botanical assemblages would be similar, if open-air sites had comparable preservation of organic remains. The rich organic data recovered from rockshelters therefore may be considered representative of general subsistence and settlement strategies, and can significantly inform our views of lifeways of Late Paleoindian and Early Archaic peoples. The data produced from this analysis provides a valuable baseline of plant food use by early foragers in the region, and establishes a model of Late Paleoindian and Early Archaic lifeways in the Southeast.
[more]
Reformed America
The Middle and Southern States 1783-1837
Fred J. Hood
University of Alabama Press, 1980
Analyzes the success of the Reformed in the middle and southern states
The success of the Reformed of the middle and southern states at shaping a distinctly American ideology of the relationship of religion and government was truly amazing. Unlike their New England counterparts, many of whom continued to enjoy some sort of establishment well into the nineteenth century, these Reformed entered the national experience with a backlog of experience in religious diversity and practical disestablishment, and even, in the South, as religious dissenters. They would have preferred a religious establishment that would have essentially recognized the validity of their understanding of Christianity. It was perhaps their own rigidity that caused them to fail in that attempt, especially in Virginia. But for such a rigid people, and they were rigid, they demonstrated a remarkable flexibility. When it became apparent that the American legal settlement would be one in which the state disengaged from the support of religion, the Reformed of the middle and southern states welcomed it and declared it to be the solution that would be most conducive to the spread and ultimate domination of Reformed Christianity. Unlike twentieth-century liberals, the Reformed interpreted disestablishment as the legal and official recognition of the twin Reformation doctrines of the priesthood of all believers and the absolute and unquestioned authority of the Christian Scriptures. And, to a very large degree, it was their definition, rather than the thinking of Jefferson and Madison, that captured the imagination of the American people and became the dominant popular opinion in the land.
But perhaps of even greater significance, the Reformed of the middle and southern states forged an ideology that ultimately based American national prosperity on national adherence to Reformed Christianity. Under the tutelage of John Witherspoon and Samuel Stanhope Smith, the Reformed captured the Enlightenment and brought it into the service of Reformed Christianity, altering traditional Calvinism in the process. Witherspoon and Smith, declaring that the truth of the law of nations could be devised by observation and reason alone, propounded a doctrine of natural law and political science that substantially reinforced the Calvinistic doctrine of providence in an era of skepticism and enlightenment. All history, they argued, proved beyond any reasonable doubt that those nations that adhered to the moral principles taught by Christianity had prospered and those that had taken a contrary route had fallen into ruin. The Reformed preachers of whatever denomination picked up this message and proclaimed it throughout the land. The United States, if it were to prosper, was required to be a Christian nation.
The success of the Reformed of the middle and southern states at shaping a distinctly American ideology of the relationship of religion and government was truly amazing. Unlike their New England counterparts, many of whom continued to enjoy some sort of establishment well into the nineteenth century, these Reformed entered the national experience with a backlog of experience in religious diversity and practical disestablishment, and even, in the South, as religious dissenters. They would have preferred a religious establishment that would have essentially recognized the validity of their understanding of Christianity. It was perhaps their own rigidity that caused them to fail in that attempt, especially in Virginia. But for such a rigid people, and they were rigid, they demonstrated a remarkable flexibility. When it became apparent that the American legal settlement would be one in which the state disengaged from the support of religion, the Reformed of the middle and southern states welcomed it and declared it to be the solution that would be most conducive to the spread and ultimate domination of Reformed Christianity. Unlike twentieth-century liberals, the Reformed interpreted disestablishment as the legal and official recognition of the twin Reformation doctrines of the priesthood of all believers and the absolute and unquestioned authority of the Christian Scriptures. And, to a very large degree, it was their definition, rather than the thinking of Jefferson and Madison, that captured the imagination of the American people and became the dominant popular opinion in the land.
But perhaps of even greater significance, the Reformed of the middle and southern states forged an ideology that ultimately based American national prosperity on national adherence to Reformed Christianity. Under the tutelage of John Witherspoon and Samuel Stanhope Smith, the Reformed captured the Enlightenment and brought it into the service of Reformed Christianity, altering traditional Calvinism in the process. Witherspoon and Smith, declaring that the truth of the law of nations could be devised by observation and reason alone, propounded a doctrine of natural law and political science that substantially reinforced the Calvinistic doctrine of providence in an era of skepticism and enlightenment. All history, they argued, proved beyond any reasonable doubt that those nations that adhered to the moral principles taught by Christianity had prospered and those that had taken a contrary route had fallen into ruin. The Reformed preachers of whatever denomination picked up this message and proclaimed it throughout the land. The United States, if it were to prosper, was required to be a Christian nation.
[more]
My Haunted Home
Stories
Victoria Hood
University of Alabama Press, 2022
Meditations on the ways grief is felt and harvested—the funny, the sorrowful, the surreal, and the unmentionable
Winner of FC2’s Ronald Sukenick Innovative Fiction Prize
The stories in My Haunted Home delve in startling ways into the lives of the obsessed, the grieving, and the truly haunted. Victoria Hood conjures a shifting range of narrators through an unstable range of worlds where mothers might be dead, girls compulsively shove peanuts inside their ears, agoraphobia traps people inside their houses, and cats won’t eat your soup. In “The Teeth, the Way I Smile,” a daughter who looks like her dead mother manifests grief both in her house and her body. In “Smelly Smelly,” a woman slowly comes to realize her boyfriend has been dead for weeks. In “You, Your Fault,” we explore the unfolding love of two women who love every part of each other—including the parts that fixate on arson and murder.
Each story is a bite-size piece of haunting candy on a necklace of obsession holding them together. Hood probes the worlds of what can be haunted, unpacking the ways in which hauntings can be manifested in physical forms, mentally harvested and lived through, and even a change in what is haunting.
Winner of FC2’s Ronald Sukenick Innovative Fiction Prize
The stories in My Haunted Home delve in startling ways into the lives of the obsessed, the grieving, and the truly haunted. Victoria Hood conjures a shifting range of narrators through an unstable range of worlds where mothers might be dead, girls compulsively shove peanuts inside their ears, agoraphobia traps people inside their houses, and cats won’t eat your soup. In “The Teeth, the Way I Smile,” a daughter who looks like her dead mother manifests grief both in her house and her body. In “Smelly Smelly,” a woman slowly comes to realize her boyfriend has been dead for weeks. In “You, Your Fault,” we explore the unfolding love of two women who love every part of each other—including the parts that fixate on arson and murder.
Each story is a bite-size piece of haunting candy on a necklace of obsession holding them together. Hood probes the worlds of what can be haunted, unpacking the ways in which hauntings can be manifested in physical forms, mentally harvested and lived through, and even a change in what is haunting.
[more]
Alias Simon Suggs
The Life and Times of Johnson Jones Hooper
William Stanley Hoole
University of Alabama Press, 2008
A study of realism and folk literature and of the sources and techniques of storytelling
Alias Simon Suggs is a study in the life and writings of Johnson J. Hooper of Alabama, and is a masterful contribution to American biography and to American literature.
Extensively documented with illuminating footnotes and revealing references, its style is direct and captivating and will appeal to those who enjoy entertaining biography will relish the privilege of reading it.
Alias Simon Suggs is a study in the life and writings of Johnson J. Hooper of Alabama, and is a masterful contribution to American biography and to American literature.
Extensively documented with illuminating footnotes and revealing references, its style is direct and captivating and will appeal to those who enjoy entertaining biography will relish the privilege of reading it.
[more]
Down the River
or Practical Lessons Under The Code Duello
George W Hooper
University of Alabama Press, 2007
This delightful divertissement is a lampoon of dueling culture set in southeastern Alabama, penned by a cousin of the better known humorist Johnson Jones Hooper. Interestingly George W. Hooper did not identify himself as the author, perhaps for fear that some enterprising duelist would decide he had been personally lampooned and take umbrage.
The main character is a figure familiar in outline to readers of John Gorman Barr, J. J. Hooper, Joseph G. Baldwin, and other practitioners of what is known as the humor of the Old Southwest. This tetchy blowhard is able to find a personal slight in every social circumstance of the most casual nature, to determine the only resolution that could preserve his personal honor is a duel, and then to find elaborate reasons why the affair d’honneur must be postponed indefinitely. The protagonist is accompanied by a Watson-like admirer of comparable wooden-headedness, who admiringly keeps track of all this punctilio—and constantly just barely avoids offending his patron at every turn.
The work ends with the provisions of the real “Code Duello,” which cede nothing to the fiction in sheer ridiculousness.
[more]
Dog and Gun
A Few Loose Chapters on Shooting, Among Which Will Be Found Some Anecdotes and Incidents
Johnson Jones Hooper
University of Alabama Press, 1992
The least well known of Johnson Jones Hooper’s works, Dog and Gun was first published as a newspaper series, then appeared in six book editions between 1856 and 1871. Hooper is Alabama’s most celebrated antebellum author, and here he gives insight into the meaning of a culture where every male hunts – and a man who shoots as a gentleman will be assumed a gentleman. Beidler’s introduction to this reprint edition explores the social, literary, and technical dimensions of Dog and Gun, which he sees as an important commentary on class distinctions in the antebellum South, as well as a straightforward treatise on hunting.
Although the book is a manual for the hunter, with characteristic humor and a certain disdain, Hooper gives a full picture of the gentlemanly sport of hunting – clearly distinct from hunting for food – in all aspects including hunter, weaponry, and sporting dogs. He takes us back to an autumnal ritual of the hunt, where one is always a boy with his first gun – to the natural mystery of quest, competition, predation, pursuit, survival, bravery, endurance, and eventual defeat, called the mystery of the hunt.
[more]
Adventures of Captain Simon Suggs
Late of the Tallapoosa Volunteers; Together with Taking the Census and Other Alabama Sketches
Johnson Jones Hooper
University of Alabama Press, 1993
A series of sketches written in part to parody some the campaign literature of the era
Originally published in 1845, Adventures of Captain Simon Suggs is a series of sketches written in part to parody some the campaign literature of the era. The character, Simon Suggs, with his motto, “it is good to be shifty in a new country,” fully incarnates a backwoods version of the national archetypes now know as the confidence man, the grafter, the professional flim-flam artist supremely skilled in the arts by which a man gets along in the world. This classic volume of good humor is set in the rough-and-tumble world of frontier life and politics.
[more]
The Making of Saints
Contesting Sacred Ground
James F Hopgood
University of Alabama Press, 2005
Celebrities and popular icons are increasingly ubiquitous figures of a 21st century postmodern world. Some, in death, blur age-old distinctions of sanctification and trespass on sacred ground long held exclusively by religious saints. An emerging continuum is transforming that sacred arena and raising a number of important issues, including the nature of the relationships between the worshipped and the worshipful and the types of institutions that sustain them.
The Making of Saints: Contesting Sacred Ground investigates a number of religious leaders, healers, folk saints, and popular icons in seeking to identify their commonalities and discover how they speak to the same inner yearnings of human beings for gods and heroes. Issues of social relations, love, emotion, charisma, power, and sanctification are addressed by the contributors. Analyses of hagiographies, biographies, media, control of space, pilgrimage, and acts of devotion provide the bases for the authors' explorations of these issues. Among the sanctified included for analysis are the folk saints El Nino Fidencio and Teresa Urrea; the charismatic rabbis Baba Sali, Baba Baruch, and Ifargan; King Chulalongkorn of Thailand; two political figures, Evita Peron and Che Guevara; and three celebrities: James Dean, Elvis Presley, and Japanese rock star HIDE.
The contributors challenge notions of what is sacred and who may be sanctified, and argue that a broadening of views is needed to accommodate and appreciate emerging contemporary realities.
[more]
Odyssey of a Wandering Mind
The Strange Tale of Sara Mayfield, Author
Jennifer Horne
University of Alabama Press, 2024
A carefully rendered portrait of a brilliant but troubled daughter of the Old South who struggled against the conventions of gender, class, family, and ultimately of sanity, yet survived to define a creative life of her own
Sara Mayfield was born into Alabama’s governing elite in 1905 and grew up in a social circle that included Zelda Sayre, Sara Haardt, and Tallulah and Eugenia Bankhead. After winning a Goucher College short story contest judged by H. L. Mencken, Mayfield became friends with Mencken and his circle, then visited with Scott and Zelda Fitzgerald and hobnobbed with the literati while traveling in Europe after a failed marriage. Returning to Alabama during the Depression, she briefly managed the family landholdings before departing for New York City where she became involved in the theater. Inventing a plastic compound while working on theatrical sets, she applied for a patent and set her sights on a livelihood as an inventor and businesswoman. With the advent of World War II, Mayfield returned to her family home in Tuscaloosa where she expanded her experiments, freelanced as a journalist, and doggedly pursued a bizarre series of military and intelligence schemes, prompting temporary hospitalization. In 1945, she mingled with a host of cultural figures, including Frida Kahlo, Diego Rivera, Orson Welles, Rita Hayworth, and even a young John F. Kennedy, while reporting on the creation of the United Nations from Mexico and California. Back in Tuscaloosa after the war, however, she struggled to find her way with both work and family, becoming increasingly paranoid about perceived conspiracies arrayed against her. Finally, her mother and brother committed her to Bryce Hospital for the Insane, where she remained for the next seventeen years.
Throughout her life, Mayfield kept journals, wrote fiction, and produced thousands of letters while nursing the ambition that had driven her since childhood: to write and publish books. During her confinement, Mayfield assiduously recorded her experiences and her determined efforts—sometimes delusional, always savvy—to overturn her diagnosis and return to the world as a sane, independent adult. At 59, she was released from Bryce and later obtained a decree of “having been restored to sanity,” enabling her to manage her own financial affairs and to live how and where she pleased. She went on to publish noteworthy literary biographies of the Menckens and the Fitzgeralds plus a novel based on the life of Mona Lisa, finally achieving her quest to become the author of books and her own life. In Odyssey of a Wandering Mind, noted writer Jennifer Horne draws on years of research and an intimate understanding of the vast archive Sara Mayfield left behind to sensitively render Mayfield’s struggle to move through the world as the person she was—and her ultimate success in surviving to define the terms of her story.
Sara Mayfield was born into Alabama’s governing elite in 1905 and grew up in a social circle that included Zelda Sayre, Sara Haardt, and Tallulah and Eugenia Bankhead. After winning a Goucher College short story contest judged by H. L. Mencken, Mayfield became friends with Mencken and his circle, then visited with Scott and Zelda Fitzgerald and hobnobbed with the literati while traveling in Europe after a failed marriage. Returning to Alabama during the Depression, she briefly managed the family landholdings before departing for New York City where she became involved in the theater. Inventing a plastic compound while working on theatrical sets, she applied for a patent and set her sights on a livelihood as an inventor and businesswoman. With the advent of World War II, Mayfield returned to her family home in Tuscaloosa where she expanded her experiments, freelanced as a journalist, and doggedly pursued a bizarre series of military and intelligence schemes, prompting temporary hospitalization. In 1945, she mingled with a host of cultural figures, including Frida Kahlo, Diego Rivera, Orson Welles, Rita Hayworth, and even a young John F. Kennedy, while reporting on the creation of the United Nations from Mexico and California. Back in Tuscaloosa after the war, however, she struggled to find her way with both work and family, becoming increasingly paranoid about perceived conspiracies arrayed against her. Finally, her mother and brother committed her to Bryce Hospital for the Insane, where she remained for the next seventeen years.
Throughout her life, Mayfield kept journals, wrote fiction, and produced thousands of letters while nursing the ambition that had driven her since childhood: to write and publish books. During her confinement, Mayfield assiduously recorded her experiences and her determined efforts—sometimes delusional, always savvy—to overturn her diagnosis and return to the world as a sane, independent adult. At 59, she was released from Bryce and later obtained a decree of “having been restored to sanity,” enabling her to manage her own financial affairs and to live how and where she pleased. She went on to publish noteworthy literary biographies of the Menckens and the Fitzgeralds plus a novel based on the life of Mona Lisa, finally achieving her quest to become the author of books and her own life. In Odyssey of a Wandering Mind, noted writer Jennifer Horne draws on years of research and an intimate understanding of the vast archive Sara Mayfield left behind to sensitively render Mayfield’s struggle to move through the world as the person she was—and her ultimate success in surviving to define the terms of her story.
[more]
Tell the World You're a Wildflower
Stories
Jennifer Horne
University of Alabama Press, 2014
Tell the World You’re a Wildflower is a collection of loosely interwoven stories in the voices of southern women and girls of different ages and backgrounds. Beginning with the youngest characters and ending with the oldest, the stories encompass plastic surgery and white supremacists, family secrets and family trees, the United Daughters of the Confederacy and a young writer who describes her work in progress as “the bastard love-child of William Faulkner and Alice Walker.”
In Tell the World You’re a Wildflower, each character must decide what to tell, whether to tell it, and to whom to tell it. Each struggles with questions of identity and truth, trying to understand who she is and what holds true for her. Some tell their stories plainly, directly, others more obliquely, nesting one within another. Anchored in the tradition of southern storytelling, these women contend with loss, change, and growth while going to church, school, and prison, navigating love and sex, and worrying too much about what people might think.
Yet these women generally refuse to behave, and they wander in and out of each other’s stories just like people do in small towns across the South. Small town lives are always interconnected: your third-grade teacher is your new neighbor’s aunt and the boy you dated your senior year falls from political grace after being caught in a hot tub with your second cousin. Though they may have had little say in where they were planted, Horne’s protagonists nevertheless do their best to bloom.
Rich, multifaceted, and unforgettable, Tell the World You’re a Wildflower is the work of a veteran explorer of the twentieth and twenty-first century South. Horne’s quest to understand her culture through decades of reading and observing has now yielded these narratives that imaginatively and insightfully enter the hearts and minds of southern women.
In Tell the World You’re a Wildflower, each character must decide what to tell, whether to tell it, and to whom to tell it. Each struggles with questions of identity and truth, trying to understand who she is and what holds true for her. Some tell their stories plainly, directly, others more obliquely, nesting one within another. Anchored in the tradition of southern storytelling, these women contend with loss, change, and growth while going to church, school, and prison, navigating love and sex, and worrying too much about what people might think.
Yet these women generally refuse to behave, and they wander in and out of each other’s stories just like people do in small towns across the South. Small town lives are always interconnected: your third-grade teacher is your new neighbor’s aunt and the boy you dated your senior year falls from political grace after being caught in a hot tub with your second cousin. Though they may have had little say in where they were planted, Horne’s protagonists nevertheless do their best to bloom.
Rich, multifaceted, and unforgettable, Tell the World You’re a Wildflower is the work of a veteran explorer of the twentieth and twenty-first century South. Horne’s quest to understand her culture through decades of reading and observing has now yielded these narratives that imaginatively and insightfully enter the hearts and minds of southern women.
[more]
Wolfhounds and Polar Bears
The American Expeditionary Force in Siberia, 1918–1920
John M. House
University of Alabama Press, 2016
Details the military aspects of the American Expeditionary Force's (AEF) deployment to Siberia following World War I to protect the Trans-Siberian Railroad
In the final months of World War I, President Woodrow Wilson and many US allies decided to intervene in Siberia in order to protect Allied wartime and business interests, among them the Trans-Siberian Railroad, from the turmoil surrounding the Russian Revolution. American troops would remain until April 1920 with some of our allies keeping troops in Siberia even longer.
Few American citizens have any idea that the United States ever deployed soldiers to Siberia and that those soldiers eventually played a role in the Russian revolution while protecting the Trans-Siberian Railroad. Wolfhounds and Polar Bears relies on the detailed reports of the American Expeditionary Force (AEF) as well as on personal stories to bring this rarely discussed expedition to life.
Initial chapters recount the period in World War I when conditions in Russia pointed to the need for intervention as well as the varied reasons for that decision. A description of the military forces and the geographic difficulties faced by those forces operating in Siberia provide the baseline necessary to understand the AEF’s actions in Siberia. A short discussion of the Russian Railway Service Corps explains their essential and sometimes overlooked role in this story, and subsequent chapters provide a description of actual operations by the AEF.
Wolfhounds and Polar Bears: The American Expeditionary Force in Siberia, 1918–1920 may well be the most detailed study of the military aspects of the American intervention in Siberia ever undertaken, offering a multitude of details not available in any other book-length history.
In the final months of World War I, President Woodrow Wilson and many US allies decided to intervene in Siberia in order to protect Allied wartime and business interests, among them the Trans-Siberian Railroad, from the turmoil surrounding the Russian Revolution. American troops would remain until April 1920 with some of our allies keeping troops in Siberia even longer.
Few American citizens have any idea that the United States ever deployed soldiers to Siberia and that those soldiers eventually played a role in the Russian revolution while protecting the Trans-Siberian Railroad. Wolfhounds and Polar Bears relies on the detailed reports of the American Expeditionary Force (AEF) as well as on personal stories to bring this rarely discussed expedition to life.
Initial chapters recount the period in World War I when conditions in Russia pointed to the need for intervention as well as the varied reasons for that decision. A description of the military forces and the geographic difficulties faced by those forces operating in Siberia provide the baseline necessary to understand the AEF’s actions in Siberia. A short discussion of the Russian Railway Service Corps explains their essential and sometimes overlooked role in this story, and subsequent chapters provide a description of actual operations by the AEF.
Wolfhounds and Polar Bears: The American Expeditionary Force in Siberia, 1918–1920 may well be the most detailed study of the military aspects of the American intervention in Siberia ever undertaken, offering a multitude of details not available in any other book-length history.
[more]
Conquistador in Chains
Cabeza de Vaca and the Indians of the Americas
David A. Howard
University of Alabama Press, 1996
The current image of the Spanish conquest of America and of the conquistadores who carried it out is one of destruction and oppression. One conquistador does not fit that image, however. A life-changing adventure led Cabeza de Vaca to seek a different kind of conquest, one that would be just and humane, true to Spanish religion and law, but one that safeguarded liberty and justice for the Indians of the New World. His use of the skills learned from his experiences with the Indians of North America did not always help him in understanding and managing the Indians of South America, and too many of the Spanish settlers in the Rio de la Plata Province found that his policies threatened their own interests and relations with the Indians. Eventually many of those Spaniards joined a conspiracy that removed him from power and returned him to Spain in chains.
That Cabeza de Vaca was overthrown is not surprising. His ideas and policies opposed the self-interest of most of the first Spaniards who had come to America. What is amazing is that he was able to inspire and hold support among many others in America, who remained loyal to him during his time in prison and after his return to Spain.
[more]
Patterson for Alabama
The Life and Career of John Patterson
Gene L. Howard
University of Alabama Press, 2013
John Patterson, Alabama governor from 1959 to 1963, was thrust into the Alabama political arena after the brutal murder of his father, attorney general Albert Patterson in 1954. Allowed by the Democratic Party to take his father’s place and to complete the elder’s goal of cleaning up corruption in his hometown Phenix City, Patterson made a young, attractive, and sympathetic candidate. Patterson for Alabama details his efforts to clean up his hometown, oppose corruption in the administration of Governor Big Jim Folsom, and to resist school desegregation. Popular on all three counts, Patterson went on to defeat rising populist George Wallace for governor.
Patterson’s term as governor was marked by rising violence as segregationists violently resisted integration. His role as a champion of resistance has clouded his reputation to this day. Patterson left office with little to show for f his efforts and opposed for one reason or another by nearly all sectors of Alabama. Stymied in efforts to reclaim the governorship or a seat on the Alabama state Supreme Court, Patterson was appointed by Wallace to the state court of criminal appeals in 1984 and served on that body until retiring in 1997. In 2004, he served as one of the justices who removed the Chief Justice of the Alabama Supreme Court Roy Moore for ignoring a federal court order.
[more]
Death at Cross Plains
An Alabama Reconstruction Tragedy
Gene L. Howard
University of Alabama Press, 1994
Reconstruction in the South is a much studied and yet little understood dark epoch in the region’s history; in many areas it was marked by such violence as to have been in all but name guerrilla warfare. Death at Cross Plains is the history of one such clash, and the story of one of its casualties—William Luke.
Luke, born in Ireland, was a former Canadian minister fleeing a checkered past and perhaps seeking to redeem himself by service to the black freedmen of northern Alabama. In 1869 he took a teaching post at Talladega College, the only school for blacks in the area. Later taking the position of schoolteacher to the black railroad workers near Talladega, Luke found himself enmeshed in the web of racial antagonisms, xenophobia, and partisan conflict rampant in much of the South
Death at Cross Plains follows the tragic course of William Luke’s life and death and vividly depicts the hatreds and failures that plunged the South into its darkest days.
Luke, born in Ireland, was a former Canadian minister fleeing a checkered past and perhaps seeking to redeem himself by service to the black freedmen of northern Alabama. In 1869 he took a teaching post at Talladega College, the only school for blacks in the area. Later taking the position of schoolteacher to the black railroad workers near Talladega, Luke found himself enmeshed in the web of racial antagonisms, xenophobia, and partisan conflict rampant in much of the South
Death at Cross Plains follows the tragic course of William Luke’s life and death and vividly depicts the hatreds and failures that plunged the South into its darkest days.
[more]
Hospice
Gregory Howard
University of Alabama Press, 2015
When Lucy is little something happens to her brother. He disappears for months and when he returns he’s not the same. He’s not her brother. At least this is what Lucy believes. But what actually happened?
Comic, melancholy, haunted, and endlessly inventive, Gregory Howard’s debut novel Hospice follows Lucy later in life as she drifts from job to job caring for dogs, children, and older women—all the while trying to escape the questions of her past only to find herself confronting them again and again.
In the odd and lovely but also frightening life of Lucy, everyday neighborhoods become wonderlands where ordinary houses reveal strange inmates living together in monastic seclusion, wayward children resort to blackmail to get what they want, and hospitals seem to appear and disappear to avoid being found.
Replete with the sense that something strange is about to happen at any moment, Hospice blurs the borders between the mundane and miraculous, evoking the intensity of the secret world of childhood and distressing and absurd search for a place to call home.
Comic, melancholy, haunted, and endlessly inventive, Gregory Howard’s debut novel Hospice follows Lucy later in life as she drifts from job to job caring for dogs, children, and older women—all the while trying to escape the questions of her past only to find herself confronting them again and again.
In the odd and lovely but also frightening life of Lucy, everyday neighborhoods become wonderlands where ordinary houses reveal strange inmates living together in monastic seclusion, wayward children resort to blackmail to get what they want, and hospitals seem to appear and disappear to avoid being found.
Replete with the sense that something strange is about to happen at any moment, Hospice blurs the borders between the mundane and miraculous, evoking the intensity of the secret world of childhood and distressing and absurd search for a place to call home.
[more]
Holy Smoke
Fanny Howe
University of Alabama Press, 1979
A woman travels among geographies both real and imagined looking for her daughter.
[more]
In the Middle of Nowhere
Fanny Howe
University of Alabama Press, 1984
In The Middle of Nowhere is a fictional story set in a New England town. It shows a glimpse into the meeting of the lives of four characters. Moods of landscape and weather reflect their states of mind, and incline them towards actions which represent the terminal points of character.
[more]
The Anthropology of Florida
Ales Hrdlicka
University of Alabama Press, 2007
A fundamental work on the peopling of the Americas
This volume, originally published in 1922, constitutes the most complete summary of anthropological information on Florida up until that point. Not only does it consider all previous research on Florida archaeology, physical anthropology, and aboriginal history, it also contains Hrdlicka’s analysis of every human bone from Florida that he could find in collections. He made remarkably accurate observations about the general physical types of prehistoric Florida Indians and how they compared to native peoples of surrounding regions.
This volume, originally published in 1922, constitutes the most complete summary of anthropological information on Florida up until that point. Not only does it consider all previous research on Florida archaeology, physical anthropology, and aboriginal history, it also contains Hrdlicka’s analysis of every human bone from Florida that he could find in collections. He made remarkably accurate observations about the general physical types of prehistoric Florida Indians and how they compared to native peoples of surrounding regions.
[more]
Interest Group Politics in the Southern States
Ronald J. Hrebenar
University of Alabama Press, 1992
This is the first volume comprehensively to explore the dynamics of political interest groups in the twelve southern states – the types of group, lobbyists and lobbying tactics, state regulation of lobbying activity, and the power they exert in the individual states. The authors bring a new dimension to the study of southern politics, which traditionally has emphasized electoral politics and the politics of race, and their work underscores the pivotal, and at times controlling, role played by interest groups.
[more]
Valor and Courage
The Story of the USS Block Island Escort Carriers in World War II
Benjamin J. Hruska
University of Alabama Press, 2021
Recounts the stories of the USS Block Island CVE 21 and CVE 106 and their crews, many of whom served on both ships in the Atlantic and Pacific theatres
In Valor and Courage: The Story of the USS Block Island Escort Carriers in World War II Benjamin Hruska explores the history and commemoration of the USS Block Island—or, more properly, the Block Islands, as two escort carriers bore that name during WWII. The first, CVE 21, bears the distinction of having been the only American aircraft carrier sunk in the Atlantic Theatre after being torpedoed by a German U-boat off the coast of North Africa.
Of the CVE 21’s 957 crew members, six sailors were killed and eighteen injured in the strike, and four of the Block Island’s fighter pilots were lost later in the day searching for a safe place to land their planes. When the CVE 106 was commissioned to replace its predecessor, Captain Massie Hughes successfully persuaded the Navy to keep the CVE 21’s crew together in manning the new ship. After resurrection as the CVE 106, the Block Island was assigned to the Pacific theater where it fought until the end of the war. The saga of these two ships and the crew that navigated two very different theaters of war offers a unique lens on naval strategy and engineering as it evolved during WWII, especially as pertains to the escort carrier class—generally underappreciated both in naval studies and in public memory.
Using archival materials, dozens of oral histories, primary sources, and official records, Hruska traces the life of the Block Island from the CVE 21’s construction through its missions in the Atlantic, its work as an antisubmarine hunter, its destruction, and the lasting impact of those experiences on its crew. Hruska’s study juxtaposes traditional military history with an examination of the acts of remembrance and commemoration by veterans who served on the escort carriers, how those practices evolved over time, and how the meanings of personal wartime experiences and memories gradually shifted throughout that process.
In Valor and Courage: The Story of the USS Block Island Escort Carriers in World War II Benjamin Hruska explores the history and commemoration of the USS Block Island—or, more properly, the Block Islands, as two escort carriers bore that name during WWII. The first, CVE 21, bears the distinction of having been the only American aircraft carrier sunk in the Atlantic Theatre after being torpedoed by a German U-boat off the coast of North Africa.
Of the CVE 21’s 957 crew members, six sailors were killed and eighteen injured in the strike, and four of the Block Island’s fighter pilots were lost later in the day searching for a safe place to land their planes. When the CVE 106 was commissioned to replace its predecessor, Captain Massie Hughes successfully persuaded the Navy to keep the CVE 21’s crew together in manning the new ship. After resurrection as the CVE 106, the Block Island was assigned to the Pacific theater where it fought until the end of the war. The saga of these two ships and the crew that navigated two very different theaters of war offers a unique lens on naval strategy and engineering as it evolved during WWII, especially as pertains to the escort carrier class—generally underappreciated both in naval studies and in public memory.
Using archival materials, dozens of oral histories, primary sources, and official records, Hruska traces the life of the Block Island from the CVE 21’s construction through its missions in the Atlantic, its work as an antisubmarine hunter, its destruction, and the lasting impact of those experiences on its crew. Hruska’s study juxtaposes traditional military history with an examination of the acts of remembrance and commemoration by veterans who served on the escort carriers, how those practices evolved over time, and how the meanings of personal wartime experiences and memories gradually shifted throughout that process.
[more]
The Fabric of Resistance
Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru
Di Hu
University of Alabama Press, 2022
Examines the long-term social conditions that enabled large-scale rebellions in late Spanish colonial Peru
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru documents the impact of Spanish colonial institutions of labor on identity and social cohesion in Peru. Through archaeological and historical lines of evidence, Di Hu examines the long-term social conditions that enabled the large-scale rebellions in the late Spanish colonial period in Peru. Hu argues that ordinary people from different backgrounds pushed back against the top-down identity categories imposed by the Spanish colonial government and in the process created a cosmopolitan social landscape that later facilitated broader rebellion.
Hu’s case study is Pomacocha, the site of an important Spanish colonial hacienda (agricultural estate) and obraje (textile workshop). At its height, the latter had more than one hundred working families and sold textiles all over the Andes. Through analysis of this site, Hu explores three main long-term causes of rebellions against Spanish oppression. First, the Spanish colonial economy provided motivation and the social spaces for intercaste (indigenous, African, and mestizo) mixing at textile workshops. Second, new hybrid cultural practices and political solidarity arose there that facilitated the creation of new rebellious identities. Third, the maturation in the eighteenth century of popular folklore that reflected the harsh nature of Spanish labor institutions helped workers from diverse backgrounds gain a systemic understanding of exploitation.
This study provides a fresh archaeological and historical perspectives on the largest and most cosmopolitan indigenous-led rebellions of the Americas. Hu interweaves analyses of society at multiple scales including fine-grained perspectives of social networks, demography, and intimate details of material life in the textile workshop. She examines a wide range of data sources including artifacts, food remains, architectural plans, account books, censuses, court documents, contracts, maps, and land title disputes.
The Fabric of Resistance: Textile Workshops and the Rise of Rebellious Landscapes in Colonial Peru documents the impact of Spanish colonial institutions of labor on identity and social cohesion in Peru. Through archaeological and historical lines of evidence, Di Hu examines the long-term social conditions that enabled the large-scale rebellions in the late Spanish colonial period in Peru. Hu argues that ordinary people from different backgrounds pushed back against the top-down identity categories imposed by the Spanish colonial government and in the process created a cosmopolitan social landscape that later facilitated broader rebellion.
Hu’s case study is Pomacocha, the site of an important Spanish colonial hacienda (agricultural estate) and obraje (textile workshop). At its height, the latter had more than one hundred working families and sold textiles all over the Andes. Through analysis of this site, Hu explores three main long-term causes of rebellions against Spanish oppression. First, the Spanish colonial economy provided motivation and the social spaces for intercaste (indigenous, African, and mestizo) mixing at textile workshops. Second, new hybrid cultural practices and political solidarity arose there that facilitated the creation of new rebellious identities. Third, the maturation in the eighteenth century of popular folklore that reflected the harsh nature of Spanish labor institutions helped workers from diverse backgrounds gain a systemic understanding of exploitation.
This study provides a fresh archaeological and historical perspectives on the largest and most cosmopolitan indigenous-led rebellions of the Americas. Hu interweaves analyses of society at multiple scales including fine-grained perspectives of social networks, demography, and intimate details of material life in the textile workshop. She examines a wide range of data sources including artifacts, food remains, architectural plans, account books, censuses, court documents, contracts, maps, and land title disputes.
[more]
The Civil War Memoirs of a Virginia Cavalryman
Robert T. Hubard
University of Alabama Press, 2007
A witness who brings remarkable life and color to the Civil War in the East
Robert Hubard was an enlisted man and officer of the 3rd Virginia Cavalry in the Army of Northern Virginia (CSA) from 1861 through 1865. He wrote his memoir during an extended convalescence spent at his father’s Virginia plantation after being wounded at the battle of Five Forks on April 1, 1865. Hubard served under such Confederate luminaries as Jeb Stuart, Fitz Lee, Wade Hampton, and Thomas L. Rosser. He and his unit fought at the battles of Antietam, on the Chambersburg Raid, in the Shenandoah Valley, at Fredericksburg, Kelly’s Ford, Chancellorsville, Gettysburg, Bristoe Station, and down into Virginia from the Wilderness to nearly the end of the war at Five Forks.
Hubard was like many of his class and station a son of privilege and may have felt that his service was an act of noblesse oblige. Unlike many of his contemporaries, however, he was a keen observer and a writer of unusual grace, clarity, humor, and intelligence. The editor has fleshed out his memoir by judicious use of Hubard’s own wartime letters, which not only fill in gaps but permit the reader to see developments in the writer’s thinking after the passage of time. Because he was a participant in events of high drama and endured the quotidian life of a soldier, Hubard’s memoir should be of value to both scholars and avocational readers.
Robert Hubard was an enlisted man and officer of the 3rd Virginia Cavalry in the Army of Northern Virginia (CSA) from 1861 through 1865. He wrote his memoir during an extended convalescence spent at his father’s Virginia plantation after being wounded at the battle of Five Forks on April 1, 1865. Hubard served under such Confederate luminaries as Jeb Stuart, Fitz Lee, Wade Hampton, and Thomas L. Rosser. He and his unit fought at the battles of Antietam, on the Chambersburg Raid, in the Shenandoah Valley, at Fredericksburg, Kelly’s Ford, Chancellorsville, Gettysburg, Bristoe Station, and down into Virginia from the Wilderness to nearly the end of the war at Five Forks.
Hubard was like many of his class and station a son of privilege and may have felt that his service was an act of noblesse oblige. Unlike many of his contemporaries, however, he was a keen observer and a writer of unusual grace, clarity, humor, and intelligence. The editor has fleshed out his memoir by judicious use of Hubard’s own wartime letters, which not only fill in gaps but permit the reader to see developments in the writer’s thinking after the passage of time. Because he was a participant in events of high drama and endured the quotidian life of a soldier, Hubard’s memoir should be of value to both scholars and avocational readers.
[more]
Origins of the TVA
The Muscle Shoals Controversy, 1920-1932
Preston J. Hubbard
University of Alabama Press, 2005
"Professor Hubbard's painstaking study, Origins of the TVA, shows the thorny course of events before TVA was born....Students of legislation and party politics will be grateful to Professor Hubbard for his careful and useful narrative of the long conflict over policy. His work is well done. He has examined the public records and some of the private papers....Professor Hubbard's volume is a credit to its author and to the press which published it." --J. B. Shannon, The University of Nebraska, in Political Science Quarterly
[more]
Searching for Freedom after the Civil War
Klansman, Carpetbagger, Scalawag, and Freedman
G. Ward Hubbs
University of Alabama Press, 2015
Winner of the Gulf South Historical Association's Michael Thomas Book Award.
Examines the life stories and perspectives about freedom in relation to the figures depicted in an infamous Reconstruction-era political cartoon
The cartoon first appeared in the Tuskaloosa Independent Monitor, published by local Ku Klux Klan boss Ryland Randolph, as a swaggering threat aimed at three individuals. Hanged from an oak branch clutching a carpetbag marked “OHIO” is the Reverend Arad S. Lakin, the Northern-born incoming president of the University of Alabama. Swinging from another noose is Dr. Noah B. Cloud—agricultural reformer, superintendent of education, and deemed by Randolph a “scalawag” for joining Alabama’s reformed state government. The accompanying caption, penned in purple prose, similarly threatens Shandy Jones, a politically active local man of color.
Using a dynamic and unprecedented approach that interprets the same events through four points of view, Hubbs artfully unpacks numerous layers of meaning behind this brutal two-dimensional image.
The four men associated with the cartoon—Randolph, Lakin, Cloud, and Jones—were archetypes of those who were seeking to rebuild a South shattered by war. Hubbs explores these broad archetypes but also delves deeply into the four men’s life stories, writings, speeches, and decisions in order to recreate each one’s complex worldview and quest to live freely. Their lives, but especially their four very different understandings of freedom, help to explain many of the conflicts of the 1860s. The result is an intellectual tour de force.
General readers of this highly accessible volume will discover fascinating new insights about life during and after America’s greatest crisis, as will scholars of the Civil War, Reconstruction, and southern history.
Examines the life stories and perspectives about freedom in relation to the figures depicted in an infamous Reconstruction-era political cartoon
The cartoon first appeared in the Tuskaloosa Independent Monitor, published by local Ku Klux Klan boss Ryland Randolph, as a swaggering threat aimed at three individuals. Hanged from an oak branch clutching a carpetbag marked “OHIO” is the Reverend Arad S. Lakin, the Northern-born incoming president of the University of Alabama. Swinging from another noose is Dr. Noah B. Cloud—agricultural reformer, superintendent of education, and deemed by Randolph a “scalawag” for joining Alabama’s reformed state government. The accompanying caption, penned in purple prose, similarly threatens Shandy Jones, a politically active local man of color.
Using a dynamic and unprecedented approach that interprets the same events through four points of view, Hubbs artfully unpacks numerous layers of meaning behind this brutal two-dimensional image.
The four men associated with the cartoon—Randolph, Lakin, Cloud, and Jones—were archetypes of those who were seeking to rebuild a South shattered by war. Hubbs explores these broad archetypes but also delves deeply into the four men’s life stories, writings, speeches, and decisions in order to recreate each one’s complex worldview and quest to live freely. Their lives, but especially their four very different understandings of freedom, help to explain many of the conflicts of the 1860s. The result is an intellectual tour de force.
General readers of this highly accessible volume will discover fascinating new insights about life during and after America’s greatest crisis, as will scholars of the Civil War, Reconstruction, and southern history.
[more]
Tuscaloosa
200 Years in the Making
G. Ward Hubbs
University of Alabama Press, 2019
Winner of Alabama Historical Association's 2020 Clinton Jackson Coley Book Award!
A lavishly illustrated history of this distinctive city’s origins as a settlement on the banks of the Black Warrior River to its development into a thriving nexus of higher education, sports, and culture
In both its subject and its approach, Tuscaloosa: 200 Years in the Making is an account unlike any other of a city unlike any other—storied, inimitable, and thriving. G. Ward Hubbs has written a lively and enlightening bicentennial history of Tuscaloosa that is by turns enthralling, dramatic, disturbing, and uplifting. Far from a traditional chronicle listing one event after another, the narrative focuses instead on six key turning points that dramatically altered the fabric of the city over the past two centuries.
The selection of this frontier village as the state capital gave rise to a building boom, some extraordinary architecture, and the founding of The University of Alabama. The state’s secession in 1861 brought on a devastating war and the burning of the university by Union cavalry; decades of social adjustments followed, ultimately leading to legalized racial segregation. Meanwhile, town boosters set out to lure various industries, but with varying success.
The decision to adopt new inventions, ranging from electricity to telephones to automobiles, revolutionized the daily lives of Tuscaloosans in only a few short decades. Beginning with radio, and followed by the Second World War and television, the formerly isolated townspeople discovered an entirely different world that would culminate in Mercedes-Benz building its first overseas production plant nearby. At the same time, the world would watch as Tuscaloosa became the center of some pivotal moments in the civil rights movement—and great moments in college football as well.
An impressive amount of research is collected in this accessibly written history of the city and its evolution. Tuscaloosa is a versatile history that will be of interest to a general readership, for scholars to use as a starting point for further research, and for city and county school students to better understand their home locale.
A lavishly illustrated history of this distinctive city’s origins as a settlement on the banks of the Black Warrior River to its development into a thriving nexus of higher education, sports, and culture
In both its subject and its approach, Tuscaloosa: 200 Years in the Making is an account unlike any other of a city unlike any other—storied, inimitable, and thriving. G. Ward Hubbs has written a lively and enlightening bicentennial history of Tuscaloosa that is by turns enthralling, dramatic, disturbing, and uplifting. Far from a traditional chronicle listing one event after another, the narrative focuses instead on six key turning points that dramatically altered the fabric of the city over the past two centuries.
The selection of this frontier village as the state capital gave rise to a building boom, some extraordinary architecture, and the founding of The University of Alabama. The state’s secession in 1861 brought on a devastating war and the burning of the university by Union cavalry; decades of social adjustments followed, ultimately leading to legalized racial segregation. Meanwhile, town boosters set out to lure various industries, but with varying success.
The decision to adopt new inventions, ranging from electricity to telephones to automobiles, revolutionized the daily lives of Tuscaloosans in only a few short decades. Beginning with radio, and followed by the Second World War and television, the formerly isolated townspeople discovered an entirely different world that would culminate in Mercedes-Benz building its first overseas production plant nearby. At the same time, the world would watch as Tuscaloosa became the center of some pivotal moments in the civil rights movement—and great moments in college football as well.
An impressive amount of research is collected in this accessibly written history of the city and its evolution. Tuscaloosa is a versatile history that will be of interest to a general readership, for scholars to use as a starting point for further research, and for city and county school students to better understand their home locale.
[more]
The Packhorseman
Charles Hudson
University of Alabama Press, 2009
In April 1735, twenty-year-old William MacGregor, possessing little more than a bottle of Scotch whiskey and a set of Shakespeare’s plays, arrives in Charles Town, South Carolina, to make his fortune in the New World. The Scottish Highlands, while dear to his heart, were in steep economic decline and hopelessly entangled in dangerous political intrigue. With an uncle in Carolina, the long ocean voyage seemed his best chance for a new start. He soon discovers that the Jacobite politics of Scotland extend to Carolina, and when his mouth gets him in trouble with the Charles Town locals, dimming his employment opportunities, he seizes the one option still open for him and takes a job as a frontier packhorseman.
Soon young MacGregor is on the Cherokee trail to Indian country, where he settles in as a novice in the deerskin trade. Along the way William learns not only the arts of managing a pack train and trading with the Indians, but of reading the land and negotiating cultural differences with the Cherokee—whose clan system is much different from the Scottish clans of his homeland. William also learns that the Scottish enlightenment he so admires has not made much headway in the Carolina backcountry, where the real challenges are to survive, day to day, during the tense times after the Yamasee War and to remember that while in Indian country . . . it is their country.
A scholar of the native Southeast, Charles Hudson has turned his hand to this work of historical fiction, bringing to life the packhorsemen, Indian traders, and southeastern Indians of the early 18th-century Carolina. With a comfortable and engaging style, Hudson peoples the Carolina frontier with believable characters, all caught up in a life and time that is historically well-documented but little-known to modern popular readers.
[more]
The Juan Pardo Expeditions
Exploration of the Carolinas and Tennessee, 1566-1568
Charles Hudson
University of Alabama Press, 2005
An early Spanish explorer’s account of American Indians.
This volume mines the Pardo documents to reveal a wealth of information pertaining to Pardo’s routes, his encounters and interactions with native peoples, the social, hierarchical, and political structures of the Indians, and clues to the ethnic identities of Indians known previously only through archaeology. The new afterword reveals recent archaeological evidence of Pardo’s Fort San Juan--the earliest site of sustained interaction between Europeans and Indians--demonstrating the accuracy of Hudson’s route reconstructions.
[more]
Mud on the Stars
William Bradford Huie
University of Alabama Press, 1996
William Bradford Huie’s first novel, Mud on the Stars, is largely autobiographical and is set in the years 1929-1942. As in many of his later books, the theme here is of the education of the inexperienced youth, which is, after all, the quintessential American story. Drawing on his own boyhood, Huie gives the reader a detailed account of rural life and race relations in the Tennessee Valley in the early years of this century, including a vivid picture of college life at The University of Alabama during the Great Depression. Through a careful weaving of characters and events, fact and fiction, Huie’s novel captures the tumultuous times before World War II in the urban South, times of social unrest and testing of new political ideologies. The book’s publication in 1942 was a huge financial success, by the economic standards of the day, and not only brought Huie the acclaim his talent warranted but also focused an approving national spotlight on this prolific Alabama writer.
[more]
Rewriting the Word "God"
In the Arc of Converging Lines between Innovative Theory, Theology, and Poetry
Romana Huk
University of Alabama Press, 2025
Innovative poetry, philosophy, theology and new sciences converge in the project of rewriting the word “God”
[more]
Harbingers of Hope
William E. Hull
University of Alabama Press, 2007
In a world filled with disappointments and frustrations, here is a book that points to sources of enduring hope. Centuries ago, harbingers were trailblazers who went ahead of an army or royal party to find secure places where the group could camp and to announce their impending arrival. Dr. Hull uses scripture as a guide to the future that God is preparing for those who want the divine promises to be fulfilled in their lives.
The journey to which this book beckons has five stages. At the outset we meet a restless God of surprises who is never satisfied with things as they are. This encounter discloses the necessity of making transforming changes in our lives if we are to keep pace with the divine dynamic. Our reorientation toward an attitude of expectancy is not an end itself but provides the impetus for a lifelong process of growth toward maturity. Because this quest takes place in a world resistant to changes that challenge the status quo, there will be opposition, setbacks, even defeats that God endures with us as the cost of building a new tomorrow. In that struggle our task is not to flee or to fight but to bear a winsome witness in the confidence that God’s purposes will finally prevail over the human predicament.
Just as the crowing cock is a harbinger of dawn and the robin on the lawn is a harbinger of spring, these 27 messages become harbingers of a steadfast hope, as they help us to anticipate the new future that God is seeking to create for his weary world and as they invite us to actualize that future in the here and now.
[more]
The Good Men Who Won the War
Army of the Cumberland Veterans and Emancipation Memory
Robert E. Hunt
University of Alabama Press, 2010
Examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War
Robert Hunt examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War. Hunt argues that rather than ignoring or belittling emancipation, it became central to veterans’ retrospective understanding of what the war, and their service in it, was all about. The Army of the Cumberland is particularly useful as a subject for this examination because it invaded the South deeply, encountering numerous ex-slaves as fugitives, refugees, laborers on military projects, and new recruits. At the same time, the Cumberlanders were mostly Illinoisans, Ohioans, Indianans, and, significantly, Kentucky Unionists, all from areas suspicious of abolition before the war.
Hunt argues that the collapse of slavery in the trans-Appalachian theater of the Civil War can be usefully understood by exploring the post-war memories of this group of Union veterans. He contends that rather than remembering the war as a crusade against the evils of slavery, the veterans of the Army of the Cumberland saw the end of slavery as a by-product of the necessary defeat of the planter aristocracy that had sundered the Union; a good and necessary outcome, but not necessarily an assertion of equality between the races.
Some of the most provocative discussions about the Civil War in current scholarship are concerned with how memory of the war was used by both the North and the South in Reconstruction, redeemer politics, the imposition of segregation, and the Spanish-American War. This work demonstrates that both the collapse of slavery and the economic and social post-War experience convinced these veterans that they had participated in the construction of the United States as a world power, built on the victory won against corrupt Southern plutocrats who had impeded the rightful development of the country.
Robert Hunt examines how Union veterans of the Army of the Cumberland employed the extinction of slavery in the trans-Appalachian South in their memory of the Civil War. Hunt argues that rather than ignoring or belittling emancipation, it became central to veterans’ retrospective understanding of what the war, and their service in it, was all about. The Army of the Cumberland is particularly useful as a subject for this examination because it invaded the South deeply, encountering numerous ex-slaves as fugitives, refugees, laborers on military projects, and new recruits. At the same time, the Cumberlanders were mostly Illinoisans, Ohioans, Indianans, and, significantly, Kentucky Unionists, all from areas suspicious of abolition before the war.
Hunt argues that the collapse of slavery in the trans-Appalachian theater of the Civil War can be usefully understood by exploring the post-war memories of this group of Union veterans. He contends that rather than remembering the war as a crusade against the evils of slavery, the veterans of the Army of the Cumberland saw the end of slavery as a by-product of the necessary defeat of the planter aristocracy that had sundered the Union; a good and necessary outcome, but not necessarily an assertion of equality between the races.
Some of the most provocative discussions about the Civil War in current scholarship are concerned with how memory of the war was used by both the North and the South in Reconstruction, redeemer politics, the imposition of segregation, and the Spanish-American War. This work demonstrates that both the collapse of slavery and the economic and social post-War experience convinced these veterans that they had participated in the construction of the United States as a world power, built on the victory won against corrupt Southern plutocrats who had impeded the rightful development of the country.
[more]
The Green Revolution in the Global South
Science, Politics, and Unintended Consequences
R. Douglas Hurt
University of Alabama Press, 2020
A synthesis of the agricultural history of the Green Revolution
The Green Revolution was devised to increase agricultural production worldwide, particularly in the developing world. Agriculturalists employed anhydrous ammonia and other fertilizing agents, mechanical tilling, hybridized seeds, pesticides, herbicides, and a multitude of other techniques to increase yields and feed a mushrooming human population that would otherwise suffer starvation as the world’s food supply dwindled.
In The Green Revolution in the Global South: Science, Politics, and Unintended Consequences, R. Douglas Hurt demonstrates that the Green Revolution did not turn out as neatly as scientists predicted. When its methods and products were imported to places like Indonesia and Nigeria, or even replicated indigenously, the result was a tumultuous impact on a society’s functioning. A range of factors—including cultural practices, ethnic and religious barriers, cost and availability of new technologies, climate, rainfall and aridity, soil quality, the scale of landholdings, political policies and opportunism, the rise of industrial farms, civil unrest, indigenous diseases, and corruption—entered into the Green Revolution calculus, producing a series of unintended consequences that varied from place to place. As the Green Revolution played out over time, these consequences rippled throughout societies, affecting environments, economies, political structures, and countless human lives.
Analyzing change over time, almost decade by decade, Hurt shows that the Green Revolution was driven by the state as well as science. Rather than acknowledge the vast problems with the Green Revolution or explore other models, Hurt argues, scientists and political leaders doubled down and repeated the same missteps in the name of humanity and food security. In tracing the permutations of modern science’s impact on international agricultural systems, Hurt documents how, beyond increasing yields, the Green Revolution affected social orders, politics, and lifestyles in every place its methods were applied—usually far more than once.
The Green Revolution was devised to increase agricultural production worldwide, particularly in the developing world. Agriculturalists employed anhydrous ammonia and other fertilizing agents, mechanical tilling, hybridized seeds, pesticides, herbicides, and a multitude of other techniques to increase yields and feed a mushrooming human population that would otherwise suffer starvation as the world’s food supply dwindled.
In The Green Revolution in the Global South: Science, Politics, and Unintended Consequences, R. Douglas Hurt demonstrates that the Green Revolution did not turn out as neatly as scientists predicted. When its methods and products were imported to places like Indonesia and Nigeria, or even replicated indigenously, the result was a tumultuous impact on a society’s functioning. A range of factors—including cultural practices, ethnic and religious barriers, cost and availability of new technologies, climate, rainfall and aridity, soil quality, the scale of landholdings, political policies and opportunism, the rise of industrial farms, civil unrest, indigenous diseases, and corruption—entered into the Green Revolution calculus, producing a series of unintended consequences that varied from place to place. As the Green Revolution played out over time, these consequences rippled throughout societies, affecting environments, economies, political structures, and countless human lives.
Analyzing change over time, almost decade by decade, Hurt shows that the Green Revolution was driven by the state as well as science. Rather than acknowledge the vast problems with the Green Revolution or explore other models, Hurt argues, scientists and political leaders doubled down and repeated the same missteps in the name of humanity and food security. In tracing the permutations of modern science’s impact on international agricultural systems, Hurt documents how, beyond increasing yields, the Green Revolution affected social orders, politics, and lifestyles in every place its methods were applied—usually far more than once.
[more]
Portraits of Remembrance
Painting, Memory, and the First World War
Margaret Hutchison
University of Alabama Press, 2020
Interdisciplinary collection of essays on fine art painting as it relates to the First World War and commemoration of the conflict
Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes.
Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war.
Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
Although photography and moving pictures achieved ubiquity during the First World War as technological means of recording history, the far more traditional medium of painting played a vital role in the visual culture of combatant nations. The public’s appetite for the kind of up-close frontline action that snapshots and film footage could not yet provide resulted in a robust market for drawn or painted battle scenes.
Painting also figured significantly in the formation of collective war memory after the armistice. Paintings became sites of memory in two ways: first, many governments and communities invested in freestanding panoramas or cycloramas that depicted the war or featured murals as components of even larger commemorative projects, and second, certain paintings, whether created by official artists or simply by those moved to do so, emerged over time as visual touchstones in the public’s understanding of the war.
Portraits of Remembrance: Painting, Memory, and the First World War examines the relationship between war painting and collective memory in Australia, Austria, Belgium, Canada, Croatia, France, Germany, Great Britain, New Zealand, Russia, Serbia, Turkey, and the United States. The paintings discussed vary tremendously, ranging from public murals and panoramas to works on a far more intimate scale, including modernist masterpieces and crowd-pleasing expressions of sentimentality or spiritualism. Contributors raise a host of topics in connection with the volume’s overarching focus on memory, including national identity, constructions of gender, historical accuracy, issues of aesthetic taste, and connections between painting and literature, as well as other cultural forms.
[more]
Mythical Trickster Figures
Contours, Contexts, and Criticisms
William J. Hynes
University of Alabama Press, 1997
The first substantial collection of essays about the trickster since 1955
Mythical Trickster Figures, is the first substantial collection of essays about the trickster to appear since Radin’s 1955 The Trickster. Contributions by leading scholars treat a wide range of manifestations of this mischievous character, ranging from the Coyote of the American Southwest to such African figures as Eshu-Elegba and Ananse, the Japanese Susa-no-o, the Greek Hermes, Christian adaptations of Saint Peter, and examples found in contemporary American fiction and drama.
The many humorous trickster stories included are fascinating in themselves, but Hynes and Doty also highlight the wide range of features of the trickster—the figure whose comic appearance often signifies that the most serious cultural values are being both challenged and enforced.
[more]
READERS
Browse our collection.
PUBLISHERS
See BiblioVault's publisher services.
STUDENT SERVICES
Files for college accessibility offices.
RECENTLY PUBLISHED
UChicago Accessibility Resources
home | accessibility | search | about | contact us
BiblioVault ® 2001 - 2024
The University of Chicago Press