A SCHOLARLY BOOK REPOSITORY213 start with H start with H
This lively, outspoken, and affectionate memoir preserves all things Louis Bromfield fought for or against in a life marked by surging vitality and gusto. He came from an Ohio family whose roots were in the land before the land was lost. He had his father's love of the land, and from his willful mother a hunger to know the world. From the New York City of theaters, concerts, parties, and novels, and a life in France that his success allowed, he finally returned to Ohio and established a new order for his family and friends, and for his followers, a new orbit into which they were drawn.
Ellen Bromfield Geld wrote a memoir of the man who was Louis Bromfield, father and friend, tyrant and “Boss,” alive always to whatever was worth responding to in people and in places, yet complex and lonely as a writer must essentially be to work at his craft. Now revived in paperback thirty-five years after its first publication, The Heritage remains a moving tribute and the recreation of a remarkable human being.
Herndon Davis, an artist and journalist, dedicated his life to depicting the major landmarks and personalities of Colorado in watercolor, oil, and pen and pencil. Best known for the Face on the Barroom Floor, the portrait of an alluring woman on the floor of the Teller House Hotel barroom in Central City, Colorado, Davis was a prolific artist whose murals, sketches, and portraits can be found all over the state, from the Sage Room of the Oxford Hotel on Seventeenth Street to the Denver Press Club poker room. Despite his numerous contributions, his work was never showcased or exhibited in the traditional manner.
In this biography and first-ever collection featuring most of his life’s work, authors Craig Leavitt and Thomas J. Noel provide a detailed look into Davis’s life and career and include a catalog of almost 200 of his paintings and drawings from Colorado and around the country. They also put his work into the broader context of the time through comparison with such contemporary Colorado artists as Muriel Sibell Wolle, Allen Tupper True, Charles Waldo Love, and Juan Menchaca.
Published to coincide with the Denver Public Library’s 2016 exhibition—the only public display of Davis’s work to date—and bringing deserved attention to this overlooked figure, Herndon Davis: Painting Colorado History, 1901-1962 is an important contribution to Colorado’s cultural history.
This book and the accompanying exhibit are sponsored by the Western History/Genealogy Department at the Denver Public Library.
Hero of the Angry Sky draws on the unpublished diaries, correspondence, informal memoir, and other personal documents of the U.S. Navy’s only flying “ace” of World War I to tell his unique story. David S. Ingalls was a prolific writer, and virtually all of his World War I aviation career is covered, from the teenager’s early, informal training in Palm Beach, Florida, to his exhilarating and terrifying missions over the Western Front. This edited collection of Ingalls’s writing details the career of the U.S. Navy’s most successful combat flyer from that conflict.
While Ingalls’s wartime experiences are compelling at a personal level, they also illuminate the larger, but still relatively unexplored, realm of early U.S. naval aviation. Ingalls’s engaging correspondence offers a rare personal view of the evolution of naval aviation during the war, both at home and abroad. There are no published biographies of navy combat flyers from this period, and just a handful of diaries and letters in print, the last appearing more than twenty years ago. Ingalls’s extensive letters and diaries add significantly to historians’ store of available material.
Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through his encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called “the most unjaded person I ever met,” an imperfect but kind and intelligent young scientist passionately in love with his life and work and determined to make a difference.
This sweeping survey constitutes the first comprehensive treatment of the men and women who have been chosen to represent Illinois in the United States Senate from 1818 to the present day. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s senatorial heritage.
Originally published as An Uncertain Tradition: U.S. Senators From Illinois 1818–2003, this second edition brings readers up to date with new material on Paul Simon, Richard Durbin, and Peter Fitzgerald, as well as completely new sections on Roland Burris, Barack Obama, and Illinois’s newest senator, Mark Kirk. This fresh and careful study of the shifting set of political issues Illinois’s senators encountered over time is illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley offer incisive commentary on the quality of Senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for Senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.
A deftly crafted biography of the author of Siddhartha, whose critique of consumer culture continues to inspire millions of readers.
Against the horrors of Nazi dictatorship and widespread disillusionment with the forces of mass culture and consumerism, Hermann Hesse’s stories inspired nonconformity and a yearning for universal values. Few today would doubt Hesse’s artistry or his importance to millions of devoted readers. But just who was the author of Siddhartha, Steppenwolf, and Demian?
Gunnar Decker weaves together previously unavailable sources to offer a unique interpretation of the life and work of Hermann Hesse. Drawing on recently discovered correspondence between Hesse and his psychoanalyst Josef Lang, Decker shows how Hesse reversed the traditional roles of therapist and client, and rethinks the relationship between Hesse’s novels and Jungian psychoanalysis. He also explores Hesse’s correspondence with Stefan Zweig—recently unearthed—to find the source of Hesse’s profound sense of alienation from his contemporaries.
Decker’s biography brings to life this icon of spiritual searching and disenchantment who galvanized the counterculture in the 1960s and feels newly relevant today.
Of the Rosenbluth family, only the older children, Faiga and Luzer, had gone into hiding before the SS rounded up the Jews of Kanczuga, Poland. Hidden is Faiga and Luzer’s story, a memoir whose intimate and quiet particularity makes the incomprehensible enormity of the Holocaust immediate, human, and devastatingly real.
In alternating first-person narratives, Faiga (Fay) and Luzer (Leo) take readers into their very different but inextricably linked experiences in Nazi-occupied Poland. Faiga, the once-dignified young lady from a good home with servants and a seat by the eastern wall of the synagogue, spends two years wandering the perilous countryside, hoping to be taken for a peasant. Mere miles away, knowing nothing of his sister’s fate, Luzer, the leather wholesaler’s only son, lies silent all day in the stifling dark corner of a barn, where the smell of the cows’ warm hides are a piquant reminder of his lost world. Hidden deftly summons that world, as the familiar comforts and squabbles of life in a well-to-do, religious Jewish family are slowly overwhelmed by the grim news coming out of Germany. We follow Faiga and Luzer through the early forebodings and deprivations of the war, into hiding among righteous Poles and erstwhile neighbors-turned-betrayers, and finally, at war’s end, back once more into the world—but not necessarily into safety. Told in a confident, clear, and unsentimental prose, this is a story of heroism and tragedy writ large and small, of two young people coming of age in a world in chaos and then trying to return to "normal" after experiences as unimaginable as they are unforgettable.
Winner of the Albert Hourani Book Award
Sufis created the most extensive Muslim revivalist network in Asia before the twentieth century, generating a vibrant Persianate literary, intellectual, and spiritual culture while tying together a politically fractured world.
In a pathbreaking work combining social history, religious studies, and anthropology, Waleed Ziad examines the development across Asia of Muslim revivalist networks from the eighteenth to the twentieth centuries. At the center of the story are the Naqshbandi-Mujaddidi Sufis, who inspired major reformist movements and articulated effective social responses to the fracturing of Muslim political power amid European colonialism. In a time of political upheaval, the Mujaddidis fused Persian, Arabic, Turkic, and Indic literary traditions, mystical virtuosity, popular religious practices, and urban scholasticism in a unified yet flexible expression of Islam. The Mujaddidi “Hidden Caliphate,” as it was known, brought cohesion to diverse Muslim communities from Delhi through Peshawar to the steppes of Central Asia. And the legacy of Mujaddidi Sufis continues to shape the Muslim world, as their institutional structures, pedagogies, and critiques have worked their way into leading social movements from Turkey to Indonesia, and among the Muslims of China.
By shifting attention away from court politics, colonial actors, and the standard narrative of the “Great Game,” Ziad offers a new vision of Islamic sovereignty. At the same time, he demonstrates the pivotal place of the Afghan Empire in sustaining this vast inter-Asian web of scholastic and economic exchange. Based on extensive fieldwork across Afghanistan, Uzbekistan, and Pakistan at madrasas, Sufi monasteries, private libraries, and archives, Hidden Caliphate reveals the long-term influence of Mujaddidi reform and revival in the eastern Muslim world, bringing together seemingly disparate social, political, and intellectual currents from the Indian Ocean to Siberia.
The tallest species of spruce, hemlock, fir, cedar, and pine trees on earth coexist in the old growth of the H. J. Andrews Experimental Forest in Oregon’s Cascade Range. Set aside as a living laboratory by the U.S. Forest Service in 1948, the 16,000 acres represent a vital scientific endeavor: the long-term study of a single contained ecosystem. Here, for the first time, researchers from an enormous range of disciplines—forest scientists, botanists, entomologists, wildlife ecologists, soil biologists, and others—have assembled to examine the role of every working element in the life of a forest.
In The Hidden Forest, veteran science writer Jon Luoma offers an absorbing account of how these scientists came to recognize the importance of natural forest ecosystems and how their research is revolutionizing forest management.
Luoma takes readers into the hidden forest where researchers have discovered a host of species previously unknown to science, and interactions in the forest ecosystem that no one previously imagined. He describes projects dealing with the forest canopy, rotting logs, insects, fungi, wildlife, streams, and the effects of flood, fire, clear cutting, and volcanic eruption. And he tells the human story behind the research, capturing the shared excitement and wonder of scientific discovery. Along the way, Luoma provides a short course in such complex issues as forest succession, biodiversity, and the politics of forestry.
In a new foreword, Jerry Franklin discusses the importance of dedicated, long-term research sites and comments on new discoveries that have emerged from forest ecosystem research since The Hidden Forest was first published.
Here is the first full-length biography in English of the most important political figure in premodern Japan.
Hideyoshi—peasant turned general, military genius, and imperial regent of Japan—is the subject of an immense legendary literature. He is best known for the conquest of Japan’s sixteenth-century warlords and the invasion of Korea. He is known, too, as an extravagant showman who rebuilt cities, erected a colossal statue of the Buddha, and entertained thousands of guests at tea parties. But his lasting contribution is as governor whose policies shaped the course of Japanese politics for almost three hundred years.
In Japan’s first experiment with federal rule, Hideyoshi successfully unified two hundred local domains under a central authority. Mary Elizabeth Berry explores the motives and forms of this new federalism which would survive in Japan until the mid-nineteenth century, as well as the philosophical question it raised: What is the proper role of government? This book reflects upon both the shifting political consciousness of the late sixteenth century and the legitimation rituals that were invoked to place change in a traditional context. It also reflects upon the architect of that change—a troubled parvenu who acted often with moderation and sometimes with explosive brutality.
Louise Thaden wrote High, Wide, and Frightened in the prime of her life, making this autobiography unique among books about the Golden Age of Aviation. Thaden, a contemporary of pioneering women pilots Amelia Earhart, Ruth Elder, Florence Klingensmith, and Ruth Nichols, was part of a small group of determined women who overcame discrimination and obstacles to become pilots in a time when air races and distance, altitude and endurance records were daily news in America. She became the first woman to win the Bendix Transcontinental Air Race, the premier air race of the day and, before her, a male-dominated one.
High, Wide, and Frightened is the story of Thaden’s life, of her achievements in aviation, and also of her childhood in Arkansas. She writes about her everyday personal life and her day-today experiences in aviation.
In The Highest Glass Ceiling, best-selling historian Ellen Fitzpatrick tells the story of three remarkable women who set their sights on the American presidency. Victoria Woodhull (1872), Margaret Chase Smith (1964), and Shirley Chisholm (1972) each challenged persistent barriers confronted by women presidential candidates. Their quest illuminates today’s political landscape, showing that Hillary Clinton’s 2016 campaign belongs to a much longer, arduous, and dramatic journey.
The tale begins during Reconstruction when the radical Woodhull became the first woman to seek the presidency. Although women could not yet vote, Woodhull boldly staked her claim to the White House, believing she might thereby advance women’s equality. Republican Senator Margaret Chase Smith came into political office through the “widow’s mandate.” Among the most admired women in public life when she launched her 1964 campaign, she soon confronted prejudice that she was too old (at 66) and too female to be a creditable presidential candidate. She nonetheless became the first woman to have her name placed in nomination for President by a major party. Democratic Congresswoman Shirley Chisholm ignored what some openly described as the twin disqualifications of race and gender in her spirited 1972 presidential campaign. She ran all the way to the Democratic convention, inspiring diverse followers and angering opponents, including members of the Nixon administration who sought to derail her candidacy.
As The Highest Glass Ceiling reveals, women’s pursuit of the Oval Office, then and now, has involved myriad forms of influence, opposition, and intrigue.
Richard Burton was one of Victorian Britain's most protean figures. A soldier, explorer, ethnographer, and polyglot of rare power, as well as a poet, travel writer, and translator of the tales of the Arabian Nights and the Kama Sutra, Burton exercised his abundant talents in a diverse array of endeavors. Though best remembered as an adventurer who entered Mecca in disguise and sought the source of the White Nile, Burton traveled so widely, wrote so prolifically, and contributed so forcefully to his generation's most contentious debates that heprovides us with a singularly panoramic perspective on the world of theVictorians.
One of the great challenges confronting the British in the nineteenth century was to make sense of the multiplicity of peoples and cultures they encountered in their imperial march around the globe. Burton played an important role in this mission. Drawing on his wide-ranging experiences in other lands and intense curiosity about their inhabitants, he conducted an intellectually ambitious, highly provocative inquiry into racial, religious, and sexual differences that exposed his own society's norms to scrutiny.
Dane Kennedy offers a fresh and compelling examination of Burton and his contribution to the widening world of the Victorians. He advances the view that the Victorians' efforts to attach meaning to the differences they observed among other peoples had a profound influence on their own sense of self, destabilizing identities and reshaping consciousness. Engagingly written and vigorously argued, The Highly Civilized Man is an important contribution to our understanding of a remarkable man and a crucial era.
Honey Meconi draws on her own experience as a scholar and performer of Hildegard's music to explore the life and work of this foundational figure. Combining historical detail with musical analysis, Meconi delves into Hildegard's mastery of plainchant, her innovative musical drama, and her voluminous writings. Hildegard's distinctive musical style still excites modern listeners through wide-ranging, sinuous melodies set to her own evocative poetry. Together with her passionate religious texts, her music reveals a holistic understanding of the medieval world still relevant to today's readers.
Nixon’s life offers insight into one southerner’s efforts to comprehend and interpret the conflict and change of his time and illuminates for contemporary Americans a classical view of life—one lived fully, right in strength, beauty, courage, compassion, adventure, and thought.
Clarence Nixon was first and foremost a Southern intellectual, deeply involved in the region’s cultural renaissance, and his life reveals an intellectual odyssey from Victorianism to Modernism. As his personality, ideology, and social environment interacted, a new world view emerged. But he was an ambivalent modernist, like many intellectuals who were reared in the nineteenth-century South, he never abandoned certain Victorian ideals and values.
The Swedish painter Hilma af Klint (1862–1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe.
But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. Like many of the artists at the turn of the twentieth century who developed some version of abstract painting, af Klint studied Theosophy, which holds that science, art, and religion are all reflections of an underlying life-form that can be harnessed through meditation, study, and experimentation. Well before Kandinsky, Mondrian, and Malevich declared themselves the inventors of abstraction, af Klint was working in a nonrepresentational mode, producing a powerful visual language that continues to speak to audiences today. The exhibition of her work in 2018 at the Guggenheim Museum in New York City attracted more than 600,000 visitors, making it the most-attended show in the history of the institution.
Despite her enormous popularity, there has not yet been a biography of af Klint—until now. Inspired by her first encounter with the artist’s work in 2008, Julia Voss set out to learn Swedish and research af Klint’s life—not only who the artist was but what drove and inspired her. The result is a fascinating biography of an artist who is as great as she is enigmatic.
It’s the 1960s. The Vietnam War is raging and protests are erupting across the United States. In many quarters, young people are dropping out of society, leaving their urban homes behind in an attempt to find a safe place to live on their own terms, to grow their own food, and to avoid a war they passionately decry. During this time, West Virginia becomes a haven for thousands of these homesteaders—or back-to-the-landers, as they are termed by some. Others call them hippies.
When the going got rough, many left. But a significant number remain to this day. Some were artisans when they arrived, while others adopted a craft that provided them with the cash necessary to survive. Hippie Homesteaders tells the story of this movement from the viewpoint of forty artisans and musicians who came to the state, lived on the land, and created successful careers with their craft. There’s the couple that made baskets coveted by the Smithsonian Institution’s Renwick Gallery. There’s the draft-dodger that fled to Canada and then became a premier furniture maker. There’s the Boston-born VISTA worker who started a quilting cooperative. And, there’s the immigrant Chinese potter who lived on a commune.
Along with these stories, Hippie Homesteaders examines the serendipitous timing of this influx and the community and economic support these crafters received from residents and state agencies in West Virginia. Without these young transplants, it’s possible there would be no Tamarack: The Best of West Virginia, the first statewide collection of fine arts and handcrafts in the nation, and no Mountain Stage, the weekly live musical program broadcast worldwide on National Public Radio since 1983. Forget what you know about West Virginia.
Hippie Homesteaders isn’t about coal or hillbillies or moonshine or poverty. It is the story of why West Virginia was—and still is—a kind of heaven to so many.
This is a personal and insightful portrait of Pope Pius XII, the memories of Sister M. Pascalina Lehnert, who served as his housekeeper for forty years. Her book, most of it written just a few months after the Pope’s death, shares insights into the person, the life, and the thinking of Pius XII, from his time as Nuncio in Munich until his death. Much of Sister’s motivation in writing this work was to correct the many distortions of fact and interpretation regarding this great pope.
This book was a best seller in the original German, as well as in the Italian and French translations. This is the first edition in English.
These reminiscences were written down at the instructions of Sister’s Superior General, but were not made known to the public until 1982, when it was published in German at the express wishes of Pope John Paul II to publish the work without any changes. So the work remained a lively, flowing account of memories and anecdotes in a simple, spontaneous style. It is a powerful and insightful account of Pius’s daily life, his treatment of those around him, and his concern for the upholding of the traditional teaching of the Church in the face of his awesome burden to lead the Church during World War II.
The man whom Indian nationalists perceived as the “George Washington of India” and who was President of the Indian National Congress in 1938–1939 is a legendary figure. Called Netaji (“leader”) by his countrymen, Subhas Chandra Bose struggled all his life to liberate his people from British rule and, in pursuit of that goal, raised and led the Indian National Army against Allied Forces during World War II. His patriotism, as Gandhi asserted, was second to none, but his actions aroused controversy in India and condemnation in the West.
Now, in a definitive biography of the revered Indian nationalist, Sugata Bose deftly explores a charismatic personality whose public and private life encapsulated the contradictions of world history in the first half of the twentieth century. He brilliantly evokes Netaji’s formation in the intellectual milieu of Calcutta and Cambridge, probes his thoughts and relations during years of exile, and analyzes his ascent to the peak of nationalist politics. Amidst riveting accounts of imprisonment and travels, we glimpse the profundity of his struggle: to unite Hindu and Muslim, men and women, and diverse linguistic groups within a single independent Indian nation. Finally, an authoritative account of his untimely death in a plane crash will put to rest rumors about the fate of this “deathless hero.”
This epic of a life larger than its legend is both intimate, based on family archives, and global in significance. His Majesty’s Opponent establishes Bose among the giants of Indian and world history.
This study of the sometimes stormy career of a brilliant and colorful talmudist offers a broad picture of medieval Hispano-Jewish culture.
Meir Abulafia (ca. 1165-1244), commonly called Ramah, was born into the old Jewish aristocracy of Muslim Spain and educated in the best Judeo-Arabic tradition, but lived his whole life under the new political and cultural realities of Christian Spain. Mr. Septimus portrays Ramah's career as a lawyer, exegete, poet, and theologian in an age of rapid cultural change. His book describes the intellectual cross-fertilization and conflict that resulted from new connections with European Jewish communities to the north. It focuses, in particular, on the great controversy over the philosophical rationalism of Maimonides, which Ramah initiated and in which he played a major role. This clash dominated Jewish intellectual history for three centuries and parallels important developments in Latin Christendom.
March of the emperors.
The Historia Augusta is a biographical work roughly following the model of the imperial biographer Suetonius (LCL 31, 38) and covering the lives of the Roman emperors from Hadrian (r. 117–138) to Carinus (r. 283–285), with a lacuna between the lives of the Gordians and the Valerians. Although the work comes down to us as a collection of thirty books written by six different authors, it is now generally considered to be the creation of a single individual writing under several pseudonyms no earlier than the late fourth century. It is a thoroughly enigmatic work whose origins, nature, and purpose remain obscure; the very beginning of the life of Hadrian is lost, and with it any general introduction that may have existed.
While the Historia Augusta is our most detailed surviving source for the second and third centuries, often providing details beyond the Greek accounts, it is not a trustworthy source for historical information: too many of the details are anachronistic, unsupported, or preposterous, or contradicted internally or by better sources, and many documents, speeches, acclamations, and inscriptions that it quotes or cites are entirely fictional.
The Historia Augusta nevertheless has its attractions: for the connoisseur of biography the author provides plenty of wordplay, puns, allusions, literary games, and mock-scholarly digressions, and for the casual reader he offers vivid characterizations of emperors both good and bad.
This revision of the original Loeb edition by David Magie offers text, translation, and annotation that are fully current with modern scholarship.
March of the emperors.
The Historia Augusta is a biographical work roughly following the model of the imperial biographer Suetonius (LCL 31, 38) and covering the lives of the Roman emperors from Hadrian (r. 117–138) to Carinus (r. 283–285), with a lacuna between the lives of the Gordians and the Valerians. Although the work comes down to us as a collection of thirty books written by six different authors, it is now generally considered to be the creation of a single individual writing under several pseudonyms no earlier than the late fourth century. It is a thoroughly enigmatic work whose origins, nature, and purpose remain obscure; the very beginning of the life of Hadrian is lost, and with it any general introduction that may have existed.
While the Historia Augusta is our most detailed surviving source for the second and third centuries, often providing details beyond the Greek accounts, it is not a trustworthy source for historical information: too many of the details are anachronistic, unsupported, or preposterous, or contradicted internally or by better sources, and many documents, speeches, acclamations, and inscriptions that it quotes or cites are entirely fictional.
The Historia Augusta nevertheless has its attractions: for the connoisseur of biography the author provides plenty of wordplay, puns, allusions, literary games, and mock-scholarly digressions, and for the casual reader he offers vivid characterizations of emperors both good and bad.
This revision of the original Loeb edition by David Magie offers text, translation, and annotation that are fully current with modern scholarship.
March of the emperors.
The Historia Augusta is a biographical work roughly following the model of the imperial biographer Suetonius (LCL 31, 38) and covering the lives of the Roman emperors from Hadrian (r. 117–138) to Carinus (r. 283–285), with a lacuna between the lives of the Gordians and the Valerians. Although the work comes down to us as a collection of thirty books written by six different authors, it is now generally considered to be the creation of a single individual writing under several pseudonyms no earlier than the late fourth century. It is a thoroughly enigmatic work whose origins, nature, and purpose remain obscure; the very beginning of the life of Hadrian is lost, and with it any general introduction that may have existed.
While the Historia Augusta is our most detailed surviving source for the second and third centuries, often providing details beyond the Greek accounts, it is not a trustworthy source for historical information: too many of the details are anachronistic, unsupported, or preposterous, or contradicted internally or by better sources, and many documents, speeches, acclamations, and inscriptions that it quotes or cites are entirely fictional.
The Historia Augusta nevertheless has its attractions: for the connoisseur of biography the author provides plenty of wordplay, puns, allusions, literary games, and mock-scholarly digressions, and for the casual reader he offers vivid characterizations of emperors both good and bad.
This revision of the original Loeb edition by David Magie offers text, translation, and annotation that are fully current with modern scholarship.
Since its beginning in the 1940s, Duby's career has been rich and varied, encompassing economic history, social history, the history of mentalites, art history, microhistory, urban history, the history of women and sexuality, and, most recently, the Church's influence on feudal society. In retracing this singular career path, Duby candidly remembers his life's most formative influences, including the legendary historians Marc Bloch and Lucien Febvre, the Annales School so closely associated with them, and the College de France.
Duby also offers insights about the proper methods of gathering and using archival data and on constructing penetrating interpretations of the documents. Indeed, his discussion of how he chose his subjects, collected his materials, developed the arguments, erected the scaffolding and constructed his theses offers the best introduction to the craft available to aspiring historians.
Candid and charming, this book is both a memoir of one of this century's great scholars and a history of the French historical school since the mid-twentieth century. It will be required reading for anyone interested in the French academic milieu, medieval history, French history, or the recording of history in general.
Georges Duby, a member of the Academie francaise, for many years held the distinguished chair in medieval history at the College de France. His numerous books include The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and The Three Orders—all published by the University of Chicago Press.
Drawing on the theoretical work of contemporary critics of autobiography and the philosophy of Paul Ricoeur, Popkin reads the autobiographical classics of Edward Gibbon and Henry Adams and the memoirs of contemporary historians such as Emmanuel Le Roy Ladurie, Peter Gay, Jill Ker Conway, and many others, he reveals the contributions historians' life stories make to our understanding of the human experience. Historians' autobiographies, he shows, reveal how scholars arrive at their vocations, the difficulties of writing about modern professional life, and the ways in which personal stories can add to our understanding of historical events such as war, political movements, and the traumas of the Holocaust.
An engrossing overview of the way historians view themselves and their profession, this work will be of interest to readers concerned with the ways in which we understand the past, as well as anyone interested in the art of life-writing.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The eighth and final volume spans the thirty-ninth to fiftieth years of Akbar’s reign, detailing the conquest of Ahmadnagar, Prince Salim’s rebellion, and the emperor’s final days.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The seventh volume details the twenty-ninth to thirty-eighth years of Akbar’s reign, including accounts of the marriage of his son and heir Salim (Jahangir); conquests of Swat, Orissa, Kashmir, Sind, and the Saurashtra Peninsula; the pacification of Bengal; and the emperor’s visits to Kashmir, the Punjab, and Kabul.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The sixth volume details the twenty-third to twenty-eighth years of Akbar’s reign, including accounts of the quelling of rebellions in Bihar, Bengal, and Kabul, and final victory in Gujarat.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The fifth volume details the bellicose seventeenth to twenty-second years of Akbar’s reign, including accounts of the conquest of Gujarat, the capture of Rohtas fort from rebel Afghans, and the invasions of Patna and Bengal.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The fourth volume narrates the second eight years of Akbar’s reign, including an account of his visit to Ajmer, the arrival of an embassy from the Safavid court, and the beginning of the author’s brother Faizi’s career as court poet.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The third volume details the first eight years of Akbar’s reign, when he consolidated his power, quelled the rebellion of his guardian Bayram Khan, conquered Malwa, and married a Rajput princess.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians across the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The second volume details the turbulent reign of his father Humayun, his years in exile, his return to power, and his untimely death that brought Akbar to the throne as a youth.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
The exemplar of Indo-Persian history, at once a biography of Emperor Akbar and a chronicle of sixteenth-century Mughal India.
Akbarnāma, or The History of Akbar, by Abu’l-Fazl (d. 1602), is one of the most important works of Indo-Persian history and a touchstone of prose artistry. Marking a high point in a long, rich tradition of Persian historical writing, it served as a model for historians throughout the Persianate world. The work is at once a biography of the Mughal emperor Akbar (r. 1556–1605) that includes descriptions of his political and martial feats and cultural achievements, and a chronicle of sixteenth-century India.
The first volume details the birth of Akbar, his illustrious genealogy, and in particular the lives and exploits of his grandfather, Babur, and his father, Humayun, who laid the foundations of the Mughal Empire.
The Persian text, presented in the Naskh script, is based on a careful reassessment of the primary sources.
Volume 3, Life Writings of Frontier Women series, ed. Maureen Ursenbach Beecher
In her memoir, and 1870s revision of her journal and diary, Louisa Barnes Pratt tells of childhood in Massachusetts and Canada during the War of 1812, and independent career as a teacher and seamstress in New England, and her marriage to the Boston seaman Addison Pratt.
Converting to the LDS Church, the Pratts moved to Nauvoo, Illinois, from where Brigham Young sent Addison on the first of the long missions to the Society Islands that would leave Louisa on her own. As a sole available parent, she hauled her children west to Winter Quarters, to Utah in 1848, to California, and, in Addison's wake, to Tahiti in 1850.
The Pratts joined the Mormon colony at San Bernardino, California. When in 1858 a federal army's march on Utah led to the colonists' recall, Addision—alienated from the Mormon Church after long absences—chose not to go. Mostly separated thereafter (Addison died in 1872), Louisa settled in Beaver, Utah, where she campaigned for women's rights, contributed to the Woman's Exponent, and depended on her own means, as she had much of her life, until her death in 1880.
First published in London and Edinburgh in 1831, and well into its third edition that year, The History of Mary Prince inflamed public opinion and created political havoc. Never before had the sufferings and indignities of enslavement been seen through the eyes of a woman--a woman struggling for freedom in the face of great odds.
Moira Ferguson's edition of the book added an introduction, annotations, and appendices. The book has found popularity both in the classroom and with the general public. Recently, an adaptation of the memoirs of Mary Prince appeared as one segment of "A Skirt Through History," a six-part feature film series produced by the BBC. Mary Prince's story has also been the centerpiece of BBC radio broadcasts.
In this revised and expanded edition of The History of Mary Prince, Ferguson has added new material, based on her extensive research in Bermuda and London. The book includes new details of Mary Prince's experiences as a freewoman in England, the transcripts of several libel cases brought against her, and the reactions of British society, as seen in prominent periodicals of the day, against the original publication of The History of Mary Prince. This new material brings greater depth and detail and serves to more fully illustrate and contextualize the life of this remarkable woman.
Moira Ferguson is James E. Ryan Professor of English and Women's Literature, University of Nebraska.
Originally published in 1907 and now reprinted for the first time, this is the only account published by a Union guerrilla in the border region of the central Ozarks, where political and civil violence lasted from the Civil War well into the 1880s.
There were probably many people who wanted to shoot Billy Monks. He was a Union patriot and skilled guerrilla fighter to some, but others called him a bushwhacker, a murderer, and a thief. His was a very personal combat: he commanded, rallied, arrested, killed, quarreled with, and sued people he knew. His life provides a striking example of the cliché that the war did not end in 1865, but continued fiercely on several fronts for another decade as partisan factions settled old scores and battled for local political control.
This memoir was Monks’s last salvo at his old foes, by turns self-defense and an uncompromising affirmation of the Radical Union cause in the Ozarks. The editors include a new biographical sketch of the author, fill in gaps in his narrative, identify all the people and places to which he refers, and offer a detailed index. Monks himself illustrated the volume with staged photographs of key events re-created by aged comrades who appear to have been just barely able to hoist the muskets they hold as props.
Wesley’s distinctive sound reverberates through rap and hip-hop music today. In Hit Me, Fred, he recalls the many musicians whose influence he absorbed, beginning with his grandmother and father—both music teachers—and including mentors in his southern Alabama hometown and members of the Army band. In addition to the skills he developed working with James Brown, George Clinton, Bootsy Collins, and the many talented musicians in their milieu, Wesley describes the evolution of his trombone playing through stints with the Ike and Tina Turner Revue, Hank Ballard, and Count Basie’s band. He also recounts his education in the music business, particularly through his work in Los Angeles recording sessions.
Wesley is a virtuoso storyteller, whether he's describing the electric rush of performances when the whole band is in the groove, the difficulties of trying to make a living as a rhythm and blues musician, or the frustrations often felt by sidemen. Hit Me, Fred is Wesley’s story of music-making in all its grit and glory.
During the Nazi era, millions of German children between the ages of seven and sixteen were taken from their homes and sent to Hitler Youth paramilitary camps to be toughened up and taught how to be "German." Separated from their families and sent to the far-flung corners of Europe, these children often endured incredible abuse by the adults in charge. In this memoir, Jost Hermand, a cultural critic and historian who spent much of his youth in five different camps, writes about his experiences as a small, unathletic boy thrown into a "wolf pack" governed by brutalization, dreary routine, and sadism.
Intelligent and persuasive, A Hitler Youth in Poland should be read by anyone interested in psychology or the history of everyday life in Hitler's Germany and the mental scars of adults born during the Nazi regime.
This collection of evocative personal testimonies by three generations of Hmong refugees is the first to describe their lives in Laos as slash-and-burn farmers, as refugees after a Communist government came to power in 1975, and as immigrants in the United States. Reflecting on the homes left behind, their narratives chronicle the difficulties of forging a new identity.
From Jou Yee Xiong's Life Story:
"I stopped teaching my sons many of the Hmong ways because I felt my ancestors and I had suffered enough already. I thought that teaching my children the old ways would only place a burden on them."
From Ka Pao Xiong's (Jou Yee Xiong's son) Life Story:
"It has been very difficult for us to adapt because we had no professions or trades and we suffered from culture shock. Here in America, both the husband and wife must work simultaneously to earn enough money to live on. Many of our children are ignorant of the Hmong way of life…. Even the old people are forgetting about their life in Laos, as they enjoy the prosperity and good life in America."
From Xang Mao Xiong's Life Story:
"When the Communists took over Laos and General Vang Pao fled with his family, we, too, decided to leave. Not only my family, but thousands of Hmong tried to flee. I rented a car for thirty thousand Laotian dollars, and it took us to Nasu…. We felt compelled to leave because many of us had been connected to the CIA…. Thousands of Hmong were traveling on foot. Along the way, many of them were shot and killed by Communist soldiers. We witnessed a bloody massacre of civilians."
From Vue Vang's Life Story:
"Life was so hard in the [Thai refugee] camp that when we found out we could go to the United States, we did not hesitate to grasp the chance. We knew that were we to remain in the camp, there would be no hope for a better future. We would not be able to offer our children anything better than a life of perpetual poverty and anguish."
Progressive former governor James Stephen Hogg moved his business headquarters to Houston in 1905. For seven decades, his children Will, Ima, and Mike Hogg used their political ties, social position, and family fortune to improve the lives of fellow Houstonians.
As civic activists, they espoused contested causes like city planning and mental health care. As volunteers, they inspired others to support social service, educational, and cultural programs. As philanthropic entrepreneurs, they built institutions that have long outlived them: the Houston Symphony, the Museum of Fine Arts, Memorial Park, and the Hogg Foundation. The Hoggs had a vision of Houston as a great city—a place that supports access to parklands, music, and art; nurtures knowledge of the "American heritage which unites us"; and provides social service and mental health care assistance. This vision links them to generations of American idealists who advanced a moral response to change.
Based on extensive archival sources, The Hogg Family and Houston explains the impact of Hogg family philanthropy for the first time. This study explores how individual ideals and actions influence community development and nurture humanitarian values. It examines how philanthropists and volunteers mold Houston's traditions and mobilize allies to meet civic goals. It argues that Houston's generous citizens have long believed that innovative cultural achievement must balance aggressive economic expansion.
"It's in the nature of things that whole worlds disappear," writes the poet Robert Hass in the foreword to Jimmye Hillman's insightful memoir. "Their vanishings, more often than not, go unrecorded or pass into myth, just as they slip from the memory of the living."
To ensure that the world of Jimmye Hillman's childhood in Greene County, Mississippi during the Great Depression doesn't slip away, he has gathered together accounts of his family and the other people of Old Washington village. There are humorous stories of hog hunting and heart-wrenching tales of poverty set against a rural backdrop shaded by the local social, religious, and political climate of the time. Jimmye and his family were subsistence farmers out of bare-bones necessity, decades before discussions about sustainability made such practices laudable.
More than just childhood memories and a family saga, though, this book serves as a snapshot of the natural, historical, and linguistic details of the time and place. It is a remarkable record of Southern life. Observations loaded with detail uncover broader themes of work, family loyalty, and the politics of changing times.
Hillman, now eighty-eight, went on to a distinguished career as an economist specializing in agriculture. He realizes the importance of his story as an example of the cultural history of the Deep South but allows readers to discover the significance on their own by witnessing the lives of a colorful cast of characters. Hogs, Mules, and Yellow Dogs is unique, a blend of humor and reflection, wisdom and sympathy—but it's also a hard-nosed look at the realities of living on a dirt farm in a vanished world.
Tim Lawrence traces Russell's odyssey from his hometown of Oskaloosa, Iowa, to countercultural San Francisco, and eventually to New York, where he lived from 1973 until his death from AIDS-related complications in 1992. Resisting definition while dreaming of commercial success, Russell wrote and performed new wave and disco as well as quirky rock, twisted folk, voice-cello dub, and hip-hop-inflected pop. “He was way ahead of other people in understanding that the walls between concert music and popular music and avant-garde music were illusory,” comments the composer Philip Glass. "He lived in a world in which those walls weren't there." Lawrence follows Russell across musical genres and through such vital downtown music spaces as the Kitchen, the Loft, the Gallery, the Paradise Garage, and the Experimental Intermedia Foundation. Along the way, he captures Russell's openness to sound, his commitment to collaboration, and his uncompromising idealism.
The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era.
Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston.
Hollywood Reborn examines this question, with contributors focusing on many of the era's key figures — noteworthy actors such as Jane Fonda, Al Pacino, Faye Dunaway, and Warren Beatty, and unexpected artists, among them Donald Sutherland, Shelley Winters, and Divine. Each essay offers new perspectives through the lens of an important star, illuminating in the process some of the most fascinating and provocative films of the decade.
A project of the Holocaust Resource Center of Kean University, New Jersey, this book is a reference tool for teaching the Holocaust, for Holocaust survivors and their families, and for the general reader. Drawing on the center’s central missions is to produce and preserve a series of oral-history videotapes based on the personal experiences of Holocaust survivors who reside in New Jersey. Joseph J. Preil brings together the most compelling testimonies of 153 Holocaust survivors as well as twenty concentration-camp liberators. Through these riveting accounts, the book traces the mass murder of the Jews across Europe in a geographical as well as chronological order. The testimonies in each chapter are grouped by the witnesses’ country or region of origin, preceded by a brief introduction of the history of events in a particular area. In the last part of the book, American soldiers recount their impressions of being present at the liberation of the camps.
“If you can imagine that the Jew to the German was like a cockroach. In the United States, if you step on a cockroach . . . it doesn’t mean anything to you. The same thing, exactly the same thing, the Jew was to the German—a cockroach. . . . One particular Shabbos (Sabbath), they shot twelve or thirteen people in my area. In other words, the German had the right, if he saw me, any Jew that he saw in the street, he could go over to you calmly, take out his revolver, and put it to your head, and shoot you down like a . . . roach. . . . It was a free-for-all.”—Testimony of Sol Einhorn, cited in Holocaust Testimonies: European Survivors and American Liberators in New Jersey
One of Missouri's best-known leaders of the Progressive Era, Joseph W. Folk epitomized the moral reformer in politics. As a crusading district attorney in St. Louis, Folk won national acclaim for his investigations of wrongdoing in municipal government. With the help of muckraking journalist Lincoln Steffens, Folk revealed for the first time the extent of political corruption then plaguing America's cities and helped bring about a popular demand for the regeneration of municipal government nationwide.
A firm believer that the law was a weapon with which to check political corruption and restrain powerful special interests, Folk popularized the "Missouri Idea," the doctrine that public office is a public trust, not merely an opportunity for private gain. Elected as governor of Missouri in 1904, Folk orchestrated a remarkable record of legislative accomplishment. He established himself as one of Missouri's outstanding governors and one of the nation's leading progressive reformers.
In asserting that traditional moral values could be applied to politics, Folk became known among friends and enemies as Holy Joe. His refusal to make any distinction between public and private morality, however, alienated some Missourians, while his disregard for party organization angered politicians. His idealism cost him political advancement and ultimately a place in national politics.
Whereas some studies of the Progressive Era have minimized the moral dimension of Progressivism and downplayed the importance of reformers like Joseph W. Folk, Holy Joe establishes him as a major leader of the Progressive movement. This biography will be a welcome addition to the literature on the subject.
Often simply called the Holy Mountain, Mount Athos was the most famous center of Byzantine monasticism and remains the spiritual heart of the Orthodox Church today. This volume presents the Lives of Euthymios the Younger, Athanasios of Athos, Maximos the Hutburner, Niphon of Athos, and Philotheos. These five holy men lived on Mount Athos at different times from its early years as a monastic locale in the ninth century to the last decades of the Byzantine period in the early fifteenth century. All five were celebrated for asceticism, clairvoyance, and, in most cases, the ability to perform miracles; Euthymios and Athanasios were also famed as founders of monasteries.
Holy Men of Mount Athos illuminates both the history and the varieties of monastic practice on Athos, individually by hermits as well as communally in large monasteries. The Lives also demonstrate the diversity of hagiographic composition and provide important glimpses of Byzantine social and political history.
All the Lives in this volume are presented for the first time in English translation, together with authoritative editions of their Greek texts.
Originally published in 1932, Kathleen Tamagawa’s pioneering Asian American memoir is a sensitive and thoughtful look at the personal and social complexities of growing up racially mixed during the early twentieth century. Born in 1893 to an Irish American mother and a Japanese father and raised in Chicago and Japan, Tamagawa reflects on the difficulty she experienced fitting into either parent’s native culture.
She describes how, in America, her every personal quirk and quality was seen as quintessentially Japanese and how she was met unpredictably with admiration or fear—perceived as a “Japanese doll” or “the yellow menace.” When her family later moved to Japan, she was viewed there as a “Yankee,” and remained an outsider in that country as well. As an adult she came back to the United States as an American diplomat’s wife, but had trouble feeling at home in any place.
This edition, which also includes Tamagawa’s recently rediscovered short story, “A Fit in Japan,” and a critical introduction, will challenge readers to reconsider how complex ethnic identities are negotiated and how feelings of alienation limit human identification in any society.
After one traumatic year, she came home, a Vietnam veteran. Coming home was nearly as devastating as the time she spent in Asia. Nothing was the same -- including Lynda herself. Viewed by many as a murderer instead of a healer, she felt isolated and angry. The anger turned to depression; like many other Vietnam veterans she suffered from delayed stress syndrome. Working in hospitals brought back chilling scenes of hopelessly wounded soldiers. A marriage ended in divorce. The war that was fought physically halfway around the world had become a personal, internal battle.
Home before Morning is the story of a woman whose courage, stamina, and personal history make this a compelling autobiography. It is also the saga of others who went to war to aid the wounded and came back wounded -- physically and emotionally -- themselves. And, it is the true story of one person's triumphs: her understanding of, and coming to terms with, her destiny.
Carl Lavin was a high school senior when Pearl Harbor was attacked. The Canton, Ohio, native was eighteen when he enlisted, a decision that would take him with the US Army from training across the United States and Britain to combat with the 84th Infantry Division in the Battle of the Bulge. Home Front to Battlefront is the tale of a foot soldier who finds himself thrust into a world where he and his unit grapple with the horrors of combat, the idiocies of bureaucracy, and the oddities of life back home—all in the same day. The book is based on Carl’s personal letters, his recollections and those of the people he served beside, official military history, private papers, and more.
Home Front to Battlefront contributes the rich details of one soldier’s experience to the broader literature on World War II. Lavin’s adventures, in turn disarming and sobering, will appeal to general readers, veterans, educators, and students of the war. As a history, the book offers insight into the wartime career of a Jewish Ohioan in the military, from enlistment to training through overseas deployment. As a biography, it reflects the emotions and the role of the individual in a total war effort that is all too often thought of as a machine war in which human soldiers were merely interchangeable cogs.
Home Ice combines memoir and history to explore how the mysteries of Blackhawks fandom explain big questions like tribal belonging, masculinity, and why you would ever trade Chris Chelios. In recounting the team’s—and his own—wins and losses (and ties), Cunningham covers everything from Keith Magnuson’s bachelor pad to the grim early aughts to Patrick Kane’s Cup-winner. Throughout, he explores how we come to love the things we love. Funny and touching, Home Ice is one Blackhawk fan’s attempt to understand why sports fandom is utterly ridiculous and entirely necessary.
Wang Gungwu is one of Asia’s most important public intellectuals. He is best-known for his explorations of Chinese history in the long view, and for his writings on the Chinese diaspora. With Home is Not Here, the historian of grand themes turns to a single life history: his own.
Wang writes about his multicultural upbringing and life under British rule. He was born in Surabaya, Java, but his parents’ orientation was always to China. Wang grew up in the plural, multi-ethnic town of Ipoh, Malaya (now Malaysia). He learned English in colonial schools and was taught the Confucian classics at home. After the end of WWII and Japanese occupation, he left for the National Central University in Nanjing to study alongside some of the finest of his generation of Chinese undergraduates. The victory of Mao Zedong’s Communist Party interrupted his education, and he ends this volume with his return to Malaya.
Wise and moving, this is a fascinating reflection on family, identity, and belonging, and on the ability of the individual to find a place amid the historical currents that have shaped Asia and the world.
Wang Gungwu’s account of his university education in Singapore and the UK, and the early years of his career as an academic in Malaysia captures the excitement, the ambition, and the choices of a generation that saw it their responsibility to build the new nations of Southeast Asia.
The exploration of the emotional and intellectual journey towards the formation of an identity, treasured by readers of Wang's Home Is Not Here, extends in this volume into an appreciation of love, family life, and the life of the mind. We also see these years from Margaret’s perspective, her own fascinating family story, and her early impressions of this young bearded poet. Wise and moving, this is a fascinating reflection on identity and belonging, and on the ability of the individual to find a place amidst the historical currents that have shaped Asia.
If he had not fouled out, maybe Washington State University’s center, James McKean, might have held Lew Alcindor (now Kareem Abdul-Jabbar) to only forty points. It was 1967, a transition year for college athletics in a dramatic time for those coming ofage. In this memoir set in the 1950s and 1960s, McKean revisits his years growing up in a family dedicated to sports and the outdoors, his playing basketball at Washington State University (for coaches Marv Harshman and Jud Heathcote), and his fashioning a life during and after basketball.
Driven by the energy and spirit of athletics, the language in Home Stand lights up McKean’s wonderfully eclectic work—the aunt who won a bronze medal in the 1936 Olympics in Berlin, his last run as a misguided drag racer, his playing basketball for a washing machine factory in Bologna, Italy, or against the prisoners in Walla Walla State Penitentiary—all seen in the context of turbulent times. Needless to say, Lew Alcindor scored his points and UCLA won, which they did every game that season. What James McKean took home was five fouls and a good story.
Home Stand delivers a lyrical, thoughtful reflection of what it is to be an athlete—inside as well as outside the game—and how one man’s love of basketball evolved into a love of poetry, "good turns of speech," writing, and teaching.
Homer Rodeheaver merged evangelical hymns and African American spirituals with popular music to create a potent gospel style. Kevin Mungons and Douglas Yeo examine his enormous influence on gospel music against the backdrop of Christian music history and Rodeheaver's impact as a cultural and business figure. Rodeheaver rose to fame as the trombone-playing song leader for evangelist Billy Sunday. As revivalism declined after World War I, Rodeheaver leveraged his place in America's newborn celebrity culture to start the first gospel record label and launch a nationwide radio program. His groundbreaking combination of hymnal publishing and recording technology helped define the early Christian music industry. In his later years, he influenced figures like Billy Graham and witnessed the music's split into southern gospel and black gospel.
Clear-eyed and revealing, Homer Rodeheaver and the Rise of the Gospel Music Industry is an overdue consideration of a pioneering figure in American music.
Invocations, curiosities, and biographies connected with the famous Greek bard.
Performances of Greek epics customarily began with a hymn to a god or goddess—as Hesiod's Theogony and Works and Days do. A collection of thirty-three such poems has come down to us from antiquity under the title “Hymns of Homer.” This Loeb Classical Library volume contains, in addition to the Hymns, fragments of five comic poems that were connected with Homer’s name in or just after the Classical period (but are not today believed to be by the author of the Iliad and the Odyssey). Here too is a collection of ancient accounts of the poet’s life.
The Hymns range widely in length: two are over 500 lines long; several run only a half dozen lines. Among the longest are the hymn to Demeter, which tells the foundational story of the Eleusinian Mysteries; and to Hermes, distinctive in being amusing. The comic poems gathered as Homeric Apocrypha include Margites, the Battle of Frogs and Mice, and, for the first time in English, a fragment of a perhaps earlier poem of the same type called Battle of the Weasel and the Mice. The edition of Lives of Homer contains The Contest of Homer and Hesiod and nine other biographical accounts, translated into English for the first time.
Martin West’s faithful and pleasing translations are fully annotated; his freshly edited texts offer new solutions to a number of textual puzzles.
Although Morales migrated from one North American coast to another, the questions she raises are relevant to migrations of any scale and place, whether across town or around the world. What does it mean to be a newcomer? Who has the right to claim a sense of place? What is gained or lost when we try to fit in? In a world where people are migrating more than ever for social, economic, personal, and political reasons, these questions take on a new urgency.
A wife and mother as well as a professional writer and editor, Morales writes with grace and resolve about a broad range of topics, including pregnancy, people watching, rock climbing, and bee colony collapse. She channels a spirit of adventure and adaptability while acknowledging how certain habits and mindsets are indelibly ingrained and are—like it or not—forever part of where, what, and who we call home.
As issues of migration and social integration play out in national and international politics, Morales provides a personal lens through which readers can appreciate that at one time or another we have all been in the process of arriving. Homing Instincts is a remarkable debut from a gifted prose stylist. It will be warmly received by lovers of the essay form and anyone who has sought, or still seeks, a place to call home.
Margaret F. Rosenthal draws a compelling portrait of Veronica Franco in her cultural social, and economic world. Rosenthal reveals in Franco's writing a passionate support of defenseless women, strong convictions about inequality, and, in the eroticized language of her epistolary verses, the seductive political nature of all poetic contests. It is Veronica Franco's insight into the power conflicts between men and women—and her awareness of the threat she posed to her male contemporaries—that makes her literary works and her dealings with Venetian intellectuals so pertinent today.
Combining the resources of biography, history, literary theory, and cultural criticism, this sophisticated interdisciplinary work presents an eloquent and often moving account of one woman's life as an act of self-creation and as a complex response to social forces and cultural conditions.
"A book . . . pleasurably redolent of Venice in the 16th-century. Rosenthal gives a vivid sense of a world of salons and coteries, of intricate networks of family and patronage, and of literary exchanges both intellectual and erotic."—Helen Hackett, Times Higher Education Supplement
The Honest Courtesan is the basis for the film Dangerous Beauty (1998) directed by Marshall Herskovitz. (The film was re-titled The Honest Courtesan for release in the UK and Europe in 1999.)
Half a million Hong Kong residents fled their homeland during the thirteen years before Hong Kong's reversion to China in 1997. Nearly half of those returned within the next several years. Filled with detailed, first-hand stories of nine Hong Kong families over nearly two decades, Hong Kong Movers and Stayers is a multifaceted yet intimate look at the forces behind Hong Kong families' successful, and failed, efforts at migration and settlement.
Defining migration as a process, not a single act of leaving, Hong Kong Movers and Stayers provides an antidote to ethnocentric and simplistic theories by uncovering migration stories as they relate to social structures and social capital. The authors meld survey analysis, personal biography, and sociology and compare multiple families in order to give voice to the interplay of gender, age, and diverse family roles as motivating factors in migration.
Billy Joe Shaver was the real deal. Many agree with him that his songs are pure poetry. Shaver sang about a life that was full of hard times, wild living, and a forty-year-long passion for his late wife Brenda. His songs are raw, honest, and so true that people hear the story of their own lives in his music. No wonder, then, that his songs have also been recorded by artists such as Johnny Cash, Willie Nelson, Waylon Jennings, Kris Kristofferson, George Jones, Bob Dylan, Elvis Presley, Patty Loveless, John Anderson, Tom T. Hall, the Allman Brothers, the Oak Ridge Boys, and Tex Ritter.
In this compelling autobiography written with the assistance of Brad Reagan, Billy Joe Shaver looks back over a life that some might call a miracle of survival. His father abandoned the family before Billy Joe was born. Troubles in school and in the military turned him into a fighter, and a sawmill accident claimed two fingers and part of a third on his right hand. Yet his innate musical talent and the encouragement of an English teacher set him on the road to being a songwriter—and he never looked back. Shaver recounts his long struggle to break into the music business in Nashville and the success that came when Waylon Jennings recorded his songs on the 1973 album Honky Tonk Heroes, which became a landmark of outlaw country music. Shaver movingly describes his own up-and-down career as a singer-songwriter in Nashville and Texas; his bouts with alcohol and drugs; his pleasure in touring with his son, Eddy, and their band, Shaver, during the 1990s; and the pain of losing Eddy, Brenda, and Billy Joe's mother all within the year 1999–2000.
As full of life, heartbreak, and drama as any of Billy Joe Shaver’s songs, Honky Tonk Hero is the story of a man who not only walked on the wild side and lived to tell about it, but also got it all down in songs that many people consider to be some of the finest country music ever written.
Lillian Lorca de Tagle is living proof of women's progress in the twentieth century. Born into a privileged, yet circumscribed world in 1914 as the daughter of a wealthy Chilean diplomat, she became a translator and journalist at a time when few women of her class held jobs. Ordered into exile in the United States by her disapproving mother, she became a successful reporter, translator, and editor, while raising two daughters as a single working mother.
In this beautifully written memoir, de Tagle looks back over a fascinating, cosmopolitan life. She describes how her upbringing in various European capitals prepared her for a life of continual change. She remembers the restrictions that upper class Chilean society placed on women and how these ultimately propelled her to a career in the United States that included an editorship at Américas magazine and work for the State Department, as well as a series of posts with the USIA/Voice of America.
Woven throughout her memoir are vivid glimpses of family, friends, husbands, and lovers, including the artist Roberto Matta. This spicy blend of personalities, work, and culture tells a quintessential coming-of-age story of a thoroughly modern woman.
Mary Beth Rogers has led an eventful life rooted in the weeds of Texas politics, occasionally savoring a few victories—particularly the 1990 governor’s race when, as campaign manager for Ann Richards, she did the impossible and put a Democratic woman in office. She also learned to absorb her losses—after all, she was a liberal feminist in America’s most aggressively conservative state.
Rogers’s road to a political life was complex. Candidly and vulnerably, she shares both public and private memories of how she tried to maintain a rich family life with growing children and a husband with a debilitating illness. She goes on to provide an insider’s account of her experiences as Richards’s first chief of staff while weaving her way through the highs and lows of political intrigue and legislative maneuvering.
Reflecting on her family heritage and nascent spiritual quest, Rogers discovers a reality at once sobering and invigorating: nothing is ever completely lost or completely won. It is a constant struggle to create humane public policies built on a foundation of fairness and justice—particularly in her beloved Texas.
Stout joined the Mormons in Missouri in 1838 and followed them to Nauvoo, where he rose quickly to become a top leader in the Nauvoo Legion and chief of police, a position he also held at Winter Quarters. He became the first attorney general for the Territory of Utah, was elected to the Utah Territorial Legislature, and served as regent for the University of Deseret (which later became the University of Utah) and as judge advocate of the Nauvoo Legion in Utah. In 1862, Stout was appointed US attorney for the Territory of Utah by President Abraham Lincoln. In 1867, he became city attorney of Salt Lake City and he was elected to the Utah House of Representatives in 1881.
But Stout’s history also had its troubled moments. Known as a violent man and aggressive enforcer, he was often at the center of controversy during his days on the police force and was accused of having a connection with deaths in Nauvoo and Utah. Ultimately, however, none of these allegations ever found traction, and the leaders of the LDS community, especially Brigham Young, saw to it that Stout was promoted to roles of increasing responsibility throughout his life. When he died in 1889, Hosea Stout left a complicated legacy of service to his state, his church, and the members of his faith community.
Hoffman became central to Riegle’s caregiving when he asked her to be his health-care proxy, and although she willingly chose to do this, she explores her conflicting feelings about herself in this role and about her involvement with Riegle and his grueling struggle with hospitalization, illness, and, finally, death. She tells of the waves of grief that echoed throughout her life, awakening memories of other losses, entering her dreams and fantasies, and altering her relationships with friends, family, and even total strangers.
Hoffman’s memoir gives voice to the psychological and emotional havoc AIDS creates for those in the difficult role of caring for the terminally ill and it gives recognition to the role that lesbians continue to play in the AIDS emergency. A foreword by Urvashi Vaid, former executive director of the National Gay and Lesbian Task Force, offers a meditation on the politics of AIDS and the role of family in the lives of lesbians and gay men.
King’s informal headquarters in Selma was the home of Dr. Sullivan and Richie Jean Sherrod Jackson and their young daughter, Jawana. The House by the Side of the Road is Richie Jean’s firsthand account of the private meetings King and his lieutenants, including Ralph David Abernathy and John Lewis, held in the haven of the Jackson home.
Sullivan Jackson was an African American dentist in Selma and a prominent supporter of the civil rights movement. Richie Jean was a close childhood friend of King’s wife, Coretta Scott King, a native of nearby Marion, Alabama. Richie Jean’s fascinating account narrates how, in the fraught months of 1965 that preceded the Voting Rights March, King and his inner circle held planning sessions and met with Assistant Attorney General John Doar to negotiate strategies for the event.
Just eight days after Bloody Sunday, President Lyndon Johnson made a televised addressed to a joint session of Congress on Monday, March 15. Jackson relates the intimate scene of King and his lieutenants watching as Johnson called the nation to dedicate itself to equal rights for all and ending his address with the words: “We shall overcome.” Five months later, Congress passed the 1965 Voting Rights Act on August 6.
The major motion picture Selma now commemorates the fiftieth anniversary of Bloody Sunday and the 1965 Voting Rights Act. In it, Niecy Nash and Kent Faulcon star as Sullivan and Richie Jean Jackson among a cast including Oprah Winfrey, Tom Wilkinson, and Cuba Gooding Jr. A gripping primary source, The House by the Side of the Road illuminates the private story whose public outcomes electrified the world and changed the course of American history.
This new edition of Adler's autobiography brings back into print a book that was a mass phenomenon, in both hardback and paperback, when it was first published. A self-consciously literary work, A House Is Not a Home provides an informal social history of immigrant mobility, prostitution, Jewish life in New York, police dishonesty, the "white slavery" scare of the early twentieth century, and political corruption.
Adler's story fills an important gap in the history of immigrant life, urban experience, and organized crime in New York City. While most other accounts of the New York underworld focus on the lives of men, from Herbert Asbury's Gangs of New York through more recent works on Jewish and Italian gangsters, this book brings women's lives and problems to the forefront.
A House Is Not a Home is compellingly readable and was popular enough to draw Hollywood's attention in the early 1960s—leading to a film starring Shelley Winters as Adler. The book has been largely forgotten in the ensuing decades, lost both to its initial audience of general readers and to scholars in women's studies, immigration history, and autobiography who are likely to find it a treasure trove. Now, with a new introduction by Rachel Rubin that contextualizes Adler's life and literary achievement, A House Is Not a Home is again available to the many readers who have come to understand such "marginal" life stories as a special refraction of the more typical American success narrative.
On September 11, 1857, some 120 men, women, and children from the Arkansas hills were murdered in the remote desert valley of Mountain Meadows, Utah. This notorious massacre was, in fact, a mass execution: having surrendered their weapons, the victims were bludgeoned to death or shot at point-blank range. The perpetrators were local Mormon militiamen whose motives have been fiercely debated for 150 years.
In House of Mourning, Shannon A. Novak goes beyond the question of motive to the question of loss. Who were the victims at Mountain Meadows? How had they settled and raised their families in the American South, and why were they moving west once again? What were they hoping to find or make for themselves at the end of the trail? By integrating archival records and oral histories with the first analysis of skeletal remains from the massacre site, Novak offers a detailed and sensitive portrait of the victims as individuals, family members, cultural beings, and living bodies.
The history of the massacre has often been treated as a morality tale whose chief purpose was to vilify (or to glorify) some collective body. Resisting this tendency to oversimplify the past, Novak explores Mountain Meadows as a busy and dangerous intersection of cultural and material forces in antebellum America. House of Mourning is a bold experiment in a new kind of history, the biocultural analysis of complex events.
Winner of the Society for Historical Archaeology James Deetz Book Award.
Bringing this little-known story to light, The House on Lemon Street details the Haradas' decision to fight for the American dream. Chronicling their experiences from their immigration to the United States through their legal battle over their home, their incarceration during World War II, and their lives after the war, this book tells the story of the family's participation in the struggle for human and civil rights, social justice, property and legal rights, and fair treatment of immigrants in the United States.
The Harada family's quest for acceptance illuminates the deep underpinnings of anti-Asian animus, which set the stage for Executive Order 9066, and recognizes fundamental elements of our nation's anti-immigrant history that continue to shape the American story. It will be worthwhile for anyone interested in the Japanese American experience in the twentieth century, immigration history, public history, and law.
This publication was made possible with the support of Naomi, Kathleen, Ken, and Paul Harada, who donated funds in memory of their father, Harold Shigetaka Harada, honoring his quest for justice and civil rights. Additional support for this publication was also provided, in part, by UCLA's Aratani Endowed Chair as well as Wallace T. Kido, Joel B. Klein, Elizabeth A. Uno, and Rosalind K. Uno.
More than 2.5 million Americans are addicted to opioids, some half-million of these to heroin. For many of them, their drug addiction leads to lives of demoralization, homelessness, and constant peril. For parents, a child’s addiction upends family life, catapulting them onto a path no longer prescribed by Dr. Spock, but by Dante’s Inferno. Within this ten-year crucible, Paula is transformed by an excruciating, inescapable truth: the difference between what she can do and what she cannot do.
Through letters and diaries, church and business records, newspaper accounts, legal documents, and the recollections of neighbors who knew them, Luey introduces the diverse cast of historical characters who lived in these houses at various times from 1800 to the 2000s, including a Japanese castaway and his rescuer, a self-made millionaire, a seagoing adventurer, a religious pioneer, and an entrepreneurial immigrant. All of the houses are still standing and all but a lighthouse are still called home. In House Stories, Luey asks readers to join her as she considers the multiple meanings of "home" for these people and their families.
Veteran reporter Ray Long draws on four decades of observing state government to provide the definitive political analysis of Michael Madigan. Secretive, intimidating, shrewd, power-hungry--Madigan mesmerized his admirers and often left his opponents too beaten down to oppose him. Long vividly recreates the battles that defined the Madigan era, from stunning James Thompson with a lightning-strike tax increase, to pressing for a pension overhaul that ultimately failed in the courts, to steering the House toward the Rod Blagojevich impeachment. Long also shines a light on the machinery that kept the Speaker in power. Head of a patronage army, Madigan ruthlessly used his influence and fundraising prowess to reward loyalists and aid his daughter’s electoral fortunes. At the same time, he reshaped bills to guarantee he and his Democratic troops shared in the partisan spoils of his legislative victories. Yet Madigan’s position as the state’s seemingly invulnerable power broker could not survive scandals among his close associates and the widespread belief that his time as Speaker had finally reached its end.
Unsparing and authoritative, The House That Madigan Built is the page-turning account of one the most powerful politicians in Illinois history.
In a state assumed to have a constitutionally weak governor, the Speaker of the Texas House wields enormous power, with the ability to almost single-handedly dictate the legislative agenda. The House Will Come to Order charts the evolution of the Speaker's role from a relatively obscure office to one of the most powerful in the state. This fascinating account, drawn from the Briscoe Center's oral history project on the former Speakers, is the story of transition, modernization, and power struggles.
Weaving a compelling story of scandal, service, and opportunity, Patrick Cox and Michael Phillips describe the divisions within the traditional Democratic Party, the ascendance of Republicans, and how Texas business, agriculture, and media shaped perceptions of officeholders. While the governor and lieutenant governor wielded their power, the authors show how the modern Texas House Speaker built an office of equal power as the state became more complex and diverse. The authors also explore how race, class, and gender affected this transition as they explain the importance of the office in Texas and the impact the state's Speakers have had on national politics.
At the apex of its power, the Texas House Speaker's role at last receives the critical consideration it deserves.
In the early 1950s writers were leaving radio en masse to try their hand at another promising medium—television. William Froug was in the thick of that exodus, a young man full of ideas in a Hollywood bursting with opportunities. In his forty-year career Froug would write and/or produce many of the shows that America has grown up with. From the drama of Playhouse 90 and the mind-bending premises of The Twilight Zone to the escapist scenarios of Adventures in Paradise, Gilligan’s Island, Bewitched, and Charlie’s Angels, Froug played a role in shaping his trade. He crossed paths with some of the memorable personalities in the industry, including Jack Benny, Lucille Ball, Agnes Moorehead, Elizabeth Montgomery, Robert Blake, Rod Serling, Gene Roddenberry, Aaron Spelling, and Sherwood Schwartz.
Froug reveals a post-WWII America giddy with the success of its newest medium—yet sobered at moments by strikes and union politics, McCarthyism and anti-Semitism. It was a world of hastily written scripts, sudden firings, thwarted creativity, and fickle tastes. And yet, while clearly exasperated with many aspects of Hollywood, Froug was a man utterly in his element, his frustration with the industry ultimately eclipsed by his dedication to his craft.
It is not surprising that biography is one of the most popular literary genres of our day. What is remarkable is that there is no accessible guide for how to write one. Now, following his recent Biography: A Brief History (from Harvard), award-winning biographer and teacher Nigel Hamilton tackles the practicalities of doing biography in this first succinct primer to elucidate the tools of the biographer’s craft.
Hamilton invites the reader to join him on a fascinating journey through the art of biographical composition. Starting with personal motivation, he charts the making of a modern biography from the inside: from conception to fulfillment. He emphasizes the need to know one’s audience, rehearses the excitement and perils of modern research, delves into the secrets of good and great biography, and guides the reader through the essential components of life narrative.
With examples taken from the finest modern biographies, Hamilton shows how to portray the ages of man—birth, childhood, love, life’s work, the evening of life, and death. In addition, he suggests effective ways to start and close a life story. He clarifies the difference between autobiography and memoir—and addresses the sometimes awkward ethical, legal, and personal consequences of truth-telling in modern life writing. He concludes with the publication and reception of biography—its afterlife, so to speak.
Written with humor, insight, and compassion, How To Do Biography is the manual that would-be biographers have long been awaiting.
—Joan Wickersham
When Madeline Uraneck said hello to the Tibetan woman cleaning her office cubicle, she never imagined the moment would change her life. After learning that Tenzin Kalsang had left her husband and four children behind in a Tibetan refugee settlement in India to try to forge a better life for them, Madeline took on the task of helping her apply for US visas. When the family reunited in their new Midwestern home, Madeline became swept up in their lives, from homework and soccer games to family dinners and shared holiday traditions. By reaching out, she found more than she bargained for—a family who welcomed her as their own and taught her more than she offered them.
An evocative blend of immersion journalism and memoir, How to Make a Life shares the immigration story of a Tibetan refugee family who crossed real and cultural bridges to make a life in Madison, Wisconsin, with the assistance of the Midwestern woman they befriended. From tales of escaping Tibet over the Himalayas, to striking a balance between old traditions with new, to bridging divides one friendly gesture at a time, readers will expand their understanding of family, culture, and belonging.
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