Unlock the stories of Pablo Neruda’s rare nineteenth-century carved-wood ship figurehead collection in Chile, why they mattered in his tumultuous life, and how we benefit from them now.

Poet Pablo Neruda’s nineteenth-century ship figurehead collection in Chile is one of the most significant in the world. Containing carved wood images of dramatically postured men and women, these figures are now better understood due to years of research, a willingness to challenge Neruda’s ever-changing stories about them, and a realization that the names Neruda chose for his figureheads perhaps had more to do with his life than theirs. The rhythm and beauty of Neruda’s worn wood figures is counterpoint to his own tumultuous life as an author, politician, and communist dissident.

Collecting ship figureheads was central to Neruda’s passion for owning things made of wood, a material he said was his best friend, and for standing out among others as he gradually built the public persona that helped move him toward winning the Nobel Prize in Literature. With his choir of immobilized figureheads stationed upright in his living room and facing the Pacific Ocean, Neruda was surrounded by dramatic images from the sea that ignited his most powerful feelings. 

The nineteenth century saw figureheads on the bows of ships of sail and steam, yet when a figurehead was lost or removed, its history soon disappeared. The significant ship figureheads that Neruda avidly collected preserve that history and reveal new dimensions concerning his life and work. Each year, his collection is viewed by thousands of visitors to the Pablo Neruda Foundation’s house museum at Isla Negra.

A uniquely Tejano version of the old-fashioned political barbeque, the traditional South Texas pachanga allowed politicians to connect with voters in a relaxed setting where all could enjoy live music and abundant food and drink along with political speeches and dealmaking. Today's pachanga still combines politics, music, and votes—along with a powerful new element. Corporate sponsorships have transformed the pachanga into a major marketing event, replete with celebrity performers and product giveaways, which can be recorded and broadcast on TV or radio to vastly increase the reach of the political—and the commercial—messages.

This book explores the growing convergence of politics, transnational marketing, and borderlands music in the South Texas pachanga. Anthropologist Margaret Dorsey has observed some one hundred pachangas and interviewed promoters, politicians, artists, and local people. She investigates how candidates and corporations market their products to Hispanic consumers, as well as how the use of traditional music for marketing is altering traditional forms such as the corrido. Her multifaceted study also shows clearly that the lines of influence run both ways—while corporate culture is transforming the traditions of the border, Tejano voters/consumers only respond to marketing appeals (whether for politicians or products) that resonate with their values and the realities of their lives. Far from being an example of how transnational marketing homogenizes culture, the pachanga demonstrates that local cultures can exert an equally strong influence on multinational corporations.

Pacific Art in Detail introduces the riches of Oceanic art through astonishing close-up views of rarely seen treasures, allowing behind-the-scenes insight into this vibrant work that no conventional gallery tour affords. Carefully selected pieces from the world-renowned Oceanic collection at the British Museum—by artists employing a wide variety of materials and techniques—illustrate such major themes as the role of artistic creation in land and ocean management, political and spiritual power, and connections to gods and ancestors.

Jenny Newell’s introduction addresses the question “What is Pacific art?” while short texts place each individual object into its cultural context. Handsome photographs of each complete work are displayed alongside these fine details, to allow for intriguing comparisons between seemingly unrelated objects and media.

Evoking the hand and eye of the most accomplished Pacific artists and craft workers, past and present, these details spur the creative imagination and serve as an astute introduction to Oceanic collections in museums around the world.

Decades before Americans cheered on Ichiro Suzuki, Japanese baseball fans swooned over Babe Ruth. And a century prior to the craze for anime and manga, American art collectors hoarded Japanese woodblock prints. Few relationships can match the depth, or importance, of the cultural ties between America and Japan over the past two hundred years. In Pacific Cosmopolitans, Michael Auslin tells this absorbing history in full for the first time.

From the moment adventurers reached each other's shores in the early 1800s, cultural encounter formed the bedrock of U.S.–Japan ties. Such casual connections turned into formal cultural exchange within the emerging global society of the late nineteenth century. As both countries became great powers, new cultural institutions supplemented political ties and helped promote economic trade, shaping the Pacific world yet becoming entangled in controversy. These trans-Pacific activities faced critics in both countries and were overwhelmed by rising nationalism and geopolitical crisis in the early twentieth century.

In the decades since World War II, however, U.S.–Japan cultural exchange has again been seen as a crucial means to strengthen the bonds between the two nations. Bringing together philanthropists like the Rockefeller family and artists like Akira Kurosawa, along with untold numbers of ordinary Americans and Japanese, the acolytes of exchange continue to believe that cross-cultural understanding will promote a more peaceful future, even in the face of competing national interests.

With a history now stretching back four decades, Pacific festivals of Aotearoa assert a multicultural identity of New Zealand and situate the country squarely within a sea of islands. In this volume Jared Mackley-Crump gives a provocative look at the changing demographics and cultural landscape of a place frequently viewed through a bicultural lens, Pakeha and Maori.

Taking the post–World War II migrations of Pacific peoples to New Zealand as its starting point, the story begins in 1972 with the inaugural Polynesian Festival, an event that was primarily designed as a Māori festival, now known as Te Matatini, the largest Māori performing arts event in the world. Two major moments of festivalization are considered: the birth of Polyfest in 1976, and the inaugural Pasifika Festival of 1993. Both began in Auckland, the home of the largest Pacific communities in New Zealand, and both have spawned a series of events that follow these models they successfully established. While Polyfests focus primarily on the transmission of performance traditions from culture bearers to the young, largely New Zealand-born generations, Pasifika festivals are highly public community events, in which diverse displays of material culture are offered up for consumption by both cultural tourists and Pacific communities alike. Both models have experienced a significant period of growth since 1993, and here, the author presents a thought-provoking and wide-ranging analysis to explain the phenomenon that has been called a “Pacific renaissance.”

Written from an ethnomusicological perspective The Pacific Festivals of Aotearoa New Zealand incorporates lively first-person observations as well as interviews with festival organizers, performers, and other important historical figures. The second half of the book delves into the festival space, uncovering new meanings about the function and role of music performance and public festivity. The author skillfully challenges accounts that label festivals as inauthentic recreations of culture for tourist audiences and gives both observers and participants an uplifting new approach to understand these events as meaningful and symbolic extensions of the ways diasporic Pacific communities operate in New Zealand.

The United States Supreme Court has numbered nine justices for the past 150 years. But that number is not fixed. With the Democrats controlling the House and Senate during the Biden presidency, they could add justices to the Supreme Court. But would court packing destroy the Court as an apolitical judicial institution? This is the crucial question Stephen Feldman addresses in his provocative book, Pack the Court! He uses a historical, analytical, and political argument to justify court-packing in general and Democratic court-packing more specifically.

Republicans and Democrats alike profess to worry that court-packing will destroy the legitimacy of the Supreme Court as a judicial institution by injecting politics into a purely legal adjudicative process. But as Feldman’s insightful book shows, law and politics are forever connected in judicial interpretation and decision making. Pack the Court! insists that court packing is not the threat to the Supreme Court’s institutional legitimacy that many fear. Given this, Feldman argues that Democrats should pack the Court while they have the opportunity. Doing so might even strengthen the American people’s faith in the Court.

And so begins a journey—not only an exploration of rapids, lakes, and forests, but also an inner journey of discovery. Through poetic text and drawings, woven gracefully with quotes by John Muir, Walking Buffalo, Sigurd F. Olson, Henry David Thoreau, and others, Douglas Wood traces a journey by paddle and canoe that renews the spirit.

The dramatic story of the fights and compromises that shaped an Irish community

Disdained by many Yankee residents as Catholic lowlifes, the growing Irish population of the Lowell, Massachusetts, “paddy camps” in the nineteenth century proved a tempting source of cheap labor for local mill owners, who took advantage of the immigrants’ proximity to exploit them to the fullest. Displaced by their cheaper labor, other workers blamed the Irish for job losses and added to their plight through repression and segregation.

Now in paperback and featuring a new preface, Brian C. Mitchell’s The Paddy Camps demonstrates how the Irish community in Lowell overcame adversity to develop strong religious institutions, an increased political presence, and a sense of common traditions.

From the 1848 Treaty of Guadalupe Hidalgo to the 1960s, Mexican American Catholics experienced racism and discrimination within the U.S. Catholic church, as white priests and bishops maintained a racial divide in all areas of the church's ministry. To oppose this religious apartheid and challenge the church to minister fairly to all of its faithful, a group of Chicano priests formed PADRES (Padres Asociados para Derechos Religiosos, Educativos y Sociales, or Priests Associated for Religious, Educational, and Social Rights) in 1969. Over the next twenty years of its existence, PADRES became a powerful force for change within the Catholic church and for social justice within American society.

This book offers the first history of the founding, activism, victories, and defeats of PADRES. At the heart of the book are oral history interviews with the founders of PADRES, who describe how their ministries in poor Mexican American parishes, as well as their own experiences of racism and discrimination within and outside the church, galvanized them into starting and sustaining the movement. Richard Martínez traces the ways in which PADRES was inspired by the Chicano movement and other civil rights struggles of the 1960s and also probes its linkages with liberation theology in Latin America. He uses a combination of social movement theory and organizational theory to explain why the group emerged, flourished, and eventually disbanded in 1989.

In 1462 Pope Pius II performed the only reverse canonization in history, publicly damning a living man. The target was Sigismondo Malatesta, Lord of Rimini and a patron of the arts with ties to the Florentine Renaissance. Condemned to an afterlife of torment, he was burned in effigy in several places in Rome. What had this cultivated nobleman done to merit such a fate?

Pagan Virtue in a Christian World examines anew the contributions and contradictions of the Italian Renaissance, and in particular how the recovery of Greek and Roman literature and art led to a revival of pagan culture and morality in fifteenth-century Italy. The court of Sigismondo Malatesta (1417–1468), Anthony D’Elia shows, provides a case study in the Renaissance clash of pagan and Christian values, for Sigismondo was nothing if not flagrant in his embrace of the classical past. Poets likened him to Odysseus, hailed him as a new Jupiter, and proclaimed his immortal destiny. Sigismondo incorporated into a Christian church an unprecedented number of zodiac symbols and images of the Olympian gods and goddesses and had the body of the Greek pagan theologian Plethon buried there.

In the literature and art that Sigismondo commissioned, pagan virtues conflicted directly with Christian doctrine. Ambition was celebrated over humility, sexual pleasure over chastity, muscular athleticism over saintly asceticism, and astrological fortune over providence. In the pagan themes so prominent in Sigismondo’s court, D’Elia reveals new fault lines in the domains of culture, life, and religion in Renaissance Italy.

At last, for those who adapt literature into scripts, a how-to book that illuminates the process of creating a stageworthy play. Page to Stage describes the essential steps for constructing adaptations for any theatrical venue, from the college classroom to a professionally produced production. Acclaimed director Vincent Murphy offers students in theater, literary studies, and creative writing a clear and easy-to-use guidebook on adaptation. Its step-by-step process will be valuable to professional theater artists as well, and for script writers in any medium. Murphy defines six essential building blocks and strategies for a successful adaptation, including theme, dialogue, character, imagery, storyline, and action. Exercises at the end of each chapter lead readers through the transformation process, from choosing their material to creating their own adaptations. The book provides case studies of successful adaptations, including The Grapes of Wrath (adaptation by Frank Galati) and the author's own adaptations of stories by Samuel Beckett and John Barth. Also included is practical information on building collaborative relationships, acquiring rights, and getting your adaptation produced.

An insight into the struggles of paid domestic workers in Latin America through an exploration of films, texts, and digital media produced since the 1980s in collaboration with them or inspired by their experiences.

Paid domestic work in Latin America is often undervalued, underpaid, and underregulated. Exploring a wave of Latin American cultural texts since the 1980s that draw on the personal experiences of paid domestic work or intimate ties to domestic employees, Paid to Care offers insights into the struggles domestic workers face through an analysis of literary testimonials, documentary and fiction films, and works of digital media.

From domestic workers’ experiences of unionization in the 1980s to calls for their rights to be respected today, the cultural texts analyzed in Paid to Care provide additional insight into public debates about paid domestic work. Rachel Randall examines work made in Brazil, Argentina, Chile, Mexico, Peru, and Uruguay. The most recent of these texts respond to the Covid-19 pandemic, which put many domestic workers’ health and livelihoods at risk. Engaging with the legal histories of domestic work in multiple distinct national contexts, Randall demonstrates how the legacy of colonialism and slavery shapes the profession even today. Focusing on personal or coproduced cultural representations of domestic workers, Paid to Care explores complex ethical issues relating to consent, mediation, and appropriation.

Pain is immediate and searing but remains a deep mystery for sufferers, their physicians, and researchers. As neuroscientific research shows, even the immediate sensation of pain is shaped by psychological state and interpretation. At the same time, many individuals and cultures find meaning, particularly religious meaning, even in chronic and inexplicable pain.

This ambitious interdisciplinary book includes not only essays but also discussions among a wide range of specialists. Neuroscientists, psychiatrists, anthropologists, musicologists, and scholars of religion examine the ways that meditation, music, prayer, and ritual can mediate pain, offer a narrative that transcends the sufferer, and give public dignity to private agony. They discuss topics as disparate as the molecular basis of pain, the controversial status of gate control theory, the possible links between the relaxation response and meditative practices in Christianity and Buddhism, and the mediation of pain and intense emotion in music, dance, and ritual. The authors conclude by pondering the place of pain in understanding--or the human failure to understand--good and evil in history.

“I was pulled into the story and read every word.” –Randolph Delehanty, author of Art in the American South: Works from the Odgen Collection

Throughout the nineteenth-century, itinerant painters traveled the length and breadth of Europe and American in search of patronage. In the company of the his crupulous wife, Emma S. Cameron (1825–1907), the Scots-born James Cameron (1816–1882) sought to fulfill his ambitious dream of becoming an artist.

Working primarily as a landscapist and portraitist—he was also an inventor, a missionary, an ordained minister, a land agent, farmer, clothing merchant, and Sunday school teacher—Cameron produced a small collection of paintings during the ten-year period the couple resided in East Tennessee and the American South. Driven by the wife’s lively journals, correspondence, and Civil War diary, Moffatt’s narrative details the couple’s marriage, their extended honeymoon in revolutionary Italy and, following a brief excursion in the Adirondacks, their subsequent residencies in Knoxville, Chattanooga, Memphis, Nashville, Augusta, central Mississippi, and New Orleans, between 1856 and 1868. While in Chattanooga, they settled near Col. James A. Whiteside’s fashionable summer resort, Lookout Mountain Hotel, where James reigned as resident artist and Emma, reluctantly, served as the house nurse and social entertainer. In the late 1860s they lived in Maine and, after 1874, in California, where they founded separate Presbyterian churches.

The book emphasizes Cameron’s painting career, the patrons who supported it, and discusses his best-known works, all of which are reproduced here. The study demonstrated how persisted while working under a cultural cloud that often devalued artistic achievement Emma’s journals reveal her to be a perceptive observer of Protestant middle class “life-on-the-run” and yields insight into historic events in the making, including the Italian Risorgimento, the American Civil War, and the settlement of America’s Western frontier. Moffatt’s detailed joint biography provides a valuable contribution to women’s studies, art history, nineteenth-century frontier expansionism, and social history.

Frederick C. Moffatt is emeritus professor of art history at the School of Art, University of Tennessee, Knoxville. He is the author of Arthur Wesley Dow, 1857–1922; Errant Bronzes: George Grey Barnard’s Statue of Abraham Lincoln; and The Life, Art, and Times of Joseph Delaney, 1904–1991.

Painted Words presents a facsimile, decipherment, and analysis of a seventeenth-century pictographic catechism from colonial Mexico, preserved as Fonds Mexicain 399 at the Bibliothèque Nationale de France. Works in this genre present the Catholic catechism in pictures that were read sign by sign as aids to memorization and oral performance. They have long been understood as a product of the experimental techniques of early evangelization, but this study shows that they are better understood as indigenous expressions of devotional knowledge.

In addition to inventive pictography to recount the catechism, this manuscript features Nahuatl texts that focus on don Pedro Moteuczoma, son of the Mexica ruler Moteuczoma the Younger, and his home, San Sebastián Atzaqualco. Other glosses identify figures drawn within the manuscript as Nahua and Spanish historical personages, as if the catechism had been repurposed as a dynastic record. The end of the document displays a series of Nahua and Spanish heraldic devices.

These combined pictorial and alphabetic expressions form a spectacular example of how colonial pictographers created innovative text genres, through which they reimagined pre-Columbian writing and early evangelization—and ultimately articulated newly emerging assertions of indigenous identity and memorialized native history.

Told through the lives of three remarkable artists devoted to the pursuit of liberty, an illuminating new history of the ideals that fired the American Revolution.

The war that we now call the American Revolution was not only fought in the colonies with muskets and bayonets. On both sides of the Atlantic, artists armed with paint, canvas, and wax played an integral role in forging revolutionary ideals. Zara Anishanslin charts the intertwined lives of three such figures who dared to defy the British monarchy: Robert Edge Pine, Prince Demah, and Patience Wright. From London to Boston, from Jamaica to Paris, from Bath to Philadelphia, these largely forgotten patriots boldly risked their reputations and their lives to declare independence.

Mostly excluded from formal political or military power, these artists and their circles fired salvos against the king on the walls of the Royal Academy as well as on the battlefields of North America. They used their talents to inspire rebellion, define American patriotism, and fashion a new political culture, often alongside more familiar revolutionary figures such as Benjamin Franklin and Phillis Wheatley. Pine, an award-winning British artist rumored to be of African descent, infused massive history paintings with politics and eventually emigrated to the young United States. Demah, the first identifiable enslaved portrait painter in America, was Pine’s pupil in London before self-emancipating and enlisting to fight for the Patriot cause. And Wright, a Long Island–born wax sculptor who became a sensation in London, loudly advocated for revolution while acting as an informal patriot spy.

Illuminating a transatlantic and cosmopolitan world of revolutionary fervor, The Painter’s Fire reveals an extraordinary cohort whose experiences testify to both the promise and the limits of liberty in the founding era.

In Painting History, Tony Crowley provides a detailed analysis of the complex tradition of muralism in the context of the history that produced it, with particular attention given to the cultural politics of this remarkable form. The book also raises and discusses a series of theoretical questions about murals and muralism that transcend Northern Ireland: issues of propriety and legality, form and content, authority and censorship. The work ends with a consideration of the future of the murals in a still polarized but changing region.

Amid the political turmoil of China’s Cultural Revolution, a small group of painters in Beijing defied state control, creating art in secrecy that challenged the ideological constraints of their time. Painting into Being is the first in-depth study of underground art during this period, focusing on the Wuming (No Name) Painting Group, active from 1972 to 1981, in conjunction with other clandestine cultural movements.

Aihe Wang brings a singular perspective to this history as both a former Wuming artist and a Harvard-trained historian and anthropologist. Analyzing nearly one hundred oil paintings against sophisticated theoretical frameworks and intricate historical narratives, she examines how underground artists cultivated individual agency, forged collective solidarity, and subtly resisted authoritarianism. This book also illustrates how Wuming aesthetically engaged with both modern Western art and traditional Chinese art in creating a distinct form of Chinese modernism.

Interweaving history, theory, and lived experience, Painting into Being expands our understanding of modern Chinese history, global modernism, and the power of creative expression within repressive regimes.

Overturning the long-held assumption that the Xuanhe Catalogue of Paintings was the work of the Northern Song emperor Huizong (r. 1100–1126), Amy McNair argues that it was compiled instead under the direction of Liang Shicheng. Liang, a high-ranking eunuch official who sought to raise his social status from that of despised menial to educated elite, had privileged access to the emperor and palace. McNair’s study, based on her translation and extensive analysis of the text of the Xuanhe Catalogue of Paintings, offers a definitive argument for the authorship of this major landmark in Chinese painting criticism and clarifies why and how it was compiled.

The Painting Master’s Shame describes the remarkable circumstances of the period around 1120, when the catalogue was written. The political struggles over the New Policies, the promotion of the “scholar amateur” ideal in painting criticism and practice, and the rise of eunuch court officials as a powerful class converged to allow those officials the unprecedented opportunity to enhance their prestige through scholarly activities and politics. McNair analyzes the catalogue’s central polemical narrative—the humiliation of the high-ranking minister mistakenly called by the lowly title “Painting Master”—as the key to understanding Liang Shicheng’s methods and motives.

Why have some great modern artists—including Picasso—produced their most important work early in their careers while others—like Cézanne—have done theirs late in life? In a work that brings new insights, and new dimensions, to the history of modern art, David Galenson examines the careers of more than 100 modern painters to disclose a fascinating relationship between age and artistic creativity.

Galenson’s analysis of the careers of figures such as Monet, Seurat, Matisse, Pollock, and Jasper Johns reveals two very different methods by which artists have made innovations, each associated with a very different pattern of discovery over the life cycle. Experimental innovators, like Cézanne, work by trial and error, and arrive at their most important contributions gradually. In contrast, Picasso and other conceptual innovators make sudden breakthroughs by formulating new ideas. Consequently, experimental innovators usually make their discoveries late in their lives, whereas conceptual innovators typically peak at an early age.

A novel contribution to the history of modern art, both in method and in substance, Painting outside the Lines offers an enlightening glimpse into the relationship between the working methods and the life cycles of modern artists. The book’s explicit use of simple but powerful quantitative techniques allows for systematic generalization about large numbers of artists—and illuminates significant but little understood features of the history of modern art. Pointing to a new and richer understanding of that history, from Impressionism to Abstract Expressionism and beyond, Galenson’s work also has broad implications for future attempts to understand the nature of human creativity in general.

Certificate of Commendation, American Association for State and Local History, 1994
T. R. Fehrenbach Book Award, Texas Historical Commission, 1992
San Antonio Conservation Society Citation, 1993

Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents.

The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction.

Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.

Pairs is a student-led journal at the Harvard University Graduate School of Design (GSD) dedicated to conversations about design. Each annual issue is conceptualized by an editorial team that proposes guests and objects to be in dialogue with one another. Pairs is non-thematic, meant instead for provisional thoughts and ideas in progress. Each issue seeks to organize diverse threads and concerns that are perceived to be relevant to our moment. Thus, Pairs creates a space for understanding and a greater degree of exchange, both between the design disciplines and with a larger public.

Pairs 03 features conversations with Thomas Demand, Mindy Seu, Mira Henry and Matthew Au, Alfredo Thiermann, Ila Bêka and Louise Lemoine, Anne Lacaton, Edward Eigen, Katarina Burin, Marrikka Trotter, Christopher C. M. Lee, Keller Easterling, and others. Contributors include the editors and Elif Erez, Emily Hsee, Stephanie Lloyd, Andrea Sandell, Kenismael Santiago-Págan, Klelia Siska, and Julia Spackman.

Pairs is a journal of conversations edited by students at the Harvard University Graduate School of Design (GSD). Each issue pairs subjects with objects: interviewees with contents from an archive. It does not have a theme, but instead organizes a diversity of threads and concerns relevant to our moment in the design disciplines: covering architecture, landscape architecture, and urban design and planning. The conversations are in turn not comprehensive accounts but open-ended exchanges, eliciting often candid and provisional ideas in progress.

Pairs 06 features conversations with Francesca Benedetto, Sahel Al Hiyari, Agnes Denes, Mark Lee, Jimenez Lai, David Chipperfield, Sandra Barclay, Stan Allen, Ronan Bouroullec, Anne Holtrop, Dima Srouji, Tim Rohan, Joshua Bennett, and Alexandra Arenes.

Under the guise of Islamic law, the prophet Muhammad’s Islam, and the Qur’an, states such as Pakistan, Afghanistan, Egypt, Saudi Arabia, and Bangladesh are using blasphemy laws to suppress freedom of speech. Yet the Prophet never tried or executed anyone for blasphemy, nor does the Qur’an authorize the practice. Asserting that blasphemy laws are neither Islamic nor Qur‘anic, Shemeem Burney Abbas traces the evolution of these laws from the Islamic empires that followed the death of the Prophet Muhammad to the present-day Taliban. Her pathfinding study on the shari’a and gender demonstrates that Pakistan’s blasphemy laws are the inventions of a military state that manipulates discourse in the name of Islam to exclude minorities, women, free thinkers, and even children from the rights of citizenship.

Abbas herself was persecuted under Pakistan’s blasphemy laws, so she writes from both personal experience and years of scholarly study. Her analysis exposes the questionable motives behind Pakistan’s blasphemy laws, which were resurrected during General Zia-ul-Haq’s regime of 1977–1988—motives that encompassed gaining geopolitical control of the region, including Afghanistan, in order to weaken the Soviet Union. Abbas argues that these laws created a state-sponsored “infidel” ideology that now affects global security as militant groups such as the Taliban justify violence against all “infidels” who do not subscribe to their interpretation of Islam. She builds a strong case for the suspension of Pakistan’s blasphemy laws and for a return to the Prophet’s peaceful vision of social justice.

Pakistan, which since 9/11 has come to be seen as one of the world’s most dangerous places and has been referred to as “the epicenter of international terrorism,” faces an acute counterterrorism (CT) challenge. The book focuses on violence being perpetrated against the Pakistani state by Islamist groups and how Pakistan can address these challenges, concentrating not only on military aspects but on the often-ignored political, legal, law enforcement, financial, and technological facets of the challenge.

Edited by Moeed Yusuf of the US Institute of Peace, and featuring the contributions and insights of Pakistani policy practitioners and scholars as well as international specialists with deep expertise in the region, the volume explores the current debate surrounding Pakistan’s ability—and incentives—to crack down on Islamist terrorism and provides an in-depth examination of the multiple facets of this existential threat confronting the Pakistani state and people.

The book pays special attention to the non-traditional functions of force that are central to Pakistan’s ability to subdue militancy but which have not received the deserved attention from the Pakistani state nor from western experts. In particular, this path-breaking volume, the first to explore these various facets holistically, focuses on the weakness of political institutions, the role of policing, criminal justice systems, choking financing for militancy, and regulating the use of media and technology by militants. Military force alone, also examined in this volume, will not solve Pakistan’s Islamist challenge. With original insights and attention to detail, the authors provide a roadmap for Western and Pakistani policymakers alike to address the weaknesses in Pakistan’s CT strategy.

An exploration of the winter wonders and entangled histories of Scandinavia’s northernmost landscapes—now back in print with a new afterword by the author
 

After many years of travel in the Nordic countries—usually preferring to visit during the warmer months—Barbara Sjoholm found herself drawn to Lapland and Sápmi one winter just as mørketid, the dark time, set in. What ensued was a wide-ranging journey that eventually spanned three winters, captivatingly recounted in The Palace of the Snow Queen. 

From observing the annual construction of the Icehotel in Jukkasjärvi, Sweden, to crossing the storied Finnmark Plateau in Norway, to attending a Sámi film festival in Finland, Sjoholm dives deep into the rich traditions and vibrant creative communities of the North. She writes of past travelers to Lapland and contemporary tourists in Sápmi, as well as of her encounters with Indigenous reindeer herders, activists, and change-makers. Her new afterword bears witness to the perseverance of the Sámi in the face of tourism, development, and climate change.  

Written with keen insight and humor, The Palace of the Snow Queen is a vivid account of Sjoholm’s adventures and a timely investigation of how ice and snow shape our imaginations and create a vision that continues to draw visitors to the North.

Bringing rare interviews and meticulous research to the cloaked world of Mexican politics in the mid-twentieth century, Palace Politics provides a captivating look at the authoritarian Mexican state—one of the longest-lived regimes of its kind in recent history—as well as the origins of political instability itself, with revelations that can be applied to a variety of contemporary political situations around the globe.

Culling a trove of remarkable firsthand accounts from former Mexican presidents, finance ministers, interior ministers, and other high officials from the 1950s through the 1980s, Jonathan Schlefer describes a world in which elite politics planted the seeds of a mammoth socioeconomic crisis. Palace Politics outlines the process by which political infighting among small rival factions of high officials drove Mexico to precarious situations at all levels of government. Schlefer also demonstrates how, earlier on, elite cooperation among these factions had helped sustain one of the most stable growth economies in Latin America, until all-or-nothing struggles began to tear the Mexican ruling party apart in the 1970s.

A vivid, seamlessly narrated history, Palace Politics is essential reading for anyone seeking to better understand not only the nation next door but also the workings of elite politics in general.

The unique and powerful voice of an extraordinary nineteenth-century woman poet

Sarah Morgan Bryan Piatt (1836-1919) now ranks as the strongest American woman poet of the nineteenth century after Emily Dickinson. Published heavily in all the period's most prestigious journals, Piatt was widely celebrated by her peers as a gifted stylist in the genteel tradition. This selected edition reveals Piatt's other side, a side that contemporary critics found more problematic: ironic, experimental, pushing the limits of Victorian language and the sentimental female persona.

Spanning more than half a century, this collection reveals the "borderland temper" of Piatt's mind and art. As an expatriate southerner, Piatt voices guilt at her own past as the daughter of slave-holders and raw anguish at the waste of war; as an eleven-year "exile" in Ireland, she expresses her dismay at the indifference of the wealthy to the daily suffering of the poor. Her poetry, whether speaking of children, motherhood, marriage, or illicit love affairs, uses conventional language and forms but in ways that greatly broadened the range of what women's poetry could say. Going beyond and even contradicting the genteel aesthetic, Piatt's poetry moves toward an innovative kind of dramatic realism built on dialogue, an approach more familiar to modern readers, acquainted with Faulknerian polyvocal texts, than to her contemporaries, who were as ill at ease with complexity as they were with irony. 

This astutely edited selection of Piatt's mature work--much of it never before collected--explains why her "deviant poetics" caused her peers such discomfort and why they offer such fertile ground for study today. Illustrated with engravings from Harper's Weekly and Harper's Bazaar, both periodicals in which Piatt's work appeared, Palace-Burner marks the reemergence of one of the most interesting writers in American literary history.

Ancient American palaces still captivate those who stand before them. Even in their fallen and ruined condition, the palaces project such power that, according to the editors of this new collection, it must have been deliberately drawn into their formal designs, spatial layouts, and choice of locations. Such messages separated palaces from other elite architecture and reinforced the power and privilege of those residing in them. Indeed, as Christie and Sarro write, "the relation between political power and architecture is a pervasive and intriguing theme in the Americas."

Given the variety of cultures, time periods, and geographical locations examined within, the editors of this book have grouped the articles into four sections. The first looks at palaces in cultures where they have not previously been identified, including the Huaca of Moche Site, the Wari of Peru, and Chaco Canyon in the U.S. Southwest. The second section discusses palaces as "stage sets" that express power, such as those found among the Maya, among the Coast Salish of the Pacific Northwest, and at El Tajín on the Mexican Gulf Coast. The third part of the volume presents cases in which differences in elite residences imply differences in social status, with examples from Pasado de la Amada, the Valley of Oaxaca, Teotihuacan, and the Aztecs. The final section compares architectural strategies between cultures; the models here are Farfán, Peru, under both the Chimú and the Inka, and the separate states of the Maya and the Inka.

Such scope, and the quality of the scholarship, make Palaces and Power in the Americas a must-have work on the subject.

From one of the leading historians of the Jewish past comes a stunning look into a previously unexamined dimension of Jewish life and culture: the calendar. In the late sixteenth century, Pope Gregory XIII instituted a momentous reform of Western timekeeping, and with it a period of great instability. Jews, like all minority cultures in Europe, had to realign their time-keeping to accord with the new Christian calendar.

Elisheva Carlebach shows that the calendar is a complex and living system, constantly modified as new preoccupations emerge and old priorities fade. Calendars serve to structure time and activities and thus become mirrors of experience. Through this seemingly mundane and all-but-overlooked document, we can reimagine the quotidian world of early modern Jewry, of market days and sacred days, of times to avoid Christian gatherings and times to secure communal treasures. In calendars, we see one of the central paradoxes of Jewish existence: the need to encompass the culture of the other while retaining one’s own unique culture. Carlebach reveals that Jews have always lived in multiple time scales, and demonstrates how their accounting for time, as much as any cultural monument, has shaped Jewish life.

After exploring Judaica collections around the world, Carlebach brings to light these textually rich and beautifully designed repositories of Jewish life. With color illustrations throughout, this is an evocative illumination of how early modern Jewish men and women marked the rhythms and realities of time and filled it with anxieties and achievements.

Whether in the context of off-shore oil exploration or pure research, the oceans of the geological past have never been of more compelling interest. The recent expansion in oceanographic studies has produced a burgeoning of data on ancient ocean circulation, climate, bathymetry, chemistry, biology, and temperature data that now should be considered in a more general geological and paleontological framework.

Schopf has produced a remarkable synthesis of these data that provides any earth scientist with the background necessary to appreciate the history of the ancient oceans. Each of his seven chapters includes a summary of modern conditions, a major section on methods for determining ancient patterns, and a summary of each oceanographic factor over geological time.

Paleoceanography will serve as an important resource for paleontologists and for a much broader audience of earth and ocean scientists, petroleum geologists, and stratigraphers.

The Southern High Plains of northwestern Texas and eastern New Mexico are rich in Paleoindian archaeological sites, including such well-known ones as Clovis, Lubbock Lake, Plainview, and Midland. These sites have been extensively researched over decades, not only by archaeologists but also by geoscientists, whose studies of soils and stratigraphy have yielded important information about cultural chronology and paleoenvironments across the region.

In this book, Vance T. Holliday synthesizes the data from these earlier studies with his own recent research to offer the most current and comprehensive overview of the geoarchaeology of the Southern High Plains during the earliest human occupation. He delves into twenty sites in depth, integrating new and old data on site geomorphology, stratigraphy, soils, geochronology, and paleoenvironments. He also compares the Southern High Plains sites with other sites across the Great Plains, for a broader chronological and paleoenvironmental perspective.

With over ninety photographs, maps, cross sections, diagrams, and artifact drawings, this book will be essential reading for geoarchaeologists, archaeologists, and Quaternary geoscientists, as well as avocational archaeologists who take part in Paleoindian site study throughout the American West.

It traces the routes of human migration throughout Eurasia, shows Siberian lithic industries as they evolved from the Early through the Middle and Late Paleolithic, and correlates them with reports from Mongolia, China, Japan, and America.

Palestinian cinema arose during the political cinema movements of the late 1960s and early 1970s, yet it was unique as an institutionalized, though modest, film effort within the national liberation campaign of a stateless people. Filmmakers working within the Palestinian Liberation Organization (PLO) and through other channels filmed the revolution as it unfolded, including the Israeli bombings of Palestinian refugee camps, the Jordanian and Lebanese civil wars, and Palestinian life under Israeli occupation, attempting to create a cinematic language consonant with the revolution and its needs. They experimented with form both to make effective use of limited material and to process violent events and loss as a means of sustaining active engagement in the Palestinian political project.

Palestinian Cinema in the Days of Revolution presents an in-depth study of films made between 1968 and 1982, the filmmakers and their practices, the political and cultural contexts in which the films were created and seen, and their afterlives among Palestinian refugees and young filmmakers in the twenty-first century. Nadia Yaqub discusses how early Palestinian cinema operated within emerging public-sector cinema industries in the Arab world, as well as through coproductions and solidarity networks. Her findings aid in understanding the development of alternative cinema in the Arab world. Yaqub also demonstrates that Palestinian filmmaking, as a cinema movement created and sustained under conditions of extraordinary precarity, offers important lessons on the nature and possibilities of political filmmaking more generally.

As frequent intermediaries between Israeli military authorities and Palestinian citizens, Palestinian lawyers stand close to the fault line dividing Israeli and Palestinian societies. The conflicts and tensions they experience in their profession mirror the larger conflicts between the two societies. Thus, as George Bisharat reveals in Palestinian Lawyers and Israeli Rule, a careful study of the work and lives of Palestinian lawyers ultimately helps to illuminate the causes of the intifada, or uprising, that began in December 1987.

The study revolves around the central question of why the Palestinian legal profession declined during twenty years of Israeli occupation when, in other Third World countries, the legal profession has often reached its peak during a period of Western colonization. Bisharat answers this question with a wide-ranging inquiry into the historical origins of the legal profession and court system in Palestine, the tenuous grounding of these institutions in Palestinian society and culture, and the structure, style, and policies of the late-twentieth-century Israeli military government in the West Bank.

For general readers interested in the Palestinian-Israeli conflict, as well as specialists in such fields as legal anthropology, sociology of the professions, Third World law and development, and Middle Eastern studies, Palestinian Lawyers and Israeli Rule will be required reading.

Challenging the claim that Palestine’s peasant economy progressed during the 1920s and 1930s, Amos Nadan skillfully integrates a wide variety of sources to demonstrate that the period was actually one of deterioration on both the macro (per capita) and micro levels.

The economy would have most likely continued its downward spiral during the 1940s had it not been for the temporary prosperity that resulted from World War II. Nadan argues that this deterioration continued despite the British authorities’ channeling of funds from the Jewish sector and the wealthier Arab sectors into projects for the Arab rural economy. The British were hoping that Palestine’s peasants would not rebel if their economic conditions improved. These programs were, on the whole, defective because the British chose programs based on an assumption that the peasants were too ignorant to manage their farms wisely, instead of working with the peasants and their own institutions.

In a timely reminder of how the past informs the present, Baruch Kimmerling and Joel Migdal offer an authoritative account of the history of the Palestinian people from their modern origins to the Oslo peace process and beyond.

Palestinians struggled to create themselves as a people from the first revolt of the Arabs in Palestine in 1834 through the British Mandate to the impact of Zionism and the founding of Israel. Their relationship with the Jewish people and the State of Israel has been fundamental in shaping that identity, and today Palestinians find themselves again at a critical juncture. In the 1990s cornerstones for peace were laid for eventual Palestinian-Israeli coexistence, including mutual acceptance, the renunciation of violence as a permanent strategy, and the establishment for the first time of Palestinian self-government. But the dawn of the twenty-first century saw a reversion to unmitigated hatred and mutual demonization. By mid-2002 the brutal violence of the Intifada had crippled Palestine's fledgling political institutions and threatened the fragile social cohesion painstakingly constructed after 1967. Kimmerling and Migdal unravel what went right--and what went wrong--in the Oslo peace process, and what lessons we can draw about the forces that help to shape a people. The authors present a balanced, insightful, and sobering look at the realities of creating peace in the Middle East.

In this unique volume, leading analysts – many of whom have been actively involved in past negotiations on this issue – provide an overview of the key dimensions of the Palestinian refugee problem. Mindful of the sensitive and contested nature of the subject, none offers a single solution. Instead, each contribution summarises and synthesises the existing scholarly and governmental work on the topic.

Each paper develops an array of policy options for resolving various aspects of the refugee issue, written in such a way as to provide a broad menu of choices rather than a single narrow set of recommendations.

No other work on the Palestinian refugee issue has undertaken such a task. The Palestinian Refugee Problem: The Search for a Resolution is likely to be a pre-eminent reference and analytical work on the topic for many years to come.

Members of Palestine’s Muslim community have long honored al-Nabi Musa, or the Prophet Moses. Since the thirteenth century, they have celebrated at a shrine near Jericho believed to be the location of Moses’s tomb; in the mid-nineteenth century, they organized a civic festival in Jerusalem to honor this prophet. Considered one of the most important occasions for Muslim pilgrims in Palestine, the Prophet Moses festival yearly attracted thousands of people who assembled to pray, conduct mystical forms of worship, and hold folk celebrations.

Palestinian Rituals of Identity takes an innovative approach to the study of Palestine’s modern history by focusing on the Prophet Moses festival from the late Ottoman period through the era of British rule. Halabi explores how the festival served as an arena of competing discourses, with various social groups attempting to control its symbols. Tackling questions about modernity, colonialism, gender relations, and identity, Halabi recounts how peasants, Bedouins, rural women, and Sufis sought to influence the festival even as Ottoman authorities, British colonists, Muslim clerics, and Palestinian national leaders did the same. Drawing on extensive research in Arabic newspapers and Islamic and colonial archives, Halabi reveals how the festival has encapsulated Palestinians’ responses to modernity, colonialism, and the nation’s growing national identity.

The future of the West Bank and Gaza remains the single most crucial issue in the search for peace in the Middle East. Examining the entire range of possible outcomes, Mark Heller argues that an independent Palestinian state in those territories, even one dominated by the PLO, could, under certain stringent conditions, be the preferred option for Israel.

In the first comprehensive treatment of the political, social, economic, and military factors bearing on the disposition of the West Bank and Gaza, Heller sets forth the possible alternatives—annexation by Israel, perpetuation of the status quo, federal or communal arrangements, and territorial compromise within the framework of the Jordanian option—and evaluates their implications for Israeli security.

Heller outlines the conditions under which he believes the establishment of a Palestinian state could be the optimal solution. He also discusses the economic prospects of a Palestinian state and the future of Jerusalem. His analysis is the boldest attempt yet to come to grips with the Palestinian question and the future of Israel. No one interested in the pursuit of a peaceful settlement of the Israeli–Arab conflict can afford to ignore this book.

In the decade following the 1993 Oslo Peace Accords, some 100,000 diasporic Palestinians returned to the West Bank and Gaza. Among them were children and young adults who were born in exile and whose sense of Palestinian identity was shaped not by lived experience but rather through the transmission and re-creation of memories, images, and history. As a result, "returning" to the homeland that had never actually been their home presented challenges and disappointments for these young Palestinians, who found their lifeways and values sometimes at odds with those of their new neighbors in the West Bank and Gaza.

This original ethnography records the experiences of Palestinians born in exile who have emigrated to the Palestinian homeland. Juliane Hammer interviews young adults between the ages of 16 and 35 to learn how their Palestinian identity has been affected by living in various Arab countries or the United States and then moving to the West Bank and Gaza. Their responses underscore how much the experience of living outside of Palestine has become integral to the Palestinian national character, even as Palestinians maintain an overwhelming sense of belonging to one another as a people.

Palestinians in Israel considers a key issue ignored by the official 'peace process' and most mainstream commentators: that of the growing Palestinian minority within Israel itself.

What the Israeli right-wing calls 'the demographic problem' Ben White identifies as 'the democratic problem' which goes to the heart of the conflict. Israel defines itself not as a state of its citizens, but as a Jewish state, despite the substantial and increasing Palestinian population. White demonstrates how the consistent emphasis on privileging one ethno-religious group over another cannot be seen as compatible with democratic values and that, unless addressed, will undermine any attempts to find a lasting peace.

Individual case studies are used to complement this deeply informed study into the great, unspoken contradiction of Israeli democracy. It is a pioneering contribution which will spark debate amongst all those concerned with a resolution to the Israel/Palestine conflict.

From molecules to stars, much of the cosmic canvas can be painted in brushstrokes of primary color: the protons, neutrons, and electrons we know so well. But for meticulous detail, we have to dip into exotic hues—leptons, mesons, hadrons, quarks. Bringing particle physics to life as few authors can, Jeremy Bernstein here unveils nature in all its subatomic splendor.

In this graceful account, Bernstein guides us through high-energy physics from the early twentieth century to the present, including such highlights as the newly discovered Higgs boson. Beginning with Ernest Rutherford’s 1911 explanation of the nucleus, a model of atomic structure emerged that sufficed until the 1930s, when new particles began to be theorized and experimentally confirmed. In the postwar period, the subatomic world exploded in a blaze of unexpected findings leading to the theory of the quark, in all its strange and charmed variations. An eyewitness to developments at Harvard University and the Institute for Advanced Study in Princeton, Bernstein laces his story with piquant anecdotes of such luminaries as Wolfgang Pauli, Murray Gell-Mann, and Sheldon Glashow.

Surveying the dizzying landscape of contemporary physics, Bernstein remains optimistic about our ability to comprehend the secrets of the cosmos—even as its mysteries deepen. We now know that over eighty percent of the universe consists of matter we have never identified or detected. A Palette of Particles draws readers into the excitement of a field where the more we discover, the less we seem to know.

The intellectual resistance to totalitarian regimes can take many forms. This remarkable volume portrays one such story of resistance in Romania during the reign of Ceauşescu: that of Constantin Noica, one of the country’s foremost intellectuals.

Noica was an original thinker belonging to the remarkable intellectual generation of important figures such as Mircea Eliade, E. M. Cioran and Eugene Ionescu, but he chose to stay in Romania after the communist takeover when many others fled. Harassed and jailed for six years, Noica retreated to the mountains and gathered around him some brilliant young minds and future talent to challenge and nurture them in a time when communism denied them the materials of true intellectual importance.

This group of students withdrew to Noica’s retreat for intensive philosophical sessions to debate the works of Kant, Plato, Heidegger and discuss humanistic values. The author of this volume Liiceanu, himself a brilliant philosopher, was Noica’s closest disciple and during every meeting he noted every conversation in a diary which came to be known as The Păltiniş Diary. These conversations were secretly published and quickly devoured by intellectuals in Romania who were prepared to sacrifice part of their food provisions to acquire the book. The Păltiniş Diary sold out within a matter of days and because of Secret Police censorship, was not published again in Romania until 1991 by which time Noica had died and the group had disbanded to help with the reconstruction of post-Ceauşescu Romania.

The Păltiniş Diary is a wonderful homage to an intellectual master and to the power of intellect and freedom. The book will be of interest to philosophers, non-philosophers alike, and to anyone who seeks to grasp the true meaning of survival under totalitarian conditions. 

Pampa Grande, the largest and most powerful city of the Mochica (Moche) culture on the north coast of Peru, was built, inhabited, and abandoned during the period A.D. 550-700. It is extremely important archaeologically as one of the few pre-Hispanic cities in South America for which there are enough reliable data to reconstruct a model of pre-Hispanic urbanism.

This book presents a "biography" of Pampa Grande that offers a reconstruction not only of the site itself but also of the sociocultural and economic environment in which it was built and abandoned. Izumi Shimada argues that Pampa Grande was established rapidly and without outside influence at a strategic position at the neck of the Lambayeque Valley that gave it control over intervalley canals and their agricultural potential and allowed it to gain political dominance over local populations. Study of the site itself leads him to posit a large resident population made up of transplanted Mochica and local non-Mochica groups with a social hierarchy of at least three tiers.

This is the first volume of a four-volume set that will reprint in their entirety the texts of 72 pamphlets relating to the Anglo-American controversy that were published in America in the years 1750–1776. They have been selected from the corpus of the pamphlet literature on the basis of their importance in the growth of American political and social ideas, their role in the debate with England over constitutional rights, and their literary merit. All of the best known pamphlets of the period, such as James Otis’s Rights of the British Colonies (1764), John Dickinson’s Farmer’s Letters (1768), and Thomas Paine’s Common Sense (1776) are to be included. In addition there are lesser known ones particularly important in the development of American constitutional thought: Stephen Johnson’s Some Important Observations (1766), John Joachim Zubly’s An Humble Enquiry (1769), Ebenezer Baldwin’s An Appendix Stating the Heavy Grievances (1774), and Four Letters on Interesting Subjects (1776). There are also pamphlets illustrative of the sheer vituperation of the Revolutionary polemics, and others selected for their more elevated literary merit. Both sides of the Anglo-American dispute and all genres of expression—poetry, dramatic dialogues, sermons, treatises, documentary collections, political “position papers”—that appeared in this form are included.

Each pamphlet is introduced by an essay written by the editor containing a biographical sketch of the author of the document, an analysis of the circumstances that led to the writing of it, and an interpretation of its contents. The texts are edited for the convenience of the modern reader according to a scheme that preserves scrupulously the integrity of every word written but that frees the text from the encumbrances of eighteenth-century printing practices. All references to writings, people, and events that are not obvious to the informed modern reader are identified in the editorial apparatus and where necessary explained in detailed notes.

This first volume of the set contains the texts of 14 pamphlets through the year 1765. It presents, in addition, a book-length General Introduction by Bernard Bailyn on the ideology of the American Revolution. In the seven chapters of this essay the ideological origins and development of the Revolutionary movement are analyzed in the light of the study of the pamphlet literature that went into the preparation of these volumes. Bailyn explains that close analysis of this literature allows one to penetrate deeply into the colonists’ understanding of the events of their time; to grasp more clearly than is otherwise possible the sources of their ideas and their motives in rebelling; and, above all, to see the subtle, fundamental transformation of eighteenth-century constitutional thought that took place during these years of controversy and that became basic doctrine in America thereafter.

Bailyn stresses particularly the importance in the development of American thought of the writings of a group of early eighteenth-century English radicals and opposition politicians who transmitted to the colonists most directly the seventeenth-century tradition of anti-authoritarianism born in the upheaval of the English Civil War. In the context of this seventeenth- and early eighteenth-century tradition one sees the political importance in the Revolutionary movement of concepts the twentieth century has generally dismissed as mere propaganda and rhetoric: “slavery,” “conspiracy,” “corruption.” It was the meaning these concepts imparted to the events of the time, Bailyn suggests, as well as the famous Lockean notions of natural rights and social and governmental compacts, that accounts for the origins and the basic characteristics of the American Revolution.

On January 18, 1905, hundreds of black men left Barbados aboard a steamer for panama. They were the first Barbadian contract workers dispatched to dog the Panama Canal. In the next decade, 45,000 Barbadian men and women – one-quarter of the islands human population – traveled to the isthmus. They sent home and brought back to Barbados funds in excess of 1 million. The surge of money created irrevocable social changes on Barbados, undermining elements of the island’s antiquated sugar economy. In a broad sense, the era of “Panama money” represented a cultural watershed between the island’s quasi-feudal past and the modern Barbados of today.

In analyzing the changes created by Panama money on Barbados, Bonham Richardson combines oral history into an important contribution to Caribbean social history. He presents his study from the vantage point of the Barbadian working people and shows that the creation of the Panama Canal, conventionally viewed as a U.S. technological triumph, was of momentous social significance for the Afro-Caribbean laborers who built it.

The Panama Canal Treaties of 1977 were the most significant foreign policy achievement of the Carter administration. Most Latin American nations had regarded the 1903 treaty and its later minor modifications as vestiges of "American colonialism" and obstacles to any long-term, stable relationship with the United States. Hence, at a time when conflicts were mushrooming in Central America, the significance of the new Panama treaties cannot be overestimated.

Former Ambassador to Panama William J. Jorden has provided the definitive account of the long and often contentious negotiations that produced those treaties. It is a vividly written reconstruction of the complicated process that began in 1964 and ended with ratification of the new pacts in 1978. Based on his personal involvement behind the scenes in the White House (1972–1974) and in the United States Embassy in Panama (1974–1978), Jorden has produced a unique living history. Access to documents and the personalities of both governments and, equally important, Jorden's personal recollections of participants on both sides make this historical study an incomparable document of U. S. foreign relations.

Beyond the singular story of the treaties themselves—and how diplomats negotiate in the modern world—is the rare description of how the United States deals with a major foreign policy problem. How does a superpower cope with a tiny nation that happens to occupy a strategically critical position? And how does the U. S. Senate face up to its constitutionally assigned power to "advise and consent"? Once treaties are approved, does the House of Representatives help or hinder? Panama Odyssey also deals with another crucial element in the shaping of policy—public opinion: how is it informed or led astray?

In sum, this is a history, a handbook on diplomacy, a course in government, and a revelation of foreign policy in action, all based on a fascinating and controversial episode in the U. S. experience.