Winner of the B. A. Botkin Prize for a First Book in American Folklore (American Comparative Literature Association) and received an honorable mention for the Chicago Folklore Prize (University of Chicago).

O, Freedom! is the first full scholarly treatment of not only Juneteenth, but also May 28, August 9, January 1, and other dates that were regionally celebrated as "emancipation day" in America. This lively account traces the evolution of emancipation celebrations from early slave festivals to twentieth-century offshoots like Black History Month and Martin Luther King Day. Wiggins describes the dramatic proclamation readings, historical pageants, colorful parades, all-night barbecues, exciting ballgames, and a myriad of other customs and rituals with which people of color have celebrated their freedom. He analyzes the historical, symbolic, and political significance of these celebrations.

“A lucid and interesting account of the numerous ‘Emancipation Day’ holidays long celebrated by black Americans. . . . readable, interesting, useful, and important.” —S. Cresswell, Choice

“This is an engaging study of a significant yet neglected aspect of American social, cultural, and political history.” —Michael Kammen, New York History

“Basing his analysis on fieldwork and solid historical research, Wiggins gives a vivid portrayal of a celebration of ethnic pride in all its diversity. Though varied over time and space, the celebratory message of freedom from slavery comes through clearly. Activities—singing, dancing, speechmaking—are described. Interesting illustrations, posters, programs, buttons, photographs support this intimate, carefully produced book.” —David S. Azzolina, Library Journal

“Wiggins has combined painstaking research and detailed interviews with a relaxed, readable writing style to produce a richly textured and fascinating account of a little-known slice of Americana.” —Martha Southgate

"A valuable contribution to Afro-American history . . . describes the author’s thousands of miles of travel . . . in order to understand the emancipation celebrations and to capture the different flavors of celebrations from Texas to Indiana, Pennsylvania, Tennessee, and Georgia. The account of his travels is lively, inviting, scholarly, and earthy. His research and writing point to an obvious conclusion: emancipation celebrations are alive and well.” —G. W. Reid, North Carolina Historical Review

No one has done more to introduce the world to the authentic, flavorful cuisines of Mexico than Diana Kennedy. Acclaimed as the Julia Child of Mexican cooking, Kennedy has been an intrepid, indefatigable student of Mexican foodways for more than fifty years and has published several classic books on the subject, including The Cuisines of Mexico (now available in The Essential Cuisines of Mexico, a compilation of her first three books), The Art of Mexican Cooking, My Mexico, and From My Mexican Kitchen. Her uncompromising insistence on using the proper local ingredients and preparation techniques has taught generations of cooks how to prepare—and savor—the delicious, subtle, and varied tastes of Mexico.

In Oaxaca al Gusto, Kennedy takes us on an amazing journey into one of the most outstanding and colorful cuisines in the world. The state of Oaxaca is one of the most diverse in Mexico, with many different cultural and linguistic groups, often living in areas difficult to access. Each group has its own distinctive cuisine, and Diana Kennedy has spent many years traveling the length and breadth of Oaxaca to record in words and photographs "these little-known foods, both wild and cultivated, the way they were prepared, and the part they play in the daily or festive life of the communities I visited." Oaxaca al Gusto is the fruit of these labors—and the culmination of Diana Kennedy's life's work.

Organized by regions, Oaxaca al Gusto presents some three hundred recipes—most from home cooks—for traditional Oaxacan dishes. Kennedy accompanies each recipe with fascinating notes about the ingredients, cooking techniques, and the food's place in family and communal life. Lovely color photographs illustrate the food and its preparation. A special feature of the book is a chapter devoted to the three pillars of the Oaxacan regional cuisines—chocolate, corn, and chiles. Notes to the cook, a glossary, a bibliography, and an index complete the volume.

An irreplaceable record of the infinite world of Oaxacan gastronomy, Oaxaca al Gusto belongs on the shelf of everyone who treasures the world's traditional regional cuisines.

Migration is typically seen as a transnational phenomenon, but it happens within borders, too. Oaxaca in Motion documents a revealing irony in the latter sort: internal migration often is global in character, motivated by foreign affairs and international economic integration, and it is no less transformative than its cross-border analogue.

Iván Sandoval-Cervantes spent nearly two years observing and interviewing migrants from the rural Oaxacan town of Santa Ana Zegache. Many women from the area travel to Mexico City to work as domestics, and men are encouraged to join the Mexican military to fight the US-instigated “war on drugs” or else leave their fields to labor in industries serving global supply chains. Placing these moves in their historical and cultural context, Sandoval-Cervantes discovers that migrants’ experiences dramatically alter their conceptions of gender, upsetting their traditional notions of masculinity and femininity. And some migrants bring their revised views with them when they return home, influencing their families and community of origin. Comparing Oaxacans moving within Mexico to those living along the US West Coast, Sandoval-Cervantes clearly demonstrates the multiplicity of answers to the question, “Who is a migrant?”

Barack Obama’s galvanizing victory in 2008, coming amid the greatest economic crisis since the 1930s, opened the door to major reforms. But the president quickly faced skepticism from supporters and fierce opposition from Republicans, who scored sweeping wins in the 2010 midterm election. Here, noted political scientist Theda Skocpol surveys the political landscape and explores its most consequential questions: What happened to Obama’s “new New Deal”? Why have his achievements enraged opponents more than they have satisfied supporters? How has the Tea Party’s ascendance reshaped American politics?

Skocpol’s compelling account rises above conventional wisdom and overwrought rhetoric. The Obama administration’s response to the recession produced bold initiatives—health care reform, changes in college loans, financial regulation—that promise security and opportunity. But these reforms are complex and will take years to implement. Potential beneficiaries do not readily understand them, yet the reforms alarm powerful interests and political enemies, creating the volatile mix of confusion and fear from which Tea Party forces erupted. Skocpol dissects the popular and elite components of the Tea Party reaction that has boosted the Republican Party while pushing it far to the right at a critical juncture for U.S. politics and governance.

Skocpol’s analysis is accompanied by contributions from two fellow scholars and a former congressman. At this moment of economic uncertainty and extreme polarization, as voters prepare to render another verdict on Obama’s historic presidency, Skocpol and her respondents help us to understand its triumphs and setbacks and see where we might be headed next.

This book investigates the controversial claim by welfare critics that public assistance programs like Food Stamps and the National School Lunch programs contribute to obesity among the poor. The author synthesizes empirical evidence from an array of disciplines--anthropology, economics, epidemiology, medicine, nutrition science, marketing, psychology, public health, sociology, and urban planning--to test this claim and to test whether other causal processes are at work.

With a lucid presentation that makes it a model for applying research to questions of social policy, the book lays out the different hypotheses and the possible causal pathways within each. The four central chapters test whether "public assistance causes obesity," "obesity causes public assistance," "poverty causes both public assistance and obesity," and "Factor X causes both." The factors in the last category that may relate to both public assistance and obesity include stress, disability, and physical abuse.

Object Relations in Psychoanalytic Theory provides a masterful overview of the central issue concerning psychoanalysts today: finding a way to deal in theoretical terms with the importance of the patient's relationships with other people. Just as disturbed and distorted relationships lie at the core of the patient's distress, so too does the relation between analyst and patient play a key role in the analytic process. All psychoanalytic theories recognize the clinical centrality of “object relations,” but much else about the concept is in dispute. In their ground-breaking exercise in comparative psychoanalysis, the authors offer a new way to understand the dramatic and confusing proliferation of approaches to object relations. The result is major clarification of the history of psychoanalysis and a reliable guide to the fundamental issues that unite and divide the field.

Greenberg and Mitchell, both psychoanalysts in private practice in New York, locate much of the variation in the concept of object relations between two deeply divergent models of psychoanalysis: Freud's model, in which relations with others are determined by the individual's need to satisfy primary instinctual drives, and an alternative model, in which relationships are taken as primary. The authors then diagnose the history of disagreement about object relations as a product of competition between these disparate paradigms. Within this framework, Sullivan's interpersonal psychiatry and the British tradition of object relations theory, led by Klein, Fairbairn, Winnicott, and Guntrip, are shown to be united by their rejection of significant aspects of Freud's drive theory. In contrast, the American ego psychology of Hartmann, Jacobson, and Kernberg appears as an effort to enlarge the classical drive theory to accommodate information derived from the study of object relations.

Object Relations in Psychoanalytic Theory offers a conceptual map of the most difficult terrain in psychoanalysis and a history of its most complex disputes. In exploring the counterpoint between different psychoanalytic schools and traditions, it provides a synthetic perspective that is a major contribution to the advance of psychoanalytic thought.

With the ever-expanding presence of China in the global economy, Americans more and more look east for goods and trade. But as Caroline Frank reveals, this is not a new development. China loomed as large in the minds—and account books—of eighteenth-century Americans as it does today. Long before they had achieved independence from Britain and were able to sail to Asia themselves, American mariners, merchants, and consumers were aware of the East Indies and preparing for voyages there. Focusing on the trade and consumption of porcelain, tea, and chinoiserie, Frank shows that colonial Americans saw themselves as part of a world much larger than just Britain and Europe

Most observers agree that modern physical theory attempts to provide objective representations of reality. However, the claim that these representations are based on conventional choices is viewed by many as a denial of their objectivity. As a result, objectivity and conventionality in representation are often framed as polar opposites.

Offering a new appraisal of symmetry in modern physics, employing detailed case studies from relativity theory and quantum mechanics, Objectivity, Invariance, and Convention contends that the physical sciences, though dependent on convention, may produce objective representations of reality. Talal Debs and Michael Redhead show that both realists and constructivists have recognized important elements of an understanding of science that may not be contradictory.

The position—“perspectival invariantism”—introduced in this book highlights the shortcomings of existing approaches to symmetry in physics, and, for the constructivist, demonstrates that a dependence on conventions in representation reaches into the domain of the most technical sciences. For the realist, it stands as evidence against the claim that conventionality must undermine objectivity. We can be committed to the existence of a single real ontology while maintaining a cultural view of science.

A comparative, empire-wide study of the ceramics associated with the imperial Inca state, theorizing the role of these highly recognizable vessel forms in legitimizing Inca rule and establishing imperial identities.

The beautiful polychrome ceramics of the imperial Inca state have long been noted for their seemingly repetitive nature but little considered beyond this basic observation. The widespread distribution and general uniformity of the Inca pottery, however, hints at its larger importance to the imperial project. Moving beyond the pervasive "seen one, seen 'em all" mentality, Objects of Empire brings to light the variability and rich semiotic content of imperial Inca vessels. Taking a comparative, empire-wide approach, Tamara Bray identifies the parameters and significance of this variability, and defines the core elements of the imperial state style. She then investigates where, when, and why differences and deviations from the perceived norm occur.

This study illuminates the strategies of territorial expansion and political control that lay at the heart of the Inca juggernaut, as well as the role of objects in the calculus of would-be rulers and subjects. Based on a unique and extensive database of imperial Inca pottery developed through detailed study of archaeologically recovered and museum-based collections, Objects of Empire reveals how power and legitimacy were produced and reproduced under the Inca through the material culture of everyday life.

An award-winning historian and museum curator tells the story of his Jewish immigrant family by lovingly reconstructing its dramatic encounters with the memory-filled objects of ordinary life.

At a pushcart stall in East New York, Brooklyn, in the spring of 1934, eighteen-year-old Sarah Schwartz bought her mother, Shenka, a green, wooden-handled bottle opener. Decades later, Sarah would tear up telling her son Richard, “Your bubbe always worked so hard. Twenty cents, it cost me.”

How could that unremarkable item, and others like it, reveal the untold history of a Jewish immigrant family, their chances and their choices over the course of an eventful century? By unearthing the personal meaning and historical significance of simple everyday objects, Richard Rabinowitz offers an intimate portrait connecting Sarah, Shenka, and the rest of his family to the twentieth-century transformations of American life. During the Depression, Sarah—born on a Polish battlefield in World War I, scarred by pogroms, pressed too early into adult responsibilities—receives a gift of French perfume, her fiancé Dave’s response to the stigma of poverty. Later we watch Dave load folding chairs into his car for a state-park outing, signaling both the postwar detachment from city life and his own escape from failures to be a good “provider” for those he loves.

Objects of Love and Regret is closely wedded to the lives of American Jewish immigrants and their children, yet Rabinowitz invites all of us to contemplate the material world that anchors our own memories. Beautifully written, absorbing, and emotionally vivid, this is a memoir that brings us back to the striving, the dreams, the successes, and the tragedies that are part of every family’s story.

This is a memoir about the power of American assimilation and opportunity in the face of persisting refugee realities. Like Isaac Bashevis Singer, Monroe Price recounts the continuing impact of European identities as families, cast from their homes by the rise of Hitler and the Third Reich, struggle to find their way in a new and challenging environment.

In a series of reflections, Price, who was born to a Jewish family in Vienna in 1938 and left when he was seven months old, seeks to create the Vienna of his infancy, including Jewish life, anti-Semitism, the Anschluss, and Kristallnacht (during which his father was arrested). He shifts to scenes of American socialization in the places he moved with his parents:: Macon, Georgia, Cincinnati, Ohio, and the experience of New York City. Through these reflections, Price illuminates ideas about family, religion, friends and schooling as well as deeply personal issues such as home, food and intimacy.

Price’s memoir weaves complicated strands—his Viennese origins, campaigns to distribute Jewish refugees away from New York City, the special qualities of Midwestern Ohio life in the 1950s—and the contrasting patterns of adjustment by different generations in his family in the American landscape. As he traces the particular path of his own life, Price reveals a more universal story of adjustment, and the relationship between a marginal community and the drama of American citizenship.

Long a major element of classical studies, the examination of the laws of the ancient Romans has gained momentum in recent years as interdisciplinary work in legal studies has spread. Two resulting issues have arisen, on one hand concerning Roman laws as intellectual achievements and historical artifacts, and on the other about how we should consequently conceptualize Roman law.

Drawn from a conference convened by the volume's editor at the American Academy in Rome addressing these concerns and others, this volume investigates in detail the Roman law of obligations—a subset of private law—together with its subordinate fields, contracts and delicts (torts). A centuries-old and highly influential discipline, Roman law has traditionally been studied in the context of law schools, rather than humanities faculties. This book opens a window on that world.

Roman law, despite intense interest in the United States and elsewhere in the English-speaking world, remains largely a continental European enterprise in terms of scholarly publications and access to such publications. This volume offers a collection of specialist essays by leading scholars Nikolaus Benke, Cosimo Cascione, Maria Floriana Cursi, Paul du Plessis, Roberto Fiori, Dennis Kehoe, Carla Masi Doria, Ernest Metzger, Federico Procchi, J. Michael Rainer, Salvo Randazzo, and Bernard Stolte, many of whom have not published before in English, as well as opening and concluding chapters by editor Thomas A. J. McGinn.

For centuries throughout large portions of the globe, petty agriculturalists and industrialists have set their physical and mental energies to work producing products for direct consumption by their households and for exchange. This twofold household reproduction strategy, according to both Marxist and neoclassical approaches to development, should have disappeared from the global economy as labor was transformed into a producer as well as a consumer of capitalist commodities. But in fact, during the twentieth century, only the United States and Britain seem to have approximated this predicted scenario. Tens of millions of households in contemporary Asia, Africa, and Latin America and millions more in industrialized capitalist economies support themselves through petty commodity production alone or in combination with petty industry wage labor.

Obliging Need provides a detailed and comprehensive analysis of small-scale peasant and artisan enterprise in the Oaxaca Valley of Mexico. The authors show how commodity production is organized and operates in different craft industries, as well as the ways in which it combines with other activities such as household chores, agriculture, wage labor, and petty commerce. They demonstrate how—contrary to developmentalist dogma—small-scale capitalism develops from within Mexico's rural economy.

These findings will be important for everyone concerned with improving the lives and economic opportunities of countryfolk in the Third World. As the authors make clear, political mobilization in rural Mexico will succeed only as it addresses the direct producers' multiple needs for land, credit, more jobs, health insurance, and, most importantly, more equitable remuneration for their labor and greater rewards for their enterprise.

A daily glass of wine prolongs life—yet alcohol can cause life-threatening cancer. Some say raising the minimum wage will decrease inequality while others say it increases unemployment. Scientists once confidently claimed that hormone replacement therapy reduced the risk of heart disease but now they equally confidently claim it raises that risk. What should we make of this endless barrage of conflicting claims?

Observation and Experiment is an introduction to causal inference by one of the field’s leading scholars. An award-winning professor at Wharton, Paul Rosenbaum explains key concepts and methods through lively examples that make abstract principles accessible. He draws his examples from clinical medicine, economics, public health, epidemiology, clinical psychology, and psychiatry to explain how randomized control trials are conceived and designed, how they differ from observational studies, and what techniques are available to mitigate their bias.

“Carefully and precisely written…reflecting superb statistical understanding, all communicated with the skill of a master teacher.”
—Stephen M. Stigler, author of The Seven Pillars of Statistical Wisdom

“An excellent introduction…Well-written and thoughtful…from one of causal inference’s noted experts.”
—Journal of the American Statistical Association

“Rosenbaum is a gifted expositor…an outstanding introduction to the topic for anyone who is interested in understanding the basic ideas and approaches to causal inference.”
—Psychometrika

“A very valuable contribution…Highly recommended.”
—International Statistical Review

Now available in English—one of the twentieth century’s most important works on the philosophy of technology


With this first English translation of influential German philosopher Günther Anders’s 1956 masterpiece of critical theory, The Obsolescence of the Human, a new generation of readers can now engage with his prescient and haunting vision of a “world without us” dominated by technology.

Looking at technological events such as the detonation of the nuclear bomb and the arrival of televisions in our living rooms, Anders advances a warning of what humanity looks like in a world where it has surrendered all agency. He outlines the new emotional landscapes that shape our relationship to increasingly capable technology, including Promethean shame, the human sense of unease our own superior technological innovations can instill. Confronting the growing gap between what we can collectively create and what we can individually comprehend, Anders speculates on the trajectory of a developing technological world that rapidly exceeds our ability to control or even foresee its negative consequences.

The Obsolescence of the Human prefigures contemporary posthumanist discourse and is eerily predictive of current debates around automation, global warming, and artificial intelligence. Providing new ways to conceptualize the intersection of technology and emotion, it offers groundbreaking frameworks for future-oriented ethics. Radical in both its stylistic experimentation and its theoretical insights, this new translation presents a cautionary tale regarding the human capacity to usher in its own destruction.

Retail e-book files for this title are screen-reader friendly with images accompanied by short alt text and/or extended descriptions.

Responding to the growing need for tried-and-trusted solutions to the reproductive health care issues confronting millions of women worldwide, Obstetrics and Gynecology in Low-Resource Settings provides practical guidelines for ensuring the delivery of quality OB/GYN care to women in resource-poor countries. Including contributions from leading clinicians and researchers in the field, this welcome overview fills an important gap in existing medical literature on women’s health care and will be an invaluable resource for doctors, clinicians, and medical students at all stages of their careers who work in the global health arena.

The reproductive health risks that all women face are greatly exacerbated when health care facilities are inadequate, equipment and medications are in short supply, and well-trained medical staff are few and far away. Often in these settings, the sole doctor or medical professional on hand has expertise in some areas of women’s reproductive care but needs a refresher course in others.

This informative guide features hands-on, step-by-step instruction for the most pertinent OB/GYN conditions—both acute and chronic—that health care workers in the field confront. The authors examine a wide range of topics, including: strategies to reduce maternal mortality and stillbirths; infectious and sexually transmitted diseases, including malaria and HIV; cervical cancer; contraception; prenatal, delivery, and newborn care; and complications arising from gender-based violence and female genital cutting. Published in a convenient format with a durable binding, this reference will be an essential companion to health care providers throughout the world.

Israel's founders sought to create a nation of new Jews who would never again go meekly to the death camps. Yet Israel's strength has become synonymous with an oppression of the Palestinians that provokes anger throughout the Muslim world and beyond. How are Israelis able to see themselves as victims while victimizing others? What does Israeli Jewish identity mean today?

Arthur Neslen explores the dynamics, distortions and incredible diversity of Israeli society. From the mouths of soldiers, settlers, sex workers and the victims of suicide attacks, Occupied Minds is the story of a national psyche that has become scarred by mental security barriers, emotional checkpoints and displaced outposts of self-righteousness and aggression.

From vignettes to in-depth interviews, more than fifty Israelis offer their accounts. What they reveal is in turn powerful, haunting, subtle and disturbing. Illustrated throughout with photographs, this unique book offers an unrivalled insight into Israeli consciousness, private and public.

It charts the evolution of a communal self-image based on cultural and religious values towards one formed around a single militaristic imperative: national security.

In her pathbreaking book, Ocean Passages, Erin Suzuki explores how movement through—and travel across—the ocean mediates the construction of Asian American and Indigenous Pacific subjectivities in the wake of the colonial conflicts that shaped the modern transpacific. Ocean Passages considers how Indigenous Pacific scholars have emphasized the importance of the ocean to Indigenous activism, art, and theories of globalization and how Asian American studies might engage in a deconstructive interrogation of race in conversation with this Indigenous-centered transnationalism. 

The ocean passages that Suzuki addresses include the U.S. occupation and militarization of ocean space; refugee passage and the history and experiences of peoples displaced from the Pacific Islands; migratory circuits and the labors required to cross the sea; and the different ways that oceans inform postcolonial and settler colonial nationalisms. She juxtaposes work by Indigenous Pacific and Asian American artists and authors including James George, Maxine Hong Kingston, Kathy Jetñil-Kijiner, lê thi diếm thúy, Ruth Ozeki, and Craig Santos Perez. In Ocean Passages, Suzuki explores what new ideas, alliances, and flashpoints might arise when comparing and contrasting Asian and Pacific Islander passages across a shared sea.

“One of [Vendler’s] finest books, an impressive summation of a long, distinguished career.”
—Charles Simic, New York Review of Books

A Times Higher Education Book of the Week.

A lively collection of the great critic’s later work showcases her unswerving and deeply personal dedication to good poetry.

One of our foremost commentators on poetry examines the work of a broad range of nineteenth- and twentieth-century English, Irish, and American poets. The Ocean, the Bird, and the Scholar gathers two decades’ worth of Helen Vendler’s essays, book reviews, and occasional prose—including the 2004 Jefferson Lecture—in a single volume. Taken together, they serve as a reminder that if the arts and the patina of culture they cast over the world were deleted, we would, in Wallace Stevens’s memorable formulation, inhabit “a geography of the dead.” These essays also remind us that without the enthusiasm, critiques, and books of each century’s scholars, there would be imperfect perpetuation and transmission of culture.

All of the modern poets who have long preoccupied Vendler—Wallace Stevens, Seamus Heaney, John Ashbery, and Jorie Graham—are fully represented, as well as others, including Langston Hughes, Allen Ginsberg, Robert Lowell, Elizabeth Bishop, Amy Clampitt, James Merrill, A. R. Ammons, and Mark Ford. And Vendler reaches back into the poetic tradition, tracing the influence of Keats, Yeats, Whitman, T. S. Eliot, and others in the work of today’s poets. As ever, her readings help to clarify the imaginative novelty of poems, giving us a rich sense not only of their formal aspects but also of the passions underlying their linguistic and structural invention. The Ocean, the Bird, and the Scholar is an eloquent plea for the centrality, both in humanistic study and modern culture, of poetry’s beautiful, subversive, sustaining, and demanding legacy.

Gerry Canavan offers a critical and holistic consideration of Butler's career. Drawing on Butler's personal papers, Canavan tracks the false starts, abandoned drafts, tireless rewrites, and real-life obstacles that fed Butler's frustrations and launched her triumphs. Canavan departs from other studies to approach Butler first and foremost as a science fiction writer working within, responding to, and reacting against the genre's particular canon. The result is an illuminating study of how an essential SF figure shaped themes, unconventional ideas, and an unflagging creative urge into brilliant works of fiction.

Francesco Filelfo (1398–1481), one of the great scholar-poets of the Italian Renaissance, was the principal humanist working in Lombardy in the middle of the Quattrocento and served as court poet to the Visconti and Sforza dukes of Milan. His long life saw him as busy with politics, diplomacy, and intrigue as with literature and scholarship, leaving him very often on the run from rival factions—and even from hired assassins. The first Latin poet of the Renaissance to explore the expressive potential of Horatian meters, Filelfo adapted the traditions of Augustan literature to address personal and political concerns in his own day.

The Odes, completed in the mid-1450s, constitute the first complete cycle of Horatian odes since classical antiquity and are a major literary achievement. Their themes include war, just rule, love, exile, patronage, and friendship as well as topical subjects like the plague’s grim effects on Milan.

This volume is the first publication of the Latin text since the fifteenth century and the first translation into English.

Monumental verse.

The poetry of Horace (born 65 BC) is richly varied, its focus moving between public and private concerns, urban and rural settings, Stoic and Epicurean thought. The Loeb Classical Library edition of the great Roman poet’s Odes and Epodes boasts a faithful and fluid translation and reflects current scholarship.

Horace took pride in being the first Roman to write a body of lyric poetry. For models he turned to Greek lyric, especially to the poetry of Alcaeus, Sappho, and Pindar; but his poems are set in a Roman context. His four books of Odes cover a wide range of moods and topics. Some are public poems, upholding the traditional values of courage, loyalty, and piety; and there are hymns to the gods. But most of the Odes are on private themes: chiding or advising friends; speaking about love and amorous situations, often amusingly. Horace’s seventeen Epodes, which he called iambi, were also an innovation for Roman literature. Like the Odes they were inspired by a Greek model: the seventh-century iambic poetry of Archilochus. Love and political concerns are frequent themes; the tone is only occasionally aggressive. “In his language he is triumphantly adventurous,” Quintilian said of Horace; Niall Rudd’s translation reflects his different voices.

THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.

Horace (b. 65 B.C.) claims the lyric poetry of Sappho and Alcaeus as models for his celebrated odes. His four books cover a wide range of moods and topics: friendship is the dominant theme of about a third of the poems; a great many deal with love and amorous situations, often amusingly; others deal with patriotic and political themes. The seventeen epodes, which Horace called iambi, were also inspired by a Greek model: the seventh century iambic poetry of Archilochus. As in the odes, love and politics are frequent themes; some of the epodes also display mockery and ridicule, of a harsher variety than we find in Horace's satires.

“Simply superb.”
—Nation

A landmark study reconstructs the magnificent architecture of Keats’s odes beam by beam.

With the exception of Shakespeare, John Keats has garnered more critical attention than probably any other English poet, above all for his six great odes. Composed in the span of just a few months in 1819, the odes mark the high point of Keats’s all-too-short literary career, forming, as Helen Vendler puts it, “the group of works in which the English language finds an ultimate embodiment.”

Even with the mountain of criticism that precedes it, The Odes of John Keats nonetheless accomplishes something bracingly new: it reveals that the odes, typically read separately, demand to be read as a unified whole. Only when we read them together, Vendler argues, do we see how each ode builds upon, and contradicts, the one that came before it—a progression that expresses Keats’s sustained and deliberate inquiry into nature of creativity itself. From fruitless revery in “Ode on Indolence,” to successive explorations of music and mimetic art in “Ode to a Nightingale” and “Ode on a Grecian Urn,” to the final triumph of lyric poetry in “To Autumn,” each ode advances tentative theses about the relationship between truth, beauty, and sensory experience, only to subsequently overturn them from a higher vantage point.

Exquisitely attentive to the warp and weft of Keats’s “many languages,” from Greek mythology to eighteenth-century allegory, Vendler’s architectonic reading masterfully achieves criticism’s highest aim: keeping these classic poems, to borrow Keats’s own words, “forever warm and still to be enjoy’d.”

“Simply superb.”
—Nation

A landmark study reconstructs the magnificent architecture of Keats’s odes beam by beam.

With the exception of Shakespeare, John Keats has garnered more critical attention than probably any other English poet, above all for his six great odes. Composed in the span of just a few months in 1819, the odes mark the high point of Keats’s all-too-short literary career, forming, as Helen Vendler puts it, “the group of works in which the English language finds an ultimate embodiment.”

Even with the mountain of criticism that precedes it, The Odes of John Keats nonetheless accomplishes something bracingly new: it reveals that the odes, typically read separately, demand to be read as a unified whole. Only when we read them together, Vendler argues, do we see how each ode builds upon, and contradicts, the one that came before it—a progression that expresses Keats’s sustained and deliberate inquiry into nature of creativity itself. From fruitless revery in “Ode on Indolence,” to successive explorations of music and mimetic art in “Ode to a Nightingale” and “Ode on a Grecian Urn,” to the final triumph of lyric poetry in “To Autumn,” each ode advances tentative theses about the relationship between truth, beauty, and sensory experience, only to subsequently overturn them from a higher vantage point.

Exquisitely attentive to the warp and weft of Keats’s “many languages,” from Greek mythology to eighteenth-century allegory, Vendler’s architectonic reading masterfully achieves criticism’s highest aim: keeping these classic poems, to borrow Keats’s own words, “forever warm and still to be enjoy’d.”