What happens when people in societies stratified by race refuse to accept the privileges inherent in whiteness? What difference does it make when whites act in a manner that contradicts their designated racial identity? Out of Whiteness considers these questions and argues passionately for an imaginative and radical politics against all forms of racism.

Vron Ware and Les Back look at key points in recent American and British culture where the "color line" has been blurred. Through probing accounts of racial masquerades in popular literature, the growth of the white power music scene on the Internet, the meteoric rise of big band jazz during the Second World War, and the pivotal role of white session players in crafting rhythm and blues classics by black artists, Ware and Back upset the idea of race as a symbol of inherent human attributes. Their book gives us a timely reckoning of the forces that continue to make people "white," and reveals to us the polyglot potential of identities and cultures.

This collection brings together the work of both film scholars and queer theorists to advance a more sophisticated notion of queer film criticism. While the “politics of representation” has been the focus of much previous gay and lesbian film criticism, the contributors to Out Takes employ the approaches of queer theory to move beyond conventional readings and to reexamine aspects of the cinematic gaze in relation to queer desire and spectatorship.

The essays examine a wide array of films, including Calamity Jane, Rear Window, The Hunger, Heavenly Creatures, and Bound , and discuss such figures as Doris Day, Elizabeth Taylor, and Alfred Hitchcock. Divided into three sections, the first part reconsiders the construction of masculinity and male homoerotic desire—especially with respect to the role of women—in classic cinema of the 1940s and 1950s. The second section offers a deconstructive consideration of lesbian film spectatorship and lesbian representation. Part three looks at the historical trajectory of independent queer cinema, including works by H.D., Kenneth Anger, and Derek Jarman.

By exploring new approaches to the study of sexuality in film, Out Takes will be useful to scholars in gay and lesbian studies, queer theory, and cinema studies.

Contributors. Bonnie Burns, Steven Cohan, Alexander Doty, Lee Edelman, Michelle Elleray, Jim Ellis, Ellis Hanson, D. A. Miller, Eric Savoy, Matthew Tinkcom, Amy Villarejo, Jean Walton

“Harvey Broome was an early, indefatigable friend of the Great Smokies whose book combines an eloquent interpretation of the seasons of life they nurture with the urgent message that their conservation remains perpetually relevant. At once poetic and practical, Harvey Broome takes us into his Great Smokies and shows us that they are also ours, a unique treasure of endless discovery.”—Wilma Dykeman, Tennessee State Historian

 “It is a seminal work and is ‘must reading’ for anyone seriously interested in the early interpretation of the Great Smoky Mountains.”—Arthur McDade, author of The Natural Arches of the Big South Fork

First published in a limited edition in 1975 by the author’s widow and now available in paperback for the first time, Out Under the Sky of the Great Smokies brings together the personal journals of a great environmentalist and nature writer.

The book combines descriptions of Broome’s innumerable hikes in the Great Smoky Mountains with extended meditations on the meaning of the mountains to the region as a whole. It is at once a historical document, preserving a perspective on the Smokies before full-scale development of the national park, and a work whose message about the importance of the environment is even more timely today than when it first appeared.

In a foreword written especially for this edition, the noted environmental writer Michael Frome describes the book as “a timeless work,” adding, “Here we find Harvey, the wilderness apostle on his home turf. He reveals himself exactly as I knew and loved him: a gentle spirit, sensitive to the needs of nature and humankind, always with tolerance and good humor.”

The Author: Harvey Broome (1902–1968) was born in Knoxville, Tennessee, and discovered the Great Smoky Mountain at an early age. An attorney, he helped found the Wilderness Society and served as president of the Smoky Mountains Hiking Club. He was the author of two other posthumously published books, Faces of the Wilderness and Harvey Broome: Earth Man.

Outbound

is the story of two voyages: an Atlantic crossing in the 33-foot cutter

Clarity

, bound for Scotland; and the hard voyage of self-discovery that finally brought Bill Storandt to his life partner.

Storandt’s account of the adventure he had carefully planned with longtime partner Brian Forsyth and their friend Bob soon turns into a white-knuckled sailing tale, as they encounter a fierce storm four hundred miles from the Irish coast that tests their courage and all their sailing skills. The sea story, vividly evoking life in a small boat on a big ocean, is interwoven with Storandt’s flashbacks to his earlier life. Outbound delivers its share of excitement, but it’s also a moving reflection on how circuitous our paths can be, even when the destination is clear and beckoning.

Foodborne illness is a big problem. Wash those chicken breasts, and you’re likely to spread Salmonella to your countertops, kitchen towels, and other foods nearby. Even salad greens can become biohazards when toxic strains of E. coli inhabit the water used to irrigate crops. All told, contaminated food causes 48 million illnesses, 128,000 hospitalizations, and 3,000 deaths each year in the United States.
           
With Outbreak, Timothy D. Lytton provides an up-to-date history and analysis of the US food safety system. He pays particular attention to important but frequently overlooked elements of the system, including private audits and liability insurance.

Lytton chronicles efforts dating back to the 1800s to combat widespread contamination by pathogens such as E. coli and salmonella that have become frighteningly familiar to consumers. Over time, deadly foodborne illness outbreaks caused by infected milk, poison hamburgers, and tainted spinach have spurred steady scientific and technological advances in food safety. Nevertheless, problems persist. Inadequate agency budgets restrict the reach of government regulation. Pressure from consumers to keep prices down constrains industry investments in safety. The limits of scientific knowledge leave experts unable to assess policies’ effectiveness and whether measures designed to reduce contamination have actually improved public health. Outbreak offers practical reforms that will strengthen the food safety system’s capacity to learn from its mistakes and identify cost-effective food safety efforts capable of producing measurable public health benefits.
 

In 1976, Trent Batson and Eugene Bergman released their classic Angels and Outcasts: An Anthology of Deaf Characters in Literature. In it, they featured works from the 19th and 20th centuries by well-known authors such as Charles Dickens and Eudora Welty. They also presented less-well-known deaf authors, and they prefaced each excerpt with remarks on context, societal perceptions, and the dignity due to deaf people. Since then, much has transpired, turning around the literary criticism regarding portrayals of deaf people in print. Edna Edith Sayers reflects these changes in her new collection Outcasts and Angels: The New Anthology of Deaf Characters in Literature.

       Sayers mines the same literary vein as the first volume with rich new results. Her anthology also introduces rare works by early masters such as Daniel Defoe. She includes three new deaf authors, Charlotte Elizabeth, Howard T. Hofsteater, and Douglas Bullard, who offer compelling evidence of the attitudes toward deaf people current in their eras. In search of commonalities and comparisons, Sayers reveals that the defining elements of deaf literary characters are fluid and subtly different beyond the predominant dueling stereotypes of preternaturally spiritual beings and thuggish troglodytes.

       Outcasts and Angels demonstrates these subtle variations in writings by Ambrose Bierce, Isak Dinesen, Nadine Gordimer, and Flannery O’Connor. Stories by Juozas Grušas, Julian Barnes, and many other international authors broaden the scope of this updated inquiry into the deaf literary character. Sayer’s preface and closing essay bring any disparate parts together, completing Outcasts and Angels as a fitting, contemporary companion to the original classic collection.

The WPA Outcomes Statement is important because it represents a working consensus among composition scholars about what college students should learn and do in a composition program. But as a single-page document, the statement cannot convey the kind of reflective process that a writing program must undertake to address the learning outcomes described.

The Outcomes Book relates the fuller process by exploring the matrix of concerns that surrounded the developing Statement itself, and by presenting the experience of many who have since employed it in their own settings.

The Outer Bands is a first collection of poems from Andrés Montoya prize-winner Gabriel Gomez. The book is an expansive examination of language and landscape, voice and memory, where the balance between experimentation and tradition coexist. The poems realize a reconciliation between the writer’s voice and the voice of witness, wonder, and tragedy; a dialogue between two worlds that employ an equally paradoxical imagery of the American Southwest and the marshes of Southern Louisiana. The book concludes with its namesake poem, “The Outer Bands,” a twenty-eight-day chronicle of the days between Hurricane Katrina and Hurricane Rita, which together decimated the Gulf Coast region in 2005. The sequence poem, a pastiche and re-contextualization of images, news blurbs, and political rhetoric, travels and responds in a spare subjectivity to the storm. Gabriel Gomez completed it during a two-month emergency residency at the Santa Fe Art Institute after his home in New Orleans was destroyed.

Outlaw Style is a collection of narrative and lyric poems, many of them in the tradition of Robert Browning’s dramatic monologues. While gothic imagery, humor, and nineteenth-century diction and reference alternate and interweave, the four thematic currents that converge in the collection are music, race, spirituality, and the impact of monstrosity on somewhat innocent bystanders. Poems like “Dar He,” “Scuppernongs,” and “Plantation of the Mad” address the history of American racial intolerance with muted horror, while the final series of poems explores the roots and impact of traditional music, from unsettling songs of the Carter Family through Delta Blues and the haunting ballad “Strange Fruit.” The collection also features poems, such as “Shepherd Ollie Strawbridge on the Chicken Business,” which question the nature of spirituality; and the central section, “The Booth Prism,” performs a kind of séance in which the author channels the voices of many of the people—from Anna Surratt Tonry to Booth’s lovers and siblings—whose lives were altered by contact with Lincoln’s assassin. Throughout Outlaw Style formal and vernacular rhythms stand in counterpoint, images of violence excavate a stark and troubling beauty, and history and mystery fuse and feud, as the landscape and culture of the American South are presented for interrogation and understanding.

In Outlawed, Daniel M. Goldstein reveals how indigenous residents of marginal neighborhoods in Cochabamba, Bolivia, struggle to balance security with rights. Feeling abandoned to the crime and violence that grip their communities, they sometimes turn to vigilante practices, including lynching, to apprehend and punish suspected criminals. Goldstein describes those in this precarious position as "outlawed": not protected from crime by the law but forced to comply with legal measures in other areas of their lives, their solutions to protection criminalized while their needs for security are ignored. He chronicles the complications of the government's attempts to provide greater rights to indigenous peoples, including a new constitution that recognizes "community justice." He also examines how state definitions of indigeneity ignore the existence of marginal neighborhoods, continuing long-standing exclusionary practices. The insecurity felt by the impoverished residents of Cochabamba—and, more broadly, by the urban poor throughout Bolivia and Latin America—remains. Outlawed illuminates the complex interconnections between differing definitions of security and human rights at the local, national, and global levels.

     The prohibition against pigs is one of the most powerful symbols of Jewish culture and collective memory. Outlawed Pigs explores how the historical sensitivity of Jews to the pig prohibition was incorporated into Israeli law and culture. 
     Daphne Barak-Erez specifically traces the course of two laws, one that authorized municipalities to ban the possession and trading in pork within their jurisdiction and another law that forbids pig breeding throughout Israel, except for areas populated mainly by Christians. Her analysis offers a comprehensive, decade-by-decade discussion of the overall relationship between law and culture since the inception of the Israeli nation-state. 
     By examining ever-fluctuating Israeli popular opinion on Israel's two laws outlawing the trade and possession of pigs, Barak-Erez finds an interesting and accessible way to explore the complex interplay of law, religion, and culture in modern Israel, and more specifically a microcosm for the larger question of which lies more at the foundation of Israeli state law: religion or cultural tradition.

Historian and political scientist Guenter Lewy is no stranger to the topic of genocide nor to exploring controversial issues. His penchant for approaching topics from contentious angles continues in Outlawing Genocide Denial, as he scrutinizes the practice of criminalizing genocide denial.
 
Holocaust denial can be viewed as another form of hatred against the Jews and preventing it can be understood as a form of warding off hate speech. Germany has made it a crime punishable by law. Other European countries have similar laws. While the rationale for such laws seems reasonable, Lewy asks readers to look again and to consider carefully the dangers that these laws could present. His discussion neither dismisses the ramifications of genocide denial nor justifies it; he instead looks closely at the possible risks of government-enforced interpretations of history.
 
Outlawing genocide denial sets a precedent of allowing governments to dictate historical truth and how events should be interpreted. Such government restrictions can be counterproductive in a democratic society which values freedom of speech. Lewy examines these and related ideas through the analysis of historical and current examples. He posits his own conclusion but leaves it up to readers to view the evidence and arguments and form their own opinions.

Since the last century, the relationship between vanguard and self-taught artists has been defined by contradiction. The established art world has been quick to make clear distinctions between trained and untrained artists, yet at the same time it has been fascinated by outliers whom it draws selectively and intermittently into its orbits. For a new exhibition launching at the National Gallery of Art, curator Lynne Cooke explores shifting conceptualizations of the American outlier across the twentieth century, drawing on the inherent sociality of the exhibition in her installation of these works. This companion catalog, Outliers and American Vanguard Art, offers a fantastic opportunity to consider works by schooled and self-taught creators in relation to each other and defined by historical circumstance.

The art works in Outliers and American Vanguard Art come from three distinct periods when the intersections between mainstream and outlier artists were most dynamic and productive, ushering in exhibitions of art based on various degrees of co-existence, inclusion, and assimilation. Works by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican are set in conversation with a range of works by such self-taught artists as Horace Pippin, Janet Sobel, and Henry Darger. Cooke also examines a recent increase of radically expressive work that challenges what it means to be an outlier today. She reveals how these distinctions have been freighted with a particularly American point of view as she investigates our assumptions about creativity, artistic practice, and the role of the artist in contemporary culture.
 
Outliers and American Vanguard Art is the most comprehensive show ever to examine outliers in dialogue with their established peers.   It is sure to inspire vigorous conversation about how artists and the work they make are represented.

The new and selected stories in this collection, written over a period of thirty years, are firmly entrenched in the culture and people of rust belt cities and rural Appalachia.
These stories are often set against large, significant events like the Cold War, Vietnam, and the Kent State shootings, but are always uniquely local. A mother fends off the police by brandishing copperhead snakes. A woman cares for the dog of an alleged double murderer. A husband who has lost his job works at trying to save his wife from a debilitating phobia.
 
This extensive collection by Gary Fincke, an accomplished poet and writer of fiction, gives rise to ordinary people living lives made fascinating by attention to the particulars of voice, place, and character. With precise language, surprising imagery, and sharp, evocative dialogue, these stories deepen beyond the oddities of their characters, who are scarred and defeated by circumstance and choice, but also attain moments of grace, compassion, and generosity of the spirit.
 

In July 1952, Jack Siewert commanded a platoon of five M-46 tanks in Korea. In four days of battle against Chinese forces, Siewart was tasked with providing fire support for advancing infantry attempting to retake Outpost Kelly. Outpost Kelly: A Tanker's Story his a harrowing account of the success of that mission in the face of catastrophic obstacles.
 
Heavy rains turned the mountainous terrain around Outpost Kelly into shin-deep mud and muck. At the height of the fighting, Siewert was able to bring to bear the guns of only one of his five tanks against the enemy. Forced to abandon traditional tank warfare doctrine, he improvised. Allowing members of the 15th Infantry to retake Outpost Kelly, Siewert offers an excellent analysis of how theory and experience come together in a point-of-the-spear military situation.
 
Outpost Kelly also paints a fascinating picture of the type of fighting, often overlooked, that characterized the second and third years of the Korean War. With truce talks proceeding in Panmunjom, both sides fought to claim incremental pieces of real estate along the demarcation line between North and South.

Is the fall in overall productivity growth in the United States and other developed countries related to the rising share of the service sectors in the economy? Since services represent well over half of the U.S. gross national product, it is also important to ask whether these sectors have had a slow rate of growth, as this would act as a major drag on the productivity growth of the overall economy and on its competitive performance. In this timely volume, leading experts from government and academia argue that faulty statistics have prevented a clear understanding of these issues.

Outside Agitator tells the dramatic, largely forgotten storybehind the 1965 killing of civil rights worker Jonathan Myrick "Jon" Daniels in Lowndes County, Alabama, detailing the lives of the killer and the victim. A white Episcopal seminary student from New Hampshire, Jon Daniels helped organize blacks in Selma during the events that led to the Selma-to-Montgomery march. In August 1965 he was fatally shot in neighboring Lowndes County by Tom Coleman, a highway department engineer and steadfast segregationist, who was later acquitted by an all-white jury.

Lowndes County was a bastion of white minority dominance. For half a century, no black had voted or served on a jury there. Known for the violence used by whites to maintain their control, "bloody" Lowndes presented Daniels and other civil rights workers with almost insurmountable obstacles. Tom Coleman, a Lowndes County native, represented the consensus among local whites that violent resistance to racial change was justified. To defend his community and to prevent change, he resorted to violence against "outside agitators."

Following the deaths of a score of other civil rights workers, the killing of Jon Daniels was in many ways the last atrocity of the first, southern, nonviolent phase of the Civil Rights movement. This exploration of how Daniels and Coleman came to be at opposite ends of a shotgun outside a county store captures the mechanics and emotions of forces promoting and resisting change in southern race relations. Charles Eagles reminds us that however representative Daniels and Coleman may have been of larger forces, they were nevertheless real individuals with distinctive personalities caught up in specific circumstances.

With its breathtaking vistas and countless acres of unmarked wilderness, Alaska has long attracted those who are looking for a bit of adventure in their vacations—from visitors who want to climb rugged peaks to those content to push a stroller down a paved trail. Filled with maps and photos, Outside in the Interior is the perfect guidebook for outdoor enthusiasts of all levels of ability. It presents detailed information about trails throughout Interior Alaska, including round-trip distance, estimated hiking duration and difficulty, elevation, seasonal variations, and tips on what wildlife and other sights hikers are likely to observe along the way. Features on trail etiquette, safety, and the environment round out the volume, making this fully up-to-date new edition of Outside in the Interior an invaluable companion to any trip to America’s largest state.

Three days after her twentieth birthday, a young woman who grew up in Germany during World War II crosses the Atlantic to start a new life. Outside Is the Ocean traces Heike’s struggle to find love and happiness in America. After two marriages and a troubled relationship with her son, Heike adopts a disabled child from Russia, a strong-willed girl named Galina, who Heike hopes will give her the affection and companionship she craves. As Galina grows up, Heike’s grasp on reality frays, and she writes a series of letters to the son she thinks has abandoned her forever. It isn’t until Heike’s death that her son finds these letters and realizes how skewed his mother’s perceptions actually were.

Philip Raisor was on the losing side in two of the most storied basketball games ever played. He started at guard for the Muncie Central Bearcats, who fell in the 1954 Indiana state final to tiny Milan, the David-over-Goliath event that inspired the movie Hoosiers. On a basketball scholarship to the University of Kansas, he watched his Wilt Chamberlain–led Jayhawks lose the 1957 NCAA championship in triple overtime to North Carolina. In Outside Shooter, Raisor recounts the hard knocks and hard-won triumphs of a basketball odyssey across 1950s America, from Indiana to Kansas to Louisiana, and from adolescence to adulthood.

This was an era in which a racially divided society was taking halting steps toward integration, and few places held more tension than the sports arena. Raisor saw firsthand the toll of racism in the inner rage and sorrow of Muncie’s star player, John Casterlow, whose life followed a trajectory from playing the legendary Oscar Robertson to a draw—almost—to death in the streets of Detroit at age twenty-three. Later, at Louisiana State University after having transferred from Kansas, Raisor, spurred by the memory of Casterlow, would join in hazardous early attempts to integrate the LSU campus. From Indiana to Louisiana, he sees the ordeal of racism reveal character—including his own—at depths beyond the illumination even of competitive sport.

Exhilaration and anxiety, the yearning for community and the quest for identity: these shared, contradictory feelings course through Outside the Gates of Eden, Peter Bacon Hales’s ambitious and intoxicating new history of America from the atomic age to the virtual age.
           
Born under the shadow of the bomb, with little security but the cold comfort of duck-and-cover, the postwar generations lived through—and led—some of the most momentous changes in all of American history. Hales explores those decades through perceptive accounts of a succession of resonant moments, spaces, and artifacts of everyday life—drawing unexpected connections and tracing the intertwined undercurrents of promise and peril. From sharp analyses of newsreels of the first atomic bomb tests and the invention of a new ideal American life in Levittown; from the music emerging from the Brill Building and the Beach Boys, and a brilliant account of Bob Dylan’s transformations; from the painful failures of communes and the breathtaking utopian potential of the early days of the digital age, Hales reveals a nation, and a dream, in transition, as a new generation began to make its mark on the world it was inheriting.
           
Full of richly drawn set-pieces and countless stories of unforgettable moments, Outside the Gates of Eden is the most comprehensive account yet of the baby boomers, their parents, and their children, as seen through the places they built, the music and movies and shows they loved, and the battles they fought to define their nation, their culture, and their place in what remains a fragile and dangerous world.

The Ivy League is a place where basketball is neither a pastime nor a profession. Instead, it is a true passion among players, coaches, and committed sports enthusiasts who share in its every success and setback. Outside the Limelight is the first book to look inside Ivy League basketball and at the boundless enthusiasm that defines it.

With painstaking reportage, Kathy Orton vividly captures the internal fervor of the personalities who champion their gameùall the triumphs and disappointments of an Ivy hoop season. Scholarships for student athletes? None, and this is the only Division I conference that does not offer them. The TV spotlight? It barely shines, despite the passion, talent, and commitment of the players. Megadollar contracts from the NBA? Rarely does a player receive an offer. These age-old institutions are better known for turning out presidents, not point guards, and CEOs and captains of industry, not centers on the court.

Orton weaves together the stories of coaches and players as they move from fall practice through an entire season and ahead to the NCAA tournament. From Harvard to Penn, Princeton to Cornell and beyond, playersùperhaps more accustomed to pomp and circumstanceùface leaky gyms, endure long bus rides, rigorous courseloads, and unbearable exam schedules. Why? Just to prove they can hang with the big boys despite juggling multiple non-athletic responsibilities? Maybe. But more importantly, for the sincere love of the game.

Outside the Limelight provides frontcourt vision for college basketball fans everywhere to achieve an appreciation of this captivating conference and for diehard enthusiasts to gain greater insight into what brings Ivy League basketball to center circle.

Outside the Paint takes readers back to the Chinese Playground of San Francisco in the 1930s and 1940s, the only public outdoor space in Chinatown. It was a place where young Chinese American men and women developed a new approach to the game of basketbal—with fast breaks, intricate passing and aggressive defense—that was ahead of its time.

Drawing on interviews with players and coaches, Kathleen Yep recounts some surprising stories. From the success of the Hong Wah Kues, a professional barnstorming men's basketball team and the Mei Wahs, a championship women’s amateur team, to Woo Wong, the first Chinese athlete to play in Madison Square Garden, and his extraordinarily talented sister Helen Wong, who is compared to Babe Didrikson.

Outside the Paint chronicles the efforts of these highly accomplished athletes who developed a unique playing style that capitalized on their physical attributes, challenged the prevailing racial hierarchy, and enabled them, for a time, to leave the confines of their segregated world. As they learned to dribble, shoot, and steal, they made basketball a source of individual achievement and Chinese American community pride.

Honored with the 1990 American Institute of Architects Gold Medal for a lifetime of outstanding achievement, Fay Jones is an Arkansas original. In receiving the medal from Prince Charles of Great Britain, Jones was hailed as a “powerful and special genius who embodies nearly all the qualities we admire in an architect” and as an artist who used his vision to craft “mysterious and magical places” not only in Arkansas but all over the world.

This book accompanied a special museum exhibit of Jones’s life and work at the Old State House in Little Rock. It traces Jones’s development from his early years as a student of Frank Lloyd Wright and Bruce Goff, to the culmination of his ability in such arresting structures as Pinecote Pavilion in Picayune, Mississippi; Thorncrown Chapel in Eureka Springs, Arkansas; and Chapman University Chapel in Orange, California. Through the black-and-white photographs of the homes, chapels, and other buildings that Jones has created and the accompanying captions and interviews of the architect, the reader is allowed a view into this man’s remarkable talent.

Designing structures that fuse architecture and landscape, the organic and the man-made, Jones has created special places which touch their viewers with the power and subtlety of poetry. Herein we learn why.

From the Foreword by Robert Adams Ivy Jr.:

“Fay Jones’s architecture begins in order and ends in mystery. . . . His role can perhaps best be understood as mediator, a human consciousness that has arisen from the Arkansas soil and scoured the cosmos, then spoken through the voices of stone and wood, steel and glass. Art, philosophy, craft, and human aspiration coalesce in his masterworks, transformed from acts of will into harmonies: Jones lets space sing.”

Albert M. Greenfield (1887-1967), an ambitious immigrant outsider, was courted for his business acumen by mayors, senators, governors, and presidents, including Franklin Roosevelt and Harry Truman. As this feisty Russian Jew built a business empire that encompassed real estate, stores (including Bonwit Teller and Tiffany's), hotels (including the Ben Franklin and the Bellevue-Stratford), banks, newspapers, transportation companies, and even the Loft Candy Corporation, he challenged the entrenched business elite. Greenfield was also instrumental in bringing both major political conventions to Philadelphia in 1948.
 
In The Outsider, veteran journalist and best-selling author Dan Rottenberg deftly chronicles the astonishing rises, falls, and countless reinventions of this savvy businessman. Greenfield's power allowed him to cross social, religious, and ethnic boundaries with impunity. He alarmed Philadelphia's conservative business and social leaders-Christians and Jews alike-some of whom plotted his downfall.
 
In this engaging account of Greenfield's fascinating life, Rottenberg demonstrates the extent to which one uniquely brilliant and energetic man pushed the boundaries of society's limitations on individual potential. The Outsider provides a microcosmic look at three twentieth-century upheavals: the rise of Jews as a crucial American business force, the decline of America's Protestant establishment, and the transformation of American cities.

Outsider Scientists describes the transformative role played by “outsiders” in the growth of the modern life sciences. Biology, which occupies a special place between the exact and human sciences, has historically attracted many thinkers whose primary training was in other fields: mathematics, physics, chemistry, linguistics, philosophy, history, anthropology, engineering, and even literature. These outsiders brought with them ideas and tools that were foreign to biology, but which, when applied to biological problems, helped to bring about dramatic, and often surprising, breakthroughs.

           

This volume brings together eighteen thought-provoking biographical essays of some of the most remarkable outsiders of the modern era, each written by an authority in the respective field. From Noam Chomsky using linguistics to answer questions about brain architecture, to Erwin Schrödinger contemplating DNA as a physicist would, to Drew Endy tinkering with Biobricks to create new forms of synthetic life, the outsiders featured here make clear just how much there is to gain from disrespecting conventional boundaries. Innovation, it turns out, often relies on importing new ideas from other fields. Without its outsiders, modern biology would hardly be recognizable.

Outsider Within presents an approach to critically reconstructing the anthropology discipline to better encompass issues of gender and race. Among the nine key changes to the field that Faye V. Harrison advocates are researching in an ethically and politically responsible manner, promoting greater diversity in the discipline, rethinking theory, and committing to a genuine multicultural dialogue. In drawing from materials developed during her distinguished twenty-five year career in Caribbean and African American studies, Harrison analyzes anthropology’s limits and possibilities from an African American woman’s perspective, while also recognizing similarities between peoples, despite social, cultural, and political differences. In seeking to productively engage anthropologists of diverse geographical, cultural, and national origins, Harrison challenges them to work together to transcend stark gender, racial, and national hierarchies.

Outsiders and Openness in the Presidential Nominating System examines the relationship of outsiders to the presidential nominating system since the late nineteenth century. He studies in depth the campaigns of Estes Kefauver, Barry Goldwater, George Wallace, Eugene McCarthy, George McGovern, Jimmy Carter, Gary Hart, Paul Tsongas, Jerry Brown, and Ross Perot.

This anthology of journalism history brings together essays on the early Black press, pioneer Jewish journalism, Spanish-language newspapers, Native American newspapers, woman suffrage, peace advocacy, and Chinese American and Mormon publications. It shows how marginal groups developed their own journalism to counter the prejudices and misconceptions of the white establishment press. The essays address the important questions of freedom of expression in religious matters as well as the domains of race and gender.

Outsiders in a Promised Land explores the role that religious activists have played in shaping the culture of the Pacific Northwest, particularly in Washington and Oregon, from the middle of the 19th century onward. The region’s earliest settlers came to work in the mines and forests, and a culture of saloons, gambling halls, and brothels grew up to serve them. When migration to the region intensified, newcomers with families and religious traditions often saw themselves as outsiders in opposition to the prevailing frontier culture.

As communities grew in population, early activists found common ground in a desire to protect women and children, and make their towns more hospitable to religious values. Protestants, Catholics, and Jews worked together to transform communities. Together they introduced public and private schools, health care institutions, libraries and orphanages, and lobbied for the prohibition of alcohol.

Beginning in the 1930s, religious activism played a crucial role in the emerging culture wars between liberals and conservatives. Liberals rallied around the protection of civil rights and the building of social safety nets, while conservatives decried the rise of secularism, liberalism, and communism. Today, religious activists of many faiths are deeply engaged in matters related to women’s and gay rights, foreign policy, and environmental protection.

Outsiders in a Promised Land is a meticulously researched, comprehensive treatment of religion in Pacific Northwest public life from the middle of the nineteenth century to the present. The first book of its kind, it is destined to be an essential reference for scholars, activists, and religious leaders of all faiths.

Giants are a ubiquitous feature of medieval romance. As remnants of a British prehistory prior to the civilization established, according to the Historium regum Britannie, by Brutus and his Trojan followers, giants are permanently at odds with the chivalric culture of the romance world. Whether they are portrayed as brute savages or as tyrannical pagan lords, giants serve as a limit against which the chivalric hero can measure himself. In Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot argues that the presence of giants allows for fantasies of ethnic and cultural conflict and conquest, and for the presentation—and suppression—of alternative narrative and historical trajectories that might have made Arthurian Britain a very different place.
 
Focusing on medieval French prose romance and drawing on aspects of postcolonial theory, Huot examines the role of giants in constructions of race, class, gender, and human subjectivity. She selects for study the well-known prose Lancelot and the prose Tristan, as well as the lesser known Perceforest, Le Conte du papegau, Guiron le Courtois, and Des Grantz Geants. By asking to what extent views of giants in Arthurian romance respond to questions that concern twenty-first-century readers, Huot demonstrates the usefulness of current theoretical concepts and the issues they raise for rethinking medieval literature from a modern perspective. 
 
"In her beautifully written Outsiders: The Humanity and Inhumanity of Giants in Medieval French Prose Romance, Sylvia Huot organizes a wealth of material into a taxonomy of giants and their complex role in medieval French literature. Huot imaginatively uses that mapping to demonstrate the many ways in which the figure of the giant is a cultural fantasy through which medieval writers imagined the limits of personhood. Tracing that fantasy through medieval concepts of race and ethnicity, Huot makes an original and important claim not just about what giants do for medieval writers or their audiences, but also about the vulnerable boundaries of the human that are both put into question and reaffirmed by representations of giant outsiders."
—Peggy McCracken, University of Michigan
 

Confronting trauma behind the transnational adoption system—now back in print

Many adoptees are required to become people that they were never meant to be. While transracial adoption tends to be considered benevolent, it often exacts a heavy emotional, cultural, and economic toll on those who directly experience it. Outsiders Within is a landmark publication that carefully explores this most intimate aspect of globalization through essays, fiction, poetry, and art. Moving beyond personal narrative, transracially adopted writers from around the world tackle difficult questions about how to survive the racist and ethnocentric worlds they inhabit, what connects the countries relinquishing their children to the countries importing them, why poor families of color have their children removed rather than supported—about who, ultimately, they are. In their inquiry, the contributors unseat conventional understandings of adoption politics, reframing the controversy as a debate that encompasses human rights, peace, and reproductive justice.

Contributors: Heidi Lynn Adelsman; Ellen M. Barry; Laura Briggs, U of Massachusetts, Amherst; Catherine Ceniza Choy, U of California, Berkeley; Gregory Paul Choy, U of California, Berkeley; Rachel Quy Collier; J. A. Dare; Kim Diehl; Kimberly R. Fardy; Laura Gannarelli; Shannon Gibney; Mark Hagland; Perlita Harris; Tobias Hübinette, Stockholm U; Jae Ran Kim; Anh Đào Kolbe; Mihee-Nathalie Lemoine; Beth Kyong Lo; Ron M.; Patrick McDermott, Salem State College, Massachusetts; Tracey Moffatt; Ami Inja Nafzger (aka Jin Inja); Kim Park Nelson; John Raible; Dorothy Roberts, Northwestern U; Raquel Evita Saraswati; Kirsten Hoo-Mi Sloth; Soo Na; Shandra Spears; Heidi Kiiwetinepinesiik Stark; Kekek Jason Todd Stark; Sunny Jo; Sandra White Hawk; Indigo Williams Willing; Bryan Thao Worra; Jeni C. Wright.

The way that imperial power is enacted around the world today has changed, but it has received little attention. Outsourced Empire aims to change that, re-evaluating the history of empire from the Cold War to the present by looking at the influence of para-state actors. A para-state is a region that seeks or claims, but does not officially have, the status of an independent state. From the Guatemalan coup to the Bay of Pigs, from Syrian rebel factions to the Soviet-Afghan War, Andrew Thomson pulls together seemingly disparate events and groups to reveal the ways that para-states have become central to US imperialism, enabling the United States to influence political and economic conditions abroad in secret. Drawing on a wide range of sources, including US training manuals, CIA communiqués, and National Security Agency archives, Thomson reveals the hidden workings of contemporary empire.
 

The first scholarly study of Adrienne Rich’s full career examines the poet through her developing approach to the transformative potential of relationships
 

Adrienne Rich is best known as a feminist poet and activist. This iconic status owes especially to her work during the 1970s, while the distinctive political and social visions she achieved during the second half of her career remain inadequately understood. In Outward, poet, scholar, and novelist Ed Pavlić considers Rich’s entire oeuvre to argue that her most profound contribution in poems is her emphasis on not only what goes on “within us” but also what goes on “between us.” Guided by this insight, Pavlić shows how Rich’s most radical work depicts our lives—from the public to the intimate—in shared space rather than in owned privacy.

Informed by Pavlić’s friendship and correspondence with Rich, Outward explores how her poems position visionary possibilities to contend with cruelty and violence in our world. Employing an innovative framework, Pavlić examines five kinds of solitude reflected in Rich’s poems: relational solitude, social solitude, fugitive solitude, dissident solitude, and radical solitude. He traces the importance of relationships to her early writing before turning to Rich’s explicitly antiracist and anticapitalist work in the 1980s, which culminates with her most extensive sequence, “An Atlas of the Difficult World.” Pavlić concludes by examining the poet’s twenty-first century work and its depiction of relationships that defy historical divisions based on region, race, class, gender, and sexuality.

A deftly written engagement in which one poet works within the poems of another, Outward reveals the development of a major feminist thinker in successive phases as Rich furthers her intimate and erotic, social and political reach. Pavlić illuminates Rich’s belief that social divisions and the power of capital inform but must never fully script our identities or our relationships to each other. 
 

Though underexplored in contemporary scholarship, the Victorian attempts to turn aesthetics into a science remain one of the most fascinating aspects of that era. In The Outward Mind, Benjamin Morgan approaches this period of innovation as an important origin point for current attempts to understand art or beauty using the tools of the sciences. Moving chronologically from natural theology in the early nineteenth century to laboratory psychology in the early twentieth, Morgan draws on little-known archives of Victorian intellectuals such as William Morris, Walter Pater, John Ruskin, and others to argue that scientific studies of mind and emotion transformed the way writers and artists understood the experience of beauty and effectively redescribed aesthetic judgment as a biological adaptation. Looking beyond the Victorian period to humanistic critical theory today, he also shows how the historical relationship between science and aesthetics could be a vital resource for rethinking key concepts in contemporary literary and cultural criticism, such as materialism, empathy, practice, and form. At a moment when the tumultuous relationship between the sciences and the humanities is the subject of ongoing debate, Morgan argues for the importance of understanding the arts and sciences as incontrovertibly intertwined.

In The Oval Hour Kathleen Peirce addresses the vulnerability of language—which is to say the vulnerability of our reality—when we are in extreme states of desire and loss, especially erotic desire and erotic loss. Central to the book is its series of "Confessions," twenty formally similar poems that contend with the Confessions of Saint Augustine.“Passing through innocence, I came either to experience / or guilt, or they came to me, displacing innocence”: these luminous poems explore the generation and overlapping of carnal and metaphysical identities.

The Ovary of Eve is a rich and often hilarious account of seventeenth- and eighteenth-century efforts to understand conception. In these early years of the Scientific Revolution, the most intelligent men and women of the day struggled to come to terms with the origins of new life, and one theory—preformation—sparked an intensely heated debate that continued for over a hundred years. Clara Pinto-Correia traces the history of this much maligned theory through the cultural capitals of Europe.

"The most wonderfully eye-opening, or imagination-opening book, as amusing as it is instructive."—Mary Warnock, London Observer

"[A] fascinating and often humorous study of a reproductive theory that flourished from the mid-17th century to the mid-18th century."—Nina C. Ayoub, Chronicle of Higher Education

"More than just a good story, The Ovary of Eve is an object lesson about the history of science: Don't trust it. . . . Pinto-Correia says she wants to tell the story of history's losers. In doing so, she makes defeat sound more appealing than victory."—Emily Eakin, Nation.

"A sparkling history of preformation as it once affected every facet of European culture."—Robert Taylor, Boston Globe

After a chance meeting with a shaman in Colombia, Ilan Stavans, the highly regarded literary scholar, found himself in the Amazon rainforest. He had reluctantly agreed to participate in a religious ceremony that involved taking the hallucinogen ayahuasca. Even though he considered himself a skeptic and a rational intellectual, as someone whose worldview was defined by his education and his heritage as a Mexican Jew, Stavans found that the ritual pushed him to reconsider many of his basic understandings, including his perceptions of indigenous cultures in Latin America, as well as his career as teacher, thinker, and artist. This one-act play is delivered in the form of a lecture that mimics the author's startling spiritual journey. The book includes twenty-five bold images, in color and black and white, which capture the author's performance of the play.

During the Great War, composers and performers created music that expressed common sentiments like patriotism, grief, and anxiety. Yet music also revealed the complexities of the partnership between France, Great Britain, Canada, and the United States. At times, music reaffirmed a commitment to the shared wartime mission. At other times, it reflected conflicting views about the war from one nation to another or within a single nation. Over Here, Over There examines how composition, performance, publication, recording, censorship, and policy shaped the Atlantic allies' musical response to the war. The first section of the collection offers studies of individuals. The second concentrates on communities, whether local, transnational, or on the spectrum in-between. Essay topics range from the sinking of the Lusitania through transformations of the entertainment industry to the influenza pandemic. Contributors: Christina Bashford, William Brooks, Deniz Ertan, Barbara L. Kelly, Kendra Preston Leonard, Gayle Magee, Jeffrey Magee, Michelle Meinhart, Brian C. Thompson, and Patrick Warfield

Over the Alleghenies: Early Canals and Railroads of Pennsylvania is the definitive history of the state of Pennsylvania’s incredible canal and railroad system. Although often condemned as a colossal failure, this construction effort remains an innovative, magnificent feat that ushered in modern transportation to Pennsylvania and the entire country. With extensive primary research, over one hundred illustrations, newspapers clippings, and charts and graphs, Over the Alleghenies examines and dissects the infrastructure project that bankrupted the wealthiest state in the Union. 

Often described as an emergency, homelessness in America is becoming a chronic condition that reflects an overall decline in the nation's standard of living and the general state of the economy. This is the disturbing conclusion drawn by Martha Burt in Over the Edge, a timely book that takes a clear-eyed look at the astonishing surge in the homeless population during the 1980s. Assembling and analyzing data from 147 U.S. cities, Burt documents the increase in homelessness and proposes a comprehensive explanation of its causes, incorporating economic, personal, and policy determinants. Her unique research answers many provocative questions: Why did homelessness continue to spiral even after economic conditions improved in 1983? Why is it significantly greater in cities with both high poverty rates and high per capita income? What can be done about the problem? Burt points to the significant catalysts of homelessness—the decline of manufacturing jobs in the inner city, the increased cost of living, the tight rental housing market, diminished household income, and reductions in public benefit programs—all of which exert pressures on the more vulnerable of the extremely poor. She looks at the special problems facing the homeless, including the growing number of mentally ill and chemically dependent individuals, and explains why certain groups—minorities and low-skilled men, single men and women, and families headed by women—are at greatest risk of becoming homeless. Burt's analysis reveals that homelessness arises from no single factor, but is instead perpetuated by pivotal interactions between external social and economic conditions and personal vulnerabilities. From an understanding of these interactions, Over the Edge builds lucid, realistic recommendations for policymakers struggling to alleviate a situation of grave consequence for our entire society.

Francaviglia looks anew at the geographical-historical context of the driving of the golden spike in May 1869. He gazes outward from the site of the transcontinental railroad's completion—the summit of a remote mountain range that extends south into the Great Salt Lake. The transportation corridor that for the first time linked America's coasts gave this distinctive region significance, but it anchored two centuries of human activity linked to the area's landscape.

Francaviglia brings to that larger story a geographer's perspective on place and society, a railroad enthusiast's knowledge of trains, a cartographic historian's understanding of the knowledge and experience embedded in maps, and a desert lover's appreciation of the striking basin-and-range landscape that borders the Great Salt Lake.

Over the Rim is the first book about an important but little-known expedition sent by Brigham Young to explore southern Utah. Led by Mormon apostle Parley P. Pratt, the party traveled from Salt Lake City south across the rim of the Great Basin to the Virgin River near future St. George. They brought back to Mormon leaders their first detailed portrait of the country to the south that the church planned to settle.

First the press became the media, and now the media have become the Imperial Media—or have they? In this timely and comprehensive analysis, Michael Robinson and Margaret Sheehan examine how the news media behaved (or misbehaved) in covering the 1980 presidential campaign. Using the media's own traditional standards as a guide, Robinson and Sheehan measure the level of objectivity, fairness, seriousness, and criticism displayed by CBS News and United Press International between January and December of 1980. Drawing on statistical analyses of almost 6,000 news stories and dozens of interviews with writers and reporters, the authors reach convincing and sometimes surprising conclusions. They demonstrate, for example, that both CBS and UPI strictly avoided subjective assessments of the candidates and their positions on the issues. Both gave the major parties remarkably equal access. But the media seem to give more negative coverage to front-runners, treating serious challengers less harshly. Perhaps the most surprising finding is that networks were not more superficial than print; CBS attended to the issues at least as often as UPI. Robinson and Sheehan find television coverage more subjective, more volatile, and substantially more negative than traditional print. But CBS behaved neither imperially nor irresponsibly in Campaign '80. The networks did, however, emulate the more highly charged journalism of the eastern elite print press. By blending the quantitative techniques of social science and the tools of Washington-based journalism, Robinson and Sheehan have produced a book that will be essential reading for students and practitioners of politics, public opinion research, journalism, and communications. Lively and readable, it should also appeal to anyone interested in the role of the news media in contemporary politics.

Over There explores the social impact of America’s global network of more than 700 military bases. It does so by examining interactions between U.S. soldiers and members of host communities in the three locations—South Korea, Japan and Okinawa, and West Germany—where more than-two thirds of American overseas bases and troops have been concentrated for the past six decades. The essays in this collection highlight the role of cultural and racial assumptions in the maintenance of the American military base system, and the ways that civil-military relations play out locally. Describing how political, spatial, and social arrangements shape relations between American garrisons and surrounding communities, they emphasize such factors as whether military bases are located in democratic nations or in authoritarian countries where cooperation with dictatorial regimes fuels resentment; whether bases are integrated into neighboring communities or isolated and surrounded by “camp towns” wholly dependent on their business; and whether the United States sends single soldiers without families on one-year tours of duty or soldiers who bring their families and serve longer tours. Analyzing the implications of these and other situations, the contributors address U.S. military–regulated relations between GIs and local women; the roles of American women, including military wives, abroad; local resistance to the U.S. military presence; and racism, sexism, and homophobia within the U.S. military. Over There is an essential examination of the American military as a global and transnational phenomenon.

Contributors
Donna Alvah
Chris Ames
Jeff Bennett
Maria Höhn
Seungsook Moon
Christopher Nelson
Robin Riley
Michiko Takeuchi

As a natural outgrowth from her anthology of contemporary American farm poems,Handspan of Red Earth, editor Catherine Webster has devoted herself over the past years to gathering this collection of farm poems from writers around the world. She has done her work with great energy, thoroughness, skill, and love.

Over This Soil urges us to preserve our farmlands, to increase our responsibilities of land stewardship, and to intelligently maintain the agricultural necessities of our lives. It is an important agricultural and literary document for our planet at this time.

Perhaps no country in history has so directly and thoroughly confronted its past in an effort to shape its future as has South Africa. Working from the belief that understanding the past will help build a more peaceful and democratic future, South Africa has made a concerted, institutionalized effort to come to grips with its history of apartheid through its Truth and Reconciliation Commission. In Overcoming Apartheid, James L. Gibson provides the first systematic assessment of whether South Africa's truth and reconciliation process has been successful. Has the process allowed South Africa to let go of its painful past and move on? Or has it exacerbated racial tensions by revisiting painful human rights violations and granting amnesty to their perpetrators? Overcoming Apartheid reports on the largest and most comprehensive study of post-apartheid attitudes in South Africa to date, involving a representative sample of all major racial, ethnic, and linguistic groups. Grounding his analysis of truth in theories of collective memory, Gibson discovers that the process has been most successful in creating a common understanding of the nature of apartheid. His analysis then demonstrates how this common understanding is helping to foster reconciliation, as defined by the acceptance of basic principles of human rights and political tolerance, rejection of racial prejudice, and acceptance of the institutions of a new political order. Gibson identifies key elements in the process—such as acknowledging shared responsibility for atrocities of the past—that are essential if reconciliation is to move forward. He concludes that without the truth and reconciliation process, the prospects for a reconciled, democratic South Africa would diminish considerably. Gibson also speculates about whether the South African experience provides any lessons for other countries around the globe trying to overcome their repressive pasts. A groundbreaking work of social science research, Overcoming Apartheid is also a primer for utilizing innovative conceptual and methodological tools in analyzing truth processes throughout the world. It is sure to be a valuable resource for political scientists, social scientists, group relations theorists, and students of transitional justice and human rights.

Today our planet is home to 6.8 billion people. By the year 2050, the global population will have grown to 9 billion. Yet the problems that will come with this massive expansion are not universal. Many developing nations will experience high demographic growth, while industrialized countries will have to deal with aging and eventually shrinking populations, as well as with more immigration. Overcrowded World? Global Population and International Migration offers a perspective on the causes and effects of rapid population change, and asks two vital questions: how can Earth sustain this growth? And what can we do to improve the living conditions of present and future generations?

Lead short story featured in 1993 Best American Short Stories

A wide variety of characters saunter, stalk, run, and sometimes hide in these lively stories about contemporary Southerners. Their experiences revolve around the way life is felt and the way it is lived, reflecting a gap between the plans we make for ourselves and the way things actually turn out. From the jungles of Vietnam to the bayous of Louisiana, from the French countryside to Vicksburg, Mississippi, Ely’s stories reveal how human beings’ unpredictable, unconscious motivations will have their say no matter what steps are taken to silence them.

Certain shadows fall over all the characters—especially the shadows of the Vietnam experience and the struggle between a traditional Southern heritage and the conflicting ideals of contemporary society. The characters in Ely’s stories seem powerless to defend themselves against the ever-changing expectations of a modern life, and yet they gain a new humanity and depth when, with dignity, they embrace their limitations.

We live in a time of global crisis—or, more appropriately, crises: overlapping, interlocking global problems that are inextricably tied to modernity. Overheating offers a groundbreaking new way of looking at the problems of the Anthropocene, exploring crises of the environment, economy, and identity through an anthropological lens. Thomas Hylland Eriksen argues that while each of these crises is global in scope, they are nonetheless perceived and responded to locally—and that once we realize that, we begin to see the contradictions that abound between the standardizing forces of global capitalism and the socially embedded nature of people and local practices. Only by acknowledging the primacy of the local, Eriksen shows, can we begin to even properly understand, let alone address, these problems on a global scale.
 

The wagon trail between Salt Lake City and Los Angeles is one of the most important and least-known elements of nineteenth-century Western migration. Known as the Southern Route, it included the western half of the Old Spanish Trail and was favored because it could be used for travel and freighting year-round. It was, however, likely the most difficult route that pioneers traveled with any consistency, following not rivers but leading from one--sometimes dubious--desert watering place to the next and offering few havens for the sick, weary, or unfortunate. Historian Edward Leo Lyman has provided the first history of the complete Southern Route and of the people who developed and used it. Based on extensive research in primary sources--including many early travelers’ accounts--and on Lyman’s own investigation of the route and its branches, the book discusses the exploration and development of the Old Spanish Trail, its horse thieves and traders, including Jed Smith and Kit Carson, along with government explorere John C. Frémont. Developing the old pack mule trail as a wagon road between Salt Lake City and Los Angeles, miners heading for the California gold fields first used the route extensively. Mormon missionaries and the colonizers of San Bernardino and other communities also traveled that way, as did a wide array of mail carriers, soldiers and world travelers. Later, a steady stream of Anglo-American emigrants seeking new homes or fortunes in California shared the road with a surprising number of freight wagon operators. The trail passed through the territories of numerous Native American peoples, and contacts with them--both friendly and hostile--played a significant role in the experiences of travelers and in the fates of Native American cultures in this region. Lyman’s discussions of Mormon-Indian relations and of the infamous Mountain Meadows Massacre offer fresh and important analyses of these vital aspects of the westward movement.

It sounds so simple. Just combine oxygen and hydrogen in an electrochemical reaction that produces water and electricity, and you’ll have a clean, efficient power source. But scientists have spent decades—and billions of dollars in government and industry funding—developing the fuel cell. There have been successes and serendipitous discoveries along the way, but engineering a fuel cell that is both durable and affordable has proved extraordinarily difficult.

Overpotential charts the twists and turns in the ongoing quest to create the perfect fuel cell. By exploring the gap between the theory and practice of fuel cell power, Matthew N. Eisler opens a window into broader issues in the history of science, technology, and society after the Second World War, including the sociology of laboratory life, the relationship between academe, industry, and government in developing advanced technologies, the role of technology in environmental and pollution politics, and the rise of utopian discourse in science and engineering.

Capitalism is in crisis. Overripe Economy uses a historical view to explain how we got here and why. Taking readers through the history of American capitalism--from the ruthless competition of the nineteenth century to the maturation of industrial capitalism in the early part of the twentieth and on into today’s finance-ridden decline--Alan Nasser lays out here in damning detail why the persistent austerity of financialized capitalism is the inevitable outcome of the evolution of the American economy. Capitalism, he argues, ultimately presents us with two alternatives: persistent austerity, declining democracy, and a privatized state, or a polity and economy characterized by genuine economic democracy.

In Overseers of the Poor, John Gilliom confronts the everyday politics of surveillance by exploring the worlds and words of those who know it best-the watched. Arguing that the current public conversation about surveillance and privacy rights is rife with political and conceptual failings, Gilliom goes beyond the critics and analysts to add fresh voices, insights, and perspectives.

This powerful book lets us in on the conversations of low-income mothers from Appalachian Ohio as they talk about the welfare bureaucracy and its remarkably advanced surveillance system. In their struggle to care for their families, these women are monitored and assessed through a vast network of supercomputers, caseworkers, fraud control agents, and even grocers and neighbors.

In-depth interviews show that these women focus less on the right to privacy than on a critique of surveillance that lays bare the personal and political conflicts with which they live. And, while they have little interest in conventional forms of politics, we see widespread patterns of everyday resistance as they subvert the surveillance regime when they feel it prevents them from being good parents. Ultimately, Overseers of the Poor demonstrates the need to reconceive not just our understanding of the surveillance-privacy debate but also the broader realms of language, participation, and the politics of rights.

We all know that our lives are being watched more than ever before. As we struggle to understand and confront this new order, Gilliom argues, we need to spend less time talking about privacy rights, legislatures, and courts of law and more time talking about power, domination, and the ongoing struggles of everyday people.

Vladimir Fedorovich Dzhunkovsky was a witness to Russia’s unfolding tragedy—from Tsar Alexander II’s Great Reforms, through world war, revolution, the rise of a new regime, and finally, his country’s descent into terror under Stalin. But Dzhunkovsky was not just a passive observer—he was an active participant in his troubled and turbulent times, often struggling against the tide. In the centennial of the Russian revolution, his story takes on special significance.

Highly readable, Overtaken by the Night captivates on many levels. It is a gripping biography of a man of many faces, a behind-the-curtain look at the inner workings of Russian politics at its highest levels, and also an engrossing account of ordinary Russians engulfed by swiftly moving political and social currents.

Dzhunkovsky served as a confidant in the tsar’s imperial court and as governor in Moscow province during and after the 1905 revolution.  In 1913 he became the empire’s security chief, determined to reform the practices of the dreaded tsarist political police, the Okhrana. Dismissed from office for daring to investigate and warn Tsar Nicholas about Rasputin, his path led him into combat on the battlefields of the First World War. A natural leader of men, he held his units together even as revolution spilled into the trenches. Arrested as a counterrevolutionary in 1918 and imprisoned until 1921, Dzhunkovsky avoided execution thanks to an outpouring of public support and his reputation for treating revolutionaries with fairness and dignity. Although later he consulted for the Stalinist secret police, he was tried and executed in 1938 as an enemy of the people.

Based on Dzhunkovsky’s detailed memoirs and extensive archival research, Overtaken by the Night paints a fascinating picture of an important figure. Dzhunkovsky's incredible life reveals much about a long and crucial period in Russian history. It is a story of Russia in revolution reminiscent of the fictional Doctor Zhivago, but perhaps even more extraordinary for being true.
 

Paul Sigmund, who has studied Chile for more than a decade, and lived and taught there, offers an exhaustive, balanced analysis of the overthrow of Salvador Allende, and why it occurred. Sigmund examines the Allende government, the Frei government that preceeded it, the coup that ended it, and the Pinochet government that succeeded it. He also views the roles of various Chilean political and interest groups, the CIA, and U.S. corporations.

Allan Sherman was the Larry David, the Adam Sandler, the Sacha Baron Cohen of 1963. He led Jewish humor and sensibilities out of ethnic enclaves and into the American mainstream with explosively funny parodies of classic songs that won Sherman extraordinary success and acclaim across the board, from Harpo Marx to President Kennedy. In Overweight Sensation, Mark Cohen argues persuasively for Sherman’s legacy as a touchstone of postwar humor and a turning point in Jewish American cultural history. With exclusive access to Allan Sherman’s estate, Cohen has written the first biography of the manic, bacchanalian, and hugely creative artist who sold three million albums in just twelve months, yet died in obscurity a decade later at the age of forty-nine. Comprehensive, dramatic, stylish, and tragic, Overweight Sensation is destined to become the definitive Sherman biography.

A debut collection from an exciting new voice in Alaska poetry, Overwinter reconciles the natural quiet of wilderness with the clamor of built environments. Jeremy Pataky’s migration between Anchorage and Wrangell-St. Elias National Park inspires these poems that connect urban to rural. This duality permeates Overwinter. Moments are at turns fevered or serene. The familial and romantic are measured against the wildness of the Far North. Empty spaces bring both solace and loneliness in full. Past loves haunt the present, surviving in the spaces sculpted by language.

The epic Metamorphoses, Ovid’s most renowned work, has regained its stature among the masterpieces of great poets such as Vergil, Horace, and Tibullus. Yet its irreverent tone and bold defiance of generic boundaries set the Metamorphoses apart from its contemporaries. Ovid before Exile provides a compelling new reading of the epic, examining the text in light of circumstances surrounding the final years of Augustus’ reign, a time when a culture of poets and patrons was in sharp decline, discouraging and even endangering artistic freedom of expression.
    Patricia J. Johnson demonstrates how the production of art—specifically poetry—changed dramatically during the reign of Augustus. By Ovid’s final decade in Rome, the atmosphere for artistic work had transformed, leading to a drop in poetic production of quality. Johnson shows how Ovid, in the episodes of artistic creation that anchor his Metamorphoses, responded to his audience and commented on artistic circumstances in Rome.

Ovid’s Causes offers a new reassessment of the poet’s longest and most difficult poem, the Metamorphoses. This poem has long been denied epic stature because of its stylistic and thematic diversity. K. Sara Myers demonstrates that the poem must be understood as the inheritor and interpreter of the Roman tradition of cosmological epic. She situates the poem in the traditions and conventions of Roman poetry and considers the ways in which it both fulfills and overturns the expectations of the epic genre.
 
The first and final chapters of this book examine the scientific and cosmological framework of the poem. Ovid’s juxtaposition of scientific and mythological explanations is an aspect of his sophisticated manipulation of truth and fiction, and of the claims of philosophical poetry and mythological poetry.
 
This illuminating study presents much useful material for students of Roman poetry or of Greek literary influences that profoundly influenced its development. Students and scholars of ancient poetical traditions will likewise find much of interest.
 

Ovid's poetry has in recent years enjoyed a remarkable renaissance: in particular, there has been a surge of interest in the Heroides, the Fasti, and his exile poetry. Ovid's Literary Loves, by Barbara Weiden Boyd, reopens the Amores for the modern reader. The volume establishes a context for the recent reception of the Amores, and proposes an alternative approach to the collection by discussing recent trends in the discussion of imitation in Roman poetry. A premise basic to most Ovidian studies has been that the Amores are not only imitative, but parodic, both of the elegiac genre writ large and of Propertius in particular. In contrast, Boyd emphasizes the many nonelegiac, non-Propertian features of the collection. Ovid's irony and its consequences are also discussed with special attention to the narrative structure of the three books.
Boyd's thoughtful approach to imitation in Latin poetry brings into prominence the formative role played by Virgil in shaping Ovid's "poetic memory," even in the Amores. The detailed examination of Ovidian extended similes shows how the poet exploits the literary past precisely in order to free himself from generic restraint and to expand the narrow horizons of elegy. Boyd argues that this paradox is the essence of Ovidian poetics.
Ovid's Literary Loves is an imaginative approach to imitation in Latin poetry and makes a significant contribution to current discussions of the subject. This is one of the first contemporary scholarly monographs on the Amores, and it will find a large and welcoming audience of Latinists at all levels of study.
Barbara Weiden Boyd is Associate Professor of Classics, Bowdoin College, Brunswick, Maine.

Roman love-poet Ovid, best known for the epic Metamorphoses, offers in his Fasti the self-proclaimed goal of exploring and explicating the Roman calendar. Published in his maturity circa 14 CE, the Fasti presents claims of aetiological, astronomical, and even antiquarian interests, but more importantly the poem highlights an extraordinary prominence of female characters at work, play, and worship in its verses. From flirtatious goddesses to talkative old women, beautiful puellae to stern prophetesses and beyond, Ovid’s “calendar girls” appear in a vast and kaleidoscopic array of guises and narratives, importing and transforming literary genre and expectation alike in a poem that already in shape and purpose is unique in Latin literature. The poet’s long-standing fascination with female figures that had first appeared in his earliest work and then accompanied him throughout his career now resurfaces in a much more complex form.

Of interest to literary scholars, antiquarians, and those studying the social and political roles of ancient women, Ovid’s Women of the Year offers an intriguing view of an Ovidian poem now coming into its own.

Winner of the sixth annual May Swenson Poetry Award, The Owl Question underscores and relishes life's transitions from young girl to woman, from child to wife to mother, and from isolation to connection this poet's bright sense of abundance and awe, here expressed in finely tuned detail and refreshingly open observation, reads like a collective memory. Though private and closely held, these questionings are as familiar as our own souls, and in their transformation to poetry, Shearin has created the very "map" she wishes to guide her when she "can't learn the world fast enough."

In The Owl Was a Baker’s Daughter, Gillian Cummings gives voice to her version of Ophelia, a young woman shattered by unbearable losses, and questions what makes a mind unwind till the outcome is deemed a suicide. Ophelia’s story, spoken quietly, lyrically, in prose poems whose tone is unapologetically feminine, is bracketed by short, whittled-down once-sonnets featuring other Ophelias, nameless “she” and “you” characters who address the question of madness and its aftermath. These women and girls want to know, what is God when the soul is at its nadir of suffering, and how can one have faith when living with a mind that wants to destroy itself?

If it is true, as Joseph Campbell said, that “the psychotic drowns in the same waters in which the mystic swims with delight,” then Cummings strains the boundaries of this notion: “Is it the same? The desire to end a life / and the need to know how: a flower’s simple bliss?” Her women and girls, part “little heavenling” and part “small hellborn,” understand the emptiness of utmost despair and long for that other emptiness, which can be thought of as union with God, the death of the troublesome ego. Cummings’s poetic ancestors may be Dickinson and Plath and her source here Shakespeare, but more contemporary voices also echo in her poems, those of Lucie Brock-Broido, Larissa Szporluk, and Cynthia Cruz. Here, in The Owl Was a Baker’s Daughter, is what might happen if, after sealing off the doors and turning on the gas, indeed, after dying, a poet had come to embrace the holiness in how “all dissolves: one color, / one moon, all earth, red as love, red as living.”

Owls, Caves, and Fossils is the first comprehensive, fully illustrated account of small mammal taphonomy. The study of small mammal remains has previously been neglected in favor of such large mammals as elephants, bovids, and carnivores, and Andrews remedies this deficiency by analyzing the taphonomic processes significant in the preservation of small mammal fauna in caves.

The Owners of Kinship investigates how kinship in Indigenous Amazonia is derived from the asymmetrical relation between an “owner” and his or her dependents. Through a comprehensive ethnography of the Kanamari, Luiz Costa shows how this relationship is centered around the bond created between the feeder and the fed. 
 
Building on anthropological studies of the acquisition, distribution, and consumption of food and its role in establishing relations of asymmetrical mutuality and kinship, this book breaks theoretical ground for studies in Amazonia and beyond. By investigating how the feeding relation traverses Kanamari society—from the relation between women and the pets they raise, shaman and familiar spirit, mother and child, chiefs and followers, to those between the Brazilian state and the Kanamari—The Owners of Kinship reveals how the mutuality of kinship is determined by the asymmetry of ownership.

 

Owning and Managing Forests is both an accessible overview of the privileges, rights, and obligations that accompany forest ownership and a guidebook to help active forest owners and managers use laws to their advantage and avoid the pitfalls of expensive and exhausting litigation. The book is a revised, expanded, and updated edition of Legal Aspects of Owning and Managing Woodlands, published in 1998 by Island Press and named Best Forestry Book of the Year by the National Woodland Owners Association.

This edition provides current information on recent changes in property, environmental, and tax laws, while also discussing new directions in forest management. It offers expanded treatment of topics including private property, searching property records, easements, estate planning, timber sale contracts, working with forestry professionals, and how to pass woodlands intact to future generations. The book also describes the many different facets of trusts, changes in forestland taxation methods, and new licensing and certification options. Included, too, is a section on avoiding disputes and how to use alternative dispute resolution methods to avoid costly, troubling, and time-consuming court battles.

Owning and Managing Forests provides clear and concise descriptions of often confusing concepts and difficult subjects, and addresses issues in a competent yet conversational tone. Anyone involved with owning or managing forestland will find the book an essential guide and reference.

In 1710, England’s first copyright law gave authors the ability to own their works, but it was not until 1833 that literary property law was extended to protect dramatic performance. Between these dates, generations of playwrights grappled for control over their intellectual property in a cultural and legal environment that treated print differently from performance. As ownership became a central concern for many, actors fought to possess their dramatic parts exclusively, playwrights struggled to control and profit from repeat performances of their works, and managers tried to gain a monopoly over the performance of profitable plays.

Owning Performance follows the careers of some of the 18th century’s most influential playwrights, actors, and theater managers as they vied for control over the period’s most popular shows. Without protection for dramatic literary property, these figures developed creative extra-legal strategies for controlling the performance of drama—quite literally performing their ownership. Their various strategies resulted in a culture of ephemerality, with many of the period’s most popular works existing only in performance and manuscript copies. Author Jane Wessel explores how playwrights and actors developed strategies for owning their works and how, in turn, theater managers appropriated these strategies, putting constant pressure on artists to innovate. Owning Performance reveals the wide-reaching effects of property law on theatrical culture, tracing a turn away from print that affected the circulation, preservation, and legacy of 18th century drama.

"A major contribution to the study of global events in times of global media. Owning the Olympics tests the possibilities and limits of the concept of 'media events' by analyzing the mega-event of the information age: the Beijing Olympics. . . . A good read from cover to cover."
—Guobin Yang, Associate Professor, Asian/Middle Eastern Cultures & Sociology, Barnard College, Columbia University

From the moment they were announced, the Beijing Games were a major media event and the focus of intense scrutiny and speculation. In contrast to earlier such events, however, the Beijing Games are also unfolding in a newly volatile global media environment that is no longer monopolized by broadcast media. The dramatic expansion of media outlets and the growth of mobile communications technology have changed the nature of media events, making it significantly more difficult to regulate them or control their meaning. This volatility is reflected in the multiple, well-publicized controversies characterizing the run-up to Beijing 2008. According to many Western commentators, the People's Republic of China seized the Olympics as an opportunity to reinvent itself as the "New China"---a global leader in economics, technology, and environmental issues, with an improving human-rights record. But China's maneuverings have also been hotly contested by diverse global voices, including prominent human-rights advocates, all seeking to displace the official story of the Games.

Bringing together a distinguished group of scholars from Chinese studies, human rights, media studies, law, and other fields, Owning the Olympics reveals how multiple entities---including the Chinese Communist Party itself---seek to influence and control the narratives through which the Beijing Games will be understood.

digitalculturebooks is an imprint of the University of Michigan Press and the Scholarly Publishing Office of the University of Michigan Library dedicated to publishing innovative and accessible work exploring new media and their impact on society, culture, and scholarly communication. Visit the website at www.digitalculture.org.

Walter Van Tilburg Clark, author of the classic novel The Ox-Bow Incident, was one of the West’s most important literary figures, a writer who contributed mightily to the tradition of viewing the West realistically and not through the veil of myth and romance. As a comparatively young man, he published three novels and a collection of short stories, then remained almost silent for the rest of his life, the victim of a paralyzing case of writer’s block. Now Jackson J. Benson, one of the country’s foremost literary biographers, has produced the first full-length biography of this brilliant, enigmatic, and ultimately tragic figure. Based on widely scattered sources—personal papers and correspondence; interviews with family members, friends, and others; and Clark’s unpublished stories and poems—Benson’s biography focuses on Clark’s intellectual and literary life as a writer, teacher, and westerner. Benson masterfully balances his engaging account of the experiences, people, and settings of Clark’s life with a penetrating examination of his complex psyche and the crippling perfectionism that virtually ended Clark’s career, as well as offering up a thoughtful assessment of Clark’s place in Western writing. In these pages, Clark lives again, a warm, complex, and ultimately anguished human being. Benson’s remarkably astute and sensitive biography is destined to be the book that readers and researchers consult first for information about this major western writer.

Not only have a breathtaking array of musical giants come from the South—think Elvis Presley, Robert Johnson, Louis Armstrong, Jimmie Rodgers, to name just obvious examples—but so have a breathtaking array of American music genres. From blues to rock & roll to jazz to country to bluegrass—and areas in between—it all started in the American South. Since its debut in 1996, The Oxford American's more-or-less annual Southern Music Issue has become legendary for its passionate and wide-ranging approach to music and for working with some of America's greatest writers. These writers—from Peter Guralnick to Nick Tosches to Susan Straight to William Gay—probe the lives and legacies of Southern musicians you may or may not yet be familiar with, but whom you'll love being introduced, or reintroduced, to. In one creative, fresh way or another, these writers also uncover the essence of music—and why music has such power over us.
To celebrate ten years of Southern music issues, most of which are sold-out or very hard to find, the fifty-five essays collected in this dynamic, wide-ranging, and vast anthology appeal to both music fans and fans of great writing.

This volume makes available for the first time in a facsimile edition one of the most important musical manuscripts of the late Middle Ages.

Copied probably in Venice around 1430, the Oxford manuscript contains the most comprehensive surviving collection of secular songs of the late fourteenth and early fifteenth centuries. Of the 326 pieces, 216 are not found in any other source. Including works by Guillaume Dufay, Binchois, and nearly all other leading composers of their generation, it is central to an understanding of fifteenth-century song traditions. Because of the copyist's clear and distinctive hand, it is also significant for studies of late medieval musical notation. David Fallows's introduction includes a history of the manuscript, analysis of its preparation, and survey of its choice of repertory, as well as a full inventory of the music and alphabetical indexes by title and composer. The original-size facsimile includes beta-radiographs of all watermarks, as well as ultraviolet photos that show the copyist's changes and revisions.

This volume is the first edition in a new series called Late Medieval and Early Renaissance Music in Facsimile edited by Margaret Bent and John Nádas and published by the University of Chicago Press. This series will include high-quality reproductions of some of the most important and frequently studied European music manuscripts of the late thirteenth through early fifteenth centuries. Each beautifully produced facsimile edition will include a detailed critical introduction and a complete inventory by an acknowledged expert in the field.

The Oxford Botanic Garden is the oldest surviving botanic garden in Britain, occupying the same location in central Oxford since 1621. Designed as a nursery for growing medicinal plants amid the turmoil of the civil war, and nurtured through the restoration of the monarchy, it has, perhaps unsurprisingly, a curious past.
   
This book tells the story of the garden through accounts of each of its keepers, tracing their work and priorities, from its founding keeper, Jacob Bobart, through to the early nineteenth-century partnership of gardener William Baxter and academic Charles Daubeny, who together gave the garden its greenhouse and ponds and helped ensure its survival to the present. Richly illustrated, this book offers a wonderful introduction to a celebrated Oxford site.
 

Oxford Botanic Garden has occupied its central Oxford site next to the river Cherwell continuously since its foundation in 1621 and is the United Kingdom’s oldest botanic garden. Today, the Garden holds a collection of more than five thousand different types of plant, some of which exist nowhere else and are of international conservation importance.

This guide explores Oxford Botanic Garden’s many historic and innovative features, from the walled garden to the waterlily pool, the greenhouses, the rock garden, the water garden and “Lyra’s bench,” made famous in Philip Pullman’s beloved His Dark Materials series. It also gives a detailed explanation of the Garden’s medicinal and taxonomic beds and special plant collections. Lavishly illustrated with specially-commissioned photographs, this book not only provides a fascinating historical overview but also offers a practical guide to Oxford Botanic Garden and its work today. Featuring a map of the site and a historic timeline, this book is a beautiful souvenir of the birthplace of botanical science in the UK.
 

Over the past two hundred years, many thousands of undergraduates have been initiated into membership of Apollo, the Masonic Lodge of the University of Oxford. These have included such diverse figures as Oscar Wilde, Samuel Reynolds Hole, and Edward, Prince of Wales and his brother Leopold. Drawing on archives held in the Bodleian Library, this book is the first serious attempt to set the story of Apollo in the context of Oxford life and learning as well as its wider social and political diaspora. From the devastating numbers lost in World Wars I and II, as well as those decorated for bravery, to the significant number of Olympians who were members of the lodge, the book also charts the lodge’s charitable work, social events, and its adaptation to twenty-first-century life in Oxford. Illustrated with archival material, portraits, and Masonic treasures, this unique book offers the history of a minor narrative with major implications, documenting the remarkable numbers of Oxford freemasons with distinguished careers in government, law, the army, and the church.
 

For more than three centuries, Oxford has served as a source of inspiration for fine illustrated books and engraved prints. These works hold an important place in the historical record of the city, showing its identity to be deeply rooted in history while also chronicling Oxford’s development through the architecture of its most beautiful college and university buildings.
           
With Oxford in Prints, Peter Whitfield has assembled a rich selection of more than seventy illustrations and prints that offer a portrait of Oxford before it became the modern city it is today. Seventeenth-century prints by David Loggan show the medieval origins of Oxford University already overlaid by Tudor and Stuart buildings. Eighteenth-century editions of the Oxford Almanack depict a city dominated by neoclassical ideas. By the nineteenth-century, illustrations in the Almanack had an increasingly romantic feel, with buildings against a natural background of the river, trees, and sky. Each illustration or print is accompanied by an insightful description, including salient historical features.
 

Oxford is one of the world’s great cities—a source of inspiration to generations of poets, novelists, journalists, and commentators who have visited or called it home. Be it praise or colorful invective, everyone, it seems, has something to say about the city and this slender volume—filled with wise, witty, and sometimes scandalous quotes—presents the full range of impressions it has made.

Oxford, “City of Dreaming Spires,” earns high marks from Hillaire Belloc, who writes that “there are few greater temptations on earth than to stay permanently at Oxford . . . and to read all the books in the Bodleian.” But it is also, according to Anthony Trollope, “the most dangerous place to which a young man can be sent.” And none other than Max Beerbohm blames it for making him insufferable.

For fans, foes, and those planning a trip to the city in the hopes of forming an opinion, this collection will be welcomed.

In Oxford Street, Accra, Ato Quayson analyzes the dynamics of Ghana's capital city through a focus on Oxford Street, part of Accra's most vibrant and globalized commercial district. He traces the city's evolution from its settlement in the mid-seventeenth century to the present day. He combines his impressions of the sights, sounds, interactions, and distribution of space with broader dynamics, including the histories of colonial and postcolonial town planning and the marks of transnationalism evident in Accra's salsa scene, gym culture, and commercial billboards. Quayson finds that the various planning systems that have shaped the city—and had their stratifying effects intensified by the IMF-mandated structural adjustment programs of the late 1980s—prepared the way for the early-1990s transformation of a largely residential neighborhood into a kinetic shopping district. With an intense commercialism overlying, or coexisting with, stark economic inequalities, Oxford Street is a microcosm of historical and urban processes that have made Accra the variegated and contradictory metropolis that it is today.

What would happen if a feminist Jewish wit and scholar invaded David Lodge’s territory? Marleen S. Barr, herself a pioneer in the feminist criticism of science fiction, provides a giddily entertaining answer in this feisty novel. Oy Pioneer! follows professor Sondra Lear as she makes her inimitable way through a world of learning—at times fantastic, at times all too familiar, often hilarious, and always compulsively interesting.
    As if Mel Brooks and Erica Jong had joined forces to recreate Sex and the City for the intellectual set, the story is a heady mix of Jewish humor, feminist insight, and academic satire. Lear is a tenured radical and a wildly ambitious intellectual, but is subject nonetheless to the husband-hunting imperatives of her Jewish mother. Her adventures expand narrative parameters according to Barr’s term "genre fission."
    Mixing elements of science fiction, fantasy, ethnic comedy, satire, and authentic experience of academic life, Oy Pioneer! is uncommonly fun—a Jewish feminist scholar’s imaginative text boldly going where no academic satire has gone before—and bringing readers along for an exhilarating ride.

Listen Up! When the New York-born Tito Puente composed "Oye Como Va!" in the 1960s, his popular song was called "Latin" even though it was a fusion of Afro-Cuban and New York Latino musical influences. A decade later, Carlos Santana, a Mexican immigrant, blended Puente’s tune with rock and roll, which brought it to the attention of national audiences. Like Puente and Santana, Latino/a musicians have always blended musics from their homelands with other sounds in our multicultural society, challenging ideas of what "Latin" music is or ought to be. Waves of immigrants further complicate the picture as they continue to bring their distinctive musical styles to the U.S.—from merengue and bachata to cumbia and reggaeton.

In Oye Como Va!, Deborah Pacini Hernandez traces the trajectories of various U.S. Latino musical forms in a globalizing world, examining how the blending of Latin music reflects Latino/a American lives connecting across nations. Exploring the simultaneously powerful, vexing, and stimulating relationship between hybridity, music, and identity, Oye Como Va! asserts that this potent combination is a signature of the U.S. Latino/a experience.

For decades, the Chontalpa region of Tabasco, Mexico, conjured images of the possible origins of the Itzá, who migrated, conquered, or otherwise influenced much of Mesoamerica. In Oysters in the Land of Cacao, archaeologist Bradley E. Ensor provides an important resource for Mesoamerican Gulf Coast archaeology by offering a new and detailed picture of the coastal sites vital to understanding regional interactions and social dynamics.

This book synthesizes data from multiyear investigations at a coastal site complex in Tabasco—Islas de Los Cerros (ILC)—providing the first modern, systematic descriptions and analyses of material culture that challenge preconceptions while enabling new perspectives on cultural developments from the Formative to Late Classic periods through the lens of regional comparisons and contemporary theoretical trends. Ensor introduces a political ecological understanding of the environment and archaeological features, overturns a misconception that the latter were formative shell middens, provides an alternative pottery classification more appropriate for the materials and for contemporary theory, and introduces new approaches for addressing formation processes and settlement history.

Building on the empirical analyses and discussions of problems in Mesoamerican archaeology, this book contributes new approaches to practice and agency perspectives, holistically integrating intra- and interclass agency, kinship strategies, gender and age dynamics, layered cultural identities, landscapes, social memory, and foodways and feasting. Oysters in the Land of Cacao addresses issues important to coastal archaeology within and beyond Mesoamerica. It delivers an overdue regional synthesis and new observations on settlement patterns, elite power, and political economies.

From 1894 to 1934, a span of forty years that saw its parent company go from coal mining to oil drilling, the Texas Pacific Mercantile and Manufacturing Company operated and managed the various commercial and service enterprises essential to the life and history of Thurber, Texas. Thurber was a company town, wholly owned by the Texas and Pacific Coal Company, and the inhabitants viewed the “company store” with suspicion before and after unionization in 1903, believing it monopolistic and exploitative. But to call the mercantile a monopoly, or a mere contrivance to exploit laborers, paints an incomplete portrait of the company store as it existed in Thurber and elsewhere. With a keen eye for spotting telling detail, Gene Rhea Tucker examines a wealth of company ledgers, interviews, and newspaper accounts, presenting a case study not only of the microcosm of Thurber and TPM&M but of relations between labor and management in industrializing Texas, and a larger story of the complex role of the company store and company town in America.

Published just days before America’s entry into World War II, Ozark Country is Otto Ernest Rayburn’s love letter to his adopted region. One of several chronicles of the Ozarks that garnered national attention during the Depression and war years, when many Americans craved stories about people and places seemingly untouched by the difficulties of the times, Rayburn’s colorful tour takes readers from the fictional village of Woodville into the backcountry of a region teeming with storytellers, ballad singers, superstitions, and home remedies.

Rayburn’s tales—fantastical, fun, and unapologetically romantic—portray a world that had already nearly disappeared by the time they were written. Yet Rayburn’s depiction of the Ozarks resonates with notions of the region that have persisted in the American consciousness ever since.

Originally published in 1949, this comprehensive gathering of folksongs is being reissued after many years out of print. The renewed interest in folklore among the general public as well as the scholarly community has prompted this publication.

The collection comprises four volumes including more than eight hundred songs, indexed by title, by first line, and by contributor and town. Each song is thoroughly annotated. In addition to lyrics, the compiler furnished scores and variant lyrics and titles for each song and listed similarities to other songs along with whatever historical information was available to him.

The songs are presented in four volumes. The fourth volume is an assortment of religious songs, hymns, and revival tunes along with sentimental ballads and journalistic pieces.

Characteristic of the compiler's careful work is the painstaking accuracy with which dialect peculiarities are preserved. Randolph scrupulously avoided correcting pronunciation or adding missing words or forgotten lines. Because, as he explains in his introduction, many of the people who sang for him were reluctant to have their voices recorded, his texts represent the best possible reproduction of this priceless American folk art.

A new introduction by W. K. McNeil, folklorist for the Ozark Folklore Center and book review editor for the Journal of American Folklore, comments on Randolph's importance to the field of American folklore and the significance of this work in particular.

The Ozark Trilogy (previously published in 1981, Doubleday) is a widely acclaimed fantasy/science fiction story with, as the title suggests, very strong ties to the Ozark region. Twelve Fair Kingdoms, The Grand Jubilee, And Then There’ll Be Fireworks—the books that comprise the trilogy—chronicle life on the planet Ozark and its Confederation of Continents, which are appropriately named Arkansaw, Oklahomah, Mizzurah, Tinaseeh, Kintucky, and Marktwain. However, the story told here involves much more than a mere transplant of Ozark culture and heritage onto a new planet. While this new Ozark culture maintains and even intensifies many of the “real” Ozark traditions and customs (for instance, “Grannys” hold significant, stabilizing social roles and are important sources of wisdom), the planet Ozark combines many new, fantastical elements with traditional ways. Mules on Ozark fly, and the wise “Grannys” also work magic.

The protagonist of The Ozark Trilogy, Responsible of Brightwater, appears at the center of Ozark society, a society she must save from evil magic, civil war, and, ultimately, alien invasion. As Responsible travels from continent to continent in an attempt to discover and squelch the evil magic and calm the civil unrest, we are witness to many dangerous and sometimes comical adventures along the way, including a spectacular flying Mule crash and a magic duel with a Granny gone bad.

Elgin has created a fantastic world infused with the folk traditions, social and familial hierarchies, and traditional dialect of the Ozarks. While parallels might be drawn between, for example, the break-up of the Confederacy of Continents on planet Ozark and the American Civil War, Elgin comments on aspects of Ozark history and tradition in a non didactic way. The trilogy, with its strong heroine and witty engagement of tradition, is a classic of Ozark literature.

Over 160 photographs, drawings, and maps provide examples of the four traditional Ozark house types and reveal the unity of a distinctive Arkansas culture that bears identity with all hill peoples. Of importance to architects, folklorists, cultural historians, and anyone interested in the Ozarks, this fascinating examination of the Ozark house is a way toward understanding the mind of the inhabitants and their entire way of life.

Vance Randolph was perfectly constituted for his role as the chronicler of Ozark folkways. As a self-described “hack writer,” he was as much a figure of the margins as his chosen subjects, even as his essentially romantic identification with the region he first visited as the vacationing child of mainstream parents was encouraged by editors and tempered by his scientific training. In The Ozarks, originally published in 1931, we have Randolph’s first book-length portrait of the people he would spend the next half-century studying. The full range of Randolph’s interests—in language, in hunting and fishing, in folksongs and play parties, in moonshining—is on view in this book that made his name; forever after he was “Mr. Ozark,” the region’s preeminent expert who would, in collection after collection, enlarge and deepen his debut effort. With a new introduction by Robert Cochran, The Ozarks is the second entry in the Chronicles of the Ozarks series, a reprint series that will make available some of the Depression Era’s Ozarks books. An image shaper in its day, a cultural artifact for decades to come, this wonderful book is as entertaining as ever.

Interest in scholarly study of the Ozarks has grown steadily in recent years, and The Ozarks in Missouri History: Discoveries in an American Region will be welcomed by historians and Ozark enthusiasts alike. This lively collection gathers fifteen essays, many of them pioneering efforts in the field, that originally appeared in the Missouri Historical Review, the journal of the State Historical Society.

The Ozark Mountains reach into Missouri, Arkansas, Oklahoma, and Kansas, forming a region with great natural beauty and a distinctive cultural and historical landscape. This comprehensive volume, a fully updated edition of a beloved classic, reaches into history, anthropology, economics, and geography to explore the complex relationships between the Ozarks' people and land through times of profound change. Drawing on more than thirty years of research, field observations, and interviews, Rafferty examines this subject matter through a range of topics: the settlement patterns and material cultures of Native Americans, French, Scotch-Irish, Germans, Italians, African Americans, Hispanics, and Asians in the region; population growth; the guerrilla warfare and battles of the Civil War; the cultural transformations wrought by railroads, roads, mass media, and modern communication systems; the discovery, development, and decline of the great mining districts; the various forms of agriculture and the felling of the region's vast forests; and the built landscape, from log cabins to Victorian mansions to strip malls. This new edition also explores the new and potent forces which have reshaped the region over the last twenty years: tourism and the growing service industry, suburbanization, rapid population growth and retirement living, and agribusiness. Lavishly illustrated with historic and contemporary photographs, maps, and charts.

WINNER OF THE PULITZER PRIZE

from "Ozone Journal"
 
Bach’s cantata in B-flat minor in the cassette,
we lounged under the greenhouse-sky, the UVBs hacking
at the acids and oxides and then I could hear the difference
 
between an oboe and a bassoon
at the river’s edge under cover—
trees breathed in our respiration;
 
there was something on the other side of the river,
something both of us were itching toward—
 
radical bonds were broken, history became science.
We were never the same.
 
The title poem of Peter Balakian's Ozone Journal is a sequence of fifty-four short sections, each a poem in itself, recounting the speaker's memory of excavating the bones of Armenian genocide victims in the Syrian desert with a crew of television journalists in 2009. These memories spark others—the dissolution of his marriage, his life as a young single parent in Manhattan in the nineties, visits and conversations with a cousin dying of AIDS—creating a montage that has the feel of history as lived experience. Bookending this sequence are shorter lyrics that span times and locations, from Nairobi to the Native American villages of New Mexico. In the dynamic, sensual language of these poems, we are reminded that the history of atrocity, trauma, and forgetting is both global and ancient; but we are reminded, too, of the beauty and richness of culture and the resilience of love.

Yoshida starts his award-winning Ozu’s Anti-Cinema with a story about his trip to Ozu’s deathbed. Yoshida writes that a dying Ozu whispered to him twice, as if speaking to himself, “Cinema is drama, not accident.” These cryptic last words troubled Yoshida for decades, and throughout this book he examines Ozu’s films and tries to uncover what Ozu really meant.

Ozu’s Anti-Cinema concerns Ozu’s films, but it is also Yoshida’s manifesto on films and filmmaking. In other words, this book is Yoshida’s personal journey into Ozu’s thoughts on filmmaking and, simultaneously, into his own thoughts on the nature of cinema. Every page displays the sensibility of one artist discussing another—this is probably a book that only a filmmaker could write. Within Yoshida’s luminous prose lies a finely tuned, rigorous analysis of Ozu’s films, which have rarely been engaged as closely and personally as here.