How early American Catholics justified secularism and overcame suspicions of disloyalty, transforming ideas of religious liberty in the process.

In colonial America, Catholics were presumed dangerous until proven loyal. Yet Catholics went on to sign the Declaration of Independence and helped to finalize the First Amendment to the Constitution. What explains this remarkable transformation? Michael Breidenbach shows how Catholic leaders emphasized their church’s own traditions—rather than Enlightenment liberalism—to secure the religious liberty that enabled their incorporation in American life.

Catholics responded to charges of disloyalty by denying papal infallibility and the pope’s authority to intervene in civil affairs. Rome staunchly rejected such dissent, but reform-minded Catholics justified their stance by looking to conciliarism, an intellectual tradition rooted in medieval Catholic thought yet compatible with a republican view of temporal independence and church–state separation. Drawing on new archival material, Breidenbach finds that early American Catholic leaders, including Maryland founder Cecil Calvert and members of the prominent Carroll family, relied on the conciliarist tradition to help institute religious toleration, including the Maryland Toleration Act of 1649.

The critical role of Catholics in establishing American church–state separation enjoins us to revise not only our sense of who the American founders were, but also our understanding of the sources of secularism. Church–state separation in America, generally understood as the product of a Protestant-driven Enlightenment, was in key respects derived from Catholic thinking. Our Dear-Bought Liberty therefore offers a dramatic departure from received wisdom, suggesting that religious liberty in America was not bestowed by liberal consensus but partly defined through the ingenuity of a persecuted minority.

What if you were to discover that you were not entirely you, but rather one half of a whole, that you had, in other words, a divine double? In the second and third centuries CE, this idea gripped the religious imagination of the Eastern Mediterranean, providing a distinctive understanding of the self that has survived in various forms throughout the centuries, down to the present. Our Divine Double traces the rise of this ancient idea that each person has a divine counterpart, twin, or alter-ego, and the eventual eclipse of this idea with the rise of Christian conciliar orthodoxy.

Charles Stang marshals an array of ancient sources: from early Christianity, especially texts associated with the apostle Thomas “the twin”; from Manichaeism, a missionary religion based on the teachings of the “apostle of light” that had spread from Mesopotamia to the Mediterranean; and from Neoplatonism, a name given to the renaissance of Platonism associated with the third-century philosopher Plotinus. Each of these traditions offers an understanding of the self as an irreducible unity-in-duality. To encounter one’s divine double is to embark on a path of deification that closes the gap between image and archetype, human and divine.

While the figure of the divine double receded from the history of Christianity with the rise of conciliar orthodoxy, it survives in two important discourses from late antiquity: theodicy, or the problem of evil; and Christology, the exploration of how the Incarnate Christ is both human and divine.

The twentieth-anniversary edition of the path-clearing study of Cherokee writing in English, with an emphatic refocus on voices from the three Cherokee tribal nations


This Citizenship and Sovereignty Edition of Our Fire Survives the Storm is a thoroughly updated, nationhood-focused, twentieth-anniversary revision of Daniel Heath Justice’s influential study of Cherokee writing in English. Through politically astute and historically grounded readings of diverse texts by citizens of the Cherokee Nation, United Keetoowah Band of Cherokee Indians, and Eastern Band of Cherokee Indians, Justice connects Cherokee literature to Indigenous sovereignty, nationhood, and collective futurity.

Guided by a reparative vision that directly contends with the outdated literary legacies of the book’s first edition, this revision confronts the ongoing harms of unsubstantiated and false Cherokee heritage claims on literary studies, replacing readings of primary texts by unverified claimants with those of Cherokee citizen writers. As Justice addresses issues of accountability, he engages with the past two decades of Indigenous scholarship, fully updating terminology, concepts, and scholarly resources. He expands and deepens the intellectual and historical context for Cherokee literary production introduced in the first edition, and he discusses Cherokee writing and community in the mid-twentieth century, the Cherokee Freedmen’s long struggle for justice, and the future of Cherokee nationhood.

Highlighting the work of authors who illustrate the transformative collective discourses of what it means to be Cherokee, Justice examines the richness of Cherokee literary expression through motifs of roots, removal, and nationhood in traditional stories, speeches, legal and governance documents, memoirs, short stories, novels, and plays. An invitation to reflective criticism, this new edition of Our Fire Survives the Storm is grounded in the belief that Indigenous nationhood is a necessary ethical response to the violence of the settler imaginary.

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The Napoleonic wars did not end with Waterloo. That famous battle was just the beginning of a long, complex transition to peace. After a massive invasion of France by more than a million soldiers from across Europe, the Allied powers insisted on a long-term occupation of the country to guarantee that the defeated nation rebuild itself and pay substantial reparations to its conquerors. Our Friends the Enemies provides the first comprehensive history of the post-Napoleonic occupation of France and its innovative approach to peacemaking.

From 1815 to 1818, a multinational force of 150,000 men under the command of the Duke of Wellington occupied northeastern France. From military, political, and cultural perspectives, Christine Haynes reconstructs the experience of the occupiers and the occupied in Paris and across the French countryside. The occupation involved some violence, but it also promoted considerable exchange and reconciliation between the French and their former enemies.

By forcing the restored monarchy to undertake reforms to meet its financial obligations, this early peacekeeping operation played a pivotal role in the economic and political reconstruction of France after twenty-five years of revolution and war. Transforming former European enemies into allies, the mission established Paris as a cosmopolitan capital and foreshadowed efforts at postwar reconstruction in the twentieth century.

On June 15, 1888, a mere ninety-nine days after ascending the throne to become king of Prussia and German emperor, Frederick III succumbed to throat cancer. Europeans were spellbound by the cruel fate nobly borne by the voiceless Fritz, who for more than two decades had been celebrated as a military hero and loved as a kindly gentleman. A number of grief-stricken individuals reportedly offered to sacrifice their own healthy larynxes to save the ailing emperor.

Frank Lorenz Müller, in the first comprehensive life of Frederick III ever written, reconstructs how the hugely popular persona of “Our Fritz” was created and used for various political purposes before and after the emperor’s tragic death. Sandwiched between the reign of his ninety-year-old father and the calamitous rule of his own son, the future emperor William II, Frederick III served as a canvas onto which different political forces projected their hopes and fears for Germany's future. The book moves beyond the myth that Frederick’s humane liberalism would have built a lasting Anglo-German partnership, perhaps even preventing World War I, and beyond the castigations and exaggerations of parties with a different agenda. Surrounded by an unforgettable cast of characters that includes the emperor’s widely hated English wife, Vicky—daughter of Queen Victoria—and the scheming Otto von Bismarck, Frederick III offers in death as well as in life a revealing, poignant glimpse of Prussia, Germany, and the European world that his son would help to shatter.

An award-winning exploration of the presence of the dead in the lives of the living

A common remedy after suffering the loss of a loved one is to progress through the “stages of grief,” with “acceptance” as the final stage in the process. But is it necessary to leave death behind, to stop dwelling on the dead, to get over the pain? Vinciane Despret thinks not. In her fascinating, elegantly translated book, this influential thinker argues that, in practice, people in all cultures continue to enjoy a lively, inventive, positive relationship with their dead.

Through her unique storytelling woven from ethnographic sources and her own family history, Despret assembles accounts of those who have found ways to live their daily lives with their dead. She rejects the idea that one must either subscribe to “complete mourning” (in a sense, to get rid of the dead) or else fall into fantasy and superstition. She explores instead how the dead still play an active, tangible role through those who are living, who might assume their place in a family or in society; continue their labor or art; or thrive from a shared inheritance or an organ donation. This is supported by dreams and voices, novels, television and popular culture, the work of clairvoyants, and the everyday stories and activities of the living. For decades now, in the West, the dead have been discreet and invisible. Today, especially as a result of the Covid-19 pandemic, Despret suggests that perhaps we will be willing to engage with the dead in ways that bring us happiness despite our loss. 

Despret’s unique method of inquiry makes her book both entertaining and instructive. Our Grateful Dead offers a new, pragmatic approach to social and cultural research and may indeed provide compassionate therapy for those of us coping with death.

While many baby boomers are downsizing to a simpler retirement lifestyle, photographer and writer Judy Blankenship and her husband Michael Jenkins took a more challenging leap in deciding to build a house on the side of a mountain in southern Ecuador. They now live half the year in Cañar, an indigenous community they came to know in the early nineties when Blankenship taught photography there. They are the only extranjeros (outsiders) in this homely, chilly town at 10,100 feet, where every afternoon a spectacular mass of clouds rolls up from the river valley below and envelopes the town.

In this absorbing memoir, Blankenship tells the interwoven stories of building their house in the clouds and strengthening their ties to the community. Although she and Michael had spent considerable time in Cañar before deciding to move there, they still had much to learn about local customs as they navigated the process of building a house with traditional materials using a local architect and craftspeople. Likewise, fulfilling their obligations as neighbors in a community based on reciprocity presented its own challenges and rewards. Blankenship writes vividly of the rituals of births, baptisms, marriages, festival days, and deaths that counterpoint her and Michael’s solitary pursuits of reading, writing, listening to opera, playing chess, and cooking. Their story will appeal to anyone contemplating a second life, as well as those seeking a deeper understanding of daily life in the developing world.

James Joyce began his literary career as an Irishman writing to protest the deplorable conditions of his native country. Today, he is an icon in a field known as "Joyce studies." Our Joyce explores this amazing transformation of a literary reputation, offering a frank look into how and for whose benefit literary reputations are constructed.

Joseph Kelly looks at five defining moments in Joyce's reputation. Before 1914, when Joyce was most in control of his own reputation, he considered himself an Irish writer speaking to the Dublin middle classes. When T. S. Eliot and Ezra Pound began promoting Joyce in 1914, however, they initiated a cult of genius that transformed Joyce into a prototype of the "egoist," a writer talking only to other writers.

This view served the purposes of Morris Ernst in the 1930s, when he defended Ulysses against obscenity charges by arguing that geniuses were incapable of obscenity and that they wrote only for elite readers. That view of Joyce solidified in Richard Ellmann's award-winning 1950s biography, which portrayed Joyce as a self-centered genius who cared little for his readers and less for the world at war around him. The biography, in turn, led to Joyce's canonization by the academy, where a "Joyce industry" now flourishes within English departments.

Journalist, activist, popular historian, and public intellectual, Lerone Bennett Jr. left an indelible mark on twentieth-century American history and culture. Rooted in his role as senior editor of Ebony magazine, but stretching far beyond the boundaries of the Johnson Publishing headquarters in Chicago, Bennett’s work and activism positioned him as a prominent advocate for Black America and a scholar whose writing reached an unparalleled number of African American readers.

This critical biography—the first in-depth study of Bennett’s life—travels with him from his childhood experiences in Jim Crow Mississippi and his time at Morehouse College in Atlanta to his later participation in a dizzying range of Black intellectual and activist endeavors. Drawing extensively on Bennett’s previously inaccessible archival collections at Emory University and Chicago State, as well as interviews with close relatives, colleagues, and confidantes, Our Kind of Historian celebrates his enormous influence within and unique connection to African American communities across more than half a century of struggle.

Months before Alma López's digital collage Our Lady was shown at the Museum of International Folk Art in 2001, the museum began receiving angry phone calls from community activists and Catholic leaders who demanded that the image not be displayed. Protest rallies, prayer vigils, and death threats ensued, but the provocative image of la Virgen de Guadalupe (hands on hips, clad only in roses, and exalted by a bare-breasted butterfly angel) remained on exhibition.

Highlighting many of the pivotal questions that have haunted the art world since the NEA debacle of 1988, the contributors to Our Lady of Controversy present diverse perspectives, ranging from definitions of art to the artist's intention, feminism, queer theory, colonialism, and Chicano nationalism. Contributors include the exhibition curator, Tey Marianna Nunn; award-winning novelist and Chicana historian Emma Pérez; and Deena González (recognized as one of the fifty most important living women historians in America).

Accompanied by a bonus DVD of Alma López's I Love Lupe video that looks at the Chicana artistic tradition of reimagining la Virgen de Guadalupe, featuring a historic conversation between Yolanda López, Ester Hernández, and Alma López, Our Lady of Controversy promises to ignite important new dialogues.

Our Lady of Guadalupe is the most important religious symbol of Mexico and one of the most powerful female icons of Mexican culture. In this study, based on research done among second-generation Mexican-American women, Rodriguez examines the role the symbol of Guadalupe has played in the development of these women. She goes beyond the thematic and religious implications of the symbol to delve into its relevance to their daily lives.

Rodriguez's study offers an important reinterpretation of one of the New World's most potent symbols. Her conclusions dispute the common perception that Guadalupe is a model of servility and suffering. Rather, she reinterprets the symbol of Guadalupe as a liberating and empowering catalyst for Mexican-American women.

Written by a Brit who has lived in Poland for more than twenty years, this book challenges some accepted thinking in the West about Poland and about the rise of Law and Justice (PiS) as the ruling party in 2015. It is a remarkable account of the Polish post-1989 transition and contemporary politics, combining personal views and experience with careful fact and material collections. The result is a vivid description of the events and scrupulous explanations of the political processes, and all this with an interesting twist – a perspective of a foreigner and insider at the same time. Settled in the position of participant observer, Jo Harper combines the methods of macro and micro analysis with CDA, critical discourse analysis. He presents and interprets the constituent elements and issues of contemporary Poland: the main political forces, the Church, the media, issues of gender, the Russian connection, the much-disputed judicial reform and many others.

A special feature of the book is the detailed examination of the coverage of the Poland’s latest two elections, one in 2019 (parliamentary) and the other in 2020 (presidential) in the British media, an insightful and witty specimen of comparative cultural and political analysis.

"Yosemite Valley in July of 1967 would have had to be seen to be believed. There was never an empty campsite in the valley; you had to create a space for yourself in a sea of cars, tents, and humanity.... The camp next to ours had fifty people in it, with rugs hung between the trees, incense burning, and a stereo set going full volume."

Scenes such as this will probably never be repeated in Yosemite or any other national park, yet the urgent problem remains of balancing the public's desire to visit the parks with the parks' need to be protected from too many people and cars and too much development. In this book, longtime park visitor and professional geographer Bob O'Brien explores the National Park Service's attempt to achieve "sustainability"—a balance that allows as many people as possible to visit a park that is kept in as natural a state as possible.

O'Brien details methods the NPS has used to walk the line between those who would preserve vast tracts of land for "no use" and those who would tap the Yellowstone geysers to generate electricity. His case studies of six western "crown jewel" parks show how rangers and other NPS employees are coping with issues that impact these cherished public landscapes, including visitation, development, and recreational use.

How did the dog become man’s best friend? A celebrated anthropologist unearths the mysterious origins of the unique partnership that rewrote the history of both species.

Dogs and humans have been inseparable for more than 40,000 years. The relationship has proved to be a pivotal development in our evolutionary history. The same is also true for our canine friends; our connection with them has had much to do with their essential nature and survival. How and why did humans and dogs find their futures together, and how have these close companions (literally) shaped each other? Award-winning anthropologist Pat Shipman finds answers in prehistory and the present day.

In Our Oldest Companions, Shipman untangles the genetic and archaeological evidence of the first dogs. She follows the trail of the wolf-dog, neither prehistoric wolf nor modern dog, whose bones offer tantalizing clues about the earliest stages of domestication. She considers the enigma of the dingo, not quite domesticated yet not entirely wild, who has lived intimately with humans for thousands of years while actively resisting control or training. Shipman tells how scientists are shedding new light on the origins of the unique relationship between our two species, revealing how deep bonds formed between humans and canines as our guardians, playmates, shepherds, and hunters.

Along the journey together, dogs have changed physically, behaviorally, and emotionally, as humans too have been transformed. Dogs’ labor dramatically expanded the range of human capability, altering our diets and habitats and contributing to our very survival. Shipman proves that we cannot understand our own history as a species without recognizing the central role that dogs have played in it.

“A lively tale of dog domestication and migration.”—Nature

“When, where, and how did the partnership between dogs and humans begin? Was it an accident? Was it inevitable?…A tour de force drawing together under one proverbial roof what science can tell us to date.”—Wendy Williams, author of The Horse

“Makes a remarkable story out of the long partnership between humans and dogs.”—Foreword Reviews

How did the dog become man’s best friend? A celebrated anthropologist unearths the mysterious origins of the unique partnership that rewrote the history of both species.

Dogs and humans have been inseparable for more than 40,000 years. So what have they taught one another? Determined to untangle the genetic and archaeological evidence of the first dogs, Pat Shipman follows the trail of the wolf-dog, neither prehistoric wolf nor modern dog, whose bones offer tantalizing clues about the earliest stages of domestication. She considers the enigma of the dingo, not quite domesticated yet not entirely wild, and reveals how scientists are shedding new light on the origins of the unique relationship between man and dog, explaining how dogs became our guardians, playmates, shepherds, hunters, and providers. Along the way, dogs have changed physically, behaviorally, and emotionally—but we have been transformed, too. A brilliant work of historical reconstruction, Our Oldest Companions shows that we can’t hope to understand our own species without recognizing the central role dogs have played in making us who we are.

This spirited book is a study of the adjustments of three nineteenth-century missionaries to life in northeast China. Its subject is international relations of the person-to-person kind, based on the daily experiences of living in a foreign land.

The missionaries all worked in the same place in China, but had remarkably different personalities and careers. Tarleton Perry Crawford of the Southern Baptist Convention was an unfeeling, not always trustworthy missionary, whose depressing story contrasts sharply with those of the other two subjects. The famous Lottie Moon, also of the Southern Baptist Convention, has become a culture heroine as the founder of women's work in China (in her name the SBC has collected 250 million dollars). Calvin Wilson Mateer, a Presbyterian, is well known to students of modern Chinese history as a great educator.

In this account of how three individuals responded to the same problems and opportunities, Irwin Hyatt seeks to discover why only some Americans placed among Chinese will find friends and a new appreciation of life. It is a fascinating investigation into the crucial cultural problem of understanding other people. As Andre Malraux has written, “Europeans never understand anything of China that does not resemble themselves.”

When Christa Kuljian arrived on the Harvard College campus as a first-year student in the fall of 1980 with copies of Our Bodies, Ourselves and Ms. magazine, she was concerned that the women’s movement had peaked in the previous decade. She soon learned, however, that there was a long way to go in terms of achieving equality for women and that social movements would continue to be a critical force in society. She began researching the history of science and gender biases in science, and how they intersect with race, class, and sexuality.

In Our Science, Ourselves, Kuljian tells the origin story of feminist science studies by focusing on the life histories of six key figures—Ruth Hubbard, Rita Arditti, Evelyn Fox Keller, Evelynn Hammonds, Anne Fausto-Sterling, and Banu Subramaniam. These women were part of a trailblazing network of female scientists in the 1970s, 80s, and 90s who were drawn to the Boston area—to Harvard, MIT, and other universities—to study science, to network with other scientists, or to take a job. Inspired by the social and political activism of the women’s movement and organizations such as Science for the People, the Genes and Gender Collective, and the Combahee River Collective, they began to write and teach about women in science, gender and science, and sexist and racist bias and exclusion. They would lead the critiques of E. O. Wilson’s sociobiology in 1975 and Larry Summers’ comments about women in science thirty years later. The book also explores how these contributions differed from those of Nancy Hopkins’, author of the 1999 MIT report on women in science, and a “reluctant feminist.”

Drawing on a rich array of sources that combines published journal articles and books with archival materials and interviews with major luminaries of feminist science studies, Kuljian chronicles and celebrates the contributions that these women have made to our collective scientific knowledge and view of the world.

“An intellectual feast.”
—John Leonard, Harper’s Magazine

A monumental study reveals the patient and meticulous labor behind the Irish Nobel laureate’s immaculate poetic craft.

The fundamental difference between rhetoric and poetry, according to Yeats, is that rhetoric is the expression of one’s quarrels with others while poetry is the expression (and sometimes the resolution) of one’s quarrel with oneself. This is where Helen Vendler’s Our Secret Discipline begins. Through exquisite attention to outer and inner forms, Vendler explores the most inventive reaches of the poet’s mind. This book is a space-clearing gesture, an attempt to write about lyric forms in Yeats in unprecedented and comprehensive ways. The secret discipline of the poet is his vigilant attention to forms—whether generic, structural, or metrical. Yeats explores the potential of such forms to give shape and local habitation to volatile thoughts and feelings.

Helen Vendler remains focused on questions of singular importance: Why did Yeats cast his poems into the widely differing forms they ultimately took? Can we understand Yeats’s poetry better if we pay attention to its form, both its internal architectonic and its external organization into conventional verse structures? Chapters of the book take up many Yeatsian ventures, such as the sonnet, the lyric sequence, paired poems, blank verse, and others. With elegance and precision, Vendler offers brilliant insights into the creative process and speculates on Yeats’s aims as he writes and rewrites some of the most famous poems in modern literature.

Since the birth of the nation, we have turned to stories about the American South to narrate the rapid ascendency of the United States on the world stage. The idea of a cohesive South, different from yet integral to the United States, arose with the very formation of the nation itself. Its semitropical climate, plantation production, and heterogeneous population once defined the New World from the perspective of Europe. By founding U.S. literature through opposition to the South, writers boldly asserted their nation to stand apart from the imperial world order.

Our South tracks the nation/South juxtaposition in U.S. literature from the founding to the turn of the twentieth century, through genres including travel writing, gothic and romance novels, geography textbooks, transcendentalist prose, and abolitionist address. Even as the southern states became peripheral to U.S. politics and economy, Jennifer Rae Greeson demonstrates that in literature the South remained central to the expanding and evolving idea of the nation.

Claiming the South as our deviant and recalcitrant “other,” Americans have projected an anti-imperial imperative of domesticating and civilizing, administering and integrating underdeveloped regions both within our borders and beyond. Our South has been a primal site for thinking about geography and power in the United States.

Three centuries of faith, intellect, and resilience—Calvinism’s quiet power in the Southern low country.

The South Carolina low country has long been regarded—not only in popular imagination and paperback novels but also by respected scholars—as a region dominated by what earlier historians called “a cavalier spirit” and by what later historians have simply described as “a wholehearted devotion to amusement and the neglect of religion and intellectual pursuits.” Such images of the low country have been powerful interpreters of the region because they have had some foundation in social and cultural realities. It is a thesis of this study, however, that there has been a strong Calvinist community in the Carolina low country since its establishment as a British colony and that this community (including in its membership both whites and after the 1740s significant numbers of African Americans) contradicts many of the images of the "received version" of the region. Rather than a devotion to amusement and a neglect of religion and intellectual interests, this community has been marked throughout most of its history by its disciplined religious life, its intellectual pursuits, and its work ethic.
 

A BBC Sky at Night Best Astronomy and Space Book of the Year

“[A] luminous guide to the cosmos…Jo Dunkley swoops from Earth to the observable limits, then explores stellar life cycles, dark matter, cosmic evolution and the soup-to-nuts history of the Universe.”
—Nature

“A grand tour of space and time, from our nearest planetary neighbors to the edge of the observable Universe…If you feel like refreshing your background knowledge…this little gem certainly won’t disappoint.”
—Govert Schilling, BBC Sky at Night

Most of us have heard of black holes and supernovas, galaxies and the Big Bang. But few understand more than the bare facts about the universe we call home. What is really out there? How did it all begin? Where are we going?

Jo Dunkley begins in Earth’s neighborhood, explaining the nature of the Solar System, the stars in our night sky, and the Milky Way. She traces the evolution of the universe from the Big Bang fourteen billion years ago, past the birth of the Sun and our planets, to today and beyond. She then explains cutting-edge debates about such perplexing phenomena as the accelerating expansion of the universe and the possibility that our universe is only one of many. Our Universe conveys with authority and grace the thrill of scientific discovery and a contagious enthusiasm for the endless wonders of space-time.

An eyewitness account of this controversial environmental action.

Construction plans for the reroute of Highway 55 through south Minneapolis sparked an environmental movement that pitted activists against public authorities in one of the most dramatic episodes in the city’s history. Mary Losure was there; as a reporter for Minnesota Public Radio she witnessed the neighborhood’s transformation from a quiet street to the center of an emotionally charged standoff. Fueled by idealism and anger, a diverse coalition banded together to try to stop the highway expansion. Beginning in 1998, this group sustained protests for more than one year and eventually faced an unprecedented show of force by law enforcement.

Out and Running is the first systematic analysis of lesbian, gay, bisexual, and transgender (LGBT) political representation that explores the dynamics of state legislative campaigns and the influence of lesbian and gay legislators in the state policymaking process. By examining state legislative elections from 1992 to 2006 and state policymaking from 1992 to 2009, Donald Haider-Markel suggests that the LGBT community can overcome hurdles and win elections; and, once in office, these officials can play a critical role in the policy representation of the community.

However, he also discovers that there are limits to where and when LGBT candidates can run for office and that, while their presence in office often enhances policy representation, it can also create backlash. But even with some of these negative consequences, Out and Running provides compelling evidence that gays and lesbians are more likely to see beneficial legislation pass by increasing the number of LGBT state legislators. Indeed, grassroots politics in the states may allow the LGBT community its best opportunity for achieving its policy goals.

Over the past 50 years, lesbian, gay, bisexual, transgender, and queer professionals have organized to achieve greater inclusion into the fields of science, technology, engineering, and mathematics (STEM). This inclusion, however, has come at a cost. In the 1970s, these professionals sought to radically transform STEM fields by confronting the homophobia and sexism embedded within them. Instead, these fields became more corporatized and privatized, and STEM institutions and workspaces—particularly in the spheres of government and business—became dominated by a focus on individualism, self-improvement/advancement, and meritocracy, which are hallmarks of neoliberalism. For many LGBTQ STEM professionals, inclusion now required becoming more apolitical, pro-capital, and focused on professional development.

In Out Doing Science, Tom Waidzunas, Ethan Czuy Levine, and Brandon Fairchild explore this transformation of LGBTQ STEM professionals from oppositional outsiders to assimilationist insiders. Drawing on historical archives, oral interviews, and participant observation of professional societies and workspaces, the authors interrogate the meanings of “inclusion” and why some LGBTQ STEM professionals have benefited from it more than others. They also advocate for a “queer STEM” that challenges and transforms the racism, classism, sexism, cisheterosexism, and imperialism of these fields, institutions, and workspaces. Written in an accessible and engaging style, Out Doing Science will appeal to readers interested in LGBTQ studies, and science and technology studies, as well as anyone who wants to create a more diverse and inclusive work environment.

Explores the intrinsic relation of life to air, and breathing, through contemporary art

In Out of Breath, Caterina Albano examines the cultural significance of breath and air to a wide array of forces in our midst, including economy, politics, infection, and ecological violence. Through a consideration of recent art practices and projects, including the dance project Breath Catalogue, which makes visible the breathing patterns of dancers, and Forensic Architecture’s Cloud Studies video, which investigates eight different kinds of clouds from airstrikes to herbicides to tear gas, Albano focuses on breath as both an intuitive process and a conveyer of meanings.

Conceived in response to the Covid-19 pandemic and systemic inequalities that it has laid bare, Out of Breath shows the potential of artistic practices to mobilize affect as a form of cultural and political critique.

Forerunners is a thought-in-process series of breakthrough digital works. Written between fresh ideas and finished books, Forerunners draws on scholarly work initiated in notable blogs, social media, conference plenaries, journal articles, and the synergy of academic exchange. This is gray literature publishing: where intense thinking, change, and speculation take place in scholarship.

Nationalism matters in China, and what matters in China matters to everyone. China’s new nationalism, Robert Bickers shows, is rooted not in its present power but in shameful memories of its former weaknesses. Invaded, humiliated, and looted in the nineteenth and twentieth centuries by foreign powers, China looks out at the twenty-first century through the lens of the past. History matters deeply to Beijing’s current rulers, and Out of China explains why.

Bickers tracks the long, often agonizing process by which the Chinese regained control of their own country. He describes the corrupt, lurid modernity of prewar Shanghai, the often tiny patches of extraterritorial land controlled by foreign powers, the entrepôts of Hong Kong and Macao, and the myriad means—through armed threats, technology, and legal chicanery—by which China was kept subservient until, gradually, it emerged from Western control. This plural and partial subjugation of China is a story that involves not only European powers and Japan but also the United States.

This complex history must be grasped not to atone for the sins of the past but to recognize China’s internationalized landscapes with all their contradictions, violence, cosmopolitanism, and ambitions. The story of the foreign presence in China in the nineteenth and twentieth centuries is too important to be left in the hands of the Chinese party-state and its approved script. Out of China is essential reading for anyone wishing to understand what shapes China’s view of the world in the twenty-first century.

Adál’s artistry is neither conventional nor pleasing for the spectator, as it is acquired through the continuous questioning of the particular condition of Puerto Ricans in the United States. The blurry portraits in this collection reflect the Nuyorican experience, but such a lesson becomes an ethical one: we are requested to learn to appreciate them in their opacity, because just as Rev. Pedro Pietri proclaims in the accompanying text, the Out of Focus Nuyoricans are proud “to not be figured out,” ever. If there is anything we should clearly get out of these out-of-focus portraits it is that to look fuzzy to some and opaque to others is not a condition to be feared or dreaded, but an achievement to be attained.

This book was published as a companion to the exhibits “Auto-Portraits/Blue Bananas on Fire” and “Blueprints for a Nation” at the David Rockefeller Center for Latin American Studies in 2004.

“Stan Isaacs is directly responsible for my television career--and much of how I approached what I’ve said and whom I’ve said it about.” --Keith Olbermann

Iconoclastic and irreverent, Stan Isaacs was part of a generation that bucked the sports establishment with a skepticism for authority, an appreciation for absurdity, and a gift for placing athletes and events within the context of their tumultuous times. Isaacs draws on his trademark wink-and-a-grin approach to tell the story of the long-ago Brooklyn that formed him and a career that placed him amidst the major sporting events of his era. Mixing reminiscences with column excerpts, Isaacs recalls antics like stealing a Brooklyn Dodgers pennant after the team moved to Los Angeles and his many writings on Paul Revere’s horse. But Isaacs also reveals the crusading and humanist instincts that gave Black athletes like Muhammad Ali a rare forum to express their views and celebrated the oddball, unsung Mets over the straitlaced Yankees.

Insightful and hilarious, Out of Left Field is the long-awaited memoir of the influential sportswriter and his adventures in the era of Jim Brown, Arthur Ashe, and the Amazin’ Mets.

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A Behavioral Scientist Notable Book of the Year
A Guardian “Best Book about Ideas” of the Year

No one likes to be bored. Two leading psychologists explain what causes boredom and how to listen to what it is telling you, so you can live a more engaged life.

We avoid boredom at all costs. It makes us feel restless and agitated. Desperate for something to do, we play games on our phones, retie our shoes, or even count ceiling tiles. And if we escape it this time, eventually it will strike again. But what if we listened to boredom instead of banishing it?

Psychologists James Danckert and John Eastwood contend that boredom isn’t bad for us. It’s just that we do a bad job of heeding its guidance. When we’re bored, our minds are telling us that whatever we are doing isn’t working—we’re failing to satisfy our basic psychological need to be engaged and effective. Too many of us respond poorly. We become prone to accidents, risky activities, loneliness, and ennui, and we waste ever more time on technological distractions. But, Danckert and Eastwood argue, we can let boredom have the opposite effect, motivating the change we need. The latest research suggests that an adaptive approach to boredom will help us avoid its troubling effects and, through its reminder to become aware and involved, might lead us to live fuller lives.

Out of My Skull combines scientific findings with everyday observations to explain an experience we’d like to ignore, but from which we have a lot to learn. Boredom evolved to help us. It’s time we gave it a chance.

Where ghosts speak and memory listens, nothing becomes everything.

The ghosts—literal and figurative—that drive our deepest impulses, disturb our most precious memories, and haunt the passages of our daily lives are present in this collection of sublime meditations on the unbelievable, the coincidental, and the apparitional. Often containing reflections on the art of storytelling, Caryl Pagel’s essays blend memoir, research, and reflection, and are driven by a desire to observe connections between the visual and the invisible. The narrator of Pagel’s essays explores each enigma or encounter (a football coach’s faked death, the faces of women walking, historical accounts of hallucinations, a city’s public celebration gone wrong) as an intellectual detective ascending a labyrinthine tower of clues in pursuit of a solution to an unreachable problem: always curious, and with a sense of profound wonder.

Out of Nowhere Into Nothing is a sprawling, highly associative consideration of the ways in which the observed material world recalls us to larger narrative and aesthetic truths. Interspersed with documentary-style photographs, Pagel’s first collection of prose is a radiant, obsessive investigation into the mysteries at the center of our seemingly mundane lives.
 

With its pleasant perspective on the American past, this book is a relevant document for higher education today. Government aid to universities, for example, has an early precedent in the grant of "£4OO towards a schoale or colledge" by the Massachusetts Bay Colony in 1636. This is the first recorded notice of the institution which was to become Harvard University, and significantly, Margery Somers Foster comments, "it is a notice concerned with finance."

Harvard College in the seventeenth century was one of America's largest and most continuous economic enterprises. Its financing is a record of resourceful extemporization. Harvest time was a period for paying bills with corn or wheat made legal tender at varying rates. How the College looked upon "country pay" or "commodity money" may be understood in the phrase, "Cash received...Should be £5 per annum, but, being paid in money, £4 accepted." And "bookkeeping barter," in which one commodity was traded for another rather than used directly as money, might involve the College in accepting a cow for tuition: Harvard does not want the animal, but the College is in debt to someone who can use the cow.

Obtaining funds from what was at first hardly more than a subsistence economy, the College attempted to derive from them some reliable income. The instability, as well as the inadequacy, of investments necessitated repeated community support. One of the most important gifts was the "College corn"--the "fourth part of a bushell of Corne, or somethinge equivalent thereunto," given yearly by every family in New England, "which is able and willing," for scholarship assistance to "poor, pious, and learned" students. Another source of income came from the receipts of the ferry running between Charlestown and Boston; between 1640 and 1712 this operation contributed over three thousand pounds to the College, although some of the money received was "bad" or counterfeit wampum. By 1712 the growing endowment income had significantly stabilized and improved the running of the College.

Though seventeenth-century Harvard was tiny compared with modern colleges or universities, it was proportional in its size to the population of its time, and its economic influence in the community was at least as important as that of present-day educational institutions. Foster's study is a significant contribution to economic and business history. Using the long and detailed financial reports she has made for the College she is able to illustrate the behavior of money (or lack of money) and prices when America was at the beginning of its economic development. Her "historic multiplier" allows real values--such as the faculty salaries of Colonial Harvard--to be compared with those of today.

The writer Nakagami Kenji (1946-1992) rose to fame in the mid-1970s for his vivid stories about a clan scarred by violence and poverty on the underside of the Japanese economic miracle. Drawing upon the lives, experiences, and languages of the burakumin, the outcaste communities long discriminated against in Japanese society as a defiled underclass, Nakagami's works of fiction and nonfiction record with vitality and violence the realities—actual and imagined—of buraku culture.

In this critical study of Nakagami's life and oeuvre, Eve Zimmerman delves into the writer's literary world, exploring the genres, forms, and themes with which Nakagami worked and experimented. These chapters trace the biographical thread running through his works while foregrounding such diverse facets of his writing as his interest in the modern possibilities of traditional myths and forms of storytelling, his deployment of shocking tropes and images, and his crafting of a unique poetic language.

By bringing to the fore the literary urgency and social engagement that informed all aspects of Nakagami's creative and intellectual production, from his works of prose and poetry to his criticism, this book argues eloquently and effectively for us to appreciate Nakagami as a distinctive and relevant voice in modern Japanese literature.

More than fifty years ago the discovery of scrolls in eleven caves beside the Dead Sea ignited the imagination of the world--and launched a vast academic field. Expectations abounded that the scrolls would reveal actual contemporaneous accounts of the birth of Christianity, perhaps even of the life of Jesus. The research that followed--its inner logic, and what its impassioned and often highly controversial theories reveal about the framing of facts and the interpreting of texts--is what interests philosopher Edna Ullmann-Margalit in this thoroughly absorbing book.

Since the inception of Dead Sea Scrolls research, a central theory has emerged. Known as the Qumran-Essene Hypothesis, it asserts that the scrolls belonged to the Essenes, a sect whose center was at the nearby site of Qumran. In Out of the Cave, Ullmann-Margalit focuses on this theory and the vicissitudes of its career. Looking at the Essene connection, the archaeology of Qumran, and the sectarian nature of the scrolls community, she explores the different arenas, and ways, in which contesting theories of the scrolls do battle. In this context she finds fascinating examples of issues that exercise philosophers of science as well as the general public--issues that only amplify the already intrinsic interest of the Dead Sea scrolls.

Since Vatican Council II, convent walls have crumbled. and the structures that once separated nuns from the world are gone. Out of the Cloister is an organizational analysis of the structural and ideological changes that took place in Catholic religious orders of women in the United States. Many nuns today dress in street clothes, choose their own jobs, have a degree of financial independence from the larger order, and may not be recognized by their coworkers as nuns. What might once have been defined as a "total institution" has become, within the span of a few years, a type of voluntary organization where members join together loosely to achieve a common purpose.

Helen Rose Fuchs Ebaugh approaches religious orders as utopian communities and examines how contact with the larger society has affected the distinctiveness and solidarity that hold such groups together. She analyzes the patterns occurring within orders with particular focus on the relationship between organizational change and membership loss. Since changes have been introduced into religious orders at different rates, and since orders vary in such characteristics as size and educational level of members, it is possible to analyze relationships between exit rates and other organizational variables. The complex interplay of education and membership loss is one of the organizational dilemmas the author examines.

Although she is no longer a part of organized religious life, Ebaugh spent ten years as a nun and during that time collected much of the data presented in this book. As a nun she also helped conduct a number of self-studies and evaluations involved with the post-Vatican II reform and renewal efforts. She is therefore in the unique position of a researcher who collected data as an insider and analyzed it as an outsider.

This book is one of the first systematic, empirical studies of religious orders in the United States and one of the few sociological investigations of convents and the changes occurring within them.

The intense piety of late T'ang essays on Buddhism by literati has helped earn the T'ang its title of the "golden age of Chinese Buddhism." In contrast, the Sung is often seen as an age in which the literati distanced themselves from Buddhism. This study of Sung devotional texts shows, however, that many literati participated in intra-Buddhist debates. Others were drawn to Buddhism because of its power, which found expression and reinforcement in its ties with the state. For some, monasteries were extravagant houses of worship that reflected the corruption of the age; for others, the sacrifice and industry demanded by such projects were exemplars worthy of emulation. Finally, Buddhist temples could evoke highly personal feelings of filial piety and nostalgia.

This book demonstrates that representations of Buddhism by lay people underwent a major change during the T'ang-Sung transition. These changes built on basic transformations within the Buddhist and classicist traditions and sometimes resulted in the use of Buddhism and Buddhist temples as frames of reference to evaluate aspects of lay society. Buddhism, far from being pushed to the margins of Chinese culture, became even more a part of everyday elite Chinese life.

Out of the Dark is a comprehensive study of radio's impact on rural America in the three decades between its inception and the arrival of television.

In the 1920s, the USDA asked farmers about the impact the new medium of radio was having on their lives. One farmer summed it up this way: “Radio brought me out of the dark.” The coming of radio broadcasting had a profound impact on the lives of many Americans, but none more so than those who lived in rural America. Radio provided isolated families with something they had never known before--an instantaneous connection with news, entertainment, and the rapidly evolving lifestyles and mores of the entire nation.

This study documents the social changes radio helped bring about, such as the effects of advertising and entertainment in creating a more uniform set of values across the nation and, consequently, a stronger national identity. Out of the Dark also addresses the political and economic impact the rural audience had on the development of the broadcasting industry and its regulation; the role played by the USDA in the promotion and development of rural radio; and an analysis of how radio entertainment and advertising contributed to the growing demand for consumer goods among rural families, thus speeding their entry into the modern American lifestyle.





 

Even before he wrote his bestselling book The Ethnic Cleansing of Palestine, historian Ilan Pappe was a controversial figure in Israel. In Out of the Frame, he gives a full account of his break with mainstream Israeli scholarship and its consequences.

Here he traces his journey of discovery from the whispers of Palestinian classmates to his realisation that the 'enemy's' narrative of the events of 1948 was correct. After completing his thesis at Oxford University in the early 1980s, he returned to Palestine determined to protect the memory of the Nakbah. For the first time he gives the details of the formidable opposition he faced in Israel, including death threats fed by the media, denunciations by the Knesset and calls for him to be sacked from his post at Haifa university.

This revealing work, written with dignity and humour, highlights Israel's difficulty in facing up to its past and forging a peaceful, inclusive future in Palestine.

Comics have long been a subject of moral panics, no doubt thanks to their in-your-face illustrations and their association with young readers. Indeed, the politicians and parents behind today’s book-banning campaigns reserve special ire for graphic novels. What makes today’s controversies different is the content of the alleged obscenity. Instead of targeting sex as such, censors now focus on affirmations of nonheteronormative identity, as in Maia Kobabe’s Gender Queer. And while violence is a constant in comics, stories that acknowledge nationalist oppression and violence, such as Art Spiegelman’s Maus, are also being blacklisted.

Out of the Gutters assembles scholars from diverse disciplines to examine US comics, graphic novels, and cartooning that have been challenged as obscene or transgressive. Covering well-known underground figures like Robert Crumb and Charles Burns, newcomers such as C. Spike Trotman and Emil Ferris, and mainstream creators including Chris Claremont and Archie Goodwin, the collection explores the market economics of transgression, historical representations of graphic violence, the ever-changing meaning of pornography, sex-positive comics by BIPOC authors, and queerness in pop-culture mega-properties like X-Men and The Walking Dead.

Winner, A Choice Outstanding Academic Book

When the Oakland, California, school board called African American English "Ebonics" and claimed that it "is not a black dialect or any dialect of English," they reignited a debate over language, race, and culture that reaches back to the era of slavery in the United States. In this book, John Baugh, an authority on African American English, sets new parameters for the debate by dissecting and challenging many of the prevailing myths about African American language and its place in American society.

Baugh's inquiry ranges from the origins of African American English among slaves and their descendants to its recent adoption by standard English speakers of various races. Some of the topics he considers include practices and malpractices for educating language minority students, linguistic discrimination in the administration of justice, cross-cultural communication between Blacks and whites, and specific linguistic aspects of African American English. This detailed overview of the main points of debate about African American language will be important reading for both scholars and the concerned public.

From a major British political thinker and activist, a passionate case that both the left and right have lost their faith in ordinary people and must learn to find it again.

This is an age of polarization. It’s us vs. them. The battle lines are clear, and compromise is surrender.

As Out of the Ordinary reminds us, we have been here before. From the 1920s to the 1950s, in a world transformed by revolution and war, extreme ideologies of left and right fueled utopian hopes and dystopian fears. In response, Marc Stears writes, a group of British writers, artists, photographers, and filmmakers showed a way out. These men and women, including J. B. Priestley, George Orwell, Barbara Jones, Dylan Thomas, Laurie Lee, and Bill Brandt, had no formal connection to one another. But they each worked to forge a politics that resisted the empty idealisms and totalizing abstractions of their time. Instead they were convinced that people going about their daily lives possess all the insight, virtue, and determination required to build a good society. In poems, novels, essays, films, paintings, and photographs, they gave witness to everyday people’s ability to overcome the supposedly insoluble contradictions between tradition and progress, patriotism and diversity, rights and duties, nationalism and internationalism, conservatism and radicalism. It was this humble vision that animated the great Festival of Britain in 1951 and put everyday citizens at the heart of a new vision of national regeneration.

A leading political theorist and a veteran of British politics, Stears writes with unusual passion and clarity about the achievements of these apostles of the ordinary. They helped Britain through an age of crisis. Their ideas might do so again, in the United Kingdom and beyond.

From New York to Singapore, from Chicago to London, the trading floors of the world’s financial markets are icons of global capitalism. Images of them are used on the news all the time—traders burying their heads in their hands when the market is down, their arms flailing in a frenzy when fortunes are rising—to convey the current state of the economy. But these marketplaces, and the cultural life that sustains them, are dissolving into the ether of the digital age: powerful financial institutions are shutting down the trading pits, replacing face-to-face exchanges with an electronic network where traders sit, face to screen, finger to mouse, and compete in a global arena made up of digits and charts. 

Out of the Pits considers the implications of this sea change for everyone involved, from the traders and brokers to the market as a whole. Caitlin Zaloom takes us down to the floor at the Chicago Board of Trade and into a digital dealing room in the City of London. Drawing on her own firsthand experiences as a clerk and a trader and on her unusual access to these key sites of global finance, she explainshow changes at the world’s leading financial exchanges have transformed economic cultures and the craft of speculation; how people and places are responding to the digital transition; how traders are remaking themselves to compete in the contemporary marketplace; and how brokers, business managers, and software designers are collaborating to build new financial markets. 

A penetrating and richly detailed account of how cities, culture, and technology shape everyday life in the new global economy, Out of the Pits will be must reading for business buffs or anyone who has ever wondered how financial markets work.

Guatemala’s “Ten Years of Spring” (1944–1954) began when citizens overthrew a military dictatorship and ushered in a remarkable period of social reform. This decade of progressive policies ended abruptly when a coup d’état, backed by the United States at the urging of the United Fruit Company, deposed a democratically elected president and set the stage for a period of systematic human rights abuses that endured for generations. Presenting the research of diverse anthropologists and historians, Out of the Shadow offers a new examination of this pivotal chapter in Latin American history.

Marshaling information on regions that have been neglected by other scholars, such as coastlines dominated by people of African descent, the contributors describe an era when Guatemalan peasants, Maya and non-Maya alike, embraced change, became landowners themselves, diversified agricultural production, and fully engaged in electoral democracy. Yet this volume also sheds light on the period’s atrocities, such as the US Public Health Service’s medical experimentation on Guatemalans between 1946 and 1948. Rethinking institutional memories of the Cold War, the book concludes by considering the process of translating memory into possibility among present-day urban activists.

The book of Job is a complex, sophisticated treatment of the problem of undeserved suffering. It is also a sustained meditation on creation, on humanity’s place in creation, and on God’s ordering of creation. In this study, Kathryn Schifferdecker offers a close literary and theological reading of the book of Job—particularly of the speeches of God at the end of the book—in order to articulate its creation theology, which is particularly pertinent in our environmentally-conscious age.

After all of Job’s agonized questioning, God’s answer does not directly address Job’s questions about undeserved suffering or divine justice. Instead, the divine speeches take Job on a God’s-eye tour of creation in all its beauty and complexity. In extraordinarily detailed and beautiful poetry, the divine speeches show Job that the world is radically non-anthropocentric, that there exist wild places and animals whose value has nothing to do with their usefulness to humanity, and that God delights in the freedom of God’s creatures. This vision of the divine speeches enables Job to move out of despair into renewed participation in God’s often-dangerous but beautiful world.

This creation theology of Job, virtually unique in the Bible, has much to say to us today, as we struggle theologically and politically with the issues of environmental degradation and humanity’s relationship to the natural world.

Seventy deeply troubled teenagers spend weeks, months, even years on a locked psychiatric ward. They’re not just failing in school, not just using drugs. They are out of control—violent or suicidal, in trouble with the law, unpredictable, and dangerous. Their futures are at risk.

Twenty years later, most of them still struggle. But astonishingly, a handful are thriving. They’re off drugs and on the right side of the law. They’ve finished school and hold jobs that matter to them. They have close friends and are responsible, loving parents.

What happened? How did some kids stumble out of the woods while others remain lost? Could their strikingly different futures have been predicted back during their teenage struggles? The kids provide the answers in a series of interviews that began during their hospitalizations and ended years later. Even in the early days, the resilient kids had a grasp of how they contributed to their own troubles. They tried to make sense of their experience and they groped toward an understanding of other people’s inner lives.

In their own impatient voices, Out of the Woods portrays edgy teenagers developing into thoughtful, responsible adults. Listening in on interviews through the years, narratives that are often poignant, sometimes dramatic, frequently funny, we hear the kids growing into more composed—yet always recognizable—versions of their tough and feisty selves.

Examining Afro-German artists’ use of Afrofuturist tropes to critique German racial history

The term Afrofuturism was first coined in the 1990s to describe African diasporic artists’ use of science fiction, speculative fiction, and fantasy to reimagine the diaspora’s pasts and to counter not only Eurocentric prejudices but also pessimistic narratives. Out of This World: Afro-German Afrofuturism focuses on contemporary Black German Afrofuturist literature and performance that critiques Eurocentrism and, specifically, German racism and colonial history. This young generation has, Priscilla Layne argues, engaged with Afrofuturism to disrupt linear time and imagine alternative worlds, to introduce non-Western technologies into the German cultural milieu, and to consider the possibilities of posthumanism. Their experiments in futurist and speculative narratives offer new tools for breaking with the binary thinking about race, culture, and gender identity that have been enforced by repressive ideological and state apparatuses, such as educational, cultural, and police institutions. Rather than providing escapism or purely imaginary alternatives, however, they have created a space—outer and artistic—in which their lives matter.

An informative and one-of-a-kind guide, Out of This World offers readers and scholars alike a tour of speculative fiction's new globalized era.