Congo-Zaire contains Africa's largest remaining tracts of intact rain forest, making it one of the most important regions for biodiversity conservation. Its Ituri Forest is home to plants and animals native to nowhere else on earth, including the elusive and little-known okapi.

In this popularly written book, three long-time observers of the okapi present a complete, contemporary natural history of this appealing relative of the giraffe. They recount its discovery by European explorers and describe its appearance and life cycle. They also discuss current efforts to preserve the species, both in the wild and at zoos around the world.

Illustrated with charming line drawings, The Okapi will be a valuable resource for conservationists and zoo visitors alike-indeed anyone fascinated by the mysterious animal of Congo-Zaire.

A work of original scholarship and compelling sweep, Okfuskee is a community-centered Indian history with an explicitly comparativist agenda. Joshua Piker uses the history of Okfuskee, an eighteenth-century Creek town, to reframe standard narratives of both Native and American experiences.

This unique, detailed perspective on local life in a Native society allows us to truly understand both the pervasiveness of colonialism's influence and the inventiveness of Native responses. At the same time, by comparing the Okfuskees' experiences to those of their contemporaries in colonial British America, the book provides a nuanced discussion of the ways in which Native and Euro-American histories intersected with, and diverged from, each other.

Piker examines the diplomatic ties that developed between the Okfuskees and their British neighbors; the economic implications of the Okfuskees' shifting world view; the integration of British traders into the town; and the shifting gender and generational relationships in the community. By both providing an in-depth investigation of a colonial-era Indian town in Indian country and placing the Okfuskees within the processes central to early American history, Piker offers a Native history with important implications for American history.

The second volume in the Nobel Prize–winning writer’s epic of medieval Norway, finely capturing Undset’s fluid, natural style in a new English translation, the first in nearly a century

As Norway moves into the fourteenth century, the kingdom continues to be racked by political turmoil and bloody family vendettas that serve as the backdrop for Sigrid Undset’s masterful story about Olav Audunssøn and Ingunn Steinfinnsdatter. Betrothed as children and raised as foster siblings, their unbridled love for each other sets in motion a series of dire events—with a legacy of betrayal, murder, and disgrace that will echo for generations. In Providence, the second of Olav Audunssøn’s four volumes, Olav settles in at his ancestral estate of Hestviken and soon brings Ingunn home as his wife. Both hope to put their troubles behind them as they start a new life together, but the crimes and shameful secrets of the past have a long reach and a tenacious hold. The consequences of sin, suspicion, and familial obligations may prove a greater threat to the pair’s happiness than even their long years of separation.

Set in a time when royalty and religion vie for power, and bloodlines and loyalties are effectively law, Providence summons a powerful picture of Northern life in the medieval era, as the Swedish Academy noted in awarding Undset the Nobel Prize. Conveying both the intimate drama of Olav and Ingunn’s marriage and the epic sweep of their story, it is at once a moving and vivid recreation of a vanished world tainted by bloodshed and haunted by sin and retribution. 

As with her classic Kristin Lavransdatter, Sigrid Undset immersed herself in legal, religious, and historical writings to create in Olav Audunssøn an astoundingly authentic and compelling portrait of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset’s fluid prose. Undset’s writing style is by turns straightforward and delicately lyrical, conveying the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.

The third volume in the Nobel Prize–winning writer’s epic story of medieval Norway, finely capturing Undset’s fluid, natural style in the first English translation in nearly a century
 

In the early fourteenth century, Norway is a kingdom in political turmoil, struggling with opposing forces within its own borders and drawn into strife with neighboring Sweden and Denmark. Bloody family vendettas and conflicting loyalties sparked by the irrepressible passion of a boy and his foster sister (also his betrothed) have now set in motion a series of terrible consequences—with a legacy of betrayal, murder, and disgrace that will echo down through the generations. Crossroads, the third of Olav Audunssøn’s four volumes, finds Olav heartbroken by loss and further estranged from his son. To escape his grief, Olav leaves his home estate of Hestviken and agrees to serve as captain on a small merchant ship headed to London. There, separated from everything familiar to him, Olav begins a visionary journey that will send him far into the forest and deep into his soul. Questioning past decisions and future plans, Olav must grapple with his own perceptions of love and guilt, sin and penitence, vengeance and forgiveness. 

Set in a time and place where royalty and religion vie for power, and bloodlines and loyalties are law, Crossroads summons a powerful picture of Northern life in medieval times, as the Swedish Academy noted in awarding Sigrid Undset the Nobel Prize in 1928. Conveying both the intimate drama and epic sweep of Olav’s story as grief and guilt drive him to ever more desperate action, Crossroads is a moving and masterly re-creation of a vanished world tainted by bloodshed and haunted by sin and retribution. 

As with Kristin Lavransdatter, her earlier medieval epic, Undset immersed herself in the legal, religious, and historical documents of the time while writing Olav Audunssøn to create astoundingly authentic and compelling portraits of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset’s natural, fluid prose, in a style that delicately and lyrically conveys the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.

The fourth and final volume in the Nobel Prize–winning writer’s epic of one man’s fateful life in medieval Norway

Set in thirteenth-century Norway, a land racked by political turmoil, bloody family vendettas, and rising tensions between secular powers and an ascendant church, Sigrid Undset’s spellbinding masterpiece now follows the fortunes of Olav Audunssøn to the final, dramatic chapter of his life as it unfolds in Winter, the last volume of the tetralogy. When the orphaned Olav and his foster sister Ingunn became betrothed in their youth, a chain of events was set in motion that eventually led to violence, banishment, and a family separation lasting years. The consequences fracture their marriage and threaten the lineage for generations. Now, at the end of his life, Olav continues to grapple with the guilt of his sins as he watches his children, especially Eirik, make disastrous choices and struggle to find their rightful place in a family haunted by the past.

With its precise details and sweeping vision, Olav Audunssøn summons a powerful picture of Northern life in medieval times, as noted by the Swedish Academy in awarding Undset the Nobel Prize in 1928. Conveying both the intimate drama and the epic proportions of Olav’s story at its conclusion, Winter is a moving and masterly recreation of a vanished world tainted by bloodshed and haunted by sin and retribution—yet one that might still offer a chance for redemption. 

As with Kristin Lavransdatter, her earlier medieval epic, Sigrid Undset wrote Olav Audunssøn after immersive research in the legal, religious, and historical writings of the time to create an astoundingly authentic and compelling portrait of Norwegian life in the Middle Ages. And as in her translation of Kristin Lavransdatter, Tiina Nunnally does full justice to Undset’s natural, fluid prose—in a style by turns plainspoken and delicately lyrical—to convey the natural world, the complex culture, and the fraught emotional territory against which Olav’s story inexorably unfolds.

In Old and New New Englanders, Bluford Adams provides a reenvisioning of New England’s history and regional identity by exploring the ways the arrival of waves of immigrants from Europe and Canada transformed what it meant to be a New Englander during the Gilded Age. Adams’s intervention challenges a number of long-standing conceptions of New England, offering a detailed and complex portrayal of the relations between New England’s Yankees and immigrants that goes beyond nativism and assimilation. In focusing on immigration in this period, Adams provides a fresh view on New England’s regional identity, moving forward from Pilgrims, Puritans, and their descendants and emphasizing the role immigrants played in shaping the region’s various meanings. Furthermore, many researchers have overlooked the newcomers’ relationship to the regional identities they found here. Adams argues immigrants took their ties to New England seriously. Although they often disagreed about the nature of those ties, many immigrant leaders believed identification with New England would benefit their peoples in their struggles both in the United States and back in their ancestral lands.

Drawing on and contributing to work in immigration history, as well as American, gender, ethnic, and New England studies, this book is broadly concerned with the history of identity construction in the United States while its primary focus is the relationship between regional categories of identity and those based on race and ethnicity. With its interdisciplinary methodology, original research, and diverse chapter topics, the book targets both specialist and nonspecialist readers.

What offers over seven hundred witty enigmas in several languages? Answer: The Old English and Anglo-Latin Riddle Tradition. Riddles, wordplay, and inscrutable utterances have been at the heart of Western literature for many centuries. Often brief and always delightful, medieval riddles provide insights into the extraordinary and the everyday, connecting the learned and the ribald, the lay and the devout, and the familiar and the imported. Many solutions involve domestic life, including “butter churn” and “chickens.” Others like “the harrowing of hell” or “the Pleiades” appeal to an educated elite. Still others, like “the one-eyed seller of garlic,” are too absurd to solve: that is part of the game. Riddles are not simply lighthearted amusement. They invite philosophical questions about language and knowledge.

Most riddles in this volume are translated from Old English and Latin, but it also includes some from Old Norse–Icelandic. The Old English and Anglo-Latin Riddle Tradition assembles, for the first time ever, an astonishing array of riddles composed before 1200 CE that continue to entertain and puzzle.

The Old English Boethius boldly refashions in Anglo-Saxon guise a great literary monument of the late-antique world, The Consolation of Philosophy. Condemned to death for treason around 525 ce, the Roman scholar Boethius turned to philosophy to transform his personal distress into a powerful meditation on fate, free will, and the human capacity for virtue in a flawed, fallen world. Boethius's Latin dialogues found a receptive audience in Anglo-Saxon England, where they were translated into Old English some time around 900. The translator (traditionally identified with King Alfred) freely adapts the Latin for a new audience: the Roman Fabricius, for example, becomes the Germanic weapon-smith Weland. The translation replicates Boethius’s alternation of prose and verse—only in this case Old English prose alternates with alliterative verse.

In later centuries Chaucer and Queen Elizabeth each turned The Consolation of Philosophy into English, but the Old English translation was the first to bring it to a wider vernacular audience. Verse prologues and epilogues for works traditionally associated with King Alfred fill out the volume, offering readers a fascinating glimpse of the moment when English confidently claimed its birthright as a literature capable of anything, from sublime ideas to subtle poetry.

A contemporary edition and translation of one of the great monuments of Old English literary and religious culture.

The homilies of the monk Ælfric, written in the last decade of the tenth century, offer some of the most important prose writing in Old English. They convey mainstream Christian thought, a distillation of the spiritual inheritance of the English Church before the Norman Conquest and during a time of monastic reform. The homilies cover a broad range of topics, from biblical exegesis to saints’ lives to general Christian history, with a strong focus on the gospel reading at Mass, explained in language that laypeople could understand. Ælfric is famous for his lucid prose, which he later developed into a rhythmical and alliterative style that has often been likened to verse.

In his first series of Catholic Homilies, Ælfric drew on the works of Church Fathers such as Augustine, Gregory, and Bede to create forty sermons for use throughout the church year. This is the first complete translation of the Catholic Homilies since 1844, presented alongside the newly edited Old English text.

A contemporary edition and translation of one of the great monuments of Old English literary and religious culture.

The homilies of the monk Ælfric, written in the last decade of the tenth century, offer some of the most important prose writing in Old English. They convey contemporary Christian doctrine shaped during a period of monastic reform. Taken together, the homilies offer a distillation of the spiritual inheritance of the English Church before the Norman Conquest. They cover a broad range of topics, from biblical exegesis to saints’ lives to general Christian history, with a strong focus on the gospel reading at Mass, explained in language that laypeople could understand. Ælfric is famous for his lucid prose, which he later developed into a rhythmical and alliterative style that has often been likened to verse.

In the second series of Catholic Homilies, Ælfric continues his project with an additional forty sermons, sometimes multiple for the same occasion, and relies again on the works of Church Fathers such as Augustine, Gregory, and Bede. This is the first complete translation of the Catholic Homilies since 1844, presented alongside the newly edited Old English text.

A thousand years of English history, encapsulating invasions, the rise and fall of kings, and religious events

Among the vernacular historical writings of early medieval England, the Old English Chronicle holds a prominent place, providing not only a backbone of English history from the fifth through the twelfth centuries but also a record of language development and geography. The seven texts in the Chronicle, known as manuscripts A through G, offer a brief year-by-year summary of important national events.

The Old English Chronicle: The A-Text to 1001 is the earliest and most interesting of these manuscripts. It covers more than a thousand years, with entries written throughout the tenth century by different scribes. Although many entries are spare, noting only the death of a king or church official, others offer detailed accounts and interpretations of events such as the movement of viking armies against King Alfred or the narrative of treachery, retribution, and loyalty widely known today as “Cynewulf and Cyneheard.” In addition to the A-Text, this edition contains two highly political poems, The Death of Alfred and The Death of Edward, as well as The Battle of Maldon, a brilliant verse rendering of a defeat against Scandinavian invaders in 991.

The Old English Chronicle, Volume I contains newly edited Old English texts and expert translations of key works of medieval historical writing.

The Book of Pastoral Rule, or Liber regulae pastoralis, by Pope Gregory the Great—the pontiff responsible for the conversion of the English to Christianity beginning in 597—is a guide for aspiring bishops. Pope Gregory explains who ought and who ought not seek such a position and advises on what sort of spiritual guidance a bishop should provide to those under his direction.

The Old English Pastoral Care, a translation of Gregory’s treatise completed between 890 and 896, is described in a prefatory letter by King Alfred the Great as his own work, composed with the assistance of his bishops and chaplains. It appears to be the first of the Alfredian translations into Old English of Latin texts deemed necessary for the revitalization of the English Church, which had been ravaged by the depredations of Scandinavian invaders during the ninth century and by the decline of clerical competence in Latin.

This new edition and translation into modern English is the first to appear in a century and a half.

Religious piety has rarely been animated as vigorously as in Old English Poems of Christ and His Saints. Ranging from lyrical to dramatic to narrative, the individual poems show great inventiveness in reimagining perennial Christian topics. In different poems, for example, Christ expels Lucifer from heaven, resists the devil's temptation on earth, mounts the cross with zeal to face death, harrows hell at the urging of John the Baptist, appears in disguise to pilot a ship, and presides over the Last Judgment. Satan and the fallen angels lament their plight in a vividly imagined hell and plot against Christ and his saints.

In Andreas the poet relates, in language reminiscent of Beowulf, the tribulations of the apostles Andrew and Matthew in a city of cannibals. In The Vision of the Cross (also known as The Dream of the Rood), the cross speaks as a Germanic warrior intolerably torn between the imperative to protect his Lord and the duty to become his means of execution. In Guthlac A, an Anglo-Saxon warrior abandons his life of violence to do battle as a hermit against demons in the fens of Lincolnshire. As a collection these ten anonymous poems vividly demonstrate the extraordinary hybrid that emerges when traditional Germanic verse adapts itself to Christian themes.

Old English Poems of Christ and His Saints complements the saints' lives found in The Old English Poems of Cynewulf, DOML 23.

The Old English poems attributed to Cynewulf, who flourished some time between the eighth and tenth centuries, are unusual because most vernacular poems in this period are anonymous. Other than the name, we have no biographical details of Cynewulf, not even the most basic facts of where or when he lived. Yet the poems themselves attest to a powerfully inventive imagination, deeply learned in Christian doctrine and traditional verse-craft.

Runic letters spelling out the name Cynewulf appear in four poems: Christ II (or The Ascension), Juliana, The Fates of the Apostles, and Elene. To these a fifth can be added, Guthlac B, because of similarities in style and vocabulary, but any signature (if one ever existed) has been lost because its ending lines are missing. What characterizes Cynewulf’s poetry? He reveals an expert control of structure as shown from the changes he makes to his Latin sources. He has a flair for extended similes and dramatic dialogue. In Christ II, for example, the major events in Christ’s life are portrayed as vigorous leaps. In Juliana the force of the saint’s rhetoric utterly confounds a demon sent to torment her.

The Latin psalms figured prominently in the lives of the Anglo-Saxons, whether sung in the Divine Office by clerics, studied as a textbook for language learning by students, or recited in private devotion by lay people. They were also translated into Old English, first in prose and later in verse. Sometime in the middle of the eleventh century, the prose and verse translations were brought together and organized in a complementary sequence in a manuscript now known as the Paris Psalter. The prose version, traditionally attributed to King Alfred (d. 899), combines literal translation with interpretative clarification. In contrast, the anonymous Old English verse translation composed during the tenth century approaches the psalms in a spirit of prayer and devotion. Despite their differences, both reflect earnest attempts to capture the literal meaning of the psalms.

The complete text of all 150 prose and verse psalms is available here in contemporary English for the first time. With this translation readers encounter the beginnings and the continuation of a long tradition of psalm renderings in English.

Alongside famous long works such as Beowulf, Old English poetry offers a large number of shorter compositions, many of them on explicitly Christian themes. This volume of the Dumbarton Oaks Medieval Library presents twenty-nine of these shorter religious poems composed in Old and early Middle English between the seventh and twelfth centuries. Among the texts, which demonstrate the remarkable versatility of early English verse, are colorful allegories of the natural world, poems dedicated to Christian prayer and morality, and powerful meditations on death, judgment, heaven, and hell.

Previously edited in many different places and in some instances lacking accessible translations, many of these poems have remained little known outside scholarly circles. The present volume aims to offer this important body of texts to a wider audience by bringing them together in one collection and providing all of them with up-to-date translations and explanatory notes. An introduction sets the poems in their literary-historical contexts, which are further illustrated by two appendices, including the first complete modern English translation of the so-called Old English Benedictine Office.

The twenty-five poems and eleven metrical charms in this Old English volume offer tantalizing insights into the mental landscape of the Anglo-Saxons. The Wanderer and The Seafarer famously combine philosophical consolation with introspection to achieve a spiritual understanding of life as a journey. The Wife’s Lament, The Husband’s Message, and Wulf and Eadwacer direct a subjective lyrical intensity on the perennial themes of love, separation, and the passion for vengeance. From suffering comes wisdom, and these poems find meaning in the loss of fortune and reputation, exile, and alienation. “Woe is wondrously clinging; clouds glide,” reads a stoic, matter-of-fact observation in Maxims II on nature’s indifference to human suffering. Another form of wisdom emerges in the form of folk remedies, such as charms to treat stabbing pain, cysts, childbirth, and nightmares of witch-riding caused by a dwarf. The enigmatic dialogues of Solomon and Saturn combine scholarly erudition and proverbial wisdom. Learning of all kinds is celebrated, including the meaning of individual runes in The Rune Poem and the catalog of legendary heroes in Widsith.

This book is a welcome complement to the previously published DOML volume Old English Shorter Poems, Volume I: Religious and Didactic.

Old English Tradition contains eighteen new essays by leading scholars in the field of Old English literary studies. The collection is centered around five key areas of research—Old English poetics, Anglo-Saxon Christianity, Beowulf, codicology, and early Anglo-Saxon studies—on which the work of scholar J. R. Hall, the volume’s honorand, has been influential over the course of his career.  

The volume’s contents range from fresh insights on individual Old English poems such as The Wife’s Lament and Beowulf; new studies in Old English metrics and linguistics; codicological examinations of individual manuscripts; fresh editions of understudied texts; and innovative examinations of the role of early antiquarians in shaping the field of Old English literary studies as we know it today.

A concise study of a large number of examples of pluses and minus providing insight into translation from Hebrew to Greek

Van der Vorm-Croughs focuses this translation study on the processes leading to pluses and minuses including linguistic and stylistic aspects (i.e., cases in which elements have been added or omitted for the sake of a proper use of the Greek language), literary aspects (additions and omissions meant to embellish the Greek text), translation technical aspects (e.g., the avoidance of redundancy), and contextual and intertextual exegesis and harmonization. This work also covers the relation between the Greek Isaiah and its possible Hebrew Vorlage to try to determine which pluses and minuses may have been the result of the translator’s use of a different Hebrew text.

Features:

• Eleven categories for the pluses and minuses of the Greek Isaiah
• Examination of translation techniques and translator errors
• Use of Joseph Ziegler’s critical edition

After the defeat and exile of Napoleon and the restoration of the Bourbons, the political climate of France was one of seething unrest, intrigue, and dissent. A clandestine and conspiratorial movement known as the Carbonari, or Charbonnerie, arose in the early 1820's with the aim of overthrowing the monarchy of Louis XVIII. Modeling itself after the Italian Carbonari, this coalition of young French republicans--bonapartists, retired army officers, junior and non-commissioned officers, and leaders of the extreme liberal wing of the Chamber of Deputies--set up cells throughout France, hoping in particular to infiltrate vulnerable army units. Old Hatreds and Young Hopes follows the movement from its beginnings to its ultimate failure, from plots to trials.

Sources of information about secret societies and political conspiracies are always scattered and complex, and often unreliable. Spitzer demonstrates that the secrets of a conspiracy and its place in the broader history of a nation can nevertheless be brought to light by evaluating one kind of evidence against another, by checking and testing government sources, particularly police documents, against such other materials as the memoirs and letters of conspirators and contemporary journalistic accounts. His book is much more than the story of the conspirators. In showing why the conspiracy developed and how it was handled, the author has illuminated the workings of the politicalsystem of the Restoration--the structure and organization of its administration and political police and the operation of political justice in its courts. He also situates the French Carbonari in the history of secret societies and radical movements in the first half of the nineteenth century and works out links with similar groups in other countries.

The Old Man veers between a contemporary effort to buy a dacha and the memories of an incident in the Civil War. A questionable action in the past haunts the present and throws into relief the materialism that has come to replace revolutionary idealism; suggesting this idealism may have been tainted in the first place. While the setting and situation are very Soviet, the quandary Trifonov describes has universal significance.

“The definitive account . . . superbly recounted.” —Journal of Southern History

 “Meticulously documented. . . . Recommended for libraries interested in the colonial period.” —Choice

“Mind-boggling . . . a stupendous job of research. It is amazing that Higginbotham can recreate in such detail the lives of these people. All history books should be written like this.” —BirminghamMagazine

Old Norse mythology is elusive: it is the label used to describe the religious stories of the pre-Christian North, featuring such well-known gods as Odin and Thor, yet most of the narratives have come down to us in manuscripts from the Middle Ages mainly written by Christians. Our view of the stories as they were transmitted in oral form in the pre-Christian era is obscured.

To overcome these limitations, this book assembles comparisons from a range of theoretical and analytical perspectives—across media, cultures, and disciplines. Fifteen scholars from a wide range of fields examine the similarities of and differences of the Old Norse mythologies with the myths of other cultures. The differences and similarities within the Old Norse corpus itself are examined to tease out the hidden clues to the original stories.

With his monumental work The Old Regime and the Revolution, Alexis de Tocqueville (1805–59)—best known for his classic Democracy in America—envisioned a multivolume philosophical study of the origins of modern France that would examine the implications of French history on the nature and development of democratic society. Volume I, which covered the eighteenth-century background to the Revolution, was published to great acclaim in 1856. On the continuation of this project, he wrote: "When this Revolution has finished its work, [this volume] will show what that work really was, and what the new society which has come from that violent labor is, what the Revolution has taken away and what it has preserved from that old regime against which it was directed."

The Old Story, with a Difference: Pickwick’s Vision explores in radically different ways from most approaches to nineteenth-century studies the tropes and metaphors of vision in Dickens’ first novel, The Pickwick Papers. Julian Wolfreys provides a close reading of Dickens’ Pickwick Papers and argues that this novel is an exemplary text for the re-consideration of concepts such as literature, history, the novel, and the whole notion of Victorian studies. True to the purpose of the Victorian Critical Interventions Series, Wolfreys challenges scholars to rethink the use of a canonical text in Victorian literature.

Challenging the commonplaces of historicist criticism, and demonstrating the need for a return to close reading, The Old Story, with a Difference presents a reading of the novel grounded in the twinned rigors of materialist historiography and theoretical inflections tending toward attentiveness to epistemological and linguistic concerns. Through such an orientation, Wolfreys unpacks the relation between the tropes of visuality and matters of memory, history, and the necessity of fiction to bear witness to the cultures, past and present, from which literature becomes generated and which it mediates. In doing so, he situates an argument for rethinking Dickens’ novel as the inaugural novel of Victorian fiction par excellence, in that novel’s efforts to remain open to the traces of the past in particular ways.

The Old Story, with a Difference holds profound implications for the study not only of Dickens’ works but Victorian literature and culture in general. Provocative and inventive, this ambitious analysis will challenge, goad, and invite the reader to return to acts of materialist reading informed by ethical and ideological urgency, rather than relapsing into the commonplaces of humanist cliché.

An engaging anthology that deals with both theory and practice

The emerging discipline of biblical spirituality considers how faith finds expression within the biblical texts and how modern expressions of faith interact with those texts. This volume represents Christo Lombaard’s reflective, analytical, and exegetical contributions to the field in order to explore how biblical texts mediate faith, both ancient and contemporary. It reflects on aspects of the interaction of faith and Scripture, critically approaching both dimensions.

Features:

• Seven previously published papers drawn predominately from South African journals
• Explorations of how biblical texts mediate faith
• Close examination of the discipline of biblical spirituality as part of spirituality studies

The Old English poems in this volume are among the first retellings of scriptural texts in a European vernacular. More than simple translations, they recast the familiar plots in daringly imaginative ways, from Satan's seductive pride (anticipating Milton), to a sympathetic yet tragic Eve, to Moses as a headstrong Germanic warrior-king, to the lyrical nature poetry in Azarias.

Whether or not the legendary Caedmon authored any of the poems in this volume, they represent traditional verse in all its vigor. Three of them survive as sequential epics in a manuscript in the Bodleian Library at Oxford. The first, the Old English Genesis, recounts biblical history from creation and the apocryphal fall of the angels to the sacrifice of Isaac; Abraham emerges as the central figure struggling through exile toward a lasting covenant with God. The second, Exodus, follows Moses as he leads the Hebrew people out of Egyptian slavery and across the Red Sea. Both Abraham and Moses are transformed into martial heroes in the Anglo-Saxon mold. The last in the triad, Daniel, tells of the trials of the Jewish people in Babylonian exile up through Belshazzar's feast. Azarias, the final poem in this volume (found in an Exeter Cathedral manuscript), relates the apocryphal episode of the three youths in Nebuchadnezzar's furnace.

A history of research that changed scholarly perceptions of early Judaism

This collection of essays by some of the most important scholars in the fields of early Judaism and Christianity celebrates fifty years of the study of the Old Testament Pseudepigrapha at the Society of Biblical Literature and the pioneering scholars who introduced the Pseudepigrapha to the Society. Since its early days as a breakfast meeting in 1969, the Pseudepigrapha Section has provided a forum for a rigorous discussion of these understudied texts and their relevance for Judaism and Christianity. Contributors recount the history of the section's beginnings, critically examine the vivid debates that shaped the discipline, and challenge future generations to expand the field in new interdisciplinary directions.

Features:

• Reflections from early members of the Pseudepigrapha Group
• Essays that examine a methodological shift from capturing and preserving traditions to exploring the intellectual and social world of Jewish antiquity
• Evaluations of past interactions with adjacent fields and the larger academic world

The effort to achieve greater European unity has absorbed the interests and energies of a number of Europeans and Americans since the end of World War II. Edward Heath, who led Britain's earliest attempt to join the European Economic Community, first made this comprehensive statement of the philosophy and purpose behind the movement for European unity in a series of lectures he gave at Harvard University in March 1967. In discussing the future development of Europe, Mr. Heath considered factors relating to domestic and foreign politics, economics, and defense, presenting a complete picture of Europe and suggesting a course that might bring about a successful unity.

"The lectures," writes Mr. Heath in 1970, "...were an attempt to look behind the immediate headlines and examine in greater depth the stage which Europe had reached in its search for unity. I was particularly concerned to trace the development of the European Economic Community and to deduce from its history the direction of its future development. At the same time I examined Britain's attitude towards the EEC and how British aspirations in Europe fitted into a general concept of Britain's place in the world..."

"Much has happened since March 1967, but insofar as they concern Europe, events have in a curious way brought us full circle. Now, as in 1967, we in Europe are in the middle of a lively debate about our future. This debate has two main facets. It is partly a debate throughout our continent on the meaning and content of the search for European unity. It is partly a debate within Britain on the likelihood and wisdom of Britain's entry into the EEC and on the effect which such entry would have upon our future prosperity, security, and national identity."

Mr. Heath has updated the lectures in his introduction, although his lucid and intelligent analysis remains extremely far-sighted even in the context of subsequent political changes and events. His consideration of Europe's future is not merely theoretical--Mr. Heath speaks from the standpoint of one who has had direct and continuous practical experience with the problems of Europe. His frank recognition of Britain's loss of power in the world and his belief that through Europe his country may win new influence and play a new political role attest to his great insight. These lectures are thus an important political statement by one of Europe's outstanding leaders.

This substantial essay depicts urban collapse in an exceptionally difficult period of the Serbian capital. The author has marshalled facts, reflections, photographs and other imagesto demonstrate the transformation of Belgrade during the Milošević years. With the theoretical grounding of cultural anthropology, history studies, culture of memory, history of art, and urbanism, Mileta Prodanović considers changes to the built environment and urban landscape in the city in the 1990s. He covers many visual aspects of life with great ingenuity: shopping centers, unregulated construction and “wild” modifications of buildings, new buildings (broadcasting studios, shops, homes) that do not fit the surroundings, bad taste in home furnishings (camp, kitsch), boondoggles such as the international art center, problematic historical markers like the obelisk of the eternal flame, billboards, store displays, electoral propaganda, graffiti, grave-markers and cemetery memorials, coins and paper money, calendars, beer labels, and even religious icons (and more). All this information is provided with some critique and much implied comparison to past standards.

Youth mentoring programs must change in order to become truly effective. The world’s leading expert shows how.

Youth mentoring is among the most popular forms of volunteering in the world. But does it work? Does mentoring actually help young people succeed? In Older and Wiser, mentoring expert Jean Rhodes draws on more than thirty years of empirical research to survey the state of the field. Her conclusion is sobering: there is little evidence that most programs—even renowned, trusted, and long-established ones—are effective. But there is also much reason for hope.

Mentoring programs, Rhodes writes, do not focus on what young people need. Organizations typically prioritize building emotional bonds between mentors and mentees. But research makes clear that effective programs emphasize the development of specific social, emotional, and intellectual skills. Most mentoring programs are poorly suited to this effort because they rely overwhelmingly on volunteers, who rarely have the training necessary to teach these skills to young people. Moreover, the one-size-fits-all models of major mentoring organizations struggle to deal with the diverse backgrounds of mentees, the psychological effects of poverty on children, and increasingly hard limits to upward mobility in an unequal world.

Rhodes doesn’t think we should give up on mentoring—far from it. She shows that evidence-based approaches can in fact create meaningful change in young people’s lives. She also recommends encouraging “organic” mentorship opportunities—in schools, youth sports leagues, and community organizations.

Winner of the Eleanor Maccoby Book Award

“This engaging and well-written book is a significant advance in our understanding of when and how mentoring matters…[It] lays the foundations for an approach to mentoring that is both rigorous and rich in new ideas.”
—Robert D. Putnam, author of Our Kids: The American Dream in Crisis

“Rhodes forces us to slam the brakes on ineffective practices and improve an industry that is devoted to the potential of our nation’s children…The author’s concrete recommendations will create new pathways to opportunity for youth in greatest need.”
—Michael D. Smith, Executive Director, My Brother’s Keeper Alliance

“A powerful assessment of what is needed to best help young people today.”
—Pam Iorio, President and CEO, Big Brothers Big Sisters of America

Youth mentoring is one of the most popular forms of volunteering in the world today, but does it work? Drawing on over thirty years of research and her own experience in the field, Jean Rhodes reveals that most mentoring programs fail to deliver what young people actually need. Many prioritize building emotional bonds between mentors and mentees. But research shows that effective programs go far beyond this, developing specific social, emotional, and intellectual skills.

Most mentoring programs rely on volunteers, who rarely have the training to teach these skills. Their one-size-fits-all models struggle to meet the diverse needs of mentees, and rarely take account of the psychological effects of poverty on children. Rhodes doesn’t think we should give up on mentoring—far from it. Instead, she recommends “organic” mentorship opportunities—in schools, youth sports leagues, and community organizations—and shares specific approaches that can spark meaningful change in young people’s lives.

A groundbreaking challenge to a core principle of constitutional law, arguing that congressional action is not limited by the legislative branch’s textually enumerated powers.

Every law student learns that the federal government is constrained to act only according to its enumerated powers, meaning that Congress can do what the Constitution expressly authorizes it to and nothing more. Yet Richard Primus contends that this longstanding orthodoxy—allegedly required by the text of the Constitution, the Framers’ vision, and the logic of federalism—is fundamentally flawed.

Through careful analysis of constitutional text and history, and of the structure of American federalism, The Oldest Constitutional Question builds a powerful argument for broad congressional authority. In particular, Primus shows that the primary function of enumeration is to rule listed powers in, not to rule other powers out. The Framers were more worried that the federal government might be fragile and anemic than that it would be overwhelmingly strong. Enumerating congressional powers is thus best understood as a way of ensuring that the federal legislature has an incontestable warrant to exercise the powers specified there, not as an exhaustive description of all that Congress can do.

In practice, the enumeration of powers does little to limit Congress. But most constitutional lawyers—including many Supreme Court justices—think this means something has gone wrong, such that the courts must aggressively strike down federal laws exceeding Congress’s enumerated powers. Primus’s meticulous examination explodes the prevailing view, revealing its underlying errors. The constitutional system does place limits on Congress, and crucially so, but the enumeration of powers is not, and never has been, a sensible means for creating and enforcing those limits.

In this intriguing blend of the commonplace and the ancient, Jean Bottéro presents the first extensive look at the delectable secrets of Mesopotamia. Bottéro’s broad perspective takes us inside the religious rites, everyday rituals, attitudes and taboos, and even the detailed preparation techniques involving food and drink in Mesopotamian high culture during the second and third millennia BCE, as the Mesopotamians recorded them. 

Offering everything from translated recipes for pigeon and gazelle stews, the contents of medicinal teas and broths, and the origins of ingredients native to the region, this book reveals the cuisine of one of history’s most fascinating societies. Links to the modern world, along with incredible recreations of a rich, ancient culture through its cuisine, make Bottéro’s guide an entertaining and mesmerizing read.

Roderick P. Hart Outstanding Book Award for the National Communication Association's Political Communication Division 

A fascinating survey of the history of political and economic ideas in the US that have led to an increasingly entrenched ultra-rich class of oligarchs.

To an American, oligarchy is something that happens somewhere else. In Oligarchy in America, Luke Winslow reveals oligarchy’s deep intellectual roots and alarming growth in America. The book provides conceptual tools the lack of which have prevented Americans from recognizing oligarchy at home.

Winslow argues that generic labels like “billionaires” for a class of ultra-rich masks the pervasive structures that entrench their power. He introduces instead the concept of democratic oligarchy—an institutional arrangement in which the ultra-rich form a class consciously creating and leveraging state power to accumulate wealth.

Like a master class in political ideas, Winslow traces the intellectual lineage of oligarchy in the US. His lively and compulsively readable survey examines key rhetorical sources such as Herbert Spencer, Andrew Carnegie, Friedrich Hayek, Lewis Powell, Milton Friedman, Charles Koch, Donald Trump, Tucker Carlson, and others.

Oligarchy in America maps the connective web of oligarchic ideas uniting these disparate figures. By offering a lucid framework through which to view oligarchic ideas ambient in American culture, Winslow makes a vital contribution to readers and scholars of communication and rhetorical studies, public address, economics, and political science.

Olmec Art at Dumbarton Oaks presents the Olmec portion of the Robert Woods Bliss Collection of Pre-Columbian Art. It illustrates all thirty-nine Olmec art objects in color plates and includes many complementary and comparative black-and-white illustrations and drawings. The body of Pre-Columbian art that Robert Bliss carefully assembled over a half-century between 1912 and 1963, amplified only slightly since his death, is a remarkably significant collection. In addition to their aesthetic quality and artistic significance, the objects hold much information regarding the social worlds and religious and symbolic views of the people who made and used them before the arrival of Europeans in the New World.

This volume is the second in a series of catalogues that will treat objects in the Bliss Pre-Columbian Collection. The majority of the Olmec objects in the collection are made of jade, the most precious material for the peoples of ancient Mesoamerica from early times through the sixteenth century. Various items such as masks, statuettes, jewelry, and replicas of weapons and tools were used for ceremonial purposes and served as offerings.

Karl Taube brings his expertise on the lifeways and beliefs of ancient Mesoamerican peoples to his study of the Olmec objects in teh Bliss collection. His understanding of jade covers a broad range of knowledge from chemical compositions to geological sources to craft technology to the symbolic power of the green stone. Throughout the book the author emphasizes the role of jade as a powerful symbol of water, fertility, and particularly, of the maize plant which was the fundamental source of life and sustenance for the Olmec. The shiny green of the stone was analogous to the green growth of maize. This fundamental concept was elaborated in specific religious beliefs, many of which were continued and elaborated by later Mesoamerican peoples, such as the Maya. Karl Taube employs his substantial knowledge of Pre-Columbian cultures to explore and explicate Olmec symbolism in this catalogue.

WINNER, Certificate of Excellence in “Scholarly Publications” from the Illinois State Historical Society’s 2025 Best of Illinois History Awards!
Honorable Mention, 2025 Society of Midland Authors Award in History!

The challenge to preserve Chicagoland’s unique haven

Just outside the bustling metropolis of Chicago lies the unlikely green oasis of Riverside, Illinois, a small village that has continued to directly influence American landscapes and suburbs since the 1870s. Once farmland, the location provided a blank canvas for preeminent designers Fredrick Law Olmsted and Calvert Vaux’s manifestation of a truly democratic society. Olmsted’s Riverside details the village’s historical significance, harmony with nature, and its nearly 150-year impact on American suburbs today.

Cathy Jean Maloney explores how Riverside’s layout and design presaged today’s urban planning goals of walkability, green space, public transportation access, sustainability, and resiliency. Houses in Riverside are set back from the road, sidewalks meander along gently curving roads, and public green spaces abound. Maloney shows how Riverside’s leaders and residents struggled with stewardship of Olmsted’s ideals by balancing competing interests in suburban development and Chicago sprawl from the 1870s to the 2020s. She details in chronological chapters how the village adapted to tragedies such as the Great Fire of 1871 and the Panic of 1873, as well as advancements in transportation, local civic life, urban policy, and environmental thought, all while staying true to the framework inherited from Olmsted and Vaux.

Olmsted’s Riverside provides engaging examples of how citizen involvement can protect a community’s ideals. This richly illustrated volume combines landscape architecture, regional history, and urban design to show how audacious civic planning and thoughtful conservation can provide a model for future American suburbs.

The preeminent lyric poet of ancient Greece.

Of the Greek lyric poets, Pindar (ca. 518–438 BC) was “by far the greatest for the magnificence of his inspiration” in Quintilian’s view; Horace judged him “sure to win Apollo’s laurels.” The esteem of the ancients may help explain why a good portion of his work was carefully preserved. Most of the Greek lyric poets come down to us only in bits and pieces, but nearly a quarter of Pindar’s poems survive complete. William H. Race now brings us, in two volumes, a new edition and translation of the four books of victory odes, along with surviving fragments of Pindar’s other poems.

Like Simonides and Bacchylides, Pindar wrote elaborate odes in honor of prize-winning athletes for public performance by singers, dancers, and musicians. His forty-five victory odes celebrate triumphs in athletic contests at the four great Panhellenic festivals: the Olympic, Pythian (at Delphi), Nemean, and Isthmian games. In these complex poems, Pindar commemorates the achievement of athletes and powerful rulers against the backdrop of divine favor, human failure, heroic legend, and the moral ideals of aristocratic Greek society. Readers have long savored them for their rich poetic language and imagery, moral maxims, and vivid portrayals of sacred myths.

Race provides brief introductions to each ode and full explanatory footnotes, offering the reader invaluable guidance to these often difficult poems. His Loeb Pindar also contains a helpfully annotated edition and translation of significant fragments, including hymns, paeans, dithyrambs, maiden songs, and dirges.

Jonathan Moody grew up during the Golden Ages of hip-hop and listened to rap that was as adventurous and diverse as his military upbringing. When rap’s Golden Ages expired, the music’s innovativeness and variety diminished. Moody’s second book, Olympic Butter Gold, winner of the 2014 Cave Canem Northwestern University Press Poetry Prize, responds to Chuck D’s claim that "if there was a HIP-HOP or Rap Olympics, I really don’t think the United States would get Gold, Silver or Brass." From the poem "Opening Ceremony," in the voice of a heroin addict struggling to use Lady Liberty’s torch to cook "The American Dream," to "Dear 2Pac," an autobiographical account of teaching Tupac Shakur’s poetry to engage high school students indifferent to literature, Moody shares a worldview that is simultaneously apocalyptic and promising.

Already the world has seen the political, economic, and cultural significance of hosting the 2008 Olympics in Beijing—in policies instituted and altered, positions softened, projects undertaken. But will the Olympics make a lasting difference? This book approaches questions about the nature and future of China through the lens of sports—particularly as sports finds its utmost international expression in the Olympics.

Drawing on newly available archival sources to analyze a hundred-year perspective on sports in China, Olympic Dreams explores why the country became obsessed with Western sports at the turn of the twentieth century, and how it relates to China’s search for a national and international identity. Through case studies of ping-pong diplomacy and the Chinese handling of various sporting events, the book offers unexpected details and unusual insight into the patterns and processes of China’s foreign policymaking—insights that will help readers understand China’s interactions with the rest of the world.

Among the questions Xu Guoqi brings to the fore are: Why did Mao Zedong choose competitive ping-pong to manipulate world politics? How did the two-China issue nearly kill the 1976 Montreal Olympic Games? And why do the 2008 Olympics present Beijing with unprecedented dangers and opportunities? In exploring these questions, Xu brilliantly articulates a fresh and surprising perspective on China as an international sport superpower as well as a new “sick man of East Asia.” In Olympic Dreams, he presents an eloquent argument that in the deeply unsettled China of today, sport, as a focus of popular interest, has the capacity to bring about major social changes.

A look back at how powerful politicians, business leaders, and a diverse cast of activists used a thwarted Olympics to shape the state of Colorado and the city of Denver.

If you don’t recall the 1976 Denver Olympic Games, it’s because they never happened. The Mile-High City won the right to host the winter games and then was forced by Colorado citizens to back away from its successful Olympic bid through a statewide ballot initiative. Adam Berg details the powerful Colorado regime that gained the games for Denver and the grassroots activism that brought down its Olympic dreams, and he explores the legacy of this milestone moment for the games and politics in the United States.

The ink was hardly dry on Denver’s host agreement when Mexican American and African American urbanites, white middle-class environmentalists, and fiscally concerned local politicians realized opposition to the Olympics provided them new political openings. The Olympics quickly became a platform for taking stands on a range of issues, from conservation to urban livability to the very idea of growth, which for decades had been unquestioned in Colorado. The Olympics That Never Happened argues that hostility to the Olympics galvanized and empowered diverse citizens in a major US city, with long-term ramifications for Colorado and political activism elsewhere. The Olympics themselves were changed forever, compelling organizers to take seriously competing interests from subgroups within their communities.

Omeljan Pritsak and the Intellectual Origins of the Ukrainian “Harvard Miracle” is the first English-language intellectual biography of Omeljan Pritsak, the co-founder of the Harvard Ukrainian Research Institute and the first professor of Ukrainian history at Harvard. Andrii Portnov places Pritsak’s life and legacy in the context of Ukrainian and world historiography and illuminates the development of his scholarly interests, which emerged in interwar Poland and developed through the Sovietization of Western Ukraine and the perturbations of World War II. His scholarship ranged from German Oriental Studies in the 1940s and 1950s to North American Slavic studies to the international studies of the origins of Rus´. Pritsak’s trajectory unfolds as he faces the challenges of establishing the field of Ukrainian studies in North America while engaging with influential scholars such as Dmytro Čyževskyj, Roman Jakobson, Ivan Krypiakevych, Oleksandr Ohloblyn, and Natalia Polonska-Vasylenko.

Based on unique materials Portnov uncovered in several German archives, this concise study serves as an invitation to reassess the intellectual history of Ukrainian history. Containing unique, previously unpublished photographs from Pritsak’s personal collection at the Kyiv-Mohyla Academy, this book sheds light on the life and work of the enigmatic figure of Omeljan Pritsak—one of the most prominent, controversial, and multifaceted historians of Ukraine, Central Europe, and the Turko-Osmanic and Mongol worlds.

In this gustatory tour of human history, John S. Allen demonstrates that the everyday activity of eating offers deep insights into human beings’ biological and cultural heritage.

We humans eat a wide array of plants and animals, but unlike other omnivores we eat with our minds as much as our stomachs. This thoughtful relationship with food is part of what makes us a unique species, and makes culinary cultures diverse. Not even our closest primate relatives think about food in the way Homo sapiens does. We are superomnivores whose palates reflect the natural history of our species.

Drawing on the work of food historians and chefs, anthropologists and neuroscientists, Allen starts out with the diets of our earliest ancestors, explores cooking’s role in our evolving brain, and moves on to the preoccupations of contemporary foodies. The Omnivorous Mind delivers insights into food aversions and cravings, our compulsive need to label foods as good or bad, dietary deviation from “healthy” food pyramids, and cross-cultural attitudes toward eating (with the French, bien sûr, exemplifying the pursuit of gastronomic pleasure).

To explain, for example, the worldwide popularity of crispy foods, Allen considers first the food habits of our insect-eating relatives. He also suggests that the sound of crunch may stave off dietary boredom by adding variety to sensory experience. Or perhaps fried foods, which we think of as bad for us, interject a frisson of illicit pleasure. When it comes to eating, Allen shows, there’s no one way to account for taste.

The Hemenway Southwestern Archaeological Expedition (1886–1889), directed by Frank Hamilton Cushing, was the first privately funded expedition to the American Southwest. This volume examines the expedition through the diaries of two participants who fell in love on the expedition: the field secretary, Fred Hodge, and the expedition artist, Margaret Magill—who was also Cushing’s sister-in-law. It also presents the first biographical treatment of Hodge, who became a major figure in early twentieth-century anthropology. The book’s first two sections chronicle the field operations of the expedition, while the third describes the long anthropological career of Hodge after the end of the expedition. Through deep research in primary and secondary sources and archival materials, the book details both the daily operations of the expedition and the growing romantic relationship between Hodge and Magill.

For those interested in settlements in early Arizona and Zuni Pueblo, the book provides rare insights into the lives of both men and women, offering an intimate view of an enterprise that is now considered a foundation of Hohokam archaeology—even as it reveals deep love and persistent personal conflicts.

Cultivated farming advice.

Cato (M. Porcius Cato) the elder (234–149 BC) of Tusculum, statesman and soldier, was the first important writer in Latin prose. His speeches, works on jurisprudence and the art of war, his precepts to his son on various subjects, and his great historical work on Rome and Italy are lost. But we have his De Agricultura; terse, severely wise, grimly humorous, it gives rules in various aspects of a farmer’s economy, including even medical and cooking recipes, and reveals interesting details of domestic life.

Varro (M. Terentius) of Reate (116–27 BC), renowned for his vast learning, was an antiquarian, historian, philologist, student of science, agriculturist, and poet. He was a republican who was reconciled to Julius Caesar and was marked out by him to supervise an intended national library. Of Varro’s more than seventy works involving hundreds of volumes we have only one on agriculture and country affairs (Rerum Rusticarum) and part of his work on the Latin language (De Lingua Latina; LCL 333, 334), though we know much about his Satires. Each of the three books on country affairs begins with an effective mise en scene and uses dialogue. The first book deals with agriculture and farm management, the second with sheep and oxen, the third with poultry and the keeping of other animals large and small, including bees and fish ponds. There are lively interludes and a graphic background of political events.

A Roman farmer on farming.

Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about AD 70. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.

Columella’s On Agriculture (De re rustica) is the most comprehensive, systematic, and detailed of Roman agricultural works. Book 1 covers choice of farming site; water supply; buildings; staff. 2: Plowing; fertilizing; care of crops. 3–5: Cultivation, grafting, and pruning of fruit trees, vines, and olives. 6: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. 7: Sheep, goats, pigs, and dogs. 8: Poultry; fish ponds. 9: Bee-keeping. 10 (in hexameter poetry): Gardening. 11: Duties of the overseer of a farm; calendar for farm work; more on gardening. 12: Duties of the overseer’s wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.

The Loeb Classical Library edition of Columella is in three volumes.

A Roman farmer on farming.

Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about AD 70. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.

Columella’s On Agriculture (De re rustica) is the most comprehensive, systematic, and detailed of Roman agricultural works. Book 1 covers choice of farming site; water supply; buildings; staff. 2: Plowing; fertilizing; care of crops. 3–5: Cultivation, grafting, and pruning of fruit trees, vines, and olives. 6: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. 7: Sheep, goats, pigs, and dogs. 8: Poultry; fish ponds. 9: Bee-keeping. 10 (in hexameter poetry): Gardening. 11: Duties of the overseer of a farm; calendar for farm work; more on gardening. 12: Duties of the overseer’s wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.

The Loeb Classical Library edition of Columella is in three volumes.

A Roman farmer on farming.

Columella (Lucius Iunius Moderatus) of Gades (Cadiz) lived in the reigns of the first emperors to about AD 70. He moved early in life to Italy where he owned farms and lived near Rome. It is probable that he did military service in Syria and Cilicia and that he died at Tarentum.

Columella’s On Agriculture (De re rustica) is the most comprehensive, systematic, and detailed of Roman agricultural works. Book 1 covers choice of farming site; water supply; buildings; staff. 2: Plowing; fertilizing; care of crops. 3–5: Cultivation, grafting, and pruning of fruit trees, vines, and olives. 6: Acquisition, breeding, and rearing of oxen, horses, and mules; veterinary medicine. 7: Sheep, goats, pigs, and dogs. 8: Poultry; fish ponds. 9: Bee-keeping. 10 (in hexameter poetry): Gardening. 11: Duties of the overseer of a farm; calendar for farm work; more on gardening. 12: Duties of the overseer’s wife; manufacture of wines; pickling; preserving. There is also a separate treatise, Trees (De arboribus), on vines and olives and various trees, perhaps part of an otherwise lost work written before On Agriculture.

The Loeb Classical Library edition of Columella is in three volumes.

Anger is an emotion that affects everyone regardless of culture, class, race, or gender—but at the same time, being angry always results from the circumstances in which people find themselves. In On Anger, Sue J. Kim opens a stimulating dialogue between cognitive studies and cultural studies to argue that anger is always socially and historically constructed and complexly ideological, and that the predominant individualistic conceptions of anger are insufficient to explain its collective, structural, and historical nature.

On Anger examines the dynamics of racial anger in global late capitalism, bringing into conversation work on political anger in ethnic, postcolonial, and cultural studies with recent studies on emotion in cognitive studies. Kim uses a variety of literary and media texts to show how narratives serve as a means of reflecting on experiences of anger and also how we think about anger—its triggers, its deeper causes, its wrongness or rightness. The narratives she studies include the film Crash, Maxine Hong Kingston’s The Woman Warrior, Tsitsi Dangarembga’s Nervous Conditions and The Book of Not, Ngugi wa Thiong’o’s Devil on the Cross and Wizard of the Crow, and the HBO series The Wire. Kim concludes by distinguishing frustration and outrage from anger through a consideration of Stéphane Hessel’s call to arms, Indignez-vous! One of the few works that focuses on both anger and race, On Anger demonstrates that race—including whiteness—is central to our conceptions and experiences of anger.

Occasionally zany zoological lore.

Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.

Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.

The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.

Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.

Occasionally zany zoological lore.

Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.

Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.

The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.

Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.

Occasionally zany zoological lore.

Aelian (Claudius Aelianus), a Roman born ca. AD 170 at Praeneste, was a pupil of the rhetorician Pausanias of Caesarea, and taught and practiced rhetoric. Expert in Attic Greek, he became a serious scholar and studied history under the patronage of the Roman empress Julia Domna. He apparently spent all his life in Italy where he died after AD 230.

Aelian’s On the Characteristics of Animals, in 17 books, is a collection of facts and beliefs concerning the habits of animals drawn from Greek authors and some personal observation. Fact, fancy, legend, stories, and gossip all play their part in a narrative that is meant to entertain. If there is any ethical motive, it is that the virtues of untaught yet reasoning animals can be a lesson to thoughtless and selfish mankind. The Loeb Classical Library edition of this work is in three volumes.

The Historical Miscellany (LCL 486) is of similar nature. In 14 books, it consists mainly of historical and biographical anecdotes and retellings of legendary events. Some of Aelian’s material is drawn from authors whose works are lost.

Aelian’s Letters—portraying the affairs and country ways of a series of fictitious writers—offer engaging vignettes of rural life. These are available in LCL 383.

The Renaissance man avant la lettre.

Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BC, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.

In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theaters, colonnades, baths, harbors). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colors). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.

The Renaissance man avant la lettre.

Vitruvius (Marcus V. Pollio), Roman architect and engineer, studied Greek philosophy and science and gained experience in the course of professional work. He was one of those appointed to be overseers of imperial artillery or military engines, and was architect of at least one unit of buildings for Augustus in the reconstruction of Rome. Late in life and in ill health he completed, sometime before 27 BC, De Architectura which, after its rediscovery in the fifteenth century, was influential enough to be studied by architects from the early Renaissance to recent times.

In On Architecture Vitruvius adds to the tradition of Greek theory and practice the results of his own experience. The contents of this treatise in ten books are as follows. Book 1: Requirements for an architect; town planning; design, cities, aspects; temples. 2: Materials and their treatment. Greek systems. 3: Styles. Forms of Greek temples. Ionic. 4: Styles. Corinthian, Ionic, Doric; Tuscan; altars. 5: Other public buildings (fora, basilicae, theaters, colonnades, baths, harbors). 6: Sites and planning, especially of houses. 7: Construction of pavements, roads, mosaic floors, vaults. Decoration (stucco, wall painting, colors). 8: Hydraulic engineering; water supply; aqueducts. 9: Astronomy. Greek and Roman discoveries; signs of the zodiac, planets, moon phases, constellations, astrology, gnomon, sundials. 10: Machines for war and other purposes.

Artist, educator, curator, and critic Luis Camnitzer has been writing about contemporary art ever since he left his native Uruguay in 1964 for a fellowship in New York City. As a transplant from the "periphery" to the "center," Camnitzer has had to confront fundamental questions about making art in the Americas, asking himself and others: What is "Latin American art"? How does it relate (if it does) to art created in the centers of New York and Europe? What is the role of the artist in exile? Writing about issues of such personal, cultural, and indeed political import has long been an integral part of Camnitzer's artistic project, a way of developing an idiosyncratic art history in which to work out his own place in the picture.

This volume gathers Camnitzer's most thought-provoking essays—"texts written to make something happen," in the words of volume editor Rachel Weiss. They elaborate themes that appear persistently throughout Camnitzer's work: art world systems versus an art of commitment; artistic genealogies and how they are consecrated; and, most insistently, the possibilities for artistic agency. The theme of "translation" informs the texts in the first part of the book, with Camnitzer asking such questions as "What is Latin America, and who asks the question? Who is the artist, there and here?" The texts in the second section are more historically than geographically oriented, exploring little-known moments, works, and events that compose the legacy that Camnitzer draws on and offers to his readers.

John Shelton Reed is one of today’s most knowledgeable authors on the subject of barbecue. Holy Smoke: The Big Book of North Carolina Barbecue, written with his wife, Dale Volberg Reed, won the National Barbecue Association Award of Excellence in 2017 and was a finalist for the 2009 International Associate of Culinary Professionals Cookbook Award. In this collection, On Barbecue, Reed compiles reviews, essays, magazine articles, op-eds, and book extracts from his many-year obsession with the history and culture of barbecue. Brought together, these pieces constitute a broad look at the cultural, culinary, historical, and social aspects of this American institution.

Reed’s original and provocative voice carries through this collection, which spans more than twenty years of barbecue lore. A lover of tradition whose study of regional distinctions has made him prize and defend them, Reed writes with conviction on what “real” barbecue looks, smells, and tastes like. He delves into the history of barbecue and even the origins of the word barbecue itself. Other topics include present-day barbecue, Carolina ’cue and other regional varieties, and even the role of "barbeculture" in the 2016 U.S. presidential elections.

Anyone with an interest in this signature American food will find themselves immersed in this book’s accessible, conversational, and frequently tart pages. From one of the wittiest and most knowledgeable authors writing on the subject, On Barbecue is essential reading.

Adultery, treason, and apostasy no longer carry the weight they once did. Yet we constantly see and hear stories of betrayal, and many people have personally experienced a destructive breach of loyalty. Avishai Margalit argues that the tension between the ubiquity of betrayal and the loosening of its hold is a sign of the strain between ethics and morality, between thick and thin human relations. On Betrayal offers a philosophical account of thick human relations—relationships with friends, family, and core communities—through their pathology, betrayal.

Judgments of betrayal often shift unreliably. A whistle-blower to some is a backstabber to others; a traitor to one side is a hero to the other. Yet the notion of what it means to betray is remarkably consistent across cultures and eras. Betrayal undermines thick trust, dissolving the glue that holds our most meaningful relationships together. Recently, public attention has lingered on trust between strangers—on relations that play a central role in the globalized economy. These, according to Margalit, are guided by morality. On Betrayal is about ethics: what we owe to the people and groups that give us our sense of belonging.

Margalit’s clear-sighted account draws on literary, historical, and personal sources, including stories from his childhood during the 1948 Arab-Israeli War. Through its discussion of betrayal, it examines what our thick relationships are and should be and revives the long-discarded notion of fraternity.