“No man living has revealed so many important facts about the Negro race as has Rogers,” wrote W. E. B. DuBois. Indeed, as Henry Louis Gates Jr. contends, J. A. Rogers was often the only source for an ordinary Black person to learn of their history from the 1920s through the 1970s. Now Louis J. Parascandola makes available an accessible collection of Rogers’s writings for a new generation.

Joel Augustus Rogers was born in Negril, Jamaica, in the late nineteenth century, where—although his father was a teacher—he received only basic education. Rogers emigrated to the United States and studied at the Art Institute of Chicago while working as a Pullman porter. He later took up journalism and moved to New York for better opportunities, writing for papers and journals published by the likes of Marcus Garvey, W. E. B. DuBois, and H. L. Mencken. While working with the Pittsburgh Courier, he was assigned to cover the Italo-Ethiopian War (1935–1937), becoming the first American Black foreign war correspondent. His column for the Courier became vital to the Black middle class, conveying stories of Black achievements and relating a distinguished history that imparted knowledge and pride. He continued this work with his books 100 Amazing Facts about the Negro with Complete Proof, the two-volume The World’s Great People of Color 3000 B.C. to 1946 A.D., and the novel From Superman to Man.

This engaging collection represents the wide range of Rogers’s work across time and demonstrates his intellectual philosophy. J. A. Rogers: Selected Writings is required reading for anyone interested in Black nationalism, Black journalism, Black literature, and Pan-African culture and identity.

D. Harlan Wilson offers the first career-spanning analysis of an author who helped steer SF in new, if startling, directions. Here was a writer committed to moral ambiguity, one who drowned the world and erected a London high-rise doomed to descend into savagery--and coolly picked apart the characters trapped within each story. Wilson also examines Ballard's methods, his influence on cyberpunk, and the ways his fiction operates within the sphere of our larger culture and within SF itself.

Eli Friedlander reads Rousseau's autobiography, Reveries of the Solitary Walker, as philosophy. Reading this work against Descartes's Meditations, Friedlander shows how Rousseau's memorable transformation of experience through writing opens up the possibility of affirming even the most dejected state of being and allows the emergence of the innocence of nature out of the ruins of all social attachments. In tracing the re-creation of a human subject in reverie, Friedlander is alive to the very form of the experience of reading the Reveries by showing the ways this work needs to--and in effect does--generate a reader, without betraying Rousseau's utter solitude.

Friedlander's book provides an afterlife for the Reveries in modern philosophy. It constitutes an alternative to the analytic tradition's revival of Rousseau, primarily through Rawls's influential vision of the social contract. It also counters the fate of Rousseau's writings in the continental tradition, determined by and large by Derrida's deconstruction.

Friedlander's reading of the Reveries, a work that has fascinated generations of readers, is an incomparable introduction to one of the greatest thinkers in Western culture.

The Jackson County Rebellion explores a dramatic if little-known populist insurgency in the American West. Author Jeff LaLande takes a deep dive into a tumultuous uprising that captured national attention as it played out in rural Oregon. First tracing its roots back to the area’s tradition of protest, including the Ku Klux Klan of the 1920s, he focuses on Jackson County’s politics of upheaval during the worst days of the Great Depression. The broad strokes of the episode may be familiar to contemporary readers: Demagogues fanning rage — relentlessly accusing an elite of corruption and conspiracy. The strife-torn episode featured nativist and anti-Semitic elements.  

The local press played a key role in the events. Two inflammatory newspapers, one owned by wealthy orchardist Llewellyn Banks and the other by politician Earl Fehl, became the vehicles by which these men won the loyalty of rural and working-class residents. Partners in demagoguery, Banks and Fehl created a movement — dubbed the “Good Government Congress”  that very nearly took over county government through direct action, ballot theft, and threats of violence.  Among those opposing the two men was Harvard-educated Robert Ruhl, owner/editor of the Medford Mail-Tribune, who faced off against Banks and Fehl. Despite boycotts and threats of sabotage. Ruhl ran a resolute editorial campaign against the populist threat in his Mail-Tribune, which won a Pulitzer Prize for its reporting on the uprising.  

The rebellion blazed hotly but not for long. Its end was marked by the arrest of its leaders after the fiercely contested 1932 election and by Banks’s murder of the police officer sent to arrest him. Placing the Jackson County Rebellion squarely within America’s long tradition of populist uprisings against the perceived sins of an allegedly corrupt, affluent local elite, LaLande argues that this little-remembered episode is part of a long history of violent conflict in the West that continues today.

In The Jacksonian, Beth Henley returns to the Southern Gothic storytelling that made her reputation with both critics and audiences. Set in a seedy motel in Jackson, Mississippi, in 1964, the play centers around Rosy, a troubled teenager, and Bill, her dentist father who has been living at the motel for several months as his wife, Susan, considers the disgrace of divorce. Fred, the motel bartender, and Eva, a waitress, are locked in a gruesome pact: he’ll marry her if she agrees to help him evade punishment for a hideous crime. But Bill, turning to nitrous oxide to ease the pain of his life collapsing around him, is a convenient target for Eva’s desperate desire for companionship. At the height of the violence associated with the civil rights movement, these characters gradually reveal the shameful secrets and psychological turmoil just beneath the surface of their insistent Southern gentility.

A Seminary Co-op Notable Book

“An astute and evenhanded study of how both faiths view themselves and each other.”
—Publishers Weekly

“An illuminating and important new book…An intellectual, cultural, and political challenge…[F]or anyone for whom the Jewish-Christian story is an important element in defining his or her identity.”
—Israel Jacob Yuval, Haaretz

“An extraordinarily sophisticated, insightful and provocative examination of how Roman Catholics and Orthodox Jews addressed the prospect of reconciliation in the second half of the twentieth century.”
—Glenn C. Altschuler, Jerusalem Post

“A volume from which both Jewish and Catholic scholars may learn…This is an excellent book.”
—Eugene J. Fisher, Catholic News Service

A new chapter in Jewish-Christian relations opened in the second half of the twentieth century when the Second Vatican Council exonerated Jews from the accusation of deicide and declared that the Jewish people had never been rejected by God. In a few carefully phrased statements, two millennia of deep hostility were swept into the trash heap of history.

But old animosities die hard. While Catholic and Jewish leaders publicly promoted interfaith dialogue, doubts remained behind closed doors. Drawing on extensive research in contemporary rabbinical literature, Karma Ben-Johanan shows that Jewish leaders welcomed the Catholic condemnation of antisemitism but were less enthusiastic about the Church’s sudden urge to claim their friendship. Catholic theologians hoped Vatican II would turn the page on an embarrassing history, while Orthodox rabbis, in contrast, believed they were finally free to say what they thought of Christianity.

Jacob’s Younger Brother pulls back the veil of interfaith dialogue to reveal how Orthodox rabbis and Catholic leaders spoke about each other when outsiders were not in the room. There Ben-Johanan finds Jews reluctant to accept the latest whims of a Church that had unilaterally dictated the terms of Jewish-Christian relations for centuries.

Jacques Lacan, one of the most influential and controversial French thinkers of the twentieth century, was a practicing and teaching psychoanalyst in Paris, but his revolutionary seminars on Freud reached out far beyond professional circles: they were enthusiastically attended by writers, artists, scientists, philosophers, and intellectuals from many disciplines.

Shoshana Felman elucidates the power and originality of Lacan’s work. She brilliantly analyzes Lacan’s investigation of psychoanalysis not as dogma but as an ongoing self-critical process of discovery. By focusing on Lacan’s singular way of making Freud’s thought new again—and of thus enabling us to participate in the very moment of intellectual struggle and insight—Felman shows how this moment of illumination has become crucial to contemporary thinking and has redefined insight as such. This book is a groundbreaking statement not only on Lacan but on psychoanalysis in general.

Felman argues that, contrary to popular opinion, Lacan’s preoccupation is with psychoanalytic practice rather than with theory for its own sake. His true clinical originality consists not in the incidental innovations that separate his theory from other psychoanalytic schools, but in the insight he gives us into the structural foundations of what is common to the practice of all schools: the transference action and the psychoanalytic dialogue. In chapters on Poe’s tale “The Purloined Letter”; Sophocles’s Oedipus plays, a case report by Melanie Klein, and Freud’s writings, Felman demonstrates Lacan’s rediscovery of these texts as renewed and renewable intellectual adventures and as parables of the psychoanalytic encounter. The book explores these questions: How and why does psychoanalytic practice work? What accounts for clinical success? What did Freud learn from the literary Oedipus, and how does Freud text take us beyond Oedipus? How does psychoanalysis inform, and radically displace, our conception of what learning is and of what reading is?

This book will be an intellectual event not only for clinicians and literary critics, but also for the broader audience of readers interested in contemporary thought.

In contrast to western notions of the soul as the essence or most native part of a human being, the Tzeltal-speaking Indians of Chiapas, Mexico, regard the soul first and foremost as an Other. Made up of beings that personify the antithesis of their native selves—animals such as hummingbirds or jaguars, atmospheric phenomena like lightning bolts or rainbows, or spirits of European appearance such as Catholic priests or evangelical musicians—Tzeltal souls represent the maximum expression of that which is alien. And because their souls enfold that which is outside and Other, the Tzeltal contain within themselves the history of their relationship with Europeans from the beginning of the Spanish conquest to the present time. Thus, to understand the Indian self opens a window into the Tzeltal conception of culture and community, their notions of identity and alterity, and their interpretation of interethnic relations and types of historical memory.

In this pathfinding ethnography, which was originally published in Spanish in 1996 as Ch'ulel: una etnografía de las almas tzeltales and is now extensively rewritten and amplified in English, Pedro Pitarch offers a new understanding of indigenous concepts of the soul, personhood, and historical memory in highland Chiapas. Exploring numerous aspects of indigenous culture and history—medicine and shamanism, geography and cosmology, and politics and kinship among them—he engages in a radical rethinking of classic issues in Mesoamerican anthropology, such as ethnicity and alterity, community and tradition, and change and permanence.

An important new way of viewing the prehistoric art of the Americas, The Jaguar Within demonstrates that understanding a work of art’s connection with shamanic trance can lead to an appreciation of it as an extremely creative solution to the inherent challenge of giving material form to nonmaterial realities and states of being.

Shamanism—the practice of entering a trance state to experience visions of a reality beyond the ordinary and to gain esoteric knowledge—has been an important part of life for indigenous societies throughout the Americas from prehistoric times until the present. Much has been written about shamanism in both scholarly and popular literature, but few authors have linked it to another significant visual realm—art. In this pioneering study, Rebecca R. Stone considers how deep familiarity with, and profound respect for, the extra-ordinary visionary experiences of shamanism profoundly affected the artistic output of indigenous cultures in Central and South America before the European invasions of the sixteenth century.

Using ethnographic accounts of shamanic trance experiences, Stone defines a core set of trance vision characteristics, including enhanced senses; ego dissolution; bodily distortions; flying, spinning, and undulating sensations; synaesthesia; and physical transformation from the human self into animal and other states of being. Stone then traces these visionary characteristics in ancient artworks from Costa Rica and Peru. She makes a convincing case that these works, especially those of the Moche, depict shamans in a trance state or else convey the perceptual experience of visions by creating deliberately chaotic and distorted conglomerations of partial, inverted, and incoherent images.

A tenth-century Jain guide to ethics, self-discipline, and the quest for meaning at life’s end.

Vaḍḍārādhane (literally, the veneration of ritual death), the first extant prose work in Kannada, is a tenth-century collection of Jain stories about nineteen warrior saints who embrace death in pursuit of moksha, or spiritual liberation. Each tale in this book of living and dying follows the renunciate’s transformation from an ordinary person enmeshed in worldly desires to an enlightened being who attains moksha through penance, fasting, meditation, and self-mortification, culminating in ritual death. Originally recited for spiritual protection to Jain renunciates approaching the end of life, these narratives explore social hierarchy, duty, and discipline while offering enduring insights into human striving and ethical courage.

Attributed to Shivakotyacharya, a Digambara Jain cleric, the collection combines the vernacular stories with verses in Prakrit and Sanskrit. Presented here in a modern English translation alongside the authoritative Kannada text, Jain Tales of Moksha speaks across centuries. Its medieval themes of moral choice, self-discipline, and the search for ultimate freedom invite contemporary readers to reflect on how we navigate desire, duty, and the quest for meaning in our own lives.

The twenty-five-hundred-year-old tradition of Jainism, which emphasizes nonviolence as the only true path leading to liberation, offers a worldview seemingly compatible with the goals of environmental activism.

But can Jainism adopt a sociocentric environmentalism without compromising its own ascetic principles and spiritual tradition? How does traditional Jain cosmology view the natural world? How might a Jain ethical system respond to decisions regarding the development of dams, the proliferation of automobiles, overcrowding due to overpopulation, or the protection of individual animal species? Can there be a Jain environmental activism that addresses both the traditional concern for individual self-purification and the contemporary dilemma of ecosystem degradation? The voices in this volume reflect the dynamic nature of the Jain faith and its willingness to engage in discussion on a modern social issue.

Jairus’s Daughter and the Female Body in Mark demonstrates that ubiquitous and significant depictions of children in the literature and material culture of the first century CE shaped the mindsets of the Gospel of Mark’s original audience. Through a detailed analysis of the story of Jairus’s daughter in Mark 5 and of the archaeological remains depicting female children, Janine E. Luttick reveals how ancient hearers of this story encountered an image of a female child that communicated ideas of hope to Jesus’s followers and in turn how readers today can understand the authority of Jesus, the domestic structures of early Christianity, and the suffering and loss experienced by some early Christians.

"My life has been given special purpose," Jake Pickle says. "Some men live to make money, drink, chase women, collect art, excel at a sport, or pursue other things that give them pleasure. The thing I got hooked on was helping people. And I've had the privilege of helping people by the thousands. Serving in Congress was the greatest honor of my life."

In this book, Jake Pickle tells the story of a lifetime in public service, including thirty-one years as Representative for Texas' Tenth Congressional District. Jake tells his story by telling stories—most of them humorous, some poignant—that add up to a warmly personal account of his life and career.

At the heart of the book are Jake's stories of political life in Washington, Austin, and on the campaign trail. These range from hilarious accounts of all that can and does happen at small-town Texas parades and rallies to clear, no-baloney explanations of some of the major legislation that Jake helped to pass. His stories about Social Security reform, tax-exempt organizations, and pension fund reform legislation make these complex topics easy to understand.

This book was written as a collaboration between Jake and his daughter, Peggy Pickle. It offers the fun of listening to a born raconteur spin his tales, while it reveals the ethics and integrity of a man who never forgot that the people elected him to serve them.

A reporter's firsthand portrait of formerly enslaved Jamaicans in the years after emancipation

John Bigelow’s Jamaica in 1850 provided an important document in the antislavery movement in the United States and Great Britain. Jamaica’s economy had collapsed after the 1838 emancipation. American supporters of enslavement used the Jamaican example to argue that abolition at home would unleash economic and social chaos. Bigelow’s vivid eyewitness reporting undermined that widely held view by proving Jamaica’s problems originated in the incompetence of absentee white planters and an obsolete colonial system. As Bigelow showed, many once-enslaved Jamaicans had in fact become successful small-scale landowners in the twelve years after emancipation while the large plantations languished.

It’s difficult to overestimate the impact of the many new works by James Agee uncovered and published in the last twenty years. These previously unknown primary works have, in turn, encouraged a parallel explosion of critical evaluation and reevaluation by scholars, to which James Agee in Context is the latest contribution.

This superb collection from well-known James Agee scholars features myriad approaches and contexts for understanding the author’s fiction, poetry, journalism, and screenwriting. The essays bring the reader from the streets of James Agee’s New York to travel with the author from Alabama to Hollywood to Havana. Contributors explore overlapping and sometimes unique subjects, themes, and accomplishments (or lack thereof) in Agee’s uncovered works and highlight the diversity of interest that Agee’s complete body of work inspires. The insightful scholarship on influence examines connections between Agee and Wright Morris, Helen Levitt, John Dos Passos, Ernest Hemingway, and Stephen Crane. Such juxtapositions serve to illustrate how Agee drew on literary influences as a young man, how he used his work as a journalist to craft fiction as he was about to turn thirty, and his influence upon others. The volume concludes with three poems and a short story by Agee, all previously unknown.

It seems astonishing that so much remains to be discovered about this protean author, his materials, and his circle. Yet, the recovery and analysis of neglected texts and information mined from newspapers and magazines proves the extent to which Agee kept his mind and his work, as he himself put it, “patiently concentrated upon the essential quietudes of the human soul.”

"This fine collection of essays represents an important contribution to the rediscovery of Baldwin's stature as essayist, novelist, black prophetic political voice, and witness to the Civil Rights era. The title provides an excellent thematic focus. He understood both the necessity, and the impossibility, of being a black 'American' writer. He took these issues 'Beyond'---Paris, Istanbul, various parts of Africa---but this formative experience only returned him to the unresolved dilemmas. He was a fine novelist and a major prophetic political voice. He produced some of the most important essays of the twentieth century and addressed in depth the complexities of the black political movement. His relative invisibility almost lost us one of the most significant voices of his generation. This welcome 'revival' retrieves it. Close call."
---Stuart Hall, Professor Emeritus, Open University
 
 This interdisciplinary collection by leading writers in their fields brings together a discussion of the many facets of James Baldwin, both as a writer and as the prophetic conscience of a nation. The core of the volume addresses the shifting, complex relations between Baldwin as an American—“as American as any Texas GI” as he once wryly put it—and his life as an itinerant cosmopolitan. His ambivalent imaginings of America were always mediated by his conception of a world “beyond” America: a world he knew both from his travels and from his voracious reading. He was a man whose instincts were, at every turn, nurtured by America; but who at the same time developed a ferocious critique of American exceptionalism. In seeking to understand how, as an American, he could learn to live with difference—breaking the power of fundamentalisms of all stripes—he opened an urgent, timely debate that is still ours. His America was an idea fired by desire and grief in equal measure. As the authors assembled here argue, to read him now allows us to imagine new possibilities for the future.

With contributions by Kevin Birmingham, Douglas Field, Kevin Gaines, Briallen Hopper, Quentin Miller, Vaughn Rasberry, Robert Reid-Pharr, George Shulman, Hortense Spillers, Colm Tóibín, Eleanor W. Traylor, Cheryl A. Wall, and Magdalena Zaborowska.

Joseph Vogel offers the first in-depth look at Baldwin's dynamic final decade of work. Delving into the writer's creative endeavors, crucial essays and articles, and the impassioned polemic The Evidence of Things Not Seen, Vogel finds Baldwin as prescient and fearless as ever. Baldwin's sustained grappling with "the great transforming energy" of mass culture revealed his gifts for media and cultural criticism. It also brought him into the fray on issues ranging from the Reagan-era culture wars to the New South, from the deterioration of inner cities to the disproportionate incarceration of black youth, and from pop culture gender-bending to the evolving women's and gay rights movements.

Astute and compelling, James Baldwin and the 1980s revives and redeems the final act of a great American writer.

After the death of James Dean in 1955, the figure of the teen rebel permeated the globe, and its presence is still felt in the twenty-first century. Rebel iconography—which does not have to resemble James Dean himself, but merely incorporates his disaffected attitude—has become an advertising mainstay used to sell an array of merchandise and messages. Despite being overused in advertisements, it still has the power to surprise when used by authors and filmmakers in innovative and provocative ways.

The rebel figure has mass appeal precisely because of its ambiguities; it can mean anything to anyone. The global appropriation of rebel iconography has invested it with fresh meanings. Author Claudia Springer succeeds here in analyzing both ends of the spectrum—the rebel icon as a tool in upholding capitalism's cycle of consumption, and as a challenge to that cycle and its accompanying beliefs.

In this groundbreaking study of rebel iconography in international popular culture, Springer studies a variety of texts from the United States and abroad that use this imagery in contrasting and thought-provoking ways. Using a cultural studies approach, she analyzes films, fiction, poems, Web sites, and advertisements to determine the extent to which the icon's adaptations have been effective as a response to the actual social problems affecting contemporary adolescents around the world.

James Jackson Putnam was an established sixty-three-year-old Boston physician and Harvard professor of neurology when he and William James traveled to Clark University to hear Sigmund Freud's lectures on psychoanalysis. Putnam had become interested in psychoanalytic theory three years earlier in 1906; and, in 1908, his interest had been renewed when he met Freud's first English-speaking follower, twenty-eight-year-old Ernest Jones. It still surprised and even disturbed his friends, however, when Putnam became Freud's first American convert as well as a founder and first president of the American Psychoanalytic Association in 1911, and of the Boston Society for Psychoanalysis in 1914.

Of the 172 letters in this volume 163 are published here for the first time. All of the letters present new perspectives on the origins and early development of psychoanalysis in the United States. They provide the first documentary account of the founding of the American psychoanalytic organizations and the battles that surrounded the first public presentations of the psychoanalytic cause in Europe and America. They dramatize the extent to which Freud and Jones used Putnam as a confidant and how important Putnam's Yankee fairness, objectivity, and personal integrity were to the movement.

It is intriguing to discover how these men, long before formal training centers were established, educated each other by mail and learned by letters how to handle psychoanalytic problems never recognized or encountered before. Theory was debated as well, and the 89 letters between Putnam and Freud indicate how Freud's increasingly disillusioned stoicism clashed with Putnam's New England optimism and formed the basis for a significant dialogue on the nature of man, ethics, and the psychoanalytic mission. The letters suggest that Putnam encouraged Freud's interest in the analysis of conscience and of religion that Wilhelm Wundt and Carl Jung had earlier awakened. Nathan G. Hale, Jr., in an introductory essay, provides the background and the explanation for the surprising role Putnam played in what he came to call the "cause." Marian C. Putnam, who made the unpublished letters available, has written a warm recollection of her father. Judith Bernays Heller, Freud's niece, has translated the German texts, which are also published in the original German.

This collection arose out of a 2019 conference to commemorate the completion of the fourteen- volume Correspondence of James K. Polk. Its scholarship—which pays tribute to the Polk Project itself, as well as to the controversial nature of the Polk legacy—will result in a significant reinterpretation of the eleventh US president.

Contributors include John F. Polk, who examines the ways history has mischaracterized almost the entire Polk family tree, and Kelly Houston Jones, who investigates the family’s investments in slave-based agriculture. The fascinating life of Elias Polk, a man enslaved by the president, is compellingly related by Zacharie W. Kinslow. Asaf Almog analyzes the persistence of labels: Polk and fellow Democrats labeled their Whig opponents “Federalists,” he argues, with both rhetorical and substantive aims. Michael Gunther analyzes Polk’s authorization of the Smithsonian Institution and the Department of the Interior, seemingly at odds with his devotion to small government.

Taken together, the twelve essays unveil a more complex James K. Polk than the narrowly focused Jackson protégé and proponent of Manifest Destiny we often hear about. He was politically partisan but inspired by history and grounded in principle. His family’s long reliance on nonwhite Americans’ losses of freedom and land informed his policies on slavery and Indian removal, and the nature of the legislation at hand determined when he promoted a larger or a smaller federal government. James K. Polk and His Timehelps us to unde

James Loeb (1867–1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), and after pandemic postponement, psychology and medicine (2023), and music (2025).

While the focus of the third conference shifted from Loeb as practitioner to Loeb as patient, the connection between his philanthropy and his personal experience remains clear and fascinating. Loeb suffered from the illness known today as severe bipolar disorder, for which he was treated by Emil Kraepelin (1856–1926), a pioneer in interdisciplinary brain and psychiatric research. Starting from the extensive records of this treatment, the volume’s contributors examine the history of mental illness from antiquity to the present in light of Loeb’s own condition, research, and contributions to medical humanism and psychiatric medicine.

James Loeb (1867–1933), one of the great patrons and philanthropists of his time, left many enduring legacies both to America, where he was born and educated, and to his ancestral Germany, where he spent the second half of his life. Organized in celebration of the sesquicentenary of his birth, the James Loeb Biennial Conferences were convened to commemorate his achievements in four areas: the Loeb Classical Library (2017), collection and connoisseurship (2019), and after pandemic postponement, psychology and medicine (2023), and music (2025).

The subject of the second conference was Loeb’s deep and multifaceted engagement with the material culture of the ancient world as a scholar, connoisseur, collector, and curator. The volume’s contributors range broadly over the manifold connections and contexts, both personal and institutional, of Loeb’s archaeological interests, and consider these in light of the long history of collection and connoisseurship from antiquity to the present. Their essays also reflect on the contemporary significance of Loeb’s work, as the collections he shaped continue to be curated and studied in today’s rapidly evolving environment for the arts.

The 1940s offered ever-increasing outlets for writers in book publishing, magazines, radio, film, and the nascent television industry, but the standard rights arrangements often prevented writers from collecting a fair share of the profits made from their work. To remedy this situation, novelist and screenwriter James M. Cain (The Postman Always Rings Twice,Double Indemnity, Mildred Pierce) proposed that all professional writers, including novelists, playwrights, poets, and screenwriters, should organize into a single cartel that would secure a fairer return on their work from publishers and producers. This organization, conceived and rejected within one turbulent year (1946), was the American Authors' Authority (AAA).

In this groundbreaking work, Richard Fine traces the history of the AAA within the cultural context of the 1940s. After discussing the profession of authorship as it had developed in England and the United States, Fine describes how the AAA, which was to be a central copyright repository, was designed to improve the bargaining position of writers in the literary marketplace, keep track of all rights and royalty arrangements, protect writers' interests in the courts, and lobby for more favorable copyright and tax legislation.

Although simple enough in its design, the AAA proposal ignited a firestorm of controversy, and a major part of Fine's study explores its impact in literary and political circles. Among writers, the AAA exacerbated a split between East and West Coast writers, who disagreed over whether writing should be treated as a money-making business or as an artistic (and poorly paid) calling. Among politicians, a move to unite all writers into a single organization smacked of communism and sowed seeds of distrust that later flowered in the Hollywood blacklists of the McCarthy era.

Drawing insights from the fields of American studies, literature, and Cold War history, Fine's book offers a comprehensive picture of the development of the modern American literary marketplace from the professional writer's perspective. It uncovers the effect of national politics on the affairs of writers, thus illuminating the cultural context in which literature is produced and the institutional forces that affect its production.

Like many of his generation, James M. Landis was motivated by a passion for public service. From the New Deal to the New Frontier, he devoted his life to shaping the many federal regulatory commissions and to making capitalism “live up to its pretensions.” Attacked by conservatives and liberals alike, he became the most important and most controversial figure in the history of the regulatory process. Donald A. Ritchie offers a superbly documented study of the man that analyzes the contributions of Landis's public career and the personal weaknesses that eventually undermined it, leading to his disbarment and disgrace.

Landis's story is really that of two men. One was a founder and New Deal Chairman of the Securities and Exchange Commission, a major writer and enforcer of regulatory legislation, youngest Dean of the Harvard Law School, and economic troubleshooter for Presidents Roosevelt, Truman, and Kennedy. The other was a private man unsure of his success and incapable of handling his own problems. His repeated failure to file his federal income tax returns, astonishing for a lawyer, was the most obvious—and most destructive—symptom of Landis's tumultuous inner confusion.

Ritchie's exhaustive research into Landis' papers—at Harvard University, the Library of Congress, and the Roosevelt, Truman, and Kennedy libraries—and interviews with Landis's family, associates, and psychiatrist help to unravel the mystery of this problematical man. The result is an outstanding biography of a major force behind business and government policy in the twentieth century.

    When the wounded bear he faced on a mountain ledge that day turned aside, James Curwood felt that he had been spared. From this encounter he became an avid conservationist. He wrote relentlessly—magazine stories and books and then for the new medium of motion pictures. Like many authors of his time, he was actively involved in movie-making until the plight of the forests and wildlife in his home state of Michigan turned his energies toward conservation.
    A man ahead of his time, and quickly forgotten after his death in 1927, his gift of himself to his readers and to nature has finally come to be appreciated again two generations later.

No other governor has become so completely identified with Texas and its citizens as Jim Hogg, the first native Texan to hold the state's highest office. His fame was not, however, easily earned. Orphaned at twelve, he worked as farmhand, typesetter, and country editor to finance his study of law, an endeavor that eventually led him into public life.

Even before his admission to the bar in 1875 he served as justice of the peace in Wood County. Later, in two terms as district attorney (1881–1885), he proved himself a fearless prosecutor. His growing reputation, with his magnetic personality, brought him the attorney generalship in 1887, and in that office he fulfilled his campaign promises to enforce all laws. During Hogg's tenure, suits brought by his department resulted in the restoration of more than a million acres of state lands held by the railroads.

In 1890 Hogg was elected governor. Early the next year he began urging his reform program, the keystone of which was establishment of the Railroad Commission. He also brought about the passage of laws preventing the watering of railroad securities, the indiscriminate issuance of municipal securities, and the establishment of landholding companies. Land ownership by aliens was likewise restricted.

Throughout Hogg's public life, from iustice of the peace to governor, he was motivated by his concern for the welfare of the people. Invariably his criterion for evaluation of an issue was the effect of a decision upon the common welfare. In this democratic progressivism he was the Texas version of Thomas Jefferson or Theodore Roosevelt. Molded by his varied experiences, Jim Hogg was a man of many professions—printer, lawyer, politician, statesman, oil magnate. In these relationships he was still a warmly human person, a loving son, brother, husband, father, friend. His ambition to provide abundantly for his family was expansive enough to include all Texans; so his love for "the people" was reiterated in his public benefactions, through which Texans are even today still sharing his wealth.

Jim Hogg's varied public life and his heart-warming personal life are dramatically presented in this absorbing biography. In it, the far-sweeping panorama of Texas development in the late nineteenth and early twentieth centuries is shown in relation to his dreams and achievements.

Listen to a short interview with Karen Ordahl KuppermanHost: Chris Gondek | Producer: Heron & Crane

Captain John Smith's 1607 voyage to Jamestown was not his first trip abroad. He had traveled throughout Europe, been sold as a war captive in Turkey, escaped, and returned to England in time to join the Virginia Company's colonizing project. In Jamestown migrants, merchants, and soldiers who had also sailed to the distant shores of the Ottoman Empire, Africa, and Ireland in search of new beginnings encountered Indians who already possessed broad understanding of Europeans. Experience of foreign environments and cultures had sharpened survival instincts on all sides and aroused challenging questions about human nature and its potential for transformation.

It is against this enlarged temporal and geographic background that Jamestown dramatically emerges in Karen Kupperman's breathtaking study. Reconfiguring the national myth of Jamestown's failure, she shows how the settlement's distinctly messy first decade actually represents a period of ferment in which individuals were learning how to make a colony work. Despite the settlers' dependence on the Chesapeake Algonquians and strained relations with their London backers, they forged a tenacious colony that survived where others had failed. Indeed, the structures and practices that evolved through trial and error in Virginia would become the model for all successful English colonies, including Plymouth.

Capturing England's intoxication with a wider world through ballads, plays, and paintings, and the stark reality of Jamestown--for Indians and Europeans alike--through the words of its inhabitants as well as archeological and environmental evidence, Kupperman re-creates these formative years with astonishing detail.

Balancing theoretical and practical considerations, the collection examines Addams's emphasis on listening to and learning from those around her and encourages contemporary educators to connect with students through innovative projects and teaching methods. In the first essays, Addams scholars lay out how her narratives drew on experience, history, and story to explicate theories she intended as guides to practice. Six teacher-scholars then establish Addams's ongoing relevance by connecting her principles to exciting events in their own classrooms. An examination of the Jane Addams Children's Book Award and a fictional essay on Addams's work and ideas round out the volume.

Accessible and wide-ranging, Jane Addams in the Classroom offers inspiration for educators while adding to the ongoing reconsideration of Addams's contributions to American thought.

Contributors include Todd DeStigter, Lanette Grate, Susan Griffith, Lisa Junkin, Jennifer Krikava, Lisa Lee, Petra Munro, Bridget O'Rourke, David Schaafsma, Beth Steffen, Darren Tuggle, Erin Vail, and Ruth Vinz.

Devoted fans and scholars of Jane Austen—as well as skeptics—will rejoice at Tony Tanner’s superb book on the incomparable novelist. Distilling twenty years of thinking and writing about Austen, Tanner treats in fresh and illuminating ways the questions that have always occupied her most perceptive critics. How can we reconcile the limited social world of her novels with the largeness of her vision? How does she deal with depicting a once-stable society that was changing alarmingly during her lifetime? How does she express and control the sexuality and violence beneath the well-mannered surface of her milieu? How does she resolve the problems of communication among characters pinioned by social reticences?

Tanner guides us through Austen’s novels from relatively sunny early works to the darker, more pessimistic Persuasion and fragmentary Sanditon—a journey that takes her from acceptance of a society maintained by landed property, family, money, and strict propriety through an insistence on the need for authentication of these values to a final skepticism and even rejection. In showing her progress from a parochial optimism to an ability to encompass her whole society, Tanner renews our sense of Jane Austen as one of the great novelists, confirming both her local and abiding relevance.

Jane Austen completed only six novels, but enduring passion for the author and her works has driven fans to read these books repeatedly, in book clubs or solo, while also inspiring countless film adaptations, sequels, and even spoofs involving zombies and sea monsters. Austen’s lasting appeal to both popular and elite audiences has lifted her to legendary status. In Jane Austen’s Cults and Cultures, Claudia L. Johnson shows how Jane Austen became “Jane Austen,” a figure intensely—sometimes even wildly—venerated, and often for markedly different reasons.

Jane Fonda: There's a Great Deal to Say guides readers through the two sides of one of Hollywood’s most intriguing figures: actor and activist Jane Fonda. Using original archival material from Fonda’s own personal papers and from cinema archives, the author tells the riveting tale of how Fonda had come to view acting as a “side gig” that gives her a worldwide platform to convey her personal and political views. Readers will be introduced to the people, role models and events in Fonda's life that led her to believe movies can serve as an influential story-telling tool that can influence public opinion, change minds and trigger social change. The book traces how Fonda has evolved over more than five decades to stay on the path of activism, at times sacrificing her career, her personal safety, and even her relationship with her family. 

Pleasure-loving, sarcastic, stubborn, determined, erotic, deeply sad--Jane Kenyon’s complexity and contradictions found expression in luminous poems that continue to attract a passionate following. Dana Greene draws on a wealth of personal correspondence and other newly available materials to delve into the origins, achievement, and legacy of Kenyon’s poetry and separate the artist’s life story from that of her husband, the award-winning poet Donald Hall.

Impacted by relatives’ depression during her isolated childhood, Kenyon found poetry at college, where writers like Robert Bly encouraged her development. Her graduate school marriage to the middle-aged Hall and subsequent move to New Hampshire had an enormous impact on her life, moods, and creativity. Immersed in poetry, Kenyon wrote about women’s lives, nature, death, mystical experiences, and melancholy--becoming, in her own words, an “advocate of the inner life.” Her breakthrough in the 1980s brought acclaim as “a born poet” and appearances in the New Yorker and elsewhere. Yet her ongoing success and artistic growth exacerbated strains in her marriage and failed to stave off depressive episodes that sometimes left her non-functional. Refusing to live out the stereotype of the mad woman poet, Kenyon sought treatment and confronted her illness in her work and in public while redoubling her personal dedication to finding pleasure in every fleeting moment. Prestigious fellowships, high-profile events, residencies, and media interviews had propelled her career to new heights when leukemia cut her life short and left her husband the loving but flawed curator of her memory and legacy.

Revelatory and insightful, Jane Kenyon offers the first full-length biography of the elusive poet and the unquiet life that shaped her art.