For generations, children’s books provided American readers with their first impressions of Japan. Seemingly authoritative, and full of fascinating details about daily life in a distant land, these publications often presented a mixture of facts, stereotypes, and complete fabrications. 
 
This volume takes readers on a journey through nearly 200 years of American children’s books depicting Japanese culture, starting with the illustrated journal of a boy who accompanied Commodore Matthew Perry on his historic voyage in the 1850s. Along the way, it traces the important role that representations of Japan played in the evolution of children’s literature, including the early works of Edward Stratemeyer, who went on to create such iconic characters as Nancy Drew. It also considers how American children’s books about Japan have gradually become more realistic with more Japanese-American authors entering the field, and with texts grappling with such serious subjects as internment camps and the bombing of Hiroshima and Nagasaki.
 
Drawing from the Library of Congress’s massive collection, Sybille A. Jagusch presents long passages from many different types of Japanese-themed children’s books and periodicals—including travelogues, histories, rare picture books, folktale collections, and boys’ adventure stories—to give readers a fascinating look at these striking texts.

Published by Rutgers University Press, in association with the Library of Congress.

In international relations today, influence is as essential as military and economic might. Consequently, leaders promote favorable images of the state in order to attract allies and win support for their policies. Jing Sun, an expert on international relations and a former journalist, refers to such soft power campaigns as "charm offensives."

Sun focuses on the competition between China and Japan for the allegiance of South Korea, Taiwan, and other states in the region. He finds that, instead of adopting a one-size-fits-all approach, the Chinese and the Japanese deploy customized charm campaigns for each target state, taking into consideration the target's culture, international position, and political values. He then evaluates the effectiveness of individual campaigns from the perspective of the target state, on the basis of public opinion polls, media coverage, and the response from state leaders.

A deep, comparative study, Japan and China as Charm Rivalsenriches our understanding of soft power by revealing deliberate image campaign efforts and offering a method for assessing the effectiveness of such charm offensives.

In spring of 1960, Japan’s government passed Anpo, a revision of the postwar treaty that allows the United States to maintain a military presence in Japan. This move triggered the largest popular backlash in the nation’s modern history. These protests, Nick Kapur argues in Japan at the Crossroads, changed the evolution of Japan’s politics and culture, along with its global role.

The yearlong protests of 1960 reached a climax in June, when thousands of activists stormed Japan’s National Legislature, precipitating a battle with police and yakuza thugs. Hundreds were injured and a young woman was killed. With the nation’s cohesion at stake, the Japanese government acted quickly to quell tensions and limit the recurrence of violent demonstrations. A visit by President Eisenhower was canceled and the Japanese prime minister resigned. But the rupture had long-lasting consequences that went far beyond politics and diplomacy. Kapur traces the currents of reaction and revolution that propelled Japanese democracy, labor relations, social movements, the arts, and literature in complex, often contradictory directions. His analysis helps resolve Japan’s essential paradox as a nation that is both innovative and regressive, flexible and resistant, wildly imaginative yet simultaneously wedded to tradition.

As Kapur makes clear, the rest of the world cannot understand contemporary Japan and the distinct impression it has made on global politics, economics, and culture without appreciating the critical role of the “revolutionless” revolution of 1960—turbulent events that released long-buried liberal tensions while bolstering Japan’s conservative status quo.

"Knowing Japan and the Japanese better," Louis Frédéric states in the introduction to this encyclopedia, "is one of the necessities of modern life." The Japanese have a profound knowledge of every aspect and detail of Western societies. Unfortunately, we in the West cannot say the same about our knowledge of Japan. We tend to see Japan through a veil of exoticism, as a land of ancient customs and exquisite arts; or we view it as a powerful contributor to the global economy, the source of cutting-edge electronics and innovative management techniques. To go beyond these clichés, we must begin to see how apparently contradictory aspects of modern Japanese culture spring from the country's evolution through more than two millennia of history.

This richly detailed yet concise encyclopedia is a guide to the full range of Japanese history and civilization, from the dawn of its prehistory to today, providing clear and accessible information on society and institutions, commerce and industry, sciences, sports, and politics, with particular emphasis on religion, material culture, and the arts. The volume is enhanced by maps and illustrations, along with a detailed chronology of more than 2,000 years of Japanese history and a comprehensive bibliography. Cross-references and an index help the reader trace themes from one article to the next.

Japan Encyclopedia will be an indispensable one-volume reference for students, scholars, travelers, journalists, and anyone who wishes to learn more about the past and present of this great world civilization.

No nation was more deeply affected by America’s rise to world power than Japan. President Franklin Roosevelt’s uncompromising policy of unconditional surrender led to the catastrophic finale of the Asia-Pacific War and the most intrusive international reconstruction of another nation in modern history. Japan in the American Century examines how Japan, with its deeply conservative heritage, responded to the imposition of a new liberal order.

The price Japan paid to end the occupation was a cold war alliance with the United States that ensured America’s dominance in the region. Still traumatized by its wartime experience, Japan developed a grand strategy of dependence on U.S. security guarantees so that the nation could concentrate on economic growth. Yet from the start, despite American expectations, Japan reworked the American reforms to fit its own circumstances and cultural preferences, fashioning distinctively Japanese variations on capitalism, democracy, and social institutions.

Today, with the postwar world order in retreat, Japan is undergoing a sea change in its foreign policy, returning to an activist, independent role in global politics not seen since 1945. Distilling a lifetime of work on Japan and the United States, Kenneth Pyle offers a thoughtful history of the two nations’ relationship at a time when the character of that alliance is changing. Japan has begun to pull free from the constraints established after World War II, with repercussions for its relations with the United States and its role in Asian geopolitics.

Japan’s U.S.–imposed postwar constitution renounced the use of offensive military force, but, as Sheila Smith shows, a nuclear North Korea and an increasingly assertive China have the Japanese rethinking that commitment, and their reliance on United States security.

Japan has one of Asia’s most technologically advanced militaries and yet struggles to use its hard power as an instrument of national policy. The horrors of World War II continue to haunt policymakers in Tokyo, while China and South Korea remain wary of any military ambitions Japan may entertain. Yet a fundamental shift in East Asian geopolitics has forced Japan to rethink the commitment to pacifism it made during the U.S. occupation. It has increasingly flexed its muscles—deploying troops under UN auspices, participating in coercive sanctions, augmenting surveillance capabilities, and raising defense budgets.

Article Nine of Japan’s constitution, drafted by U.S. authorities in 1946, claims that the Japanese people “forever renounce the use of force as a means of settling international disputes.” When Prime Minister Shinzo Abe broke this taboo by advocating revision of Article Nine, public outcry was surprisingly muted. The military, once feared as a security liability, now appears to be an indispensable asset, called upon with increasing frequency and given a seat at the policymaking table.

In Japan Rearmed Sheila Smith argues that Japan is not only responding to increasing threats from North Korean missiles and Chinese maritime activities but also reevaluating its dependence on the United States. No longer convinced that they can rely on Americans to defend Japan, Tokyo’s political leaders are now confronting the possibility that they may need to prepare the nation’s military for war.

“Washington’s relationship with Tokyo is generally considered the most important of the United States’ 70-odd alliances. In this intimately knowledgeable book, Smith shows how that alliance looks to the Japanese: increasingly unreliable.”—Andrew J. Nathan, Foreign Affairs

“Masterfully traces the interplay of Japan’s military heritage, politics, national sentiment, threats, and alliance with the United States in the formation and development of the Self-Defense Force. Even experts will find new information and insights.”—Admiral Dennis Blair, US Navy (Ret.), former Commander-in-Chief, US Pacific Command

“A must-read for US policymakers responsible for Asia.” —J. Thomas Schieffer, former US Ambassador to Japan

“A highly readable and richly detailed account of Japan’s rearmament and the politics surrounding it.”—Journal of American–East Asian Relations

Japan has one of Asia’s most technologically advanced militaries, yet it has struggled to use its hard power as an instrument of national policy. The horrors of World War II continue to haunt policymakers in Tokyo, but a fundamental shift in East Asian geopolitics has forced Japan to rethink its commitment to pacifism. Its military, once feared as a security liability, now appears to be an indispensable asset.

In Japan Rearmed, Sheila Smith argues that Japan is not only responding to threats from North Korean missiles and Chinese maritime activities, it is fundamentally reevaluating its dependence on the United States as its leaders confront the very real possibility that they may soon need to prepare for war.

Beginning by asking, “What is Japanese art?” this book supplies an answer so broad in its reach, so rich in detail, and so extensively illustrated as to give a reader not just a true picture, but also a fine understanding, of Japanese art. Arranged thematically, the book includes chapters on nature and pleasure, landscape and beauty, all framed by the themes of serenity and turmoil, the two poles of Japanese culture ancient and modern. Highlighting—close up and in color—outstanding examples of design and craft in prints, paintings and screens, metalwork, ceramics, wood, stone, and lacquer, Japanese Art in Detail presents each image alongside enlarged details--details that otherwise might be virtually invisible to the naked eye--thus affording intriguing comparisons between seemingly unrelated pieces. Throughout, John Reeve provides cultural context while pointing out exceptional features.

Though drawn from one extraordinary source—the British Museum—the specific objects pictured here are representative of many others in public and private collections worldwide, and offer a clear idea, both broad and particular, of what constitutes Japanese art. Most of these images, as well as many of those mentioned, are accessible electronically through the British Museum's online database, as are several tours linked to recent exhibits.

Japan was the only non-Western colonial power in the pre–World War II world. Yet studies of Japanese colonialism are, for the most part, still in an embryonic stage. For too long critical investigation of the broad problem of the Japanese colonial empire—its development and character—has been neglected by both scholars of East Asian history and those of comparative colonial systems. How much was the Japanese administration of Taiwan like French, Dutch, British, or American rule in other parts of Asia? How closely did the actions taken by the colonial governments resemble the patterns of governmental initiative in the home islands established by the Meiji politicians and their successors? What is the effect of colonization on the mental and physical condition of people who are colonized?

This study of Japanese colonialism in Japan’s first overseas acquisition, Taiwan, approaches these questions through an analysis of a central pillar of Japanese rule there—education—which performed key functions in keeping order, exploiting economic resources, securing the cooperation of the natives, and attempting to assimilate them. Using a vast amount of material meticulously and judiciously, the author gives us provocative, convincing, and significant answers to these questions and makes an important contribution to the study of modern East Asian history and comparative colonialism.

Incisive insights into the distinctive nature of Japanese foreign intelligence and grand strategy, its underlying norms, and how they have changed over time

Japanese foreign intelligence is an outlier in many ways. Unlike many states, Japan does not possess a centralized foreign intelligence agency that dispatches agents abroad to engage in espionage. Japan is also notable for civilian control over key capabilities in human and signals intelligence. Japanese Foreign Intelligence and Grand Strategy probes the unique makeup of Japan's foreign intelligence institutions, practices, and capabilities across the economic, political, and military domains and shows how they have changed over time.

Brad Williams begins by exploring how Japan’s experiences of the Second World War and its new role as a major US ally influenced its adoption of bilateralism, developmentalism, technonationalism, and antimilitarism as key norms. As a result, Japanese intelligence-gathering resources centered primarily around improving its position in the global economy throughout the Cold War. Williams then brings his analysis up to the Abe Era, examining how shifts in the international, regional, and domestic policy environments in the twenty-first century have caused a gradual reassessment of national security strategy under former prime minister Shinzo Abe. As Japan reevaluates its old norms in light of regional security challenges, the book concludes by detailing how the country is beginning to rethink the size, shape, and purpose of its intelligence community.

Anyone interested in Japanese intelligence, security, or international relations will welcome this important contribution to our understanding of the country's intelligence capabilities and strategy.

Latin America is home to 1.5 million persons of Japanese descent. Combining detailed scholarship with rich personal histories, Daniel M. Masterson, with the assistance of Sayaka Funada-Classen, presents the first comprehensive study of the patterns of Japanese migration on the continent as a whole. 

When the United States and Canada tightened their immigration restrictions in 1907, Japanese contract laborers began to arrive at mines and plantations in Latin America. The authors examine Japanese agricultural colonies in Latin America, as well as the subsequent cultural networks that sprang up within and among them, and the changes that occurred as the Japanese moved from wage labor to ownership of farms and small businesses. They also explore recent economic crises in Brazil, Argentina, and Peru, which, combined with a strong Japanese economy, caused at least a quarter million Latin American Japanese to migrate back to Japan. 

Illuminating authoritative research with extensive interviews with migrants and their families, The Japanese in Latin America tells the story of immigrants who maintained strong allegiances to their Japanese roots, even while they struggled to build lives in their new countries.

It is the merit of Bernstein's portrait of Kawakami Hajime that he emerges as a recognizable human being, a truly modern figure reflecting in his own life a personal and hard-won balance between traditional Japanese values and the demands of modernization. The heir of a samurai family, an acknowledged authority on economics, a professor at one of Japan's leading universities, an early popularizer of Marxism in Japan, a Japanese Communist on his own unique terms, and, finally, the author of an autobiography that is a classic of modern Japanese literature, Kawakami Hajime is an important figure in the history of modern Japan.

At each stage of Kawakami's winding path to Marxism—from patriotic nationalist to academic Marxist to revolutionary Communist—his concern for the ethical and economic problems that emerged in the course of Japan's astonishingly rapid industrialization dominated his consciousness. Bernstein provides a portrait of Kawakami's complex personality as well as an elegantly shaped narrative of the context and content of Japanese left-wing politics in the 1920s, and she makes plain the kinds of cultural conflict that modernization, in its several varieties, bequeathed to Japanese intellectuals.

This comprehensive treatment of post–World War II Allied war crimes trials in the Far East is a significant contribution to a neglected subject. While the Nuremberg and, to a lesser degree, Tokyo tribunals have received considerable attention, this is the first full-length assessment of the entire Far East operation, which involved some 5,700 accused and 2,200 trials.

After discussing the Tokyo trial, Piccigallo systematically examines the operations of each Allied nation, documenting procedure and machinery as well as the details of actual trials (including hitherto unpublished photographs) and ending with a statistical summary of cases.

This study allows a completely new assessment of the Far East proceedings: with a few exceptions, the trials were carefully and fairly conducted, the efforts of defense counsel and the elaborate review procedures being especially noteworthy. Piccigallo’s approach to this emotion-filled subject is straightforward and evenhanded throughout. He concludes with a discussion of the broader implications of such war crimes trials, a matter of interest to the general reader as well as to specialists in history, law, and international affairs.

With the two-thousand-year history of the Japanese experience as his foundation, Edwin O. Reischauer brings us an incomparable description of Japan today in all its complexity and uniqueness, both material and spiritual. His description and analysis present us with the paradox that is present-day Japan: thoroughly international, depending for its livelihood almost entirely on foreign trade, its products coveted everywhere—yet not entirely liked or trusted, still feared for its past military adventurism and for its current economic aggressiveness.

Reischauer begins with the rich heritage of the island nation, identifying incidents and trends that have significantly affected Japan’s modern development. Much of the geographic and historical material on Japan’s earlier years is drawn from his renowned study The Japanese, but the present book deepens and broadens that earlier interpretation: our knowledge of Japan has increased enormously in the intervening decade and our attitudes have become more ambivalent, while Japan too has changed, often not so subtly.

Moving to contemporary Japanese society, Reischauer explores both the constants in Japanese life and the aspects that are rapidly changing. In the section on government and politics he gives pithy descriptions of the formal workings of the various organs of government and the decision-making process, as well as the most contentious issues in Japanese life—pollution, nuclear power, organized labor—and the elusive matter of political style.

In what will become classic statements on business management and organization, Reischauer sketches the early background of trade and commerce in Japan, contrasts the struggling prewar economy with today’s assertive manufacturing, and brilliantly characterizes the remarkable postwar economic miracle of Japanese heavy industry, consumer product development, and money management. In a final section, “Japan and the World,” he attempts to explain to skeptical Westerners that country’s growing and painful dilemma between neutrality and alignment, between trade imbalance and “fair” practices, and the ever-vexing issue of that embodiment of Japanese specialness, a unique and difficult language that affects personal and national behavior.

Japan, like the rest of the world, has undergone enormous changes in the last few years. The impact of the end of the Cold War has combined with a worldwide recession to create a fluid situation in which long-held assumptions about politics and policies no longer hold. A classic, short history of Japan, this book has been brought up-to-date by Marius Jansen, now our most distinguished interpreter of Japanese history. Jansen gives a lucid account and analysis of the events that have rocked Japan since 1990, taking the story through the election of Murayama as prime minister.

About the previous edition:

With the two-thousand-year history of the Japanese experience as his foundation, Edwin O. Reischauer brings us an incomparable description of Japan today in all its complexity and uniqueness, both material and spiritual. His description and analysis present us with the paradox that is present-day Japan: thoroughly international, depending for its livelihood almost entirely on foreign trade, its products coveted everywhere—yet not entirely liked or trusted, still feared for its past military adventurism and for its current economic aggressiveness.

Reischauer begins with the rich heritage of the island nation, identifying incidents and trends that have significantly affected Japan’s modern development. Much of the geographic and historical material on Japan’s earlier years is drawn from his renowned study The Japanese, but the present book deepens and broadens that earlier interpretation: our knowledge of Japan has increased enormously in the intervening decade and our attitudes have become more ambivalent, while Japan too has changed, often not so subtly.

Moving to contemporary Japanese society, Reischauer explores both the constants in Japanese life and the aspects that are rapidly changing. In the section on government and politics he gives pithy descriptions of the formal workings of the various organs of government and the decision-making process, as well as the most contentious issues in Japanese life—pollution, nuclear power, organized labor—and the elusive matter of political style.

In what will become classic statements on business management and organization, Reischauer sketches the early background of trade and commerce in Japan, contrasts the struggling prewar economy with today’s assertive manufacturing, and brilliantly characterizes the remarkable postwar economic miracle of Japanese heavy industry, consumer product development, and money management. In a final section, “Japan and the World,” he attempts to explain to skeptical Westerners that country’s growing and painful dilemma between neutrality and alignment, between trade imbalance and “fair” practices, and the ever-vexing issue of that embodiment of Japanese specialness, a unique and difficult language that affects personal and national behavior.

Japanese and Korean are typologically quite similar languages, and the linguistic phenomena of the former often hve counterparts in the latter. These collections from the annual Japanese/Korean linguistics conference include essays on the phonology, morphology, syntax, semantics, historical linguistics, discourse analysis, prosody, and psycholinguistics of both languages. Such comparative studies deepen our understanding of both languages and will be a useful reference to students and scholars in either field.

Because Japanese and Korean are typologically quite similar, a linguistic phenomenon in one language often has a counterpart in the other. The annual Japanese/Korean Linguistics Conference provides a forum for presenting research that will deepen our understanding of these two languages, especially through comparative study. The papers in this volume are from the eighteenth Japanese/Korean Linguistics Conference, which was held at the Graduate Center of the City University of New York in 2008. The papers cover a broad range of topics in Japanese/Korean linguistics, including phonology, morphology, syntax, semantics, historical linguistics, discourse analysis, prosody, and psycholinguistics.

Murakami Haruki is perhaps the best-known and most widely translated Japanese author of his generation. Despite Murakami’s critical and commercial success, particularly in the United States, his role as a mediator between Japanese and American literature and culture is seldom discussed.

Bringing a comparative perspective to the study of Murakami’s fiction, Rebecca Suter complicates our understanding of the author’s oeuvre and highlights his contributions not only as a popular writer but also as a cultural critic on both sides of the Pacific. Suter concentrates on Murakami’s short stories—less known in the West but equally worthy of critical attention—as sites of some of the author’s bolder experiments in manipulating literary (and everyday) language, honing cross-cultural allusions, and crafting metafictional techniques. This study scrutinizes Murakami’s fictional worlds and their extraliterary contexts through a range of discursive lenses: modernity and postmodernity, universalism and particularism, imperialism and nationalism, Orientalism and globalization.

By casting new light on the style and substance of Murakami’s prose, Suter situates the author and his works within the sphere of contemporary Japanese literature and finds him a prominent place within the broader sweep of the global literary scene.

With the ascension of a new emperor and the dawn of the Reiwa Era, Kenneth J. Ruoff has expanded upon and updated The People’s Emperor, his study of the monarchy’s role as a political, societal, and cultural institution in contemporary Japan. Many Japanese continue to define the nation’s identity through the imperial house, making it a window into Japan’s postwar history.

Ruoff begins by examining the reform of the monarchy during the US occupation and then turns to its evolution since the Japanese regained the power to shape it. To understand the monarchy’s function in contemporary Japan, the author analyzes issues such as the role of individual emperors in shaping the institution, the intersection of the monarchy with politics, the emperor’s and the nation’s responsibility for the war, nationalistic movements in support of the monarchy, and the remaking of the once-sacrosanct throne into a “people’s imperial house” embedded in the postwar culture of democracy. Finally, Ruoff examines recent developments, including the abdication of Emperor Akihito and the heir crisis, which have brought to the forefront the fragility of the imperial line under the current legal system, leading to calls for reform.

Japanese local history is used as an ingredient in historiographical theories designed to prove that the rapid pace of change in Japan led either to phenomenal success or to dismal failure. Against the backdrop of a comprehensive overview of Japanese historiography, Neil Waters examines in detail the local politics of the Kawasaki region during the late nineteenth century. Historians have hitherto focused primarily upon those regions that experienced violent peasant uprisings, class conflict, or extreme government repression. He points out that localities which survived the transition between governments without violence far outnumber those marked by open struggle.

This study is one of the few to cover the political and economic history of a region in which “nothing happened.” From an examination of the implementation and impact of Restoration programs on the day-to-day level of local government in the Kawasaki region, a fascinating picture emerges of the adaptation and modifications local leaders were able to chart between open rebellion and outright capitulation.

Ramón Beteta was an important figure in Mexican life: politician, Cabinet member, diplomat, economist, professor, journalist. The manuscript of Jarano was found among his papers after his death in 1965 and was published in Mexico in 1966. "Jarano," the kind of broad sombrero worn by charros, was the secret nickname—partly disrespectful, partly amused, partly affectionate—which Ramón and his brother gave to their father. Except for part of the last chapter, the book is about Ramón's childhood and youth: sketches of family life, school experiences, a trip to Veracruz, and incidents of the Revolution.

Beteta brought to these reminiscences the skills of the short story writer, making superb use of dialogue, descriptive details, characterization, and mood. For a small book, the range of emotions is unusually wide, from the comedy of an evening meal to which Jarano has come home drunk to the tragedy of the indio and his wife in the chapter entitled "San Vicente Chicoloapan"—a chapter that gives more of the "feel" of the Revolution than do many longer works.

Fragrant tropical flowers, opulent batik fabrics, magnificent bronze gamelan orchestras, and, of course, aromatic coffee. Such are the exotic images of Java, Indonesia’s most densely populated island, that have hovered at the periphery of North American imaginations for generations. Through close readings of the careers of four “javaphiles”—individuals who embraced Javanese performing arts in their own quests for a sense of belonging— this volume explores a century of representations of Javanese performing arts by North Americans. While other Asian cultures made direct impressions on Americans by virtue of firsthand contacts through immigration, trade, and war, the distance between Java and America, and the vagueness of Americans’ imagery, enabled a few disenfranchised musicians and dancers to fashion alternative identities through bold and idiosyncratic representations of Javanese music and dance.

Film noir showcased hard-boiled men and dangerous femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand for the seduction and risks of the mean streets in early film noir. As working jazz musicians began to compose the scores for and appear in noir films of the 1950s, black musicians found a unique way of asserting their right to participate fully in American life.

Jazz and Cocktails explores the use of jazz in film noir, from its early function as a signifier of danger, sexuality, and otherness to the complex role it plays in film scores in which jazz invites the spectator into the narrative while simultaneously transcending the film and reminding viewers of the world outside the movie theater. Jans B. Wager looks at the work of jazz composers such as Miles Davis, Duke Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as she analyzes films including Sweet Smell of Success, Elevator to the Gallows, Anatomy of a Murder, Odds Against Tomorrow, and considers the neonoir American Hustle. Wager demonstrates how the evolving role of jazz in film noir reflected cultural changes instigated by black social activism during and after World War II and altered Hollywood representations of race and music.

Jeremy F. Lane’s Jazz and Machine-Age Imperialism is a bold challenge to the existing homogenous picture of the reception of American jazz in world-war era France. Lane’s book closely examines the reception of jazz among French-speaking intellectuals between 1918 and 1945 and is the first study to consider the relationships, sometimes symbiotic, sometimes antagonistic, between early white French jazz critics and those French-speaking intellectuals of color whose first encounters with the music in those years played a catalytic role in their emerging black or Creole consciousness. Jazz’s first arrival in France in 1918 coincided with a series of profound shocks to received notions of French national identity and cultural and moral superiority. These shocks, characteristic of the era of machine-age imperialism, had been provoked by the first total mechanized war, the accelerated introduction of Taylorist and Fordist production techniques into European factories, and the more frequent encounters with primitive “Others” in the imperial metropolis engendered by interwar imperialism. Through close readings of the work of early white French jazz critics, alongside the essays and poems of intellectuals of color such as the Nardal sisters, Léon-Gontran Damas, Léopold Sédar Senghor, and René Ménil, Jazz and Machine-Age Imperialism highlights the ways in which the French reception of jazz was bound up with a series of urgent contemporary debates about primitivism, imperialism, anti-imperialism, black and Creole consciousness, and the effects of American machine-age technologies on the minds and bodies of French citizens.

Winner of the Elizabeth Agee Prize in American Literature

Jazz in the Time of the Novel argues that a culture’s understanding of the concept of time plays a central role in its economic, social, and aesthetic affairs and that a culture arrives at its conception of time through its artistic practices.

Bruce Barnhart, in Jazz in the Time of the Novel, shows that American culture of the first three decades of the twentieth century was shaped by the kindred rhythms and movements of two particular art forms: jazz and fiction. At the beginning of the twentieth century, widespread changes in America’s social, demographic, and economic norms threatened longstanding faith in a unified and inevitable movement towards a better future. As Barnhart shows both jazz and novels of the period address these temporal uncertainties, inserting themselves into arguments about the proper unfolding of an affirmative American future. Barnhart proposes that these two aesthetic forms can be viewed as co-participants in an ongoing discussion about the way in which the future should be imagined and experienced—a discussion symptomatic of the broader exchanges taking place within the many trajectories comprising early twentieth-century American culture.

This book includes in-depth approaches to numerous examples of jazz and the novel, including performances by James P. Johnson, Louis Armstrong, Bessie Smith, Duke Ellington, and Ethel Waters, and novels by James Weldon Johnson, F. Scott Fitzgerald, Ernest Hemingway, Gertrude Stein, and Nella Larsen, among others. In addition to the details of specific musical and literary works, Jazz in the Time of the Novel offers careful consideration as to how these works impact their social context.

Jazz Internationalism offers a bold reconsideration of jazz's influence in Afro-modernist literature. Ranging from the New Negro Renaissance through the social movements of the 1960s, John Lowney articulates nothing less than a new history of Afro-modernist jazz writing. Jazz added immeasurably to the vocabulary for discussing radical internationalism and black modernism in leftist African American literature. Lowney examines how Claude McKay, Ann Petry, Langston Hughes, and many other writers employed jazz as both a critical social discourse and mode of artistic expression to explore the possibilities—and challenges—of black internationalism. The result is an expansive understanding of jazz writing sure to spur new debates.

Jazz is one of America's greatest gifts to the arts, and native Texas musicians have played a major role in the development of jazz from its birth in ragtime, blues, and boogie-woogie to its most contemporary manifestation in free jazz. Dave Oliphant began the fascinating story of Texans and jazz in his acclaimed book Texan Jazz, published in 1996. Continuing his riff on this intriguing musical theme, Oliphant uncovers in this new volume more of the prolific connections between Texas musicians and jazz.

Jazz Mavericks of the Lone Star State presents sixteen published and previously unpublished essays on Texans and jazz. Oliphant celebrates the contributions of such vital figures as Eddie Durham, Kenny Dorham, Leo Wright, and Ornette Coleman. He also takes a fuller look at Western Swing through Milton Brown and his Musical Brownies and a review of Duncan McLean's Lone Star Swing. In addition, he traces the relationship between British jazz criticism and Texas jazz and defends the reputation of Texas folklorist Alan Lomax as the first biographer of legendary jazz pianist-composer Jelly Roll Morton. In other essays, Oliphant examines the links between jazz and literature, including fiction and poetry by Texas writers, and reveals the seemingly unlikely connection between Texas and Wisconsin in jazz annals. All the essays in this book underscore the important parts played by Texas musicians in jazz history and the significance of Texas to jazz, as also demonstrated by Oliphant's reviews of the Ken Burns PBS series on jazz and Alfred Appel Jr.'s Jazz Modernism.

They may wear cowboy hats and boots and sing about "faded love," but western swing musicians have always played jazz! From Bob Wills and the Texas Playboys to Asleep at the Wheel, western swing performers have played swing jazz on traditional country instruments, with all of the required elements of jazz, and some of the best solo improvisation ever heard.

In this book, Jean A. Boyd explores the origins and development of western swing as a vibrant current in the mainstream of jazz. She focuses in particular on the performers who made the music, drawing on personal interviews with some fifty living western swing musicians. From pioneers such as Cliff Bruner and Eldon Shamblin to current performers such as Johnny Gimble, the musicians make important connections between the big band swing jazz they heard on the radio and the western swing they created and played across the Southwest from Texas to California.

From this first-hand testimony, Boyd re-creates the world of western swing-the dance halls, recording studios, and live radio shows that broadcast the music to an enthusiastic listening audience. Although the performers typically came from the same rural roots that nurtured country music, their words make it clear that they considered themselves neither "hillbillies" nor "country pickers," but jazz musicians whose performance approach and repertory were no different from those of mainstream jazz. This important aspect of the western swing story has never been told before.

An interwoven story of a music and a medium, Jazz Radio America answers perennial questions about why certain kinds of jazz get played and why even that music is played in so few places.

Je me souviens invites post-intermediate students of French to improve their language skills while exploring the complex history and culture of Québec.

Drawing on cultural products from the earliest days of exploration to the present day, Elizabeth Blood and J.Vincent H. Morrissette curate an array of texts that sample Québécois literature, popular culture, art, music, and politics and frame the texts with pre-reading and post-reading activities, cultural notes, and historical overview sections. The interdisciplinary approach challenges students to improve their French language skills while learning about Québec. Thematically organized writings delve into issues central to understanding the many facets of contemporary Québécois identity, while prompts direct students to search for a range of materials online. Je me souviens is an essential resource for students interested in understanding the francophone world.

"With Je me souviens, Blood and Morrissette have produced a unique one-semester cultural and literary reader that will acquaint students in French with the history and contemporary issues that have made Québec the complex and fascinatingly vibrant society it is today. Even instructors already familiar with this francophone region will find selections that will engage their students' curiosity and enrich their own understanding." -- Miléna Santoro, vice-president for the Americas and Asia Pacific for the International Association for Québec Studies and associate professor of French and Québec Studies, Georgetown University

"Using an interdisciplinary approach through a variety of texts and documents, Je me souviens provides an excellent overview of Québec from different perspectives. Well organized, thought-provoking, and enriched by a wealth of illustrations, this textbook is unique for its content and will appeal to students from various backgrounds." -- Marie-Christine Weidmann Koop, professor of French, University of North Texas and past president, American Association of Teachers of French

Jean-Paul Marat’s role in the French Revolution has long been a matter of controversy among historians. Often he has been portrayed as a violent, sociopathic demagogue. This biography challenges that interpretation and argues that without Marat’s contributions as an agitator, tactician, and strategist, the pivotal social transformation that the Revolution accomplished might well not have occurred.

Clifford D. Conner argues that what was unique about Marat - which set him apart from all other major figures of the Revolution, including Danton and Robespierre - was his total identification with the struggle of the propertyless classes for social equality.

This is an essential book for anyone interested in the history of the revolutionary period and the personalities that led it.

The Caribbean Islands have long been an uneasy meeting place among indigenous peoples, white European colonists, and black slave populations. Tense oppositions in Caribbean culture—colonial vs. native, white vs. black, male conqueror vs. female subject—supply powerful themes and spark complex narrative experiments in the fiction of Dominica-born novelist Jean Rhys. In this pathfinding study, Mary Lou Emery focuses on Rhys's handling of these oppositions, using a Caribbean cultural perspective to replace the mainly European aesthetic, moral, and psychological standards that have served to misread and sometimes devalue Rhys's writing.

Emery considers all five Rhys novels, beginning with Wide Sargasso Sea as the most explicitly Caribbean in its setting, in its participation in the culminating decades of a West Indian literary naissance, and most importantly, in its subversive transformation of European concepts of character. From a sociocultural perspective, she argues persuasively that the earlier novels—Voyage in the Dark, Quartet, After Leaving Mr. Mackenzie, and Good Morning, Midnight—should be read as emergent Caribbean fiction, written in tense dialogue with European modernism. Building on this thesis, she reveals how the apparent passivity, masochism, or silence of Rhys's female protagonists results from their doubly marginalized status as women and as subject peoples. Also, she explores how Rhys's women seek out alternative identities in dreamed of, magically realized, or chosen communities.

These discoveries offer important insights on literary modernism, Caribbean fiction, and the formation of female identity.

One of America's best short story writers and author of three fine novels, Boston Adventure (1944), The Mountain Lion (1947), and The Catherine Wheel (1952), Jean Stafford has been rediscovered by another generation of readers and scholars. Although her novels and her Pulitzer Prize–winning short stories were widely read in the 1940s and 1950s, her fiction has received less critical attention than that of other distinguished contemporary American women writers such as Carson McCullers, Flannery O'Connor, and Eudora Welty. In this literary biography, Charlotte M. Goodman traces the life of the brilliant yet troubled Jean Stafford and reassesses her importance.

Drawing on a wealth of original material, Goodman describes the vital connections between Stafford's life and her fiction. She discusses Stafford's difficult family relationships, her tempestuous first marriage to the poet Robert Lowell, her unresolved conflicts about gender roles, her alcoholism and bouts with depression—and her amazing ability to transform the chaotic details of her life into elegant works of fiction. These wonderfully crafted works offer insightful portraits of alienated and isolated characters, most of whom exemplify not only human estrangement in the modern world, but also the special difficulties of girls and women who refuse to play traditional roles.

Goodman locates Jean Stafford within the literary world of the 1940s and 1950s. In her own right, and through her marriages to Robert Lowell, Life magazine editor Oliver Jensen, and journalist A. J. Liebling, Stafford associated with many of the major literary figures of her day, including the Southern Fugitives, the New York intellectual coterie, and writers for the New Yorker, to which she regularly contributed short stories. Goodman also describes Stafford's sustaining friendships with other women writers, such as Evelyn Scott and Caroline Gordon, and with her New Yorker editor, Katharine S. White.

This highly readable biography will appeal to a wide audience interested in twentieth-century literature and the writing of women's lives.

Over the course of more than four decades, contemporary American poet Jean Valentine has written eleven books of stunning, spirit-inflected poetry. This collection of essays, assembled over several years by Kazim Ali and John Hoppenthaler, brings together twenty-six pieces on all stages of Valentine's career by a range of poets, scholars, and admirers.

Valentine's poetry has long been valued for its dreamlike qualities, its touches of the personal and the political, and its mesmerizing phrasing. Valentine is a National Book Award winner and was named the State Poet of New York in 2008. She has taught a number of popular workshops and has been awarded a Bunting Institute Fellowship, a Guggenheim Foundation Fellowship, and the Shelley Memorial Prize.

Winner of seven Molières, the Pulitzer Prize of France, Jean-Claude Grumberg is one of France’s leading dramatists and a distinguished voice of modern European Jewry after the Shoah. His success in portraying contemporary Parisian Jews on the stage represents a new development in European theater and a new aesthetic expression of European Jewish experience and sensibility of the Holocaust and its aftermath, a perspective quite different from either the American or the Israeli one. Grumberg’s Jews are French to their fingertips, yet they have been made more consciously Jewish by the war and the difficulties of reintegrating into a society in which too many neighbors denounced them or ignored their pleas to save their children. Affirming the new status of Jewish culture, Grumberg’s plays insist on the recognition of Jewish identity and uniqueness within the majority societies of Europe.

This volume offers the first English translation of three of Grumberg’s prize-winning plays: The Workplace (L’Atelier, 1979), On the Way to the Promised Land (Vers toi Terre promise, 2006) and Mama’s Coming Back, Poor Orphan (Maman revient, pauvre orphelin, 1994). Presented in the order of the history they record and steeped in Grumberg’s personal experience and insights into contemporary Parisian life, these plays serve as documentary witnesses that begin with the immediate postwar reality and continue up to the end of the twentieth century. Seth Wolitz provides notes on the plays’ themes, structures, characters, and settings, along with an introduction that discusses Grumberg’s place within the emergence of French-Jewish drama and a translation of an interview with the playwright himself.