With her trademark irreverent and witty twist on classic works, Zimmerman brings to life the story of Odysseus's ten-year journey

This dramatic adaptation of Homer's myth begins with a modern young woman who is struggling to understand Robert Fitzgerald's translation of The Odyssey. A classical muse appears, and the young woman becomes the goddess Athena--a tireless advocate for Odysseus in his struggle to get home. Zimmerman's adaptation depicts his encounters with characters such as Circe, the Cyclops, Poseidon, Calypso, the Sirens, and others in new and exciting ways.
 

A carefully rendered portrait of a brilliant but troubled daughter of the Old South who struggled against the conventions of gender, class, family, and ultimately of sanity, yet survived to define a creative life of her own
 
Sara Mayfield was born into Alabama’s governing elite in 1905 and grew up in a social circle that included Zelda Sayre, Sara Haardt, and Tallulah and Eugenia Bankhead. After winning a Goucher College short story contest judged by H. L. Mencken, Mayfield became friends with Mencken and his circle, then visited with Scott and Zelda Fitzgerald and hobnobbed with the literati while traveling in Europe after a failed marriage. Returning to Alabama during the Depression, she briefly managed the family landholdings before departing for New York City where she became involved in the theater. Inventing a plastic compound while working on theatrical sets, she applied for a patent and set her sights on a livelihood as an inventor and businesswoman. With the advent of World War II, Mayfield returned to her family home in Tuscaloosa where she expanded her experiments, freelanced as a journalist, and doggedly pursued a bizarre series of military and intelligence schemes, prompting temporary hospitalization. In 1945, she mingled with a host of cultural figures, including Frida Kahlo, Diego Rivera, Orson Welles, Rita Hayworth, and even a young John F. Kennedy, while reporting on the creation of the United Nations from Mexico and California. Back in Tuscaloosa after the war, however, she struggled to find her way with both work and family, becoming increasingly paranoid about perceived conspiracies arrayed against her. Finally, her mother and brother committed her to Bryce Hospital for the Insane, where she remained for the next seventeen years.

Throughout her life, Mayfield kept journals, wrote fiction, and produced thousands of letters while nursing the ambition that had driven her since childhood: to write and publish books. During her confinement, Mayfield assiduously recorded her experiences and her determined efforts—sometimes delusional, always savvy—to overturn her diagnosis and return to the world as a sane, independent adult. At 59, she was released from Bryce and later obtained a decree of “having been restored to sanity,” enabling her to manage her own financial affairs and to live how and where she pleased. She went on to publish noteworthy literary biographies of the Menckens and the Fitzgeralds plus a novel based on the life of Mona Lisa, finally achieving her quest to become the author of books and her own life. In Odyssey of a Wandering Mind, noted writer Jennifer Horne draws on years of research and an intimate understanding of the vast archive Sara Mayfield left behind to sensitively render Mayfield’s struggle to move through the world as the person she was—and her ultimate success in surviving to define the terms of her story.
 

Homer's Odyssey has captivated readers and influenced writers and artists for more than 2,000 years. Reading the poem in its original language provides an experience as challenging as it is rewarding. Most students encountering Homeric Greek for the first time need considerable help, especially with vocabulary and constructions that differ from the more familiar Attic forms. For anyone who has completed studies in elementary Greek, this edition provides the assistance necessary to read, understand, and appreciate the first book of the Odyssey in its original language.

Structured to maximize reading ease, P. A. Draper's volume stands out among introductions to the Greek Odyssey. Readers of this edition will appreciate the positioning of all notes facing the Greek text; the frequent vocabulary entries; the complete glossary; the appendix on basic Homeric forms and grammar; and the copious annotations on vocabulary, grammar, meter, historical and mythological allusions, and literary interpretation.

Primarily designed as a textbook, this volume will be an effective classroom tool and a useful acquisition for any library supporting a classics program. The book will find readers among high school and college Greek students, advanced students in Homer or epic poetry classes, graduate students working on reading-list requirements, and anyone interested in maintaining Greek reading skills.

The hero’s journey home from war.

Here is a new Loeb Classical Library edition of the resplendent epic tale of Odysseus’ long journey home from the Trojan War and the legendary temptations, delays, and perils he faced at every turn. Homer’s classic poem features Odysseus’ encounters with the beautiful nymph Calypso; the queenly but wily Circe; the Lotus-eaters, who fed his men their memory-stealing drug; the man-eating, one-eyed Cyclops; the Laestrygonian giants; the souls of the dead in Hades; the beguiling Sirens; the treacherous Scylla and Charybdis. Here, too, is the hero’s faithful wife, Penelope, weaving a shroud by day and unraveling it by night, in order to thwart the numerous suitors attempting to take Odysseus’ place.

The works attributed to Homer include the two oldest and greatest European epic poems, the Odyssey and Iliad. These texts have long stood in the Loeb Classical Library with a faithful and literate prose translation by A. T. Murray. George Dimock has brought the Loeb’s Odyssey up to date, with a rendering that retains Murray’s admirable style but is worded for today’s readers. The two-volume edition includes a new introduction, notes, and index.

The hero’s journey home from war.

Here is a new Loeb Classical Library edition of the resplendent epic tale of Odysseus’ long journey home from the Trojan War and the legendary temptations, delays, and perils he faced at every turn. Homer’s classic poem features Odysseus’ encounters with the beautiful nymph Calypso; the queenly but wily Circe; the Lotus-eaters, who fed his men their memory-stealing drug; the man-eating, one-eyed Cyclops; the Laestrygonian giants; the souls of the dead in Hades; the beguiling Sirens; the treacherous Scylla and Charybdis. Here, too, is the hero’s faithful wife, Penelope, weaving a shroud by day and unraveling it by night, in order to thwart the numerous suitors attempting to take Odysseus’ place.

The works attributed to Homer include the two oldest and greatest European epic poems, the Odyssey and Iliad. These texts have long stood in the Loeb Classical Library with a faithful and literate prose translation by A. T. Murray. George Dimock has brought the Loeb’s Odyssey up to date, with a rendering that retains Murray’s admirable style but is worded for today’s readers. The two-volume edition includes a new introduction, notes, and index.

Psychoanalysis, entering its second century, is a vital yet divided discipline. A confusing array of mutually contradictory theories compete for the loyalty of clinicians and for the attention of all those interested in understanding human experience.

In the classic Object Relations in Psychoanalytic Theory, Jay Greenberg and his coauthor Stephen Mitchell brought clarity to the confusion surrounding psychoanalytic disputes. They defined two competing models: the drive model, which addresses the private dimensions of experience; and the relational model, which reveals the relentlessly social aspect of our lives. Oedipus and Beyond builds on Greenberg’s earlier contribution. Beginning with a brilliant critique of the conceptual framework of psychoanalysis, he provides fresh insight into Freud’s theory, demonstrating how attempts to resolve some of its shortcomings have generated their own theoretical and clinical dilemmas. In the process he illuminates the roles of the Oedipus complex, the drives, the unconscious, and psychic structure in shaping the sensibilities of alternative psychoanalytic approaches.

Greenberg does not attempt to synthesize the two models, because he believes that diversity is essential if psychoanalysis is to remain strong. Instead, he proposes a compelling and practical clinical theory in which Freud’s insistence on the importance of inner motivation, psychic conflict, and personal agency effectively informs a relational emphasis on the fundamental influence of social living.

The book concludes with some apt illustrations of how the “representational model” can enrich clinical work. Greenberg rethinks the process of making the unconscious conscious, and arrives at new approaches to the analyst’s neutrality, to transference analysis, and to countertransference. The result reflects the author’s profound insight into the structure of psychoanalytic theory and his mastery of the contributions of diverse psychoanalytic schools. Perhaps most important, Greenberg’s argument never loses touch with his clinical experience; ultimately, this is the deeply personal statement of a skilled practitioner.

We speak of rights as though they are objective matters of fact that have a crucial bearing on how we ought to behave. Yet few, if any, rights are universally acknowledged without wide differences of meaning. Instead, they usually represent the particular ideals of the individuals or groups that claim them. Theories of rights have always grappled with this central problem, but none of the literature on the subject has offered a satisfactory solution. Lloyd Weinreb makes the first significant advance toward an understanding of what rights are, how they function in our lives, and why we need them.

Weinreb’s central argument is that rights are tightly connected to responsibility. They are the normative constituents of persons, attributes that we have rightly, as our due. As such, they enable us to overcome the antinomy of moral freedom and natural causal order. Without them, we could not regard human beings as persons, that is, as free and responsible, or autonomous. Since responsibility is a structural feature of our experience and a matter of fact, rights too are matters of fact.

Against a review of the current debates on the subject, Weinreb fully elaborates his original argument on the nature of rights and finds the source of concrete rights in the nomos, or deep conventions, of a community. Applying his theory, he shows how it helps to answer specific questions about animal rights, human rights—including, in the context of abortion and capital punishment, the right to life—and civil rights, including particularly rights of the handicapped, gay rights, and affirmative action in contemporary American society. Along the way, Weinreb shows that Oedipus and Roger Clemens have more in common than either would probably have supposed.

This highly original work will significantly redirect the study of rights. It will be especially valuable to those who practice or study law, philosophy, politics, and public policy.

Available for the first time as an independent work, David Grene’s legendary translation of Oedipus the King renders Sophocles’ Greek into cogent, vivid, and poetic English for a new generation to savor. Over the years, Grene and Lattimore’s Complete Greek Tragedies have been the preferred choice of millions of readers—for personal libraries, individual study, and classroom use.  This new, stand-alone edition of Sophocles’ searing tale of jealousy, rage, and revenge will continue the tradition of the University of Chicago Press’s classic series.

Praise for David Grene and Richmond Lattimore’s Complete Greek Tragedies

“This is it. No qualifications. Go out and buy it everybody.”—Kenneth Rexroth, Nation

“The translations deliberately avoid the highly wrought and affectedly poetic; their idiom is contemporary. . . . They have life and speed and suppleness of phrase.”—Times Education Supplement

All societies around the world and through time value beauty highly. Tracing the evolutions of the Colombian standards of beauty since 1845, Michael Edward Stanfield explores their significance to and symbiotic relationship with violence and inequality in the country. Arguing that beauty holds not only social power but also economic and political power, he positions it as a pacific and inclusive influence in a country “ripped apart by violence, private armies, seizures of land, and abuse of governmental authority, one hoping that female beauty could save it from the ravages of the male beast.” One specific means of obscuring those harsh realities is the beauty pageant, of which Colombia has over 300 per year. Stanfield investigates the ways in which these pageants reveal the effects of European modernity and notions of ethnicity on Colombian women, and how beauty for Colombians has become an external representation of order and morality that can counter the pathological effects of violence, inequality, and exclusion in their country.

Offers a philosophical history of bridges—both literal bridges and their symbolic counterparts—and the acts of cultural connection they embody.

“Always,” wrote Philip Larkin, “it is by bridges that we live.” Bridges represent our aspirations to connect, to soar across divides. And it is the unfinished business of these aspirations that makes bridges such stirring sights, especially when they are marvels of ingenuity.

A rich compendium of myths, superstitions, and literary and ideological figurations, Of Bridges organizes a poetic and philosophical history of bridges into nine thematic clusters. Leaping in lucid prose between distant times and places, Thomas Harrison questions why bridges are built and where they lead. He probes links forged by religion between life’s transience and eternity as well as the consolidating ties of music, illustrated by the case of the blues. He investigates bridges in poetry, as flash points in war, and the megabridges of our globalized world. He illuminates real and symbolic crossings facing migrants each day and the affective connections that make persons and societies cohere. In readings of literature, film, philosophy, and art, Harrison engages in a profound reflection on how bridges form and transform cultural communities. Of Bridges is a mesmerizing, vertiginous tale of bridges both visible and invisible, both lived and imagined.

Who could have guessed that the lowly fruit fly might hold the key for decoding heredity? Or that the mouse might one day disclose astonishing evolutionary secrets? In a book infused with wisdom, wonder, and a healthy dose of wry skepticism, Nobel Prize-winning geneticist François Jacob walks us through the surprising ways of science, particularly the science of biology, in this century. Of Flies, Mice, and Men is at once a work of history, a social study of the role of scientists in the modern world, and a cautionary tale of the bumbling and brilliance, imagination and luck, that attend scientific discovery. A book about molecules, reproduction, and evolutionary tinkering, it is also about the way biologists work, and how they contemplate beauty and truth, good and evil.

Animated with anecdotes from Greek mythology, literature, episodes from the history of science, and personal experience, Of Flies, Mice, and Men tells the story of how the marvelous discoveries of molecular and developmental biology are transforming our understanding of who we are and where we came from. In particular, Jacob scrutinizes the place of the scientist in society. Alternately cast as the soothsayer Tiresias, the conscienceless inventor Daedalus, or Prometheus, conveyer of dangerous knowledge, the scientist in our day must instead adopt the role of truthteller, Jacob suggests. And the crucial truth that molecular biology teaches is the one he elaborates with great clarity and grace in this book: that all animals are made of the same building blocks, by a combinatorial system that always rearranges the same elements according to new forms.

A searching dialogue between two leading legal scholars exploring the place of law in global affairs.

The modern world is legalized: legal language, institutions, and professionals are everywhere. But what is law’s power in global life? What does all this legality have to do with hegemony, with hierarchy and inequality, and with the diversity of human experience? What is its history and how does that history matter in world affairs? Above all, what does it mean to think “critically” about law and global affairs? In this poignant and iconoclastic book, two leading scholars take us to the heart of the matter, examining law’s relationship with history, power, and political economy.

David Kennedy and Martti Koskenniemi have often inspired each other and are both considered “critical” voices in international law, but they have never explored their similarities and differences as deeply as they do here. Of Law and the World takes the form of a conversation, as the authors reflect on the study of international law, the motivations underlying their research, and the payoffs and limitations of their investigations into law’s role in global affairs. They revisit and renew debates about the past and future of the many legalities that shape our world.

Erudite, open-minded, and informed by decades of experience and observation, Of Law and the World is an unflinchingly honest confrontation with humanity’s struggle to live together.

George W. Bush had planned to swear his oath of office with his hand on the Masonic Bible used by both his father and George Washington, however, due to the inclement weather, a family Bible was substituted. Almost immediately on taking office, President Bush made passage of "faith-based initiatives"—the government funding of religious charitable groups—a legislative priority. However, "inclement" weather storm-tossed his hopes for faith-based initiatives as well.

What happened? Why did these initiatives, which began with such vigor and support from a popular president, fail? And what does this say about the future role of religious faith in American public life? Amy Black, Douglas Koopman, and David Ryden—all prominent political scientists—utilize a framework that takes the issue through all three branches of government and analyzes it through three very specific lenses: a public policy lens, a political party lens, and a lens of religion in the public square.

Drawing on dozens of interviews with key figures in Washington, the authors tell a compelling story, revealing the evolution of the Bush faith-based strategy from his campaign for the presidency through congressional votes to the present. They show how political rhetoric, infighting, and poor communication shipwrecked Bush's efforts to fundamentally alter the way government might conduct social services. The authors demonstrate the lessons learned, and propose a more fruitful, effective way to go about such initiatives in the future.

Of Mind and Other Matters displays perhaps more vividly than any one of Nelson Goodman’s previous books both the remarkable diversity of his concerns and the essential unity of his thought.

Many new studies are incorporated in the book, along with material, often now augmented or significantly revised, that he has published during the last decade. As a whole the volume will serve as a concise introduction to Goodman’s thought for general readers, and will develop its more recent unfoldings for those philosophers and others who have grown wiser with his books over the years.

Goodman transcends the narrow “scientism and humanism that set the sciences and the arts in opposition”; his insights derive from both formal philosophy and cognitive psychology. As Hilary Putnam has noted, Goodman “prefers concrete and partial progress to grand and ultimately empty visions”; and here are illuminating studies of topics ranging from science policy and museum administration and art education to narrative in literature and painting and the analysis of elusive aspects of literal and metaphorical reference. All these are ramifications of Goodman’s profound and often revolutionary philosophical work on the ways we understand and even make the worlds we live in.

Two hundred years before Shakespeare observed that “all the world’s a stage,” another writer with a flair for drama realized the same fact. This writer was Geoffrey Chaucer.

Chaucer, however, presented his dramatic efforts through the medium of short stories, and he is regularly referred to as one of the world’s great storytellers. Yet there are certain questions which arise time and again in the minds of literary scholars. Most of the tales in the Canterbury collection are excellent, but why did Chaucer include such obviously poor recitals as the dull “Melibeus” and the lengthy “Parson’s Tale”? Did he fail to recognize their lack of literary merit? Or were those of his stories which seem so dull to modern readers really popular in fourteenth-century England?

Of Sondry Folk is Lumiansky’s answer to such questions. But it is more than that. It is the revelation of Chaucer as dramatic writer. Chaucer, says Lumiansky, did not intend primarily to tell a series of good tales. Instead, he chose tales which suited his purpose of dramatic exposition of character. And the characters, though drawn from many walks of life, are not stereotypes. Their tales not only disclose what the Pilgrims think of themselves but reveal these Pilgrims as they really are—dull, romantic, egotistical, pious, or lustful.

Not all readers will agree with Lumiansky’s conclusions in this book. But his scholarship, his clear, uninvolved prose, and his wit and frankness make of it an excellent handbook for the student of the Canterbury Tales. Of Sondry Folk will increase the enjoyment and understanding of Chaucer’s art for any reader, lay or scholarly.

Chicano/a fiction is often understood as a literature of resistance to the dominant U.S. Anglo culture and society. But reducing this rich literary production to a single, binary opposition distorts it in fundamental ways. It conflates literature with life, potentially substituting a literature of protest for social activism that could provoke real changes in society. And it overlooks the complex range of responses to Anglo society that actually animates Chicano/a fiction.

In this paradigm-shifting book, Patrick L. Hamilton analyzes works by Rudolfo Anaya, Ana Castillo, Denise Chávez, Rolando Hinojosa, Arturo Islas, John Rechy, Alfredo Véa, and Helena María Viramontes to expand our understandings of the cultural interactions within the United States that are communicated by Chicano/a fiction. He argues that the narrative ethics of "resistance" within the Chicano/a canon is actually complemented by ethics of "persistence" and "transformation" that imagine cultural differences within the United States as participatory and irreducible to simple oppositions. To demonstrate these alternative ethics, Hamilton adapts the methodology of cognitive mapping; that is, he treats the chosen fictional texts as mental maps that are constructed around and communicative of the narrative's ethics. As he reads these cognitive maps, which envision Chicano/a culture as being part of U.S. society rather than as "resistant" and separate, Hamilton asserts that the authors' conception of cultural difference speaks more usefully to current sociopolitical debates, such as those about gay marriage and immigration reform, than does the traditional "resistant" paradigm.

In perhaps as few as one hundred years, the Inka Empire became the largest state ever formed by a native people anywhere in the Americas, dominating the western coast of South America by the early sixteenth century. Because the Inkas had no system of writing, it was left to Spanish and semi-indigenous authors to record the details of the religious rituals that the Inkas believed were vital for consolidating their conquests. Synthesizing these arresting accounts that span three centuries, Thomas Besom presents a wealth of descriptive data on the Inka practices of human sacrifice and mountain worship, supplemented by archaeological evidence.

Of Summits and Sacrifice offers insight into the symbolic connections between landscape and life that underlay Inka religious beliefs. In vivid prose, Besom links significant details, ranging from the reasons for cyclical sacrificial rites to the varieties of mountain deities, producing a uniquely powerful cultural history.

The emergence of a master artist alongside his first major collection, created during a golden age of art in the nation’s capital

Renowned for his innovative work with silkscreen printing, Lou Stovall’s works are part of numerous collections, including the National Gallery of Art, Smithsonian American Art Museum, and Phillips Collection. Washington Post art critic Paul Richard once wrote, “As a printer of his own art, and of the art of many others, as a framer and installer and shepherd of collections, Stovall has inserted more art into Washington than almost anyone in town.”

Of the Land: The Art and Poetry of Lou Stovall presents a series of prints and accompanying poems that showcase the artist’s work during the 1970s, when he was developing his unique silkscreen technique and exploring both natural and abstract elements. An introduction by the book’s editor and artist’s son, Will Stovall, along with an autobiography from the artist anchor the Of the Land series in its time and place—a period of jazz, protest, and prolific art production in Washington, DC, that birthed the Washington Color School. Stovall’s contributions, as well as his collaborations with well-known artists like Jacob Lawrence, Sam Gilliam, Elizabeth Catlett, and Robert Mangold, have cemented him as one of the most significant American artists of our age.

Part of a tradition of African American artists and thinkers who met at Howard University, Lou Stovall created the Workshop in 1968, a small, active silkscreen studio printing posters for arts and DC-focused events. His deep influence on the silkscreen medium, the art community, and DC will be part of his lasting legacy.

Anne Wetzell Armstrong adored her adopted hometown. Born in Grand Rapids, Michigan, she moved with her family to the “West End” (Fort Sanders) area of Knoxville, Tennessee, in the 1880s, a pivotal decade for a city just getting past the trauma of the Civil War and becoming an economically diverse and culturally cosmopolitan center. Author of The Seas of God (1915), set in a thinly disguised Knoxville (called “Kingsville”), Armstrong was privileged, unconventional, and modern. She was divorced (she later married an Armstrong of Knoxville’s Bleak House), a single mother, and worked—not only as a teacher at Knoxville Girls High School but also in personnel with National City Company of New York and in industrial relations at Eastman Kodak. Her second novel, This Day and Time (1930), is regarded as the first fictional work to treat Appalachia realistically.

Journalist John Gunther’s 1946 description of Knoxville as the “ugliest city I ever saw in America” served as the impetus for Armstrong to pen a memoir of a city she remembered quite differently. Sophisticated and witty, Of Time and Knoxville provides lively, sometimes scandalous sketches of such well-known Knoxville figures as Lizzie Crozier French, Armstrong’s mentor and a leader in the woman’s suffrage movement; Perez Dickinson, businessman and owner of the socially popular Island Home farm (and cousin of Emily Dickinson); and Mary Boyce Temple, clubwoman, philanthropist, and socialite, whose home is preserved as the last extant single-family residence in downtown Knoxville. Complemented by Linda Behrend’s excellent introduction and meticulous annotations, this distinctive memoir also delivers an unusual picture of Knoxville’s beloved Market Square and vividly depicts fin de siècle Knoxville, with its great food at hotel restaurants and lively events at dance halls. Armstrong also details the tragic Flat Creek train wreck of 1889, which seriously injured her own father and led to his death five years later. Of Time and Knoxville is a must-read for lovers of Knoxville, Victorian America, women’s history, and memoir.

Fathers in the fifties tend to be portrayed as wise and genial pipe-smokers or distant, emotionless patriarchs. This common but limited stereotype obscures the remarkable diversity of their experiences and those of their children. To uncover the real story of fatherhood during this transformative era, Ralph LaRossa takes the long view—from the attack on Pearl Harbor up to the election of John F. Kennedy—revealing the myriad ways that World War II and its aftermath shaped men.

Offering compelling accounts of people both ordinary and extraordinary, Of War and Men digs deep into the terrain of fatherhood. LaRossa explores the nature and aftereffects of combat, the culture of fear during the Cold War, the ways that fear altered the lives of racial and sexual minorities, and how the civil rights movement affected families both black and white. Overturning some calcified myths, LaRossa also analyzes the impact of suburbanization on fathers and their kids, discovering that living in the suburbs often strengthened their bond. And finally, looking beyond the idealized dad enshrined in TV sitcoms, Of War and Men explores the brutal side of family life in the postwar years. LaRossa’s richly researched book dismantles stereotypes while offering up a fascinating and incisive chronicle of fatherhood in all its complexity.

Doris Salcedo, a Colombian-born artist, addresses the politics of memory and forgetting in work that embraces fraught situations in dangerous places. Noted critic and theorist Mieke Bal narrates between the disciplines of contemporary culture in order to boldly reimagine the role of the visual arts. Both women are pathbreaking figures, globally renowned and widely respected. Doris Salcedo, meet Mieke Bal.

In Of What One Cannot Speak, Bal leads us into intimate encounters with Salcedo’s art, encouraging us to consider each work as a “theoretical object” that invites—and demands—certain kinds of considerations about history, death, erasure, and grief. Bal ranges widely through Salcedo’s work, from Salcedo’s Atrabiliarios series—in which the artist uses worn shoes to retrace los desaparecidos (“the disappeared”) from nations like Argentina, Chile, and Colombia—to Shibboleth, Salcedo’s once-in-a-lifetime commission by the Tate Modern, for which she created a rupture, as if by earthquake, that stretched the length of the museum hall’s concrete floor. In each instance, Salcedo’s installations speak for themselves, utilizing household items, human bones, and common domestic architecture to explore the silent spaces between violence, trauma, and identity. Yet Bal draws out even deeper responses to the work, questioning the nature of political art altogether and introducing concepts of metaphor, time, and space in order to contend with Salcedo’s powerful sculptures and installations.

An unforgettable fusion of art and essay, Of What One Cannot Speak takes us to the very core of events we are capable of remembering—yet still uncomfortably cannot speak aloud.

2004 – Harvey L. Johnson Award – Southwest Council of Latin American Studies

In the tumultuous decades following Mexico's independence from Spain, religion provided a unifying force among the Mexican people, who otherwise varied greatly in ethnicity and socioeconomic status. Accordingly, religion and the popular cultures surrounding it form the lens through which Terry Rugeley focuses this cultural history of southeast Mexico from independence (1821) to the rise of the dictator Porfirio Díaz in 1876.

Drawing on a wealth of previously unused archival material, Rugeley vividly reconstructs the folklore, beliefs, attitudes, and cultural practices of the Maya and Hispanic peoples of the Yucatán. In engagingly written chapters, he explores folklore and folk wisdom, urban piety, iconography, and anticlericalism. Interspersed among the chapters are detailed portraits of individual people, places, and institutions, that, with the archival evidence, offer a full and fascinating history of the outlooks, entertainments, and daily lives of the inhabitants of southeast Mexico in the nineteenth century. Rugeley also links this rich local history with larger events to show how macro changes in Mexico affected ordinary people.

What is the connection between the United States' imbalance of trade with Japan and the imbalance of translation in the other direction? Between Western literary critics' estimates of Japanese fiction and Japanese politicians' "America-bashing"? Between the portrayal of East-West relations in the film Merry Christmas, Mr. Lawrence and the terms of the GATT trade agreements?

In this provocative study, Masao Miyoshi deliberately adopts an off-center perspective--one that restores the historical asymmetry of encounters between Japan and the United States, from Commodore Perry to Douglas MacArthur--to investigate the blindness that has characterized relations between the two cultures.

Both nations are blinkered by complementary forms of ethnocentricity. The United States--or, more broadly, the Eurocentric West--believes its culture to be universal, while Japan believes its culture to be essentially unique. Thus American critics read and judge Japanese literature by the standards of the Western novel; Japanese politicians pay lip service to "free trade" while supporting protectionist policies at home and abroad.

Miyoshi takes off from literature to range across culture, politics, and economics in his analysis of the Japanese and their reflections in the West; the fiction of Tanizaki, Mishima, Oe; trade negotiations; Japan bashing and America bashing; Emperor worship; Japanese feminist writing; the domination of transcribed conversation as a literary form in contemporary Japan. In his confrontation with cultural critics, Miyoshi does not spare "centrists" of either persuasion, nor those who refuse to recognize that "the literary and the economical, the cultural and the industrial, are inseparable."

Yet contentious as this book can be, it ultimately holds out, by its example, hope for a criticism that can see beyond the boundaries of national cultures--without substituting a historically false "universal" culture--and that examines cultural convergences from a viewpoint that remains provocatively and fruitfully off center.

In this revelatory book, Sudhir Venkatesh takes us into Maquis Park, a poor black neighborhood on Chicago’s Southside, to explore the desperate, dangerous, and remarkable ways in which a community survives. We find there an entire world of unregulated, unreported, and untaxed work, a system of living off the books that is daily life in the ghetto. From women who clean houses and prepare lunches for the local hospital to small-scale entrepreneurs like the mechanic who works in an alley; from the preacher who provides mediation services to the salon owner who rents her store out for gambling parties; and from street vendors hawking socks and incense to the drug dealing and extortion of the local gang, we come to see how these activities form the backbone of the ghetto economy.

What emerges are the innumerable ways that these men and women, immersed in their shadowy economic pursuits, are connected to and reliant upon one another. The underground economy, as Venkatesh’s subtle storytelling reveals, functions as an intricate web, and in the strength of its strands lie the fates of many Maquis Park residents. The result is a dramatic narrative of individuals at work, and a rich portrait of a community. But while excavating the efforts of men and women to generate a basic livelihood for themselves and their families, Off the Books offers a devastating critique of the entrenched poverty that we so often ignore in America, and reveals how the underground economy is an inevitable response to the ghetto’s appalling isolation from the rest of the country.

Amid widespread concern that our approach to testing and grading undermines education, two experts explain how schools can use assessment to support, rather than compromise, learning.

Anyone who has ever crammed for a test, capitulated to a grade-grubbing student, or fretted over a child’s report card knows that the way we assess student learning in American schools is freighted with unintended consequences. But that’s not all. As experts agree, our primary assessment technologies—grading, rating, and ranking—don’t actually provide an accurate picture of how students are doing in school. Worse, they distort student and educator behavior in ways that undermine learning and exacerbate inequality. Yet despite widespread dissatisfaction, grades, test scores, and transcripts remain the currency of the realm.

In Off the Mark, Jack Schneider and Ethan Hutt explain how we got into this predicament, why we remain beholden to our outmoded forms of assessment, and what we can do to change course. As they make clear, most current attempts at reform won’t solve the complex problems we face. Instead, Schneider and Hutt offer a range of practical reforms, like embracing multiple measures of performance and making the so-called permanent record “overwritable.” As they explain, we can remake our approach in ways that better advance the three different purposes that assessment currently serves: motivating students to learn, communicating meaningful information about what young people know and can do, and synchronizing an otherwise fragmented educational system. Written in an accessible style for a broad audience, Off the Mark is a guide for everyone who wants to ensure that assessment serves the fundamental goal of education—helping students learn.

In Off Whiteness: Place, Blood, and Tradition in Post-Reconstruction Southern Literature, Izabela Hopkins explores the remaking of whiteness in the Post-Reconstruction South as represented in literary fiction. To focus her study, she discusses the writings of four prominent figures: Thomas Nelson Page, Ellen Glasgow, Charles Waddell Chesnutt, and Alice Dunbar-Nelson, who contributed to discussions of racial and social identity during the post–Civil War South through poetry, journalism, essays, novels, and more.

Off Whiteness draws from both sides of the color line—as well as from both the male and female experience—to examine the ambivalence of Southern whiteness from three particular vantage points: place, ideality, and repeatability. Hopkins develops her analysis across nine chapters divided into three parts. In her exploration of these four writers with differing backgrounds and experiences, she utilizes both their well-known and lesser-known texts to argue against the superficial oversimplification that “whiteness requires blackness to define itself.”

Hopkins’s analysis not only successfully grapples with a wide range of post-structural theories; it also approaches the significance of language and religion with intention and sensitivity, thereby addressing areas that are typically ignored in whiteness studies scholarship. The interdisciplinary nature of Off Whiteness positions it as an engaging text relevant to the work and interests of scholars drawn to American and Southern history, cultural and social studies, literary studies, etymology, and critical race theory.

The Internet has been romanticized as a zone of freedom. The alluring combination of sophisticated technology with low barriers to entry and instantaneous outreach to millions of users has mesmerized libertarians and communitarians alike. Lawmakers have joined the celebration, passing the Communications Decency Act, which enables Internet Service Providers to allow unregulated discourse without danger of liability, all in the name of enhancing freedom of speech. But an unregulated Internet is a breeding ground for offensive conduct.

At last we have a book that begins to focus on abuses made possible by anonymity, freedom from liability, and lack of oversight. The distinguished scholars assembled in this volume, drawn from law and philosophy, connect the absence of legal oversight with harassment and discrimination. Questioning the simplistic notion that abusive speech and mobocracy are the inevitable outcomes of new technology, they argue that current misuse is the outgrowth of social, technological, and legal choices. Seeing this clearly will help us to be better informed about our options.

In a field still dominated by a frontier perspective, this book has the potential to be a real game changer. Armed with example after example of harassment in Internet chat rooms and forums, the authors detail some of the vile and hateful speech that the current combination of law and technology has bred. The facts are then treated to analysis and policy prescriptions. Read this book and you will never again see the Internet through rose-colored glasses.

Since it was first published in 1996, Official Guide to Texas State Parks and Historic Sites has become Texans’ one-stop source for information on great places to camp, fish, hike, backpack, swim, ride horseback, go rock climbing, view scenic landscapes, tour historical sites, and enjoy almost any other outdoor recreation.

Freshly redesigned, this revised edition includes eight new state parks and historical sites, completely updated information for every park, and beautiful new photographs for most of the parks. The book is organized by geographical regions to help you plan your trips around the state. For every park, Laurence Parent provides all of the essential information:

• The natural or historical attractions of the park
• Types of recreation offered
• Camping and lodging facilities
• Addresses and phone numbers
• Magnificent color photographs

So if you want to watch the sun set over Enchanted Rock, fish in the surf on the beach at Galveston, or listen for a ghostly bugle among the ruins of Fort Lancaster, let this book be your complete guide. Don’t take a trip in Texas without it.

The essential guide to Texas’s state parks and historic sites.

Updated with a new park, Palo Pinto Mountains State Park west of Forth Worth; new historic sites; and scores of beautiful new photographs, the Official Guide to Texas State Parks has all the essential information organized by geographical regions to help you plan your great Texas adventure. The only complete resource of its kind on Texas, Laurence Parent’s Official Guide to Texas State Parks is the trusted source, with more than sixty-five thousand copies sold over the past thirty years.

Praise for Previous Editions

“Texas state-park fans should be thrilled. . . . Official Guide to Texas State Parks is the ultimate book detailing Texas’s state parks.”—Dallas Morning News

“This book will make you want to hit the road to visit the natural splendor of Texas.”—Houston Chronicle

“It’s good enough for a coffee table or a campfire. The Official Guide to Texas State Parks gives you sleek photography, maps, narratives, and loads of information.”—Southern Living

“The newly updated Official Guide to Texas State Parks and Historic Sites . . . has beautiful color photographs and insights on camping, fishing, horseback riding, and other recreational opportunities around the state.”—Texas Journey

• 4 complete practice tests (Listening, Reading, Writing)
• 4 sets of practice Speaking Test prompts
• tips for practicing the different sections of the tests
• a progress tracking log for recording practice test cores
• actual test form instructions and a sample answer sheet

Dube’s account examines and documents the issues that drew women into the movement, from concerns for themselves and their communities to grander visions for the Ogoni. As she shows, these issues not only influenced organizing in Nigeria but also the diaspora in general and the United States in particular. Ogoni women relied upon nonviolent protest to realize their aims. Dube looks at their campaigns and how their actions reflected their concerns, values, interests, and priorities. The result is a rare account of Black women and transnational organizing for women’s, climate, and environmental justice that merges a history of their involvement with an in-depth analysis of the racial, gender, and ethnic dimensions of the Ogoni Struggle.

Uncomplicated when compared with the task of managing today's highly mechanized agricultural complexes, life on the early twentieth-century small farm entailed hard work and afforded simple pleasures that brought satisfaction and enjoyment to the farm and family. Farming on that scale and in the same manner has now become almost completely infeasible, yet in those times a good farmer could prosper and become independent. Wheeler McMillen’s father, Lewis, did both.

Relying frequently on his father’s account books and concise diaries, for this is primarily his father’s story, McMillen recounts the immense labor that farming demanded before the advent of the tractor and the combine harvester. He evokes the special excitements of having company for Sunday dinner, attending the annual oyster supper at the Grange Hall, and gathering on the Fourth of July with the interminable wait for darkness to fall. McMillen also portrays the quiet peace and ineffable joy of private moments, such as resting the horses during spring plowing to watch bronzed grackles search for food in the freshly turned furrows.

Wheeler McMillen’s slice of history will speak to those interested in what rural life was once like in the Midwest and to Ohioans who would like to learn more about their state’s recent past.

Colliding environmental and development interests have shaped national policy reforms supporting both oil development and environmental protection in Alaska. Oil and Wilderness in Alaska examines three significant national policy reform efforts that came out of these conflicts: the development of the Trans-Alaska pipeline, the establishment of a vast system of protected natural areas through the Alaska National Interest Lands Conservation Act, and the reform of the environmental management of the marine oil trade in Alaska to reduce the risk of oil pollution after the Exxon Valdez disaster.

Illuminating the delicate balance and give-and-take between environmental and commercial interests, as well as larger issues shaping policy reforms, Busenberg applies a theoretical framework to examine the processes and consequences of these reforms at the state, national, and international levels. The author examines the enduring institutional legacies and policy consequences of each reform period, their consequences for environmental protection, and the national and international repercussions of reform efforts. The author concludes by describing the continuing policy conflicts concerning oil development and nature conservation in Alaska left unresolved by these reforms. Rich case descriptions illustrate the author’s points and make this book an essential resource for professors and students interested in policies concerning Alaska, the Arctic, oil development, nature conservation, marine oil spills, the policy process, and policy theory.

Mexico was second only to the United States as the world's largest oil producer in the years following the Mexican Revolution. As the revolutionary government became institutionalized, it sought to assure its control of Mexico's oil resources through the Constitution of 1917, which returned subsoil rights to the nation. This comprehensive study explores the resulting struggle between oil producers, many of which were U.S. companies, and the Mexican government.

Linda Hall goes beyond the diplomacy to look at the direct impact of a powerful, highly profitable foreign-controlled industry on a government and a nation trying to recover from a major civil war. She draws on extensive research in Mexican archives, including both government sources and the private papers of Presidents Alvaro Obregón and Plutarco Elías Calles, as well as U.S. government and private sources.

Since the North American Free Trade Agreement has expanded United States business ties to Mexico, this study of a crucial moment in U.S.-Mexican business relations will be of interest to a wide audience in business, diplomatic, and political history.

How international oil companies navigated the local, segregated landscape of north Louisiana in the first decades of the twentieth century.

In 1904, prospectors discovered oil in the rural parishes of North Louisiana just outside Shreveport. As rural cotton fields gave way to dense, industrial centers of energy extraction, migrants from across the US—and the world—rushed to take a share of the boom. The resulting boomtowns, most notoriously Oil City, quickly gained a reputation for violence, drinking, and rough living. Meanwhile, North Louisiana’s large Black population endured virulent white supremacy in the oil fields and the courtrooms to earn a piece of the boom, including one Black woman who stood to become the wealthiest oil heiress in America.

In Oil Cities, Henry Wiencek uncovers what life was like amidst the tent cities, saloons, and oil derricks of North Louisiana’s oil boomtowns, tracing the local experiences of migrants, farmers, sex workers, and politicians as they navigated dizzying changes to their communities. This first historical monograph on the region’s dramatic oil boom reveals a contested history, in which the oil industry had to adapt its labor, tools, and investments to meet North Louisiana’s unique economic, social, political, and environmental dynamics.

At the beginning of the twentieth century, the Austrian Empire ranked third among the world's oil-producing states (surpassed only by the United States and Russia), and accounted for five percent of global oil production. By 1918, the Central Powers did not have enough oil to maintain a modern military. How and why did the promise of oil fail Galicia (the province producing the oil) and the Empire?

In a brilliantly conceived work, Alison Frank traces the interaction of technology, nationalist rhetoric, social tensions, provincial politics, and entrepreneurial vision in shaping the Galician oil industry. She portrays this often overlooked oil boom's transformation of the environment, and its reorientation of religious and social divisions that had defined a previously agrarian population, as surprising alliances among traditional foes sprang up among workers and entrepreneurs, at the workplace, and in the pubs and brothels of new oiltowns.

Frank sets this complex story in a context of international finance, technological exchange, and Habsburg history as a sobering counterpoint to traditional modernization narratives. As the oil ran out, the economy, the population, and the environment returned largely to their former state, reminding us that there is nothing ineluctable about the consequences of industrial development.

As the twentieth century began, oil in Texas was easy to find, but the quantities were too small to attract industrial capital and production. Then, on January 10, 1901, the Spindletop gusher blew in. Over the next fifty years, oil transformed Texas, creating a booming economy that built cities, attracted out-of-state workers and companies, funded schools and universities, and generated wealth that raised the overall standard of living—even for blue-collar workers. No other twentieth-century development had a more profound effect upon the state.

In this book, Roger M. Olien and Diana Davids Hinton chronicle the explosive growth of the Texas oil industry from the first commercial production at Corsicana in the 1890s through the vital role of Texas oil in World War II. Using both archival records and oral histories, they follow the wildcatters and the gushers as the oil industry spread into almost every region of the state. The authors trace the development of many branches of the petroleum industry—pipelines, refining, petrochemicals, and natural gas. They also explore how overproduction and volatile prices led to increasing regulation and gave broad regulatory powers to the Texas Railroad Commission.

A comprehensive challenge to prevailing understanding of international implications of oil wealth that shows why it can create bad actors

In a world where oil-rich states are more likely to start war than their oil-dependent counterparts, it’s surprising how little attention is still paid to these so-called petrostates. These states’ wealth props up the global arms trade, provides diplomatic leverage, and allows them to support violent and nonviolent proxies. In Oil, the State, and War, Emma Ashford explores the many potential links between domestic oil production and foreign policy behavior and how oil production influences global politics.

Not all petrostates have the same characteristics or capabilities. To help us conceptualize these differences, Ashford creates an original classification of three types of petrostates: oil-dependent states (those weakened by the resource curse), oil-wealthy states (those made rich by oil exports), and super-producer states (those that form the backbone of the global oil market). Through a combination of case studies and analysis, she illustrates how oil shapes petrostates’ behavior, filling a major gap in our understanding of the international implications of oil wealth. Experts have too often treated oil-rich states as passive objects, subject to the energy security needs of Western importing states. Instead, this book highlights the agency and power enjoyed by petrostates.

As the oil market undergoes a period of rapid change, Oil, the State, and War sheds light on the diversity of petrostates and how they shape international affairs.