A SCHOLARLY BOOK REPOSITORY
Far more than a study of Egyptian revivalism, this book examines the Egyptian style of commemoration from the rural cemetery to national obelisks to the Sphinx at Mount Auburn Cemetery. Giguere argues that Americans adopted Egyptian forms of commemoration as readily as other neoclassical styles such as Greek revivalism, noting that the American landscape is littered with monuments that define the Egyptian style’s importance to American national identity. Of particular interest is perhaps America’s greatest commemorative obelisk: the Washington Monument. Standing at 555 feet high and constructed entirely of stone—making it the tallest obelisk in the world—the Washington Monument represents the pinnacle of Egyptian architecture’s influence on America’s desire to memorialize its national heroes by employing monumental forms associated with solidity and timelessness. Construction on the monument began in 1848, but controversy over its design, which at one point included a Greek colonnade surrounding the obelisk, and the American Civil War halted construction until 1877. Interestingly, Americans saw the completion of the Washington Monument after the Civil War as a mending of the nation itself, melding Egyptian commemoration with the reconstruction of America.
As the twentieth century saw the rise of additional commemorative obelisks, the Egyptian Revival became ensconced in American national identity. Egyptian-style architecture has been used as a form of commemoration in memorials for World War I and II, the civil rights movement, and even as recently as the 9/11 remembrances. Giguere places the Egyptian style in a historical context that demonstrates how Americans actively sought to forge a national identity reminiscent of Egyptian culture that has endured to the present day.
Dramatis personae.
This volume collects important examples of Greek literary portraiture. The Characters of Theophrastus consists of thirty fictional sketches of men who are each dominated by a single fault, such as arrogance, boorishness, or superstition. Unassuming in style, his character sketches nonetheless bear resemblance to the vivid figures of the period’s New Comedy. The Hellenistic poet Herodas wrote mimes, a popular Greek entertainment in which one actor or a small group portrayed a situation from everyday urban life, concentrating on depiction of character rather than on plot. Here too in a new text and translation are substantial portions of the mimes of Sophron, a Syracusan of the fifth century BC whose work Plato is said to have enjoyed, as well as a selection of anonymous mime fragments.
The extant work of Sophron and the anonymous mime fragments are newly added to the Loeb Classical Library in this edition. And Jeffrey Rusten and Ian Cunningham have updated their editions of Theophrastus and Herodas (both first published in 1993) in light of the latest scholarship.
THIS EDITION HAS BEEN REPLACED BY A NEWER EDITION.
This volume collects some of the liveliest examples of Greek literary portraiture. The Characters of Theophrastus sketches thirty hypothetical men, each dominated by a single fault, such as rudeness, superstitution, or greed. Unassuming in style, the sketches nonetheless bear resemblance on the one hand to Aristotle's account of faults and virtues and on the other to the vivid figures of Menandrian New Comedy. This new text and translation by Jeffrey Rusten is based on the most recent scholarship.
Herodas flourished in the 270s and 260s--the high point of Hellenistic poetry. His poems are choliambic mimes, dramatic dialogues that depict characters in everyday urban settings and situations. I. C. Cunningham presents a new translation of Herodas, based on his Teubner text.
Also included here, in a reprint of the earlier Loeb edition by A. D. Knox, are the fragments of Greek poetry in the choliambic meter--especially those which offer a tantalizing glimpse into the raucous and sordid world of Hipponax--and the lyric iambics on themes of Cynic philosophy by Cercidas.
Through meticulous research on the event, relying on such primary sources as newspaper articles, author Silvio Manno provides the only comprehensive account of Eureka’s charcoal crisis and what came to be known as the Fish Creek Massacre. This is a well-documented narrative history of an important instance of class and ethnic conflict in the West. Readers interested in Nevada history, Italian American history, frontier trade unionism, and mining in the West will find this book a unique examination of an incident that occurred almost a century and a half ago and that has, until now, been largely overlooked.
The Venerable Cheng-yen is an unassuming Taiwanese Buddhist nun who leads a worldwide social welfare movement with five million devotees in over thirty countries—with its largest branch in the United States. Tzu-Chi (Compassion Relief) began as a tiny, grassroots women's charitable group; today in Taiwan it runs three state-of-the-art hospitals, a television channel, and a university. Cheng-yen, who has been nominated for the Nobel Peace Prize, is a leader in Buddhist peace activism and has garnered recognition by Business Week as an entrepreneurial star.
Based on extensive fieldwork in Taiwan, Malaysia, Japan, and the United States, this book explores the transformation of Tzu-Chi. C. Julia Huang offers a vivid ethnography that examines the movement’s organization, its relationship with NGOs and humanitarian organizations, and the nature of its Buddhist transnationalism, which is global in scope and local in practice. Tzu-Chi's identity is intimately tied to its leader, and Huang illuminates Cheng-yen's successful blending of charisma and compassion and the personal relationship between leader and devotee that defines the movement.
This important book sheds new light on religion and cultural identity and contributes to our understanding of the nature of charisma and the role of faith-based organizations.
Charisma and Factionalism in the Nazi Party was first published in 1967. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Few aspects of the history of the German Nazi party have had as little scholarly attention as has the nature or pattern of the intraparty factionalism. References to conflicts within the party may be found in most accounts dealing with the Nazi movement, but this book presents the first systematic study of those conflicts and their significance to an understanding of Nazism.
Professor Nyomarkay bases his study on extensive research in which he had access to original source materials, including diaries and memoirs of party leaders and documents from Nazi trials and party archives. His study is concerned with the issues, attitudes, motivations, and actions of the various factions. His conclusions suggest new interpretations of such turning points in the history of Nazism as the Hanover and Bamberg conferences of 1925 and 1926, respectively, the Strasser crisis of 1930, and the stormtrooper purge of 1934.
The author examines the role of Hitler's charisma in the party and shows that this trait elevated Hitler above factional strife, making him the object rather than the subject of rivalries. The discussion of charisma points up the difference between the Nazi factionalism and that which has occurred in other totalitarian movements, such as communism, where authority rests on ideology rather than on charisma.
Through his study Professor Nyomarkay offers a new theory of the relationship between factional conflict and legitimacy of power, presenting a hypothesis of possible typologies of factional behavior based on the nature and degree of group cohesion.
The book is important for students of political science and history and particularly for those interested in totalitarian movements and comparative political parties.
Social and political change is impossible in the absence of gifted male charismatic leadership—this is the fiction that shaped African American culture throughout the twentieth century. If we understand this, Erica R. Edwards tells us, we will better appreciate the dramatic variations within both the modern black freedom struggle and the black literary tradition.
By considering leaders such as Marcus Garvey, Martin Luther King Jr., Malcolm X, and Barack Obama as both historical personages and narrative inventions of contemporary American culture, Edwards brings to the study of black politics the tools of intertextual narrative analysis as well as deconstruction and close reading. Examining a number of literary restagings of black leadership in African American fiction by W. E. B. Du Bois, George Schuyler, Zora Neale Hurston, William Melvin Kelley, Paul Beatty, and Toni Morrison, Edwards demonstrates how African American literature has contested charisma as a structuring fiction of modern black politics.
Though recent scholarship has challenged top-down accounts of historical change, the presumption that history is made by gifted men continues to hold sway in American letters and life. This may be, Edwards shows us, because while charisma is a transformative historical phenomenon, it carries an even stronger seductive narrative power that obscures the people and methods that have created social and political shifts.
But just who was Joseph Smith? What motivated him? In examining Smith’s life during his Ohio and Missouri sojourns, Vogel seeks to answer those questions. But, Vogel is quick to note, “There are, in fact, many possible constructions of Joseph Smith, and depending on how one assesses the evidence for his truth-claims, a completely different Joseph Smith emerges. But this is probably as Smith wanted it.”
During this period, Smith established a temple, printing presses, additional scripture, expanded church offices, and built a bank—all indicating a sense of permanence and strength for his young church at one level while causing its near collapse at another.
The first full-scale study of this industry, Charismatic Capitalism, revises the standard contention that the rationalization of social institutions is an inevitable consequence of advanced capitalism. Nicole Woolsey Biggart argues instead that less rational organizations built on social networks may actually be more economically viable.
Too often, say its critics, U.S. domestic policy is founded on ideology rather than evidence. Take "Charitable Choice": legislation enacted with the assumption that faith-based organizations can offer the best assistance to the needy at the lowest cost. The Charitable Choice provision of the 1996 Welfare Reform Act—buttressed by President Bush's Faith-Based Initiative of 2000—encouraged religious organizations, including congregations, to bid on government contracts to provide social services. But in neither year was data available to prove or disprove the effectiveness of such an approach.
Charitable Choice at Work fills this gap with a comprehensive look at the evidence for and against faith-based initiatives. Sheila Suess Kennedy and Wolfgang Bielefeld review the movement's historical context along with legal analysis of constitutional concerns including privatization, federalism, and separation of church and state. Using both qualitative and, where possible, statistical data, the authors analyze the performance of job placement programs in three states with a representative range of religious, political, and demographic traits—Massachusetts, Indiana, and North Carolina. Throughout, they focus on measurable outcomes as they compare non-faith-based with faith-based organizations, nonprofits with for-profits, and the logistics of contracting before and after Charitable Choice.
Among their findings: in states where such information is available, the composition of social service contractor pools has changed very little. Reflecting their varied political cultures, states have funded programs differently. Faith-based organizations have not been eager to seek government contracts, perhaps wary of additional legal restraints and reporting burdens.
The authors conclude that faith-based organizations appear no more effective than secular organizations at government-funded social service provision, that there has been no dramatic change in the social welfare landscape since Charitable Choice, and that the constitutional concerns of its detractors may be valid. This empirical study penetrates the fog of the culture wars, moving past controversy over the role of religion in public life to offer pragmatic suggestions for policymakers and organizations who must decide how best to assist the needy.
Alongside the architectural splendor and intellectual brilliance of early Renaissance Florence there existed a second world of poverty, misery, social despair, and child abandonment. The Ospedale degli Innocenti (Hospital of the Innocents), designed and built between 1419 and 1445 by the renowned architect Filippo Brunelleschi, united these disparate worlds. Christian charity and compassion, as well as the humanist commitment to social perfection, family values, and love for children, were intertwined with a civic pride in which charity curried God's favor and invoked God's blessings on the city's fortunes.
Based on a close and attentive reading of archival material from the hospital and from the Florentine State Archives, Charity and Children in Renaissance Florence both chronicles the concerns and ambivalence of parents who abandoned children and follows the lives of the hospital's inhabitants from childhood to death. The book also demonstrates how hospital officials deliberately duplicated the structure and values of the Florentine family within the hospital walls. Gavitt's research shows that early modern foundling hospitals were not charnel houses where parents knowingly and impersonally abandoned their unwanted children to certain death. Charity and Children in Renaissance Florence provokes reflection on the contrast between our own views on the care of homeless children and those of the Italian Renaissance.
Winner of the Society for Italian Historical Studies 1988 Award for Best Unpublished Manuscript.
Charity and Condescension explores how condescension, a traditional English virtue, went sour in the nineteenth century, and considers how the failure of condescension influenced Victorian efforts to reform philanthropy and to construct new narrative models of social conciliation. In the literary work of authors like Dickens, Eliot, and Tennyson, and in the writing of reformers like Octavia Hill and Samuel Barnett, condescension—once a sign of the power and value of charity—became an emblem of charity’s limitations.
This book argues that, despite Victorian charity’s reputation for idealistic self-assurance, it frequently doubted its own operations and was driven by creative self-critique. Through sophisticated and original close readings of important Victorian texts, Daniel Siegel shows how these important ideas developed even as England struggled to deal with its growing underclass and an expanding notion of the state’s responsibility to its poor.
Charity is not only about giving to those in need, but in a broader sense about loving your neighbor and doing good things for other people without thought of reward. So wrote Swedish visionary Emanuel Swedenborg (1688-1772), who believed that charity, along with faith, was part of the foundation of spiritual practice.
This work combines two of Swedenborg's unpublished manuscripts to form a practical, inspirational handbook for applying the principle of doing good to daily life.
When Charlemagne died in 814 CE, he left behind a dominion and a legacy unlike anything seen in Western Europe since the fall of Rome. Distinguished historian and author of The Middle Ages Johannes Fried presents a new biographical study of the legendary Frankish king and emperor, illuminating the life and reign of a ruler who shaped Europe’s destiny in ways few figures, before or since, have equaled.
Living in an age of faith, Charlemagne was above all a Christian king, Fried says. He made his court in Aix-la-Chapelle the center of a religious and intellectual renaissance, enlisting the Anglo-Saxon scholar Alcuin of York to be his personal tutor, and insisting that monks be literate and versed in rhetoric and logic. He erected a magnificent cathedral in his capital, decorating it lavishly while also dutifully attending Mass every morning and evening. And to an extent greater than any ruler before him, Charlemagne enhanced the papacy’s influence, becoming the first king to enact the legal principle that the pope was beyond the reach of temporal justice—a decision with fateful consequences for European politics for centuries afterward.
Though devout, Charlemagne was not saintly. He was a warrior-king, intimately familiar with violence and bloodshed. And he enjoyed worldly pleasures, including physical love. Though there are aspects of his personality we can never know with certainty, Fried paints a compelling portrait of a ruler, a time, and a kingdom that deepens our understanding of the man often called “the father of Europe.”
In Charlemagne’s Survey of the Holy Land, Michael McCormick rehabilitates and reinterprets one of the most neglected and extraordinary sources from Charlemagne’s revival of the Roman empire: the report of a fact-finding mission to the Christian church of the Holy Land. The roll of documents translated and edited in this volume preserves the most detailed statistical portrait before the Domesday Book of the finances, monuments (including exact dimensions), and female and male personnel of any major Christian church.
Setting these documents in the context of economic trends, archaeological evidence, and a comparison of Holy Land churches and monasteries with their contemporaries west and east, this study shows that the Palestinian church was living in decline as its old financial links with Byzantium slackened. In recounting Charlemagne’s move to outflank the Byzantine emperor, McCormick constructs a microhistory of the Frankish king’s ambitions and formidable organizational talents for running an empire.
Supplementing McCormick’s major synthesis, The Origins of the European Economy, this volume will be indispensable reading for anyone interested in medieval rulership and economics, and in the history of the Holy Land, its Christian communities, and its late antique monuments.
This biography of one of the most prominent pediatricians of the twentieth century describes his illustrious medical family and his remarkable tenure of nearly three decades as Thomas Morgan Rotch Professor of Pediatrics at Harvard Medical School and head of the department of medicine at Children's Hospital, Boston. During this period Janeway built the first department of pediatrics in the nation with subspecialties based upon the new developments in basic sciences. Janeway and his colleagues defined the gamma globulin disorders that resulted in children's increased susceptibility to infections and associated arthritic disorders.
Janeway was the most visible U.S. pediatrician on the world scene in the last half of the 20th century. He traveled widely, taught modern pediatrics to thousands of physicians throughout the developing world, and brought many of them to the U.S. for further training. He was instrumental in starting teaching hospitals in Shiraz, Iran, and Cameroon.
Janeway believed that through teaching by example he might further the cause of peace in the world. His life is an inspiration to everyone in medicine, and serves as a model that all can seek to improve the health of the world's millions and promote a more peaceful future.
Lloyd argues that Baudelaire’s writings and life were intimately intertwined—and both were powerfully informed by contemporaneous political events, from his participation in the 1848 Revolution to the public morality codes that banned his controversial writings, such as Les fleurs du mal. The book traces the influence of these events and other political moments in his poems and essays and analyzes his works in this new light. Lloyd also examines the links between Baudelaire’s works and cultural movements of the time, from the rise and fall of Romanticism to symbolism, and explores his groundbreaking translations of Edgar Allan Poe’s writings into French.
Baudelaire’s tumultuous personal life figures large here, too, as Lloyd draws out fascinating aspects of his personality and daily life through analysis of archival writings of his friends and acquaintances. The book also documents his battles with syphilis and drug addiction, which ultimately resulted in his death. An engrossing and wholly readable biography, Charles Baudelaire will be essential for scholars and Baudelaire admirers alike.
In Charles Bell and the Anatomy of Reform, Carin Berkowitz takes readers into Bell’s world, helping us understand the life of medicine before the modern separation of classroom, laboratory, and clinic. Through Bell’s story, we witness the age when modern medical science, with its practical universities, set curricula, and medical professionals, was born.
In this volume, Michael Sokolow uncovers the inner world of this remarkable individual. Raised in a small town in Massachusetts, Benson was the great-great-grandson of slaves, the great-grandson of a rare eighteenth-century intermarriage between a black man and a white woman, and the grandson of a veteran of the American Revolution. His own life had been marked by economic struggle, marital conflict, and the social ambiguities of mixed race heritage.
In his personal writings, Benson reflected on both the man he was and the man he wanted to be. Living in a culture that prized "self-made" individuals, he sought to forge his own identity even as he labored under strictures that severely limited opportunities for blacks. From his youth in rural Middlesex County, Massachusetts, to his subsequent adult life in the bustling port city of Salem, Benson measured himself against the mores of white, middle-class America. Undeterred by early failures in both marriage and finance, he held fast to his personal vision and became a respectable husband, provider, worker, and member of the black community.
“I will make bold to say that Bowden is America’s most alarming writer. Just when you think you’ve heard it all you learn you haven’t in the most pungent manner possible. . . . With The Charles Bowden Reader in hand you get a taste of it all, and any literate resident or visitor should want this book. It will lead them back to a close, alarming reading of the entire oeuvre. It is to ride in a Ferrari without brakes. There’s lots of oxygen but no safe way to stop. . . . Read him at your risk. You have nothing to lose but your worthless convictions about how things are.” —Jim Harrison, from the foreword
From his first book, Killing the Hidden Waters, to his most recent, Murder City: Cuidad Juárez and the Global Economy's New Killing Fields, Charles Bowden has been sounding an alarm about the rapacious appetites of human beings and the devastation we inflict on the natural world we arrogantly claim to possess. His own corner of the world, the desert borderlands between the United States and Mexico, is Bowden's prime focus, and through books, magazine articles, and newspaper journalism he has written eloquently about key issues roiling the border—drug-related violence that is shredding civil society, illegal immigration and its toll on human lives and the environment, destruction of fragile ecosystems as cities sprawl across the desert and suck up the limited supplies of water.
This anthology gathers the best and most representative writing from Charles Bowden's entire career. It includes excerpts from his major books—Killing the Hidden Waters, Blue Desert, Desierto: Memories of the Future, Blood Orchid,Blues for Cannibals, A Shadow in the City, Inferno, Exodus, and Some of the Dead Are Still Breathing—as well as articles that appeared in Esquire, Harper's, Mother Jones, and other publications. Imbued with Bowden's distinctive rhythm and lyrical prose, these pieces also document his journey of exploration—a journey guided, in large part, by the question posed in Some of the Dead Are Still Breathing: "How do we live a moral life in a culture of death?" This is no metaphor; Bowden is referring to the people, history, animals, and ecosystems that are being extinguished in the onslaught of twenty-first-century culture.
The perfect introduction to his work, The Charles Bowden Reader is also essential for those who know him well and want to see the whole panorama of his passionate, intense writing.
Charles Brockden Brown: An American Tale is the first comprehensive literary, biographical, and cultural study of the novelist whom critic Leslie Fiedler has dubbed "the inventor of the American writer."
The author of Wieland, Arthur Mervyn, Ormond, and Edgar Huntly, Charles Brockden Brown (1771-1810) is considered the first American professional author. He introduced Indian characters into American fiction. His keen interest in character delineation and abnormal psychology anticipates the stories of Poe, Hawthorne, and later masters of the psychological novel.
Brown was eager to establish for himself an American identity as a writer, to become what Crèvecoeur called "the new man in the New World." It is especially this intimate identification of writer with country that makes Brown a telling precursor of our most characteristic authors from Poe, Hawthorne, and Cooper to Fitzgerald, Hemingway, and Faulkner.
To understand its significance, Brown's work must be examined as both art and artifact. Accordingly, Charles Brockden Brown: An American Tale is literary history as well as criticism, embued with insights into a writer's sources and influences and the psychology of literary composition. It is also a fascinating examination of a nation's emotional and intellectual impact on a young man in search of his identity as creative artist.
In 1859 Charles Darwin published On the Origin of Species. With this bedrock of biology books, Darwin carved a new origin-story for all life: evolution rather than creation. But this single book is not the whole story. In this new biography, J. David Archibald describes and analyzes Darwin’s prodigious body of work and complex relationships with colleagues, as well as his equally productive home life—he lived with his wife and seven surviving children in the bustling environs of Down House, south of London. There, among his family and friends, Darwin continued to experiment and write many more books on orchids, sex, emotions, and earthworms until his death in 1882, when he was honored with burial at Westminster Abbey. This is a fresh, up-to-date account of the life and work of a most remarkable man.
This lavishly illustrated, bilingual art book presents drawings by Ramón Casas in the Charles Deering McCormick Library of Special Collections at the Northwestern University Library and oil paintings by Casas from private collections and the Art Institute of Chicago.
Charles Deering and Ramón Casas follows the development and dramatic dissolution of a three-way friendship that connected the Spanish painter Ramón Casas (1866–1932); the Chicago industrialist Charles Deering (1852–1927), who was a collector and admirer of Casas’s work as well as a patron of Northwestern University; and the Spanish artist Miguel Utrillo (1862–1934), Casas’s lifelong friend and the father of the French painter Maurice Utrillo.
Casas introduced Deering to Sitges, a beach town near Barcelona, Spain, where the latter created a palatial estate with a museum to house his art collection. Miguel Utrillo served as director of the museum. The text explores the treasures housed at Maricel and what happened among the three men that led Casas to abandon Utrillo and Deering to depart Spain, taking his art collection with him.
George Orwell once said of Dickens’ work: “It is not so much a series of books, it is more like a world.” In this book, J. Hillis Miller attempts to identify this “world,” to show how a single view of life pervades every novel that Dickens wrote, and to trace the development of this view throughout the chronological span of Dickens’ career. There are full critical analyses of six of the novels—Pickwick Papers, Oliver Twist, Martin Chuzzlewit, Bleak House, Great Expectations, and Our Mutual Friend—and shorter discussions of many of the others. Each novel has been viewed as the transformation of the real world of Dickens’ experience into an imaginary world with certain special qualities of its own.
Certain elements persist through all the novels, the most important of which are the general situation of the hero at the beginning of the story and the general nature of the world in which he lives. Each of Dickens’ heroes begins his life cut off from other people, in a world which seems menacing and unfriendly and, on the social side, composed of inexplicable rituals and mysterious conventions; each lives, like Paul Dombey, “with an aching void in his young heart, and all outside so cold, and bare, and strange.” The heroes then move through successive adventures in an attempt to understand the world, to integrate themselves into it, and thus to find their true identity. Initially creatures of poverty and indigence, those characters reach out for something which transcends the material world and the self, something other than human, which will support and maintain the self without engulfing it. Within the totality of Dickens' novels this problem—the search for selfhood—is stated and restated, until, in the later novels, the answer is found to line in a rejections of the past, the given, and the exterior, and a reorientation toward the future and the free human spirit itself as the only true sources of value.
With a real understating and sympathy for his subject, Miller manages to transport us into the midst of Dickens’ “world” and to bring alive for us the whole strange and wonderful tribe that people his novels. This is an enlightening, well-written, enjoyable book for anyone who has ever had an interest in Dickens and his work.
Introduced at the 1876 Centennial Exposition and powered by an historic advertising campaign, Hires Root Beer—launched 10 years before Coca-Cola—blazed the trail for development of the American soft drink industry. Its inventor, Charles Elmer Hires, has been described as “a tycoon with the soul of a chemist.” In addition to creating root beer, Hires, a devoted family man and a pillar of the Quaker community, became a leading importer of botanical commodities, an authority on the vanilla bean. Starting from scratch, he also built one of the world’s largest condensed milk companies.
Charles E. Hires and the Drink that Wowed a Nation chronicles the humble origin and meteoric business success of this extraordinary entrepreneur. Author Bill Double uses published interviews, correspondence, newspaper reports, magazine articles, financial data, and a small family archive to tell this story of native ingenuity. Here, the rough-hewn capitalism of the gilded age, the evolution of the neighborhood drugstore, the rise of advertising in creating mass markets, and the emerging temperance movement all come together in a biography that, well, fizzes with entrepreneurial spirit.
Mary Campbell tells the story of this remarkable religious transformation in Charles Ellis Johnson and the Erotic Mormon Image. One of the church’s favorite photographers, Johnson (1857–1926) spent the 1890s and early 1900s taking pictures of Mormonism’s most revered figures and sacred sites. At the same time, he did a brisk business in mail-order erotica, creating and selling stereoviews that he referred to as his “spicy pictures of girls.” Situating these images within the religious, artistic, and legal culture of turn-of-the-century America, Campbell reveals the unexpected ways in which they worked to bring the Saints into the nation’s mainstream after the scandal of polygamy.
Engaging, interdisciplinary, and deeply researched, Charles Ellis Johnson and the Erotic Mormon Image demonstrates the profound role pictures played in the creation of both the modern Church of Jesus Christ of Latter-day Saints and the modern American nation.
This unique account of the life of German nationalist and revolutionary Charles Follen opens a window on several worlds during the first half of the nineteenth century. Seldom does one biography embrace so many important historical issues and events.
Trained as a lawyer in his native Germany, Follen was involved in student nationalism, eventually turning to revolutionary Jacobinism. He fled to Switzerland in 1819 after conspiring in the first political murder of modern German history--the assassination of the playwright August von Kotzebue. In Switzerland, Follen secretly continued activities for revolutionizing Germany. When his plans were discovered in 1824, he fled to America. For ten years, Follen taught at Harvard; he was the first professor of German literature at an American institution of higher learning. He played a central role in the early importation of German ideas to New England, contributing to the fields of literature, philosophy, and theology. His marriage to Eliza Lee Cabot allowed him to move in elite Boston social circles. After his ordination as a Unitarian minister in 1836, Follen combined his interest in social reform (including an ardent devotion to the antislavery movement) with clerical service. Unitarian leader William Ellery Channingand abolitionist William Lloyd Garrison became Follen's close friends.
During the last two years of his life, Follen began to doubt his own power to bring about political change and suffered a crisis in self-confidence before his accidental death at the age of forty-three.
Charles Gates Dawes: A Life is the first comprehensive biography of an American in whose fascinating story contemporary readers can follow the struggles and triumphs of early twentieth-century America and Europe.
Dawes is most known today as vice president of the United States under Calvin Coolidge, but he also distinguished himself and his hometown of Evanston, Illinois, on the world stage with the 1925 Nobel Peace Prize. This engrossing biography traces how, when the punitive armistice that ended the First World War resulted in a disabled, restive Germany, Dawes’s diplomatic legerdemain averted war through a renegotiation of Germany’s debt repayments.
Dawes’s diplomatic and political achievements, however, were only the illustrious capstones to a multifaceted career that included military service, law, finance, and business on the local, state, national, and global stages. In every arena of his life, he combined the social graces of the Gilded Age with the spirit of service of the Progressive Era.
Despite his life of disciplined service, Dawes was an ebullient and irrepressible figure. Dawes’s salty language was often colorful fodder for tabloid and magazine writers of his era. In this captivating biography, Annette B. Dunlap recounts the story of an original American who enlightened and enlivened his world.
This book was published in cooperation with the Evanston History Center and with generous support from the Tawani Foundation.
Charles IV, King of Bohemia and Holy Roman Emperor, has been called “one of the most learned and diplomatically skillful sovereigns” of the fourteenth century. Having moved the seat of the Holy Roman Empire to Prague and founding the first university in Central Europe, Charles IV is a towering figure in Czech history and a crucial character in the story of medieval Europe.
Recent research, especially in art history, has tended to present Charles IV in a purely positive, unblemished light: viewing him and his imperial court as the engine behind a flourishing of culture in the region. This book views Charles IV through a more critical lens, examining the careful construction that went into the way he presented himself and the characteristic manifestations of Charles’ execution of royal power. The first part of the book offers a chronological description of Charles’ life within the broader context of the times and the House of Luxembourg. The second part provides a close look into Charles IV’s style of rule while focusing on phenomena that reveal his personal conception of power and how it was wielded.
Paul explores both how Ives positioned his music amid changing philosophical and aesthetic currents and how others interpreted his contributions to American music. Although Ives's initial efforts to find a public in the early twenties attracted a few devotees, the resurgence of interest in the American literary past during the thirties made a concert staple of his "Concord" Sonata, a work dedicated to nineteenth-century transcendentalist writers. Paul shows how Ives was subsequently deployed as an icon of American freedom during the early Cold War period and how he came to be instigated at the head of a line of "American maverick" composers. Paul also examines why a recent cadre of scholars has beset the composer with Gilded Age social anxieties.
By embedding Ives' reception within the changing developments of a wide range of fields including intellectual history, American studies, literature, musicology, and American politics and society in general, Charles Ives in the Mirror: American Histories of an Iconic Composer greatly advances our understanding of Ives and his influence on nearly a century of American culture.
Charles K. McClatchy was twenty-five when he inherited The Sacramento Bee from his father, and his ensuing career as the paper’s editor extended well beyond the newsroom. Until his death in 1936, McClatchy was a consistent advocate for Progressive politics, a crusader for urban reform, a staunch isolationist, and a voice for Northern California. This biography explores his career as the long-time editor of the Bee in a work that weaves the history of Northern California with that of American newspapers.
Received an Honorable Mention for the American Revolution Round Table of Richmond's 2014 Book Award
Dominick Mazzagetti presents an engaging account of the life of Charles Lee, the forgotten man of the American Revolution. History has not been kind to Lee—for good reason. In this compelling biography, Mazzagetti compares Lee’s life and attributes to those of George Washington and offers significant observations omitted from previous Lee biographies, including extensive correspondence with British officers in 1777 that reflects Lee’s abandonment of the Patriots’ cause.
Lee, a British officer, a veteran of the French and Indian War, and a critic of King George III, arrived in New York City in 1773 with an ego that knew no bounds and tolerated no rivals. A highly visible and newsworthy personality, he quickly took up the American cause and encouraged rebellion. As a result of this advocacy and his military skills, Lee was granted a commission as a major general in the Continental Army and soon became second-in-command to George Washington. He helped organize the defense of Boston, designed defenses for New York City, and commanded the force that repelled the British attack on Charleston.
Upon his return to New York in 1776, Lee was considered by some leaders of the Revolution to be an alternative to George Washington, who was in full retreat from British forces. Lee’s capture by the British in December 1776 put an end to that possibility. Lee’s subsequent release in a prisoner exchange in 1778 and return to an American command led to a dramatic confrontation with Washington on the battlefield at Monmouth, New Jersey, in June 1778. Washington chastised Lee publicly for ordering an unnecessary retreat. Lee suffered the ignominy of a court-martial conviction for this blunder and spent the remaining years to his death in 1782 attacking Washington. Although few doubted Lee’s loyalty at the time, his actions at Monmouth fueled speculation that he switched sides during his imprisonment.
A discovery years after his death completed Lee’s tale. In 1862, a researcher discovered “Mr. Lee’s Plan,” a detailed strategy for the defeat of the American rebels delivered to British General William Howe while Lee was held in captivity. This discovery sealed Lee’s historical record and ended all further discussion of his contributions to the American Revolution. Today, few people even realize that Fort Lee, on the New Jersey side of the George Washington Bridge, was named in his honor.
Author Sean F. Edgecomb focuses on the neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mac to trace the connections between Ludlam’s legacy and their performances, using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp. Charles Ludlam Lives! demonstrates that the queer legacy of Ludlam is one of distinct transformation—one where artists can reject faithful interpretations in order to move in new interpretive directions.
Author Sean F. Edgecomb focuses on the neo-Ridiculous artists Charles Busch, Bradford Louryk, and Taylor Mac to trace the connections between Ludlam’s legacy and their performances, using alternative queer models such as kinetic kinship, lateral historiography, and a new approach to camp. Charles Ludlam Lives! demonstrates that the queer legacy of Ludlam is one of distinct transformation—one where artists can reject faithful interpretations in order to move in new interpretive directions.
Charles Olson was an important force behind the raucous, explicit, jaunty style of much of twentieth-century poetry in America. This study makes a major contribution to our understanding of his life and work.
Paul Christensen draws upon a wide variety of source materials—from letters, unpublished essays, and fragments and sketches from the Olson Archives to the full range of Olson's published prose and poetry. Under Christensen's critical examination, Olson emerges as a stunning theorist and poet, whose erratic and often unfinished writings obscured his provocative intellect and the coherence of his perspective on the arts.
Soon after World War II, Olson emerged as one of America's leading poets with his revolutionary document on poetics, "Projective Verse," and his now-classic poem, "The Kingfishers," both of which declared a new set of techniques for verse composition. Throughout the 1950s Olson wrote many polemical essays on literature, history, aesthetics, and philosophy that outlined a new stance to experience he called objectism.
A firm advocate of spontaneous self-expression in the arts, Olson regarded the poet's return to an intense declaration of individuality as a force to combat the decade's insistence on conformity. Throughout his life Olson fought against the depersonalization of the artist in the modern age; his resources, raw verve and unedited tumultuous lyricism, were weapons he used against generalized life and identity.
This volume begins with an overview of Olson's life from his early years as a student at Harvard through his short-lived political career, his rectorship at Black Mountain College, and his retirement to Gloucester to finish writing the Maximus poems. Christensen provides a systematic review of Olson's prose works, including a close examination of his brilliant monograph on Melville, Call Me Ishmael.
Considerable attention is devoted to Olson's theory of projectivism, the themes and techniques of his short poems, and the strategies and content of his major work, the Maximus series. In addition, there is a critical survey of the works of Robert Creeley, Robert Duncan, Denise Levertov, Paul Blackburn, and other poets who show Olson's influence in their own innovative, self-exploratory poetry.
Charles Olson is often described as one of the most influential American poets of the last quarter century; some would rather describe him as a cult figure, prophet of the Black Mountain poets and their descendants. Both judgments refer to an influence exerted as much through theories as through poems. Here is an examination of Olson's understanding of poetry that is cogent and a pleasure to read. It provides the framework needed for understanding Olson's work.
Mr. von Hallberg shows us the Olson of the 1950s, who tried to bring change through teaching, who wanted poetry to communicate knowledge, as well as the more private poet of the 1960s, turning from history to myth. Olson's ambitions for poetry were based on his sense of cultural politics, and the author studies the relation between Olson's politics and his poetics. He traces too Olson's relation to older poets, especially Ezra Pound and William Carlos Williams. His book will interest anyone reading contemporary American poetry.
In this narrative account of the life and work of Charles Olson, Ralph Maud focuses on what the poet read as a basis for understanding the work he produced.
To an extraordinary degree, Olson’s reading and life were coextensive, according to Maud, who notes that Olson saw his written output over his lifetime as a total cosmology. An individual who rarely traveled, this major American poet explored the world and its history as well as the furthest reaches of the thought of his day through books.
Maud builds upon George Butterick’s annotated listing of Olson’s library, bought by the University of Connecticut after the poet’s death in 1970. The present volume, however, adds categories of books Butterick deliberately omitted: Olson’s childhood books and poetry by his own contemporaries.
Linking Olson’s books to his intellectual and poetic development at each stage of his career, Maud reveals such little-known but important connections as the contracted book project "Operation Red, White and Black" and Olson’s plan for the long poem "West"—two unrealized projects much later shaped into The Maximus Poems.
Maud also outlines the surprisingly multiple role of the painter Corrado Cagli, who brought home to Olson the significance of the Holocaust and introduced him both to the Tarot and to the theories of non-Euclidean geometry that Olson variously incorporated into his poems and essays. In discussing Olson’s relationship to Ezra Pound, Maud defines in some detail what Olson gained from Pound and what he repudiated.
Maud refutes the notion that Olson’s intellectual and creative powers declined during the last years of his life, demonstrating that during these years Olson developed his Jungian interest, his attention to early Greek thought, and a new concern for Northern mythology.
This chronicle of Olson’s reading from childhood to deathbed constitutes a critical biography of the larger-than-life author of Call Me Ishmael and The Maximus Poems. No modern poet is more revealed in his sources than Olson. Maud’s comprehensive and complete study provides a basis for new and fresh modes of thinking about Olson’s great achievement.
Interest in Charles Sanders Peirce (1839-1914) is today worldwide. Ernest Nagel of Columbia University wrote in 1959 that "there is a fair consensus among historians of ideas that Charles Sanders Peirce remains the most original, versatile, and comprehensive philosophical mind this country has yet produced." The breadth of topics discussed in the present volume suggests that this is as true today as it was in 1959.
Papers concerning Peirce's philosophy of science were given at the Harvard Congress by representatives from Italy, France, Sweden, Finland, Korea, India, Denmark, Greece, Brazil, Belgium, Spain, Germany, and the United States. The Charles S. Peirce Sesquicentennial International Congress opened at Harvard University on September 5, 1989, and concluded on the 10th—Peirce's birthday. The Congress was host to approximately 450 scholars from 26 different nations. The present volume is a compilation of selected papers presented at that Congress.
The philosophy of science and its logic are themes in the work of Charles Peirce that have been of greatest interest to scholars. Peirce was himself a physical scientist. He worked as an assistant at the Harvard Astronomical Observatory from 1869 to 1872 and made a series of astronomical observations there from 1872 to 1875. Solon I. Bailey says of these observations, "The first attempt at the Harvard Observatory to determine the form of the Milky Way, or the galactic system, was made by Charles S. Peirce....The investigation was of a pioneer nature, founded on scant data."
Peirce also made major contributions in fields as diverse as mathematical logic and psychology. C. I. Lewis has remarked that "the head and font of mathematical logic are found in the calculus of propositional functions as developed by Peirce and Schroeder." Peirce subsequently invented, almost from whole cloth, semiotics - the science of the meaning of signs. Ogden and Richards, the British critics, say that "by far the most elaborate and determined attempt to give an account of signs and their meanings is that of the American logician C. S. Peirce, from whom William James took the idea and the term Pragmatism, and whose Algebra of Dyadic Relations was developed by Schroeder."
At the dawn of the twentieth century, Henry Adams proclaimed that the machine was as central to our modem American culture as the Virgin was to medieval culture. We worshiped in our factories as our ancestors worshiped in cathedrals. In this century we also raised up bridges, grain elevators, and skyscrapers, and many were dazzled by these symbols of the Machine Age--from American presidents such as Calvin Coolidge to European artists such as Marcel Duchamp. Charles Sheeler (1886-1965) was one of the most noted American painters and photographers to embrace the iconography of the machine. But was he high priest or heretic in the religion of mass production and technology that dominated his era?
Karen Lucic considers this intriguing question while telling us Sheeler's story: his coming of age, his achievement of artistic independence in the teens and twenties, and his later treatments of Machine Age subjects throughout the years of the Depression and World War II. The author shows us how--in paintings, drawings, and photographs depicting New York skyscrapers, Henry Ford's automobile factories, and machine-dominated interiors--Sheeler produced images of extraordinary aesthetic power that provocatively confirmed America's technological and industrial prestige in clear, vivid, and exact detail.
Do these compelling works establish Sheeler as a champion of the Machine Age? Most of the artist's contemporaries thought so. "Sheeler was objective before the rest of us were," claimed his friend Edward Steichen, and critics either lauded or assailed Sheeler for his seemingly straightforward acceptance of the machine. He is misunderstood today for the same reason. In the post-industrial era, Sheeler has been attacked for objectifying his subjects, for eliminating the human element from the modern landscape, and ultimately for complicity in the mechanization of the world he so accurately portrayed.
By closely investigating Sheeler's social and aesthetic contexts and through exceptionally clear and convincing visual analysis, Karen Lucic reinterprets the work of this important modernist. She argues that his images do not celebrate the machine but question its predominance during his time. They provoke us to confront the social consequences of modern technology.
Sheeler appears in this book as neither believer nor heretic in the cult of the machine. Lucic asks us to grant Sheeler his ambivalence, for it was his ambivalence that enabled him to portray modernity so splendidly.
This definitive biography is the first full account of a fascinating American scientist whose leadership created the modern science of entomology that recognizes both the essential role of insects in natural systems and their challenge to the agricultural food supply that sustains humankind. Charles Valentine Riley: Founder of Modern Entomology tells the story of how Riley (1843–1895), a young British immigrant to America—with classical schooling, only a smattering of natural history knowledge, and with talent in art and writing but no formal training in science—came to play a key role in the reorientation of entomology from the collection and arrangement of specimens to a scientific approach to insect evolution, diversity, ecology, and applied management of insect pests.
Drawing on Riley’s personal diaries, family records, correspondence, and publications, the authors trace Riley’s career as farm laborer, Chicago journalist, Missouri State Entomologist, chief federal entomologist, founder of the National Insect Collection, and initiator of the professional organization that became the Entomological Society of America. Also examined in detail are his spectacular campaigns against the Rocky Mountain Locust that stalled western migration in the 1870s, the Grape Phylloxera that threatened French vineyards in the 1870s and 80s, the Cotton Worm that devastated southern cotton fields after the Civil War, and the Cottony Cushion Scale that threatened the California citrus industry in the 1880s. The latter was defeated through importation of the Vedalia Beetle from Australia, the spectacular first example of biological control of an invasive insect pest by its introduced natural enemy.
A striking figure in appearance and deed, Riley combined scientific, literary, artistic, and managerial skills that enabled him to influence every aspect of entomology. A correspondent of Darwin and one of his most vocal American advocates, he discovered the famous example of mimicry of the Monarch butterfly by the Viceroy, and described the intricate coevolution of yucca moths and yuccas, a complex system that fascinates evolutionary scientists to this day. Whether applying evolutionary theory to pest control, promoting an American silk industry, developing improved spray technologies, or promoting applied entomology in state and federal government and to the public, Riley was the central figure in the formative years of the entomology profession. In addition to showcasing his own renderings of the insects he investigated, this comprehensive account provides fresh insight into the personal and public life of an ingenious, colorful, and controversial scientist, who aimed to discover, understand, and outsmart the insects.
TESTIMONIALS
“The best library gathering around. I look forward to it.”
“The Charleston Conference is an incredibly stimulating venue. I am tired afterwards, but get so many great ideas, network with my colleagues, and learn what is going on. I recommend it highly.”
“Charleston is the only conference that is worth attending.”
https://www.charlestonlibraryconference.com/about/
TESTIMONIALS
“The best library gathering around. I look forward to it.”
“The Charleston Conference is an incredibly stimulating venue. I am tired afterwards, but get so many great ideas, network with my colleagues, and learn what is going on. I recommend it highly.”
“Charleston is the only conference that is worth attending.”
https://www.charlestonlibraryconference.com/about/
TESTIMONIALS
“The best library gathering around. I look forward to it.”
“The Charleston Conference is an incredibly stimulating venue. I am tired afterwards, but get so many great ideas, network with my colleagues, and learn what is going on. I recommend it highly.”
“Charleston is the only conference that is worth attending.”
https://www.charlestonlibraryconference.com/about/
Curtains, blinds, draperies, shades, no, nothing
Madame, to conceal from your Cyclops’ eye
in the shadows from which it spies on me
this long pale body, false corpse tired out
with debauchery, which is swooning too
before your balcony, with your drying
stockings and scanties of a nun at bay—
poisonous flowers for a lonely man
whom death panics, draws erect, demarrows
in the night, riveted to your white thighs.
Readers who denounce most contemporary French poetry as self-referential experimentation, word games, exercises in deconstruction, or other kinds of incomprehensible writing disconnected from everyday life—brace yourselves for a revelation. Erotic and urbane, distinguished by formal skill yet marked by the subtlest shades of feeling, Guy Goffette’s unabashedly lyrical poems pay homage to both Verlaine and Rimbaud, whom he counts as his important forbears, with echoes of Auden and Pound, Pavese and Borges.
In Charlestown Blues, poet and translator Marilyn Hacker has chosen a tightly thematic selection of poems, all centering around the notion of “blue”—the color and the emotion, as well as that quintessentially American style of musical performance. Hacker’s crystalline and musical English renderings will show Anglophones why Goffette is considered one of the most important poets writing in French today.
Charlie Chaplin was one of the cinema’s consummate comic performers, yet he has long been criticized as a lackluster film director. In this groundbreaking work—the first to analyze Chaplin’s directorial style—Donna Kornhaber radically recasts his status as a filmmaker. Spanning Chaplin’s career, Kornhaber discovers a sophisticated "Chaplinesque" visual style that draws from early cinema and slapstick and stands markedly apart from later, "classical" stylistic conventions. His is a manner of filmmaking that values space over time and simultaneity over sequence, crafting narrative and meaning through careful arrangement within the frame rather than cuts between frames. Opening up aesthetic possibilities beyond the typical boundaries of the classical Hollywood film, Chaplin’s filmmaking would profoundly influence directors from Fellini to Truffaut. To view Chaplin seriously as a director is to re-understand him as an artist and to reconsider the nature and breadth of his legacy.
By the age of eight, Charlotte Brontë had lost first her mother and then her two older sisters. Later, in a second wave of deaths, her brother and two younger sisters died, leaving her a sole survivor.
With subtlety and imagination, Robert Keefe examines Brontë’s works as the creative response to these losses, particularly the loss of her mother. Terrified and yet fascinated by death, struggling with guilt, remorse, and a deep sense of rejection, Charlotte Brontë found in art a way to come to terms with death through its symbolic reenactment. In her earlier writings she created a fictional world marked by devices that allow her to control or deny death. In her later works these mechanisms evolved into mature expressions of a profound psychological reality.
Brontë’s preoccupation with death is seen in her fiction in the recurring patterns of separation and exile. Keefe traces the development of these motifs in the juvenilia and the four novels: The Professor, Jane Eyre, Shirley, and Villette.
Unique in its emphasis on the maternal relationships in Brontë’s life and art, this study also explores certain aspects of her life that have often puzzled biographers.
Ghislaine Dunant's unforgettable biography of Delbo, La vie retrouvée (2016), captivated French readers and was awarded the Prix Femina. Now translated into English for the first time, Charlotte Delbo: A Life Reclaimed depicts Delbo's lifelong battles as a working-class woman, as a survivor, as a leftist who broke from the Communist Party, and most of all, as a writer whose words compelled others to see.
Charlotte Perkins Gilman and a Woman’s Place in America is a pioneering collection that probes how depictions of space, confinement, and liberation establish both the difficulty and necessity of female empowerment. Turning Victorian notions of propriety and a woman’s place on its ear, this finely crafted essay collection studies Gilman’s writings and the manner in which they push back against societal norms and reject male-dominated confines of space.
The contributors present fascinating and innovative readings of some of Gilman’s most significant works. By examining the settings in “The Yellow Wallpaper” and Herland, for example, the volume analyzes Gilman’s construction of place, her representations of male dominance and female subjugation, and her analysis of the rules and obligations that women feel in conforming to their assigned place: the home.
Additionally, this volume delineates female resistance to this conformity. Contributors highlight how Gilman’s narrators often choose resistance over obedient captivity, breaking free of the spaces imposed upon them in order to seek or create their own habitats. Through biographical interpretations of Gilman’s work that focus on the author’s own renouncement of her “natural” role of wife and mother, contributors trace her relocation to the American West in an attempt to appropriate the masculinized spaces of work and social organization.
Engaging, well-researched, and deftly written, the essays in this collection will appeal to scholars of Gilman, literature, and gender issues alike.
Considers Gilman’s place in American literary and social history by examining her relationships to other prominent intellectuals of her era
By placing Charlotte Perkins Gilman in the company of her contemporaries, this collection seeks to correct misunderstandings of the feminist writer and lecturer as an isolated radical. Gilman believed and preached that no life is ever led in isolation; indeed, the cornerstone of her philosophy was the idea that “humanity is a relation.”Gilman's highly public and combative stances as a critic and social activist brought her into contact and conflict with many of the major thinkers and writers of the period, including Mary Austin, Margaret Sanger, Ambrose Bierce, Grace Ellery Channing, Lester Ward, Inez Haynes Gillmore, William Randolph Hearst, Karen Horney, William Dean Howells, Catharine Beecher, George Bernard Shaw, and Owen Wister. Gilman wrote on subjects as wide ranging as birth control, eugenics, race, women's rights and suffrage, psychology, Marxism, and literary aesthetics. Her many contributions to social, intellectual, and literary life at the turn of the 20th century raised the bar for future discourse, but at great personal and professional cost.
By closely examining the intellectual output of Charlottengrad, Roman Utkin explores how community members balanced their sense of Russianness with their position in a modern Western city charged with artistic, philosophical, and sexual freedom. He highlights how Russian authors abroad engaged with Weimar-era cultural energies while sustaining a distinctly Russian perspective on modernist expression, and follows queer Russian artists and writers who, with their German counterparts, charted a continuous evolution in political and cultural attitudes toward both the Weimar and Soviet states.
Utkin provides insight into the exile community in Berlin, which, following the collapse of the tsarist government, was one of the earliest to face and collectively process the peculiarly modern problem of statelessness. Charlottengrad analyzes the cultural praxis of “Russia Abroad” in a dynamic Berlin, investigating how these Russian émigrés and exiles navigated what it meant to be Russian—culturally, politically, and institutionally—when the Russia they knew no longer existed.
Charlotte’s Rose—justifiably back in print—tells the story of a young Welsh girl, Charlotte Edwards, who, soon after her mother dies, sails with her father from England to the United States to become part of a company of Mormon handcart pioneers—emigrants with no horses or oxen who themselves pulled the heavy carts filled with their belongings. These were arduous journeys. While on the Mormon Trail, Charlotte befriends a young mother who later dies in childbirth. Though only 12 years old, Charlotte assumes responsibility for the infant and carries her to Utah. Over the course of their journey together, Charlotte becomes deeply attached to the baby she calls Rose, which makes Charlotte’s choice at the novel’s end particularly poignant.
The author, A. E. Cannon, is adept at creating vivid, multifaceted, believable characters and has crafted a story of pioneers that will seem relevant to today’s young people. The reader will quickly be drawn into the story as Charlotte struggles to navigate the trials of an adolescent moving into adulthood. Although this is a book about Mormon pioneers, it is in fact about the larger American experience of immigration—a drama still unfolding today—and Charlotte’s coming-of-age journey will resonate with readers young and old.
Mostly doubtful dialogues.
Plato, the great philosopher of Athens, was born in 427 BC. In early manhood an admirer of Socrates, he later founded the famous school of philosophy in the grove Academus. Much else recorded of his life is uncertain; that he left Athens for a time after Socrates’ execution is probable; that later he went to Cyrene, Egypt, and Sicily is possible; that he was wealthy is likely; that he was critical of “advanced” democracy is obvious. He lived to be 80 years old. Linguistic tests including those of computer science still try to establish the order of his extant philosophical dialogues, written in splendid prose and revealing Socrates’ mind fused with Plato’s thought.
In Laches, Charmides, and Lysis, Socrates and others discuss separate ethical conceptions. Protagoras, Ion, and Meno discuss whether righteousness can be taught. In Gorgias, Socrates is estranged from his city’s thought, and his fate is impending. The Apology (not a dialogue), Crito, Euthyphro, and the unforgettable Phaedo relate the trial and death of Socrates and propound the immortality of the soul. In the famous Symposium and Phaedrus, written when Socrates was still alive, we find the origin and meaning of love. Cratylus discusses the nature of language. The great masterpiece in ten books, the Republic, concerns righteousness (and involves education, equality of the sexes, the structure of society, and abolition of slavery). Of the six so-called dialectical dialogues Euthydemus deals with philosophy; metaphysical Parmenides is about general concepts and absolute being; Theaetetus reasons about the theory of knowledge. Of its sequels, Sophist deals with not-being; Politicus with good and bad statesmanship and governments; Philebus with what is good. The Timaeus seeks the origin of the visible universe out of abstract geometrical elements. The unfinished Critias treats of lost Atlantis. Unfinished also is Plato’s last work, Laws, a critical discussion of principles of law which Plato thought the Greeks might accept.
The Loeb Classical Library edition of Plato is in twelve volumes.
Liz Wilson investigates first-millennium Buddhist notions of
spirituality. She argues that despite the marginal role women played in
monastic life, they occupied a very conspicuous place in Buddhist
hagiographic literature. In narratives used for the edification of
Buddhist monks, women's bodies in decay (diseased, dying, and after
death) served as a central object for meditation, inspiring spiritual
growth through sexual abstention and repulsion in the immediate world.
Taking up a set of universal concerns connected with the representation
of women, Wilson displays the pervasiveness of androcentrism in Buddhist
literature and practice. She also makes persuasive use of recent
historical work on the religious lives of women in medieval
Christianity, finding common ground in the role of miraculous
afflictions.
This lively and readable study brings provocative new tools and insights
to the study of women in religious life.
In this collection of original essays, six well-known architectural historians illuminate various aspects of the house, both inside and out, as they consider its remarkable formal and spatial qualities, its historical significance in the development of Chicago's elite residential neighborhood, and its place in the context of American domestic architecture. Equally important, the contributors tackle the knotty, decades-old issue concerning the building's designer. While many have ascribed the scheme to Frank Lloyd Wright, Louis Sullivan's chief assistant at the time, this book sheds new light on how the house relates significantly to the work of both master and apprentice.
The continuing debate over the house's "authorship" highlights the importance of the Charnley house in the history of modern architecture as the seminal work of residential design in the United States. These thoroughly researched interpretations, supplemented by an abundance of never before published illustrations, analyze this house of distinction with the care and detail it deserves. Beautifully restored in late 1980s, the Charnley house now has a book worthy of it.
New Orleans became the first US city ever to adopt a school system based on the principles of markets and economics. When the state took over all of the city’s public schools, it turned them over to non-profit charter school managers accountable under performance-based contracts. Students were no longer obligated to attend a specific school based upon their address, allowing families to act like consumers and choose schools in any neighborhood. The teacher union contract, tenure, and certification rules were eliminated, giving schools autonomy and control to hire and fire as they pleased.
In Charter School City, Douglas N. Harris provides an inside look at how and why these reform decisions were made and offers many surprising findings from one of the most extensive and rigorous evaluations of a district school reform ever conducted. Through close examination of the results, Harris finds that this unprecedented experiment was a noteworthy success on almost every measurable student outcome. But, as Harris shows, New Orleans was uniquely situated for these reforms to work well and that this market-based reform still required some specific and active roles for government. Letting free markets rule on their own without government involvement will not generate the kinds of changes their advocates suggest.
Combining the evidence from New Orleans with that from other cities, Harris draws out the broader lessons of this unprecedented reform effort. At a time when charter school debates are more based on ideology than data, this book is a powerful, evidence-based, and in-depth look at how we can rethink the roles for governments, markets, and nonprofit organizations in education to ensure that America’s schools fulfill their potential for all students.
The first charter school opened in Minnesota in 1992. Within nine years, there were more than 2,000 charter schools operating in thirty-four states, Washington, D.C., and Alberta, Canada. Public discourse on the charter school reform is often passionate and politically motivated. Sandra Vergari has assembled a group of experts to present a more reflective and scholarly discussion of the reform, its performance to date, and its implications for public policy.
Each chapter focuses on a single state or province, and systematically addresses such issues as charter school laws, the politics of policy implementation, charter school accountability, controversies and trends, and prospects for the future. In addition, the contributors emphasize significant issues specific to each state that offer lessons for analysts and policymakers everywhere. As a whole, The Charter School Landscape suggests that charter schools are having a significant impact on the institution of public education and how we think about the concept of the "real public school.”
Cormack demonstrates that geography was part of the Arts curriculum between 1580 and 1620, read at university by a broad range of soon-to-be political, economic, and religious leaders. By teaching these young Englishmen to view their country in a global context, and to see England playing a major role on that stage, geography supplied a set of shared assumptions about the feasibility and desirability of an English empire. Thus, the study of geography helped create an ideology of empire that made possible the actual forays of the next century.
Geography emerges in Cormack's account as the fruitful ground between college and court, in whose well-prepared soil the seeds of English imperialism took root. Charting an Empire will interest historians of science, geography, cartography, education, and empire.
The Chartist Imaginary offers close readings of poems and fiction by Chartist figures from Ernest Jones and Thomas Cooper to W. J. Linton, Thomas Martin Wheeler, and Gerald Massey. It also draws on extensive archival research to examine, for the first time, working-class female Chartist poets Mary Hutton, E. L. E., and Elizabeth La Mont. Focusing on the literary form of these works, Loose strongly argues for the political power of the aesthetic in working-class literature.
Lamberton chases the four corners of Arizona, attempts every county, every reservation, and every national monument and state park, from the smallest community to the largest city. He drives his Kia Rio through the longest tunnels and across the highest suspension bridges, hikes the hottest deserts, and climbs the tallest mountain, all while visiting the people, places, and treasures that make Arizona great.
In the vivid, lyrical, often humorous prose the author is known for, each destination weaves together stories of history, nature, and people, along with entertaining side adventures and excursions. Maps and forty-four of the author’s detailed pencil drawings illustrate the journey.
Chasing Arizona is unlike any book of its kind. It is an adventure story, a tale of Arizona, a road-warrior narrative. It is a quest to see and experience as much of Arizona as possible. Through intimate portrayals of people and place, readers deeply experience the Grand Canyon State and at the same time celebrate what makes Arizona a wonderful place to visit and live.
Chasing Dragonflies: A Natural, Cultural, and Personal History is an engaging, beautifully illustrated introduction to these remarkable insects. Drawing on her experiences as a natural history instructor, dragonfly monitor, cancer survivor, grandmother, and steward, Crosby tells the stories of dragonflies: their roles in poetry and art, their fascinating sex life—unique within the animal kingdom—and their evolution from dark-water dwellers to denizens of the air. We follow Crosby and other citizen-scientists into the prairies, wetlands, and woodlands of the Midwest, where they observe the environment and chronicle dragonfly populations and migration to decipher critical clues about our changing waterways and climate.
Woven throughout are personal stories: reflections on the author’s cancer diagnosis and recovery, change, loss, aging, family, joy, and discovering what it means to be at home in the natural world. Crosby draws an intimate portrait of a landscape teeming with variety and mystery, one that deserves our attention and conservation. As warm as it is informative, this book will interest gardeners, readers of literary nonfiction, and anyone intrigued by transformation, whether in nature or our personal lives.
On May 1, 2005, a Thai fisherman caught a truly monstrous Mekong giant catfish. At 646 pounds, it captured the world’s attention, and with awe and wonder, it was deemed the largest freshwater fish on record. There was no denying its size, but when biologist and research associate professor Hogan saw a photo of the fish, he wondered if it really was the biggest in the world. To his surprise, no one had systematically sought to answer the question: Which of the giant freshwater species really was the largest?
Seeking to answer that question has brought Hogan face to face with massive arapaima and piranha in the Amazon, alligator gar in Texas, pigeon-eating wels catfish in France, stingrays in Cambodia, and the gnarled-toothed sawfish in Australia. Part of his scientific adventure has been captured on Monster Fish, and Hogan now tells the full story of his 25-year quest to understand the mysteries of some of the oldest, largest, most bizarre creatures on Earth.
The fate of these giant fish motivates Hogan to understand the various species he studies. The megafish’s numbers are dwindling, and the majority of them face extinction. In this book, he teams up with award-winning journalist Stefan Lovgren to tell, for the first time, the remarkable and troubling story of the world’s largest freshwater fish. It is a story that stretches across the globe, chronicling a race against the clock to find and protect these ancient leviathans before they disappear forever.
Chasing Giants: In Search of the World’s Largest Freshwater Fish combines science, adventure, and wonder to provide insights into the key role the massive fish of our lakes and rivers play in our past, present, and future.
In the spirit of Huck Finn, Buck embarks on adventures and mischief with his loyal friend, Earl. Naïve, eager, and inquisitive, he seeks to make sense of his world. McCarty’s portrayal of the period is often humorous, capturing the intimacy of place and family through a young boy’s eyes.
McCarty completed this work in 1948. Had it not been for a series of fortuitous events and the dedication of his granddaughters, including Coralie Beyers, these pages would have been lost. Thanks to her efforts, her grandfather’s lively, entertaining book is now available for readers to relish and enjoy.
Despite its substantive historical depth, Chasing Greatness is not a book of history. Rather, it is a synthesizing social science work inspired by the continental tradition of the critical history of modernity. As such, the book is more about the present than about the past. Its main aim is to expose and explain the rich conceptual baggage behind Russia’s unceasing great power rhetoric (domestic and international) and how this rhetoric drives the current international crises involving Russia.
Employing case-study research of student reading practices, Keller explores reading-writing connections in new media contexts. He identifies a culture of acceleration—a gathering of social, educational, economic, and technological forces that reinforce the values of speed, efficiency, and change—and challenges educators to balance new “faster” literacies with traditional “slower” literacies. In addition, Keller details four significant features of contemporary literacy that emerged from his research: accumulation and curricular choices; literacy perceptions; speeds of rhetoric; and speeds of reading.
Chasing Literacy outlines a new reading pedagogy that will help students gain versatile, dexterous approaches to both reading and writing and makes a significant contribution to this emerging area of interest in composition theory and practice.
Elizabeth Grossman, an acclaimed journalist who brought national attention to the contaminants hidden in computers and other high tech electronics, now tackles the hazards of ordinary consumer products. She shows that for the sake of convenience, efficiency, and short-term safety, we have created synthetic chemicals that fundamentally change, at a molecular level, the way our bodies work. The consequences range from diabetes to cancer, reproductive and neurological disorders.
Yet it’s hard to imagine life without the creature comforts current materials provide—and Grossman argues we do not have to. A scientific revolution is introducing products that are “benign by design,” developing manufacturing processes that consider health impacts at every stage, and is creating new compounds that mimic rather than disrupt natural systems. Through interviews with leading researchers, Grossman gives us a first look at this radical transformation.
Green chemistry is just getting underway, but it offers hope that we can indeed create products that benefit health, the environment, and industry.
From Belize to Brazil, the forests of the American neotropics are home to an astonishing array of birds—over 3,700 different species, or nearly 40 percent of all the birds on earth. Because of this overwhelming abundance, birders come from all over the world to try to catch glimpses of species that can be found nowhere else, such as toucans and antbirds, motmots and manakins, bellbirds and cocks-of-the-rock, and practically all of the planet's hummingbirds. Two such birding enthusiasts are Vera and Bob Thornton, who have spent fifteen years photographing these special and exotic birds in the rainforests of eleven different countries of Central and South America. In this book, you'll find more than a hundred spectacular color photographs they took during their travels, along with a highly entertaining account of their adventures—and misadventures—in chasing these exotic neotropicals.
The birds pictured here are among the Thorntons' personal favorites—birds that, in their words, "either dazzled us with their beauty, or charmed us by their behavior, or, in a few cases, simply challenged us by the mystique of their rarity." This latter category includes such elusive and sought-after birds as the Black-crowned Antpitta, the Zigzag Heron, the Rufous-vented Ground-Cuckoo, the Bare-necked Umbrellabird, and the monkey-eating Harpy Eagle. In the accompanying text, Bob Thornton engagingly describes the challenges as well as the magic of negotiating the neotropical rainforests in search of colorful birds to photograph. For those who would like to follow in the Thorntons' footsteps, there are also helpful tips about photographic gear and techniques, preferred places to see the birds, lodging, and guides. For everyone who enjoys excellent nature photography, Chasing Neotropical Birds is a must-have volume on the coffee table or in the library.
From an acclaimed botanist and artist, a thrilling and beautifully illustrated expedition around the globe in search of the world’s most extraordinary plants.
After making a strange discovery on a childhood trip to Ikea—a stand of sap-sucking, leafless broomrapes, stealing nutrients from their neighbors’ roots—Chris Thorogood dreamed of becoming a botanist and would stop at nothing to feed his growing addiction to plants. In his hair-raising adventures across Europe, Africa, the Middle East, and Asia, Thorogood treads a death-defying path over cliffs, up erupting volcanoes, through typhoons, and out into the very heart of the world’s vast, green wilderness. Along the way, he encounters pitcher plants, irises, and orchids more heart-piercingly beautiful than could ever be imagined.
But with Thorogood as our guide in Chasing Plants, we not only imagine: we see. An internationally acclaimed botanical illustrator, Thorogood conjures his adventures spent seed-collecting and conserving plants around the world back to life in his electric paintings, which feature throughout the book. They bring plants out of the shadows, challenging us to see their intrigue and their character, and helping us to understand why plant species must be protected. To join Thorogood in his wild adventures is to be cast under his green spell: readers will never think of plants the same way again.
With passion and wit, well-known marine scientist Ellen Prager shares her stories as well as those of her colleagues, revealing that in the field ingenuity and a good sense of humor are as essential as water, sunblock, and GPS. Serendipity is invaluable, and while collecting data is the goal, sometimes just getting back to shore means success. But despite the physical hardship and emotional duress that come with the work, optimism and adventure prompt a particularly hardy species of scientist to return again and again to the sea.
Filled with firsthand accounts of the challenges and triumphs of dealing with the extreme forces of nature and the unpredictable world of the ocean, Chasing Science at Sea is a unique glimpse below the water line at what it is like and why it is important to study, explore, and spend time in one of our planet’s most fascinating and foreign environments.
Chasing Success follows the first twenty years of the organization Every Child Succeeds under the leadership of their former Executive Director turned author, Judith Van Ginkel. Every Child Succeeds is a regional nonprofit located in Cincinnati, Ohio that focuses on home visitation and support for parents from pregnancy through the first one thousand days of their newborn’s life. The organization was born in the 1990s out of widespread scientific evidence about the impacts of early childhood on development across the lifespan.
Chasing Success uses the story of Every Child Succeeds as a case study for readers interested in the changing landscape of nonprofit administration. With the benefit of Van Ginkel’s years of experience in nonprofit management, this book offers concrete lessons about developing a new nonprofit, utilizing research and best practices, learning to be adaptable, and being accountable to stakeholders. Van Ginkel also explores how changing policies and funding priorities for larger national nonprofits and the state and federal governments can impact how regional nonprofits work to achieve their missions, an often underappreciated and under-discussed reality for many smaller organizations around the country.
In 1987, zoologist Alan Rabinowitz was invited by the Thai government to study leopards, tigers, and other wildlife in the Huai Kha Khaeng valley, one of Southeast Asia's largest and most prized forests. It was hoped his research would help protect the many species that live in that fragile reserve, which was being slowly depleted by poachers, drug traffickers, and even the native tribes of the area. Chasing the Dragon's Tail is the remarkable story of Rabinowitz's life and adventures in the forest as well as the streets of Bangkok, as he works to protect Thailand's threatened wildlife.
Based on Rabinowitz's field journals, the book offers an intimate and moving look at a modern zoologist's life in the field. As he fights floods, fire-ant infestations, elephant stampedes, and a request to marry the daughter of a tribal chief, the difficulties that come with the demanding job of species conservation are dramatically brought to life. First published in 1991, this edition of Chasing the Dragon's Tail includes a new afterword by the author that brings the story up to date, describing the surprising strides Thailand has made recently in conservation.
Other titles by Alan Rabinowitz include Beyond the Last Village and Jaguar.
In this book, Arthur Bahr takes a fresh look at the four poems and twelve illustrations of the so-called “Pearl-Manuscript,” the only surviving medieval copy of two of the best-known Middle English poems: Pearl and Sir Gawain and the Green Knight. In Chasing the Pearl-Manuscript, Bahr explores how the physical manuscript itself enhances our perception of the poetry, drawing on recent technological advances (such as spectroscopic analysis) to show the Pearl-Manuscript to be a more complex piece of material, visual, and textual art than previously understood. By connecting the manuscript’s construction to the intricate language in the texts, Bahr suggests new ways to understand both what poetry is and what poetry can do.
With Chasing the Red Queen, Andy Dyer offers the first book to apply the Red Queen Hypothesis to agriculture. He illustrates that when selection pressure increases, species evolve in response, creating a never-ending, perpetually-escalating competition between predator (us) and prey (bugs and weeds). The result is farmers are caught in a vicious cycle of chemical dependence, stuck using increasingly dangerous and expensive toxics to beat back progressively resistant pests.
To break the cycle, we must learn the science behind it. Dyer examines one of the world’s most pressing problems as a biological case study. He presents key concepts, from Darwin’s principles of natural selection to genetic variation and adaptive phenotypes. Understanding the fundamentals of ecology and biology is the first step to “playing the Red Queen,” and escaping her unwinnable race. The book’s novel frame will help students, researchers, and policy-makers alike apply that knowledge to the critical task of achieving food security.
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