A SCHOLARLY BOOK REPOSITORY
Sociocultural linguistics has long conceived of languages as well-bounded, separate codes. But the increasing diversity of languages encountered by most people in their daily lives challenges this conception. Because globalization has accelerated population flows, cities are now sites of encounter for groups that are highly diverse in terms of origins, cultural practices, and languages. Further, new media technologies invent communicative genres, foster hybrid semiotic practices, and spread diversity as they intensify contact and exchange between peoples who often are spatially removed and culturally different from each other. Diversity—even super-diversity—is now the norm.
In response, recent scholarship complicates traditional associations between languages and social identities, emphasizing the connectedness of communicative events and practices at different scales and the embedding of languages within new physical landscapes and mediated practices. This volume takes stock of the increasing diversity of linguistic phenomena and faces the theoretical-methodological challenges that accounting for such phenomena pose to socio-cultural linguistics. This book stages the debate on super-diversity that will be sure to interest societal linguists and serves as an invaluable reference for academic libraries specializing in the linguistics field.
This rich textbook provides a comprehensive introduction to the principal concepts and thematic areas of Spanish pragmatics. It is aimed at advanced students of Spanish—upper-level undergraduates and beginning graduate students—who need to hone their language skills for contextually sensitive use of the language.
Written entirely in Spanish, with Spanish examples, this volume introduces basic pragmatics, methods of analysis, and new thematic areas such as language and the press and globalization. Theoretical explanations combine with practical exercises in each chapter to help students master the subtleties of language use.
Winner of the PROSE Award
An NRC Handelsblad Best Book of the Year
“Ambitious and impressive…At a time when the very survival of both freedom and democracy seems uncertain, books like this are more important than ever.”
—The Nation
“Helps explain how partisans on both the right and the left can claim to be protectors of liberty, yet hold radically different understandings of its meaning…This deeply informed history of an idea has the potential to combat political polarization.”
—Publishers Weekly
“Ambitious and bold, this book will have an enormous impact on how we think about the place of freedom in the Western tradition.”
—Samuel Moyn, author of Not Enough
“Brings remarkable clarity to a big and messy subject…New insights and hard-hitting conclusions about the resistance to democracy make this essential reading for anyone interested in the roots of our current dilemmas.”
—Lynn Hunt, author of History: Why It Matters
For centuries people in the West identified freedom with the ability to exercise control over the way in which they were governed. The equation of liberty with restraints on state power—what most people today associate with freedom—was a deliberate and dramatic rupture with long-established ways of thinking. So what triggered this fateful reversal? In a masterful and surprising reappraisal of more than two thousand years of Western thinking about freedom, Annelien de Dijn argues that this was not the natural outcome of such secular trends as the growth of religious tolerance or the creation of market societies. Rather, it was propelled by an antidemocratic backlash following the French and American Revolutions.
The notion that freedom is best preserved by shrinking the sphere of government was not invented by the revolutionaries who created our modern democracies—it was first conceived by their critics and opponents. De Dijn shows that far from following in the path of early American patriots, today’s critics of “big government” owe more to the counterrevolutionaries who tried to undo their work.
Central to de Duve’s re-reading of the Critique of Judgment is Kant’s idea of sensus communis, ultimately interpreted as the mere yet necessary idea that human beings are capable of living in peace with one another. De Duve pushes Kant’s skepticism to its limits by submitting the idea of sensus communis to various tests leading to questions such as: Do artists speak on behalf of all of us? Is art the transcendental ground of democracy? Or, Was Adorno right when he claimed that no poetry could be written after Auschwitz?
Loaded with de Duve’s trademark blend of wit and erudition and written without jargon, these essays radically renew current approaches to some of the most burning issues raised by modern and contemporary art. They are indispensable reading for anyone with a deep interest in art, art history, or philosophical aesthetics.
Thierry de Duve outlines the main features of a critical theory of male, all-too-male sexuation and cross-gender emancipation, drawing on Marcel Gauchet’s theses on Christianity as an exit from religion, Jacques Lacan’s algebra of desire, and Geneviève Morel’s analysis of the “law of the mother.”
Wouldn’t it have required more than the translation of the three Christian maxims “faith, hope, love” into the revolutionary maxims “liberté, egalité, fraternité?” Is there more to the knot of incarnation, fatherhood, and the cult of Mary than just Christian mysticism? Can the uncertainty of fatherhood become an act of faith that acknowledges a fundamental uncertainty?
Come On, Men, One More Effort… explores ways out of the dead end of political concepts adopted by the Enlightenment and their continued impact today, since the only possibility seems to be to embrace the religious and reject it at the same time.
Clement Greenberg (1909–1994), champion of abstract expressionism and modernism—of Pollock, Miró, and Matisse—has been esteemed by many as the greatest art critic of the second half of the twentieth century, and possibly the greatest art critic of all time. This volume, a lively reassessment of Greenberg’s writings, features three approaches to the man and his work: Greenberg as critic, doctrinaire, and theorist. The book also features a transcription of a public debate with Greenberg that de Duve organized at the University of Ottawa in 1988. Clement Greenberg Between the Lines will be an indispensable resource for students, scholars, and enthusiasts of modern art.
“In this compelling study, Thierry de Duve reads Greenberg against the grain of the famous critic’s critics—and sometimes against the grain of the critic himself. By reinterpreting Greenberg’s interpretations of Pollock, Duchamp, and other canonical figures, de Duve establishes new theoretical coordinates by which to understand the uneasy complexities and importance of Greenberg’s practice.” John O’Brian, editor of Clement Greenberg: The Collected Essays and Criticisms
“De Duve is an expert on theoretical aesthetics and thus well suited to reassess the formalist tenets of the late American art critic's theory on art and culture. . . . De Duve's close readings of Greenberg . . . contain much of interest, and the author clearly enjoys matching wits with ‘the world's best known art critic.’” Library Journal
Internationally renowned scholar Renzo De Felice’s pioneering study of the Jews of Libya is, in many ways, a microcosm of the major sources of conflict in the modern Middle East. This is the first English translation of Ebrei in un paese arabo, originally published by Il Mulino, Bologna, in 1978.
The author’s broad-ranging and meticulous research has enabled him to reconstruct the contemporary history of the Jews in Libya with an incredible richness of detail, bringing into vivid relief the social, religious, cultural, and political lives of a people caught between centuries of tradition and a series of governments bent on plunging them headfirst into the modern world. This story—fraught with the passion, drama, tragicomedy, and conflict of a society in transition—will be an invaluable resource for scholars in Middle Eastern studies, Jewish studies, and contemporary European history. The wealth of documentation, much of it previously unknown or unpublished, makes this a particularly useful book.
This collection of essays on the music of migrant minorities in and from Japan examines the central role music plays in the ongoing adjustment, conciliation, and transformation of newcomers and “hosts” alike. It is the first academic text to address musical activities across a range of migrant groups in Japan––particularly those of Tokyo and its neighboring areas and the first to juxtapose such communities with those of Japanese emigrants as ethnic minorities elsewhere. It presents both archival and fieldwork-based case studies that highlight music in the dynamics of encounter and attempted identity-making, under a unifying framework of migration.
The 2019 introduction of a new “Specified Skilled Worker” visa category marked the beginning of Japan’s “new immigration era,” led by the slogan of tabunka kyosei, or “multicultural coexistence.” The contributors to this volume analyze the concept itself and the many problems around realizing this ideal through ethnographic accounts of current minorities, including South Indians, Brazilians, Nepalis, Filipinos, Iranians, and Ainu domestic migrants. This volume will be of interest to ethnomusicologists, students of the cultures of migrant communities, and those engaged with cultural change and diversity in Japan and East Asia.
“Blockchains will matter crucially; this book, beautifully and clearly written for a wide audience, powerfully demonstrates how.”
—Lawrence Lessig
“Attempts to do for blockchain what the likes of Lawrence Lessig and Tim Wu did for the Internet and cyberspace—explain how a new technology will upend the current legal and social order… Blockchain and the Law is not just a theoretical guide. It’s also a moral one.”
—Fortune
Bitcoin has been hailed as an Internet marvel and decried as the preferred transaction vehicle for criminals. It has left nearly everyone without a computer science degree confused: how do you “mine” money from ones and zeros?
The answer lies in a technology called blockchain. A general-purpose tool for creating secure, decentralized, peer-to-peer applications, blockchain technology has been compared to the Internet in both form and impact. Blockchains are being used to create “smart contracts,” to expedite payments, to make financial instruments, to organize the exchange of data and information, and to facilitate interactions between humans and machines. But by cutting out the middlemen, they run the risk of undermining governmental authorities’ ability to supervise activities in banking, commerce, and the law. As this essential book makes clear, the technology cannot be harnessed productively without new rules and new approaches to legal thinking.
“If you…don’t ‘get’ crypto, this is the book-length treatment for you.”
—Tyler Cowen, Marginal Revolution
“De Filippi and Wright stress that because blockchain is essentially autonomous, it is inflexible, which leaves it vulnerable, once it has been set in motion, to the sort of unforeseen consequences that laws and regulations are best able to address.”
—James Ryerson, New York Times Book Review
Contributors. Ruben Andersson, Nicholas De Genova, Dace Dzenovska, Evelina Gambino, Glenda Garelli, Charles Heller, Clara Lecadet, Souad Osseiran, Lorenzo Pezzani, Fiorenza Picozza, Stephan Scheel, Maurice Stierl, Laia Soto Bermant, Martina Tazzioli
De Genova worked for two and a half years as a teacher of English in ten industrial workplaces (primarily metal-fabricating factories) throughout Chicago and its suburbs. In Working the Boundaries he draws on fieldwork conducted in these factories, in community centers, and in the homes and neighborhoods of Mexican migrants. He describes how the meaning of “Mexican” is refigured and racialized in relation to a U.S. social order dominated by a black-white binary. Delving into immigration law, he contends that immigration policies have worked over time to produce Mexicans as the U.S. nation-state’s iconic “illegal aliens.” He explains how the constant threat of deportation is used to keep Mexican workers in line. Working the Boundaries is a major contribution to theories of race and transnationalism and a scathing indictment of U.S. labor and citizenship policies.
Several contributors illuminate ways that Latinos and Asians were historically racialized: by U.S. occupiers of Puerto Rico and the Philippines at the end of the nineteenth century, by public health discourses and practices in early-twentieth-century Los Angeles, by anthropologists collecting physical data—height, weight, head measurements—from Chinese Americans to show how the American environment affected “foreign” body types in the 1930s, and by Los Angeles public officials seeking to explain the alleged criminal propensities of Mexican American youth during the 1940s. Other contributors focus on the coalitions and tensions between Latinos and Asians in the context of the fight to integrate public schools and debates over political redistricting. One addresses masculinity, race, and U.S. imperialism in the literary works of Junot Díaz and Chang-rae Lee. Another looks at the passions, identifications, and charges of betrayal aroused by the sensationalized cases of Elián González, the young Cuban boy rescued off the shore of Florida, and Wen Ho Lee, the Los Alamos physicist accused of spying on the United States. Throughout this volume contributors interrogate many of the assumptions that underlie American and ethnic studies even as they signal the need for a research agenda that expands the purview of both fields.
Contributors. Nicholas De Genova, Victor Jew, Andrea Levine, Natalia Molina, Gary Y. Okihiro, Crystal Parikh, Greg Robinson, Toni Robinson, Leland T. Saito
Whether investigating the power that individual and corporate sponsors have over the fate of foreign laborers in Bahrain, the implications of Germany’s temporary suspension of deportation orders for pregnant and ill migrants, or the significance of the detention camp, the contributors reveal how deportation reflects and reproduces notions about public health, racial purity, and class privilege. They also provide insight into how deportation and deportability are experienced by individuals, including Arabs, South Asians, and Muslims in the United States. One contributor looks at asylum claims in light of an unusual anti-deportation campaign mounted by Algerian refugees in Montreal; others analyze the European Union as an entity specifically dedicated to governing mobility inside and across its official borders. The Deportation Regime addresses urgent issues related to human rights, international migration, and the extensive security measures implemented by nation-states since September 11, 2001.
Contributors: Rutvica Andrijasevic, Aashti Bhartia, Heide Castañeda , Galina Cornelisse , Susan Bibler Coutin, Nicholas De Genova, Andrew M. Gardner, Josiah Heyman, Serhat Karakayali, Sunaina Marr Maira, Guillermina Gina Nuñez, Peter Nyers, Nathalie Peutz, Enrica Rigo, Victor Talavera, William Walters, Hans-Rudolf Wicker, Sarah S. Willen
This important new volume examines archaeological evidence of Roman colonization of the Middle Republican period. Themes of land use, ethnic accommodation and displacement, colonial identity, and administrative schemes are also highlighted. In delving deeply into the uniqueness of select colonial contexts, these essays invite a novel discussion on the phenomenon of colonialism in the political landscape of Rome’s early expansion. Roman urbanism of the Middle Republican period brought to the Italian peninsula fundamental changes, an important example of which, highlighted by a wealth of studies, is the ebullience of a dense network of colonies, as well as a mix of senatorial tactics and individual initiatives that underpinned their foundation. Whether Latin, Roman, or Maritimae, colonies created a new mesh of communities and imposed a new topography; more subtly, they signified the mechanisms of the rising hegemony. This book brings to the fore the diversity, agendas, and overall impact of a “settlement device” that changed the Italian landscape and introduced a new idea of Roman town.
Since the terrorist acts of September 11, 2001, finance and security have become joined in new ways to produce particular targets of state surveillance. In Speculative Security, Marieke de Goede describes how previously unscrutinized practices such as donations and remittances, especially across national borders, have been affected by security measures that include datamining, asset freezing, and transnational regulation. These “precrime” measures focus on transactions that are perfectly legal but are thought to hold a specific potential to support terrorism. The pursuit of suspect monies is not simply an issue of financial regulation, she shows, but a broad political, social, and even cultural phenomenon with profound effects on everyday life.
Speculative Security offers a range of examples that illustrate the types of security interventions employed today, including the extralegal targeting and breaking up of the al-Barakaat financial network that was accompanied by raids in the United States, asset freezes in Sweden, and the incarceration of a money remitter at Guantánamo Bay. De Goede develops the paradigm of “speculative security” as a way to understand the new fusing of finance and security, denoting the speculative nature of both the means and the ends of the war on terrorist financing.
Ultimately, de Goede reveals how the idea of creating “security” appeals to multiple imaginable—and unimaginable—futures in order to enable action in the present.
This volume presents translations of four of Gournay's works that address feminist issues. Two of these appear here in English for the first time—The Promenade of Monsieur de Montaigne and The Apology for the Woman Writing. One of the first modern psychological novels, the best-selling Promenade was also the first to explore female sexual feeling. With the autobiographical Apology, Gournay defended every aspect of her life, from her moral conduct to her household management. The book also includes Gournay's last revisions (1641) of her two best-known feminist treatises, The Equality of Men and Women and The Ladies' Complaint. The editors provide a general overview of Gournay's career, as well as individual introductions and extensive annotations for each work.
A Financial Times Best Book of the Year
A Guardian Best Architecture Book of the Year
“Sharp, revealing, funny.”
—The Guardian
“An original and even occasionally hilarious book about losing ideals and finding them again… [De Graaf] deftly shows that architecture cannot be better or more pure than the flawed humans who make it.”
—The Economist
Architecture, we like to believe, is an elevated art form that shapes the world as it pleases. Four Walls and a Roof turns this fiction on its head, offering a candid account of what it’s really like to work as an architect. Drawing on his own tragicomic experiences in the field, Reinier de Graaf reveals the world of contemporary architecture in vivid snapshots: from the corridors of wealth in London, Moscow, and Dubai to the demolished hopes of postwar social housing in New York and St. Louis. We meet ambitious oligarchs, developers for whom architecture is nothing more than an investment, and layers of bureaucrats, consultants, and mysterious hangers-on who lie between any architect’s idea and the chance of its execution.
“This is a book about power, money and influence, and architecture’s complete lack of any of them… Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control.”
—Financial Times
“This is the most stimulating book on architecture and its practice that I have read for years.”
—Architects’ Journal
Yet recent theoretical work has called for their reappraisal. Anachronisms, previously condemned as errors in the order of time, are being hailed as alternatives to that order. Conversely chronology and periods, its mainstays, are now charged with having distorted the past they have been entrusted to represent, and secularization, once considered the driving force of the modern era, no longer holds sway over the past or the present.
In light of this reappraisal, can Shakespeare studies continue unshaken? This is the question Four Shakespearean Period Pieces takes up, devoting a chapter to each term: on the rise of anachronism, the chronologizing of the canon, the staging of plays “in period,” and the use of Shakespeare in modernity’s secularizing project.
To read these chapters is to come away newly alert to how these fraught concepts have served to regulate the canon’s afterlife. Margreta de Grazia does not entirely abandon them but deftly works around and against them to offer fresh insights on the reading, editing, and staging of the author at the heart of our literary canon.
The most significant conquest of the twentieth century may well have been the triumph of American consumer society over Europe’s bourgeois civilization. It is this little-understood but world-shaking campaign that unfolds in Irresistible Empire, Victoria de Grazia’s brilliant account of how the American standard of living defeated the European way of life and achieved the global cultural hegemony that is both its great strength and its key weakness today.
De Grazia describes how, as America’s market empire advanced with confidence through Europe, spreading consumer-oriented capitalism, all alternative strategies fell before it—first the bourgeois lifestyle, then the Third Reich’s command consumption, and finally the grand experiment of Soviet-style socialist planning. Tracing the peculiar alliance that arrayed New World salesmanship, statecraft, and standardized goods against the Old World’s values of status, craft, and good taste, Victoria de Grazia follows the United States’ market-driven imperialism through a vivid series of cross-Atlantic incursions by the great inventions of American consumer society. We see Rotarians from Duluth in the company of the high bourgeoisie of Dresden; working-class spectators in ramshackle French theaters conversing with Garbo and Bogart; Stetson-hatted entrepreneurs from Kansas in the midst of fussy Milanese shoppers; and, against the backdrop of Rome’s Spanish Steps and Paris’s Opera Comique, Fast Food in a showdown with advocates for Slow Food. Demonstrating the intricacies of America’s advance, de Grazia offers an intimate and historical dimension to debates over America’s exercise of soft power and the process known as Americanization. She raises provocative questions about the quality of the good life, democracy, and peace that issue from the vaunted victory of mass consumer culture.
A New Statesman Book of the Year
Winner of the Helen and Howard R. Marraro Prize
Winner of the Aldo and Jeanne Scaglione Prize for Italian Studies
“Extraordinary…I could not put it down.”
—Margaret MacMillan
“Reveals how ideology corrupts the truth, how untrammeled ambition destroys the soul, and how the vanity of white male supremacy distorts emotion, making even love a matter of state.”
—Sonia Purnell, author of A Woman of No Importance
When Attilio Teruzzi, a decorated military officer and early convert to the Fascist cause, married a rising American opera star, his good fortune seemed settled. The wedding was blessed by Mussolini himself. Yet only three years later, Teruzzi, now commander of the Black Shirts, renounced his wife. Lilliana was Jewish, and fascist Italy would soon introduce its first race laws.
The Perfect Fascist pivots from the intimate story of a tempestuous courtship and inconvenient marriage to the operatic spectacle of Mussolini’s rise and fall. It invites us to see in the vain, unscrupulous, fanatically loyal Attilio Teruzzi an exemplar of fascism’s New Man. Victoria De Grazia’s landmark history shows how the personal was always political in the fascist quest for manhood and power. In his self-serving pieties and intimate betrayals, his violence and opportunism, Teruzzi is a forefather of the illiberal politicians of today.
“The brilliance of de Grazia’s book lies in the way that she has made a page-turner of Teruzzi’s chaotic life, while providing a scholarly and engrossing portrait of the two decades of Fascist rule.”
—Caroline Moorhead, Wall Street Journal
“Original and important…A probing analysis of the fascist ‘strong man.’ De Grazia’s attention to Teruzzi’s private life, his behavior as suitor and husband, deepens and enriches our understanding of the nature of leadership in Mussolini’s regime and of masculinity, virility, and honor in Italian fascist culture.”
—Robert O. Paxton, author of The Anatomy of Fascism
“This is a perfect book!…Its two entwined narratives—one political and public, the other personal and private—help us understand why the personal is political for those who insist on reshaping people and society.”
—Azar Nafisi, author of Reading Lolita in Tehran
Women have been thoughtful readers and interpreters of scripture throughout the ages, yet the usual history of biblical interpretation includes few women’s voices. To introduce readers to this untapped source for the history of biblical interpretation, this volume presents forgotten works from the nineteenth century written by women—including Grace Aguilar, Florence Nightingale, and Harriet Beecher Stowe, among others—from various faith backgrounds, countries, and social classes engaging contemporary biblical scholarship. Due to their exclusion from the academy, women’s interpretive writings addressed primarily a nonscholarly audience and were written in a variety of genres: novels and poetry, catechisms, manuals for Bible study, and commentaries on the books of the Bible. To recover these nineteenth-century women interpreters of the Bible, each essay in this volume locates a female author in her historical, ecclesiastical, and interpretive context, focusing on particular biblical passages to clarify an author’s contributions as well as to explore how her reading of the text was shaped by her experience as a woman.
Expanding the study of Etruscan habitation sites to include not only traditional cities but also smaller Etruscan communities, Cetamura del Chianti examines a settlement that flourished during an exceptional time period, amid wars with the Romans in the fourth to first centuries BCE.
Situated in an ideal hilltop location that was easy to defend and had access to fresh water, clay, and timber, the community never grew to the size of a city, and no known references to it survive in ancient writings; its ancient name isn’t even known. Because no cities were ever built on top of the site, excavation is unusually unimpeded. Intriguing features described in Cetamura del Chianti include an artisans’ zone with an adjoining sanctuary, which fostered the cult worship of Lur and Leinth, two relatively little known Etruscan deities, and ancient wells that reveal the cultural development and natural environment, including the vineyards and oak forests of Chianti, over a period of some six hundred years. Deeply enhancing our understanding of an intriguing economic, political, and cultural environment, this is a compelling portrait of a singular society.
The Etruscan city of Caere and eleven other Etruscan city-states were among the first urban centers in ancient Italy. Roman descriptions of Etruscan cities highlight their wealth, beauty, and formidable defenses. Although Caere left little written historical record outside of funerary inscriptions, its complex story can be deciphered by analyzing surviving material culture, including architecture, tomb paintings, temples, sanctuaries, and materials such as terracotta, bronze, gold, and amber found in Etruscan crafts. Studying Caere provides valuable insight not only into Etruscan history and culture but more broadly into urbanism and the development of urban centers across ancient Italy.
Comprehensive in scope, Caere is the first English-language book dedicated to the study of its eponymous city. Collecting the work of an international team of scholars, it features chapters on a wide range of topics, such as Caere’s formation and history, economy, foreign relations, trade networks, art, funerary traditions, built environment, religion, daily life, and rediscovery. Extensively illustrated throughout, Caere presents new perspectives on and analysis of not just Etruscan civilization but also the city’s role in the wider pan-Mediterranean basin.
Devotion to religion was the distinguishing characteristic of the Etruscan people, the most powerful civilization of Italy in the Archaic period. From a very early date, Etruscan religion spread its influence into Roman society, especially with the practice of divination. The Etruscan priest Spurinna, to give a well-known example, warned Caesar to beware the Ides of March. Yet despite the importance of religion in Etruscan life, there are relatively few modern comprehensive studies of Etruscan religion, and none in English. This volume seeks to fill that deficiency by bringing together essays by leading scholars that collectively provide a state-of-the-art overview of religion in ancient Etruria.
The eight essays in this book cover all of the most important topics in Etruscan religion, including the Etruscan pantheon and the roles of the gods, the roles of priests and divinatory practices, votive rituals, liturgical literature, sacred spaces and temples, and burial and the afterlife. In addition to the essays, the book contains valuable supporting materials, including the first English translation of an Etruscan Brontoscopic Calendar (which guided priests in making divinations), Greek and Latin sources about Etruscan religion (in the original language and English translation), and a glossary. Nearly 150 black and white photographs and drawings illustrate surviving Etruscan artifacts and inscriptions, as well as temple floor plans and reconstructions.
Guevara’s provocative writings call on Spanish women to bear the responsibility equally with men for restoring Spain’s power in Europe and elsewhere. The collection also includes examples of Guevara’s shorter writings that exemplify her ability to speak on matters of state, network with dignitaries, and govern family affairs. Witty, ironic, and rhetorically sophisticated, Guevara’s essays provide a fresh perspective on the possibilities for women in the public sphere in seventeenth-century Spain.
Making Luis de Góngora’s work available to contemporary English-language readers without denying his historical context, Selected Poems of Luis de Góngora presents him as not only one of the greatest and most complex poets of his time, but also the funniest and most charismatic. From longer works, such as “The Fable of Polyphemus and Galatea,” to shorter ballads, songs, and sonnets, John Dent-Young’s free translations capture Góngora’s intensely musical voice and transmit the individuality and self-assuredness of the poet. Substantial introductions and extensive notes provide personal and historical context, explain the ubiquitous puns and erotic innuendo, and discuss translation choices. A significant edition of this seminal and challenging poet, Selected Poems of Luis de Góngora will find an eager audience among students of poetry and scholars studying the history and literature of Spain.
At the start of the twentieth century, Jewish anti-Zionist Jacob Israël de Haan led an eventful life as a poet, journalist, teacher, and lawyer in the Netherlands. His autobiographical novella Pipelines caused a storm of controversy in 1904 with its portrayal of a subject that was considered scandalous at the time—a romantic relationship between two young men. He lost his teaching job, and the entire print run was pulped.
In his iconic 1908 novel Pathologies, he once again openly and radically explored the topic of homosexuality. The story centers around adolescent Johan, who lives a secluded life with his father and their elderly housekeeper in a large house. For a while, Johan has been plagued by erotic fantasies about his classmates. When, to make matters worse, he finds himself feeling attracted to his father—first in a dream, and then in real life—he grows desperate. Johan moves out, finding room and board with an older married couple in Haarlem, where he meets René, a young confident artist. Johan falls head-over-heels in love, and the two men enter a sadomasochistic relationship that soon begins to spiral out of control.
Johan is one of world literature’s most tragic, troubled young heroes, at par with Goethe’s Werther and Dostoevsky’s Raskolnikov. His struggle to come to terms with his fantasies and desires—rife with taboos that continue to resonate today—forms the beating heart of this daring novel. Written in De Haan’s precise, lyrical prose, Pathologies has lost none of its force more than a century after it was first published.
A unique visual history of the world’s best-selling book of all time, Bibles provides a rich snapshot of the biblical bookmaking tradition through images from fifty rare and important Bibles. As the captivating and colorful images collected here reveal, in many ways the history of the Bible mirrors the history of the book and publishing.
Presented chronologically, the Bibles provide a fascinating look into the book making techniques and characteristics of their time. From the fragile papyrus fragments of the ancient world to medieval illuminated manuscripts and glorious modern printed editions, each image is accompanied by a caption which explains its particular significance. In addition, each chapter includes a short introduction that contextualizes each book within its time period. Featuring many unusual examples—some of which have never been illustrated in print before—Bibles includes many of the great biblical texts of the Eastern and Western traditions, including the Magdalen Papyrus, the Laudian Acts, the Anglo-Saxon Exodus, St Margaret’s Gospel-book, the Douce Apocalypse, the Bible Moralisée (MS. Bodley 270b), the Kennicott Bible, the Guttenberg Bible, and the King James Bible.
Drawing exclusively from one of the finest collections of Bibles in the world, which is held at the Bodleian Library at Oxford University, this book tells the remarkable story of the development of the Bible across media, language, and provenance.
Architrenius, a satirical allegory in dactylic hexameters completed in 1184 by the Norman poet Johannes de Hauvilla, follows the journey of its eponymous protagonist, the “arch-weeper,” who stands in for an emerging class of educated professionals tempted by money and social standing. Architrenius’s quest for moral instruction leads through vivid tableaux of the vices of school, court, and church, from the House of Gluttony to the Palace of Ambition to the Mount of Presumption. Despite the allegorical nature of Architrenius, its focus is not primarily religious. Johannes de Hauvilla, who taught at an important cathedral school, probably Rouen, uses his stylistic virtuosity and the many resources of Latin poetry to condemn a secular world where wealth and preferment were all-consuming. His highly topical satire anticipates the comic visions of Jean de Meun, Boccaccio, and Chaucer.
This edition of Architrenius brings together the most authoritative Latin text with a new English translation of an important medieval poem.
“Rubiaux Rising” (a Best American Short Stories selection) is a tale of triumph amid calamity during Hurricane Katrina, while “Her Great Blue” a surreal interspecies love story. “Mulligan” reveals the private pain of parents traveling across the country to give away their children, and “Wraiths in a Swelter” is both a ghost story and a confessional memoir—following a deliriously exhausted EMT through a deadly Chicago heat wave.
Many of the stories in Grace for Grace are set against the backdrop of natural or manmade catastrophes. These disasters test the characters’ limits as they confront sudden changes and extremes, discovering through their unexpected resourcefulness and endurance something beyond suffering. . . something that approaches the sublime.
“Gentefication” nuances Latinidad as not just an immigration question, but an academic one. It deals with Latinx death not as the literal passing
of bodies, but as first tied with language. It asks, what are the hauntings of a tongue that is repeatedly told, ‘one must learn English in order to succeed in this country’? What is the psychological trauma deployed not by right-wing bigots, but of white liberal institutions that give scholarships to Latinx students, but nevertheless prop up white supremacy by viewing their payments as charity? How do Latinx students become complicit in this tokenizing? “Gentefication” wrestles with this ‘survivor’s guilt’ of higher education, of feeling as if you’re the only one among your homies that ‘made it.’ And in an American moment dealing with scandals across multiple universities this work is a timely intervention that advocates for first-generation audiences, for readers of color, and for all those vested in the protracted struggle for our fair shot.
“The Holocaust…was beyond the belief and comprehension of almost all people living at the time… [It] was a notion so alien to the human mind, and even so gruesome, so new, that the instinctive, indeed the natural reaction, of most people was: ‘It can’t be true.’” Thus writes the Netherlands’ preeminent historian in this memoir and account of war and genocide. Concentrating on three central topics—the Holocaust, the resistance, and the leadership of Queen Wilhelmina—Louis de Jong recaptures the wartime experience of Holland and explains some of the more anomalous happenings.
The swift, devastating conquest of the Netherlands by the Nazis made possible three appalling weapons of control over the Dutch: fear, the dividing of people, and deception. Intending to absorb Holland into the German empire, the Nazis planned to exploit the country economically, purge it of Jews, and prevent any assistance to the Allies. They succeeded only too well. The Dutch provided substantial economic support to the Nazis, though they did so to keep men employed at home rather than being sent to work in Germany. Although the Jewish Council, which cooperated with the Nazis, assisted in the deportation of thousands of Jews to concentration camps, such zealousness reflected the innocence of an assimilated people in the face of a hitherto unexperienced, virulent antisemitism.
It was almost inconceivable that a resistance movement could operate in flat open country; nevertheless there was such a movement. De Jong recaptures a terrible time and the grim fate of a nation accustomed to centuries of peace and suddenly plunged into the Nazis’ obscene war.
This special issue of Poetics Today explores the development of a South African literary identity in the face of its staggering cultural, historical, and linguistic diversity. The collection uses the idea of the "global imaginary" to explore the ways the outside world has constructed ideas about South African literature as well as the way South Africans themselves have fashioned their literary selfhood. Articles address the legacy of colonialism and apartheid and wrestle with the fact that in spite of the fact that there are eleven official languages in South Africa and that many of the cultures have historically relied on an oral tradition, the dominant works continue to be those that are written down, in English. As de Kock writes in his introduction, the collection "raises a multiplicity of questions about the colonization of culture." There has been a "trope of binary pairing," he writes, between white and black, civilized and backward, home and exile, colonizer and colonized, which obscures the richness and complexity of the South African literary tradition. This collection promises to at least begin to correct that oversimplification.
Contributors: Louise Bethlehem, Jonathan Crewe, Dirk Klopper, Leon de Kock, Loren Kruger, Sonja Laden, Simon Lewis, Peter Merrington, Patricia Watson Shariff, Pippa Skotnes
#identity is among the first scholarly books to address the positive and negative effects of Twitter on our contemporary world. Hailing from diverse scholarly fields, all contributors are affiliated with The Color of New Media, a scholarly collective based at the University of California, Berkeley. The Color of New Media explores the intersections of new media studies, critical race theory, gender and women’s studies, and postcolonial studies. The essays in #identity consider topics such as the social justice movements organized through #BlackLivesMatter, #Ferguson, and #SayHerName; the controversies around #WhyIStayed and #CancelColbert; Twitter use in India and Africa; the integration of hashtags such as #nohomo and #onfleek that have become part of everyday online vernacular; and other ways in which Twitter has been used by, for, and against women, people of color, LGBTQ, and Global South communities. Collectively, the essays in this volume offer a critically interdisciplinary view of how and why social media has been at the heart of US and global political discourse for over a decade.
In the tradition of great American rags to riches stories, Seven Iron Men weaves together the history of how the seven Merritt brothers discovered iron ore on the Mesabi Range. In 1890 they were poised to become one of the wealthiest families in America but lost it all to industrialist John D. Rockefeller.
“The tale of their long and furious quest makes for one of the most melodramatic stories in American history. . . . The Merritts leap from the chronicle in all the colors of life—especially Lon, the king of them all, with his maudlin poetizing, his childlike faith in mankind, and his incredible tropical hat. It is a tale full of thrills, shot with sardonic humors.” —H. L. Mencken, The Nation
“Certainly it is no small contribution to the history of the American people to unfold the tale of the discovery and development of those huge iron deposits of the Mesabi Range flanking much of Lake Superior. To these perhaps quite as much as to any other one factor the country owes its industrial supremacy in the ago of steel.” —New York Herald Tribune
Paul de Kruif (1890–1971) was a microbiologist, served as a contributing editor to Reader’s Digest, and was the best-selling author of Microbe Hunters.
Rather than adopt the conventional self-effacement that defined female poets of the time, l’Aubespine’s speakers are sexual, dominant, and defiant; and her subjects are women who are able to manipulate, rebuke, and even humiliate men.
Unavailable in English until now and only recently identified from scattered and sometimes misattributed sources, l’Aubespine’s poems and literary works are presented here in Anna Klosowska’s vibrant translation. This collection, which features one of the first French lesbian sonnets as well as reproductions of l’Aubespine’s poetic translations of Ovid and Ariosto, will be heralded by students and scholars in literature, history, and women’s studies as an important addition to the Renaissance canon.
The contributors—social and cultural anthropologists from the Americas and Europe—report on both historical and contemporary processes. Moving beyond controversies that cast the relationship between scholarship and politics in binary terms of complicity or autonomy, they bring into focus a dynamic process in which states, anthropological knowledge, and population groups themselves are mutually constructed. Such a reflexive endeavor is an essential contribution to a critical anthropological understanding of a changing world.
Contributors: Alban Bensa, Marcio Goldman, Adam Kuper, Benoît de L’Estoile, Claudio Lomnitz, David Mills, Federico Neiburg, João Pacheco de Oliveira, Jorge Pantaleón, Omar Ribeiro Thomaz, Lygia Sigaud, Antonio Carlos de Souza Lima, Florence Weber
Empire.
The Roman army was the greatest fighting machine in the ancient world. More than that, it was the single largest organization in Western antiquity, taking in members from all classes, from senators to freed slaves. The Roman Empire depended on its army not just to win its wars, defend its frontiers, and control the seas, but to act as the very engine of the state.
In Gladius, Guy de la Bédoyère takes us straight to the heart of what it meant to be a part of the Roman army. Rather than a history of the army itself, or a guide to military organization and fighting methods, this book is a ground-level recreation of what it was like to be a soldier in the army that made the empire. Surveying numerous aspects of life in the Roman army between 264 BCE and 337 CE, Gladius—the Latin word for sword—draws not only on the words of famed Roman historians, but also those of the soldiers themselves, as recorded in their religious dedications, tombstones, and even private letters and graffiti. Gladius reveals the everyday life of these soldiers and their families, whether stationed in a bleak frontier garrison in Britain or North Africa, tasked with guarding the emperor in Rome, fighting on foreign battlefields, mutinying over pay, marching in triumph, throwing their weight around on city streets, or enjoying esteem in honorable retirement.
By illuminating the history of one organization that reflected all corners of the Roman world, Gladius gives us a portrait of an ancient society that is unprecedented in both its broad sweep and gritty intimacy.
Frenzied crowds, talking ravens, the stench of the Tiber River: life in ancient Rome was stimulating, dynamic, and often downright dangerous. The Romans relaxed and gossiped in baths, stole precious water from aqueducts, and partied and dined to excess. Everyone from senators to the enslaved crowded into theaters and circuses to watch their favorite singers, pantomime, and comedies and scream their approval at charioteers. The lucky celebrated their accomplishments with elaborate tombs. Amid pervasive inequality and brutality, beauty also flourished through architecture, poetry, and art.
From the smells of fragrant cookshops and religious sacrifices to the cries of public executions and murderous electoral mobs, Guy de la Bédoyère’s Populus draws on a host of historical and literary sources to transport us into the intensity of daily life at the height of ancient Rome.
De la Cadena’s ethnographically and historically rich study examines how indigenous citizens of the city of Cuzco have been conceived by others as well as how they have viewed themselves and places these conceptions within the struggle for political identity and representation. Demonstrating that the terms Indian and mestizo are complex, ambivalent, and influenced by social, legal, and political changes, she provides close readings of everyday concepts such as marketplace identity, religious ritual, grassroots dance, and popular culture, as well as of such common terms as respect, decency, and education. She shows how Indian has come to mean an indigenous person without economic and educational means—one who is illiterate, impoverished, and rural. Mestizo, on the other hand, has come to refer to an urban, usually literate, and economically successful person claiming indigenous heritage and participating in indigenous cultural practices. De la Cadena argues that this version of de-Indianization—which, rather than assimilation, is a complex political negotiation for a dignified identity—does not cancel the economic and political equalities of racism in Peru, although it has made room for some people to reclaim a decolonized Andean cultural heritage.
This highly original synthesis of diverse theoretical arguments brought to bear on a series of case studies will be of interest to scholars of cultural anthropology, postcolonialism, race and ethnicity, gender studies, and history, in addition to Latin Americanists.
Contributors. Mario Blaser, Alberto Corsín Jiménez, Déborah Danowski, Marisol de la Cadena, John Law, Marianne Lien, Isabelle Stengers, Marilyn Strathern, Helen Verran, Eduardo Viveiros de Castro
Analyzes the way North American academics have constructed Latin America.
In this timely book, Román de la Campa asks to what degree the Latin America studied in U.S. academies is actually an entity “made in the U.S.A.” He argues that there is an ever-increasing gap between the political, theoretical, and financial pressures affecting the U.S. academy and Latin America’s own cultural, political, and literary practices, and considers what this new Latin Americanism has to say about the claims of poststructuralism, postmodern theory, and deconstruction.
De la Campa focuses on the conduct of Latin American literary criticism in U.S. universities and compares this with the “Latin Americanism” of Latin America itself. He examines the translation of Latin American works into English, the careerism of U.S. intellectuals, the conduct of Latin American literary criticism in English, and the diaspora of Third World intellectuals. In a reconsideration of the vogue in Latin American literature and magical realism in light of new work by theorists residing in Latin America, he contrasts this work with critiques of Latin American discourses in the United States.A critique of postmodern and postcolonial constructions as articulated differently in the United States and Latin America, this hard-hitting but fair-minded book provides a postdeconstructive perspective on culture and literature. ISBN 0-8166-3116-6 Cloth £00.00 $47.95xxISBN 0-8166-3117-4 Paper £00.00 $18.95x224 Pages 5 7/8 x 9 JuneCultural Studies of the Americas Series, volume 3Translation inquiries: University of Minnesota Press
Chicago Whispers illuminates a colorful and vibrant record of lesbian, gay, bisexual, and transgendered people who lived and loved in Chicago from the city’s beginnings in the 1670s as a fur-trading post to the end of the 1960s. Journalist St. Sukie de la Croix, drawing on years of archival research and personal interviews, reclaims Chicago’s LGBT past that had been forgotten, suppressed, or overlooked.
Included here are Jane Addams, the pioneer of American social work; blues legend Ma Rainey, who recorded “Sissy Blues” in Chicago in 1926; commercial artist J. C. Leyendecker, who used his lover as the model for “The Arrow Collar Man” advertisements; and celebrated playwright Lorraine Hansberry, author of A Raisin in the Sun. Here, too, are accounts of vice dens during the Civil War and classy gentlemen’s clubs; the wild and gaudy First Ward Ball that was held annually from 1896 to 1908; gender-crossing performers in cabarets and at carnival sideshows; rights activists like Henry Gerber in the 1920s; authors of lesbian pulp novels and publishers of “physique magazines”; and evidence of thousands of nameless queer Chicagoans who worked as artists and musicians, in the factories, offices, and shops, at theaters and in hotels. Chicago Whispers offers a diverse collection of alternately hip and heart-wrenching accounts that crackle with vitality.
In Mother Figured, historical anthropologist Deirdre de la Cruz offers a detailed examination of several appearances and miracles of the Virgin Mary in the Philippines from materials and sites ranging from the mid-nineteenth century to the present. By analyzing the effects of the mass media on the perception and proliferation of apparition phenomena, de la Cruz charts the intriguing emergence of new voices in the Philippines that are broadcasting Marian discourse globally. Based on two years of ethnographic fieldwork and hitherto unexplored archives in the Philippines, the United States, and Spain, Mother Figured documents the conditions of Marian devotion’s modern development and tracks how it has transformed Filipinos’ social and political role within the greater Catholic world.
Juana de la Cruz (1481–1534) is a unique figure in the history of the Catholic Church, thanks to her public visionary experiences during which she lost consciousness, while a deep voice, identifying itself as Christ, issued from her, narrating the feasts and pageants taking place in heaven. Juana’s so called “sermons,” collected in a manuscript called Libro del Conorte, form a fascinating window into Castilian religiosity in the early sixteenth century. There is much to reap from these sermons concerning Spanish Renaissance culture, theology, mysticism, gender roles, and interreligious interactions.
De la Dehesa studied the archives of activists, social-movement organizations, political parties, religious institutions, legislatures, and state agencies, and he interviewed hundreds of individuals, not only LGBT activists, but also feminists, AIDS and human-rights activists, party militants, journalists, academics, and state officials. He marshals his prodigious research to reveal the interplay between evolving representative institutions and LGBT activists’ entry into the political public sphere in Latin America, offering a critical analysis of the possibilities opened by emerging democratic arrangements, as well as their limitations. At the same time, exploring activists’ engagement with the international arena, he offers new insights into the diffusion and expression of transnational norms inscribing sexual rights within a broader project of liberal modernity. Queering the Public Sphere in Mexico and Brazil is a landmark examination of LGBT political mobilization.
Readers have long responded to Samuel Beckett’s novels and plays with wonder or bafflement. They portray blind, lame, maimed creatures cracking whips and wielding can openers who are funny when they should be chilling, cruel when they should be tender, warm when most wounded. His works seem less to conclude than to stop dead. And so readers quite naturally ask: what might all this be meant to mean?
In a lively and enlivening study of a singular creative nature, Leland de la Durantaye helps us better understand Beckett’s strangeness and the notorious difficulties it presents. He argues that Beckett’s lifelong campaign was to mismake on purpose—not to denigrate himself, or his audience, nor even to reconnect with the child or the savage within, but because he believed that such mismaking is in the interest of art and will shape its future. Whether called “creative willed mismaking,” “logoclasm,” or “word-storming in the name of beauty,” Beckett meant by these terms an art that attacks language and reason, unity and continuity, art and life, with wit and venom.
Beckett’s Art of Mismaking explains Beckett’s views on language, the relation between work and world, and the interactions between stage and page, as well as the motives guiding his sixty-year-long career—his strange decision to adopt French as his literary language, swerve from the complex novels to the minimalist plays, determination to “fail better,” and principled refusal to follow any easy path to originality.
In addition to papers in history, culture and politics, this volume contains a central dossier on demography. This dossier charts some of the important changes experienced by the Cuban population—a concept that of course includes those living abroad—and some of the challenges posed by those changes (such as aging, or the changing composition of the expatriate community). A paper in the dossier looks carefully at infant mortality figures and raises poignant questions concerning methodologies and results.
Cuban Studies 44 features a dossier on the Cuban economy that covers economic problems and causation since 2010 and their possible remedy; tax reform from 2010 to 2014; the reconfiguration of social and economic actors since 2011 and the prospects of a market economy; the functioning of state-owned companies within current restructuring policies; and changes in Cuba’s trade deficit since 2009. Other topics include the consequences of the “Special Period” and the de/reconstruction of the “New Socialist Man”; public health care policies in the post-Soviet era; the Wallace Stevens poem “Academic Discourse at Havana”; U.S. General Fitzhugh Lee’s role in Cuban independence; José Martí’s death as a myth of the Cuban nation-building project; “Operation Pedro Pan” and the framing of childhood memories in the Cuban American community; and the social and political control of nonconformists in 1960s Cuba.
Cuban Studies 45 features two special dossiers: the first discusses the history and workings of the Cuban constitution and the need to revisit it along with civil and political rights; the second offers new perspectives on the history of health, medicine, and disease in Cuba, and views race as a factor in both infant mortality and tuberculosis from the early-to-mid twentieth century.
Additional essays discuss culture through poetry, higher education reform, the narratives of Lordes Casal, and filmmaker Jesús Díaz as an ‘unintentional deviationist.’ History is discussed vis-a-vis the radio politics of young Eddy Chibás, the slave abolitionist rhetoric of the Countess of Merlin, and the creole appropriation of Afro-Cuban dance and music to create sabor during the late nineteenth century.
Cuban Studies 46 includes a critical dossier on poet Lourdes Casal, with individual essays viewing the issues of race, feminism, and diaspora in her work. Additional essays address voices of economic change from the nonstate sector; cinema and church during the Special Period; and race, identity, and Cuban women’s activism in historic and cultural contexts.
Cuban Studies 49 includes dossiers on gender and feminism, economy, and history of education.
Cuban Studies 50 includes dossiers on new challenges in the private sector and communities of digital media sharing, along with reviews of nearly twenty new books.
A leading member of the new Afro-Cuban cultural movement, visual artist Juan Roberto Diago (b. 1971) has produced a body of work that offers a revisionist history of the Cuban nation. His “history”—a term he frequently inserts in his works using the visual language of graffiti—is not the official narrative of a racially harmonious nation, built thanks to the selfless efforts of generous white patriots. Diago’s Cuba is a nation built on pain, rape, greed, and the enslavement of millions of displaced Africans, a nation still grappling with the long-term effects of slavery and colonialism. To him, slavery is not the past, but a daily experience of racism and discrimination. Africa is not a root, but a wellspring of cultural renovation and personal affirmation, the ancestors that sustain him in his journey.
In the first examination of Diago’s creative work during his entire career, Alejandro de la Fuente provides parallel English- and Spanish-language text, illustrated throughout. The book traces Diago’s singular efforts to construct new pasts—the pasts required to explain the racial tensions of contemporary Cuba and the pasts of this Afro-Cuban present.
La Rioja, a province in the northwest section of the country, was the land of the caudillos immortalized by Domingo F. Sarmiento, particularly in his foundational and controversial book Facundo. De la Fuente focuses on the repeated rebellions in this district during the 1860s, when Federalist caudillos and their followers, the gauchos, rose up against the new Unitarian government. In this social and cultural analysis, de la Fuente argues that the conflict was not a factional struggle between two ideologically identical sectors of the elite, as commonly depicted. Instead, he believes, the struggle should be seen from the perspective of the lower-class gauchos, for whom Unitarianism and Federalism were highly differentiated party identities that represented different experiences during the nineteenth century. To reconstruct this rural political culture de la Fuente relies on sources that heretofore have been little used in the study of nineteenth-century Latin American politics, most notably a rich folklore collection of popular political songs, folktales, testimonies, and superstitions passed down by old gauchos who had been witnesses or protagonists of the rebellions. Criminal trial records, private diaries, and land censuses add to the originality of de la Fuente’s study, while also providing a new perspective on Sarmiento’s works, including the classic Facundo.
This book will interest those specializing in Latin American history, literature, politics, and rural issues.
The Republic of the Rio Grande had a brief and tenuous existence (1838–1840) before most of it was reabsorbed by Mexico and the remainder annexed by the United States, yet this region that straddles the Rio Grande has retained its distinctive cultural identity to the present day. Born on one side of the Rio Grande and raised on the other, Beatriz de la Garza is a product of this region. Her birthplace and its people are the subjects of this work, which fuses family memoir and borderlands history.
From the Republic of the Rio Grande brings new insights and information to the study of transnational cultures by drawing from family papers supplemented by other original sources, local chronicles, and scholarly works. De la Garza has fashioned a history of this area from the perspective of individuals involved in the events recounted. The book is composed of nine sections spanning some two hundred years, beginning in the mid-1700s. Each section covers not only a chronological period but also a particular theme relating to the history of the region. De la Garza takes a personal approach, opening most sections with an individual observation or experience that leads to the central motif, whether this is the shared identity of the inhabitants, their pride in their biculturalism and bilingualism, or their deep attachment to the land of their ancestors.
"Esto no es cosa de armas" (this is not a matter for weapons). These were the last words of Don Francisco Gutiérrez before Alonzo W. Allee shot and killed him and his son, Manuel Gutiérrez. What began as a simple dispute over Allee's unauthorized tenancy on a Gutiérrez family ranch near Laredo, Texas, led not only to the slaying of these two prominent Mexican landowners but also to a blatant miscarriage of justice.
In this engrossing account of the 1912 crime and the subsequent trial of Allee, Beatriz de la Garza delves into the political, ethnic, and cultural worlds of the Texas-Mexico border to expose the tensions between the Anglo minority and the Mexican majority that propelled the killings and their aftermath. Drawing on original sources, she uncovers how influential Anglos financed a first-class legal team for Allee's defense and also discusses how Anglo-owned newspapers helped shape public opinion in Allee's favor. In telling the story of this long-ago crime and its tragic results, de la Garza sheds new light on the interethnic struggles that defined life on the border a century ago, on the mystique of the Texas Rangers (Allee was said to be a Ranger), and on the legal framework that once institutionalized violence and lawlessness in Texas.
The first five chapters present basic combinatorial and geometric group theory in a unique and refreshing way, with an emphasis on finitely generated versus finitely presented groups. In the final three chapters, de la Harpe discusses new material on the growth of groups, including a detailed treatment of the "Grigorchuk group." Most sections are followed by exercises and a list of problems and complements, enhancing the book's value for students; problems range from slightly more difficult exercises to open research problems in the field. An extensive list of references directs readers to more advanced results as well as connections with other fields.
After the modern Mexican state came into being following the Revolution of 1910, hyper-masculine machismo came to be a defining characteristic of "mexicanidad," or Mexican national identity. Virile men (pelados and charros), virtuous prostitutes as mother figures, and minstrel-like gay men were held out as desired and/or abject models not only in governmental rhetoric and propaganda, but also in literature and popular culture, particularly in the cinema. Indeed, cinema provided an especially effective staging ground for the construction of a gendered and sexualized national identity.
In this book, Sergio de la Mora offers the first extended analysis of how Mexican cinema has represented masculinities and sexualities and their relationship to national identity from 1950 to 2004. He focuses on three traditional genres (the revolutionary melodrama, the cabaretera [dancehall] prostitution melodrama, and the musical comedy "buddy movie") and one subgenre (the fichera brothel-cabaret comedy) of classic and contemporary cinema. By concentrating on the changing conventions of these genres, de la Mora reveals how Mexican films have both supported and subverted traditional heterosexual norms of Mexican national identity. In particular, his analyses of Mexican cinematic icons Pedro Infante and Gael García Bernal and of Arturo Ripstein's cult film El lugar sin límites illuminate cinema's role in fostering distinct figurations of masculinity, queer spectatorship, and gay male representations. De la Mora completes this exciting interdisciplinary study with an in-depth look at how the Mexican state brought about structural changes in the film industry between 1989 and 1994 through the work of the Mexican Film Institute (IMCINE), paving the way for a renaissance in the national cinema.
The condition of modernity springs from that tension between science and the humanities that had its roots in the Enlightenment but reached its full flowering with the rise of twentieth-century technology. It manifests itself most notably in the crisis of individuality that is generated by the nexus of science, literature, and politics, one that challenges each of us to find a way of balancing our personal identities between our public and private selves in an otherwise estranging world. This challenge, which can only be expressed as "the struggle of modernity," perhaps finds no better expression than in C. P. Snow. In his career as novelist, scientist, and civil servant, C. P. Snow (1905-1980) attempted to bridge the disparate worlds of modern science and the humanities.
While Snow is often regarded as a late-Victorian liberal who has little to say about the modernist period in which he lived and wrote, de la Mothe challenges this judgment, reassessing Snow's place in twentieth-century thought. He argues that Snow's life and writings—most notably his Strangers and Brothers sequence of novels and his provocative thesis in The Two Cultures and the Scientific Revolution—reflect a persistent struggle with the nature of modernity. They manifest Snow's belief that science and technology were at the center of modern life.
The essays address a wide range of topics, from the emergence of commercial daily newspapers during the July Monarchy to the photographic representation of women in the Paris Commune. Together they demonstrate that the French mass press was far more heterogeneous than previously supposed, tapping into an expanding readership composed of a variety of publics—from affluent bourgeois to disaffected workers to disenfranchised women. It was also relentlessly innovative, using caricature, argot, advertisements, and other attention-grabbing techniques that blurred the lines separating art, politics, and the news.
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