A SCHOLARLY BOOK REPOSITORY
Intertwined with the concept of expressive culture is that of “place” in relation to New Mexico itself. Place is addressed directly by four of the authors in this anthology and is present in some way and in varying degrees among the rest. Place figures prominently in Nuevomexicano “character,” contributors argue. They assert that Nuevomexicanos and Nuevomexicanas construct and develop a sense of self that is shaped by the geography and culture of the state as well as by their heritage.
Many of the articles deal with recent events or with recent reverberations of important historical events, which imbues the collection with a sense of immediacy. Rituals, traditions, community commemorations, self-concepts, and historical revisionism all play key roles. Contributors include both prominent and emerging scholars united by their interest in, and fascination with, the distinctiveness of Nuevomexicano culture.
The Critique of Judgment—the third and final work in Kant’s critical system—laid the groundwork of modern aesthetics when it appeared in 1790. Eli Friedlander’s reappraisal of this seminal accomplishment reformulates and elucidates Kant’s thought in order to reveal the inner unity of the Third Critique.
Expressions of Judgment emphasizes the internal connection of judgment and meaning in Kant’s aesthetics, showing how the pleasure in judging is intimately related to our capacity to draw meaning from our encounter with beauty. Although the meaningfulness of aesthetic judgment is most evident in the response to art, the appreciation of nature’s beauty has an equal share in the significant experience of our world. Friedlander’s attention to fundamental dualities underlying the Third Critique—such as that of art and nature—underscores how its themes are subordinated systematically to the central task Kant sets himself: that of devising a philosophical blueprint for the mediation between the realms of nature and freedom.
This understanding of the mediating function of judgment guides Friedlander in articulating the dimensions of the field of the aesthetic that opens between art and nature, the subject and the object, knowledge and the will, as well as between the individual and the communal. Expressions of Judgment illuminates the distinctness as well as the continuity of this important late phase in Kant’s critical enterprise, providing insights for experienced scholars as well as new students of philosophy.
Gatling demonstrates how Sufis transcend the oppressive religious politics of contemporary Tajikistan by using these forms to inhabit multiple times: the paradoxical present, the Persian sacred past, and the Soviet era. In a world consumed with the supposed political dangers of Islam, Gatling shows the intricate, ground-level ways that Muslim expressive culture intersects with authoritarian politics, not as artful forms of resistance but rather as a means to shape Sufi experiences of the present.
This research makes two types of contributions to existing political science literature. On a theoretical level, it argues for a reconceptualization of the motives of candidates and parties in rational choice analysis. On a practical level, it seeks to enrich our understanding of the role that challengers play in American elections and of the reason why different types of challengers emerge in different types of elections. Boatright argues that the role of challengers in the American electoral process can be understood only if we broaden our theories about rational candidate behavior.
When asked why people obey the law, legal scholars usually give two answers. Law deters illicit activities by specifying sanctions, and it possesses legitimate authority in the eyes of society. Richard McAdams shifts the prism on this familiar question to offer another compelling explanation of how the law creates compliance: through its expressive power to coordinate our behavior and inform our beliefs.
“McAdams’s account is useful, powerful, and—a rarity in legal theory—concrete…McAdams’s treatment reveals important insights into how rational agents reason and interact both with one another and with the law. The Expressive Powers of Law is a valuable contribution to our understanding of these interactions.”
—Harvard Law Review
“McAdams’s analysis widening the perspective of our understanding of why people comply with the law should be welcomed by those interested either in the nature of law, the function of law, or both…McAdams shows how law sometimes works by a power of suggestion. His varied examples are fascinating for their capacity both to demonstrate and to show the limits of law’s expressive power.”
—Patrick McKinley Brennan, Review of Metaphysics
When a woman leaves prison, she enters a world of competing messages and conflicting advice. Staff from prison, friends, family members, workers at halfway houses and treatment programs all have something to say about who she is, who she should be, and what she should do. The Ex-Prisoner’s Dilemma offers an in-depth, firsthand look at how the former prisoner manages messages about returning to the community.
Over the course of a year, Andrea Leverentz conducted repeated interviews with forty-nine women as they adjusted to life outside of prison and worked to construct new ideas of themselves as former prisoners and as mothers, daughters, sisters, romantic partners, friends, students, and workers. Listening to these women, along with their family members, friends, and co-workers, Leverentz pieces together the narratives they have created to explain their past records and guide their future behavior. She traces where these narratives came from and how they were shaped by factors such as gender, race, maternal status, age, and experiences in prison, halfway houses, and twelve-step programs—factors that in turn shaped the women’s expectations for themselves, and others’ expectations of them. The women’s stories form a powerful picture of the complex, complicated human experience behind dry statistics and policy statements regarding prisoner reentry into society for women, how the experience is different for men and the influence society plays.
With its unique view of how society’s mixed messages play out in ex-prisoners’ lived realities, The Ex-Prisoner’s Dilemma shows the complexity of these women’s experiences within the broad context of the war on drugs and mass incarceration in America. It offers invaluable lessons for helping such women successfully rejoin society.
Mexico's colonial experience had left a bitter legacy. Many believed that only the physical removal of the old colonial elite could allow the creation of a new political and economic order. While expulsion seemed to provide the answer, the expulsion decrees met stiff resistance and caused a tug-of-war between enforcement and evasion that went on for years. Friendship, family influence, intrigue, and bribery all played a role in determining who left and who stayed. After years of struggle, the movement died down, but not until three-quarters of Mexico's peninsulares had been forced to leave. Expulsion had the effect of crippling a once flourishing economy, with the flight of significant capital.
Soaring income inequality and unemployment, expanding populations of the displaced and imprisoned, accelerating destruction of land and water bodies: today’s socioeconomic and environmental dislocations cannot be fully understood in the usual terms of poverty and injustice, according to Saskia Sassen. They are more accurately understood as a type of expulsion—from professional livelihood, from living space, even from the very biosphere that makes life possible.
This hard-headed critique updates our understanding of economics for the twenty-first century, exposing a system with devastating consequences even for those who think they are not vulnerable. From finance to mining, the complex types of knowledge and technology we have come to admire are used too often in ways that produce elementary brutalities. These have evolved into predatory formations—assemblages of knowledge, interests, and outcomes that go beyond a firm’s or an individual’s or a government’s project.
Sassen draws surprising connections to illuminate the systemic logic of these expulsions. The sophisticated knowledge that created today’s financial “instruments” is paralleled by the engineering expertise that enables exploitation of the environment, and by the legal expertise that allows the world’s have-nations to acquire vast stretches of territory from the have-nots. Expulsions lays bare the extent to which the sheer complexity of the global economy makes it hard to trace lines of responsibility for the displacements, evictions, and eradications it produces—and equally hard for those who benefit from the system to feel responsible for its depredations.
An Observer Architecture Book of the Year
Soaring income inequality and unemployment, expanding populations of the displaced and imprisoned, accelerating destruction of land and water bodies: today’s socioeconomic and environmental dislocations cannot be fully understood in the usual terms of poverty and injustice, according to Saskia Sassen. They are more accurately understood as a type of expulsion—from professional livelihood, from living space, even from the very biosphere that makes life possible.
“Saskia Sassen’s Expulsions describes the global forces that make ever more tenuous and fragile most people’s grip on the places where they live.”
—Rowan Moore, The Observer
“Coupled with her earlier work, this may be a paradigm breaking/making work.”
—Michael D. Kennedy, Contemporary Sociology
“Once again, sociologist Sassen uses her considerable knowledge to think creatively at both the local and global levels…In place of the principle of inclusion in the pre-1980s Keynesian era, the planet is increasingly dominated by a principle of exclusion of people, land, natural resources, and water. Sassen presents a powerful conceptual analysis and an equally powerful and timely call to action.”
—M. Oromaner, Choice
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Over 80 contemporary artists and designers created “artworks as auctions” for #exstrange between January 15 and April 15, 2017, each using the elements of the auction listing—descriptive text, images, pricing, and categories—as tools of production.
Works include artist Lucy Pawlak’s collaboration with the Beat Officer to sell a series of clay objects as missing evidence from unexplained events in Mexico; IOCOSE’s sale of instant protests in the category “Specialty Services” where buyers chose the protest mantras, and outsourced performers demonstrated; and Susanne Cockrell & Ted Purves’ offering of a stick-gun with the memory of their son’s play in “Entertainment Memorabilia.”
Featured artists:
10.000 • Lanfranco Aceti • AILADI • Aysha Al Moayyed • Nasser Alzayani • Mary Ayling • Georgia Banks • Ann Bartges • Yogesh Barve • Kim Beck • Ajit Bhadoriya • Natalie Boterman • Sophia Brueckner • Carmel Buckley • Renee Carmichael • Alessio Chierico • Mia Cinelli • Susanne Cockrell • ConnX • Da Burn Gallery • Julia del Río • Tyler Denmead • César Escudero • Nihaal Faizal • FICTILIS • Eryn Foster • John D. Freyer • Elisa Giardina Papa • Angela Glanzmann • Maximilian Goldfarb • Archana Hande • Abhishek Hazra • Adam Hewins • Megan Hildebrandt • Joey Holder • Masimba Hwati • Regin Igloria • IOCOSE • JODI • Geraldine Juárez • KairUs Art+Research • Katerina Kamprani • Kamilia Kard • Tara Kelton • Matt Kenyon • Stephanie LaFreniere • Eno Laget • Nicolás Lamas • Martin Lang • Taekyeom Lee • LEXX Exhibitor Space • Lloyd Corporation • Silvio Lorusso • Breda Lynch • Garrett Lynch • Eva and Franco Mattes • Kembrew McLeod • Kathleen Meaney • Maria Miranda • Crisia Miroiu • Joana Moll • Martín Nadal • Norie Neumark • Xi Jie Ng • Maeve O'Neill • Chiara Passa • Lucy Pawlak • Sreshta Rit Premnath • Niko Princen • Ted Purves • Renuka Rajiv • Luis Romero • Armando Rosales • Robert Sakrowski • Alessandro Sambini • Sarah Ancelle Schönfeld • Anke Schüttler • Guido Segni • Chinar Shah • Jenine Sharabi • Yastika Prakash Shetty • Anupam Singh • Gagan Singh • Ishan Srivstava • Isabella Streffen • Surabhi Vaya • Wang Yue • Wu Jiaru • Yashaswini • Laura Yuile • Carlo Zanni • Huaqian Zhang
Guest curators:
Latifa Al Khalifa • Bani Brusadin • Peter Dykhuis • Fred Feinberg & Lu Zhang • Harrell Fletcher • Tamara Ibarra • João Laia • Nora O Murchú • Domenico Quaranta • Gaia Tedone • TSAO Yidi
Using cultural critique and textual theory, Corbett addresses a broad spectrum of issues, such as the status of recorded music in postmodern culture, the politics of self-censorship, experimentation, and alternativism in the music industry, and the use of metaphors of space and madness in the work of African American musicians. He follows these more theoretically oriented essays with a series of extensive profiles and in-depth interviews that offer contrasting and complementary perspectives on some of the world’s most creative musicians and their work. Included here are more than twenty original photographs as well as a meticulously annotated discography. The result is one of the most thoughtful, and most entertaining, investigations of contemporary music available today.
After his parents are killed in a horrific roadside execution, Alvaro flees his home in Colombia and finds work as a line cook at the seedy hotel. Together with his sister, Carmen, he begins to make a new life in the desert, earning a promotion to management along with an irresistible offer to stay at the hotel rent-free. But as beloved photographs go missing, cockroaches seep from the walls, and grotesque strangers wander the corridors, the promise of the Alicia decays into nightmare. Alvaro discovers that the hotel is a small appendage of an enormous creature that feeds on guests and their secrets, one that will eventually bring him face-to-face with the memories he most wants to outrun. Alvaro, Carmen, and their friends decide to cooperate with the creature rather than fight it. But in their efforts to appease it, do they sacrifice too much of themselves?
Haunting and visceral, Extended Stay uses the language of body horror and the gothic to comment on the complicated relationship between the Latinx undocumented experience and capitalism, the erasure of those living and working on the margins, the heavy toll exacted by memory, and the queasy permeability of boundaries that separate the waking world from the world of dreams.
Extensions of the Burkeian System constitutes one of the first projects to meet the requirements Burke has established for his operation benchmark. This volume its origins in the scholarly contributions of Kenneth Burke. All of the authors of the chapters in this volume adopt stances that defer to Burke’s initial contributions, ultimately casting their work as extensions of ideas and claims posited by Burke. Yet, all of the authors also make significant departures from positions Burke has articulated. The range of these reactions varies tremendously. Several of the authors cast their positions as augmentations. They offer supplements to Burke's claims that constitute logical additions to Burke's initial observations, but even these authors provide adjustments to the Burkeian system that make a difference in how the system is perceived and understood. Other essays are cast in a more challenging mode, arguing explicitly for alternative viewpoints. Displeased with Burke's analysis at a given point for one reason or another, they posit positions different than those advanced by Burke.
This timely synthesis of partial differential equations and differential geometry will be of fundamental importance to both students and experienced researchers working in geometric analysis.
Popular media depict miners as a rough-and-tumble lot who diligently worked the placers along scenic rushing rivers while living in roaring mining camps in the foothills of the Sierra Nevada Mountains. Trafzer and Hyer destroy this mythic image by offering a collection of original newspaper articles that describe in detail the murder, rape, and enslavement perpetrated by those who participated in the infamous gold rush. "It is a mercy to the Red Devils," wrote an editor of the Chico Courier, "to exterminate them." Newspaper accounts of the era depict both the barbarity and the nobility in human nature, but while some protested the inhumane treatment of Native Americans, they were not able to end the violence. Native Americans fought back, resisting the invasion, but they could not stop the tide of white miners and settlers. They became "strangers in a stolen land."
The selected works presented in this volume, some previously published, some new, are representative of this debate and open up new questions and issues for philosophical investigation, including the connection between externalism, self-knowledge, epistemic warrant, and memory.
So-called extinct objects are those that were imagined but were never in use, or that existed but are now unused—superseded, unfashionable, or simply forgotten. Extinct gathers together an exceptional range of artists, curators, architects, critics, and academics, including Hal Foster, Barry Bergdoll, Deyan Sudjic, Tacita Dean, Emily Orr, Richard Wentworth, and many more. In eighty-five essays, contributors nominate “extinct” objects and address them in a series of short, vivid, sometimes personal accounts, speaking not only of obsolete technologies, but of other ways of thinking, making, and interacting with the world. Extinct is filled with curious, half-remembered objects, each one evoking a future that never came to pass. It is also a visual treat, full of interest and delight.
The history of the American Southwest in large part entails the transformation of lived, embodied space into zones of police surveillance, warehouse districts, highway interchanges, and shopping malls—a movement that Chicana writers have contested from its inception. Brady examines this long-standing engagement with space, first in the work of early newspaper essayists and fiction writers who opposed Anglo characterizations of Northern Sonora that were highly detrimental to Mexican Americans, and then in the work of authors who explore border crossing. Through the writing of Sandra Cisneros, Cherríe Moraga, Terri de la Peña, Norma Cantú, Monserrat Fontes, Gloria Anzaldúa, and others, Brady shows how categories such as race, gender, and sexuality are spatially enacted and created—and made to appear natural and unyielding. In a spatial critique of the war on drugs, she reveals how scale—the process by which space is divided, organized, and categorized—has become a crucial tool in the management and policing of the narcotics economy.
In Extinct Madagascar, noted scientists Steven M. Goodman and William L. Jungers explore the recent past of these land animal extinctions. Beginning with an introduction to the geologic and ecological history of Madagascar that provides context for the evolution, diversification, and, in some cases, rapid decline of the Malagasy fauna, Goodman and Jungers then seek to recapture these extinct mammals in their environs. Aided in their quest by artist Velizar Simeonovski’s beautiful and haunting digital paintings—images of both individual species and ecosystem assemblages reproduced here in full color—Goodman and Jungers reconstruct the lives of these lost animals and trace their relationships to those still living.
Published in conjunction with an exhibition of Simeonovski’s artwork set to open at the Field Museum, Chicago, in the fall of 2014, Goodman and Jungers’s awe-inspiring book will serve not only as a sobering reminder of the very real threat of extinction, but also as a stunning tribute to Madagascar’s biodiversity and a catalyst for further research and conservation.
Reconstructing the avian world in the same way archeologists re-create ancient human societies, David Steadman—a leading authority on tropical Pacific avian paleontology—has spent the past two decades in the field, digging through layers of soil in search of the bones that serve as clues to the ancient past of island bird communities. His years of indefatigable research and analysis are the foundation for Extinction and Biogeography of Tropical Pacific Birds, a monumental study of the landbirds of tropical Pacific islands—especially those from Fiji eastward to Easter Island—and an intricate history of the patterns and processes of island biology over time.
Using information gleaned from prehistoric specimens, Steadman reconstructs the birdlife of tropical Pacific islands as it existed before the arrival of humans and in so doing corrects the assumption that small, remote islands were unable to support rich assemblages of plants and animals. Easter Island, for example, though devoid of wildlife today, was the world’s richest seabird habitat before Polynesians arrived more than a millennium ago. The forests of less isolated islands in the Pacific likewise teemed with megapodes, rails, pigeons, parrots, kingfishers, and songbirds at first human contact.
By synthesizing data from the distant past, Steadman hopes to inform present conservation programs. Grounded in geology, paleontology, and archeology, but biological at its core, Extinction and Biogeography of Tropical Pacific Birds is an exceptional work of unparalleled scholarship that will stimulate creative discussions of terrestrial life on oceanic islands for years to come.
On its face, the story of mass extinction on Earth is one of unavoidable disaster. Asteroid smashes into planet; goodbye dinosaurs. Planetwide crises seem to be beyond our ability to affect or evade. Extinctions argues that geological history tells an instructive story, one that offers important signs for us to consider. When the asteroid struck, Charles Frankel explains, it set off a wave of cataclysms that wore away at the global ecosystem until it all fell apart. What if there had been a way to slow or even turn back these tides? Frankel believes that the answer to this question holds the key to human survival.
Human history, from the massacre of Ice Age megafauna to today’s industrial climate change, has brought the planet through another series of cataclysmic events. But the history of mass extinction together with the latest climate research, Frankel maintains, shows us a way out. If we curb our destructive habits, particularly our drive to kill and consume other species, and work instead to conserve what biodiversity remains, the Earth might yet recover. Rather than await decisive disaster, Frankel argues that we must instead take action to reimagine what it means to be human. As he eloquently explains, geological history reminds us that life is not eternal; we can disappear, or we can become something new and continue our evolutionary adventure.
A blend of cookbook and bite-size history, Extra! Extra! Eat All About It! offers a unique glimpse into the culinary landscape of the late nineteenth and early twentieth centuries. Fifty recipes selected from Wisconsin newspapers are served alongside brief essays that dig into the stories behind the food trends of the time.
In lively prose, Jane Conway and Randi Julia Ramsden reveal how coconuts and oysters made their way to 1800s Wisconsin, how bakers gauged the temperatures of their wood-burning stoves, and how our predecessors really did slip on banana peels, among other flavorful facts. In addition to capturing quirky food fashions, like breakfast parties and paper-bag cooking, the recipes provide insights into regional cooking traditions.
Each original recipe appears alongside the authors’ easy-to-follow updated version. Mouthwatering modern photographs showcase the revived dishes for the first time in their long history, and newspaper clippings, ads, and illustrations give the book a charming vintage feel. Featuring a variety of recipes, ranging from trendy (Barbecued Ham with Bananas) and tempting (Pickled Walnuts) to traditional (Pumpernickel) and tantalizing (Apple de Luxe), Extra! Extra! Eat All About It! will satisfy the appetites of history lovers and home chefs alike.
As a function of its corporate duties, the Consolidation Coal Company, one of the largest coal-mining operations in the United States during the first half of the twentieth century, had photographers take hundreds of pictures of nearly every facet of its operations. Whether for publicity images, safety procedures, or archival information, these photographs create a record that goes far beyond the purpose the company intended.
In Extracting Appalachia, geographer Geoffrey L. Buckley examines the company’s photograph collection housed at the Smithsonian Institution’s National Museum of American History. Included in the collection are images of mine openings, mining equipment, and mine accidents, as well as scenes of the company towns, including schools, churches, recreational facilities, holiday celebrations, and company stores.
Although the photographs in the collection provide us with valuable insights, they tell only part of the story. Using company records, state and federal government documents, contemporary newspaper accounts, and other archival materials, Professor Buckley shows that these photographs reveal much more than meets the eye.
Extracting Appalachia places these historic mining images in their social, cultural, and historical context, uncovering the true value and meaning of this rare documentary record.
In this readable and compelling history of extradition in America, Christopher Pyle remedies that ignorance. Using American constitutional law and drawing on a wealth of historical cases, he describes the collision of law and politics that occurs when a foreign country demands the surrender of individuals held to be terrorists by some and freedom fighters by others. He shows how U.S. policymakers have attempted to substitute deportation for extradition and turn the surrender of a foreign national (or even an American citizen) into a political rather than a judicial process.
Beginning with the New England Puritans' refusal to surrender the "regicides" who had signed the death warrant of Charles I, he traces the attitudes and ideologies that have shaped American extradition practice, culminating in the efforts by the Reagan and Bush administrations to turn the legal extradition process into an executive tool of state policy. Along the way we meet such luminaries as James Madison and John Stuart Mill, William Rehnquist and Oliver North, as well as pirates and fugitive slaves, anarchists and refugees, drug lords and runaway sailors.
Woven throughout this story is the author's belief that current developments in extradition law ignore or actually violate the principles of individual liberty, due process, and humanity on which we claim our country was built. As he remarks in the Introduction, "Extradition involves the surrender of human beings -- persons under the protection of our Constitution -- to foreign regimes, many of which are unjust. This reality was well understood in the eighteenth and nineteenth centuries, when the United States was a refuge for the victims of European oppression, but it has been disregarded frequently in the twentieth century as we have sought to stem the tide of immigration and develop advantageous economic and political relations with autocratic regimes of every stripe."
Contributors. Elissa Auther, Anthea Black, Betty Bright, Nicole Burisch, Maria Elena Buszek, Jo Dahn, M. Anna Fariello, Betsy Greer, Andrew Jackson, Janis Jefferies, Louise Mazanti, Paula Owen, Karin E. Peterson, Lacey Jane Roberts, Kirsty Robertson, Dennis Stevens, Margaret Wertheim
Personal narratives are one way people code their experiences and convey them to others. Given that speakers can simultaneously express information and define a social situation, analyzing how and why people structure the telling of personal narratives can provide insight into the social dimensions of language use. In Extraordinary from the Ordinary: Personal Experience Narratives in American Sign Language, Kristin Jean Mulrooney shows that accounts by Deaf persons expressed in ASL possess the same characteristics and perform the same function as oral personal narratives.
Mulrooney analyses12 personal narratives by ASL signers to determine how they “tell” their stories. She examines the ASL form of textual narration to see how signers use lexical signs to grammatically encode information, and how they also convey perceived narration. In perceived narration, the presenter depicts a past occurrence in the immediate environment that allows the audience to partially witness and interpret the event. Mulrooney determined that ASL narratives reveal a patterned structure consisting of an introduction, a main events section for identifying and describing past events, and a conclusion. They also can include background information, an explication section in which the presenter expands or clarifies an event, and a section that allows the presenter to explain his or her feelings about what happened. Liberally illustrated with photographs from videotaped narratives, Extraordinary from the Ordinary offers an engrossing, expansive view of personal narratives embodying the unique linguistic elements of ASL.
In the winter of 1861, as the secession crisis came to a head, an obscure military engineer, Charles Pomeroy Stone, emerged as the rallying point for the defense of Washington, D.C. against rebel attack. He was protector of the newly elected president and right-hand man of the army’s commanding general, General Winfield Scott, under whom he had served with distinction during the Mexican–American War. Nevertheless, with in a year, this same hero sat in a military prison accused of incompetence and possible treason.
Like other Union officers, Stone had the misfortune to run afoul of radical politicians in the nation’s capital who sought to control the war effort by undermining the professional military establishment. Their weapon, the Joint Committee on the Conduct of the War, applied a litmus test of commitment to abolition, loyalty to the Republican Party and battlefield success for the retention and promotion of army commanders. Stone, a Democrat who did not see the conflict as a crusade against slavery, and who lost his only battle, failed on all counts.
Readers of Civil War history know Stone best for his mistreatment at the hands of the Joint Committee.When his name appears, it is almost always in connection with the battle at Ball’s Bluff, Virginia, during which a close associate of Lincoln’s was killed, and its aftermath. His story, however, goes far beyond that engagement. In The Extraordinary Life of Charles Pomeroy Stone: Soldier, Surveyor, Pasha, Engineer that ranges from the Halls of Montezuma to Gold Rush California, and from the pyramids of Egypt to the foot of the Statue of Liberty, historian Blaine Lamb brings to light the many facets of Stone’s remarkable life and career. He weaves into the narrative such characters as Ulysses S. Grant,William Tecumseh Sherman, Abraham Lincoln,Winfield Scott, Alexander von Humboldt, Thaddeus Lowe, Chinese Gordon, Khedive Ismail, and Frederic Auguste Bartholdi. But the center of this tale of nineteenth-century adventure, exploration, war, and intrigue remains Stone himself, a man of honor, steadfast loyalty, and tragic innocence.
From early 20th-century writings to present-day poetry slams, African American poetry exhibits an impressive range of style and substance. Lorenzo Thomas has written an important new history of the genre that offers a critical reassessment of its development in the 20th century within the contexts of modernism and the troubled racial history of the United States.
Basing his study on literary history, cultural criticism, and close readings, Thomas revives and appraises the writings of a number of this century's most important African American poets, including Margaret Walker, Amiri Baraka, Askia M. Toure, Harryette Mullen, and Kalamu ya Salaam. Thomas analyzes the work of Fenton Johnson within the context of emerging race consciousness in Chicago, contributes to critical appraisals of William Stanley Braithwaite and Melvin B. Tolson, and examines the Black Arts Movement of the 1960s and 1970s. Throughout the book, Thomas demonstrates the continuity within the Afrocentric tradition while acknowledging the wide range of stylistic approaches and ideological stances that the tradition embraces.
By reassessing the African American poetry tradition, Thomas effectively reassesses the history of all 20th-century American literature by exploring avenues of debate that have not yet received sufficient attention. Written with intelligence and humor, his book is itself an extraordinary measure that reflects years of scholarship and opens up African American poetry to a wider audience.
Orchids deserve such a visual celebration: parts of the orchid flower have shapes unlike any other flowering plant, and the sheer number of species means they have a seemingly endless ability to create ever more fantastical forms. In fact, many orchid common names refer to the shape-shifting forms of their flowers—the “man-orchids” or “monkey-orchids” are so called because of their resemblance to the primate form. Orchids lend themselves to depiction, and botanical artworks of them abound. Who could resist painting or drawing such odd shapes?
Illustrated with stunning artwork, much from the archives of the Natural History Museum in London and never before published, Extraordinary Orchids includes depictions from celebrated botanical artists such as Ferdinand and Franz Bauer, Arthur Harry Church, and Sydney Parkinson, revealing the weird and wonderful lives of this most diverse of plant families.
“Today, as in the time of the South Sea Bubble, human nature is drawn like a moth to a flame by the speculative fads of the marketplace. The excitement of new glamour issues in electronics or medical technology and the general euphoria over a rising market can lure even the most experienced investors. Their optimism overcomes their better judgment. They abandon critical analysis of the investment’s fundamental value. Like gamblers in a casino, they play against the odds, paying inflated prices and dreaming of quick profit.” —from the foreword by John Marks Templeton.
Mackay’s classic, first published in 1841, studies the psychology of crowds and mass mania throughout history, including accounts of classic scams, grand-scale madness, and deceptions. Some of these include the Mississippi scheme that swept France in 1720, the South Sea Bubble that ruined thousands in England simultaneously, and the tulip mania of Holland when fortunes were made and lost on single tulip bulbs.
Other chapters deal with fads and delusions that often spring from good ideas or causes, many of which still have their followers today: alchemy and the philosopher’s stone, the prophecies of Nostradamus, the coming of comets and judgment day, the Rosicrucians, and astrology.
Time and again, we can avoid disastrous pitfalls and learn to profit by seeing how history repeats itself. Fascinating, mesmerizing, strikingly strange, and amazingly wise, this book will never be forgotten and cannot be ignored.
Extraordinary racial politics rupture out of and reset everyday racial politics. In his cogent book, Fred Lee examines four unusual, episodic, and transformative moments in U.S. history: the 1830s–1840s southeastern Indian removals, the Japanese internment during World War II, the post-war civil rights movement, and the 1960s–1970s racial empowerment movements. Lee helps us connect these extraordinary events to both prior and subsequent everyday conflicts.
Extraordinary Racial Politics brings about an intellectual exchange between ethnic studies, which focuses on quotidian experiences and negotiations, and political theory, which emphasizes historical crises and breaks. In ethnic studies, Lee draws out the extraordinary moments in Michael Omi and Howard Winant’s as well as Charles Mills’s accounts of racial formation. In political theory, Lee considers the strengths and weaknesses of using Carl Schmitt’s and Hannah Arendt’s accounts of public constitution to study racial power.
Lee concludes that extraordinary racial politics represent both the promises of social emancipation and the perils of state power. This promise and peril characterizes our contentious racial present.
Featuring interviews with the members of parliament, journalists, and officials close to the center of the turmoil, An Extraordinary Scandal tells the story of what really happened. Andrew Walker, the tax expert who oversaw the parliamentary expenses system, and Emma Crewe, a social scientist specializing in the institutions of parliament, bring fascinating perspectives—from both inside and outside parliament—to this account. Far from attempting provide a defense of any the parties involved, An Extraordinary Scandal explains how the parliament fell out of step with the electorate and became a victim of its own remote institutional logic, growing to become at odds with an increasingly open, meritocratic society.
Charting the crisis from its 1990s origins—when Westminster began, too slowly, to respond to wider societal changes—to its aftermath in 2010, the authors examine how the scandal aggravated the developing crisis of trust between the British electorate and Westminster politicians that continues to this day. Their in-depth research reveals new insight into how the expenses scandal acted as a glimpse of what was to come, and they reveal where the scandal’s legacy can be traced in the new age of mistrust and outrage, in which politicians are often unfairly vulnerable to being charged in the court of public opinion by those they represent.
Using DNA evidence, Juniper and Mabberley trace the fruit’s geographical journey through time and across countries. They show how the apple has long been one of the most important fruits in the temperate regions of the world, and that it has been beloved since the times of the Persians, Greeks, and Romans. Its reach grew thanks to its reputation as a highly nutritional food source as well as one that is remarkably convenient, as the apple can be stored throughout a harsh winter or easily transported over long distances. The authors also examine the apple’s global influence on human culture. After all, it’s the fruit that played a key role in the fall of Adam and Eve, the inspiration for Newton’s Law of Gravity, and the rise of a tech behemoth.
With a nod to this book’s roots with the Royal Botanic Gardens, Kew, chapters also cover types of apple and apple crops, grafting techniques over time, archaeological discoveries, use as a food and in cider making, as well as the latest research in apple biology. This fascinating book is illustrated throughout with color illustrations, paintings, photographs, and line drawings, and will make the ideal read for gardeners, growers, botanists, historians, archaeologists and zoologists alike. The next time you pluck an apple from a supermarket bushel, you’ll understand the millennia of human—and Ursidae—influences on that humble fruit.
Pattie McCarthy’s extraordinary tides occupies a space in the intertidal, the in-between place of not-quite-land and not-quite-sea. The poems reflect on passing time, fluctuating tides, and on our efforts to predict both. Upon a ground that is always in flux beneath us, McCarthy invites us to question if and how we really know where we are. Considering the language of the tides, the poems in this chapbook make a wrackline palimpsest, a seastruck archive, a marginalia of the littoral.
McCarthy's extraordinary tides is the winner of the 2021 Omnidawn Poetry Chapbook Contest, chosen by Rae Armantrout.
Annie Ray’s diary is not literary. By considering her ordinary writing as a site of complex and strategic negotiations among the writer, the form of writing, and dominant cultural scripts, Sinor makes visible the extraordinary work of the ordinary writer and the sophistication of these texts. In providing a way to read diaries outside the limits and conventions of literature, she challenges our approaches to other texts as well. Furthermore, because ordinary writing is not crafted for aesthetic reception (in contrast to autobiography proper, memoirs, and literary diaries), it is a productive site for investigating how both writing and culture get made every day.
The book is truly original in its form: nontraditional, storied, creative. Sinor, an accomplished creative writer, includes her own memories as extended metaphors in partnership with critical texts along with excerpts from her aunt's diary. The Extraordinary Work of Ordinary Writing will be a fascinating text for students of creative writing as well as of women's studies and diaries.
From Eudora Welty's memoir of childhood to May Sarton's reflections on her seventieth year, writers' journals offer an irresistible opportunity to join a creative thinker in musing on the events—whether in daily life or on a global scale—that shape our lives. In An Extraordinary Year of Ordinary Days, best-selling mystery novelist Susan Wittig Albert invites us to revisit one of the most tumultuous years in recent memory, 2008, through the lens of 365 ordinary days in which her reading, writing, and thinking about issues in the wider world—from wars and economic recession to climate change—caused her to reconsider and reshape daily practices in her personal life.
Albert's journal provides an engaging account of how the business of being a successful working writer blends with her rural life in the Texas Hill Country and the Sangre de Cristo Mountains of New Mexico. As her eclectic daily reading ranges across topics from economics, food production, and oil and energy policy to poetry, place, and the writing life, Albert becomes increasingly concerned about the natural world and the threats facing it, especially climate change and resource depletion. Asking herself, "What does it mean? And what ought I do about it?", she determines practical steps to take, such as growing more food in her garden, and also helps us as readers make sense of these issues and consider what our own responses might be.
Sarah Abrevaya Stein traces the experiences of Mediterranean Jewish women, men, and families who lived through a tumultuous series of wars, border changes, genocides, and mass migrations, all in the shadow of the collapse of the Ottoman Empire and the ascendance of the modern passport regime. Moving across vast stretches of Europe, the Middle East, Asia, and the Americas, she tells the intimate stories of people struggling to find a legal place in a world ever more divided by political boundaries and competing nationalist sentiments. From a poor youth who reached France as a stowaway only to be hunted by the Parisian police as a spy to a wealthy Baghdadi-born man in Shanghai who willed his fortune to his Eurasian Buddhist wife, Stein tells stories that illuminate the intertwined nature of minority histories and global politics through the turbulence of the modern era.
The poems ask questions with hymnlike couplets, in a language of the gospel of empathy. We are allowed to rethink our choices, question and be wary of our machinery, and, in the end, with metaphors that channel feelings of loss, humor, and compassion, we are reminded “to come, and dream, with eyes wide open / and set within the vessels of our waking selves, / of ever more intricate schemes, extravagant rescues.”
From Shortbus to Shame and from Oldboy to Irreversible, film festival premieres regularly make international headlines for their shockingly graphic depictions of sex and violence. Film critics and scholars alike often regard these movies as the work of visionary auteurs, hailing directors like Michael Haneke and Lars von Trier as heirs to a tradition of transgressive art. In this provocative new book, Mattias Frey offers a very different perspective on these films, exposing how they are also calculated products, designed to achieve global notoriety in a competitive marketplace.
On the Tibetan Plateau, there are wild yaks with blood cells thinner than those of horses’ by half, enabling the endangered yaks to survive at 40 below zero and in the lowest oxygen levels of the mountaintops. But climate change is causing the snow patterns here to shift, and with the snows, the entire ecosystem. Food and water are vaporizing in this warming environment, and these beasts of ice and thin air are extraordinarily ill-equipped for the change. A journey into some of the most forbidding landscapes on earth, Joel Berger’s Extreme Conservation is an eye-opening, steely look at what it takes for animals like these to live at the edges of existence. But more than this, it is a revealing exploration of how climate change and people are affecting even the most far-flung niches of our planet.
Berger’s quest to understand these creatures’ struggles takes him to some of the most remote corners and peaks of the globe: across Arctic tundra and the frozen Chukchi Sea to study muskoxen, into the Bhutanese Himalayas to follow the rarely sighted takin, and through the Gobi Desert to track the proboscis-swinging saiga. Known as much for his rigorous, scientific methods of developing solutions to conservation challenges as for his penchant for donning moose and polar bear costumes to understand the mindsets of his subjects more closely, Berger is a guide par excellence. He is a scientist and storyteller who has made his life working with desert nomads, in zones that typically require Sherpas and oxygen canisters. Recounting animals as charismatic as their landscapes are extreme, Berger’s unforgettable tale carries us with humor and expertise to the ends of the earth and back. But as his adventures show, the more adapted a species has become to its particular ecological niche, the more devastating climate change can be. Life at the extremes is more challenging than ever, and the need for action, for solutions, has never been greater.
Barber sets out to explore and define Europe's political and conceptual edges, first making a circuit eastwards through Albania to Turkey, then south- and westwards along the Mediterranean coast, with stops in Crete and Marseille. The book's two other sections move, first, through several decades of history as they can be read in both the surviving and the transformed fabrics of Berlin, and, finally, through the frayed, disaffected multicultural landscapes of Paris's outer suburbs.
Along with reproduction, balancing energy expenditure with the limits of resource acquisition is essential for both a species and a population to survive. But energy is a limited resource, as we know well, so birds and mammals—the most energy-intensive fauna on the planet—must reduce energy expenditures to maintain this balance, some taking small steps, and others extreme measures.
Here Brian K. McNab draws on his over sixty years in the field to provide a comprehensive account of the energetics of birds and mammals, one fully integrated with their natural history. McNab begins with an overview of thermal rates—much of our own energy is spent maintaining our 98.6?F temperature—and explains how the basal rate of metabolism drives energy use, especially in extreme environments. He then explores those variables that interact with the basal rate of metabolism, like body size and scale and environments, highlighting their influence on behavior, distribution, and even reproductive output. Successive chapters take up energy and population dynamics and evolution. A critical central theme that runs through the book is how the energetic needs of birds and mammals come up against rapid environmental change and how this is hastening the pace of extinction.
Recent figures suggest that there will be 1.6 billion arrivals at world airports by the year 2020. Extreme Pursuits looks at the new conditions of global travel and the unease, even paranoia, that underlies them---at the opportunities they offer for alternative identities and their oscillation between remembered and anticipated states. Graham Huggan offers a provocative account of what is happening to travel at a time characterized by extremes of social and political instability in which adrenaline-filled travelers appear correspondingly determined to take risks. It includes discussions of the links between tourism and terrorism, of contemporary modes of disaster tourism, and of the writing that derives from these; but it also confirms the existence of more responsible forms of travel/writing that demonstrate awareness of a chronically endangered world.
Extreme Pursuits is the first study of its kind to link travel writing explicitly with structural changes in the global tourist industry. The book makes clear that travel writing can no longer take refuge in the classic distinctions (traveler versus tourist, foreigner versus native) on which it previously depended. Such distinctions---which were dubious in the first place---no longer make sense in an increasingly globalized world. Huggan argues accordingly that the category "travel writing" must include experimental ethnography and prose fiction; that it should concern itself with other kinds of travel practices, such as those related to Holocaust deportation and migrant labor; and that it should encompass representations of travelers and "traveling cultures" that appear in popular media, especially TV and film.
Graham Huggan is Professor of Commonwealth and Postcolonial Literatures at the University of Leeds. He is the coauthor, with Patrick Holland, of Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (University of Michigan Press) and coauthor, with Helen Tiffin, of Postcolonial Ecocriticism (Routledge).
Illustration: "Shadow Wall," 2006 © Shaun Tan.
Western site that gives historical reality to the utopias of the Renaissance and the Enlightenment?
Jean-Philippe Mathy offers the first systematic examination of French texts that address the question of America. He shows how prominent French intellectuals have represented America as myth and metaphor, covering the entire ideological spectrum from Maurras to Duhamel, and from Sartre to Aron. The texts themselves range from novels and poems to travel narratives and philosophical essays by Claudel, Sartre, de Beauvoir, Lyotard, Baudrillard, Kristeva, and many others.
Mathy deftly situates these discourses on America against the background of French intellectual and political history since 1789. The judgments on American culture that originate in France, he contends, are also statements about France itself. Widespread condemnation of American
materialism and pragmatism cuts across deep ideological and political divides in France, primarily because French intellectuals still operate within a framework of critical and aesthetic models born in the late Middle Ages and the Renaissance and elaborated in the age of French classicism.
Mathy engages issues central to interpreting the American experience, such as the current controversies over multiculturalism and Eurocentrism. Although Mathy deals mainly with French authors, he does not limit himself to them. Rather, he uses a comparative, cross-cultural approach that also takes in accounts of America by Nietzsche, Heidegger, Junger, Gramsci, and other Europeans, as well as American self-interpretations from Emerson and Dewey to Cornel West and Christopher Lasch.
Because debates on American modernity have played a crucial intellectual role in France, Extrême-Occident is a major contribution to modern French cultural
history. It will be essential reading for anyone wishing to understand the main currents of twentieth-century French thought.
How do we come to terms with what can't be forgotten?
How do we bear witness to extreme experiences that challenge the limits of language? This remarkable volume explores the emotional, political, and aesthetic dimensions of testimonies to trauma as they translate private anguish into public space. Nancy K. Miller and Jason Tougaw have assembled a collection of essays that trace the legacy of the Holocaust and subsequent events that have shaped twentieth-century history and still haunt contemporary culture.
Extremities combines personal and scholarly approaches to a wide range of texts that bear witness to shocking and moving accounts of individual trauma: Toni Morrison's Beloved, Sylvia Plath's "Daddy" and "Lady Lazarus," Kathryn Harrison's The Kiss, Tatana Kellner's Holocaust art, Ruth Klüger's powerful memoir Still Alive, and Binjamin Wilkomirski's controversial narrative of concentration camp suffering Fragments. The book grapples with the cultural and social effects of historical crises, including the Montreal Massacre, the Warsaw Ghetto Uprising, and the medical catastrophes of HIV/AIDS and breast cancer.
Developing insights from autobiography, psychoanalysis, feminist theory and gender studies, the authors demonstrate that testimonies of troubling and taboo subjects do more than just add to the culture of confession–-they transform identities and help reimagine the boundaries of community. Extremities offers an original and timely interpretive guide to the growing field of trauma studies. The volume includes essays by Ross Chambers, Sandra M. Gilbert, Susan Gubar, Marianne Hirsch, Wayne Koestenbaum, Eve Kosofsky Sedgwick, and others.
Lydon shows how the photographic portrayals of the Aboriginal residents of Coranderrk changed over time, reflecting various ideas of the colonial mission—from humanitarianism to control to assimilation. In the early twentieth century, the images were used on stereotypical postcards circulated among the white population, showing what appeared to be compliant, transformed Aboriginal subjects. The station closed in 1924 and disappeared from public view until it was rediscovered by scholars years later. Aboriginal Australians purchased the station in 1998, and, as Lydon describes, today they are using the Coranderrk photographic archive in new ways, to identify family members and tell stories of their own.
Anthony Barboza (b. 1944) is a celebrated artist and writer who has made thousands of photographs in the studio and on the street since 1963. A member of the Kamoinge collective of photographers in New York, Barboza is largely self-taught and has an inimitable, highly intuitive vision that he refers to as “eye dreaming,” or “a state of mind that’s almost like meditation.” Throughout the years he has made countless commercial images, including celebrity portraits, advertisements, and album covers. His personal photographic projects illuminate his deep investment in the art and concerns of Black communities, not only in the United States but also around the globe.
This lavishly illustrated volume follows Barboza’s prolific career from his youth in New Bedford, Massachusetts, to his formative years in New York in the 1960s, to the present day. An introduction by renowned author and critic Hilton Als underscores Barboza’s importance and impact. An essay by curator Aaron Bryant contextualizes Barboza’s life and career as they map against major civil rights events in the United States. In an intimate interview between the artist and curator Mazie M. Harris, Barboza offers astute, humorous, and intimate musings on his long career, foundational influences, and artistic legacy. This monograph, the first on the artist, will appeal to aficionados of photography and Black art and culture.
Drawing on anthropology, archaeology, folklore, and literature, Roth chronicles the global history of crime and punishment—from early civilizations to the outlawing of sex crimes and serial homicide to the development of organized crime and the threat today of global piracy. He explores the birth of the penitentiary and the practice of incarceration as well as the modern philosophy of rehabilitation, arguing that these are perhaps the most important advances in the effort to safeguard citizens from harm. Looking closely at the retributions societies have condoned, Roth also look at execution and its many forms, showing how stoning, hemlock, the firing squad, and lethal injection are considered either barbaric or justified across different cultures. Ultimately, he illustrates that despite advances in every level of human experience, there is remarkable continuity in what is considered a crime and the sanctions administered.
Perfect for students, academics, and general readers alike, this interdisciplinary book provides a fascinating look at criminality and its consequences.
Egmond shows how the format of images in nature studies changed dramatically during the Renaissance period, as high-definition naturalistic representation became the rule during a robust output of plant and animal drawings. She examines what visual techniques like magnification can tell us about how early modern Europeans studied and ordered living nature, and she focuses on how attention to visual detail was motivated by an overriding question: the secret of the origins of life. Beautifully and precisely illustrated throughout, this volume serves as an arresting guide to the massive European collections of nature drawings and an absorbing study of natural history art of the sixteenth century.
Illustrated with more than one hundred images, including many in color, An Eye for the Tropics is a nuanced evaluation of the aesthetics of the “tropicalizing images” and their effects on Jamaica and the Bahamas. Thompson describes how representations created to project an image to the outside world altered everyday life on the islands. Hoteliers imported tropical plants to make the islands look more like the images. Many prominent tourist-oriented spaces, including hotels and famous beaches, became off-limits to the islands’ black populations, who were encouraged to act like the disciplined, loyal colonial subjects depicted in the pictures.
Analyzing the work of specific photographers and artists who created tropical representations of Jamaica and the Bahamas between the 1880s and the 1930s, Thompson shows how their images differ from the English picturesque landscape tradition. Turning to the present, she examines how tropicalizing images are deconstructed in works by contemporary artists—including Christopher Cozier, David Bailey, and Irénée Shaw—at the same time that they remain a staple of postcolonial governments’ vigorous efforts to attract tourists.
Challenging Keegan's seminal work, The Eye of Command offers a new approach to studying and narrating battles, based upon an analysis of the works of the Roman military authors Julius Caesar and Ammianus Marcellinus. Kimberly Kagan argues that historians cannot explain a battle's outcome solely on the basis of soldiers' accounts of small-unit actions. A commander's view, exemplified in Caesar's narratives, helps explain the significance of a battle's major events, how they relate to one another and how they lead to a battle's outcome. The "eye of command" approach also answers fundamental questions about the way commanders perceive battles as they fight them-questions modern military historians have largely ignored.
"The Eye of Command is a remarkable book-smart, thoughtful, clear, vigorous, factual but creative, and grounded in the practical. It is at once scholarly and readable, combining classical scholarship and military theory. Rarely have I come across a book that makes two-thousand-year-old events seem so alive."
-Barry Strauss, Professor of History, Cornell University
"In a work well written, concisely presented, and convincingly argued, Kagan uses examples from Caesar's Gallic Wars to challenge John Keegan's focus on lower-echelon experiences of battle in favor of 'The eye of command': a narrative technique emphasizing decisions and events that shape a battle's outcome."
-Dennis Showalter, Professor of History, Colorado College
"To know whether a battle is won or lost is not enough. Kagan's deep analysis of theory and practice points to a new way of understanding complex army-commander and small-unit perspectives that can properly claim the status of history."
-Gordon Williams, Thacher Professor of Latin Emeritus, Yale University
Kimberly Kagan was an Assistant Professor of History at the United States Military Academy between 2000 and 2005. Since then, she has served as a lecturer in International Affairs, History, and the Humanities at Yale University and as an adjunct professor at Georgetown's Edmund A. Walsh School of Foreign Service and at American University's Department of History. She received her Ph.D. in Ancient History from Yale University.
Frogs are worshipped for bringing nourishing rains, but blamed for devastating floods. Turtles are admired for their wisdom and longevity, but ridiculed for their sluggish and cowardly behavior. Snakes are respected for their ability to heal and restore life, but despised as symbols of evil. Lizards are revered as beneficent guardian spirits, but feared as the Devil himself.
In this ode to toads and snakes, newts and tuatara, crocodiles and tortoises, herpetologist and science writer Marty Crump explores folklore across the world and throughout time. From creation myths to trickster tales; from associations with fertility and rebirth to fire and rain; and from the use of herps in folk medicines and magic, as food, pets, and gods, to their roles in literature, visual art, music, and dance, Crump reveals both our love and hatred of amphibians and reptiles—and their perceived power. In a world where we keep home terrariums at the same time that we battle invasive cane toads, and where public attitudes often dictate that the cute and cuddly receive conservation priority over the slimy and venomous, she shows how our complex and conflicting perceptions threaten the conservation of these ecologically vital animals.
Sumptuously illustrated, Eye of Newt and Toe of Frog, Adder’s Fork and Lizard’s Leg is a beautiful and enthralling brew of natural history and folklore, sobering science and humor, that leaves us with one irrefutable lesson: love herps. Warts, scales, and all.
Founded by Prince Federico Cesi in 1603, the Linceans took as their task nothing less than the documentation and classification of all of nature in pictorial form. In this first book-length study of the Linceans to appear in English, Freedberg focuses especially on their unprecedented use of drawings based on microscopic observation and other new techniques of visualization. Where previous thinkers had classified objects based mainly on similarities of external appearance, the Linceans instead turned increasingly to sectioning, dissection, and observation of internal structures. They applied their new research techniques to an incredible variety of subjects, from the objects in the heavens studied by their most famous (and infamous) member Galileo Galilei—whom they supported at the most critical moments of his career—to the flora and fauna of Mexico, bees, fossils, and the reproduction of plants and fungi. But by demonstrating the inadequacy of surface structures for ordering the world, the Linceans unwittingly planted the seeds for the demise of their own favorite method—visual description-as a mode of scientific classification.
Profusely illustrated and engagingly written, Eye of the Lynx uncovers a crucial episode in the development of visual representation and natural history. And perhaps as important, it offers readers a dazzling array of early modern drawings, from magnificently depicted birds and flowers to frogs in amber, monstrously misshapen citrus fruits, and more.
History—natural history, human history, and personal history—and place are the cornerstones of The Eye of the Mammoth. Stephen Harrigan's career has taken him from the Alaska Highway to the Chihuahuan Desert, from the casinos of Monaco to his ancestors' village in the Czech Republic. And now, in this new edition, he movingly recounts in "Off Course" a quest to learn all he can about his father, who died in a plane crash six months before he was born.
Harrigan's deceptively straightforward voice belies an intense curiosity about things that, by his own admission, may be "unknowable." Certainly, we are limited in what we can know about the inner life of George Washington, the last days of Davy Crockett, the motives of a caged tiger, or a father we never met, but Harrigan's gift—a gift that has also made him an award-winning novelist—is to bring readers closer to such things, to make them less remote, just as a cave painting in the title essay eerily transmits the living stare of a long-extinct mammoth.
How perceptual technologies have shaped the history of war from the Renaissance to the present
From ubiquitous surveillance to drone strikes that put “warheads onto foreheads,” we live in a world of globalized, individualized targeting. The perils are great. In The Eye of War, Antoine Bousquet provides both a sweeping historical overview of military perception technologies and a disquieting lens on a world that is, increasingly, one in which anything or anyone that can be perceived can be destroyed—in which to see is to destroy.
Arguing that modern-day global targeting is dissolving the conventionally bounded spaces of armed conflict, Bousquet shows that over several centuries, a logistical order of militarized perception has come into ascendancy, bringing perception and annihilation into ever-closer alignment. The efforts deployed to evade this deadly visibility have correspondingly intensified, yielding practices of radical concealment that presage a wholesale disappearance of the customary space of the battlefield. Beginning with the Renaissance’s fateful discovery of linear perspective, The Eye of War discloses the entanglement of the sciences and techniques of perception, representation, and localization in the modern era amid the perpetual quest for military superiority. In a survey that ranges from the telescope, aerial photograph, and gridded map to radar, digital imaging, and the geographic information system, Bousquet shows how successive technological systems have profoundly shaped the history of warfare and the experience of soldiering.
A work of grand historical sweep and remarkable analytical power, The Eye of War explores the implications of militarized perception for the character of war in the twenty-first century and the place of human subjects within its increasingly technical armature.
Winner of the 2004 Cave Canem Poetry Prize
The poems in Eye of Water are derived from the narrator’s experiences in what she calls her “waking.” She traces inspiration to “the beginning of myth, to Eve in the Garden of Eden” and states: “We could spend our lives unraveling the mistake and discover that life was one great big ‘chore,’ and inescapable. And the path is full of missteps and accidents because we cannot (or prefer not to) remember all that got us to that moment. My body seems to be a symptom of the past, so no matter who touches me, all the ghosts are waiting there. The ‘chore’ becomes how to survive despite the flaws of our humanness that makes us brutal at times.”
This collection includes essays by scholars from around the world and five of Ray Browne's essays which he considers signal. The purpose of this book is to chart Popular Culture Studies into the next century.
The Eye, the Hand, the Mind is a collaborative journey, filled with pictorial mementoes and enlivening stories and anecdotes. Its pages unfold along a path-an architectural framework-that connects the organization's sixteen goals and tells its rich, sometimes controversial, story. Readers will discover the important role the CAA played in major issues in higher education such as curriculum development, preservation of world monuments, workforce issues and market equity, intellectual property and free speech, capturing conflicts and reconciliations inherent among artists and art historians, pedagogical approaches and critical interpretations/interventions as played out in association publications, annual conferences, advocacy efforts, and governance.
Celebrating the centennial of CAA members and milestones, Susan Ball and renowned contributors honor the organization's complex history which, in part, also represents many learned societies and the humanities over the last one hundred years.
Christine Brennan, the USA Today sports columnist, author, and commentator, uses her voice to advocate for diversity and equality in the world of sports, and her wisdom to encourage future journalists. Her passion for sports was sparked by her dad, who encouraged her to participate in athletics and, as he said, “smell the game”—go watch baseball and football games together.
As a child, Christine wrote daily entries in her diary and listened to play-by-play coverage on her radio. She pursued this love of words through journalism school and applied her passion for sports by reporting on them for various newspapers. Since then, she has portrayed the setbacks and triumphs of athletes, all the while fighting her own battles for success—and respect—as a female journalist.
From knocking down barriers in NFL locker rooms to covering every Olympics since 1984 to being the go-to commentator whenever scandal occurs in the sports world, Christine Brennan has done it all. Eye to Eye invites young readers to learn more about this remarkable journalist and perhaps to nurture their own dreams of investigating and telling important stories.
Nobody knows how to tell a story like Bobby Norfolk, and here he tells his own life story. Norfolk grew up in hardscrabble neighborhoods of Saint Louis, Missouri, during the 1950s and 60s, sometimes walking to elementary school from an apartment his parents could not afford to heat. Lifting himself up by force of will and God-given talent, Norfolk defeated a childhood stutter to become a high school dramatist and later an exceptional college student. The path was never easy—and often frightening. With men of color being killed all-too-frequently in America, Norfolk sought a personal identity based upon talent and hard work, but also upon where safety and justice might be found. He tells these stories—some heartwarming or humorous, some frightful and treacherous—honestly, with a graceful mindfulness that all would do well to emulate.
Throughout this collection, we see profound wonder, questioning, and conflicts involving family, sexual identity, class, discrimination, environmental beauty, and peril, and all the sorts of rebellion, error, contemplation, and contentment that an intrepid soul can devise. These stories and poems, all published within the last fifteen years, are grounded in what it means to live in and identify with a complex place.
With a mix of established writers like Jayne Anne Phillips, Norman Jordan, Ann Pancake, Maggie Anderson, and Denise Giardina and fresh voices like Matthew Neill Null, Ida Stewart, Rajia Hassib, and Scott McClanahan, this collection breaks open new visions of all-American landscapes of the heart. By turns rowdy and contemplative, hilarious and bleak, and lyrical and gritty, it is a collage of extraordinary literary visions.
Beginning with a penetrating study of five cornfield sequences—including The Wizard of Oz, Arizona Dream, and Signs—Murray Pomerance journeys through a vast array of cinematic moments, technical methods, and laborious collaborations from the 1930s to the 2000s to show how the viewer's experience of "reality" is put in context, challenged, and willfully engaged.
Four meditations deal with “reality effects” from different philosophical and technical angles. “Vivid Rivals” assesses active participation and critical judgment in seeing effects with such works as Defiance, Cloverfield, Knowing, Thelma & Louise, and more. “The Two of Us” considers double placement and doubled experience with such films as The Prestige, Niagara, and A Stolen Life. “Being There” discusses cinematic performance and the problems of believability, highlighting such films as Gran Torino, The Manchurian Candidate, In Harm’s Way, and other films. “Fairy Land” explores the art of scenic backing, focusing on the fictional world of Brigadoon, which borrows from both hard-edged realism and evocative landscape painting.
The digital devices that, many would argue, define this era exist not only because of Silicon Valley innovations but also because of a burgeoning trade in dense, artisanally mined substances like tantalum, tin, and tungsten. In the tentatively postwar Eastern DR Congo, where many lives have been reoriented around artisanal mining, these minerals are socially dense, fueling movement and innovative collaborations that encompass diverse actors, geographies, temporalities, and dimensions. Focusing on the miners and traders of some of these “digital minerals,” The Eyes of the World examines how Eastern Congolese understand the work in which they are engaged, the forces pitted against them, and the complicated process through which substances in the earth and forest are converted into commodified resources. Smith shows how violent dispossession has fueled a bottom-up social theory that valorizes movement and collaboration—one that directly confronts both private mining companies and the tracking initiatives implemented by international companies aspiring to ensure that the minerals in digital devices are purified of blood.
Since Israel's occupation of the West Bank and Gaza Strip in 1967, the quest for just and lasting peace has been a fountainhead of debate, negotiation, and violent friction. Souad Dajani traces the Palestinians' struggle and argues for a strategy of nonviolent civilian resistance based on deterrence and defense. This strategy would defeat Israel's political will to maintain their occupation and prepare Palestinians for a time beyond the interim period of self-rule agreed upon by Israel and the PLO in September 19932.
Dajani's formulation of nonviolent civilian resistance is examined against a backdrop of early developments in Mandate Palestine, the impact of Zionist ideology, and the realities of life for Palestinians under occupation. Her assessment of the role of the PLO, objectives of the Palestinian National Movement, developments since the Gulf War, and other factors crucial to an effective strategy raises critical questions surrounding the operation of nonviolent techniques for the Palestinian community, Israeli politics, and international actors, most prominently the United States.
Caroline Jones's magisterial study widens Greenberg's fundamental tenet of "opticality"-the idea that modernist art is apprehended through "eyesight alone"-to a broader arena, examining how the critic's emphasis on the specular resonated with a society increasingly invested in positivist approaches to the world. Greenberg's modernist discourse, Jones argues, developed in relation to the rationalized procedures that gained wide currency in the United States at midcentury, in fields ranging from the sense-data protocols theorized by scientific philosophy to the development of cultural forms, such as hi-fi, that targeted specific senses, one by one. Greenberg's attempt to isolate and celebrate the visual was one manifestation of a large-scale segmentation-or bureaucratization-of the body's senses. Working through these historical developments, Jones brings Greenberg's theories into contemporary philosophical debates about agency and subjectivity.
Eyesight Alone offers artists, art historians, philosophers, and all those interested in the arts a critical history of this generative figure, bringing his work fully into dialogue with the ideas that shape contemporary critical discourse and shedding light not only on Clement Greenberg but also on the contested history of modernism itself.
Every year hundreds of defendants are convicted on little more than the say-so of a fellow citizen. Although psychologists have suspected for decades that an eyewitness can be highly unreliable, new evidence leaves no doubt that juries vastly overestimate the credibility of eyewitness accounts. It is a problem that the courts have yet to solve or face squarely.
In Eyewitness Testimony, Elizabeth Loftus makes the psychological case against the eyewitness. Beginning with the basics of eyewitness fallibility, such as poor viewing conditions, brief exposure, and stress, Loftus moves to more subtle factors, such as expectations, biases, and personal stereotypes, all of which can intervene to create erroneous reports. Loftus also shows that eyewitness memory is chronically inaccurate in surprising ways. An ingenious series of experiments reveals that memory can be radically altered by the way an eyewitness is questioned after the fact. New memories can be implanted and old ones unconsciously altered under interrogation.
These results have important implications for court reform, police interrogation methods, defense strategy, and many other aspects of criminal and civil procedure. Eyewitness Testimony is a powerful book that should be required reading for trial lawyers, social psychologists, and anyone who considers the chilling prospect of confronting an eyewitness accusation in a court of law.
Every year hundreds of defendants are convicted on little more than the say-so of a fellow citizen. Although psychologists have suspected for decades that an eyewitness can be highly unreliable, new evidence leaves no doubt that juries vastly overestimate the credibility of eyewitness accounts. It is a problem that the courts have yet to solve or face squarely.
In Eyewitness Testimony, Elizabeth Loftus makes the psychological case against the eyewitness. Beginning with the basics of eyewitness fallibility, such as poor viewing conditions, brief exposure, and stress, Loftus moves to more subtle factors, such as expectations, biases, and personal stereotypes, all of which can intervene to create erroneous reports. Loftus also shows that eyewitness memory is chronically inaccurate in surprising ways. An ingenious series of experiments reveals that memory can be radically altered by the way an eyewitness is questioned after the fact. New memories can be implanted and old ones unconsciously altered under interrogation.
These results have important implications for court reform, police interrogation methods, defense strategy, and many other aspects of criminal and civil procedure. Eyewitness Testimony is a powerful book that should be required reading for trial lawyers, social psychologists, and anyone who considers the chilling prospect of confronting an eyewitness accusation in a court of law.
produced three major death camps—Belzec, Treblinka, and Sobibor—which claimed the
lives of 1.8 million Jews. In the 1960s, a small measure of justice came for those victims
when a score of defendants who had been officers and guards at the camps were convicted
of war crimes in West German courts. The conviction rates varied, however. While all but
one of fourteen Treblinka defendants were convicted, half of the twelve Sobibor defendants
escaped punishment, and only one of eight Belzec defendants was convicted. Also,
despite the enormity of the crimes, the sentences were light in many cases, amounting to
only a few years in prison.
In this meticulous history of the Operation Reinhard trials, Michael S. Bryant examines
a disturbing question: Did compromised jurists engineer acquittals or lenient punishments
for proven killers? Drawing on rarely studied archival sources, Bryant concludes
that the trial judges acted in good faith within the bounds of West German law. The key
to successful prosecutions was eyewitness testimony. At Belzec, the near-total efficiency
of the Nazi death machine meant that only one survivor could be found to testify. At Treblinka
and Sobibor, however, prisoner revolts had resulted in a number of survivors who
could give firsthand accounts of specific atrocities and identify participants. The courts,
Bryant finds, treated these witnesses with respect and even made allowances for conflicting
testimony. And when handing down sentences, the judges acted in accordance with
strict legal definitions of perpetration, complicity, and action under duress.
Yet, despite these findings, Bryant also shows that West German legal culture was
hardly blameless during the postwar era. Though ready to convict the mostly workingclass
personnel of the death camps, the Federal Republic followed policies that insulated
the judicial elite from accountability for its own role in the Final Solution. While trial
records show that the “bias” of West German jurists was neither direct nor personal, the
structure of the system ensured that lawyers and judges themselves avoided judgment.
Traditional art historians have depended on two types of analysis when dealing with visual imagery: iconography and iconology. Burke describes and evaluates these approaches, concluding that they are insufficient. Focusing instead on the medium as message and on the social contexts and uses of images, he discusses both religious images and political ones, also looking at images in advertising and as commodities.
Ultimately, Burke's purpose is to show how iconographic and post-iconographic methods – psychoanalysis, semiotics, viewer response, deconstruction – are both useful and problematic to contemporary historians.
Ezra Pound - American Writers 26 was first published in 1963. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Richly illustrated, the book draws readers closer to the heart of Pound's vision. Ezra Pound and China will become an invaluable resource to students and scholars of Pound, cultural studies, translation theory, poetics, Confucianism, and literary transmission and reception.
Zhaoming Qian is Professor of English, the University of New Orleans.
Pound was deeply affected by her death, as was the poet H. D., who had recently come to know her. Pound's letters to Cravens, extensively annotated, are published here for the first time; her suicide note to him is also included. Ezra Pound and Margaret Cravens contains photographs and previously unpublished material by Pound and H.D., as well as an excerpt from H.D.'s autobiographical novel Asphodel, in which Cravens figures prominently. This portrait of a friendship provides insight into the literary achievements of Pound and H.D. and tells the unknown story of Margaret Cravens's tragic life.
Written by Pound in the months following his first visit, the four poems grouped as "The Malatesta Cantos" celebrate the church and the man who sponsored its construction, Sigismondo Malatesta. Upon receiving news of the building's devastation by Allied bombings in 1944, Pound wrote two more cantos that invoked the event as a rallying point for the revival of fascist Italy. These "forbidden" cantos were excluded from collected editions of his works until 1987. Pound even announced an abortive plan in 1958 to build a temple inspired by the church, and in 1963, at the age of eighty, he returned to Rimini to visit the Tempio Malatestiano one last, haunting time.
Drawing from hundreds of unpublished materials, Rainey explores the intellectual heritage that surrounded the church, Pound's relation to it, and the interpretation of his work by modern critics. The Malatesta Cantos, which have been called "one of the decisive turning-points in modern poetics" and "the most dramatic moment in The Cantos," here engender an intricate allegory of Pound's entire career, the central impulses of literary modernism, the growth of intellectual fascism, and the failure of critical culture in the twentieth century. Included are two-color illustrations from the 1925 edition of Pound's cantos and numerous black-and-white photographs.
Drawing upon this key five-volume work, as well as comprehensive research in both primary and secondary sources, Miyake brings the partial perceptions of other critics and commentators into an illuminating whole. Disclosing the deliberateness of The Cantos, Miyake provides new insight into Pound’s sense of culture and into the nature of his Confucianism. She sheds light on the disastrous path Pound followed into Fascism and anti-Semitism, and, in contrast to the image of a “pagan” Pound that has emerged in recent years, reveals a poet writing as a Christian from within the Christian mythical tradition.
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