A SCHOLARLY BOOK REPOSITORY
Employing an embodied ecological heritage (EEH) framework, Baines explores the links between health and heritage as a fluid series of ecological practices. Health and wellness are holistically defined and approached from a phenomenological perspective. Baines focuses on how sensory experiences change the body through practice and provides insights into community-driven alternatives as a means to maintain and support happy, healthy lives.
Situated at the intersection of scholarship and practice, Heritage Keywords positions cultural heritage as a transformative tool for social change. This volume unlocks the persuasive power of cultural heritage—as it shapes experiences of change and crafts present and future possibilities from historic conditions—by offering new ways forward for cultivating positive change and social justice in contemporary social debates and struggles. It draws inspiration from deliberative democratic practice, with its focus on rhetoric and redescription, to complement participatory turns in recent heritage work.
Through attention to the rhetorical edge of cultural heritage, contributors to this volume offer innovative reworkings of critical heritage categories. Each of the fifteen chapters examines a key term from the field of heritage practice—authenticity, civil society, cultural diversity, cultural property, democratization, difficult heritage, discourse, equity, intangible heritage, memory, natural heritage, place, risk, rights, and sustainability—to showcase the creative potential of cultural heritage as it becomes mobilized within a wide array of social, political, economic, and moral contexts.
This highly readable collection will be of interest to students, scholars, and professionals in heritage studies, cultural resource management, public archaeology, historic preservation, and related cultural policy fields.
Contributors include Jeffrey Adams, Sigrid Van der Auwera, Melissa F. Baird, Alexander Bauer, Malcolm A. Cooper, Anna Karlström, Paul J. Lane, Alicia Ebbitt McGill, Gabriel Moshenska, Regis Pecos, Robert Preucel, Trinidad Rico, Cecelia Rodéhn, Joshua Samuels, Kathryn Lafrenz Samuels, and Klaus Zehbe.
Focusing on a case study in the region of Maragatería, Spain, Gonzalez explores the ethnic and racial discrimination faced by the local population in the context of Spanish nationalism and shows how this hostile dynamic shaped what we recognize as the region’s heritage today. Challenging widespread notions about how and why we preserve traditional cultures, The Heritage Machine rethinks the relations between heritage studies and converging disciplines, from anthropology to cultural and memory studies.
How can we effectively interpret and present one culture to another without stereotypes or over-simplifications? What is the best way to present an authoritative version of a national heritage without also endangering ancient sites or being insensitive to the local customs, beliefs, and religious practices of the indigenous peoples?
This volume addresses the ongoing thrust in archaeology to take the next step after preserving the past: interpreting that past for the future. That future audience includes both local citizens and tourists who may have little background in archaeology, anthropology, or the history of the culture featured. Walker presents the key components of the anthropological study of tourism as a global phenomenon, with particular emphasis on the more prominent arguments for how and why tourism is a universal and meaningful human activity. The highly controversial topic of authenticity is examined, with special attention given to how "authentic" has been defined and how it relates to the ways in which archaeological sites, artifacts, and cultural traditions are presented--or not presented--to the visiting public. The ephemeral promise of “authenticity” drives the heritage tourism industry, which is a key consideration for the long term economy of the Maya Riviera and elsewhere. Through analysis of seven archaeological sites on the Yucatan peninsula that are open to heritage touring, Walker reveals the planned growth of the Maya Riviera since the early 1970s and examines the impact of international tourism on both ancient structures and the contemporary Maya people and culture.
How women-only communities provide spaces for new forms of culture, sociality, gender, and sexuality
Women’s lands are intentional, collective communities composed entirely of women. Rooted in 1970s feminist politics, they continue to thrive in a range of ways, from urban households to isolated rural communes, providing spaces where ideas about gender, sexuality, and sociality are challenged in both deliberate and accidental ways. Herlands, a compelling ethnography of women’s land networks in the United States, highlights the ongoing relevance of these communities as vibrant cultural enclaves that also have an impact on broader ideas about gender, women’s bodies, lesbian identity, and right ways of living.
As a participant-observer, Keridwen N. Luis brings unique insights to the lives and stories of the women living in these communities. While documenting the experiences of specific spaces in Massachusetts, Tennessee, New Mexico, and Ohio, Herlands also explores the history of women’s lands and breaks new ground exploring culture theory, gender theory, and how lesbian identity is conceived and constructed in North America. Luis also discusses how issues of race and class are addressed, the ways in which nudity and public hygiene challenge dominant constructions of the healthy or aging body, and the pervasive influence of hegemonic thinking on debates about transgender women. Luis finds that although changing dominant thinking can be difficult and incremental, women’s lands provide exciting possibilities for revolutionary transformation in society.
Hayes opens the book with an exploration of the revival of interest in Melville’s work thirty years after his death, which coincided with the aftermath of World War I and the rise of modernism. He goes on to examine the composition and reception of Melville’s works, including his first two books, Typee and Omoo, and the novels, short fiction, and poetry he wrote during the forty years after the publication of Moby-Dick. Incorporating a wealth of new information about Melville’s life and the times in which he lived, the book is a concise and engaging introduction to the life of a celebrated but often misunderstood writer.
Herman Melville - American Writers 13 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In Herman Melville Graham Thompson examines the author's magazine work in its original publication context, including stories that became classics, such as "Bartelby, the Scrivener" and "Benito Cereno," alongside lesser-known work. Using a concept he calls "embedded authorship," Thompson explores what it meant to be a magazine writer in the 1850s and discovers a new Melville enmeshed with forgotten materials, editors, writers, and literary traditions. He reveals how Melville responded to the practical demands of magazine writing with dazzling displays of innovation that reinvented magazine traditions and helped create the modern short story.
Combining archival research in print and publishing history with close reading, McGettigan situates Melville's works alongside advertising materials, magazine articles, trade manuals, and British and American commentary on the literary industry to demonstrate how Melville's literary practice relies on and aestheticizes the specific conditions of literary production in which he worked. For Melville, the book is a physical object produced by particular technological processes, as well as an entity that manifests social and economic values. His characters carry books, write on them, and even sleep on them; they also imagine, observe, and participate in the buying and selling of books. Melville employs the book's print, paper, and binding—and its market circulations—to construct literary figures, to shape textual form, and to create irony and ambiguity.
Exploring the printed book in Melville's writings brings neglected sections of his poetry and prose to the fore and invites new readings of familiar passages and images. These readings encourage a reassessment of Melville's career as shaped by his creative engagements with print, rather than his failures in the literary marketplace. McGettigan demonstrates that a sustained and deliberate imaginative dialogue with the material text is at the core of Melville's expressive practice and that, for Melville, the printed book served as a site for imagining the problems and possibilities of modernity.
Hardcover is un-jacketed.
“Does Melville also intend to be a founder in the ‘New World’?” Morrisey’s study is a compelling look at the early political moments of a new nation, but one that at the time perceived itself as already aging and maturing in the process of political voyage and adventure. Dangers lie ahead, Melville seems to warn, and in his disenchantment of the vigor of the Young America he once endorsed he tells the story of what really happens when democracy is idealized and the surrounding waters of chaos are thereby veiled; and yet also of what happens when one would seek to command the chaos only to transform into the unpredictably destructive prey he pursues, especially under the guise of moral outrage.
Melville, like Ishmael, urges a new vision of both God and nature, and challenges the notion of rule in all its expressions. Americans, the people of the New World, are invited to be unafraid, but also careful. In wandering as on the open waters one wonders, beyond civic boundaries and conventions, and in that wonder one may finally come face to face with what is good and grand––but in beholding the great white whale, can one resist the urge to conquest, now that he is likewise by the leviathan beholden? Is the rule of man and the coronation of a specific dialectic of power an untenable victory, given that “‘Nature is nobody’s ally’: it wounds or kills any person or nation that violates it, impartially”?
Morrisey writes with lucidity and weaves together elements of history, literature, politics and perhaps his own affinity for Ishmael’s passenger spirit to reveal just how broad and boundless of a narrative Melville’s Moby Dick truly is.
Hermann Cohen (1842–1918) was among the most accomplished Jewish philosophers of modern times—if not the single most significant. But his work has not yet received the attention it deserves. This newly translated collection of his writings—most of which are appearing in English for the first time—illuminates his achievements for student readers and rectifies lapses in his intellectual reception by prior generations. It presents chapters from Cohen’s Ethics of Pure Will, conflicting interpretations of Cohen by Franz Rosenzweig and Alexander Altmann, and finally the eulogy to Cohen delivered at graveside by Ernst Cassirer. Containing full annotations and selections that concentrate both on the philosophical core of Cohen’s writings and the politics of interpretation of his work at the time of his death and after, Hermann Cohen truly brings to light all of Cohen’s accomplishments.
Punctuated with remarkable case studies, this book explores extraordinary encounters between hermaphrodites--people born with "ambiguous" sexual anatomy--and the medical and scientific professionals who grappled with them. Alice Dreger focuses on events in France and Britain in the late nineteenth century, a moment of great tension for questions of sex roles. While feminists, homosexuals, and anthropological explorers openly questioned the natures and purposes of the two sexes, anatomical hermaphrodites suggested a deeper question: just how many human sexes are there? Ultimately hermaphrodites led doctors and scientists to another surprisingly difficult question: what is sex, really?
Hermaphrodites and the Medical Invention of Sex takes us inside the doctors' chambers to see how and why medical and scientific men constructed sex, gender, and sexuality as they did, and especially how the material conformation of hermaphroditic bodies--when combined with social exigencies--forced peculiar constructions. Throughout the book Dreger indicates how this history can help us to understand present-day conceptualizations of sex, gender, and sexuality. This leads to an epilogue, where the author discusses and questions the protocols employed today in the treatment of intersexuals (people born hermaphroditic). Given the history she has recounted, should these protocols be reconsidered and revised?
A meticulously researched account of a fascinating problem in the history of medicine, this book will compel the attention of historians, physicians, medical ethicists, intersexuals themselves, and anyone interested in the meanings and foundations of sexual identity.
No thinkers have wrestled with the issue of truth and interpretation in more illuminating ways for the Continental tradition of philosophy than Heidegger and Gadamer. Hermeneutics and Truth is a dual focus on Heidegger and Gadamer, but it concentrates primarily on Gadamer's efforts to think through the issue of truth for hermeneutics and only secondarily on Heidegger's thought on this issue.
Palmer principally treats the conception of hermeneutics enunciated by Heidegger and developed into a “philosophical hermeneutics” by Hans-Georg Gadamer. He provides a brief overview of the field of hermeneutics by surveying some half-dozen alternate definitions of the term and by examining in detail the contributions of Friedrich Schleiermacher and Wilhelm Dilthey. In the “Manifesto” which concludes the book, Palmer suggests the potential significance of hermeneutics for literary interpretation.
When the context of interpretation is pressed to its limits, hermeneutics becomes the philosophical analysis of what is involved in every act of understanding. In this context, hermeneutics becomes relevant not simply to the humanistic disciplines, in which linguistic and historical understanding are crucial, but to scientific forms of interpretation as well, for it asserts the principles involved in any and every act of interpretation.
The two volumes of this investigation into how we perceive sacred architecture propose an original interpretation of built environments as ritual-architectural events.
Exploring the world's cultures and religious traditions, Volume One maps out patterned responses to sacred architecture according to the human experience, mechanism, interpretation, and comparison of architecture. Volume Two, an exercise in comparative morphology, offers a comprehensive framework of ritual-architectural priorities by looking at architecture as orientation, as commemoration, and as ritual context.
The two volumes of this investigation into how we perceive sacred architecture propose an original interpretation of built environments as ritual-architectural events.
Exploring the world's cultures and religious traditions, Volume One maps out patterned responses to sacred architecture according to the human experience, mechanism, interpretation, and comparison of architecture. Volume Two, an exercise in comparative morphology, offers a comprehensive framework of ritual-architectural priorities by looking at architecture as orientation, as commemoration, and as ritual context.
This revised and expanded English edition of Bernd U. Schipper’s 2012 Hermeneutik der Tora incorporates the results of his continued research and writings on Proverbs. For nearly a century, many biblical scholars have argued that the main theological traditions, such as the divine law, God’s torah, do not appear in the book of Proverbs. In this volume, however, Schipper demonstrates that Proverbs interacts in a sophisticated way with the concept of the torah. A detailed analysis of Proverbs 2 and other passages from the first part of the book of Proverbs shows that Proverbs engages in a postexilic discourse around “wisdom and torah” concerning the abilities of humans to fulfill the will of YHWH exemplified in the divine torah.
A distinguished anthropologist and a creative force behind postmodern writing in his field, Vincent Crapanzano here focuses his considerable critical powers upon his own culture. In essays that question how the human sciences, particularly anthropology and psychoanalysis, articulate their fields of study, Crapanzano addresses nothing less than the enormous problem of defining the self in both its individual and collective projections.
Treating subjects as diverse as Roman carnivals and Balinese cockfights, circumcision, dreaming, and spirit possession in Morocco, transference in psychoanalysis, self-characterization in teenage girls’ gossip, Alice in Wonderland, and Jane Austen’s Emma, dialogue models in hermeneutics, and semantic vertigo in Hamlet’s Elsinore, these essays look critically at the inner workings of interpretation in human sciences and literary study. In modern Western culture’s attempts to interpret and communicate the nature of other cultures, Crapanzano finds a crippling crisis in representation. He shows how the quest for knowledge of “exotic” and “primitive” people is often confused with an unexamined need for self-definition, and he sets forth the resulting interpretive paradoxes, particularly the suppression of any awareness of the play of power and desire in such an approach. What is missing from contemporary theories of interpretation is, in Crapanzano’s account, a crucial understanding of the role context plays in any act of communication or its representation—in interpretation itself.
For the first time in English, the introductory volume in a major French philosopher’s groundbreaking series of poetic transdisciplinary works
Michel Serres is recognized as one of the giants of postwar French philosophy of knowledge, along with Gilles Deleuze, Jacques Derrida, Michel Foucault, and Gilbert Simondon. His early five-volume series Hermes, which appeared in the 1960s and 1970s, was an intellectual supernova in its proposition that culture and science shared the same mythic and narrative structures. Hermes I: Communication marks the start of a major publishing endeavor to introduce this foundational series into English.
Building on the figure of the Greek god Hermes, who presides over the realms of communication and interpretation, Hermes I embarks on a reflection concerning the history of mathematics via Descartes and Leibniz and culminates by way of a Bachelardian logoanalytic reading of Homer, Dumas, Molière, Verne, and the story of Cinderella. We observe a singular poetic philosopher seeking to bridge the gap between the liberal arts and the sciences through a profound mathematical and poetic fable regarding information theory, history, and art, establishing a new way to think about the production of knowledge during the late twentieth century. In these pages, students and scholars of philosophy will discover an extraordinary project of thought as vital to critical reflection today as it was fifty years ago.
Identifying key hermetic moments in Deleuze's thought, including his theories of art, subjectivity, and immanence, Ramey argues that the philosopher's work represents a kind of contemporary hermeticism, a consistent experiment in unifying thought and affect, percept and concept, and mind and nature in order to engender new relations between knowledge, power, and desire. By uncovering and clarifying the hermetic strand in Deleuze's work, Ramey offers both a new interpretation of Deleuze, particularly his insistence that the development of thought demands a spiritual ordeal, and a framework for retrieving the pre-Kantian paradigm of philosophy as spiritual practice.
Hermon Carey Bumpus, Yankee Naturalist was first published in 1947. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
In this small volume, Dr. Bumpus' son has outlined the personal history and professional career of his distinguished father, who will be known to countless associates through his work with American museums, and his outstanding career as educator and administrator: as director of the Marine Biological Laboratory at Woods Hole, Massachusetts; as professor of biology at Brown University; as the first director of the American Museum of Natural History; as business manager of the University of Wisconsin; as president of Tufts College; and as chairman of the advisory board of the National Park Service.
The trailside museums and natural history shrines that have taught thousands of Americans the story behind the scenic and natural wonders of our national parks are an enduring memorial to this man of enthusiasm and unceasing energy.
The habitat exhibits in our museums of natural history bear further witness to the imagination and practical originality of this distinguished American naturalist, who was the first president of the American Association of Museums and who contributed so much to the change of attitude and policy at a time when museums of every type were just thawing out of their ice age.
Herndon Davis, an artist and journalist, dedicated his life to depicting the major landmarks and personalities of Colorado in watercolor, oil, and pen and pencil. Best known for the Face on the Barroom Floor, the portrait of an alluring woman on the floor of the Teller House Hotel barroom in Central City, Colorado, Davis was a prolific artist whose murals, sketches, and portraits can be found all over the state, from the Sage Room of the Oxford Hotel on Seventeenth Street to the Denver Press Club poker room. Despite his numerous contributions, his work was never showcased or exhibited in the traditional manner.
In this biography and first-ever collection featuring most of his life’s work, authors Craig Leavitt and Thomas J. Noel provide a detailed look into Davis’s life and career and include a catalog of almost 200 of his paintings and drawings from Colorado and around the country. They also put his work into the broader context of the time through comparison with such contemporary Colorado artists as Muriel Sibell Wolle, Allen Tupper True, Charles Waldo Love, and Juan Menchaca.
Published to coincide with the Denver Public Library’s 2016 exhibition—the only public display of Davis’s work to date—and bringing deserved attention to this overlooked figure, Herndon Davis: Painting Colorado History, 1901-1962 is an important contribution to Colorado’s cultural history.
This book and the accompanying exhibit are sponsored by the Western History/Genealogy Department at the Denver Public Library.
More than 600 letters and interviews providing information about Abraham Lincoln's prepolitical and prelegal careers are included in this volume, a priceless collection never before available in one place.
Women to whom Lincoln proposed marriage, political allies and adversaries, judges and fellow attorneys, longtime comrades, erstwhile friends--all speak out here in words first gathered by William H. Herndon, Lincoln's law partner, between 1865 and 1890. Historian David Herbert Donald has called Herndon's materials "the basic source for Abraham Lincoln's early years."
Some of those Herndon questioned were illiterate; others could read but barely write. Completion of this undertaking took the editors to three major collections for the mammoth task of transcribing documents that often were nearly illegible.
Invaluable to Lincoln scholars and intriguing to anyone curious about Lincoln and his times, the book includes an introduction, scholarly annotations, a registry of the informants, and a detailed topical index.
Inspired in part by King Lear, this enchanting novel of families, secrets, and love is the first of Root Leeb’s works to be translated into English and is sure to win new fans for this successful German writer.
Joseph P. Wilson is Professor of Foreign Languages at the University of Scranton.
"Cohen has achieved here a tour de force, bringing the idea of poetry to life in a messy little man, no hero at all, not even that much of a poet. . . . [The novel] is stately as well as funny, an authentically noble account of a celebrant. . . . It is the true article."—Geoffrey Wolff, New York Times Book Review
"Arthur Cohen catches fire. . . . A Hero in His Time represents for him a great imaginative leap, for we are shown the interior mental landscape of a middle-aged Russian-Jewish minor poet and . . . most astonishing is that we believe, without question, in this poet."—Doris Grumbach, Village Voice
"A tremendous achievement. . . . To have made this tremendous imaginative leap from the heart of American Jewishness to the heart of Russian Jewishness was a daring thing to do, and it has been accomplished with absolute conviction."—The Sunday Times (London)
"A rich compound of high seriousness and robust comedy."—Newsweek
First introduced in the pages of X-Men, Storm is probably the most recognized Black female superhero. She is also one of the most powerful characters in the Marvel Universe, with abilities that allow her to control the weather itself. Yet that power is almost always deployed in the service of White characters, and Storm is rarely treated as an authority figure.
Hero Me Not offers an in-depth look at this fascinating yet often frustrating character through all her manifestations in comics, animation, and films. Chesya Burke examines the coding of Storm as racially “exotic,” an African woman who nonetheless has bright white hair and blue eyes and was portrayed onscreen by biracial actresses Halle Berry and Alexandra Shipp. She shows how Storm, created by White writers and artists, was an amalgam of various Black stereotypes, from the Mammy and the Jezebel to the Magical Negro, resulting in a new stereotype she terms the Negro Spiritual Woman.
With chapters focusing on the history, transmedia representation, and racial politics of Storm, Burke offers a very personal account of what it means to be a Black female comics fan searching popular culture for positive images of powerful women who look like you.
Translated from the Russian by Elizabeth Cheresh Allen
Mikhail Lermontov’s A Hero of Our Time was the first modern Russian novel. Published in 1840, it set a model of penetrating observation and psychological depth that would come to typify Russian literature. Its "hero," Grigorii Pechorin, also established a character type that became known in Russian fiction as "the superfluous man"—widely familiar from Dostoevsky’s Notes from Underground. At once driven by pride and wracked by self-doubt, both shockingly self-revealing and blindly self-deceived, he flounders to affirm himself in a social world he despises yet yearns to dominate. Pechorin is a troubling and unforgettable character. And A Hero of Our Time, which has provoked much controversy, is a novel not only central to Russian literature but fundamental to the Western literary tradition of the antihero.
Hero of the Angry Sky draws on the unpublished diaries, correspondence, informal memoir, and other personal documents of the U.S. Navy’s only flying “ace” of World War I to tell his unique story. David S. Ingalls was a prolific writer, and virtually all of his World War I aviation career is covered, from the teenager’s early, informal training in Palm Beach, Florida, to his exhilarating and terrifying missions over the Western Front. This edited collection of Ingalls’s writing details the career of the U.S. Navy’s most successful combat flyer from that conflict.
While Ingalls’s wartime experiences are compelling at a personal level, they also illuminate the larger, but still relatively unexplored, realm of early U.S. naval aviation. Ingalls’s engaging correspondence offers a rare personal view of the evolution of naval aviation during the war, both at home and abroad. There are no published biographies of navy combat flyers from this period, and just a handful of diaries and letters in print, the last appearing more than twenty years ago. Ingalls’s extensive letters and diaries add significantly to historians’ store of available material.
Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through his encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called “the most unjaded person I ever met,” an imperfect but kind and intelligent young scientist passionately in love with his life and work and determined to make a difference.
Melanie Holmes tells the story of Johnston's journey from a nature-loving Boy Scout to a committed geologist. Blending science with personal detail, Holmes follows Johnston through his encounters with Aleutian volcanoes, his work helping the Portuguese government assess the geothermal power of the Azores, and his dream job as a volcanologist with the U.S. Geological Survey. Interviews and personal writings reveal what a friend called “the most unjaded person I ever met,” an imperfect but kind and intelligent young scientist passionately in love with his life and work and determined to make a difference.
A Hero Perished tells Nile Kinnick's story. This grandson of an Iowa governor, the son of parents who disciplined him to strive for his measure of greatness, became a Heisman Trophy winner and national celebrity through a combination of talent and circumstance. Following his college successes, Kinnick began legal study to prepare for a political career, but with the approach of war he entered the Navy Air Corps to refashion himself as a fighter pilot. Assigned to the carrier USS Lexington on its premier cruise, he took off in a defective plane—and his death shocked a nation grown almost used to tragic loss.
For the first time, Kinnick tells his own tale through his engaging letters—all but one previously unpublished—and his diary, printed in its entirety for the first time. The result is a human, intimate look at the true person behind the myth, revealing both his foibles and his essential principles. A Hero Perished also includes a definitive text of Kinnick's moving Heisman Award acceptance speech and his impassioned commencement supper address, calling on the new Iowa graduates to achieve moral courage in a time of depression and war.
An illuminating comment on a time and attitude that have passed, A Hero Perished is of and about a football player, but it is not a football book—it is far more. This volume displays Kinnick—who was, despite his great gifts and achievements, a vulnerable and decent young man—in a time of great change and peril when a phase of our culture was passing away.
early 1850s as a star writer, under the pseudonym Winnie Woodfern, for more than half a
dozen Boston “story papers,” mass-circulation weekly periodicals that specialized in popular
fiction. Although she would soon join such famous woman authors as Fanny Fern
and E. D. E. N. Southworth as featured contributors to the New York Ledger, America’s
greatest story paper, Gibson’s subsequent output rarely matched the gender-bending creativity
of the tales written in her late teens and early twenties and reprinted in this volume.
But “Hero Strong” and Other Stories does much more than recover the work of a
forgotten literary prodigy. As explained by historian Daniel A. Cohen, Gibson’s tales
also illuminate major interrelated transformations in American girlhood and American
women’s authorship. Challenging traditional gender expectations, thousands of girls of
Gibson’s generation not only aspired to public careers as writers, artists, educators, and
even doctors but also began to experiment with new forms of “female masculinity” in
attitude, bearing, behavior, dress, and sexuality—a pattern only gradually domesticated
by the nonthreatening image of the “tomboy.” Some, such as Gibson, at once realized and
reenacted their dreams on the pages of antebellum story papers.
This first modern scholarly edition of Mary Gibson’s early fiction features ten tales of
teenage girls (seemingly much like Gibson herself) who fearlessly appropriate masculine
traits, defy contemporary gender norms, and struggle to fulfill high worldly ambitions.
In addition to several heroines who seek “fame and riches” as authors or artists,
Gibson’s unconventional protagonists include three female medical students who resort to
grave robbing and a Boston ingénue who dreams of achieving military glory in battle. By
moving beyond “literary domesticity” and embracing bold new models of women’s
authorship, artistry, and worldly achievement, Gibson and her fictional protagonists stand
as exemplars of “the first generation of American girls who imagined they could do almost
anything.”
Daniel A. Cohen is an associate professor of history at Case Western Reserve University.
His previous publications include Pillars of Salt, Monuments of Grace: New England Crime
Literature and the Origins of American Popular Culture, 1674–1860 and ‘The Female Marine’
and Related Works: Narratives of Cross-Dressing and Urban Vice in America’s Early
Republic.
In the 5th century BCE, Herodotus wrote the first known Western history to build on the tradition of Homeric storytelling, basing his text on empirical observations and arranging them systematically. Herodotus and the Question Why offers a comprehensive examination of the methods behind the Histories and the challenge of documenting human experiences, from the Persian Wars to cultural traditions.
In lively, accessible prose, Christopher Pelling explores such elements as reconstructing the mentalities of storyteller and audience alike; distinctions between the human and the divine; and the evolving concepts of freedom, democracy, and individualism. Pelling traces the similarities between Herodotus's approach to physical phenomena (Why does the Nile flood?) and to landmark events (Why did Xerxes invade Greece? And why did the Greeks win?), delivering a fascinating look at the explanatory process itself. The cultural forces that shaped Herodotus's thinking left a lasting legacy for us, making Herodotus and the Question Why especially relevant as we try to record and narrate the stories of our time and to fully understand them.
Schlosser shows that the Histories, which chronicle the interactions among the Greek city-states and their neighbors that culminated in the Persian Wars, illuminate a telling paradox: at those times when humans appear capable of exerting more influence than ever before, they must also assert collective agency to avoid their own downfall. Here, success depends on nomoi, or the culture, customs, and laws that organize human communities and make them adaptable through cooperation. Nomoi arise through sustained contact between humans and their surroundings and function best when practiced willingly and with the support of strong commitments to the equality of all participants. Thus, nomoi are the very substance of political agency and, ultimately, the key to freedom and ecological survival because they guide communities to work together to respond to challenges. An ingenious contribution to political theory, political philosophy, and ecology, Herodotus in the Anthropocene reminds us that the best perspective on the present can often be gained through the lens of the past.
A timely new novel evocative of the biblical story of the beheading of John the Baptist by a major American writer.
Hugh Helton, a prosperous attorney in a progressive town, has married his brother's ex-wife, Nora. As Hugh negotiates his relationships with his new spouse, her daughter, Jean, and parish priest Father John Riley, Nora’s growing hate for the church into which they were all born and from which they have all lapsed drives her to desperate acts of deceit and manipulation.
Father Riley himself wrestles with his own sense of purpose and mission. But when Nora attempts to discredit him as an authority figure in the minds of both her husband and their community, she uses her devoted daughter as the springboard for a series of accusations against the priest that has catastrophic results for all involved.
Grappling with issues of faith, trust, family loyalty, child molestation, and scandal in the Catholic Church, Herod’s Wife is a timely exploration of subjects from today's headlines. It illuminates the isolation and search for meaning of characters young and old, innocent and experienced, in a rapidly changing and bewildering southern landscape. Madison Smartt Bell, author of All Soul's Rising, writes, “The main plot revolves around a mother pressuring a child to express her will in a more concrete way than she would or could herself—so that the child ultimately commits acts which are both criminal and morally horrifying. . . . [Herod’s Wife] is a morality play set in contemporary conditions, with its eye on eternal verities.”
Madison Jones is the author of 10 previous novels, including An Exile and A Cry of Absence. He has won the T. S. Eliot Award from the Ingersoll Foundation, the Michael Shaara Award from the United States Civil War Center, and the Harper Lee Award.
Latin American history traditionally has been defined by larger-than-life heroes such as Símon Bolívar, Emiliano Zapata, and Evita Perón. Recent scholarship, however, tends to emphasize social and cultural factors rather than great leaders. In this new collection, Samuel Brunk and Ben Fallaw bring heroes back to the center of the debate, arguing that heroes not only shape history, they also "tell us a great deal about the places from which they come."
The original essays in this collection examine ten modern Latin American heroes whose charisma derived from the quality of their relationships with admirers, rather than their innate personal qualities. The rise of mass media, for instance, helped pave the way for populists such as radio actress-turned-hero Evita Perón. On the other hand, heroes who become president often watch their images crumble, as policies replace personality in the eyes of citizens. In the end, the editors argue, there is no formula for Latin American heroes, who both forge, and are forged by, unique national events. The conclusion points toward Mexico, where the peasant revolutions that elevated Miguel Hidalgo and, later, Emiliano Zapata are so revered that today's would-be heroes, such as the EZLN's Subcomandante Marcos, must link themselves to peasant mythology even when their personal roots are far from native ground. The enduring (or, in some cases, fading) influence of those discussed in this volume validates the central placement of heroes in Latin American history.
The present study of American, Australian, and Canadian detective fiction concerns literature which speaks in the ways of heroes and humanities about the human condition. All authors studied here, to one degree or another, demonstrate their concern with human society, some more strongly than others, but all with their eyes on the human situation and human existence. At times these studies lean toward the tragic in their outlook and development. In all instances they center on the humanistic.
Drawing on portrayals of journalists in television, film, radio, novels, comics, plays, and other media, Matthew C. Ehrlich and Joe Saltzman survey how popular media has depicted the profession across time. Their creative use of media artifacts provides thought-provoking forays into such fundamental issues as how pop culture mythologizes and demythologizes key events in journalism history and how it confronts issues of race, gender, and sexual orientation on the job.
From Network to The Wire, from Lois Lane to Mikael Blomkvist, Heroes and Scoundrels reveals how portrayals of journalism's relationship to history, professionalism, power, image, and war influence our thinking and the very practice of democracy.
Painting a vivid picture of Bowie’s life in the Schöneberg area of the city, Rüther describes the artist’s friendships and collaborations with his roommate, Iggy Pop, as well as Brian Eno and Tony Visconti. Rüther illustrates Bowie’s return to painting, days cycling to the Die Brücke museum, and his exploration of the city’s nightlife, both the wild side and the gay scene. In West Berlin, Bowie also met singer and actress Romy Haag; came to know Hansa Studios, where he would record Low and Heroes; and even landed the part of a Prussian aristocrat in Just a Gigolo, starring alongside Marlene Dietrich. Eventually Rüther uses Bowie and his explorations of the cultural and historical undercurrents of West Berlin to examine the city itself: divided, caught in the Cold War, and how it began to redefine itself as a cultural metropolis, turning to the arts to start a new history.
Tying in with an exhibition at the Museum of Contemporary Art, Chicago, in September, 2014, Heroes tells the fascinating story of how the music of the future arose from the spirit of the past. It is an unforgettable look at one of the world’s most renowned musicians in one of its most inspiring cities.
King studies how, in the cop action genre, working-class police officers weigh in on such topics as racial justice, homosexuality, misogyny, unemployment, worker resistance, affirmative action, drug use, poverty, divorce, and the use of violence to deal with social problems. Facing their enemies with wisecracks and firepower, these men prove themselves at once complicitous in a system of violence and corruption and worthy to "blow away," with neither hesitation nor remorse, their -- society's -- menacing threats. The central male figures in these stories are heroes in their fight against criminals, but, as individuals, they fell undervalued by women, unappreciated by their bosses, and out of place in a society where fat cats and liberals have all the power. Such "hard times," King's study reveals, position them to simultaneously long for, disdain, and heroically -- if violently -- stake their frustrated claim to white male privilege.
Discussing such topics as white male guilt and the rage of the oppressed and examining such films as Lethal Weapon, Die Hard, and Silence of the Lambs, King's book notes the socially-charged roles given to American culture's fictional police heroes. The last artisan in a culture that has become increasingly corporate and bureaucratized, the movie cop is the last 'real man' in a world that has emasculated men and the last non-conforming patriot in a world that pays more attention to rules than what is morally right.
A book that shows how modern mythology makes sense of rampant corruption (and provides entertainment in its punishment), Heroes in Hard Times will educate and provoke those interested in American popular culture, film, and gender studies.
Powerful and moving, Heroes of Their Own Lives offers an honest understanding of a persistent problem and a realistic view of the difficulties in stopping it.
Most of us are content to see ourselves as ordinary people—unique in ways, talented in others, but still among the ranks of ordinary mortals. Andrew Flescher probes our contented state by asking important questions: How should "ordinary" people respond when others need our help, whether the situation is a crisis, or something less? Do we have a responsibility, an obligation, to go that extra mile, to act above and beyond the call of duty? Or should we leave the braver responses to those who are somehow different than we are: better somehow, "heroes," or "saints?"
Traditional approaches to ethics have suggested there is a sharp distinction between ordinary people and those called heroes and saints; between duties and acts of supererogation (going beyond the expected). Flescher seeks to undo these standard dichotomies by looking at the lives and actions of certain historical figures—Holocaust rescuers, Martin Luther King, Jr., Dorothy Day, among others—who appear to be extraordinary but were, in fact, ordinary people. Heroes, Saints, and Ordinary Morality shifts the way we regard ourselves in relationship to those we admire from afar—it asks us not only to admire, but to emulate as well—further, it challenges us to actively seek the acquisition of virtue as seen in the lives of heroes and saints, to learn from them, a dynamic aspect of ethical behavior that goes beyond the mere avoidance of wrongdoing.
Andrew Flescher sets a stage where we need to think and act, calling us to lead lives of self-examination—even if that should sometimes provoke discomfort. He asks that we strive to emulate those we admire and therefore allow ourselves to grow morally, and spiritually. It is then that the individual develops a deeper altruistic sense of self—a state that allows us to respond as the heroes of our own lives, and therefore in the lives of others, when times and circumstance demand that of us.
This sweeping survey constitutes the first comprehensive treatment of the men and women who have been chosen to represent Illinois in the United States Senate from 1818 to the present day. David Kenney and Robert E. Hartley underscore nearly two centuries of Illinois history with these biographical and political portraits, compiling an incomparably rich resource for students, scholars, teachers, journalists, historians, politicians, and any Illinoisan interested in the state’s senatorial heritage.
Originally published as An Uncertain Tradition: U.S. Senators From Illinois 1818–2003, this second edition brings readers up to date with new material on Paul Simon, Richard Durbin, and Peter Fitzgerald, as well as completely new sections on Roland Burris, Barack Obama, and Illinois’s newest senator, Mark Kirk. This fresh and careful study of the shifting set of political issues Illinois’s senators encountered over time is illuminated by the lives of participants in the politics of choice and service in the Senate. Kenney and Hartley offer incisive commentary on the quality of Senate service in each case, as well as timeline graphs relating to the succession of individuals in each of the two sequences of service, the geographical distribution of senators within the state, and the variations in party voting for Senate candidates. Rigorously documented and supremely readable, this convenient reference volume is enhanced by portraits of many of the senators.
The Heroic City is a sparkling account of the fate of Paris’s public spaces in the years following Nazi occupation and joyful liberation. Countering the traditional narrative that Paris’s public landscape became sterile and dehumanized in the 1940s and ’50s, Rosemary Wakeman instead finds that the city’s streets overflowed with ritual, drama, and spectacle. With frequent strikes and protests, young people and students on parade, North Africans arriving in the capital of the French empire, and radio and television shows broadcast live from the streets, Paris continued to be vital terrain.
Wakeman analyzes the public life of the city from a variety of perspectives. A reemergence of traditional customs led to the return of festivals, street dances, and fun fairs, while violent protests and political marches, the housing crisis, and the struggle over decolonization signaled the political realities of postwar France. The work of urban planners and architects, the output of filmmakers and intellectuals, and the day-to-day experiences of residents from all walks of life come together in this vibrant portrait of a flamboyant and transformative moment in the life of the City of Light.
This volume focuses on a large group of decorated terracotta plaques, from the sixth to fourth centuries BCE. These molded plaques were discovered with other offerings in a sanctuary deposit excavated near Sparta more than fifty years ago, but they have remained unpublished until now. They number over 1,500 complete and fragmentary pieces. In technique, style, and iconography they form a homogeneous group unlike any other from mainland Greece. The large number of plaques and variety of types reveal a stable and vigorous coroplastic tradition in Lakonia during the late Archaic and Classical period.
Heroic Offerings will be of interest to students and scholars of Greek history, art, and archaeology, to those interested in ancient religious practice in the Mediterranean, and to all inspired by Athens’ chief political rival, Sparta.
This volume received financial support from the Archaeological Institute of America.
Heroic Works collects the full 184 entries from the 2017 competition, highlighting the twenty-eight winning bindings and offering a veritable showcase for the creativity and craftsmanship of the international bookbinding community. As beautifully designed as many of the bindings it displays, this showcase of the best in modern bookbinding will become a collector’s item among aficionados of bookbinding—as well as a handsome addition to any personal library.
How to cultivate Greek heroes and athletes.
In the writings of Philostratus (ca. AD 170-ca. 250), the renaissance of Greek literature in the second century AD reached its height. His Life of Apollonius of Tyana, Lives of the Sophists, and Imagines reconceive in different ways Greek religion, philosophy, and art in and for the world of the Roman Empire. In this volume, Heroicus and Gymnasticus, two works of equal creativity and sophistication, together with two brief Discourses (Dialexeis), complete the Loeb edition of his writings.
Heroicus is a conversation in a vineyard amid ruins of the Protesilaus shrine (opposite Troy on the Hellespont), between a wise and devout vinedresser and an initially skeptical Phoenician sailor, about the beauty, continuing powers, and worship of the Homeric heroes. With information from his local hero, the vinedresser reveals unknown stories of the Trojan campaign especially featuring Protesilaus and Palamedes, and describes complex, miraculous, and violent rituals in the cults of Achilles.
Gymnasticus is the sole surviving ancient treatise on sports. It reshapes conventional ideas about the athletic body and expertise of the athletic trainer and also explores the history of the Olympic Games and other major Greek athletic festivals, portraying them as distinctive venues for the display of knowledge.
Two early works by the consummate Latin love poet.
Ovid (Publius Ovidius Naso, 43 BC–AD 17), born at Sulmo, studied rhetoric and law at Rome. Later he did considerable public service there, and otherwise devoted himself to poetry and to society. Famous at first, he offended the emperor Augustus by his Ars amatoria, and was banished because of this work and some other reason unknown to us, and dwelt in the cold and primitive town of Tomis on the Black Sea. He continued writing poetry, a kindly man, leading a temperate life. He died in exile.
Ovid's main surviving works are the Metamorphoses, a source of inspiration to artists and poets including Chaucer and Shakespeare; the Fasti, a poetic treatment of the Roman year of which Ovid finished only half; the Amores, love poems; the Ars amatoria, not moral but clever and in parts beautiful; Heroides, fictitious love letters by legendary women to absent husbands; and the dismal works written in exile: the Tristia, appeals to persons including his wife and also the emperor; and similar Epistulae ex Ponto. Poetry came naturally to Ovid, who at his best is lively, graphic and lucid.
The Loeb Classical Library edition of Ovid is in six volumes.
During World War I, American firms supplied theaters around the world as French and Italian films had become scarce. Ironically, the war strengthened German filmmaking due to a ban on imports that lasted until 1921. During that period of isolation, Lubitsch became the finest proponent of German filmmaking and once Hollywood films appeared in Germany again Lubitsch was quick to absorb their stylistic traits as well. He soon became the unique master of both styles as the golden ages of the American and German cinema were beginning. This innovative study utilizes Lubitsch's silent films as a means to compare two great national cinemas at a vital formative period in cinema history.
In Herring: A Global History, Kathy Hunt looks at the environmental, historical, political, and culinary background of this prolific and easily caught fish. Over the centuries, herring have sustained populations in times of war and hardship, and the fish’s rich flavor, delicate texture, and nutritious meat have made it a culinary favorite. Its ease of preparation—just grill, broil, fry, pickle, salt, or smoke and serve—have won it further acclaim. Engaging and informative, the book features fifteen mouth-watering recipes. It will appeal to food lovers, history buffs, and anyone who has ever enjoyed a British kipper, German Bismarck, Dutch matjes, or Jewish chopped-herring.
Sir John Herschel, one of the founders of Southern Hemisphere astronomy, was a man of extraordinarily wide interests. He made contributions to botany, geology, and ornithology, as well as to astronomy, chemistry, and mathematics. Throughout his scientific career he kept a diary, recording his public and private life. The diaries from 1834 to 1838, years he spent making astronomical observations at the Cape of Good Hope, are reproduced in this book and prove to be much more than an ordinary scientist’s logbook. They present personal and social history, literary commentaries, the results of close observations of nature and numerous scientific experiments, the excitement of travel, political intrigues, gossip, and philosophical reflections—all interpreted through an alert and versatile mind. In the present transcription, the material has been enriched with selected correspondence of Sir John and his wife Lady Herschel (née Margaret Brodie Stewart).
Sir John devoted his working time at the Cape primarily to a systematic observation of the southern sky, complementing his earlier “sweeping” of the northern sky at Slough, England. He later became one of the founders of photography, but at the Cape he used a simple optical device, the camera lucida, in the production of numerous landscape drawings. Many of these, along with reproductions of sketches contained in the diaries and botanical drawings made by Sir John and Lady Herschel, are used to illustrate this book. Sir John was also a leading figure in the foundation of the educational system of the Cape and a supporter of exploratory expeditions into the interior.
As the son of Sir William Herschel, in his day the most famous British astronomer and the discoverer of the planet Uranus, Sir John was already celebrated when he arrived from England. Every individual of note, resident at the Cape or visiting, went to see him. He was supported in his work by his wife, who ran an enormous establishment and bore a huge family, but who nevertheless found time to travel in the country around the western Cape with him and to assist in his observations.
The diaries and letters are supplemented by especially valuable editorial notes that provide much needed and highly interesting information concerning persons and events mentioned and described by Sir John. All the original manuscript material used in this volume is archived at the Harry Ransom Center at the University of Texas at Austin. Sir John’s camera lucida drawings are from the South African Public Library in Cape Town.
In 1799, when the French artist Jacques-Louis David (1748–1825) exhibited his Intervention of the Sabines, a history painting featuring the ancient heroine Hersilia, he added portraits of two contemporary women on either side of her—Henriette de Verninac, daughter of Charles-François Delacroix, minister of foreign affairs, and Juliette Récamier, a well-known and admired socialite. Drawing on many disciplines, Norman Bryson explains how such a combination of paintings could reveal the underlying nature of the Directoire, the period between the vicious and near-dictatorial Reign of Terror (1793–94) and the coup in 1799 that brought Napoleon to power.
Hersilia’s Sisters illuminates ways that cultural life and civil society were rebuilt during these years through an extraordinary efflorescence of women pioneers in every cultural domain—literature, the stage, opera, moral philosophy, political theory, painting, popular journalism, and fashion. Through a close examination of David’s work between The Intervention of the Sabines (begun in 1796) and Bonaparte Crossing the Alps (begun in 1800), Bryson explores how the flowering of women’s culture under the Directoire became a decisive influence on David’s art. With more than 150 illustrations, this book provides new and brilliant insight into this period that will captivate readers.
Herzog by Ebert is a comprehensive collection of Ebert’s writings about the legendary director, featuring all of his reviews of individual films, as well as longer essays he wrote for his Great Movies series. The book also brings together other essays, letters, and interviews, including a letter Ebert wrote Herzog upon learning of the dedication to him of “Encounters at the End of the World;” a multifaceted profile written at the 1982 Cannes Film Festival; and an interview with Herzog at Facet’s Multimedia in 1979 that has previously been available only in a difficult-to-obtain pamphlet. Herzog himself contributes a foreword in which he discusses his relationship with Ebert.
Brimming with insights from both filmmaker and film critic, Herzog by Ebert will be essential for fans of either of their prolific bodies of work.
Based on in-depth research, with sources ranging from newly discovered socialist writings to reports of police spies, Hesitant Comrades is a scholarly, provocative, and highly engaging perspective on the fragile relationship between the British left and the Irish revolution.
A deftly crafted biography of the author of Siddhartha, whose critique of consumer culture continues to inspire millions of readers.
Against the horrors of Nazi dictatorship and widespread disillusionment with the forces of mass culture and consumerism, Hermann Hesse’s stories inspired nonconformity and a yearning for universal values. Few today would doubt Hesse’s artistry or his importance to millions of devoted readers. But just who was the author of Siddhartha, Steppenwolf, and Demian?
Gunnar Decker weaves together previously unavailable sources to offer a unique interpretation of the life and work of Hermann Hesse. Drawing on recently discovered correspondence between Hesse and his psychoanalyst Josef Lang, Decker shows how Hesse reversed the traditional roles of therapist and client, and rethinks the relationship between Hesse’s novels and Jungian psychoanalysis. He also explores Hesse’s correspondence with Stefan Zweig—recently unearthed—to find the source of Hesse’s profound sense of alienation from his contemporaries.
Decker’s biography brings to life this icon of spiritual searching and disenchantment who galvanized the counterculture in the 1960s and feels newly relevant today.
In 1775 the British Empire was in crisis. While it was buried in debt from years of combat against the French, revolution was stirring in its wealthiest North American colonies. To allow the rebellion to fester would cost the British dearly, but to confront it would press their exhausted armed forces to a breaking point. Faced with a nearly impossible decision, the administrators of the world’s largest empire elected to employ the armies of the Holy Roman Empire to suppress the sedition of the American revolutionaries. By 1776 there would be 18,000 German soldiers marching through the wilds of North America, and by war’s end there would be over 30,000.
To the colonists these forces were “mercenaries,” and to the Germans the Americans were “rebels. ”While soldiers of fortune fight for mere profit, the soldiers of the Holy Roman Empire went to war in the name of their country, and were paid little for their services, while their respective kings made fortunes off of their blood and sacrifice among the British ranks. Labeled erroneously as “Hessians,” the armies of the Holy Roman Empire came from six separate German states, each struggling to retain relevance in a newly enlightened and ever-changing world.
In Hessians: Officer, Baroness, Chaplain—Three German Experiences in the American Revolution historian Brady J. Crytzer explores the German experience during the American Revolution through the lives of three individuals from vastly different walks of life, all thrust into the maelstrom of North American combat. Here are the stories of a dedicated career soldier, Johann Ewald, captain of a Field-Jäger Corps, who fought from New York to the final battles along the Potomac; Frederika Charlotte Louise von Massow, Baroness von Riedesel, who raced with her young children through the Canadian wilderness to reunite with her long-distant husband; and middle-aged chaplain Philipp Waldeck, who struggled to make sense of it all while accompanying his unit through the exotic yet brutal conditions of the Caribbean and British Florida. Beautifully written, Hessians offers a glimpse into the American Revolution as seen through the eyes of the German armies commanded to destroy it.
Beginning with the introduction of Hegel in French postmodernist thought—largely but not exclusively through the thought of Georges Bataille—Pefanis argues that the core problematics of postmodern aesthetics—history, exchange, representation, and writing—are related to Bataille’s reconceptualization of the Hegelian framework. Pefanis explores how Bataille was influenced by Hegel, Marcel Mauss, Freud, and Nietzsche, and traces the effects of this influence on the analyses and critiques of later postmodernists, most notably Lyotard and Baudrillard. Finally, employing these postmodernists along with Freud and Jacques Lacan, Pefanis discusses discourse on postmodernism and its relation to Freud’s concept of the death drive.
This intellectual history makes valuable contributions to the debates over what the “postmodern” may mean for intellectual and political activity.
Heterosexual Africa? The History of an Idea from the Age of Exploration to the Age of AIDS builds from Marc Epprecht’s previous book, Hungochani (which focuses explicitly on same-sex desire in southern Africa), to explore the historical processes by which a singular, heterosexual identity for Africa was constructed—by anthropologists, ethnopsychologists, colonial officials, African elites, and most recently, health care workers seeking to address the HIV/AIDS pandemic. This is an eloquently written, accessible book, based on a rich and diverse range of sources, that will find enthusiastic audiences in classrooms and in the general public.
Epprecht argues that Africans, just like people all over the world, have always had a range of sexualities and sexual identities. Over the course of the last two centuries, however, African societies south of the Sahara have come to be viewed as singularly heterosexual. Epprecht carefully traces the many routes by which this singularity, this heteronormativity, became a dominant culture. In telling a fascinating story that will surely generate lively debate, Epprecht makes his project speak to a range of literatures—queer theory, the new imperial history, African social history, queer and women’s studies, and biomedical literature on the HIV/AIDS pandemic. He does this with a light enough hand that his story is not bogged down by endless references to particular debates.
Heterosexual Africa? aims to understand an enduring stereotype about Africa and Africans. It asks how Africa came to be defined as a “homosexual-free zone” during the colonial era, and how this idea not only survived the transition to independence but flourished under conditions of globalization and early panicky responses to HIV/AIDS.
La présente étude reconstitue les discours autour du portrait dans la France du XVIIe siècle et dévoile une discussion d’une vivacité surprenante, où d’aucuns se sont même demandé si le portrait ne méritait pas – plutôt que la peinture d’histoire – d’occuper la première place dans la hiérarchie des genres.
Alice is a motherless child, born to a motherless child, and raised with neither care nor grace. Her response to this multiple abandonment is a lifelong obsession with her best friend Ingrid, or Thingy, as Alice calls her, and a sort of fantastic narcissism wherein she figures herself as the nexus of a supernatural world she understands through a blend of mountain lore, indigenous Cherokee legend, and the dangerous idiom of the fairy-tale girl who enters the forest despite being warned.
The novel is written in blended parts and is crafted as an address to Thingy’s daughter, Ingrid the Second, who is now in Alice’s care. Alice attempts to tell Ingrid the story of her life: her friendship with Thingy; her troubled relationships with her father, a small-town sexual troubadour; her stepmother, a hard-minded business woman who treats all interactions as commerce; her marriage to her husband Jacob, a silent figure of tremendous will; and her growing suspicion that Ingrid is another girl-child around whom disaster accumulates. Simultaneously, Alice tells the child the kind of bedtime stories she herself has used to make sense of her world. For Alice, and thus in Hex, the line between fantasy and reality is nonexistent, the mountain is older than its geology, and the world a limbo in which everything that has ever happened is coming around again.
Hex is a novel about violence—the violence of the fist, of the womb, of the story. It is also a novel about language and how we use it to build a world when the one we find around us is irretrievably broken.
"A classic."—Andrew Rothery, Times Education Supplement
"Martin Gardner has turned a trick as neat as any in the book itself. He has selected a group of diversions which are not only entertaining but mathematically meaningful as well. The result is a work which is rewarding on almost every level of mathematical achievement."—Miriam Hecht, Iscripta Mathematica
Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
For thirty years, Hezbollah has played a pivotal role in Lebanese and global politics. That visibility has invited Hezbollah’s lionization and vilification by outside observers, and at the same time has prevented a clear-eyed view of Hezbollah’s place in the history of the Middle East and its future course of action. Dominique Avon and Anaïs-Trissa Khatchadourian provide here a nonpartisan account which offers insights into Hezbollah that Western media have missed or misunderstood.
Now part of the Lebanese government, Hezbollah nevertheless remains in tension with both the transnational Shiite community and a religiously diverse Lebanon. Calling for an Islamic regime would risk losing critical allies at home, but at the same time Hezbollah’s leaders cannot say that a liberal regime is the solution for the future. Consequently, they use the ambiguous expression “civil but believer state.”
What happens when an organization founded as a voice of “revolution” and then “resistance” occupies a position of power, yet witnesses the collapse of its close ally, Syria? How will Hezbollah’s voice evolve as the party struggles to reconcile its regional obligations with its religious beliefs? The authors’ analyses of these key questions—buttressed by their clear English translations of foundational documents, including Hezbollah’s open letter of 1985 and its 2009 charter, and an in-depth glossary of key theological and political terms used by the party’s leaders—make Hezbollah an invaluable resource for all readers interested in the future of this volatile force.
Hezbollah: The Global Footprint of Lebanon's Party of God is the first thorough examination of Hezbollah’s covert activities beyond Lebanon’s borders, including its financial and logistical support networks and its criminal and terrorist operations worldwide.
Hezbollah—Lebanon’s "Party of God"—is a multifaceted organization: It is a powerful political party in Lebanon, a Shia Islam religious and social movement, Lebanon’s largest militia, a close ally of Iran, and a terrorist organization. Drawing on a wide range of sources, including recently declassified government documents, court records, and personal interviews with intelligence and law enforcement officials around the world, Matthew Levitt examines Hezbollah’s beginnings, its first violent forays in Lebanon, and then its terrorist activities and criminal enterprises abroad in Europe, the Middle East, South America, Southeast Asia, Africa, and finally in North America. Levitt also describes Hezbollah’s unit dedicated to supporting Palestinian militant groups and Hezbollah’s involvement in training and supporting insurgents who fought US troops in post-Saddam Iraq. The book concludes with a look at Hezbollah’s integral, ongoing role in Iran’s shadow war with Israel and the West, including plots targeting civilians around the world.
Levitt shows convincingly that Hezbollah’s willingness to use violence at home and abroad, its global reach, and its proxy-patron relationship with the Iranian regime should be of serious concern. Hezbollah is an important book for scholars, policymakers, students, and the general public interested in international security, terrorism, international criminal organizations, and Middle East studies.
"Hezbollah is perhaps the world's most capable group. Terrorism expert Matthew Levitt offers a comprehensive and fascinating assessment of Hezbollah's network outside the Lebanese theater, exposing its operations and fundraising apparatus in Asia, Latin America, Europe, and even the United States." -- Daniel Byman, professor, Center for Security Studies, Georgetown University
"Matthew Levitt is a recognized authority on Hezbollah and its activities, both in the Levant and globally.... Hezbollah: The Global Footprint of Lebanon's Party of God fills a vital gap in understanding the international dimensions of Hezbollah, its reach, and its capacities for terrorism worldwide." -- Charles Allen, former assistant director of the central intelligence for collection, CIA
"Matthew Levitt has made a significant contribution to public understanding of Hezbollah's worldwide operations. He has shone a bright light into some of the darkest corners of the group's activities overseas." -- Richard Barrett, former head of MI6/SIS/British Intelligence's Counter Terrorism Department and coordinator of the United Nations Al-Qaeda-Taliban Monitoring Team
"This book tells the sinister story of a highly sophisticated organization that for more than thirty years has been an archetype of world-wide illicit activities. Hezbollah effectively combines its overt social and political activities with covert criminal and terrorist operations on a global scale. Matthew Levitt's painstaking collection of a rich array of data provides uncomfortable evidence of ' The Global Footprint of Lebanon's Party of God'. This book is essential reading for policy-makers and the international intelligence community." -- Uri Rosenthal, Former Minister of Foreign Affairs, the Netherlands
"In Hezbollah: The Global Footprint of Lebanon's Party of God, Matthew Levitt, through adept storytelling and impressive attention to historical detail, manages to teach even long-time students of the Middle East a great deal about Hezbollah. The book leaves little doubt as to the increasing importance, danger, and international reach of Hezbollah. It will be an important resource for serious scholars of the Middle East and a great read for anyone interested in better understanding the region." -- Andy Liepman, Senior Policy Analyst, RAND Corporation; former Principal Deputy Director, National Counterterrorism Center
"This book on Lebanese Hezbollah is a unique incisive insight into its global terror tentacles around the globe. Noone has catalogued these terrorist connections and plots in such forensic detail as Matthew Levitt, especially how the terror nexus between Hezbollah and Iran has continually evolved. It systematically lays bare Hezbollah's operational capability and its multiple intersections with Iranian intelligence architecture. This should be required reading for every intelligence analyst and terrorism researcher." -- Magnus Ranstrop, research director, Centre for Asymmetric Threat Studies at the Swedish National Defence College
"Matthew Levitt's book touches a key point of the growing debate on Hezbollah: the European approach to the phenomenon. It is a reminder for us Europeans that there are threats that might seem distant geographically, but could nevertheless have a strong impact politically on the continent as well." -- Franco Frattini, Justice and Chamber President of the Italian Conseil d'Etat (Supreme Administrative Court); President of the Italian Society for International Organization (SIOI); former Italian Foreign Minister (2002-2004 and 2008-2011)
"Richard Armitage, then Deputy Secretary of State, once described Hezbollah as the 'A team' of international terror. In his extraordinary new book, Matthew Levitt explains why Hezbollah is seen as such a global threat. Levitt paints a compelling picture of Hezbollah's terror activities not just in the Middle East but throughout Europe, Asia, Africa, and North and South America. While Western intelligence and law enforcement agencies have tracked and disrupted Hezbollah's global activities for years, this highly unsettling story has been largely unknown to wider publics. Thanks to Levitt's meticulous and well-written book that should no longer be the case." -- Ambassador Dennis Ross, counselor at the Washington Institute; former special assistant to President Obama and senior director for the Central Region at the National Security Council
"Matthew Levitt has laid out a timely and relevant history of Hezbollah, a global terrorist organization often referred to as the 'A Team' of terror. This book comes at the right time as Hezbollah continues its decades-long war against the United States, Israel, and our allies around the globe while it attempts to consolidate political power in Lebanon -- on its behalf and for the Iranian regime." -- Juan Zarate, former Deputy National Security Advisor for Combatting Terrorism and author of the forthcoming book, Treasury's War
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