The Holbrook Years 2002–2007 chronicles the tenure of Karen A. Holbrook, thirteenth president of The Ohio State University, from the extensive search process to her departure. As the thirteenth volume of history of presidents of The Ohio State University, it includes the personal and public life Holbrook, the first woman and research scientist to lead The Ohio State University.

The OSU Board of Trustees and its presidential search committee found in Holbrook’s experience many reasons to invite her to lead Ohio’s flagship institution of higher education. Foremost among them was her familiarity with academic medicine, which they thought would give her a special understanding of OSU’s growing medical center. She was particularly interested in fostering multi-disciplinary programs and emphasizing outreach via pre-collegiate programs to broaden the pipeline for students who saw The Ohio State University as a goal.

Henriette Geisberg Bruns was twenty-three when she arrived in 1836 at the isolated Westphalia Settlement in central Missouri with her husband, baby son, two brothers, and a maid. Jette, as she was known to her family and friends, had not come to America by inclination, but from duty. Her husband Bernhard, a physician, had fallen victim to the emigration fever sweeping Germany in the 1830s and was convinced that he could provide a better life for his family in the American Free States where land was plentiful, the soil was fertile, and taxes were low. Born into a large, prosperous, closely knit family, Jette had set out for the New World reluctantly; but once in Missouri, she was determined not to give up and go back home, as a neighboring family did.

Although she maintained her resolve, this collection of letters written to her family in Germany shows that her life in America was often beset by deprivation, disease, and loneliness. Jette had been persuaded to emigrate for the sake of her children’s future; however, of the ten born in central Missouri, five died in childhood, three within three weeks in September and October 1841.Despite the family responsibilities and the hardships she faced in Missouri, Jette maintained a lively interest in American political and social life. For fifteen years in Westphalia and almost fifty in Jefferson City and St. Louis, she observed and offered astute—if sometimes acerbic—commentary on the historic as well as the daily events of nineteenth-century life. Left destitute by the death of her husband, who had served as mayor of Jefferson City during the Civil War, she opened a boarding-house in her home across from the state capitol to support her own children and those of her brother. There the German radicals in state government gathered to argue and debate.

This rare collection of personal family letters, combined with an autobiographical sketch Jette wrote after the Civil War, illuminates the experience of one immigrant woman in a land that was always foreign to her.

The sexual abuse of children by Catholic clergy is arguably the most acute crisis Catholicism has faced since the Reformation. The prevalence of clergy sexual abuse and its shocking cover-up by church officials have obscured the largely untold story of the tort system’s remarkable success in bringing the scandal to light, focusing attention on the need for institutional reform, and spurring church leaders and public officials into action.

Stories of the tort system as an engine of social justice are rare. Holding Bishops Accountable tells one such story by revealing how pleadings, discovery documents, and depositions fueled media coverage of the scandal. Timothy Lytton shows how the litigation strategy of plaintiffs’ lawyers gave rise to a widespread belief that the real problem was not the actions of individual priests but rather the church’s massive institutional failure. The book documents how church and government policymakers responded to the problem of clergy sexual abuse only under the pressure of private lawsuits.

As Lytton deftly demonstrates, the lessons of clergy sexual abuse litigation give us reason to reconsider the case for tort reform and to look more closely at how tort litigation can enhance the performance of public and private policymaking institutions.

The fight over immigration reform and immigrants’ rights in the U.S. has been marked by sharp swings in both public sentiment and official enforcement. In 2006, millions of Latino immigrants joined protests for immigration reform. Deferred Action for Childhood Arrivals, a policy granting work permits and protection from deportation to undocumented immigrants who entered the country before age 16, was enacted in 2012, despite a sharp increase in deportations during the Bush and Obama administrations. The 2016 election of Donald J. Trump prompted a surge in anti-immigrant sentiment which threatened DACA and other progressive immigration policies. In Holding Fast, political scientists James McCann and Michael Jones-Correa investigate whether and how these recent shifts have affected political attitudes and civic participation among Latino immigrants.
​
 Holding Fast draws largely from a yearlong survey of Latino immigrants, including both citizens and noncitizens, conducted before and after the 2016 election. The survey gauges immigrants’ attitudes about the direction of the country and the emotional underpinnings of their political involvement. While survey respondents expressed pessimism about the direction of the United States following the 2016 election, there was no evidence of their withdrawal from civic life. Instead, immigrants demonstrated remarkable resilience in their political engagement, and their ties to America remained robust. 

McCann and Jones-Correa examine Latino immigrants’ trust in government as well as their economic concerns and fears surrounding possible deportations of family members and friends. They find that Latino immigrants who were concerned about the likelihood of deportation were more likely to express a lack of trust in government. Concerns about personal finances were less salient. Disenchantment with the U.S. government did not differ based on citizenship status, length of stay in America, or residence in immigrant-friendly states. Foreign-born Latinos who are naturalized citizens shared similar sentiments to those with fewer political rights, and immigrants in California, for example, express views similar to those in Texas.

Addressing the potential influence immigrant voters may wield in in the coming election, the authors point to signs that the turnout rate for naturalized Latino immigrant may be higher than that for Latinos born in the United States.  The authors further underscore the importance of the parties' platforms and policies, noting the still-tenuous nature of Latino immigrants’ affiliations with the Democratic Party. 

Holding Fast outlines the complex political situation in which Latino immigrants find themselves today. Despite well-founded feelings of anger, fear, and skepticism, in general they maintain an abiding faith in the promise of American democracy. This book provides a comprehensive account of Latino immigrants’ political opinions and a nuanced, thoughtful outlook on the future of Latino civic participation. It will be an important contribution to scholarly work on civic engagement and immigrant integration.
 

In 1982, 20,000 Chinese-American garment workers—most of them women—went on strike in New York City. Every Chinese garment industry employer in the city soon signed a union contract. The successful action reflected the ways women's changing positions within their families and within the workplace galvanized them to stand up for themselves. 

Xiaolan Bao's now-classic study penetrates to the heart of Chinese American society to explain how this militancy and organized protest, seemingly so at odds with traditional Chinese female behavior, came about. Drawing on more than one hundred interviews, Bao blends the poignant personal stories of Chinese immigrant workers with the interwoven history of the garment industry and the city's Chinese community. Bao shows how the high rate of married women employed outside the home profoundly transformed family culture and with it the image and empowerment of Chinese American women. At the same time, she offers a complex and subtle discussion of the interplay of ethnic and class factors within New York's garment industry. 

Passionately told and prodigiously documented, Holding Up More Than Half the Sky examines the journey of a community's women through an era of change in the home, on the shop floor, and walking the picket line.

These stories are delicate seismographic meditations on disaster and its aftershocks. The characters are survivors, digging their way out of the past, shaken but hopeful. Despite all their tragic losses, there is a pervasive sense of humor, hope, and forgiveness: abandonment leads ultimately to reunion, grief to solace. This is contemporary America—a jigsaw puzzle of fragmented families constantly picking up the pieces and fitting themselves together in new ways to form unforgettable pictures.

From 1930 to 1931, Julian Steward recovered hundreds of well-worn moccasins, along with mittens, bison robe fragments, bows, arrows, pottery, bone and stone tools, cordage, gaming pieces, and abundant faunal remains, making Utah’s Promontory Caves site one of the most remarkable hunter-gatherer archaeological records in western North America. Although Steward recognized that the moccasins and other artifacts were characteristic of the Canadian Subarctic and northern Plains and not the Great Basin, his findings languished for decades. 

This volume connects Steward’s work with results from new excavations in Promontory Caves 1 and 2 and illustrates that the early Promontory Phase resulted from an intrusive large-game hunting population very different from nearby late Fremont communities. Lingering for just one or two human generations, the cave occupants began to accept people as well as material and symbolic culture from surrounding thirteenth-century neighbors. Volume contributors employ a transdisciplinary approach to evaluate the possibility that the Promontory Phase materials reflect the presence of Apachean ancestors.  In these records lies the seeds for the intensive Plains-Puebloan interactions of the centuries that followed. 
 

Trepanation is the oldest surgical procedure known from antiquity, extending back more than five thousand years in Europe and to at least the fifth century BC in the New World. Anthropologists and medical historians have been investigating ancient trepanation since the mid-nineteenth century, but questions remain about its origins, evolution, and the possible motivations for conducting such a dangerous surgical procedure. Peru is particularly important to these questions, as it boasts more trepanned skulls than the rest of the world combined. This volume presents the results of a long-term research project that examined more than 800 trepanned skulls from recent archaeological excavations and from museum collections in Peru, the United States, and Europe. It examines trepanation in ancient Peru from a broad anthropological and historic perspective, focusing on the archaeological context of osteological collections and highlighting the history of discoveries. It explores the origins and spread of the practice throughout the Central Andes, with a focus on trepanation techniques, success rates, and motivations for trepanning. It examines the apparent disappearance of trepanation in the Andes following Spanish conquest, while noting that there are reports of trepanations being performed by healers in highland Peru and Bolivia into the twentieth century.

To mark the 40th anniversary of John Paul II's encyclical on human work, published in 1981, a group of globally-recognized scholars presents the critical aspects of this document and its purpose. These original essays revisit John Paul II's approach to work in post-modern society and reconnect the dignity of the working person to a pursuit of holiness. These authors convey that only when it is truly Christian can humanism accomplish the lofty ideals it indicates.
This book is a timely contribution to the field of scholarship that focuses on Catholic Social Thought and is ideally suited for graduate studies and the reader interested in more serious questions in Christian theology. 

Giulio Maspero, "The Bible and the Fathers of the Church on Work"
Patricia Ranft, "Work Theology in the High Middle Ages"
Angela Franks, "John Paul II's Metaphysics of Labor"
Deborah Savage, "Confronting a Technocratic Future: Women's Work and the Church's Social Vision"
Martin Schlag, "Contemplation at Work: A Theological Conversation Between John Paul II and Josemaría Escrivá"
Richard Turnbull, "Laborem Exercens: A Protestant Appreciation"
Michael Naughton, "Good Work: Insights from the Subjective Dimension of Work"
Christopher Michaelson, "Subjects and Objects in Meaningful Work"
Javier Ignacio Pinto Garay and Alvaro Pezoa Bissieres, "The Worker and the Transistor: The Dignity of Work and Business Ethics in Global Corporate Practices"
Gonzalo Flores-Castro Lingán, "The Real Work: Making the Encyclical Laborem Exercens Operational"
Geoffrey C. Friesen, "Laborem Exercens and the Subjective Dimension of Work in Economics and Finance" 

Increasingly sophisticated technology and an ever-expand-ing base of knowledge have not been enough to allow humans to halt the worldwide progression of environmental degradation. Extensive fieldwork in both Africa and the United States convinced Allan Savory that neither the forces of nature nor commonly blamed culprits -- overpopulation, poor farming practices, lack of financial support -- were causing the decline of once-healthy ecosystems. He also noted that once land has become degraded, leaving it alone seldom helps revitalize it. Savory eventually came to realize that on the most fundamental level, environmental problems are caused by human management decisions, and only through wholesale changes in the way decisions are made can functioning ecosystems be restored. In response to that startling discovery, Savory began to develop a revolutionary new approach to decision-making and management. Known initially as Holistic Resource Management, and now as simply Holistic Management, it considers humans, their economies, and the environment as inseparable. It includes a common-sense decision-making framework that requires no specialized knowledge or elaborate technology to utilize, and is applicable in any environment or management situation. At the heart of the approach lies a simple testing process that enables people to make decisions that simultaneously consider economic, social, and environmental realities, both short- and long-term.Holistic Management is a newly revised and updated edition of Holistic Resource Management (Island Press, 1988), which was the first book-length treatment of Savory's decision-making framework and how it could be applied. A decade of trial-and-error implementation has strengthened and clarified the book's ideas, and has expanded the scope of the process to include all manner of decisions and management situations, not just those that relate to land and resource management.Holistic Management has been practiced by thousands of people around the world to profitably restore and promote the health of their land through practices that mimic nature, and by many others who have sought a more rewarding personal or family life. This book is an essential handbook for anyone involved with land management and stewardship -- ranchers, farmers, resource managers, and others -- and a valuable guide for all those seeking to make better decisions within their organizations or in any aspect of their personal lives.

Growing tulip bulbs on the moon, and a tulip shaped island in the North Sea. Frederick Ruysch's wunderkammer and contemporary bloemencorsos. A Dutch-Chinese billionaire, aka the Orchid King, recreates a 'Dutch' town in northeast China complete with a replica of Amsterdam's central station and the International Court of Justice. A retired grower recalls a life in flowers, from the Second World War to the European Union. Dutch development policies in Ethiopia today and its former civilizing mission in Java. Auctions, cooperatives, networking, commodity culture, Dutch masculinity, and globalization. These are some of the imaginaries, themes, curious details, and perspectives you will encounter in this book. All of them pivot around Dutch flower culture today and in the Dutch Golden Age, and directly or indirectly link to Aalsmeer's flower auction, the world's largest, located not far from Amsterdam.

Critics of the policy-making process argue that private interest groups exert too much influence on the decisions of government, but only rarely has this proposition been examined systematically. The Hollow Core draws on interviews with more than 300 interest groups, 800 lobbyists, and 300 government officials to assess the efforts of private organizations to influence federal policy in four areas—agriculture, energy, health, and labor policy.

Presents a powerful argument for the limitations of judicial action to support significant social reform—now updated with new data and analysis.
 
Since its first publication in 1991, The Hollow Hope has spurred debate and challenged assumptions on both the left and the right about the ability of courts to bring about durable political and social change. What Gerald N. Rosenberg argued then, and what he confirms today through new evidence in this edition, is that it is nearly impossible to generate significant reforms through litigation: American courts are ineffective and relatively weak, far from the uniquely powerful sources for change they are often portrayed to be.
 
This third edition includes new data and a substantially updated analysis of civil rights, abortion rights and access, women’s rights, and marriage equality. Addressing changes in the political and social environment, Rosenberg draws lessons from the re-segregation of public schools, victories in marriage equality, and new obstacles to abortion access. Through these and other cases, the third edition confirms the power of the book’s original explanatory framework and deepens our understanding of the limits of judicial action in support of social reform, as well as the conditions under which courts do produce change. Up-to-date, thorough, and thought-provoking, The Hollow Hope remains vital reading.

Hollywood cinema and Los Angeles cannot be understood apart. Hollywood Cinema and the Real Los Angeles traces the interaction of the real city, its movie business, and filmed image, focusing on the crucial period from the construction of the first studios in the 1910s to the decline of the studio system fifty years later.

The Hollywood blacklist, which began in the late 1940s and ran well into the 1960s, ended or curtailed the careers of hundreds of people accused of having ties to the Communist Party. Bernard Gordon was one of them. In this highly readable memoir, he tells a engrossing insider's story of what it was like to be blacklisted and how he and others continued to work uncredited behind the scenes, writing and producing many box office hits of the era.

Gordon describes how the blacklist cut short his screenwriting career in Hollywood and forced him to work in Europe. Ironically, though, his is a success story that includes the films El Cid, 55 Days at Peking, The Thin Red Line, Krakatoa East of Java, Day of the Triffids, Earth vs. the Flying Saucers, Horror Express, and many others. He recounts the making of many movies for which he was the writer and/or producer, with wonderful anecdotes about stars such as Charlton Heston, David Niven, Sophia Loren, Ava Gardner, and James Mason; directors Nicholas Ray, Frank Capra, and Anthony Mann; and the producer-studio head team of Philip Yordan and Samuel Bronston.

Conjuring up all the glamour of the event, Jungen recounts the history of the Cannes Film Festival from an American perspective surveying the complex interplay of talent, money and corporate clout. He traces the growing influence of the Hollywood studios on the festival's rise to the key film event. Case studies of film (including The Birds, Easy Rider, and The Da Vinci Code) and of the creation of stars such as Arnold Schwarzenegger and Sharon Stone, profit from the author's experience of visiting the Cannes Film Festival over more than twelve years.

One of the country’s most picturesque cities and conveniently located just a few hours’ drive from Hollywood, San Francisco became the most frequently and extensively filmed American city beyond the production hubs of Los Angeles and New York in the three decades after World War II. During those years, the cinematic image of the city morphed from the dreamy beauty of Vertigo to the nightmarish wasteland of Dirty Harry, although San Francisco itself experienced no such decline. This intriguing disconnect gives impetus to Hollywood in San Francisco, the most comprehensive study to date of Hollywood’s move from studio to location production in the postwar era.

In this thirty-year history of feature filmmaking in San Francisco, Joshua Gleich tracks a sea change in Hollywood production practices, as location shooting overtook studio-based filming as the dominant production method by the early 1970s. He shows how this transformation intersected with a precipitous decline in public perceptions of the American city, to which filmmakers responded by developing a stark, realist aesthetic that suited America’s growing urban pessimism and superseded a fidelity to local realities. Analyzing major films set in San Francisco, ranging from Dark Passage and Vertigo to The Conversation, The Towering Inferno, and Bullitt, as well as the TV show The Streets of San Francisco, Gleich demonstrates that the city is a physical environment used to stage urban fantasies that reveal far more about Hollywood filmmaking and American culture than they do about San Francisco.

In the 1970s, Hollywood experienced a creative surge, opening a new era in American cinema with films that challenged traditional modes of storytelling. Inspired by European and Asian art cinema as well as Hollywood's own history of narrative ingenuity, directors such as Martin Scorsese, Robert Altman, William Friedkin, Stanley Kubrick, Woody Allen, and Francis Ford Coppola undermined the harmony of traditional Hollywood cinema and created some of the best movies ever to come out of the American film industry. Critics have previously viewed these films as a response to the cultural and political upheavals of the 1970s, but until now no one has explored how the period's inventive narrative design represents one of the great artistic accomplishments of American cinema.

In Hollywood Incoherent, Todd Berliner offers the first thorough analysis of the narrative and stylistic innovations of seventies cinema and its influence on contemporary American filmmaking. He examines not just formally eccentric films—Nashville; Taxi Driver; A Clockwork Orange; The Godfather, Part II; and the films of John Cassavetes—but also mainstream commercial films, including The Exorcist, The Godfather, The French Connection, Willy Wonka and the Chocolate Factory, Dog Day Afternoon, Chinatown, The Bad News Bears, Patton, All the President's Men, Annie Hall, and many others. With persuasive revisionist analyses, Berliner demonstrates the centrality of this period to the history of Hollywood's formal development, showing how seventies films represent the key turning point between the storytelling modes of the studio era and those of modern American cinema.

Hollywood has a long tradition of bringing in emigre directors from around the world, dating back to the silent era. Today, as the film industry is ever more global, the people who make blockbuster movies seemingly reflect this tradition, hailing from many countries across the world. But that fact hides a fundamental difference, one that Melis Behlil examines in Hollywood is Everywhere: today's Hollywood studios are themselves transnational, with ownership structures and financial arrangements that stretch far beyond the borders of the United States. Seen in that context, today's international directors are less analogous to the emigre talent of the past than to ordinary transnational employees of other major global corporations.

An innovative approach to the relationship between filmmaking and society during Hollywood's golden age. The 1910s and 1920s witnessed the inception of a particular brand of negotiation between filmdom and its public in the United States. Hollywood, its proponents, and its critics sought to establish new connections between audience and industry, suggesting means by which Hollywood outsiders could become insiders. Hollywood Outsiders looks at how four disparate entities--the Palmer Photoplay correspondence school of screenwriting, juvenile series fiction about youngsters involved in the film industry, film appreciation and character education programs for high school students, and Catholic and Protestant efforts to use and influence filmmaking--conceived of these connections, and thus of the relationship of Hollywood to the individual and society. Anne Morey's exploration of the diverse discourses generated by these different conjunctions leads to a fresh and compelling interpretation of Hollywood's place in American cultural history. In its analysis of how four distinct groups, each addressing constituencies of various ages and degrees of social authority, defined their interest in the film industry, Hollywood Outsiders combines concrete discussions of cultural politics with a broader argument about how outsiders viewed the film industry as a vehicle of self-validation and of democratic ideals. Anne Morey is assistant professor of English and performance studies at Texas A&M University.

The 1950s was one of the most turbulent periods in the history of motion pictures and television. During the decade, as Hollywood's most powerful studios and independent producers shifted into TV production, TV replaced film as America's principal postwar culture industry.

This pioneering study offers the first thorough exploration of the movie industry's shaping role in the development of television and its narrative forms. Drawing on the archives of Warner Bros. and David O. Selznick Productions and on interviews with participants in both industries, Christopher Anderson demonstrates how the episodic telefilm series, a clear descendant of the feature film, became and has remained the dominant narrative form in prime-time TV.

This research suggests that the postwar motion picture industry was less an empire on the verge of ruin—as common wisdom has it—than one struggling under unsettling conditions to redefine its frontiers. Beyond the obvious contribution to film and television studies, these findings add an important chapter to the study of American popular culture of the postwar period.

Out-of-control costs. Box office bombs that should have been foreseen. A mania for sequels at the expense of innovation. Blockbusters of ever-diminishing merit. What other industry could continue like this--and succeed as spectacularly as Hollywood has? The American movie industry's extraordinary success at home and abroad--in the face of dire threats from broadcast television and a wealth of other entertainment media that have followed--is David Waterman's focus in this book, the first full-length economic study of the movie industry in over forty years.

Combining historical and economic analysis, Hollywood's Road to Riches shows how, beginning in the 1950s, a largely predictable business has been transformed into a volatile and complex multimedia enterprise now commanding over 80 percent of the world's film business. At the same time, the book asks how the economic forces leading to this success--the forces of audience demand, technology, and high risk--have combined to change the kinds of movies Hollywood produces.

Waterman argues that the movie studios have multiplied their revenues by effectively using pay television and home video media to extract the maximum amounts that individual consumers are willing to pay to watch the same movies in different venues. Along the way, the Hollywood studios have masterfully handled piracy and other economic challenges to the multimedia system they use to distribute movies.

The author also looks ahead to what Internet file sharing and digital production and distribution technologies might mean for Hollywood's prosperity, as well as for the quality and variety of the movies it makes.

No American dramatist has had more plays adapted than Tennessee Williams, and few modern dramatists have witnessed as much controversy during the adaptation process. His Hollywood legacy, captured in such screen adaptations as A Streetcar Named Desire, Cat on a Hot Tin Roof, and Suddenly, Last Summer, reflects the sea change in American culture in the mid-twentieth century. Placing this body of work within relevant contexts ranging from gender and sexuality to censorship, modernism, art cinema, and the Southern Renaissance, Hollywood's Tennessee draws on rarely examined archival research to recast Williams's significance.

Providing not only cultural context, the authors also bring to light the details of the arduous screenwriting process Williams experienced, with special emphasis on the Production Code Administration—the powerful censorship office that drew high-profile criticism during the 1950s—and Williams's innovative efforts to bend the code. Going well beyond the scripts themselves, Hollywood's Tennessee showcases findings culled from poster and billboard art, pressbooks, and other production and advertising material. The result is a sweeping account of how Williams's adapted plays were crafted, marketed, and received, as well as the lasting implications of this history for commercial filmmakers and their audiences.

This fine collection is accompanied by an essay by Sir John Pollock that skillfully places the writers' ideas in the perspective of recent experience. A crucial document for lawyers, the letters are also delightful reading.

The renowned author of The War Against the Jews sets out to solve a historiographical mystery. Why has the mass murder of European Jews been overlooked or trivialized by historians throughout the world? In a forceful, outspoken work, Lucy Dawidowicz looks for explanations.

How do you teach children about the horrifying and systematic violence of the Holocaust? Especially when the very thing that makes it challenging—its intense and complex cruelty—also makes it so necessary to be taught?
 
Teaching and learning about the Holocaust is central to school curriculums across the globe. But the history of the Holocaust remains controversial and can render teaching it daunting, even to the most experienced instructors. Drawing on landmark research into teaching practices and students’ knowledge, Holocaust Education provides unique insights about classroom learning. It sheds light on key challenges in Holocaust education, including the impact of misconceptions and misinformation, the dilemma posed by images of atrocity, and how to approach teaching in ethnically diverse environments. Overviews of the most significant debates in Holocaust education provide wider context for the classroom evidence. Holocaust Education offers a vital guide, leading readers through some of the most vexed areas of Holocaust challenges and controversies for teachers, researchers, and policymakers.
 

This book is the first comprehensive study of postwar antisemitism in the Netherlands. It focuses on the way stereotypes are passed on from one decade to the next, as reflected in public debates, the mass media, protests and commemorations, and everyday interactions. The Holocaust, Israel and 'the Jew' explores the ways in which old stories and phrases relating to 'the stereotypical Jew' are recycled and modified for new uses, linking the antisemitism of the early postwar years to its enduring manifestations in today's world.The Dutch case is interesting because of the apparent contrast between the Netherlands' famous tradition of tolerance and the large numbers of Jews who were deported and murdered in the Second World War. The book sheds light on the dark side of this so-called 'Dutch paradox,' in manifestations of aversion and guilt after 1945. In this context, the abusive taunt 'They forgot to gas you' can be seen as the first radical expression of postwar antisemitism as well as an indication of how the Holocaust came to be turned against the Jews. The identification of 'the Jew' with the gas chamber spread from the streets to football stadiums, and from verbal abuse to pamphlet and protest. The slogan 'Hamas, Hamas all the Jews to the gas' indicates that Israel became a second marker of postwar antisemitism.The chapters cover themes including soccer-related antisemitism, Jewish responses, philosemitism, antisemitism in Dutch-Moroccan and Dutch- Turkish communities, contentious acts of remembrance, the neo-Nazi tradition, and the legacy of Theo van Gogh. The book concludes with a lengthy epilogue on 'the Jew' in the politics of the radical right, the attacks in Paris in 2015, and the refugee crisis. The stereotype of 'the Jew' appears to be transferable to other minorities.Also available as paperback!