Just five years after a Soviet missile blew a civilian airliner out of the sky over the North Pacific, an Alaska Airlines jet braved Cold War tensions to fly into tomorrow. Crossing the Bering Strait between Alaska and the Russian Far East, the 1988 Friendship Flight reunited Native peoples of common languages and cultures for the first time in four decades. It and other dramatic efforts to thaw what was known as the Ice Curtain launched a thirty-year era of perilous, yet prolific, progress.

Melting the Ice Curtain tells the story of how inspiration, courage, and persistence by citizen-diplomats bridged a widening gap in superpower relations. David Ramseur was a first-hand witness to the danger and political intrigue, having flown on that first Friendship Flight, and having spent thirty years behind the scenes with some of Alaska’s highest officials. As Alaska celebrates the 150th anniversary of its purchase, and as diplomatic ties with Russia become perilous, Melting the Ice Curtain shows that history might hold the best lessons for restoring diplomacy between nuclear neighbors.

Melville Biography: An Inside Narrative is Hershel Parker’s history of the writing of Melville biographies, enriched by a lifetime of intimate working partnerships with great Melville scholars of different generations and by the author’s experience of successive phases of literary criticism. Throughout this bold book, Hershel Parker champions archival-based biography and the all-but-lost art of embodying such scholarship in literary criticism. First is a mesmerizing autobiographical account of what went into creating the award-winning and comprehensive  Herman Melville: A Biography. Then Parker traces six decades of the “unholy war” waged against biographical scholarship, in which critics repeatedly imposed the theory of organic unity on Melville’s disrupted life—not just on his writings—while truncating his body of work and ignoring his study of art and aesthetics. In this connection, Parker celebrates discoveries made by “divine amateurs,” before throwing open his workshop to challenge ambitious readers with research projects. This is a book for Melville fans and Parker fans, as well as for readers, writers, and would-be writers of biography.

Owing to the decline of his contemporary fame and to decades of posthumous neglect, Herman Melville remains enigmatic to readers despite his status as one of America’s most securely canonical authors. Born into patrician wealth but plunged into poverty as a child, in 1840 he signed aboard the whaleship Acushnet in the midst of a nationwide depression and sailed to the South Pacific. At the Marquesas Islands, he deserted and lived for a time among one of the group’s last unsubjugated tribes. Upon his return home, he achieved overnight success with a book based on his experiences, Typee (1846).

Melville’s mastery of the English language and heterodox views made him a source of both controversy and fascination to western readers, until his increasing commitment to artistry and contempt for artificial conventions led him to write Moby-Dick (1851) and its successor Pierre (1852). Although the former is considered his masterwork today, the books offended mid-nineteenth-century cultural sensibilities and alienated Melville from the American literary marketplace. The resulting eclipse of his popular reputation was deepened by his voluntary withdrawal from society, so that obituaries written after his death in 1891 frequently expressed surprise that he hadn’t died long before.

With most of his personal papers and letters lost or destroyed, his library of marked and annotated books dispersed, and first-hand accounts of him scattered, brief, and frequently conflicting, Melville’s place in American literary scholarship illustrates the importance of accurately edited documents and the value of new information to our understanding of his life and thought. As a chronologically organized collection of surviving testimonials about the author, Melville in His Own Time continues the tradition of documentary research well-exemplified over the past half-century by the work of Jay Leyda, Merton M. Sealts, and Hershel Parker. Combining recently discovered evidence with new transcriptions of long-known but rarely consulted testimony, this collection offers the most up-to-date and correct record of commentary on Melville by individuals who knew him.

Mema's house is in the poor barrio Nezahualcoyotl, a crowded urban space on the outskirts of Mexico City where people survive with the help of family, neighbors, and friends. This house is a sanctuary for a group of young, homosexual men who meet to do what they can't do openly at home. They chat, flirt, listen to music, and smoke marijuana. Among the group are sex workers and transvestites with high heels, short skirts, heavy make-up, and voluminous hairstyles; and their partners, young, bisexual men, wearing T-shirts and worn jeans, short hair, and maybe a mustache.

Mema, an AIDS educator and the leader of this gang of homosexual men, invited Annick Prieur, a European sociologist, to meet the community and to conduct her fieldwork at his house. Prieur lived there for six months between 1988 and 1991, and she has kept in touch for more than eight years. As Prieur follows the transvestites in their daily activities—at their work as prostitutes or as hairdressers, at night having fun in the streets and in discos—on visits with their families and even in prisons, a fascinating story unfolds of love, violence, and deceit.

She analyzes the complicated relations between the effeminate homosexuals, most of them transvestites, and their partners, the masculine-looking bisexual men, ultimately asking why these particular gender constructions exist in the Mexican working classes and how they can be so widespread in a male-dominated society—the very society from which the term machismo stems. Expertly weaving empirical research with theory, Prieur presents new analytical angles on several concepts: family, class, domination, the role of the body, and the production of differences among men.

A riveting account of heroes and moral dilemmas, community gossip and intrigue, Mema's House, Mexico's City offers a rich story of a hitherto unfamiliar culture and lifestyle.

Today's science tells us that our bodies are filled with molecular machinery that orchestrates all sorts of life processes. When we think, microscopic "channels" open and close in our brain cell membranes; when we run, tiny "motors" spin in our muscle cell membranes; and when we see, light operates "molecular switches" in our eyes and nerves. A molecular-mechanical vision of life has become commonplace in both the halls of philosophy and the offices of drug companies, where researchers are developing “proton pump inhibitors” or medicines similar to Prozac.
 
Membranes to Molecular Machines explores just how late twentieth-century science came to think of our cells and bodies this way. This story is told through the lens of membrane research, an unwritten history at the crossroads of molecular biology, biochemistry, physiology, and the neurosciences, that directly feeds into today's synthetic biology as well as nano- and biotechnology. Mathias Grote shows how these sciences not only have made us think differently about life, they have, by reworking what membranes and proteins represent in laboratories, allowed us to manipulate life as "active matter" in new ways. Covering the science of biological membranes in the United States and Europe from the mid-1960s to the 1990s, this book connects that history to contemporary work with optogenetics, a method for stimulating individual neurons using light, and will enlighten and provoke anyone interested in the intersection of chemical research and the life sciences—from practitioner to historian to philosopher.

The research described in the book and its central actor, Dieter Oesterhelt, were honored with the 2021 Albert Lasker Basic Medical Research Award for his contribution to the development of optogenetics. 

Wheeler reconstructs her mother’s voice—down to its cynicism and its mid twentieth-century midwestern vernacular—in “The Maud Poems,” a voice that takes a more aggressive, vituperative turn in “The Devil—or—The Introjects.” In the book’s third long sequence, a generational inheritance feeds cultural transmission in “The Split.” A set of variations on losses and break-ups—wildly, darkly funny throughout and, in places, devastatingly sad—“The Split” brings Wheeler’s lauded inventiveness, wit, and insight to the profound loss of love. One read, and the meme “Should I stay or should I go?” will be altered in your head forever. 

This is a very personal look at the growth and evolution of Michigan State University, as seen from the eyes of its dynamic president. As twelfth president of Michigan State University, John Alfred Hannah served from July 1, 1941, to April 1, 1969. His tenure was characterized by extensive growth of the University, in both size and enrollments. President Hannah's activities were not limited to the University, as he filled a variety of positions in both the federal government and private industry.

The memoir is the most popular and expressive literary form of our time. Writers embrace the memoir and readers devour it, propelling many memoirs by relative unknowns to the top of the best-seller list. Writing programs challenge authors to disclose themselves in personal narrative. Memoir and personal narrative urge writers to face the intimacies of the self and ask what is true.

In The Memoir and the Memoirist, critic and memoirist Thomas Larson explores the craft and purpose of writing this new form. Larson guides the reader from the autobiography and the personal essay to the memoir—a genre focused on a particularly emotional relationship in the author’s past, an intimate story concerned more with who is remembering, and why, than with what is remembered.

The Memoir and the Memoirist touches on the nuances of memory, of finding and telling the truth, and of disclosing one’s deepest self. It explores the craft and purpose of personal narrative by looking in detail at more than a dozen examples by writers such as Mary Karr, Frank McCourt, Dave Eggers, Elizabeth Wurtzel, Mark Doty, Nuala O’Faolain, Rick Bragg, and Joseph Lelyveld to show what they reveal about themselves. Larson also opens up his own writing and that of his students to demonstrate the hidden mechanics of the writing process.

For both the interested reader of memoir and the writer wrestling with the craft, The Memoir and the Memoirist provides guidance and insight into the many facets of this provocative and popular art form.

The Memoir of Ednah Shepard Thomas offers an in-depth look at what it was to be a Writing Program Administrator during the period from after World War II up to the time of the early 1970s, a time for which we have little in the way of documentation for the work of early WPAs. Written at a time when the civil rights movement and the women's movement were just beginning to influence the way one thought and wrote about issues of race, class, and gender, this memoir offers insights into a period of time when the field was only beginning to come into focus. A foreword by Susan McLeod, an introduction and extensive footnotes by David Stock, and an afterword by David Fleming contextualize the memoir and highlight its relevance to scholars, teachers, and program administrators in composition-rhetoric. As a local history of writing program administration in its pre-professional era, the memoir offers a vital counternarrative to David Fleming's (2011) award-winning account of the abolition of UW-Madison's Freshman English program in 1969-70.
 

Presents in greater detail the circumstances and procedure of Indian diplomacy on the Gulf Coast at the beginning of the British period
 
Historians of the Gulf Coast have long delighted in the romance of Spanish discovery and French settlement. The period of British occupation was relatively brief, fruitless, and prosaic, if we are to believe the older authorities. Today the availability of materials which were closed to an earlier generation enables us to re-create the story of British West Florida in terms more precise, with details more personal, and with no less dramatic coloration than has long been given-with less accuracy-to the earlier epochs.
 
In The Memoire Justificatif of Chevalier Monberaut, the translators have undertaken the resurrection of one of those gallant Frenchmen of the ancien regime who remained be­hind to serve the new Anglo-Saxon masters of West Florida. The Chevalier Montault de Monberaut is not unknown to historians of the colonial scene, but he has never enjoyed a full portrayal of his contribution nor a balanced evaluation of his role. By concentrating our attention upon the man as well as his milieu, we have been able to present in greater detail than before the circumstances and procedure of Indian diplomacy on the Gulf Coast at the begin­ning of the British period. By placing Monberaut against the back­drop of British colonial government and its problems, we have replaced some of the romantic fallacies with historic realities. The resulting clarity adds to the picture's significance and appeal.
 

Granddaughter of James I of England, Sophia (1630–1714) began life a penniless princess in exile. She ended it as electress dowager of Hanover, an emerging European power. Had she lived two months longer, she would have succeeded to the British crown before her son, George I. In keeping with Sophia’s reputation as the era’s “most entertaining woman,” her memoirs, which she wrote in French, paint a captivating and often humorous portrait of her life as one of Europe’s preeminent noblewomen and celebrities. They also recall, with insight and verve, her interactions with leading men and ladies (Charles II, Louis XIV, Queen Christina of Sweden) and long-forgotten bit players (cavaliers, concubines, clerics, and quacks). The memoirs, which recount the first fifty years of Sophia’s life, appear here in English for the first time in their entirety. Their publication in this series is particularly timely, as it coincides with the three hundredth anniversary of the Hanoverian succession (2014).

Evgeny Kissin is an internationally renowned classical pianist admired for his interpretations of the repertoires of Beethoven, Schubert, Chopin, Liszt, Schumann, Brahms, Rachmaninoff, and Prokofiev. The intensity of Kissin’s thinking animates this candid memoir, illuminating his astonishing memory, his fondness for his family and teachers, and his artistic sense of self. Memoirs and Reflections chronicles Kissin’s musical education and his early career. His writing is infused with his lifelong engagement with music: an obsessive love that captured, challenged, and nurtured him from a young age. He recounts fortuitous events and serendipitous encounters with remarkable musicians and conductors, including Herbert von Karajan. This book shows Kissin to be surprisingly modest and down-to-earth in spite of his astonishing gift. He writes of his family and friends with tender affection and touching detail. Reading this intimate memoir is like having a private audience with the great pianist himself.

After graduating from the Beijing Film Academy in 1982, directors like Chen Kaige and Zhang Yimou transformed Chinese cinema with Farewell My Concubine, Yellow Earth, Raise the Red Lantern, and other international successes. Memoirs from the Beijing Film Academy tells the riveting story of this class of 1982, China’s famous "Fifth Generation" of filmmakers. It is the first insider’s account of this renowned cohort to appear in English. Covering these directors’ formative experiences during China’s tumultuous Cultural Revolution and later at the Beijing Film Academy, Ni Zhen—who was both their screenwriter and teacher—provides unique insights into the origins of the Fifth Generation’s creativity. Drawing on his personal knowledge and interviews conducted especially for this volume, Ni Zhen demonstrates the diversity of the Fifth Generation. He comments on the breadth of styles and themes explored by its members and introduces a range of male and female directors, cinematographers, and production designers famous in China but less well-known internationally. The book contains vivid descriptions of the production processes of two pioneering films—One and Eight and Yellow Earth.

When Hans Jonas died in 1993, he was revered among American scholars specializing in European philosophy, but his thought had not yet made great inroads among a wider public. In Germany, conversely, during the 1980s, when Jonas himself was an octogenarian, he became a veritable intellectual celebrity, owing to the runaway success of his 1979 book The Imperative of Responsibility. In the 1920s, Jonas studied philosophy with Edmund Husserl and Martin Heidegger, but the Nazi regime forced him to leave Germany for London in 1933. He later emigrated to Palestine and eventually enlisted in the British Army’s Jewish Brigade to fight against Hitler. Following the Israeli War of Independence, he emigrated to the United States and took a position at the New School for Social Research in New York. He became part of a circle of friends around Hannah Arendt and Heinrich Blucher, which included Adolph Lowe and Paul Tillich.   

This memoir, a diverse collection of previously unpublished materials—diaries, letters, interviews, and public statements—has been organized by Christian Wiese, whose afterword links the Jewish dimensions of Jonas’s life and philosophy. Because Jonas’s life spanned the entire twentieth century, this memoir provides nuanced pictures of German Jewry during the Weimar Republic, of German Zionism, of the Jewish emigrants in Palestine during the 1930s and 1940s, and of German Jewish émigré intellectuals in New York. Since Memoirs was first published in 2008, interest in the work of Hans Jonas has grown among American academics in recent years.

In 1951 Gaines Post was a gangly, bespectacled, introspective teenager preparing to spend a year in Paris with his professorial father and older brother; his mother, who suffered from extreme depression, had been absent from the family for some time. Ten years later, now less gangly but no less introspective, he was finishing a two-year stint in the army in West Germany and heading toward Oxford on a Rhodes scholarship, having narrowly escaped combat in the Berlin crisis of 1961. His quietly intense coming-of-age story is both self-revealing and reflective of an entire generation of young men who came to adulthood before the Cuban Missile Crisis and the Vietnam War.

Post's experiences in high school in Madison, Wisconsin, and Paris, his Camus-influenced undergraduate years at Cornell University, and his army service in Germany are set very effectively against the events of the Cold War. McCarthyism and American crackdowns on dissidents, American foreign and military policy in Western Europe in the nuclear age, French and German life and culture, crises in Paris and Berlin that nearly bring the West to war and the Post family to dissolution—these are the larger scenes and subjects of his self-disclosure as a contemplative, conflicted "Cold War agnostic."

His intelligent, talented mother and her fragile health hover over Post's narrative, informing his hesitant relationships with women and his acutely questioning sense of self-worth. His story is strongly academic and historical as well as political and military; his perceptions and judgments lean toward no ideological extreme but remain true to the heroic ideals of his boyhood during the Second World War.

When Henry Grady died in 1957, one obituary called him “America’s top diplomatic soldier” for a critical period of the Cold War, and over a long career he was deeply involved in events that changed our role in the world. Even so, this self-described “soft” cold warrior has been largely overlooked by historians. His memoirs, left to languish with his other papers, are now published for the first time, offering new insight into the origins and implementation of American trade and development policies—and into the tumult that was the Cold War.

A specialist in international economic policy, Grady helped create the system of reciprocal trade established under FDR during the depression. Progressing in his career through his abilities rather than through political connections, he was sent to India during World War II to spark its production for the war effort, then to Italy to help jump-start its economy once German forces were driven out. After the war, he was the first American ambassador to an independent India, then served as ambassador to Greece and Iran—where he was embroiled in the oil industry crisis that eventually led to the CIA’s overthrow of Prime Minister Mohammad Mossadegh.

Grady’s memoirs are an intriguing and informative account of early Cold War diplomacy in significant and turbulent regions of the Third World, embellished by his thoughts about the changing nature of American economic policies and his role as a representative of that system abroad. It offers new perspectives on the crisis in Iran in the early 1950s, where Grady was especially critical of Secretary of State Dean Acheson’s support for the remnants of British imperialism in Iran—and paid for his criticism with his job. Editor John McNay’s introduction and comments shed light on Grady’s thinking and his role in the policy-making process.

More than a chronicle of a wide-ranging career—one that reflects the emergence of the United States as the world’s leading economic power—Grady’s memoirs are a trenchant critique of U.S. foreign policy in the first half of the twentieth century. They provide modern readers an opportunity to reconsider the conflict between realism and idealism in foreign relations during the Cold War years.

The memoirs of Marguérite Schenkhuizen provide an overview of practically the whole of the twentieth century as experienced by persons of mixed Dutch and Indonesian ancestry who lived in the former Dutch East Indies. The memoirs provide vignettes of Indonesian life, both rural and urban, as seen through the eyes of the author first as a girl, then as a wife separated from her husband during the Japanese occupation, finally as an immigrant to the United States after World War II.

This self-portrait gives glimpses of the life of Indos from inside their society, glimpses that are valuable for their descendents as well as for outsiders. Written with humor and a positive town, Schenkhuizen’s story sets aside the myth that Indos were denied access to the upper layers of Dutch colonial society or were otherwise disadvantaged. Instead, her life story provides an authentic view of a vital Indo culture and experience that has been unavailable to the general reader of English.

In this witty and modest intellectual autobiography, George J. Stigler gives us a fascinating glimpse into the little-known world of economics and the people who study it. One of the most distinguished economists of the twentieth century, Stigler was awarded the Nobel Prize in 1982 for his work on public regulation. He also helped found the Chicago School of economics, and many of his fellow Chicago luminaries appear in these pages, including Fredrich Hayek, Milton Friedman, Ronald Coase, and Gary Becker. Stigler's appreciation for such colleagues and his sense of excitement about economic ideas past and present make his Memoirs both highly entertaining and highly educational.

 

With the rarity of Eldridge’s material achievements aside, Memoirs of Elleanor Eldridge forms an exceptional antebellum biography, chronicling Eldridge’s life from her birth through the first publication of almost yearly editions of the text between 1838 and 1847. Because of Eldridge’s exceptional life as a freeborn woman of color entrepreneur, it constitutes a counter-narrative to slave narratives of early 19th-century New England, changing the literary landscape of conventional American Renaissance studies and interpretations of American Transcendentalism.

With an introduction by Joycelyn K. Moody, this new edition contextualizes the extraordinary life of Elleanor Eldridge—from her acquisition of wealth and property to the publication of her biography and her legal struggles to regain stolen property. Because of her mixed-race identity, relative wealth, local and regional renown, and her efficacy in establishing a collective of white women patrons, this biography challenges typical African and indigenous women’s literary production of the early national period and resituates Elleanor Eldridge as an important cultural and historical figure of the nineteenth century.

This new “Reader’s Edition” of Harry Truman’s memoirs removes the overload of detail and reproduced historical documents, reduces the bloated cast of characters, clarifies the often confusing balance between chronological and thematic presentation, and corrects some important problems of presentation that made the two volumes of Truman’s memoirs, published in 1955 and 1956, difficult to read and enjoy.  This new edition, reduced to half the length of the original text, offers a new generation of readers the thrill of hearing the unique and authentic voice of Harry S. Truman, probably the most important president of the last seventy-five years, telling the story of his life, his presidency, and some of the most important years in American history.

Ekaterina Romanovna Dashkova (1743–1810), Russian princess, playwright, author, President of the Academy of Sciences, and founder and Director of the Russian Academy, was one of the first women in Europe to hold public office. Her memoir, among the earliest examples of autobiography in Russia, is part of what has become a long and powerful tradition of autobiographical writing by Russian women. It offers a rare glimpse into the life of a strong and outspoken public figure who was well recognized in much of her own time for her potent intellect but who died in isolation and has largely been forgotten today.
Originally written in French, first published in English, and long out of print, Dashkova’s Memoirs tell the story of a woman who at age eighteen played an important role in the coup that brought Catherine the Great to the throne. The relationship between these two women, often tense, is a central theme throughout this story. Dashkova, occupying the highly unusual position of both stateswoman and mother, also reveals her own path between the demands and limitations of the "private" and "public" spheres of her society. She provides a view of the expectations of Russian aristocratic women, the possibilities available to them, and the ways in which gender roles were conceived in the eighteenth century.
With a new introduction by Jehanne M Gheith, The Memoirs of Princess Dashkova will renew interest in the life of a fascinating woman for students of Russian history, women’s studies, and eighteenth-century studies. It will be a significant text for those engaged in the cross-cultural study of the traditions of women’s autobiographical writing.

Written in 1782, Memoirs of Swedenborg by Carl Robsahm is without doubt the most compelling eyewitness account of Emanuel Swedenborg (1688–1772) to be published in any language. Drawing on reminiscences from his own long-standing friendship with and years as a neighbor to Swedenborg, Robsahm offers a fascinating picture of the Swedish philosopher and mystic as a man of gentleness and integrity.
 
Rich in detail and generosity, this memoir is a classic in its own right and a primary resource for all subsequent biographies. This edition has been selected and edited by Stephen McNeilly featuring revised translations, an introduction, and annotations by the renowned Swedish scholar Anders Hallengren. It also contains eight other historical documents concerning Swedenborg’s day-to-day life, three of which are from the hand of Swedenborg himself.
 
The volume includes:
 
• “Memoirs of Swedenborg” by Carl Robsahm
• “Reply to a Letter from a Friend” by Emanuel Swedenborg
• “A Truthful Account of the Late Queen Dowager at Haga in 1774” by Anders von Hopken
• Extract from the Proceedings of the Exegetic and Philanthropic Society in Stockholm
• “Memoranda in the Notebook of 1747–48” by Emanuel Swedenborg
• “Description of the Late Assessor, Mr. Emanuel Swedenborg’s Estate at Södermalm”
• “A List of Valuables of 1770” by Emanuel Swedenborg
• “A Visit to Swedenborg’s Home” by Carl Christoffer Gjörwell
• Testimony by Christian de Tuxen
 
Each document is accompanied by its own individual contextual introduction and annotations by Anders Hallengren. Also included in the volume are a general foreword and introduction by Anders Hallengren, a chronology of Swedenborg’s life and works, and an index.

In this brilliant essay, Jacques Derrida explores issues of
vision, blindness, self-representation, and their relation to
drawing, while offering detailed readings of an extraordinary
collection of images. Selected by Derrida from the prints
and drawings department of the Louvre, the works depict
blindness—fictional, historical, and biblical. From Old
and New Testament scenes to the myth of Perseus and the
Gorgon and the blinding of Polyphemus, Derrida uncovers in
these images rich, provocative layers of interpretation.

For Derrida drawing is itself blind; as an act rooted in
memory and anticipation, drawing necessarily replaces one
kind of seeing (direct) with another (mediated). Ultimately,
he explains, the very lines which compose any drawing are
themselves never fully visible to the viewer since they exist
only in a tenuous state of multiple identities: as marks on
a page, as indicators of a contour. Lacking a "pure"
identity, the lines of a drawing summon the supplement of the
word, of verbal discourse, and, in doing so, obscure the
visual experience. Consequently, Derrida demonstrates, the
very act of depicting a blind person undertakes multiple
enactments and statements of blindness and sight.

Memoirs of the Blind is both a sophisticated
philosophical argument and a series of detailed readings.
Derrida provides compelling insights into famous and lesser
known works, interweaving analyses of texts—including
Diderot's Lettres sur les aveugles, the notion of
mnemonic art in Baudelaire's The Painter of Modern
Life, and Merleau-Ponty's The Visible and the
Invisible. Along with engaging meditations on the history
and philosophy of art, Derrida reveals the ways viewers
approach philosophical ideas through art, and the ways art
enriches philosophical reflection.

An exploration of sight, representation, and art,
Memoirs of the Blind extends and deepens the
meditation on vision and painting presented in Truth and
Painting. Readers of Derrida, both new and familiar, will
profit from this powerful contribution to the study of the
visual arts.

Contains much valuable information and engaging narrative passages

Memoirs of the Civil War, though relatively little known because of its rarity in the original edition, contains much valuable information and engaging narrative passages. A Virginian whose Confederate career included service in an infantry regiment early in the war, Chamberlaine’s most important military service was as a staff officer attached to Brigadier General Reuben Lindsay Walker, who commanded the Third Corps artillery in the Army of Northern Virginia.

Includes excellent material on the duties of staff officers, operation of Confederate conscription, and the role of artillery in Lee’s campaigns. He is especially eloquent and revealing about a number of famous battles: the Seven Days; Antietam, where Chamberlaine distinguished himself and was wounded; and the Wilderness, where he had a memorable encounter with Lee.

Known as Madame de Villedieu, Marie-Catherine Desjardins (ca. 1640-83) was a prolific writer who played an important role in the evolution of the early modern French novel. One of the earliest women to write for a living, she defied cultural convention by becoming an innovator and appealing to popular tastes through fiction, drama, and poetry.

Memoirs of the Life of Henriette-Sylvie de Molière, a semi autobiographical novel, portrays an enterprising woman who writes the story of her life, a complex tale that runs counter to social expectations and novelistic conventions. A striking work, the story skillfully mixes real events from the author's life with fictional adventures. At a time when few women published, Villedieu's Memoirs is a significant achievement in creating a voice for the early modern woman writer. Produced while the French novel form was still in its infancy, it should be welcomed by any scholar of women's writing or the early development of the novel.

Philadelphia native Wendell W. Young III was one of the most important American labor leaders in the last half of the twentieth century. An Acme Markets clerk in the 1950s and ’60s, he was elected top officer of the Retail Clerks Union when he was twenty-four. His social justice unionism sought to advance wages while moving beyond collective bargaining to improve the conditions of the working-class majority, whether in a union or not. Young quickly gained a reputation for his independence, daring at times to publicly criticize the policies of the city’s powerful AFL-CIO leadership and tangle with the city’s political machine.

Editor Francis Ryan, whose introduction provides historical context, interviewed Young about his experiences working in the region’s retail and food industry, measuring the changes over time and the tangible impact that union membership had on workers. Young also describes the impact of Philadelphia’s deindustrialization in the 1970s and ’80s and recounts his activism for civil rights and the anti-war movements as well as on John F. Kennedy’s presidential campaign. 

The Memoirs of Wendell W. YoungIII  provides the most extensive labor history of late twentieth-century Philadelphia yet written.

Individual sovereignty is a central value among Amazonian groups, in keeping with a cosmology premised on the production of people rather than material property. The Jivaroan Indians of Western Amazonia exemplify these ideals to an unusual degree. Jivaroean have long been notorious for a reputed addiction to warfare, their custom of shrinking enemies’ heads, and their fierce resistance to colonial and post-colonial attempts to convert them to Christianity and to deprive them of their land, identity, and lifeways. Becoming and remaining an accomplished Jivaroan person is a taxing and risk-fraught achievement: it requires living and imagining in the heroic mode and mastering the art of making one’s self memorable.
 
In Memorable Singularity, anthropologist Anne-Christine Taylor describes how Jivaroans strive for uniqueness of being and destiny, unconstrained by the claims of any institutionalized form authority beyond the individual. Taylor covers a wide range of subjects: feuding and intertribal warfare, Jivaroan notions of personhood, corporeality, reflexive consciousness, thought and affect, memory, and visual culture. An essential collection of one of the foremost Amazonian specialists, Memorable Singularity is at once a richly literary work and an illuminating meditation on the process of crafting and imagining the human self.

On the night of March 28, 1791, James Martin, William Bryant, his wife Mary, and their two children, along with six other male convicts—among the first cohort of prisoners sent to Australia from England— stole a small boat from Sydney Harbor and sailed up the coast of Australia. They reached East Timor on June 5. Once there, they posed as survivors of a shipwreck, until they were eventually discovered and ordered back to England. The Memorandoms of James Martin is the only known chronicle written by members of that first group of prisoners, and this convict narrative is also the only firsthand account of the best-known Australian convict escape. This document, confirmed in its details by careful scholarly analysis, clarifies one of the most important origin stories of Australian history.

Concern with memory permeated Roman literature, history, rhetorical training, and art and architecture. This is the first book to look at the phenomenon from a variety of perspectives, including cognitive science. There is no orthodoxy in memory studies and the approaches are both empirical and theoretical. A central issue is: who and what preserved and shaped cultural memory in Rome, and how did that process work? Areas and subjects covered include the Romans' view of the changing physical fabric of the city, monuments (by etymology related to memory) such as the Arch of Constantine, memory and the Roman triumph, Roman copies of Greek sculpture and their relation to memory, the importance of written information and of continuing process, the creation of memory in Republican memoirs and Flavian poetry, the invention of traditions, and the connection of cultural and digital memory.

The ten chapters present original findings that complement earlier scholarship from the perspective of memory and open up new horizons for inquiry. The introduction by volume editor Karl Galinsky situates the work within current studies on cultural and social memory, and the concluding chapter by Daniel Libeskind provides the perspective of a contemporary practitioner.

Additional contributors include Richard Jenkyns, Harriet I. Flower, T. P. Wiseman, Karl-J. Hölkeskamp, Gianpiero Rosati, Diane Favro, Jessica Hughes, Anna Anguissola, Lisa Marie Mignone, and Bernard Frischer.

In the past few decades, thousands of new memorials to executed witches, victims of terrorism, and dead astronauts, along with those that pay tribute to civil rights, organ donors, and the end of Communism have dotted the American landscape. Equally ubiquitous, though until now less the subject of serious inquiry, are temporary memorials: spontaneous offerings of flowers and candles that materialize at sites of tragic and traumatic death. In Memorial Mania, Erika Doss argues that these memorials underscore our obsession with issues of memory and history, and the urgent desire to express—and claim—those issues in visibly public contexts.

Doss shows how this desire to memorialize the past disposes itself to individual anniversaries and personal grievances, to stories of tragedy and trauma, and to the social and political agendas of diverse numbers of Americans. By offering a framework for understanding these sites, Doss engages the larger issues behind our culture of commemoration. Driven by heated struggles over identity and the politics of representation, Memorial Mania is a testament to the fevered pitch of public feelings in America today.

Few know the name Anna Jarvis, yet on the second Sunday in May, we mail the card, buy the flowers, place the phone call, or make the brunch reservation to honor our mothers, all because of her. 

Anna Jarvis organized the first official Mother’s Day celebration in Grafton, West Virginia in 1908 and then spent decades promoting the holiday and defending it from commercialization. She designed her Mother’s Day celebration around a sentimental view of motherhood and domesticity, envisioning a day venerating the daily services and sacrifices of mothers within the home.

     After Mother’s Day became a national holiday in 1914, many organizations sought to align the holiday’s meaning with changing perceptions of modern motherhood in the twentieth century. Instead of restricting a mother’s service and influence solely to the domestic sphere, they emphasized the power of mothers both within their homes and throughout their communities. 

     Jarvis refused to accept this changing interpretation, claiming both intellectual and legal ownership of Mother’s Day. Her obsession with protecting the purity of her vision sustained a war of verbal and legal assaults against rival holiday promoters, patriotic women’s organizations, charitable foundations, public health reformers, and the Franklin D. Roosevelt administration. The struggle for control of Mother’s Day ultimately threatened her livelihood, physical health, and emotional stability. 

Memorializing Motherhood explores the complicated history of Anna Jarvis’s movement to establish and control Mother’s Day, as well as the powerful conceptualization of this day as both a holiday and a cultural representation of motherhood.

Memorializing Pearl Harbor examines the challenge of representing history at the site of the attack that brought America into World War II. Analyzing moments in which history is re-presented—in commemorative events, documentary films, museum design, and educational programming—Geoffrey M. White shows that the memorial to the Pearl Harbor bombing is not a fixed or singular institution. Rather, it has become a site in which many histories are performed, validated, and challenged. In addition to valorizing military service and sacrifice, the memorial has become a place where Japanese veterans have come to seek recognition and reconciliation, where Japanese Americans have sought to correct narratives of racial mistrust, and where Native Hawaiians have challenged their ongoing erasure from their own land. Drawing on extended ethnographic fieldwork, White maps these struggles onto larger controversies about public history, museum practices, and national memory.

Memorializing Violence brings together feminist and queer reflections on the transnational lives of memorialization practices, asking what it means to grapple with loss, mourning, grief, and desires to collectively remember and commemorate–as well as urges to forget–in the face of disparate yet entangled experiences of racialized and gendered colonial, imperial, militarized, and state violence. The volume uses a transnational feminist approach to ask: How do such efforts in seemingly unconnected remembrance landscapes speak to, with, and through each other in a world order inflected by colonial, imperial, and neoliberal logics, structures, and strictures? How do these memorializing initiatives not only formulate within but move through complex transnational flows and circuits, and what transpires as they do? What does it mean to inhabit loss, mourning, resistance, and refusal through memorialization at this moment, and what’s at stake in doing so? What might transnational feminist analyses of gender, race, sexuality, class, and nation have to offer in this regard?

From the sculptured peaks of Mount Rushmore to the Coloradan prairie lands at Sand Creek to the idyllic islands of the Pacific, the West’s signature environments add a new dimension to the study of memorials. In such diverse and often dramatic landscapes, how do the natural and built environments shape our emotions?

In Memorials Matter, author Jennifer Ladino investigates the natural and physical environments of seven diverse National Park Service (NPS) sites in the American West and how they influence emotions about historical conflict and national identity. Chapters center around the region’s diverse inhabitants (Mexican, Chinese, Japanese, African, and Native Americans) and the variously traumatic histories these groups endured—histories of oppression, exploitation, incarceration, slavery, and genocide. Drawing on material ecocritical theory, Ladino emphasizes the ideological and political importance of memorials and how they evoke visceral responses that are not always explicitly “storied,” but nevertheless matter in powerful ways.

In this unique blend of narrative scholarship and critical theory, Ladino demonstrates how these memorial sites and their surrounding landscapes, combined with written texts, generate emotion and shape our collective memory of traumatic events. She urges us to consider our everyday environments and to become attuned to features and feelings we might have otherwise overlooked.
 

Honorable Mention for Best Book Award from the Historia Reciente y Memoria Section of the Latin American Studies Association (LASA)​

Memories before the State examines the discussions and debates surrounding the creation of the Place of Memory, Tolerance, and Social Inclusion (LUM), a national museum in Peru that memorializes the country’s internal armed conflict of the 1980s and 1990s. Emerging from a German donation that the Peruvian government initially rejected, the Lima-based museum project experienced delays, leadership changes, and limited institutional support as planners and staff devised strategies that aligned the LUM with a new class of globalized memorial museums and responded to political realities of the country’s postwar landscape. The book analyzes forms of authority that emerge as an official institution seeks to incorporate and manage diverse perspectives on recent violence.
 

Set against the backdrop of Iran’s struggle against the rising powers of Russia and Britain, the memoirs of Mirza Riza Khan Arfa’-ed-Dowleh—otherwise known as Prince Arfa (1853–1902)—are packed with picaresque adventures as the prince tells the story of his rise from humble provincial beginnings to the heights of the Iranian state. With this translation, his incredible story is brought to life for the first time in English.

Prince Arfa writes with arresting wit about the deadly intrigues of the Qajar court. Lamentingly, but resolutely, he chronicles the decline of Iran from a once great empire to an almost bankrupt, lawless state, in which social unrest is channelled and exploited by the clergy. He describes the complex interactions between Iran and Europe, including an account of Naser-od-Din Shah’s profligate visits to Britain and France; the splendor and eccentricities of the doomed Tsar Nicholas II’s court; the Tsar’s omen-laden coronation; and his own favor with the Tsarina, who would grant him concessions on matters of vital importance to his country. The result is a memoir of extraordinary political intrigue.
 

In the 1970s, Argentina was the leader in the “Dirty War,” a violent campaign by authoritarian South American regimes to repress left-wing groups and any others who were deemed subversive. Over the course of a decade, Argentina’s military rulers tortured and murdered upwards of 30,000 citizens. Even today, after thirty years of democratic rule, the horror of that time continues to roil Argentine society. Argentina has also been in the vanguard in determining how to preserve sites of torture, how to remember the “disappeared,” and how to reflect on the causes of the Dirty War. Across the capital city of Buenos Aires are hundreds of grassroots memorials to the victims, documenting the scope of the state’s reign of terror. Although many books have been written about this era in Argentina’s history, the original Spanish-language edition of Memories of Buenos Aires was the first to identify and interpret all of these sites. It was published by the human rights organization Memoria Abierta, which used interviews with survivors to help unearth that painful history. This translation brings this important work to an English-speaking audience, offering a comprehensive guidebook to clandestine sites of horror as well as innovative sites of memory. The book divides the 48 districts of the city into 9 sectors, and then proceeds neighborhood-by-neighborhood to offer descriptions of 202 known “sites of state terrorism” and 38 additional places where people were illegally detained, tortured, and killed by the government.

Memories of Earth and Sea recounts the history of more than two dozen islands clustered along the Patagonian flank of South America. Settled over the centuries by nomadic seafarers, indigenous farmers, and Spanish explorers, southern Chile’s Archipelago of Chiloé remained until recently a rural outpost resistant to cultural pressures from the mainland. Islanders developed a way of life heavily dependent on marine resources, native crops like the potato, and the cooperative labor practice known as the minga.
 
Staring in the 1980s, Chiloé was thrust into the global economy when major companies moved into the region to extract wild stocks of fish and to grow salmon and shellfish for export. The archipelago’s economy shifted abruptly from one of subsistence farming and fishing to wage labor in export industries. Local knowledge, traditions, memories, and identities similarly shifted, with young islanders expressing a more critical view of the rural past than their elders.
 
This book highlights the region’s unique past, emphasizing the generational tensions, disconnects, and continuities of the last half century. Drawing on interviews, field observations, and historical documents, Anton Daughters brings to life one of South America’s most culturally distinct regions.

From the seventeenth century into the nineteenth, thousands of Madagascar’s people were brought to American ports as slaves. In Memories of Madagascar and Slavery in the Black Atlantic, Wendy Wilson-Fall shows that the descendants of these Malagasy slaves in the United States maintained an ethnic identity in ways that those from the areas more commonly feeding the Atlantic slave trade did not. Generations later, hundreds, if not thousands, of African Americans maintain strong identities as Malagasy descendants, yet the histories of Malagasy slaves, sailors, and their descendants have been little explored.

Wilson-Fall examines how and why the stories that underlie this identity have been handed down through families—and what this says about broader issues of ethnicity and meaning-making for those whose family origins, if documented at all, have been willfully obscured by history.

By analyzing contemporary oral histories as well as historical records and examining the conflicts between the two, Wilson-Fall carefully probes the tensions between the official and the personal, the written and the lived. She suggests that historically, the black community has been a melting pot to which generations of immigrants—enslaved and free—have been socially assigned, often in spite of their wish to retain far more complex identities. Innovative in its methodology and poetic in its articulation, this book bridges history and ethnography to take studies of diaspora, ethnicity, and identity into new territory.

The conception of the Other has long been a problem for philosophers. Emmanuel Levinas, best known for his attention to precisely that issue, argued that the voyages of Ulysses represent the very nature of Western philosophy: "His adventure in the world is nothing but a return to his native land, a complacency with the Same, a misrecognition of the Other." In Memories of Odysseus, François Hartog examines the truth of Levinas' assertion and, in the process, uncovers a different picture. Drawing on a remarkable range of authors and texts, ancient and modern, Hartog looks at accounts of actual travelers, as well as the way travel is used as a trope throughout ancient Greek literature, and finds that, instead of misrecognition, the Other is viewed with doubt and awe in the Homeric tradition. In fact, he argues, the Odyssey played a crucial role in shaping this attitude in the Greek mind, serving as inspiration for voyages in which new encounters caused the Greeks to revise their concepts of self and other. Ambitious in scope, this book is a sophisticated exploration of ancient Greece and its sense of identity.

“This wonderful monograph treats a subject that resonates with anyone who studies the Palestinian-Israeli conflict and particularly Palestinian nationalism: that how Palestinian history is remembered and constructed is as meaningful to our understanding of the current struggle as arriving as some sort of ‘complete empirical understanding’ of its history. Swedenburg . . . studies how a major anti-colonial insurrection, the 1936–38 strike and revolt in Palestine [against the British], is remembered in Palestinian nationalist historiography, western and Israeli ‘official’ historical discourse, and Palestinian popular memory. Using primarily oral history interviews, supplemented by archival material and national monuments, he presents multiple, complex, contradictory, and alternative interpretations of historical events. . . . The book is thematically divided into explorations of Palestinian nationalist symbols, stereotypes, and myths; Israeli national monuments that simultaneously act as historical ‘injunctions against forgetting’ Jewish history and efforts to ‘marginalize, vilify, and obliterate’ the Arab history of Palestine; Palestine subaltern memories as resistance to official narratives, including unpopular and controversial recollections of collaboration and assassination; and finally, how the recodification and revival of memories of the revolt informed the Palestinian intifada that erupted in 1987.” —MESA Bulletin

How is the slave trade remembered in West Africa? In a work that challenges recurring claims that Africans felt (and still feel) no sense of moral responsibility concerning the sale of slaves, Rosalind Shaw traces memories of the slave trade in Temne-speaking communities in Sierra Leone. While the slave-trading past is rarely remembered in explicit verbal accounts, it is often made vividly present in such forms as rogue spirits, ritual specialists' visions, and the imagery of divination techniques.

Drawing on extensive fieldwork and archival research, Shaw argues that memories of the slave trade have shaped (and been reshaped by) experiences of colonialism, postcolonialism, and the country's ten-year rebel war. Thus money and commodities, for instance, are often linked to an invisible city of witches whose affluence was built on the theft of human lives. These ritual and visionary memories make hitherto invisible realities manifest, forming a prism through which past and present mutually configure each other.

Wallace Fowlie is known to three generations of students at Duke University for his course in Proust. His observations on the changing interests of college students (Bob Dylan to Jim Morrison, Fellini to Pasolini) are part of this fourth memoir. In Memory, Fowlie brings us once more into his broad range of vision as he examines the offerings of memory, more real to him he tells us than the town in which he now lives. the reader follows his search for words, his early more mystical search for a father-son relationship, his remembering of the small acts that determine life.

In Memory against Culture, the renowned anthropologist Johannes Fabian assesses the contemporary practice of anthropology and its emerging shape as a global discipline. In twelve essays ranging from theoretical reflections to re-examinations of past ethnographic work, Fabian addresses central theoretical debates within the discipline and throughout the social sciences—about language and time, history and memory, and ethnography and recognition. Together the essays illuminate Fabian’s pluralist vision of an anthropology that always makes the other present by opening itself to conversational and transnational practices, refusing epistemological claims that privilege any one voice, language, or point of view.

Fabian returns to his landmark book Time and the Other to consider how the role of the other in anthropological inquiry has been transformed over the past two decades. He explores the place of linguistics in contemporary language-centered anthropology, and he ponders how studies of material culture imbue objects with “otherness.” Meditating on the place of memory and forgetting in ethnography, he draws from his own ethnographic work in the Congo to ask why Africa, the site of so much early anthropological study, continues to be forgotten in the wake of colonization. Arguing for the importance of remembering Africa, Fabian focuses on the relationship between thought and memory in the Swahili language. In so doing, he suggests new methods for investigating memory practices across cultures. Turning to the practice of ethnography, he examines the role of the Internet and the place of field notes and other memoranda in ethnographic writing. At once wide-ranging and incisive, Memory against Culture is a significant reflection on the state of the field by one of its most thoughtful and engaged practitioners.

Memory and Narrative presents an elegant, authoritative account of how life-writing has changed over time to arrive at its present form. James Olney, one of the most distinguished scholars of autobiography, tells the story of an evolving literary form that originated in the autobiographical writings of St. Augustine, underwent profound changes in Jean-Jacques Rousseau's life-writing trilogy, and found a momentary conclusion in the work of Samuel Beckett.

"This is an elegant work of scholarship." —Jason Berry, Chicago Tribune

"Examines how the fascinating, reciprocal relationship between memory and narrative has evolved over the course of 17 centuries. . . . Olney's work is a valuable companion to his subjects' primary texts." —Booklist

Eber and Neal address some of the theoretical issues connected with symbolic constructions of reality through human memory and its subsequent representation. Linkages between what we remember and how we represent it give humans their distinctive characteristics. We construct our reality from how we perceive the events in our lives and, from that reality, we create a symbol system to describe our world. It is through such symbolic constructions that we are provided with a usable backdrop for shaping our memories and organizing them into meaningful lines of action.
          These case studies present a new and creative synthesis of the multiple meanings of memory and representation within the context of contemporary perceptions of truth.

Memory and the Impact of Political Transformation in Public Space explores the effects of major upheavals—wars, decolonization, and other social and economic changes—on the ways in which public histories are presented around the world. Examining issues related to public memory in twelve countries, the histories collected here cut across political, cultural, and geographic divisions. At the same time, by revealing recurring themes and concerns, they show how basic issues of history and memory transcend specific sites and moments in time. A number of the essays look at contests over public memory following two major political transformations: the wave of liberation from colonial rule in much of Africa, Asia, and Central and South America during the second half of the twentieth century and the reorganization of Eastern Europe and the former Soviet bloc beginning in the late 1980s.

This collection expands the scope of what is considered public history by pointing to silences and absences that are as telling as museums and memorials. Contributors remind us that for every monument that is erected, others—including one celebrating Sri Lanka’s independence and another honoring the Unknown Russian Soldier of World War II—remain on the drawing board. While some sites seem woefully underserved by a lack of public memorials—as do post–Pinochet Chile and post–civil war El Salvador—others run the risk of diluting meaning through overexposure, as may be happening with Israel’s Masada. Essayists examine public history as it is conveyed not only in marble and stone but also through cityscapes and performances such as popular songs and parades.

Contributors
James Carter
John Czaplicka
Kanishka Goonewardena
Lisa Maya Knauer
Anna Krylova
Teresa Meade
Bill Nasson
Mary Nolan
Cynthia Paces
Andrew Ross
Daniel Seltz
T. M. Scruggs
Irina Carlota Silber
Daniel J. Walkowitz
Yael Zerubavel

Digital culture is often characterized as radically breaking with past technologies, practices, and ideologies rather than as reflecting or incorporating them. Memory Bytes seeks to counter such ahistoricism, arguing for the need to understand digital culture—and its social, political, and ethical ramifications—in historical and philosophical context. Looking at a broad range of technologies, including photography, print and digital media, heat engines, stereographs, and medical imaging, the contributors present a number of different perspectives from which to reflect on the nature of media change. While foregrounding the challenges of drawing comparisons across varied media and eras, Memory Bytes explores how technologies have been integrated into society at different moments in time.

These essays from scholars in the social sciences and humanities cover topics related to science and medicine, politics and war, mass communication, philosophy, film, photography, and art. Whether describing how the cultural and legal conflicts over player piano rolls prefigured controversies over the intellectual property status of digital technologies such as mp3 files; comparing the experiences of watching QuickTime movies to Joseph Cornell’s “boxed relic” sculptures of the 1930s and 1940s; or calling for a critical history of electricity from the Enlightenment to the present, Memory Bytes investigates the interplay of technology and culture. It relates the Information Age to larger and older political and cultural phenomena, analyzes how sensory effects have been technologically produced over time, considers how human subjectivity has been shaped by machines, and emphasizes the dependence of particular technologies on the material circumstances within which they were developed and used.

Contributors. Judith Babbitts, Scott Curtis, Ronald E. Day, David Depew, Abraham Geil, Sharon Ghamari-Tabrizi, Lisa Gitelman, N. Katherine Hayles, John Durham Peters, Lauren Rabinovitz, Laura Rigal, Vivian Sobchack, Thomas Swiss

 

Probing the ways philosophers look at memory, Scanlan reveals that some argue that being human means having the ability to remember, to see oneself as a being in time, with a past and future. At the same time, he shows, our memories can undo our present sense of time and place by presenting us with our past lives. And in a digital age, we are immersed in a vast archive of data that not only colors our everyday experiences, but also supplies us with information on anything we might otherwise have forgotten—breaking down the distinction between the memories of the individual and the collective. Drawing on history, philosophy, and technology, Memory offers an engaging investigation of how we comprehend recollection and how memory, as a phenomenon, continually remakes everyday life.

Picture your twenty-first birthday. Did you have a party? If so, do you remember who was there? Now step back: how clear are those memories? Should we trust them to be accurate, or is there a chance that you’re remembering incorrectly? And where have the many details you can no longer recall gone? Are they hidden somewhere in your brain, or are they gone forever?

Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in Memory: Fragments of a Modern History, the answers have changed dramatically in just the past century. Tracing the cultural and scientific history of our understanding of memory, Winter explores early metaphors that likened memory to a filing cabinet; later, she shows, that cabinet was replaced by the image of a reel of film, ever available for playback. That model, too, was eventually superseded, replaced by the current understanding of memory as the result of an extremely complicated, brain-wide web of cells and systems that together assemble our pasts. Winter introduces us to innovative scientists and sensationalistic seekers, and, drawing on evidence ranging from scientific papers to diaries to movies, explores the way that new understandings from the laboratory have seeped out into psychiatrists' offices, courtrooms, and the culture at large. Along the way, she investigates the sensational battles over the validity of repressed memories that raged through the 1980s and shows us how changes in technology—such as the emergence of recording devices and computers—have again and again altered the way we conceptualize, and even try to study, the ways we remember.

Packed with fascinating details and curious episodes from the convoluted history of memory science, Memory is a book you'll remember long after you close its cover.