A SCHOLARLY BOOK REPOSITORY
The exploration of the North-South relationship and the growth of of antebellum Mobile.
Cotton City offers a compelling exploration of Mobile, Alabama’s transformation into a thriving urban center during the antebellum period. Historian Harriet E. Amos examines how economic ambition, civic planning, and the cotton trade shaped the city’s development between 1819 and 1861. Through detailed archival research, Amos reveals how Mobile’s leaders sought to modernize infrastructure, expand commerce, and assert the city’s regional importance—all while navigating the tensions of slavery, class, and Southern identity.
This richly contextualized study highlights the interplay between urban growth and the broader forces of the Southern economy, making Cotton City a vital contribution to the histories of the American South, urbanization, and antebellum society.
The first modern biography of Cotton Mather, David Levin's narrative makes clear the development of Mather's character and experience during forty years in which he was able to identify his own personal life with the fortunes of Congregational New England. On his relationship to his eminent father, the Puritan divine and Massachusetts statesman, Increase Mather, the history and cure of his stammer, his experience as a child prodigy at Harvard, his religious conversion, his vision of an angel, his leadership in the Glorious Revolution in Massachusetts, his encounters with the Devil during the witchcraft crises in Boston and Salem—on all these matters and more, Levin's account provides new interpretations that make this permanently controversial and legendary figure accessible and comprehensible in human as well as historical terms.
It is the triumph of Levin's biography that his subject's personal and literary lives are more closely woven into the fabric of the political history of his place and time than in any previous study. Mather's character, though seen sympathetically, develops in a narrative that deliberately avoids the constraints of prosecution and defense.
Cotton-Patch Schoolhouse is a memoir of the author’s year as a young and inexperienced teacher in rural Marengo County, several miles from Linden, Alabama, in 1926. Seeking to earn money to continue college after her freshman year at AlabamaCollege in Montevallo, the author welcomed the opportunity to teach eight children at five different grade levels in a one-room schoolhouse in the middle of a cotton field. Youthful enthusiasm, native wit, and a sense of adventure helped her transform the simple schoolhouse into a place of learning and excitement.
Mountain lion biologist and expert Mark Elbroch welcomes these tough questions. He dismisses long-held myths about mountain lions and uses groundbreaking science to uncover important new information about their social habits. Elbroch argues that humans and mountain lions can peacefully coexist in close proximity if we ignore uninformed hype and instead arm ourselves with knowledge and common sense. He walks us through the realities of human safety in the presence of mountain lions, livestock safety, competition with hunters for deer and elk, and threats to rare species, dispelling the paranoia with facts and logic. In the last few chapters, he touches on human impacts on mountain lions and the need for a sensible management strategy. The result, he argues, is a win-win for humans, mountain lions, and the ecosystems that depend on keystone predators to keep them in healthy balance.
The Cougar Conundrum delivers a clear-eyed assessment of a modern wildlife challenge, offering practical advice for wildlife managers, conservationists, hunters, and those in the wildland-urban interface who share their habitat with large predators.
The cougar is one of the most beautiful, enigmatic, and majestic animals in the Americas. Eliciting reverence for its grace and independent nature, it also triggers fear when it comes into contact with people, pets, and livestock or competes for hunters’ game. Mystery, myth, and misunderstanding surround this remarkable creature.
The cougar’s range once extended from northern Canada to the tip of South America, and from the Pacific to the Atlantic, making it the most widespread animal in the western hemisphere. But overhunting and loss of habitat vastly reduced cougar numbers by the early twentieth century across much of its historical range, and today the cougar faces numerous threats as burgeoning human development encroaches on its remaining habitat.
When Maurice Hornocker began the first long-term study of cougars in the Idaho wilderness in 1964, little was known about this large cat. Its secretive nature and rarity in the landscape made it difficult to study. But his groundbreaking research yielded major insights and was the prelude to further research on this controversial species.
The capstone to Hornocker’s long career studying big cats, Cougar is a powerful and practical resource for scientists, conservationists, and anyone with an interest in large carnivores. He and conservationist Sharon Negri bring together the diverse perspectives of twenty-two distinguished scientists to provide the fullest account of the cougar’s ecology, behavior, and genetics, its role as a top predator, and its conservation needs. This compilation of recent findings, stunning photographs, and firsthand accounts of field research unravels the mysteries of this magnificent animal and emphasizes its importance in healthy ecosystem processes and in our lives.
In light of the resurgence of the far Right across Europe and some of the rhetoric of the 2024 General Election, which carried whiffs of political authoritarianism, Could It Happen Here? explores the possible consequences of a British prime minister refusing to leave office. Mapping out the processes that might occur after such an eventuality, the responsibilities of key players in the United Kingdom’s democratic system, and the integrity of that system after years of stress, Peter Hennessy and Andrew Blick analyze the United Kingdom’s “unwritten” constitution and provide a crucial recommendation for protecting and strengthening the resilience of its parliamentary democracy.
One member downplayed the significance of this secret legislative body in 1849 as “nothing but a debating School.” On the contrary, a typical meeting included decisions regarding irrigation, fencing, and adobe housing, after which the group sang a song written by Parley P. Pratt: “Come ye sons of doubt and wonder; Indian, Moslem, Greek or Jew; … Be to all a friend and brother; Peace on Earth, good will to men.” Two weeks later, the council called for “blood to flow” to enforce its laws.
As the nineteenth century waned and the LDS Church moved toward the American mainstream, ending its emphasis on the imminent End of Days, there was no longer a need for a Church-managed municipal group destined to become the millennial world government. The council became irrelevant but survives today as a historical artifact available in fragmented documentary pieces which are presented here for the first time.
With sections that vary between poetry, science, Indigenous storytelling, numerical measurement, and narration, Valerie Martínez’s new work results in an epic panorama infused with the timely urgency of facing an apocalyptic future. This beautiful, tragic, and unusual poem is a testimonial, a warning, and a call to action that will captivate lovers of contemporary poetry and ecopoetry, environmentalists, and climate activists alike. Count skillfully calls on our collective desire to leave a livable world, filled with the potential for healing, as a legacy to the generations of children that come after us.
When you look at a bird, do you see feathers and a beak? Or do you see circles and triangles? Artist Charley Harper spent his life reducing subjects to their simplest forms, their basic lines and shapes. This resulted in what he called minimal realism and the style that would become easily recognized as Charley Harper’s. Art fans and nature lovers around the world fell in love with Harper’s paintings, which often featured bright colors and intriguing nature subjects.
Harper’s love of painting and drawing led him from the hills of West Virginia to the bombed-out villages of Europe, to the streets of New York City, and to the halls of the Art Academy of Cincinnati. How did the farm boy who didn’t know a single artist become one of America’s most recognized midcentury modern painters? The answer is simple. He did it by counting the wings.
Count the Wings is the first book for middle-grade readers about Harper’s life and work. Author Michelle Houts worked closely with the Harper estate to include full-color illustrations, plentiful supplemental materials, and discussion questions that will intrigue and engage young readers. Count the Wings is part of our acclaimed Biographies for Young Readers series, which brings smart, expertly researched books about often overlooked but exceptional individuals to school-age readers.
How to remake the world with neurodivergence at its heart
What if we embraced neurodivergent ways of being not as deviations to be corrected but as vital ways of inhabiting the world? What new realities might emerge? Bringing a much-needed humanistic perspective to the study of autism and other forms of neurodivergence, Counter-cartographies offers a bold reimagining of neurological difference, moving beyond rigid diagnostic frameworks to uncover more expansive, generative modes of existence.
Engaging the work of Fernand Deligny to trace how modern taxonomies of neurodivergence have hardened over time, Leon J. Hilton questions how these categories might instead serve as tools for remapping the world with neurodivergence at its center. At the heart of Counter-cartographies is an exploration of performance and performativity that reveals how the norm of neurotypical reality is continually reinforced through acts of doing, redoing, and undoing.
Charting the historical shift away from “mind” and toward “brain” and moving fluidly across disciplines—from digital art and documentary cinema to cybernetics and radical mental health movements—Hilton illuminates the deep interconnections between performance, perception, and the historical construction of the “neurotypical.” Through close readings of works by William Pope.L, Mel Baggs, Wu Tsang, and others, Hilton also examines how neurodivergence has been represented, embodied, and materialized in contemporary art and media. Restless, engrossing, and persistently attuned to moments of rupture when the neurotypical order falters, Counter-cartographies charts a path toward a more capacious, imaginative world.
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He looks at how radical critiques of mainstream criminology by critical feminist and postmodernist thinkers contribute to an understanding of the relationship between colonial experience and criminology. But he also shows that even critical feminist and postmodernist assessments of conventional criminology do not go far enough as they remain virtually silent on colonial issues.
Biko Agozino considers African and other postcolonial literature and contributions to counter colonial criminology, their originality, relevance and limitations. Finally he advocates a “committed objectivity” approach to race-class-gender criminology investigations in order to come to terms with imperialistic and neo-colonialist criminology.
In the mid-twentieth century, far more evangelicals supported such “liberal” causes as peace, social justice, and environmental protection. Only gradually did the conservative evangelical faction win dominance, allying with the Republican Party of Ronald Reagan and, eventually, George W. Bush.
In Countercultural Conservatives Axel Schäfer traces the evolution of a diffuse and pluralistic movement into the political force of the New Christian Right. In forging its complex theological and political identity, evangelicalism did not simply reject the ideas of 1960s counterculture, Schäfer argues. For all their strict Biblicism and uncompromising morality, evangelicals absorbed and extended key aspects of the countercultural worldview.
Carefully examining evangelicalism’s internal dynamics, fissures, and coalitions, this book offers an intriguing reinterpretation of the most important development in American religion and politics since World War II.
In a bold reconsideration of the late sixties San Francisco counterculture movement, Counterculture Kaleidoscope takes a close look at the cultural and musical practices of that era. Addressing the conventional wisdom that the movement was grounded in rebellion and opposition, the book exposes two myths: first, that the counterculture was an organized social and political movement of progressives with a shared agenda who opposed the mainstream (dubbed "hippies"); and second, that the counterculture was an innocent entity hijacked by commercialism and transformed over time into a vehicle of so-called "hip consumerism."
Seeking an alternative to the now common narrative, Nadya Zimmerman examines primary source material including music, artwork, popular literature, personal narratives, and firsthand historical accounts. She reveals that the San Francisco counterculture wasn't interested in commitments to causes and made no association with divisive issues---that it embraced everything in general and nothing in particular.
"Astute and accessible, Counterculture Kaleidoscope provides thought-provoking insights into the historical, cultural and social context of the San Francisco counter-culture and its music scene, including discussions of Vietnam and student protest, the Haight-Ashbury Diggers, the Grateful Dead, Led Zeppelin, Altamont, and Charlie Manson. A must for students and scholars of socio-musical activity and for all of us to whom music matters."
---Sheila Whiteley, author of The Space Between the Notes: Rock and the Counter-Culture and Too Much Too Young: Popular Music, Age and Gender
"The hippie counterculture has never garnered the scholarly attention accorded the new left and the black freedom struggle. Overviews of the period ritualistically mention it as part and parcel of that apparently incandescent era---the Sixties---but rarely capture its distinctiveness. Counterculture Kaleidoscope is a timely and provocative intervention in Sixties scholarship that significantly deepens our understanding of this important but understudied phenomenon."
—Alice Echols, Associate Professor, University of Southern California, and author of Scars of Sweet Paradise: The Life and Times of Janis Joplin
This book focuses on the return of the diasporic Greek second generation to Greece, primarily in the first decade of the twenty-first century, and their evolving, often ambivalent, senses of belonging and conceptualizations of “home.” Drawing from a large-scale research project employing a multi-sited and multi-method comparative approach, Counter-Diaspora is a narrative ethnographic account of the lives and identities of second-generation Greek-Americans and Greek-Germans. Through an interdisciplinary gender and generational lens, the study examines lived migration experiences at three diasporic moments: growing up within the Greek diasporic setting in the United States and Germany; motivations for the counter-diasporic return; and experiences in the “homeland” of Greece. Research documents and analyzes a range of feelings and experiences associated with this “counter-diasporic” return to the ancestral homeland.
Images and imaginations of the “homeland” are discussed and deconstructed, along with notions of “Greekness” mediated through diasporic encounters. Using extensive extracts from interviews, the authors explore the roles of, among other things, family solidarity, kinship, food, language, and religion, as well as the impact of “home-coming” visits on the decision to return to the ancestral “homeland.” The book also contributes to a reconceptualization of diaspora and a problematization of the notion of “second generation.”
In his illuminating study, Counterfeited in China, Ko-lin Chin investigates this lucrative industry and its emergence in China. His face-to-face interviews with counterfeiters — business owners, workers, facilitators, and key informants — in the hub of Guangzhou, China reveal how businesses that design, produce, and distribute fake and unauthorized luxury goods manage the risks inherent in their business.
Counterfeited in China examines the individual and group characteristics of counterfeiters and their relationships with organized crime; analyzes the economic aspects of counterfeiting; assesses the relationships among counterfeiting, violence, and corruption; and seeks to understand the demand for counterfeit goods. Chin also discusses the role of Chinese authorities and other parties in the war against counterfeiting.
Assessing the state of the industry and its future, Chin provides fascinating new insights into the modus operandi of counterfeiters.
Through ethnographic fieldwork conducted annually in Cauca from 1995 through 2002, Gow compares the development plans of the three communities, looking at both the planning processes and the plans themselves. In so doing, he demonstrates that there is no single indigenous approach to development and modernity. He describes differences in how each community defined and employed the concept of culture, how they connected a concern with culture to economic and political reconstruction, and how they sought to assert their own priorities while engaging with the existing development resources at their disposal. Ultimately, Gow argues that the moral vision advanced by the indigenous movement, combined with the growing importance attached to human rights, offers a fruitful way to think about development: less as a process of integration into a rigidly defined modernity than as a critical modernity based on a radical politics of inclusive citizenship.
Rebelling against bourgeois vacuity and taking their countercultural critique on the road, the Beat writers and artists have long symbolized a spirit of freedom and radical democracy. Manuel Martinez offers an eye-opening challenge to this characterization of the Beats, juxtaposing them against Chicano nationalists like Raul Salinas, Jose Montoya, Luis Valdez, and Oscar Acosta and Mexican migrant writers in the United States, like Tomas Rivera and Ernesto Galarza.
In an innovative rereading of American radical politics and culture of the 1950s and 1960s, Martinez uncovers reactionary, neoromantic, and sometimes racist strains in the Beats’ vision of freedom, and he brings to the fore the complex stances of Latinos on participant democracy and progressive culture. He analyzes the ways that Beats, Chicanos, and migrant writers conceived of and articulated social and political perspectives. He contends that both the Beats’ extreme individualism and the Chicano nationalists’ narrow vision of citizenship are betrayals of the democratic ideal, but that the migrant writers presented a distinctly radical and inclusive vision of democracy that was truly countercultural.
Here Mark McGovern turns back the clock to the late 1980s and early ‘90s—the ‘endgame’ of the Troubles and a period defined by a rash of state-sanctioned paramilitary killings. Drawing on previously unpublished evidence, and original testimony of victims’ families and eyewitnesses, McGovern examines several dozen killings of republicans and their families and communities that took place in the Mid-Ulster area. Placing these accounts within a wider critical analysis of the nature of British counterinsurgency and the state use of agents and informers, McGovern paints a damning picture of covert, deniable, and unlawful violence.
Andrew Mumford challenges the notion of a “special relationship” between the United States and United Kingdom in diplomatic and military affairs, the most vaunted and, he says, exaggerated of associations in the post-1945 era. Though they are allies to be sure, national self-interest and domestic politics have often undercut their relationship.
This is the first book to combine a history of US-UK interaction during major counterinsurgency campaigns since 1945, from Palestine to Iraq and Afghanistan, with a critical examination of the so called special relationship that has been tested during these difficult, protracted, and costly conflicts. Mumford’s assessment of each nation’s internal political discussions and diplomatic exchanges reveals that in actuality there is only a thin layer of specialness at work in the wars that shaped the postcolonial balance of power, the fight against Communism in the Cold War, and the twenty-first-century “war on terror.” This book is especially timely given that the US-UK relationship is once again under scrutiny because of the Trump administration’s “America First” rhetoric and Britain's changing international relations as a result of Brexit. Counterinsurgency Wars and the Anglo-American Alliance will interest scholars and students of history, international relations, and security studies as well as policy practitioners in the field.
Investigates the interdisciplinary dimensions of countermemory through a rhetorical lens
Countermemory: A Rhetoric of Resistance by April L. O’Brien and James Chase Sanchez is a groundbreaking monograph that explores the concept of countermemory from an interdisciplinary and rhetorical perspective. The authors define “countermemory” as remembrance that resituates often overlooked or erased narratives of marginalized groups by positioning these memories as equally significant to dominant historical narratives. This work investigates how countermemories emerge in response to public memories, highlighting the tensions and resistance that arise when marginalized voices challenge mainstream historical accounts.
Through a mixed-methodological approach—incorporating site-based analysis, participant observation, textual analysis, and historiography—O’Brien and Sanchez examine countermemory in both physical and digital spaces. From memorial sites and museums to music videos, TV shows, and digital maps, they reveal the various ways countermemory operates and persists. The authors focus particularly on countermemory in the American South, centering on the experiences and histories of Black, Latinx, and Indigenous communities.
Countermemory is essential reading for scholars and students of rhetoric and public memory. The book also offers rich insights to readers who are passionate about addressing issues of racial inequality, people interested in examining their own experiences and the role they can play in promoting social change, and those interested in exploring the ways in which history is constructed and presented, and how marginalized perspectives are often excluded or distorted.
An essential look at how and why backlash movements are inherent to US policymaking.
The most successful policies not only solve problems. They also build supportive coalitions. Yet, sometimes, policies trigger backlash and mobilize opposition. Although backlash is not a new phenomenon, today’s political landscape is distinguished by the frequency and pervasiveness of backlash in nearly every area of US policymaking, from abortion rights to the Affordable Care Act.
Eric M. Patashnik develops a policy-centered theory of backlash that illuminates how policies stimulate backlashes by imposing losses, overreaching, or challenging existing arrangements to which people are strongly attached. Drawing on case studies of issues from immigration and trade to healthcare and gun control, Countermobilization shows that backlash politics is fueled by polarization, cultural shifts, and negative feedback from the activist government itself. It also offers crucial insights to help identify and navigate backlash risks.
Martinique, French Guyana, Senegal, Morocco, and Haiti serve as the stage for the struggle these writers have faced with French language and culture, a struggle influenced by the legacy of Aimé Césaire. In his stand against the modernist principles of Charles Baudelaire, Walker argues, Césaire has become the preeminent francophone countermodernist. A further examination of the relationships between Césaire and the writers Léon Gontron Damas, Mariama Bâ, Tahar Ben Jelloun, Ken Bugul, and Gérard Étienne forms the core of the book and leads to Walker’s characterization of francophone literature as having “slipped the knot,” or escaped the snares of the familiar binary oppositions of modernism. Instead, he discovers in these writers a shared consciousness rooted in an effort to counter and denounce modernist humanist discourse and pointing toward a new subjectivity formed through the negotiation of an alternative modernity.
Countermodernism and Francophone Literary Culture will engage readers interested in French literature and in postcolonial, Caribbean, African, American, and francophone studies.
Flores builds a poetic landscape with repeating structures that mirror Alamar’s five-floor walkups. Exploring life and dream on the flat surfaces of the poems, he gives fleeting glimpses of perception and survival at the urban margins. As the poet ages, so ages Alamar itself. Yet both find renewal through poetry.
The eighty poems in this bilingual edition offer the first English translation of a complete Flores collection. It will also be of interest to Spanish-language readers seeking access to Cuban literature abroad. Award-winning scholar and translator Kristin Dykstra has compiled an introduction in which she presents Flores, his literary contexts, and references in his poems. Because Flores made specific requests regarding translation, fascinating notes also clarify and expound on choices Dykstra makes in the English version.
A deluxe edition with a handmade, limited-edition color linocut print, including a letterpress-printed poem signed by the author, is available directly from the University of Alabama Press.
Practicing what Derrick Bell has termed “creative truth telling,” these writers are not concerned with individual white women in writing centres but with the social, political, and cultural capital that is the historical birthright of white, straight, cis-gendered women, particularly in writing centre studies. The essays collected in this volume test, defy, and overflow the bounds of traditional academic discourse in the service of powerful testimony, witness, and counterstory.
CounterStories from the Writing Center is a must-read for writing centre directors, scholars, and tutors who are committed to antiracist pedagogy and offers a robust intersectional analysis to those who seek to understand the relationship between the work of writing centres and the problem of racism. Accessible and usable for both graduate and undergraduate students of writing centre theory and practice, this work troubles the field’s commonplaces and offers a rich envisioning of what writing centres materially committed to inclusion and equity might be and do.
Contributors: Dianna Baldwin, Nicole Caswell, Mitzi Ceballos, Romeo Garcia, Neisha-Anne Green, Doug Kern, T. Haltiwanger Morrison, Bernice Olivas, Moira Ozias, Trixie Smith, Willow Trevino
Weaving together nearly 100 stories of non-migrants, returnees, and repeat migrants from Ethiopia, Girma advances a theory of migra-emotions, emotions specific to migration, to understand decisions and experiences, such as the imaginary of home and the lived reality of alienation, disaffection abroad, and feelings of duty to one’s homeland.
Looking beyond the meanings of migration or processes of integration, Girma explores the emotional subtext of migration aspirations. In doing so, Counterstreams of Migration complicates conventional understandings of migration and provides a more complete picture of migrant stories.
One of the anthology's key contributions is to trace the evolution of Asian American independent film practice over thirty years. Essays on the Japanese American internment and historical memory, essays on films by women and queer artists, and the reflections of individual film makers discuss independent productions as subverting or opposing the conventions of commercial cinema. But Countervisions also resists simplistic readings of "mainstream" film representations of Asian Americans and enumerations of negative images. Writing about Hollywood stars Anna May Wong and Nancy Kwan, director Wayne Wang, and erotic films, several contributors probe into the complex and ambivalent responses of Asian American audiences to stereotypical roles and commercial success. Taken together, the spirited, illuminating essays in this collection offer an unprecedented examination of a flourishing cultural production.
When Deborah Gold and her husband signed up to foster parent in their rural mountain community, they did not foresee that it would lead to a roller-coaster fifteen years of involvement with a traumatized yet resilient birth family. They fell in love with Michael (a toddler when he came to them), yet they had to reckon with the knowledge that he could leave their lives at any time.
In Counting Down, Gold tells the story of forging a family within a confounding system. We meet social workers, a birth mother with the courage to give her children the childhood she never had herself, and a father parenting from prison. We also encounter members of a remarkable fellowship of Appalachian foster parents—gay, straight, right, left, evangelical, and atheist—united by love, loss, and quality hand-me-downs.
Gold’s memoir is one of the few books to deliver a foster parent’s perspective (and, through Michael’s own poetry and essays, that of a former foster child). In it, she shakes up common assumptions and offers a powerfully frank and hopeful look at an experience often portrayed as bleak.
The public library is in the perfect position as a community resource to help bridge the gap between preschool and kindergarten; however, starting from scratch can feel daunting. In this guide, Baker combines her background in early childhood education with her experience as a youth services programming specialist to present a school readiness program that can be tailored for any public library. Based on the successful framework of her tried and tested original program, this book offers everything that a public library needs in order to get started, including
- A six-week schedule of detailed lesson plans which combine the best practices of the Every Child Ready to Read® (ECRR) Second Edition (talking, singing, reading, writing, playing) with nationally identified school readiness skills
- A six-month family calendar with activities to help parents engage their children in activities that foster early literacy and school readiness skills at home
- Tips for maintaining a collaborative relationship with early childhood stakeholders and policymakers to help maintain a program that fits the school readiness needs of the local community
- Specific examples of successful school readiness programs and partnerships from public library systems across the country
Baker's guide will help public libraries ensure that young children are ready for school from day one.
Contributors:
Charles Bowden
David E. Brown
Bill Broyles
Julian Hayden
William T. Hornaday
Paul Krausman
Danny Lopez
Eric Mellink
Mauricio Mixco
Gale Monson
Gary Paul Nabhan
Doug Peacock
Kermit Roosevelt
Harley G. Shaw
Charles Sheldon
Peter Steinhart
Anita Alvarez de Williams
Terry Tempest Williams
Ann Zwinger
Eeny, meeny, figgledy, fig.
Delia, dolia, dominig,
Ozy, pozy doma-nozy,
Tee, tau, tut,
Uggeldy, buggedy, boo!
Out goes you. (no. 129)
You can stand,
And you can sit,
But, if you play,
You must be it. (no. 577)
Counting-out rhymes are used by children between the ages of six and eleven as a special way of choosing it and beginning play. They may be short and simple ("O-U-T spells out/And out goes you") or relatively long and complicated; they may be composed of ordinary words, arrant nonsense, or a mixture of the two.
Roger D. Abrahams and Lois Rankin have gathered together a definitive compendium of counting-out rhymes in English reported to 1980. These they discovered in over two hundred sources from the nineteenth and twentieth centuries, including rhymes from England, Scotland, Ireland, Australia, New Zealand, and the United States. Representative texts are given for 582 separate rhymes, with a comprehensive listing of sources and variants for each one, as well as information on each rhyme's provenience, date, and use. Cross-references are provided for variants whose first lines differ from those of the representative texts. Abrahams's introduction discusses the significance of counting-out rhymes in children's play.
Children's folklore and speech play have attracted increasing attention in recent years. Counting-Out Rhymes will be a valuable resource for researchers in this field.
Chicago is revered as a musical breeding ground, having launched major figures like blues legend Muddy Waters, gospel soul icon Mavis Staples, hip-hop firebrand Kanye West, and the jazz-rock band that shares its name with the city. Far less known, however, is the vital role Chicago played in the rise of prewar country music, the folk revival of the 1950s and 1960s, and the contemporary offspring of those scenes.
In Country and Midwestern, veteran journalist Mark Guarino tells the epic century-long story of Chicago’s influence on sounds typically associated with regions further south. Drawing on hundreds of interviews and deep archival research, Guarino tells a forgotten story of music, migration, and the ways that rural culture infiltrated urban communities through the radio, the automobile, and the railroad. The Midwest’s biggest city was the place where rural transplants could reinvent themselves and shape their music for the new commercial possibilities the city offered. Years before Nashville emerged as the commercial and spiritual center of country music, major record labels made Chicago their home and recorded legendary figures like Bill Monroe, The Carter Family, and Gene Autry. The National Barn Dance—broadcast from the city’s South Loop starting in 1924—flourished for two decades as the premier country radio show before the Grand Ole Opry. Guarino chronicles the makeshift niche scenes like “Hillbilly Heaven” in Uptown, where thousands of relocated Southerners created their own hardscrabble honky-tonk subculture, as well as the 1960s rise of the Old Town School of Folk Music, which eventually brought national attention to local luminaries like John Prine and Steve Goodman. The story continues through the end of the twentieth century and into the present day, where artists like Jon Langford, The Handsome Family, and Wilco meld contemporary experimentation with country traditions.
Featuring a foreword from Grammy-nominated singer-songwriter Robbie Fulks and casting a cross-genre net that stretches from Bob Dylan to punk rock, Country and Midwestern rediscovers a history as sprawling as the Windy City—celebrating the creative spirit that modernized American folk idioms, the colorful characters who took them into new terrain, and the music itself, which is still kicking down doors even today.
Winner, 2023 J. G. Ragsdale Book Award from the Arkansas Historical Association
Because Johnny Cash cut his classic singles at Sun Records in Memphis and reigned for years as country royalty from his Nashville-area mansion, people tend to associate the Man in Black with Tennessee. But some of Cash’s best songs—including classics like “Pickin’ Time,” “Big River,” and “Five Feet High and Rising”—sprang from his youth in the sweltering cotton fields of northeastern Arkansas.
In Country Boy, Colin Woodward combines biography, history, and music criticism to illustrate how Cash’s experiences in Arkansas shaped his life and work. The grip of the Great Depression on Arkansas’s small farmers, the comforts and tragedies of family, and a bedrock of faith all lent his music the power and authenticity that so appealed to millions. Though Cash left Arkansas as an eighteen-year-old, he often returned to his home state, where he played some of his most memorable and personal concerts. Drawing upon the country legend’s songs and writings, as well as the accounts of family, fellow musicians, and chroniclers, Woodward reveals how the profound sincerity and empathy so central to Cash’s music depended on his maintaining a deep connection to his native Arkansas—a place that never left his soul.
Q: Is he afraid of work?
A: No, he can lie down beside it and go to sleep.
This volume is an encyclopedia of the many country music performers who made comedy a central part of their careers. Loyal Jones offers an informative biographical sketch of each performer and many entries include a sample of the artist's humor, a recording history, and amusing anecdotal tidbits. Starting with vaudeville and radio barn dance figures like the Skillet Lickers and the Weaver Brothers and Elviry, Jones moves on to the regulars on Hee Haw and the Grand Old Opry and present-day comedians from the Austin Lounge Lizards to Jeff Foxworthy.
Jones's introductory essay discusses such topics as stock comic figures, venues for comedic performance, and benchmark performers. Throughout the volume, he places each performer squarely in the context of the country music community, its performing traditions, and each artist's place in the larger cultural milieu.
The Country Music Message: Revisited is more than a history of commercial country music, a discussion of the performers, or a compilation of song lyrics. It is an examination of the way the “message” in country songs is relayed and received: why the songs move us as they do. As Jimmie Rogers saying in his preface, “A country song is a special form of communication——communication that more closely resembles interpersonal or face-to-face interaction between two people than do other types of mass appeal music. This close bond that exists between audience and performers, as well as the unique treatment of the song topics, helps to make the music, the performers, and the audience special. After the characteristics are reviewed, observations are made about the audience that accepts and approves these messages. The topics, and the approach to those topics by the songwriter and by the singers, tell us much about the audience that chose to listen to country music.”
If you are already a fan of country music, this book will provide insights into a process you’ve probably taken for granted. If you are a newcomer, you will better understand and appreciate the music that a “few folks are performing for a large number of people.”
“Fifty years after its first publication, Country Music USA still stands as the most authoritative history of this uniquely American art form. Here are the stories of the people who made country music into such an integral part of our nation’s culture. We feel lucky to have had Bill Malone as an indispensable guide in making our PBS documentary; you should, too.”
—Ken Burns and Dayton Duncan, Country Music: An American Family Story
From reviews of previous editions:
“Considered the definitive history of American country music.”
—Los Angeles Times
“If anyone knows more about the subject than [Malone] does, God help them.”
—Larry McMurtry, from In a Narrow Grave
“With Country Music USA, Bill Malone wrote the Bible for country music history and scholarship. This groundbreaking work, now updated, is the definitive chronicle of the sweeping drama of the country music experience.”
—Chet Flippo, former editorial director, CMT: Country Music Television and CMT.com
“Country Music USA is the definitive history of country music and of the artists who shaped its fascinating worlds.”
—William Ferris, University of North Carolina at Chapel Hill, former chairman of the National Endowment for the Humanities and coeditor of the Encyclopedia of Southern Culture
Since its first publication in 1968, Bill C. Malone’s Country Music USA has won universal acclaim as the definitive history of American country music. Starting with the music’s folk roots in the rural South, it traces country music from the early days of radio into the twenty-first century. In this fiftieth-anniversary edition, Malone, the featured historian in Ken Burns’s 2019 documentary on country music, has revised every chapter to offer new information and fresh insights. Coauthor Tracey Laird tracks developments in country music in the new millennium, exploring the relationship between the current music scene and the traditions from which it emerged.
Until the Song dynasty, the mountains and rocky gorges of Sichuan were inhabited primarily by forest peoples. Increased settlement by Han Chinese farmers from the rice-growing plains altered the landscape, changed the balance of power among tribes, and adapted Han custom to new conditions. This book describes how the remote Luzhou area of Sichuan became fully integrated into Chinese civilization.
First colonized under private auspices, the region was early dominated by tribal chiefs and local Han magnates with personal armies; but eventually state intervention increased as the military was called in to protect profitable salt wells, Han farming, and the trade routes over which timber, minerals, aromatics, and horses were carried to central markets. Richard von Glahn describes how administrative structures emerged in towns and villages. He argues that policy decisions by the central government and economic imperatives from core regions instigated and determined local development. The book thus provides detailed knowledge of a particular place and has implications for the theoretical study of frontiers.
This centennial edition contains a facsimile of the original text, thereby restoring the novel to Jewett's own version, which had been considerably altered in other published versions, plus four related stories. Further enhancing the importance of this volume is editor Sarah Way Sherman's introduction, which includes a sketch of Jewett's life and professional development, a commentary on textual accuracy, and a discussion of the book's themes and techiques as well as its historical context.
Based on a thorough search of hundreds of primary sources ranging from chronicles of military expeditions to field reports by early naturalists, first-person accounts by fur traders and hunters to up-to-date county checklists, A Country So Full of Game examines the dramatic encounters of humans with elk, black bears, passenger pigeons, bobcats, prairie-chickens, otters, and many more. Each chapter discusses the animal's status and distribution when explorers first arrived in Iowa, how it was hunted or trapped, how this exploitation affected its population, and what its current status is both in Iowa and nationally. Enhanced by Mark Müller's distinctive drawings, commissioned for this book, the anecdotes evoke a sense of loss and wonder at the magic abundance of Iowa's wildlife.
Iowa has been changed more than, perhaps, any other state. We can mourn the disappearance of the bison and mountain lion while we marvel at the recent success of the wild turkey and white-tailed deer. Listening to James Dinsmore tell the story of wildlife in Iowa can open a window onto the future as other areas of our planet are increasingly altered by humans. A Country So Full of Game will allow all naturalists, both amateur and professional, hunter and biologist, to appreciate and learn from Iowa's diverse wild heritage.
In Country Songs for Alice, a nonbinary, queer narrator passes through the crucible of love, romance, and heartbreak against the backdrop of rural America—a landscape which offers luminous belonging, even as the hazards of homophobia, loneliness, and isolation loom large. Part roadtrip, part mixtape, these poems are explorations of love, music, romance, pageantry, loneliness, and belonging in the rural places and small towns that seem to preclude queer culture. Country Songs for Alice not only tells the story of a relationship and its dissolution but reclaims country western imagery and aesthetics for a queer audience, dousing the narrator’s experience in the language of cowboys, horses, rodeos, trucks, and desert skies.
A County of Culture demonstrates how changes in educational policies have exerted considerable influence on social life in Zouping, from the macro level of nation building and state formation to the micro level of individual careers. It also shows that the rural population has been far from being a passive object of reform, and that it has been extremely difficult for educational reformers to achieve their goals as a result of the social, economic, and mental realities of China's villages. The fate of educational reforms has thus been decided in the tension between two poles: the visions of educational planners and reformers on the one hand, and the expectations of the rural population on the other.
Not only pertinent to specialists of Chinese education, this book will also be useful to anyone interested in state-society relations in modern China and to students of comparative education and rural development.
Stig Thøgersen is Associate Professor of Chinese Language and Society, University of Aarhus.
Coup d’État astonished readers when it first appeared in 1968 because it showed, step by step, how governments could be overthrown. Translated into sixteen languages, it has inspired anti-coup precautions by regimes around the world. In addition to these detailed instructions, Edward Luttwak’s revised handbook offers an altogether new way of looking at political power—one that considers, for example, the vulnerability to coups of even the most stable democracies in the event of prolonged economic distress.
The world has changed dramatically in the past half century, but not the essence of the coup d’état. It still requires the secret recruitment of military officers who command the loyalty of units well placed to seize important headquarters and key hubs in the capital city. The support of the armed forces as a whole is needed only in the aftermath, to avoid countercoups. And mass support is largely irrelevant, although passive acceptance is essential. To ensure it, violence must be kept to a minimum. The ideal coup is swift and bloodless. Very violent coups rarely succeed, and if they trigger a bloody civil war they fail utterly.
Luttwak identifies conditions that make countries vulnerable to a coup, and he outlines the necessary stages of planning, from recruitment of coconspirators to postcoup promises of progress and stability. But much more broadly, his investigation of coups—updated for the twenty-first century—uncovers important truths about the nature of political power.
On January 17, 1979, driven by new information that some of the worst criminals in the state's penitentiaries were about to be released (and fears that James Earl Ray might be one of them), a small bipartisan group chose to take charge. Senior Democratic leaders, friends of the sitting governor, together with the Republican governor-elect Lamar Alexander (now US Senator from Tennessee), agreed to oust Blanton from office before another night fell. It was a maneuver unique in American political history.
Expanded edition, with a newly discovered account of the events by Senator Lamar Alexander:
"In December 2015 something unexpected happened. Keel [Hunt] delivered to my Nashville office a brown three-ring binder. He had only recently discovered it in a box that had been in storage for thirty years." —Senator Lamar Alexander
This binder contained the forgotten typescript, written in 1985, of Alexander's recollections of the events leading up to his early inauguration on January 17, 1979. In this expanded edition of Coup, the Senator's 22,000-word text has been added as a lost footnote to Hunt's definitive account.
From the foreword by John L. Seigenthaler:
"The individual stories of those government officials involved in the coup—each account unique, but all of them intersecting—were scattered like disconnected pieces of a jigsaw puzzle on the table of history until the author conceived this book. Perhaps because it happened so quickly, and without major disagreement, protest, or dissent, this truly historic moment has been buried in the public mind. In unearthing the drama in gripping detail, Keel Hunt assures that the 'dark day' will be remembered as a bright one in which conflicted politicians came together in the public interest."
"A little Don Giovanni, a little café sociology, a little laboratory science, a little Berlin wit—it's a pleasant mix."—Suzanne Ruta, New York Times Book Review
"With its poignant valedictory to its protagonists' waning youth and its rueful placing of them in the firing line of history, Couplings achieves a balance of light and dark that is utterly persuasive."—Michael Upchurch, San Francisco Chronicle Book Review
Ciudad Juárez has recently become infamous for its murder rate, which topped 3,000 in 2010 as competing drug cartels grew increasingly violent and the military responded with violence as well. Despite the atmosphere of intimidation by troops, police, and organized criminals, women have led the way in civil society activism, spurring the Juárez Resistance and forging powerful alliances with anti-militarization activists.
An in-depth examination of la Resistencia Juarense, Courage, Resistance, and Women in Ciudad Juárez draws on ethnographic research to analyze the resistance’s focus on violence against women, as well as its clash with the war against drugs championed by Mexican President Felipe Calderón with the support of the United States. Through grounded insights, the authors trace the transformation of hidden discourses into public discourses that openly challenge the militarized border regimes. The authors also explore the advocacy carried on by social media, faith-based organizations, and peace-and-justice activist Javier Sicilia while Calderón faced U.S. political schisms over the role of border trade in this global manufacturing site.
Bringing to light on-the-ground strategies as well as current theories from the fields of sociology, political anthropology, and human rights, this illuminating study is particularly significant because of its emphasis on the role of women in local and transnational attempts to extinguish a hot zone. As they overcome intimidation to become game-changing activists, the figures featured in Courage, Resistance, and Women in Ciudad Juárez offer the possibility of peace and justice in the wake of seemingly irreconcilable conflict.
Mallon recounts the land usurpation Nicolás Ailío endured in the first decades of the twentieth century and the community’s ongoing struggle for restitution. Facing extreme poverty and inspired by the agrarian mobilizations of the 1960s, some community members participated in the agrarian reform under the government of socialist president Salvador Allende. With the military coup of 1973, they suffered repression and desperate impoverishment. Out of this turbulent period the Mapuche revitalization movement was born. What began as an effort to protest the privatization of community lands under the military dictatorship evolved into a broad movement for cultural and political recognition that continues to the present day. By providing the historical and local context for the emergence of the Mapuche revitalization movement, Courage Tastes of Blood offers a distinctive perspective on the evolution of Chilean democracy and its rupture with the military coup of 1973.
Based on over six years of fieldwork, Sandra L. Faiman-Silva's The Courage to Connect traces the transformation of the Cape Cod community of Provincetown from its nineteenth-century origins as a fishing town where Portuguese immigrants settled to its present status as a welcoming, sexually diverse tourist enclave. Faiman-Silva examines the community’s history and economy as well as how gay and straight cultures intersect in areas such as public education, local government, and law enforcement. Using queer and critical culture theory to deconstruct day-to-day local encounters, Faiman-Silva describes the causes of social conflicts and how these conflicts can be resolved. Capturing the pathos and joy of a community that has struggled to accommodate radical social changes, The Courage to Connect yields understanding of the ways in which communities can construct themselves to overcome differences.
Suffering is an inescapable part of life. Some suffering is so profound, so violating, or so dogged that it fundamentally changes people in indelible ways. Many existing therapeutic approaches, from a medical model, treat suffering as mental illness and seek a curative solution. However, such approaches often fail to examine the deep questions that suffering elicits (e.g., existential themes of death, isolation, freedom, identity, and meaninglessness) and the far-reaching ways in which suffering affects the lived experience of each individual.
In The Courage to Suffer, Daryl and Sara Van Tongeren introduce a new therapeutic framework that helps people flourish in the midst of suffering by cultivating meaning.
Drawing from scientific research, clinical examples, existential and positive psychology, and their own personal stories of loss and sorrow, Daryl and Sara’s integrative model blends the rich depth of existential clinical approaches with the growth focus of strengths-based approaches.Through cutting edge-research and clinical case examples, they detail five “phases of suffering” and how to work with a client's existential concerns at each phase to develop meaning. They also discuss how current research suggests to build a flourishing life, especially for those who have endured, and are enduring, suffering.
Daryl and Sara show how those afflicted with suffering, while acknowledging the reality of their pain, can still choose to live with hope.
The sand trays and stories in this book were created by patients and families living with Cancer and Blood Disorders. Their expressions, created in the sand and conveyed through the written word, provide insight into their world. Sand tray therapy provides a sacred space to process experiences using symbols instead of language.
This collection of photos and personal stories was compiled so that other patients, their families, and their friends can share the authors’ journeys.
Marie found herself fighting to bring justice to the legal process and to bring humanity not only to prisoners on death row but to the guards and wardens as well. During Marie's time as a death penalty opponent in South Carolina and Virginia, she experienced the highs of helping exonerate the innocent and the lows of standing death watch in the death house with thirty-four condemned men.
Courbet's Realism is clearly a major contribution to the highly active field of Courbet studies. . . . But to contribute here and now is necessarily also to contribute to central debates about art history itself, and so the book is also—I hesitate to say 'more importantly,' because of the way object and method are woven together in it—a major contribution to current attempts to rethink the foundations and objects of art history. . . . It will not be an easy book to come to terms with; for all its engagement with contemporary literary theory and related developments, it is not an application of anything, and its deeply thought-through arguments will not fall easily in line with the emerging shapes of the various 'new art histories' that tap many of the same theoretical resources. At this moment, there may be nothing more valuable than such a work."—Stephen Melville, Art History
Part I explores the basic language acquisition theories and their influences on current teaching practices in the field. Part II then moves on to the core elements of designing a curriculum or course: conducting the needs analysis, setting of course goals/objectives, designing the syllabus, and writing lesson plans.
Part III: Instructional Activities and Assessment Techniques features chapters on the teaching of listening, speaking, reading, writing, grammar, and culture. Within each of these chapters, the authors address the fundamental issues related to the teaching of each skill and then discuss the components of a good activity for that skill (and how to design one), and then offer four sample activities (one for each type of syllabus) and guidance on assessing that skill. The activities can be adapted for use in a variety of classrooms and settings.
Part IV addresses contemporary trends—curriculum issues in North America and Europe (standards and educational policy), practices in teaching in Asia (particularly China and Korea), and technology-enhanced learning.
This text prepares first-year graduate students and advanced undergraduates for empirical research in economics, and also equips them for specialization in econometric theory, business, and sociology.
A Course in Econometrics is likely to be the text most thoroughly attuned to the needs of your students. Derived from the course taught by Arthur S. Goldberger at the University of Wisconsin–Madison and at Stanford University, it is specifically designed for use over two semesters, offers students the most thorough grounding in introductory statistical inference, and offers a substantial amount of interpretive material. The text brims with insights, strikes a balance between rigor and intuition, and provokes students to form their own critical opinions.
A Course in Econometrics thoroughly covers the fundamentals—classical regression and simultaneous equations—and offers clear and logical explorations of asymptotic theory and nonlinear regression. To accommodate students with various levels of preparation, the text opens with a thorough review of statistical concepts and methods, then proceeds to the regression model and its variants. Bold subheadings introduce and highlight key concepts throughout each chapter.
Each chapter concludes with a set of exercises specifically designed to reinforce and extend the material covered. Many of the exercises include real microdata analyses, and all are ideally suited to use as homework and test questions.
Agard provides an historical comparison of the major Romance languages with a reconstruction of their common source and a chronological account of their development through changes and splits.
A strictly descriptive—or synchronic—approach to romance linguistics.
Drawing on their own work with gays, lesbians, and bisexuals as well as other pertinent studies, psychoanalysts Bertram J. Cohler and Robert Galatzer-Levy have written a groundbreaking work that examines how psychological development and clinical intervention as well as social and historical change across generations contribute to how we think about sexuality. The authors argue that there is little support for assuming that homosexuality has a biological basis. Recognizing the many pathways that lead to same-gender sexual orientation, the authors conclude that the cause is much less important than understanding the meaning of being homosexual. They consider the destructive nature of an intolerant society that fosters so-called conversion psychotherapy and stress the importance of helping to rebuild a sense of coherence and personal integrity among homosexuals.
Recognition, though it figures profoundly in our understanding of objects and persons, identity and ideas, has never before been the subject of a single, sustained philosophical inquiry. This work, by one of contemporary philosophy’s most distinguished voices, pursues recognition through its various philosophical guises and meanings—and, through the “course of recognition,” seeks to develop nothing less than a proper hermeneutics of mutual recognition.
Originally delivered as lectures at the Institute for the Human Sciences at Vienna, the essays collected here consider recognition in three of its forms. The first chapter, focusing on knowledge of objects, points to the role of recognition in modern epistemology; the second, concerned with what might be called the recognition of responsibility, traces the understanding of agency and moral responsibility from the ancients up to the present day; and the third takes up the problem of recognition and identity, which extends from Hegel’s discussion of the struggle for recognition through contemporary arguments about identity and multiculturalism. Throughout, Paul Ricoeur probes the significance of our capacity to recognize people and objects, and of self-recognition and self-identity in relation to the gift of mutual recognition. Drawing inspiration from such literary texts as the Odyssey and Oedipus at Colonus, and engaging some of the classic writings of the Continental philosophical tradition—by Kant, Hobbes, Hegel, Augustine, Locke, and Bergson—The Course of Recognition ranges over vast expanses of time and subject matter and in the process suggests a number of highly insightful ways of thinking through the major questions of modern philosophy.
The book is unusual in that it offers both programmed and nonprogrammed material. Each type of material is designed to provide students with the maximum amount of involvement and practice. The students do not simply read definitions of words, as is the case with some courses. Rather, they engage in many different activities; not only defining words but analyzing and building them, and learning to use context to derive meaning. The programmed approach enables students to do the work on their own and receive immediate checks of their answers. Classroom time, therefore, is free for review, reinforcement of programmed activities, work on the nonprogrammed material, and attention to the needs of individual students. The book also includes at the end a set of Supplementary Exercises for each unit. The nonprogrammed materials include "Review Exercises," "Words of Interesting Origin," "Easily Confused Words," and "Latin Phrases." These provide practice in concepts learned in the unit and an opportunity to explore a wide variety of topics, such as eponymous words and the literal meanings of Latin expressions used in English.
"Kaufmann throws considerable light on one of the more neglected and least understood periods in art history."—Philadelphia Inquirer
"A wonderful book which does justice both to a formal analysis of the art and to an explanation of broader political and economic forces at work."—Virginia Quarterly Review
"Important and stimulating, Kaufmann's study examines the cultural legacy of a region too little known and understood."—Choice
"Peaks of the creative heritage which [Kaufmann] describes reserve their message—and their surprises—for those who visit them in situ. But invest in Kaufmann's volume before you go."—R. J. W. Evans, New York Review of Books
Fascinated by the Tribunal’s rich complexities, journalist Thierry Cruvellier came back day after day to watch the proceedings, spending more time there than any other outside observer. Gradually he gained the confidence of the victims, defendants, lawyers, and judges. Drawing on interviews with these protagonists and his close observations of their interactions, Cruvellier takes readers inside the courtroom to witness the motivations, mechanisms, and manipulations of justice as it unfolded on the stage of high-stakes, global politics. It is this ground-level view that makes his account so valuable—and so absorbing. A must-read for those who want to understand the dynamics of international criminal tribunals, Court of Remorse reveals both the possibilities and the challenges of prosecuting human rights violations.
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