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Walking East Harlem
A Neighborhood Experience
Christopher Bell
Rutgers University Press, 2025
They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage.
 
Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You’ll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente.
 
Lavishly illustrated with over fifty photos, Walking East Harlem points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio’s exciting history, cultural diversity, and continued artistic vibrancy.  
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Walking Harlem
The Ultimate Guide to the Cultural Capital of Black America
Taborn, Karen
Rutgers University Press, 2018
With its rich cultural history and many landmark buildings, Harlem is not just one of New York’s most distinctive neighborhoods; it’s also one of the most walkable. 

This illustrated guide takes readers on five separate walking tours of Harlem, covering ninety-one different historical sites. Alongside major tourist destinations like the Apollo Theater and the Abyssinian Baptist Church, longtime Harlem resident Karen Taborn includes little-known local secrets like Jazz Age speakeasies, literati, political and arts community locales. Drawing from rare historical archives, she also provides plenty of interesting background information on each location. 

This guide was designed with the needs of walkers in mind. Each tour consists of eight to twenty-nine nearby sites, and at the start of each section, readers will find detailed maps of the tour sites, as well as an estimated time for each walk. In case individuals would like to take a more leisurely tour, it provides recommendations for restaurants and cafes where they can stop along the way. 

Walking Harlem gives readers all the tools they need to thoroughly explore over a century’s worth of this vital neighborhood’s cultural, political, religious, and artistic heritage. With its informative text and nearly seventy stunning photographs, this is the most comprehensive, engaging, and educational walking tour guidebook on one of New York’s historic neighborhoods.
 
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Walking on Fire
The Shaping Force of Emotion in Writing Drama
Jim Linnell
Southern Illinois University Press, 2011
In this bold new way of looking at dramatic structure, Jim Linnell establishes the central role of emotional experience in the conception, execution, and reception of plays. Walking on Fire: The Shaping Force of Emotion in Writing Drama examines dramatic texts through the lens of human behavior to identify the joining of event and emotion in a narrative, defined by Linnell as emotional form.Effectively building on philosophy, psychology, and critical theory in ways useful to both scholars and practitioners, Linnell unfolds the concept of emotional form as the key to understanding the central shaping force of drama. He highlights the Dionysian force of human emotion in the writer as the genesis for creative work and articulates its power to determine narrative outcomes and audience reaction.Walking on Fire contains writing exercises to open up playwrights to the emotional realities and challenges of their work. Additionally, each chapter offers case studies of traditional and nonlinear plays in the known canon that allow readers to evaluate the construction of these works and the authors’ practices and intentions through an xamination of the emotional form embedded in the central characters’ language, thoughts, and behaviors. The plays discussed include Henrik Ibsen’s A Doll’s House, William Shakespeare’s Hamlet, Athol Fugard’s “MASTER HAROLD”. . .and the boys, Donald Margulies’s The Loman Family Picnic, Harold Pinter’s The Birthday Party, and Tony Kushner’s Angels in America. 

Walking on Fire
opens up new conversations about content and emotion for writers and offers exciting answers to the questions of why we make drama and why we connect to it. Linnell’s userfriendly theory and passionate approach create a framework for understanding the links between the writer’s work in creating the text, the text itself, and the audience’s engagement.
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Walking the Land, Feeding the Fire
Knowledge and Stewardship Among the Tlicho Dene
By Allice Legat; Foreword by Joanne Barnaby
University of Arizona Press, 2012

In the Dene worldview, relationships form the foundation of a distinct way of knowing. For the Tlicho Dene, indigenous peoples of Canada's Northwest Territories, as stories from the past unfold as experiences in the present, so unfolds a philosophy for the future. Walking the Land, Feeding the Fire vividly shows how—through stories and relationships with all beings—Tlicho knowledge is produced and rooted in the land.

Tlicho-speaking people are part of the more widespread Athapaskan-speaking community, which spans the western sub-arctic and includes pockets in British Columbia, Alberta, California, and Arizona. Anthropologist Allice Legat undertook this work at the request of Tlicho Dene community elders, who wanted to provide younger Tlicho with narratives that originated in the past but provide a way of thinking through current critical land-use issues. Legat illustrates that, for the Tlicho Dene, being knowledgeable and being of the land are one and the same.

Walking the Land, Feeding the Fire marks the beginning of a new era of understanding, drawing both connections to and unique aspects of ways of knowing among other Dene peoples, such as the Western Apache. As Keith Basso did with his studies among the Western Apache in earlier decades, Legat sets a new standard for research by presenting Dene perceptions of the environment and the personal truths of the storytellers without forcing them into scientific or public-policy frameworks. Legat approaches her work as a community partner—providing a powerful methodology that will impact the way research is conducted for decades to come—and provides unique insights and understandings available only through traditional knowledge.


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Wallace Stevens - American Writers 11
University of Minnesota Pamphlets on American Writers
William York Tindall
University of Minnesota Press, 1961

Wallace Stevens - American Writers 11 was first published in 1961. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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The Walls of Jericho
Rudolph Fisher
University of Michigan Press, 1994
The first novel by one of the legends of the Harlem Renaissance
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The War at Home
Perspectives on the Arkansas Experience during World War I
Mark K. Christ
University of Arkansas Press, 2020
The War at Home brings together some of the state’s leading historians to examine the connections between Arkansas and World War I. These essays explore how historical entities and important events such as Camp Pike, the Little Rock Picric Acid Plant, and the Elaine Race Massacre were related to the conflict as they investigate the issues of gender, race, and public health. This collection sheds new light on the ways that Arkansas participated in the war as well as the ways the war affected Arkansas then and still does today.
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The War Diaries of Vladimir Dedijer
Volume 3: From September 11, 1943, to November 7, 1944
by Vladimir Dedijer
University of Michigan Press, 1990
After fleeing from occupied Beograd to the liberated territory in the Sumadija, Vladimir Dedijer began his life as a Yugoslavian Partisan. Commissioned at the request of then Commander Tito, Vladimir Dedijer began writing his diaries in April of 1941 to record the daily lives, battles, and casualties of the Yugoslavian Partisan Army. The War Diaries of Vladimir Dedijer represents a wealth of primary information about the lives and struggles of the Partisan brigades. There can be no complete understanding of Tito's Yugoslavia without knowing the Diaries' account of the extent of the Second World War's impact on Yugoslavia's people. Tito, who was a frequent reader of the Diaries as the Partisan Army fought across Yugoslavia, called this work "Our Great Obituary."To maintain a diary under the hardships of war was difficult. Among the hazards were river crossings, rain, self-censorship should the Germans find the diaries, and in many instances a shortage of ink. In fact, ink was in such demand that German supplies were targeted by Partisans during raids. Despite these difficulties, Dedijer continually recorded day-to-day life throughout the war. These three volumes contain his writings up to the liberation of Prague in November of 1944.The Diaries were originally published in Yugoslavia more than forty years ago, and have since gone through four editions. The original publication in 1945 caused great debate because of Dedijer's fierce commitment to speaking his views and his uncompromising dedication to recording what he lived. Many felt that Dedijer should not make public the names of Partisan heroes who supported Stalin during the bitter Stalin-Tito split, but in keeping with his values, Dedijer refused, with Tito supporting his decision.
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War Games
Jonna Eagle
Rutgers University Press, 2020
The word “wargames” might seem like a contradiction in terms. After all, the declaration “This is war” is meant to signal that things have turned deadly serious, that there is no more playing around. Yet the practices of war are intimately entangled with practices of gaming, from military videogames to live battle reenactments. How do these forms of play impact how both soldiers and civilians perceive acts of war?
 
This Quick Take considers how various war games and simulations shape the ways we imagine war. Paradoxically, these games grant us a sense of mastery and control as we strategize and scrutinize the enemy, yet also allow us the thrilling sense of being immersed in the carnage and chaos of battle. But as simulations of war become more integrated into both popular culture and military practice, how do they shape our apprehension of the traumatic realities of warfare?
 
Covering everything from chess to football, from Saving Private Ryan to American Sniper, and from Call of Duty to drone interfaces, War Games is an essential guide for anyone seeking to understand the militarization of American culture, offering a compact yet comprehensive look at how we play with images of war.
 
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The War in Africa and the Far East, 1914-17
Herbert Charles O'Neill
Westholme Publishing, 2012
The Fight for Germany's African and Asian Colonies During World War I

"This account will be welcome to a large circle of readers. . . . The arduous nature of these campaigns deserves to be far more widely known, and this is just the book for the purpose--short, clear, and easy to read."--Journal of the African Society

The largest battles of World War I were fought in Europe, and it is there where most critical studies focus. The fate of the far-flung colonies of Germany, however, are what gave the war its global scope, with campaigns reaching from China to New Guinea and East to West Africa. While there are detailed accounts of most of these campaigns, The War in Africa and the Far East, 1914-17 is unique in providing a concise history of the entire series of military events in Africa and Asia, giving the reader a better idea of the relationship and chronology of these wide-ranging events. While Germany was stripped of all its overseas colonies, the change in power had unintended consequences, most importantly the rise of Japan in the Pacific, where former German colonies now stood at the territorial boundary between Japan and the United States.

Waged by Allied troops from Britain, Kenya, Zambia, Portugal, Japan, India, Netherlands, and other countries and led by such personalities as General Jan Christian Smuts, the theater of operations crossed modern-day Tanzania, Rwanda, Burundi, Togo, Cameroon, Namibia, New Guinea, Qingdau, the Bismarck Archipelago, and other Pacific Island chains. Originally published in 1918 using official dispatches and other sources, and presented here for the first time in paperback, completely retypeset and with the original maps and additional photographs, The War in Africa and the Far East is a compact overview of an important aspect of the First World War.
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The War on Words
Slavery, Race, and Free Speech in American Literature
Michael T. Gilmore
University of Chicago Press, 2010

How did slavery and race impact American literature in the nineteenth century? In this ambitious book, Michael T. Gilmore argues that they were the carriers of linguistic restriction, and writers from Frederick Douglass to Stephen Crane wrestled with the demands for silence and circumspection that accompanied the antebellum fear of disunion and the postwar reconciliation between the North and South.

Proposing a radical new interpretation of nineteenth-century American literature, The War on Words examines struggles over permissible and impermissible utterance in works ranging from Thoreau’s “Civil Disobedience” to Henry James’s The Bostonians. Combining historical knowledge with groundbreaking readings of some of the classic texts of the American past, The War on Words places Lincoln’s Cooper Union address in the same constellation as Margaret Fuller’s feminism and Thomas Dixon’s defense of lynching. Arguing that slavery and race exerted coercive pressure on freedom of expression, Gilmore offers here a transformative study that alters our understanding of nineteenth-century literary culture and its fraught engagement with the right to speak.

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Warhol's Mother's Pantry
Art, America, and the Mom in Pop
M. I. Devine
The Ohio State University Press, 2020
Winner of the 2019 Gournay Prize
“What are these fragments we’ve Jersey Shored against our ruin?” asks M. I. Devine, remixing T. S. Eliot, in this dizzying collection of essays that pays homage to the cultural forms that hold us steady. These fragments are stored in Warhol’s Mother’s Pantry, which takes us deep beneath the surfaces of pop to explore our shared quest for meaning today. Julia Warhola, an immigrant who arrived as the US was closing its borders a century ago, is the muse of reuse in these essays that cross boundaries—between now and then, high and low. She is the mom in pop who cut tin cans into flowers and taught Andy (and us) how to reshape and redeem our world. In essays as lyrical, witty, and experimental as the works they cover, Devine offers a new account of pop humanism. How we cut new things from the traditions we’re given, why we don’t stop believin’ (and carry on, wayward sons) when so much is stacked against us. Here are Leonard Cohen’s last songs and Molly Bloom’s last words; Vampire Weekend’s Rostam and Philip Larkin too; Stevie Smith, John Donne, and Kendrick Lamar; sonnets and selfies; early cinema and post–9/11 film, pop hooks, and pop art. In Devine’s hands, these literary and cultural artifacts are provocatively reassembled into an urgent and refreshing history that refuses to let its readers forget where pop came from and where it can go.
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War's Waste
Rehabilitation in World War I America
Beth Linker
University of Chicago Press, 2011
With US soldiers stationed around the world and engaged in multiple conflicts, Americans will be forced for the foreseeable future to come to terms with those permanently disabled in battle. At the moment, we accept rehabilitation as the proper social and cultural response to the wounded, swiftly returning injured combatants to their civilian lives. But this was not always the case, as Beth Linker reveals in her provocative new book, War’s Waste.
 
Linker explains how, before entering World War I, the United States sought a way to avoid the enormous cost of providing injured soldiers with pensions, which it had done since the Revolutionary War. Emboldened by their faith in the new social and medical sciences, reformers pushed rehabilitation as a means to “rebuild” disabled soldiers, relieving the nation of a monetary burden and easing the decision to enter the Great War. Linker’s narrative moves from the professional development of orthopedic surgeons and physical therapists to the curative workshops, or hospital spaces where disabled soldiers learned how to repair automobiles as well as their own artificial limbs. The story culminates in the postwar establishment of the Veterans Administration, one of the greatest legacies to come out of the First World War.
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Warship 3
Frigate HNLMS Jacob van Heemskerck
Rindert van Zinderen Bakker
Amsterdam University Press, 2017

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Washington's War 1779
Benjamin Lee Huggins
Westholme Publishing, 2018
While Attacking the Irish at Stony Point and Paulus Hook, George Washington Prepared a Bold Plan to End the War in New York City
Despite great limits of money and manpower, George Washington sought to wage an aggressive war in 1779. He launched the Sullivan–Clinton campaign against Britain’s Iroquois allies in upstate New York, and in response to British attacks up the Hudson River and against coastal Connecticut, he authorized raids on British outposts at Stony Point and Paulus Hook. But given power by Congress to plan and execute operations with the French on a continental scale, Washington planned his boldest campaign. When it appeared that the French would bring a fleet and an army to America, and supported by intelligence from his famed “Culper” spy network, the American commander proposed a joint Franco-American attack on the bastion of British power in North America—New York City—to capture its garrison. Such a blow, he hoped, would end the war in 1779.
Based on extensive primary source material, Washington’s War 1779, by historian Benjamin Lee Huggins, describes Washington’s highly detailed plans and extensive prepara­tions for his potentially decisive Franco-American campaign to defeat the British at New York in the fall of 1779. With an emphasis on Washington's generalship in that year—from strategic and operational planning to logistics to diplomacy—and how it had evolved since the early years of the war, the book also details the other offensive operations in 1779, including the attacks in upstate New York, Stony Point, and Paulus Hook. Although the American and French defeat at Savannah, Georgia, prevented Washington from carrying out his New York offensive, Washington gained valuable experience in planning for joint operations that would help him win at Yorktown two years later. 
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Watch this Space
Exploring Cinematic Intersections Between the Body, Architecture and the City
Edited by Howard Griffin and Maciej Stasiowski
Intellect Books, 2024
A collection that explores evolving interdisciplinary rhetoric across spatial design disciplines.

Watch this Space examines key emerging and evolving practices, theories, and methodologies that operate in the blurred boundary between spatial design disciplines and moving image studies more broadly. The collection is premised on the argument that the understanding of “space” in these areas continues to expand, reaching the point in which it blurs with multiple other disciplines including media art, cultural studies, art practice, and more. The result of this evolving interdisciplinary understating of space in design disciplines and moving image studies is an expanded field of haptic-visual practice and theory that can be investigated as both a material and an image-based construct.

The work engages with an evolving set of ideas, underlining how each of its primary discipline areas now increasingly incorporates tools and methodologies from each other’s fields. For example, architects routinely engage with cinematic practice as a means of exploring space; cultural theorists inspect filmic space as a two-dimensional surrogate of the real; media artists incorporate knowledge of spatial design in video installations; and filmmakers create spaces on screen that are informed by architectural theory. This all follows what can be defined as a discursive turn in our view of spatial relationships across disciplines which, by definition, is complex, eclectic, occasionally contradictory, and at times characterized by surprising confluences.
 
The varied essays collected here explore the diversity of how we today define, understand, and engage with notions of the body in architectural–urban space. It does so through a triadic structure that progresses from haptic relationships of the body in architectural space, through film readings of represented space in mainstream cinema, to experimental spatial projects inspired by film and the moving image. This tripartite structure specifically encourages a look across disciplines, broadening architectural, urbanist, media, and cinematic concerns through insightful case studies.
 
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Wattana
An Orangutan in Paris
Chris Herzfeld
University of Chicago Press, 2016
She likes tea, sews, draws on papers and is a self-taught master of tying and untying knots. But she is not a crafty woman of the DIY set: she is Wattana, an orangutan who lives in the Jardin des Plantes Zoo in Paris. And it is in Paris where Chris Herzfeld first encounters and becomes impressed by Wattana and her exceptional abilities with knots. In Wattana: An Orangutan in Paris Herzfeld tells not only Wattana’s fascinating story, but also the story of orangutans and other primates—including bonobos, chimpanzees, and gorillas—in captivity.

Offering a uniquely intimate look at the daily lives of captive great apes, Herzfeld uses Wattana’s life to trace the history of orangutans from their first arrival in Europe in 1776 to the inhabitants of the Zoo of Paris and other zoos today. She provides a close look at the habits, technical know-how, and skills of Wattana, who, remarkably, uses strings, paper rolls, rope, and even pieces of wood to make things.  And she thoughtfully explores how apes individually—and often with ingenuity—come to terms with and adapt to their captive environments and caretakers. Through these stories, Wattana sympathetically reveals the extraordinary psychology and distinctive personalities of great apes as well as the interconnections between animal and human lives, especially in zoos.

Scientists predict that orangutans will disappear from the wild by 2030, and captive animals like Wattana may, as a result, provide our best chance to understand and appreciate their astonishing intelligence and abilities. Wattana, the accomplished maker of knots, is the hero of this poignant book, which will enthrall anyone curious about the lives of our primate cousins.
 
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We Always Had a Union
The New York Hotel Workers' Union, 1912-1953
Shaun Richman
University of Illinois Press, 2025
One of New York City’s most powerful unions, the Hotel and Gaming Trades Council, AFL-CIO, represents almost 40,000 workers. Shaun Richman’s history places the labor organization within the context of American industrial and craft unionism and reveals how it came to influence politics and economic development in the city and beyond.

From the start, New York’s organized hotel workers experimented with and adapted how they organized and governed members and related to other labor unions. Richman follows union fortunes from early IWW activity through the Communist-led affiliates of the American Federation of Labor in the 1920s and 1930s, the shaping of breakthrough negotiating strategies, and the postwar era. As Richman shows, workers adopted a radicalism and militancy seldom associated with an AFL organization while openly negotiating the Communist Party’s power and influence within the union, until the Party’s eclipse in the 1950s.

An inspiring story of action and perseverance, We Always Had a Union profiles a foundational American labor union and offers lessons for today’s workers and organizers.

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We Came Naked and Barefoot
The Journey of Cabeza de Vaca across North America
By Alex D. Krieger
University of Texas Press, 2002

Second place, Presidio La Bahia Award, Sons of the Republic of Texas, 2003

Perhaps no one has ever been such a survivor as álvar Núñez Cabeza de Vaca. Member of a 600-man expedition sent out from Spain to colonize "La Florida" in 1527, he survived a failed exploration of the west coast of Florida, an open-boat crossing of the Gulf of Mexico, shipwreck on the Texas coast, six years of captivity among native peoples, and an arduous, overland journey in which he and the three other remaining survivors of the original expedition walked some 1,500 miles from the central Texas coast to the Gulf of California, then another 1,300 miles to Mexico City.

The story of Cabeza de Vaca has been told many times, beginning with his own account, Relación de los naufragios, which was included and amplified in Gonzalo Fernando de Oviedo y Váldez's Historia general de las Indias. Yet the route taken by Cabeza de Vaca and his companions remains the subject of enduring controversy. In this book, Alex D. Krieger correlates the accounts in these two primary sources with his own extensive knowledge of the geography, archaeology, and anthropology of southern Texas and northern Mexico to plot out stage by stage the most probable route of the 2,800-mile journey of Cabeza de Vaca.

This book consists of several parts, foremost of which is the original English version of Alex Krieger's dissertation (edited by Margery Krieger), in which he traces the route of Cabeza de Vaca and his companions from the coast of Texas to Spanish settlements in western Mexico. This document is rich in information about the native groups, vegetation, geography, and material culture that the companions encountered. Thomas R. Hester's foreword and afterword set the 1955 dissertation in the context of more recent scholarship and archaeological discoveries, some of which have supported Krieger's plot of the journey. Margery Krieger's preface explains how she prepared her late husband's work for publication. Alex Krieger's original translations of the Cabeza de Vaca and Oviedo accounts round out the volume.

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We Remember, We Celebrate, We Believe / Recuerdo, Celebración, y Esperanza
Latinos in Utah
Armando Solórzano
University of Utah Press, 2014
The history of Mexican Americans in Utah is complex, but it is also a history that is neither well represented in mainstream recounting nor well recognized in the mainstream understanding of Utah’s past. Convoluted interactions among Native Americans, Spaniards, French, Mexicans, Anglos, and others shaped the story of Utah. Awareness of the long presence of Hispanics in Utah is essential to understanding the history of the state. This volume is an attempt to piece together that history through photos and oral histories.
     As Armando Solórzano and other researchers conducted oral history interviews with Mexicans, Mexican Americans, and other Latinos throughout the state, a number of participants began giving the team photographs, some dating back to 1895, which provided an opportunity to begin reconstructing a history through pictures, as a community project. Within two years, Solórzano and his colleagues were able to create the pictorial history of Mexican-Americans and Latinos in Utah and launched their efforts as a photo-documentary exhibit. This book collects photographs to represent different historical periods and the manifold contributions of Latinos to the state of Utah.
     Readers who delve into this book may see these photos as artistic expressions or artifacts of history and photographic technique. Some readers will see images of their relatives and precursors who labored to create a better life in Utah. The images evoke both nostalgia for a time gone by and the possibility of reconstructing history with a fairer premise. The book does not tell the full story of Latinos in Utah but should prove to be a catalyst, inspiring others to continue documenting and reconstructing the neglected threads of Utah’s history, making it truly the history of all of us. 

Recipient of the Meritorious Book Award from the Utah Division of State History.
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We Shall Be Free!
Black Communist Protests in Seven Voices
Walter T. Howard
Temple University Press, 2013
A groundbreaking contribution to scholarship of the African American Left, We Shall Be Free! gives voice to black Communists and recognizes the intellectual contributions found in their protest writings. Walter Howard provides a fascinating documentary history of seven diverse and historically significant black Communists--B.D. Amis, Harry Haywood, James W. Ford, Benjamin J. Davis, Jr., Louise Thompson Patterson, William Patterson, and Claudia Jones--who attempted to foster a black culture of resistance to white racism within the workings of the Communist Party. 

Howard draws on FBI files, Moscow documents, and the records of the U.S. Communist Party. He surveys these black Communists addressing a wide range of vital issues such as the Great Depression, World War II, genocide and the Cold War. 

We Shall Be Free! presents an important section of the African American community whose thought has been minimized, discounted, or overlooked altogether by the historical profession in general.
 
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Weakness of Will from Plato to the Present (Studies in Philosophy and the History of Philosophy, Volume 49)
Tobias Hoffmann
Catholic University of America Press, 2008
In thirteen original essays, eminent scholars of the history of philosophy and of contemporary philosophy examine weakness of will, or incontinence--the phenomenon of acting contrary to one's better judgment.
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Weapon of the Strong
Conversations on US State Terrorism
Jon Bailes and Cihan Aksan
Pluto Press, 2012
The term ‘terrorism’ is often applied exclusively to non-state groups or specific ‘rogue states’. Far less attention is given to state terrorism carried out or sponsored by democracies, most notably the United States. History shows that this state terrorism has been responsible for the deaths of millions of people.

Weapon of the Strong analyses the forms of US state terrorism through exclusive, never before published interviews with leading commentators and theorists, including Noam Chomsky, Edward S. Herman, Richard A. Falk, Judith Butler, Ted Honderich, Norman Finkelstein and Gilbert Achcar. The interviews explore the different aspects of state terrorism: its functions, institutional supports and the legal and moral arguments surrounding it, and consider specific case studies in Europe, Latin America and the Middle East.

Weapon of the Strong makes an indispensable contribution to contemporary debates on terrorism and constructs a damning critique of US foreign policy from World War Two to the present day.
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The Well-Being of the Elderly in Asia
A Four-Country Perspective
Albert I. Hermalin, Editor
University of Michigan Press, 2002
A four-country perspective on the social and economic health of aging populations in Asia. In the broadest sense, The Well-Being of the Elderly in Asia is a study of social change and of anticipating future social change. It examines the effects on the current and future elderly of the rapid demographic transition that has occurred over much of Asia, accompanied in many countries by equally dramatic social and economic transformations. Policymakers in Asia have been aware of these trends and their potentially deleterious consequences for a decade or more, and have sought to fashion appropriate policies and programs that anticipate and mitigate their effects. Accordingly, any study of the sociodemographic trends and their impact must be examined in the light of policies put in place and under development.
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Wellington Koo
China
Jonathan Clements
Haus Publishing, 2010
Gu Weijun, a.k.a. Wellington Koo (1887-1985). Born in Shanghai and raised in the city's International Settlement, Koo became fluent in English during his postgraduate studies abroad - he got a PhD in Law from Columbia in 1912. He was recalled soon afterwards to become the English Secretary to the newly formed Republic of China, and became ambassador to the United States in 1915. He achieved notoriety at the Paris Peace Conference where he sternly resisted Japanese attempts to hold onto seized German colonial territory in mainland China. In protest at their treatment, the Chinese were the only delegates not to sign the subsequent Treaty of Versailles. Koo was China's first representative to the League of Nations, and ended up as acting president of Republican China during the unrest of the period 1926-7. He subsequently served briefly as a Foreign Minister during the peak of the Warlord Era, before returning to Europe, first as a delegate at the League of Nations, and then as China's ambassador to France. With the Nazi occupation, Koo fled to Britain, where he became the Chinese ambassador to the UK until 1946. A founder member of the United Nations, Koo was instrumental in maintaining the position of Republican China on the Security Council -by this time, 'Republican China' was limited solely to the island of Taiwan, while the Communists proclaimed themselves to be the new rulers of China itself. Retiring from the diplomatic service in 1956, the venerable Koo went on to become a judge at the International Court of Justice at the Hague, rising to vice-president before his retirement, aged 80, in 1967. He settled in New York, where his final years were tormented by 'Republican' China's loss of its seat on the United Nations Security Council to the Communists, following Nixon's famous visit to China.
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West
Fire : Archive
Iris Jamahl Dunkle
University Press of Colorado, 2021
West : Fire : Archive is a poetry collection that challenges preconceived, androcentric ideas about biography, autobiography, and history fueled by the western myth of progress presented in Frederick Jackson Turner’s “frontier thesis.” The first section focuses on mending the erasure of the life of Charmian Kittredge London, the wife of the famous author Jack London, a woman who broke gender norms, traveled the world, and wrote about it. The second section examines the act of autobiography (or what defines the author). In it, Dunkle writes through the complex grief of losing her mother and her community when it is devastated by wildfires and reflects on how these disasters echo the one that brought her family to California, the Dust Bowl. The final section questions the authenticity of the definition of recorded history as it relates to the American West.
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West African Screen Media
Comedy, TV Series, and Transnationalization
Boukary Sawadogo
Michigan State University Press, 2019
The culturally rooted comic traditions of koteba theater and joking kinship have shaped West African comedies through various forms of humor. Débrouillardise (hustle) has turned the urban scene into a comic scene, a site for individual realization. To highlight the ever-growing production and success of comedies and other popular genres, West African Screen Media: Comedy, TV Series, and Transnationalization explores the distribution and reception of selected productions by emphasizing the public’s strong resonance with local stories and a character-based comedy involving popular comedians. In contrast to art films or “auteur films” that tend to be confined to the festival circuit, comedies and popular genres reach a far wider audience through local distribution networks, satellite TV channels, pirated DVDs, and online distribution platforms. This book engages a discussion of contemporary African media productions as seen outside the usual frameworks of cinéma engagé, the art house, or auteur approaches. While examining production and distribution through the lenses of proximity, appropriation, and transnationalization, this volume invites readers to reconsider the way genre films, as well as other kinds of productions, have been previously evaluated and in doing so addresses the critical neglect of comedy and other popular genres in the scholarship on African cinema.
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The West Side Carbondale, Pennsylvania Mine Fire
Kathleen Purcell Munley
University of Scranton Press, 2010

In early 1947 residents of the west side of Carbondale, Pennsylvania began noticing a peculiar steam escaping from the ground. An investigation into this phenomenon revealed that Carbondale was slowly but steadily being destroyed by a burning inferno deep below its surface—a fire raging through the deserted anthracite coal mine shafts that twisted and turned beneath that part of the city. After several years of attempting to contain the fire by flushing, municipal leaders decided that the only sure way of eliminating the threat to the community was by digging it out. To eradicate the burning menace, hundreds of homes and buildings were purchased and destroyed, and what was once a vibrant neighborhood became an abandoned wasteland.

            
Historian Kathleen Purcell Munley narrates here the story of this great fire, identifying its source, tracing its history, and, through personal interviews with former Carbondale residents, reveals its physical and psychological toll. The mine fire destroyed the West Side as it was, but this volume will keep its memory alive and preserve an important chapter in the history of Carbondale and Pennsylvania.

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Western Pueblo Identities
Regional Interaction, Migration, and Transformation
Andrew I. Duff
University of Arizona Press, 2002
Identifying distinct social groups of the past has always challenged archaeologists because understanding how people perceived their identity is critical to the reconstruction of social organization. Material culture has been the standard measure of distinction between groups, and the distribution of ceramics and other artifacts has often been used to define group boundaries. Western Pueblo Identities argues that such an approach is not always appropriate: demographic and historical factors may affect the extent to which material evidence can define such boundaries. Andrew Duff now examines a number of other factors—relationships among settlement size, regional population densities, the homogeneity of material culture, and local and long-distance exchange—in order to trace the history of interaction and the formation of group identity in east-central Arizona and west-central New Mexico from A.D. 1275 to 1400.

Using comparative data from the Upper Little Colorado and Zuni regions, Duff demonstrates differences in patterns of interaction within and between regions with different population densities. He then links these differences to such factors as occupational history, immigrant populations, the negotiation of social identities, and the emergence of new ritual systems. Following abandonments in the Four Corners area in the late 1200s, immigrants with different historical backgrounds occupied many Western Pueblo regions—in contrast to the Hopi and Zuni regions, which had more stable populations and deeper historical roots.

Duff uses chemical analyses of ceramics to document exchange among several communities within these regions, showing that people in less densely settled regions were actively recruited by residents of the Hopi and Zuni regions to join their settlements. By the time of the arrival of the Spaniards, two distinct social and territorial groups—the Hopi and Zuni peoples—had emerged from this scattering of communities. Duff's new interpretations, along with new data on ceramic exchange patterns, suggest that interaction is a better way to measure identity than more commonly used criteria. His work offers new perspectives on the role of ritual in social organization and on identity formation in Pueblo IV society and is rich in implications for the study of other sedentary, middle-range societies.
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"What Country, Friends, is This?"
Shakespeare and the Staging of Exile
Edited by Vanessa I. Corredera, Stephanie E. Chamberlain, and James M. Sutton
Arizona Center for Medieval and Renaissance Studies, 2026
An exploration of displacement and exile in Shakespeare’s plays and our world today.

This compelling collection of fourteen essays explores the enduring theme of exile in Shakespeare’s works and their global afterlives, offering a timely and thought-provoking response to the modern age of displacement. Building on Edward Said’s observation that exile today is marked by its unprecedented scale—driven by war, imperialism, totalitarianism, climate change, and systemic injustice—this volume traces the ideological and cultural forces that shape experiences of exile across time and geography. 

Shakespeare’s plays, deeply haunted by exile in its many guises—political, religious, cultural, and gendered—serve as a rich site for interrogating identity, belonging, and otherness.
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What Government Can Do
Dealing with Poverty and Inequality
Benjamin I. Page and James R. Simmons
University of Chicago Press, 2000
It is often said that the federal government cannot or should not attempt to address America's problems of poverty and inequality—because its bureaucracy is wasteful or its programs ineffective. But is this true? In this book, Benjamin I. Page and James R. Simmons examine a number of federal and local programs, detailing what government action already does for its citizens and assessing how efficient it is at solving the problems it seeks to address. Their conclusion, surprisingly, is the polar opposite of the prevailing rhetoric—What Government Can Do is an insightful and compelling argument that it both can and should do more.
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what I'm on
Luis Humberto Valadez
University of Arizona Press, 2009
Luis Valadez is a performance poet and his poems shout to be read aloud. It’s then that their language dazzles most brightly. It’s then that the emotions bottled up on the page explode beyond words. And there is plenty of emotion in these poems. Frankly autobiographical, they recount the experiences of a Mexican American boy growing up in a tough town near Chicago. Just as in life, the feelings in these poems are often jumbled, sometimes spilling out in a tumble, sometimes coolly recollected. Sometimes the words jump and twitch as if they’d been threatened or attacked. Sometimes they just sit there knowingly on the page, weighted down by the stark reality of it all.

José García
put a thirty-five to me
my mother was in the other room
He would have done us both
if not for the lust of my fear


This new Mexican American/Chicano voice is all at once arresting, bracing, shocking, and refreshing. This is not the poetry you learned in school. It owes as much to hip hop as it does to the canon. But Valadez has paid his academic dues, and he certainly knows how to craft a poem. It’s just that he does it his way.

i anagram and look and subject to deformation and reconfiguring . . .
it ain’t events or blocks that ahm jettisoning through this process
it be layers of meaning, identity, narrative, and ego that gets peeled off
i can only increase my own understanding
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"What Is Critique?" and "The Culture of the Self"
Michel Foucault
University of Chicago Press, 2024

Newly published lectures by Foucault on critique, Enlightenment, and the care of the self—now in paperback.
 
On May 27, 1978, Michel Foucault gave a lecture to the French Society of Philosophy where he redefined his entire philosophical project in light of Immanuel Kant’s 1784 text “What Is Enlightenment?” Foucault strikingly characterizes critique as the political and moral attitude consisting in the “art of not being governed like this,” one that performs the function of destabilizing power relations and creating the space for a new formation of the self within the “politics of truth.”

This volume presents the first critical edition of this crucial lecture alongside a previously unpublished lecture about the culture of the self and three public debates with Foucault at the University of California, Berkeley, in April 1983. There, for the first time, Foucault establishes a direct connection between his reflections on the Enlightenment and his analyses of Greco-Roman antiquity. However, far from suggesting a return to the ancient culture of the self, Foucault invites his audience to build a “new ethics” that bypasses the traditional references to religion, law, and science.

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What Is Paleolithic Art?
Cave Paintings and the Dawn of Human Creativity
Jean Clottes
University of Chicago Press, 2016
Was it a trick of the light that drew our Stone Age ancestors into caves to paint in charcoal and red hematite, to watch the heads of lions, likenesses of bison, horses, and aurochs in the reliefs of the walls, as they flickered by firelight? Or was it something deeper—a creative impulse, a spiritual dawn, a shamanistic conception of the world efflorescing in the dark, dank spaces beneath the surface of the earth where the spirits were literally at hand?

In this book, Jean Clottes, one of the most renowned figures in the study of cave paintings, pursues an answer to this “why” of Paleolithic art. While other books focus on particular sites and surveys, Clottes’s work is a contemplative journey across the world, a personal reflection on how we have viewed these paintings in the past, what we learn from looking at them across geographies, and what these paintings may have meant—what function they may have served—for their artists. Steeped in Clottes’s shamanistic theories of cave painting, What Is Paleolithic Art? travels from well-known Ice Age sites like Chauvet, Altamira, and Lascaux to visits with contemporary aboriginal artists, evoking a continuum between the cave paintings of our prehistoric past and the living rock art of today. Clottes’s work lifts us from the darkness of our Paleolithic origins to reveal, by firelight, how we think, why we create, why we believe, and who we are.
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What Is Your Quest?
From Adventure Games to Interactive Books
Anastasia Salter
University of Iowa Press, 2014
What Is Your Quest? examines the future of electronic literature in a world where tablets and e-readers are becoming as common as printed books and where fans are blurring the distinction between reader and author. The construction of new ways of storytelling is already underway: it is happening on the edges of the mainstream gaming industry and in the spaces between media, on the foundations set by classic games. Along these margins, convergent storytelling allows for playful reading and reading becomes a strategy of play.

One of the earliest models for this new way of telling stories was the adventure game, the kind of game centered on quests in which the characters must overcome obstacles and puzzles. After they fell out of fashion in the 1990s, fans made strenuous efforts to keep them alive and to create new games in the genre. Such activities highlight both the convergence of game and story and the collapsing distinction between reader and author. Continually defying the forces of obsolescence, fans return abandoned games to a playable state and treat stories as ever-evolving narratives. Similarly, players of massive multiplayer games become co-creators of the game experience, building characters and creating social networks that recombine a reading and gaming community.

The interactions between storytellers and readers, between programmers and creators, and among  fans turned world-builders are essential to the development of innovative ways of telling stories. And at the same time that fan activities foster the convergence of digital gaming and storytelling, new and increasingly accessible tools and models for interactive narrative empower a broadening range of storytellers. It is precisely this interactivity among a range of users surrounding these new platforms that is radically reshaping both e-books and games and those who read and play with them.
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What Music Did
The Story of Numerocracy in the West
Tony Conrad. Edited by Patrick Nickleson
University of Michigan Press, 2026
In What Music Did, experimental filmmaker and violinist Tony Conrad explores in depth the relationship between music and mathematics. A work of decades that was left unfinished at the time of his death in 2016, Conrad’s expansive history of the interrelationship of music and mathematics is published here for the first time. Editor Patrick Nickleson describes Conrad’s method as that of an anarchic, interarts haberdasher; much of the research comes from musty and out-of-print sources, giving the impression that Conrad followed paths opened up for him in used book shops and conversations, rather than seeking a direct scholarly argument. 

Throughout the book, readers encounter scenes from over two thousand years of history, mathematics, and music: Pythagoras using pebbles to articulate didactic number games to his disciples; Galileo fretting a hill and listening with a musician’s ear to calculate the rate of acceleration under gravity; Rameau trapping Western music in a five-limit tuning system, and what could have been if he were more adept with numbers. Even when drawing on classical sources to explore canonical figures like Saint Augustine, What Music Did offers idiosyncratic critical insights that highlight our ongoing cultural reverence when answers result in simple whole number ratios like 3:2, 4:3, or 5:4. What Music Did is Tony Conrad’s extended indictment of music’s role, from the Pythagoreans to the twentieth century, in upholding the use of number as a clandestine and circumscribed armature of power.
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What the Signs Say
Language, Gentrification, and Place-Making in Brooklyn
Shonna Trinch
Vanderbilt University Press, 2020
Although we may not think we notice them, storefronts and their signage are meaningful, and the impact they have on people is significant. What the Signs Say argues that the public language of storefronts is a key component to the creation of the place known as Brooklyn, New York. Using a sample of more than two thousand storefronts and over a decade of ethnographic observation and interviews, the study charts two very different types of local Brooklyn retail signage. The unique and consistent features of many words, large lettering, and repetition that make up Old School signage both mark and produce an inclusive and open place. In contrast, the linguistic elements of New School signage, such as brevity and wordplay, signal not only the arrival of gentrification, but also the remaking of Brooklyn as distinctive and exclusive.

Shonna Trinch and Edward Snajdr, a sociolinguist and an anthropologist respectively, show how the beliefs and ideas that people take as truths about language and its speakers are deployed in these different sign types. They also present in-depth ethnographic case studies that reveal how gentrification and corporate redevelopment in Brooklyn are intimately connected to public communication, literacy practices, the transformation of motherhood and gender roles, notions of historical preservation, urban planning, and systems of privilege. Far from peripheral or irrelevant, shop signs say loud and clear that language displayed in public always matters.

This book is the recipient of the 2021 Norman L. and Roselea J. Goldberg Prize from Vanderbilt University Press for the best book in the area of art or medicine.

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When the Center Is on Fire
Passionate Social Theory for Our Times
By Diane Harriford and Becky Thompson
University of Texas Press, 2008

In this lively and provocative book, two feminist public sociologists turn to classical social thinkers—W. E. B. Du Bois, Max Weber, Karl Marx, and Émile Durkheim—to understand a series of twenty-first century social traumas, including the massacre at Columbine High School, the 9/11 attacks, the torture at Abu Ghraib prison, and Hurricane Katrina. Each event was overwhelming in its own right, while the relentless pace at which they occurred made it nearly impossible to absorb and interpret them in any but the most superficial ways. Yet, each uncovered social problems that cry out for our understanding and remediation.

In When the Center Is on Fire, Becky Thompson and Diane Harriford assert that classical social theorists grappled with the human condition in ways that remain profoundly relevant. They show, for example, that the loss of "double consciousness" that Du Bois identified in African Americans enabled political elites to turn a blind eye to the poverty and vulnerability of many of New Orleans's citizens. The authors' compelling, sometimes irreverent, often searing interpretations make this book essential reading for students, activists, generations X, Y, and Z, and everybody bored by the 6 o'clock news.

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When the Light Is Fire
Maasai Schoolgirls in Contemporary Kenya
Heather D. Switzer
University of Illinois Press, 2018
A host of international organizations promotes the belief that education will empower Kenya's Maasai girls. Yet the ideas that animate their campaigns often arise from presumptions that reduce the girls themselves to helpless victims of gender-related forms of oppression.

Heather D. Switzer's interviews with over one hundred Kenyan Maasai schoolgirls challenge the widespread view of education as a silver bullet solution to global poverty. In their own voices, the girls offer incisive insights into their commitments, aspirations, and desires. Switzer weaves this ethnographic material into an astute analysis of historical literature, education and development documents, and theoretical literature. Maasai schoolgirls express a particular knowledge about themselves and provocative hopes for their futures. Yet, as Switzer shows, new opportunities force them to face, and navigate, new vulnerabilities and insecurities within a society that is itself in flux.

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Where Are All the Good Jobs Going?
What National and Local Job Quality and Dynamics Mean for U.S. Workers
Harry J. Holzer
Russell Sage Foundation, 2011
Deindustrialization in the United States has triggered record-setting joblessness in manufacturing centers from Detroit to Baltimore. At the same time, global competition and technological change have actually stimulated both new businesses and new jobs. The jury is still out, however, on how many of these positions represent a significant source of long-term job quality and security. Where Are All the Good Jobs Going? addresses the most pressing questions for today's workers: whether the U.S. labor market can still produce jobs with good pay and benefits for the majority of workers and whether these jobs can remain stable over time. What constitutes a "good" job, who gets them, and are they becoming more or less secure? Where Are All the Good Jobs Going? examines U.S. job quality and volatility from the perspectives of both workers and employers. The authors analyze the Longitudinal Employer Household Dynamics (LEHD) data compiled by the U.S. Census Bureau, and the book covers data for twelve states during twelve years, 1992–2003, resulting in an unprecedented examination of workers and firms in several industries over time. Counter to conventional wisdom, the authors find that good jobs are not disappearing, but their character and location have changed. The market produces fewer good jobs in manufacturing and more in professional services and finance. Not surprisingly, the best jobs with the highest pay still go to the most educated workers. The most vulnerable workers—older, low-income, and low-skilled—work in the most insecure environments where they can be easily downsized or displaced by a fickle labor market. A higher federal minimum wage and increased unionization can contribute to the creation of well paying jobs. So can economic strategies that help smaller metropolitan areas support new businesses. These efforts, however, must function in tandem with policies that prepare workers for available positions, such as improving general educational attainment and providing career education. Where Are All the Good Jobs Going? makes clear that future policies will need to address not only how to produce good jobs but how to produce good workers. This cohesive study takes the necessary first steps with a sensible approach to the needs of workers and the firms that hire them.
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While Rome Burned
Fire, Leadership, and Urban Disaster in the Roman Cultural Imagination
Virginia M. Closs
University of Michigan Press, 2020
While Rome Burned attends to the intersection of fire, city, and emperor in ancient Rome, tracing the critical role that urban conflagration played as both reality and metaphor in the politics and literature of the early imperial period. Urban fires presented a consistent problem for emperors from Augustus to Hadrian, especially given the expectation that the princeps be both a protector and provider for Rome’s population. The problem manifested itself differently for each leader, and each sought to address it in distinctive ways. This history can be traced most precisely in Roman literature, as authors addressed successive moments of political crisis through dialectical engagement with prior incendiary catastrophes in Rome’s historical past and cultural repertoire.

Working in the increasingly repressive environment of the early principate, Roman authors frequently employed “figured” speech and mythopoetic narratives to address politically risky topics. In response to shifting political and social realities, the literature of the early imperial period reimagines and reanimates not just historical fires, but also archetypal and mythic representations of conflagration. Throughout, the author engages critically with the growing subfield of disaster studies, as well as with theoretical approaches to language, allusion, and cultural memory.
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While Waiting for Rain
Community, Economy, and Law in a Time of Change
John Henry Schlegel
University of Michigan Press, 2022

What might a sensible community choose to do if its economy has fallen apart and becoming a ghost town is not an acceptable option? Unfortunately, answers to this question have long been measured against an implicit standard: the postwar economy of the 1950s. After showing why that economy provides an implausible standard—made possible by the lack of economic competition from the European and Asian countries, winners or losers, touched by the war—John Henry Schlegel attempts to answer the question of what to do.

While Waiting for Rain first examines the economic history of the United States as well as that of Buffalo, New York: an appropriate stand-in for any city that may have seen its economy start to fall apart in the 1960s, 70s, and 80s. It makes clear that neither Buffalo nor the United States as a whole has had an economy in the sense of “a persistent market structure that is the fusion of an understanding of economic life with the patterns of behavior within the economic, political, and social institutions that enact that understanding” since both economies collapsed. Next, this book builds a plausible theory of how economic growth might take place by examining the work of the famous urbanist, Jane Jacobs, especially her book Cities and the Wealth of Nations. Her work, like that of many others, emphasizes the importance of innovation for economic growth, but is singular in its insistence that such innovation has to come from local resources. It can neither be bought nor given, even by well-intentioned political actors. As a result Americans generally, as well as locally, are like farmers in the midst of a drought, left to review their resources and wait. Finally, it returns to both the local Buffalo and the national economies to consider what these political units might plausibly do while waiting for an economy to emerge.

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White Boy
A Memoir
Mark D. Naison
Temple University Press, 2002
How does a Jewish boy who spent the bulk of his childhood on the basketball courts of Brooklyn wind up teaching in one of the city's pioneering black studies departments? Naison's odyssey begins as Brooklyn public schools respond to a new wave of Black migrants and Caribbean immigrants, and established residents flee to virtually all-white parts of the city or suburbs. Already alienated by his parents' stance on race issues and their ambitions for him, he has started on a separate ideological path by the time he enters Columbia College. Once he embarks on a long-term interracial relationship, becomes a member of SDS, focuses his historical work on black activists, and organizes community groups in the Bronx, his immersion in the radical politics of the 1960s has emerged as the center of his life. Determined to keep his ties to the Black community, even when the New Left splits along racial lines, Naison joined the fledgling African American studies program at Fordham, remarkable then as now for its commitment to interracial education.This memoir offers more than a participant's account of the New Left's racial dynamics; it eloquently speaks to the ways in which political commitments emerge from and are infused with the personal choices we all make.
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White Gypsies
Race and Stardom in Spanish Musicals
Eva Woods Peiró
University of Minnesota Press, 2012

Little has been written about the Spanish film musical, a genre usually associated with the early Franco dictatorship and dismissed by critics as reactionary, escapist fare. A timely and valuable corrective, White Gypsies shows how the Spanish folkloric musical films of the 1940s and ’50s are inextricably tied to anxious concerns about race—especially, but not only, Gypsiness.

Focusing on the processes of identity formation in twentieth-century Spain—with multifaceted readings of the cinematic construction of class, gender, and sexuality—Eva Woods Peiró explores how these popular films allowed audiences to negotiate and imaginatively, at times problematically, resolve complex social contradictions. The intricate interweaving of race and modernity is particularly evident in her scrutiny of a striking popular phenomenon: how the musicals progressively whitened their stars, even as their story lines became increasingly Andalusianized and Gypsified.

White Gypsies reveals how these imaginary individuals constituted a veritable cultural barometer of how racial thinking was projected and understood across a broad swath of popular Spanish cinema.

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Who Deliberates?
Mass Media in Modern Democracy
Benjamin I. Page
University of Chicago Press, 1996
Public deliberation is essential to democracy, but the public can be fooled as well as enlightened. In three case studies of media coverage in the 1990s, Benjamin Page explores the role of the press in structuring political discussion.

Page shows how the New York Times presented a restricted set of opinions on whether to go to war with Iraq, shutting out discussion of compromises favored by many Americans. He then examines the media's negative reaction to the Bush administration's claim that riots in Los Angeles were caused by welfare programs. Finally, he shows how talk shows overcame the elite media's indifference to widespread concern about Zoe Baird's hiring of illegal aliens. Page's provocative conclusion identifies the conditions under which media outlets become political actors and actively shape and limit the ideas and information available to the public.

Arguing persuasively that a diversity of viewpoints is essential to true public deliberation, this book will interest students of American politics, communications, and media studies.
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Who Put the Rainbow in The Wizard of Oz?
Yip Harburg, Lyricist
Harold Meyerson and Ernie Harburg
University of Michigan Press, 1995
". . . required reading for anyone interested in the great American songs."-New York Times Book Review
Many of us can sing along with Dorothy when she imagines a place "Over the Rainbow." And we all remember the Depression-era classic "Brother, Can You Spare a Dime?" But very few can name the man who put the words to these celebrated hallmarks of American music- Yip Harburg. Five hundred songs spanning a fifty-year career bear witness to the brilliance of this until-now obscure figure.
Plunge into this scrupulously documented volume and discover how Harburg, once a poet of light verse, played a major role in the transformation of the Broadway revue into the sophisticated musical of the 1940s and 1950s. With extensive and exclusive interviews and lyrical analysis, the authors capture Harburg's wit, distinctive voice, and creative and collaborative methods.
Inquiry into Harburg's Jewish, New York City roots, apprenticeship in his craft, and involvement in the radical politics of the 1930s- he was blacklisted in the 1950s- puts into context the seemingly irreconcilable skepticism and optimism that contoured this lyrical genius's life and work.
Harold Meyerson is Executive Editor and chief political columnist, L.A. Weekly, and is on the editorial board of Dissent. Ernie Harburg is a social psychologist and epidemiologist at the University of Michigan, coauthor (with Bernard Rosenberg) of The Broadway Musical: Collaboration in Commerce and Art, and Yip Harburg's son.
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Whose Art Is It?
Jane Kramer
Duke University Press, 1994
Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn’s subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community—and New York itself—over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them.
This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots—provocative, surprising in its contradictions and complexities and not at all easy to resolve.
Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere.
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Why Public Higher Education Should Be Free
How to Decrease Cost and Increase Quality at American Universities
Samuels, Robert
Rutgers University Press, 2013
Universities tend to be judged by the test scores of their incoming students and not on what students actually learn once they attend these institutions. While shared tests and surveys have been developed, most schools refuse to publish the results. Instead, they allow such publications as U.S. News & World Report to define educational quality. In order to raise their status in these rankings, institutions pour money into new facilities and extracurricular activities while underfunding their educational programs.

In Why Public Higher Education Should Be Free, Robert Samuels argues that many institutions of higher education squander funds and mislead the public about such things as average class size, faculty-to-student ratios, number of faculty with PhDs, and other indicators of educational quality. Parents and students seem to have little knowledge of how colleges and universities have been restructured over the past thirty years.

Samuels shows how research universities have begun to function as giant investment banks or hedge funds that spend money on athletics and administration while increasing tuition costs and actually lowering the quality of undergraduate education. In order to fight higher costs and lower quality, Samuels suggests, universities must reallocate these misused funds and concentrate on their core mission of instruction and related research.

Throughout the book, Samuels argues that the future of our economy and democracy rests on our ability to train students to be thoughtful participants in the production and analysis of knowledge. If leading universities serve only to grant credentials and prestige, our society will suffer irrevocable harm. Presenting the problem of how universities make and spend money, Samuels provides solutions to make these important institutions less expensive and more vital. By using current resources in a more effective manner, we could even, he contends, make all public higher education free.
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Widows' Words
Women Write on the Experience of Grief, the First Year, the Long Haul, and Everything in Between
NaN Bauer-Maglin
Rutgers University Press, 2019
Becoming a widow is one of the most traumatic life events that a woman can experience. Yet, as this remarkable new collection reveals, each woman responds to that trauma differently. Here, forty-three widows tell their stories, in their own words.
 
Some were widowed young, while others were married for decades. Some cared for their late partners through long terminal illnesses, while others lost their partners suddenly. Some had male partners, while others had female partners. Yet each of these women faced the same basic dilemma: how to go on living when a part of you is gone.
 
Widows’ Words is arranged chronologically, starting with stories of women preparing for their partners’ deaths, followed by the experiences of recent widows still reeling from their fresh loss, and culminating in the accounts of women who lost their partners many years ago but still experience waves of grief. Their accounts deal honestly with feelings of pain, sorrow, and despair, and yet there are also powerful expressions of strength, hope, and even joy. Whether you are a widow yourself or have simply experienced loss, you will be sure to find something moving and profound in these diverse tales of mourning, remembrance, and resilience.
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Wilfred Owen
An Illustrated Life
Jane Potter
Bodleian Library Publishing, 2014
Wilfred Owen is the “Poet of Pity,” whose realistic portrayals of war gave voice to the soldier wounded, captured, or killed—not just in the Great War but in every war since, so great is the evocative power of his work. Although he saw only five poems published during his lifetime, Owen left behind a wealth of letters and poetry that together form a powerful legacy.
           
This generously illustrated book tells the story of Owen’s life and work, from his birth in 1893 to his tragic death just one week before the signing of the armistice that would end the war. The shocking realism of poems such as “Strange Meeting” and the angry disillusionment of “Anthem for Doomed Youth” reveal Owen’s transformation from a romantic youth steeped in the poetry of Keats to a mature soldier awakened to the horrors of the Western Front.
           
Drawing on numerous manuscripts, artifacts, and family photographs, this book gives a comprehensive view of the relationship between the poet’s lived experience and his writing that will appeal equally to both those well-versed in Owen’s work and those seeking a well-researched, accessible introduction.
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William Faulkner - American Writers 3
University of Minnesota Pamphlets on American Writers
William Van O’Connor
University of Minnesota Press, 1959

William Faulkner - American Writers 3 was first published in 1959. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.

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William Hughes
Australia
Carl Bridge
Haus Publishing, 2010
The First World War marked the emergence of the Dominions on the world stage as independent nations, none more so than Australia. The country's sacrifice at Gallipoli in 1915, and the splendid combat record of Australian troops on the Western Front not only created a national awakening at home, but also put Great Britain in their debt, ensuring them greater influence at the Peace Conferences. Australia was represented at Versailles by the Prime Minister, the colourful Billy Hughes, whom Woodrow Wilson called 'a pestiferous varmint' after their repeated clashes over Australia's claims to the Pacific Islands its troops had taken from Germany during the War. Hughes was also the most vociferous (though by no means at all the only) opponent of the racial equality clause put forward by Japan. Indeed, it was fear of Japanese expansion that drove Australia's territorial demands in the Pacific.
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William Kentridge
Being Led by the Nose
Jane Taylor
University of Chicago Press, 2017
South African artist William Kentridge’s drawings, films, books, installations, and collaborations with opera and theater companies have established him as a world-class star in contemporary art, media, and theater. In 2010, and again in 2013, he staged Dmitri Shostakovich’s The Nose at the Metropolitan Opera; after the premiere, the New York Times noted that “Kentridge, who directed this production, helped design the sets and created the videos that animate the staging, received the heartiest bravos.” In this book, Jane Taylor, Kentridge’s friend and frequent collaborator, invites us to take an extraordinary behind-the-scenes look at his work for the show.

Kentridge has long been admired for his unconventional use of conventional media to produce art that is stunning, evocative, and narratively powerful—and how he works is as important as what he creates. This book is more than just a simple record of The Nose. The opera serves as a springboard into a bracing conversation about how Kentridge’s methods serve his unique mode of expression as a narrative and political artist. Taylor draws on his etchings, sculptures, and drawings to render visible the communication that occurs between his mind and hand as he thinks through the activity of making. Beautifully illustrated in color, William Kentridge offers striking insights about one of the most innovative artists of our present moment.
 
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William Massey
New Zealand
James Watson
Haus Publishing, 2010
The Great War profoundly affected both New Zealand and its Prime Minister William Massey (1856-1925). 'Farmer Bill' oversaw the despatch of a hundred thousand New Zealanders, including his own sons, to Middle Eastern and European battlefields. In 1919 he led the New Zealand delegation to the Paris Peace Conference, where it was represented both in its own right and as part of the British Empire. This symbolised its staunch loyalty to Empire and the fact that it had its own particular interests. Massey was largely satisfied with the Versailles Treaty, as New Zealand gained a mandate over Western Samoa, Germany forfeited its other Pacific colonies, and control over Nauru's valuable phosphate deposits was shared between Britain, Australia and New Zealand, rather than simply being given to Australia. He believed that the apparent confirmation of British power improved New Zealand's security, and had little faith in the League of Nations. However, the opposition Labour Party came to believe the League could prevent a major war and made that a cornerstone of their foreign policy in government after 1935. Their belief that Versailles was unfair to Germany partly influenced them to favour negotiations with Hitler even after the outbreak of war in 1939.
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The Williamsburg Avant-Garde
Experimental Music and Sound on the Brooklyn Waterfront
Cisco Bradley
Duke University Press, 2023
In The Williamsburg Avant-Garde Cisco Bradley chronicles the rise and fall of the underground music and art scene in the Williamsburg neighborhood of Brooklyn between the late 1980s and the early 2010s. Drawing on interviews, archival collections, musical recordings, videos, photos, and other ephemera, Bradley explores the scene’s social, cultural, and economic dynamics. Building on the neighborhood’s punk DIY approach and aesthetic, Williamsburg's free jazz, postpunk, and noise musicians and groups---from Mary Halvorson, Zs, and Nate Wooley to Matana Roberts, Peter Evans, and Darius Jones---produced shows in a variety of unlicensed venues as well as in clubs and cafes. At the same time, pirate radio station free103point9 and music festivals made Williamsburg an epicenter of New York’s experimental culture. In 2005, New York’s rezoning act devastated the community as gentrification displaced its participants farther afield in Brooklyn and in Queens. With this portrait of Williamsburg, Bradley not only documents some of the most vital music of the late twentieth and early twenty-first centuries; he helps readers better understand the formation, vibrancy, and life span of experimental music and art scenes everywhere.
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Wind Power Modelling
Power plants and grid integration, Volume 3
Paul Veers
The Institution of Engineering and Technology, 2019
Wind Power Modelling: Power plants and grid integration is the third book in a comprehensive three-volume set on wind farm power modelling; the key to efficient wind plant design and wind power growth. The set covers every aspect - from wind flow over turbine component design to grid integration. With chapters from eminent international experts, the set is written for researchers in academia and industry involved with all facets of wind power modelling. Covering generation, storage technologies and grid models, this volume will be of particular interest to practitioners in the utilities sector.
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Wine, Wealth, and the State in Late Antique Egypt
The House of Apion at Oxyrhynchus
T. M. Hickey
University of Michigan Press, 2012

The "glorious house" of the senatorial family of the Flavii Apiones is the best documented economic entity of the Roman Empire during the fifth through seventh centuries, that critical period of transition between the classical world and the Middle Ages. For decades, the rich but fragmentary manuscript evidence that this large agricultural estate left behind, preserved for 1,400 years by the desiccating sands of Egypt, has been central to arguments concerning the agrarian and fiscal history of Late Antiquity, including the rise of feudalism.

Wine, Wealth, and the State in Late Antique Egypt is the most authoritative synthesis concerning the economy of the Apion estate to appear to date. T. M. Hickey examines the records of the family's wine production in the sixth century in order to shed light on ancient economic practices and economic theory, as well as on the wine industry and on estate management. Based on careful study of the original manuscripts, including unpublished documents from the estate archive, he presents controversial conclusions, much at odds with the "top down" models currently dominating the scholarship.

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Winterthur Portfolio, Volume 11
Edited by Ian M. G. Quimby
University of Chicago Press, 1978

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Winterthur Portfolio, Volume 3
Edited by Milo M. Naeve
University of Chicago Press, 1978

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Winthrop Rockefeller
From New Yorker to Arkansawyer, 1912-1956
John A. Kirk
University of Arkansas Press, 2022

Winner, 2024 J. G. Ragsdale Book Award, Arkansas Historical Association

Winner, 2024 Booker Worthen Literary Prize

Why did Winthrop Rockefeller, scion of one of the most powerful families in American history, leave New York for an Arkansas mountaintop in the 1950s? In this richly detailed biography of the former Arkansas governor, John A. Kirk delves into the historical record to fully unravel that mystery for the first time. Kirk pursues clues threaded throughout Rockefeller’s life, tracing his family background, childhood, and education; his rise in the oil industry from roustabout to junior executive; his military service in the Pacific during World War II, including his involvement in the battles of Guam, Leyte, and Okinawa; his postwar work in race relations, health, education, and philanthropy; his marriage to and divorce from Barbara “Bobo” Sears; and the birth of his only child, future Arkansas lieutenant governor Win Paul Rockefeller. This careful examination of Winthrop Rockefeller’s first forty-four years casts a powerful new light on his relationship with his adopted state, where his legacy continues to be felt more than half a century after his governorship.
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Wiping the War Paint off the Lens
Native American Film and Video
Beverly R. Singer
University of Minnesota Press, 2001
Native Americans have thrown themselves into filmmaking since the mid-1970s, producing hundreds of films and videos, and their body of work has had great impact on Native cultures and filmmaking itself. With their cameras, they capture the lives of Native people, celebrating community, ancestral lifeways, and identity. Not only artistic statements, the films are archives that document rich and complex Native communities and counter mainstream media portrayals. Wiping the War Paint off the Lens traces the history of Native experiences as subjects, actors, and creators, and develops a critical framework for approaching Native work. Singer positions Native media as part of a larger struggle for "cultural sovereignty"-the right to maintain and protect cultures and traditions. Taking it out of a European-American context, she reframes the discourse of filmmaking, exploring oral histories and ancient lifeways inform Native filmmaking and how it seeks to heal the devastation of the past. Singer’s approach is both cultural and personal, provides both historical views and close textual readings, and may well set the terms of the critical debate on Native filmmaking. 
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With All Deliberate Speed
The Life of Philip Elman
Norman I. Silber
University of Michigan Press, 2004
"With All Deliberate Speed is just wonderful. It gives the reader fascinating insights into the Roosevelt era, the Supreme Court, the Justice Department. It is funny, and endearingly human. Three cheers!"
-Anthony Lewis, New York Times columnist, and Pulitzer Prize-winning
author of Gideon's Trumpet

"The fascinating, eloquent, and skillfully edited oral memoir of a distinguished public servant, who was at the epicenter of major legal controversies that his memoir illuminates. A major contribution to modern American legal history."
-Richard A. Posner

"With All Deliberate Speed provides an insider's rich account, spanning over thirty years, of the inner workings of the Supreme Court, the Solicitor General's Office and the Federal Trade Commission that anyone seriously interested in a frank behind-the-scenes view of the federal government should find exceptionally provocative and intriguing"
-Drew Days III, Alfred M. Rankin Professor of Law, Yale University, and former Solicitor General of the United States, 1993-96


From a modest childhood in Patterson, N. J., Philip Elman rose to become clerk for the great Supreme Court Justice Felix Frankfurter, and then to a position in the U.S. Solicitor General's Office. As a member of that office, Philip Elman had an exceptional vantage point on one of the most momentous cases in U.S. Supreme Court history: Brown v. Board of Education.

In this oral history memoir of Elman's life, With All Deliberate Speed, author Norman I. Silber reveals the maneuvering that led to the Court's overturning the doctrine of "separate but equal." Working behind the scenes, it was Justice Department attorney Elman who came up with the concept of gradual integration-an idea that worked its way into the final decision as the famous phrase "with all deliberate speed." Though this expression angered those pressing for immediate desegregation, Elman claims that it unified a divided Court, thus enabling them to stand together against the evil of segregation.

With All Deliberate Speed records a decisive moment in Supreme Court history, but it is also Philip Elman's unforgettable oral memoir-the story of his entire career in government service, including his work with Attorney General Robert F. Kennedy as commissioner of the FTC, and his role in founding the modern consumer protection movement, which includes the antismoking campaign that put the Surgeon General's warning on cigarette packs.

At once rich historical testimony and a gripping read, With All Deliberate Speed offers a rarely glimpsed insider's understanding of the politics of the American legal system.

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With Fire and Sword
Arkansas, 1861-1874
Thomas A. Deblack
University of Arkansas Press, 2003

When Arkansas seceded from the Union in 1861, it was a thriving state. But the Civil War and Reconstruction left it reeling, impoverished, and so deeply divided that it never regained the level of prosperity it had previously enjoyed. Although most of the major battles of the war occurred elsewhere, Arkansas was critical to the Confederate war effort in the vast Trans-Mississippi region, and Arkansas soldiers served—some for the Union and more for the Confederacy—in every major theater of the war. And the war within the state was devastating. Union troops occupied various areas, citizens suffered greatly from the war’s economic disruption, and guerilla conflict and factional tensions left a bitter legacy. Reconstruction was in many ways a continuation of the war as the prewar elite fought to regain economic and political power.

In this, the fourth volume in the Histories of Arkansas series, Thomas DeBlack not only describes the major players and events in this dramatic and painful story, but also explores the experiences of ordinary people. Although the historical evidence is complex—and much of the secondary literature is extraordinarily partisan—DeBlack offers a balanced, vivid overview of the state’s most tumultuous period.

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"With the Help of God and a Few Marines"
The Battles of Chateau Thierry and Belleau Wood
Albertus W. Catlin
Westholme Publishing, 2013
An Account of the United States Marines’ Service in Two of the Most Important Battles Fought by American Forces in World War I
“The story of the marines in France is told with authority and interest.”—Booklist
“It is one of the books about the American war effort which is well worth keeping as well as reading.”—Outlook
“A well-written and complete account.”—Library Bulletin
In an area of woods smaller than New York City’s Central Park, the United States Marines made a desperate and dramatic stand against the might of the Imperial Germany Army’s final offensive in June 1918. Had the Germans broken through the lines as planned, there would have been no Allied forces between them and Paris. World War I had stagnated for nearly four years, and this last German push was a desperate, but powerful gamble to finally bring the war to a close. As at Guadalcanal during World War II, the enemy had not anticipated the ferocity and doggedness of the United States Marines. Leading this small expeditionary force was Brigadier General Albertus Wright Catlin. For most of the month of June the marines fought the Germans at close range, using their rifles effectively and engaging in hand-to-hand combat. Toward the end of the battle, Catlin was shot in the chest by a sniper and removed from the field. While recuperating, he began “With the Help of God and a Few Marines”, his account of the marines’ experience in France, including what became known as the Battle of Belleau Wood. First published in 1919, and considered among the finest American memoirs from World War I, it is notable for its description of what it means to be a United States Marine—an account as relevant today as it was nearly a century ago—and its straightforward depiction of life and death on the Western Front in the last months of the war.
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Within the Circle
An Anthology of African American Literary Criticism from the Harlem Renaissance to the Present
Angelyn Mitchell
Duke University Press, 1994
Within the Circle is the first anthology to present the entire spectrum of twentieth-century African American literary and cultural criticism. It begins with the Harlem Renaissance, continues through civil rights, the Black Arts Movement, and on into contemporary debates of poststructuralist and black feminist theory. Drawing on a quote from Frederick Douglass for the title of this book, Angelyn Mitchell explains in her introduction the importance for those "within the circle" of African American literature to examine their own works and to engage this critical canon.
The essays in this collection—many of which are not widely available today—either initiated or gave critical definition to specific periods or movements of African American literature. They address issues such as integration, separatism, political action, black nationalism, Afrocentricity, black feminism, as well as the role of art, the artist, the critic, and the audience. With selections from Langston Hughes, Sterling Brown, W. E. B. DuBois, Zora Neale Hurston, Richard Wright, James Baldwin, Toni Morrison, Barbara Smith, Alice Walker, Henry Louis Gates, Jr., and many others, this definitive collection provides a dynamic model of the cultural, ideological, historical, and aesthetic considerations in African American literature and literary criticism.
A major contribution to the study of African American literature, this volume will serve as a foundation for future work by students and scholars. Its importance will be recognized by all those interested in modern literary theory as well as general readers concerned with the African American experience.

Selections by (partial list): Houston A. Baker, Jr., James Baldwin, Sterling Brown, Barbara Christian, W. E. B. DuBois, Ralph Ellison, LeRoi Jones, Sarah Webster Fabio, Henry Louis Gates, Jr., W. Lawrence Hogue, Langston Hughes, Zora Neale Hurston, Alain Locke, Deborah E. McDowell, Toni Morrison, J. Saunders Redding, George Schuyler, Barbara Smith, Valerie Smith, Hortense J. Spillers, Robert B. Stepto, Alice Walker, Margaret Walker, Mary Helen Washington, Richard Wright

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Without Empathy
Irony and the Satirical Impulse in Eight Major Filmmakers
MK Raghavendra
Intellect Books, 2025
From apparent melodrama and eroticism to fantasy and horror, these eight directors redefine satire’s limits, providing evidence that irony in cinema often goes unrecognized.

In Without Empathy, MK Raghavendra investigates how irony and satire function in cinema by focusing on the work of eight visionary directors—Luis Buñuel, R.W. Fassbinder, Stanley Kubrick, Robert Altman, Paul Verhoeven, Aki Kaurismäki, Aleksei Balabanov, and David Lynch. At a time when irony is increasingly scrutinized as a mode of expression, this book reconsiders its role in film, revealing how these auteurs deploy wit and subversion in ways that unsettle audience expectations.

Through close readings of selected works, Raghavendra identifies layers of meaning beneath the surface of films often misread. The book situates these directors within broader traditions of cinematic satire, while simultaneously interrogating what their work has to say about society, culture, and human folly. Without Empathy is a lucid read for scholars and students of film studies and communication, providing a provocative lens on how satirical intent is not always recognizable today and how its actual targets can make society uncomfortable.
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Wolfhounds and Polar Bears
The American Expeditionary Force in Siberia, 1918–1920
Col. John M. House, US Army (Ret.)
University of Alabama Press, 2016
Details the military aspects of the American Expeditionary Force's (AEF) deployment to Siberia following World War I to protect the Trans-Siberian Railroad

In the final months of World War I, President Woodrow Wilson and many US allies decided to intervene in Siberia in order to protect Allied wartime and business interests, among them the Trans-Siberian Railroad, from the turmoil surrounding the Russian Revolution. American troops would remain until April 1920 with some of our allies keeping troops in Siberia even longer.
 
Few American citizens have any idea that the United States ever deployed soldiers to Siberia and that those soldiers eventually played a role in the Russian revolution while protecting the Trans-Siberian Railroad. Wolfhounds and Polar Bears relies on the detailed reports of the American Expeditionary Force (AEF) as well as on personal stories to bring this rarely discussed expedition to life.
 
Initial chapters recount the period in World War I when conditions in Russia pointed to the need for intervention as well as the varied reasons for that decision. A description of the military forces and the geographic difficulties faced by those forces operating in Siberia provide the baseline necessary to understand the AEF’s actions in Siberia. A short discussion of the Russian Railway Service Corps explains their essential and sometimes overlooked role in this story, and subsequent chapters provide a description of actual operations by the AEF.
 
Wolfhounds and Polar Bears: The American Expeditionary Force in Siberia, 1918–1920 may well be the most detailed study of the military aspects of the American intervention in Siberia ever undertaken, offering a multitude of details not available in any other book-length history.
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The Woman Who Was Poor
A Novel
Leon Bloy
St. Augustine's Press, 2014
Written in the 1890s, Leon Bloy's masterful novel has had an immeasurable effect on all European Catholic writing since. (Bloy was responsible for the conversion of Jacques and Räissa Maritain in 1905, and they referred to him as their godfather.) It is an extraordinary book, powerful in the manner of dos Passos, and yet spiritual in the manner of the Bible. 
         
It is the story of a woman who is abysmally poor, brutally treated and exploited by her parents, living in the gutters of Paris, yet she retains the spiritual outlook and purity of a saint. We are spared no brutality, yet there are scenes of the most tender beauty.

The woman, Clotilde, becomes an artist's model, meeting all the great French writers, among them the gloomy and magnificent Marchenoir, who is Bloy himself. They are all impressed by the depth of her thoughts and feelings; she finally marries one of them. They are pitifully poor, and the pages that cover the birth and death of their child shock with horror while moving the reader in their tragic beauty and tenderness––for this is Bloy, always hovering between death and ecstasy. Left a widow, Clotilda finds her true vocation, a vocation of poverty. She is the woman who is poor, no other words describe her more accurately. The novel ends with those famous words of extraordinary optimism: "There is only one misery…not to be saints." 
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Womanism Rising
Edited by Layli Maparyan
University of Illinois Press, 2025
Womanism Rising concludes Layli Maparyan’s three-book exploration of womanist studies. The collection showcases new work by emerging womanist authors who expand the womanist idea while extending womanism to new sites, new problems, and new audiences.

Maparyan organizes the contributions around five key ideas. The first section looks at womanist self-care as a life-saving strategy. The second examines healing the Earth as a prerequisite to healing ourselves. In Part Three, the essays illuminate how womanism’s politics of invitation provides a strategy for enlarging humanity’s circle of inclusion, while Part Four considers womanism as both a challenge and antidote to dehumanization. The final section delves into womanism’s potential for constructing worlds and futures. In addition, Maparyan includes a section of works by womanist visual artists.

Defiant and far-sighted, Womanism Rising takes readers on a journey into a new generation of concepts, ideas, and strategies for womanist studies.

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Women Against Napoleon
Historical and Fictional Responses to his Rise and Legacy
Edited by Waltraud Maierhofer, Gertrud Roesch, and Caroline Bland
Campus Verlag, 2007
Although Prussia’s beloved Queen Luise and the Swiss-born aristocrat and writer Germaine de Staël were Napoleon Bonaparte’s best-known female opponents, women’s discontent with Napoleon and the Napoleonic wars was more widespread—and vocal—than once assumed. Women against Napoleon expands our awareness of the range of women’s responses to the despot by presenting an international spectrum of female opposition, including contemporary letters, diaries, and published writings, as well as historical fiction of the twentieth century. By setting these materials together, this volume forges new links between literary, historical, and gender scholarship.
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Women at The Hague
The International Congress of Women and Its Results
Jane Addams, Emily G. Balch, and Alice Hamilton
University of Illinois Press, 2003
In the midst of World War I, from April 28 to May 1, 1915, more than a thousand women from Europe and North America gathered in The Hague to discuss proposals for a peaceful end to the war. As one of the founders of the Woman's Peace Party, Jane Addams was among the attendees at the International Congress of Women, along with fellow social reformers and peace activists Emily G. Balch and Alice Hamilton. This book contains their journalistic accounts of the  Congress's proceedings and results as well as their personal reflections on peace, war, politics, and the central role of women in the preservation of peace.
 
Following the conference in The Hague, Addams and Balch traveled around Europe as members of delegations visiting various governmental leaders to demand an end to the war. In this book they describe the activities of these delegations, painting a vivid portrait of the emerging women's peace movement.
 
With the continuing growth of the peace movement, the essays in Women at the Hague remain as timely as they were when first published in 1915. Addams, Balch, and Hamilton write compellingly about the organizing methods and collaborative spirit of the women's peace movement, conveying a strong awareness of the responsibility of women to protect the global community from the devastating effects of war.
 
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Women, Fire, and Dangerous Things
What Categories Reveal about the Mind
George Lakoff
University of Chicago Press, 1987
The groundbreaking work that Language journal said no linguist could afford to neglect

In Women, Fire, and Dangerous Things, George M. Lakoff takes on the classical theory of categorization, which argues that the classes into which our minds and language group things and people are clearly defined and have strict boundaries. Lakoff argues instead that the mind and language build categories around protoypical examples, and that categories then radiate out from those central types. The book argues for embodied cognition and makes a powerful case that meaning cannot be reduced to abstract symbols or removed from the physical experiences of human perception.
 
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Women in Romania’s First World War
Alin Ciupalã
Central European University Press, 2025
In August 1916, the Kingdom of Romania (Wallachia and Moldova) entered the First World War, leading in 1918 to a union with Transylvania and Bessarabia. Alin Ciupalã’s book considers the contribution of women to the achievement of the Romanian national project, including the role of bourgeois and middle-class women, the position of women in rural areas, and love, sex, and eroticism in wartime. He presents portraits of female figures, including Queen Marie, who organized field hospitals, supported civilians, promoted Romania abroad, and visited soldiers, and Ecaterina Teodoroiu, Romania’s only female officer, who died leading troops in battle.
Beyond women’s contribution to the war, the book also examines the effects of the First World War on gender roles in Romania. Feminist leaders expected that a wartime “training service” would entitle women to a life with full rights as citizens. Yet after the war, the situation returned to “normal,” and women largely continued to be excluded from the public sphere.
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The Women of Karbala
Ritual Performance and Symbolic Discourses in Modern Shi'i Islam
Edited by Kamran Scot Aghaie
University of Texas Press, 2005

Commemorating the Battle of Karbala, in which the Prophet Mohammad's grandson Hosayn and seventy-two of his family members and supporters were martyred in 680 CE, is the central religious observance of Shi'i Islam. Though much has been written about the rituals that reenact and venerate Karbala, until now no one has studied women's participation in these observances. This collection of original essays by a multidisciplinary team of scholars analyzes the diverse roles that women have played in the Karbala rituals, as well as the varied ways in which gender-coded symbols have been used within religious and political discourses.

The contributors to this volume consider women as participants in and observers of the Karbala rituals in Iran, Iraq, Lebanon, India, Pakistan, and the United States. They find that women's experiences in the Shi'i rituals vary considerably from one community to another, based on regional customs, personal preferences, religious interpretations, popular culture, and socioeconomic background. The authors also examine the gender symbolism within the rituals, showing how it reinforces distinctions between the genders while it also highlights the centrality of women to the symbolic repertory of Shi'ism. Overall, the authors conclude that while Shi'i rituals and symbols have in some ways been used to restrict women's social roles, in other ways they have served to provide women with a sense of independence and empowerment.

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Women of the Twelfth Century, Volume 3
Eve and the Church
Georges Duby
University of Chicago Press, 1998
In this volume, Georges Duby studies the relationship between the Church and women in twelfth-century Europe. By that time, the Church had begun to see the evolving roles and expectations of women as serious matters, resulting in a wide range of clerical writings addressing "the woman question."

Drawing on these writings, Duby describes how women were thought to embody particular sins, such as sorcery, disobedience, and licentiousness. He evaluates Eve's role in man's fall from grace in the Garden of Eden and analyzes the reasoning behind the view that women are unstable, curious, frivolous creatures. He also notes that these charges are leveled against women, even as praise is heaped upon them for the conventional virtues they exhibit in their roles as wives and mothers.

As the final installment in Duby's three-volume study of French noblewomen of the twelfth century, Eve and the Church is the last work of this superb historian. It will be of interest to scholars of medieval history and women's history as well as to anyone interested in current debates about women and religion.

Georges Duby (1919-1996) was a member of the Académie française and for many years held the distinguished chair in medieval history at the Collège de France. His books include The Three Orders; The Age of Cathedrals; The Knight, the Lady, and the Priest; Love and Marriage in the Middle Ages; and History Continues, all published by the University of Chicago Press.

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Women Of Vision
Histories in Feminist Film and Video
Alexandra Juhasz
University of Minnesota Press, 2001

Legends and rising stars of feminist film and video tell their stories.

Alexandra Juhasz asked twenty-one women to tell their stories-women whose names make up a who is (and who will be) who of independent and experimental film and video. What emerged in the resulting conversations is a compelling (and previously underdocumented) history of feminism and feminist film and video, from its origins in the fifties and sixties to its apex in the seventies, to today.

Women of Vision is a companion piece to Juhasz’s 1998 documentary of the same name. The book presents the complete interviews, allowing readers to hear directly the voices of these articulate, passionate women in an interactive remembering of feminist media history. Juhasz’s introduction provides a historical, theoretical, and aesthetic context for the interviews. These subjects have all shaped late twentieth-century film and video in fundamental ways, either as artists, producers, distributors, critics, or scholars, and they all believe that media are the most powerful tools for effecting change. Yet they are a very diverse group, with widely varying personal and professional backgrounds. By presenting their interviews together, Juhasz shows the differences among those involved in feminist media, but also the connections among them, and the way in which the field has been enriched by their sharing of knowledge and power. In the end, Juhasz not only records these women’s careers, she broadens our understanding of feminism and shows how feminist history and documentary are made.Interviewees: Pearl Bowser; Margaret Caples; Michelle Citron; Megan Cunningham; Cheryl Dunye; Vanalyne Green; Barbara Hammer; Kate Horsfield; Carol Leigh; Susan Mogul; Juanita Mohammed; Frances Negrón-Muntaner; Eve Oishi; Constance Penley; Wendy Quinn; Julia Reichert; Carolee Schneemann; Valerie Soe; Victoria Vesna; and Yvonne Welbon.
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Women's History in Global Perspective, Volume 3
Edited by Bonnie G. Smith
University of Illinois Press, 2005

The concluding volume of Women's History in Global Perspective discusses contemporary trends in gender and women's history. Bonnie G. Smith edits essays that include women and gender in the history of sub-Saharan Africa and Middle Eastern women since the rise of Islam. Other contributors offer a transnational approach to women in early and modern Europe; look at women's history in Russia and the Soviet Union; discuss the national period in Latin American women's history; and provide a global perspective on women in North American history after 1865. 

Contributors: Bonnie S. Anderson, Ellen Dubois, Barbara Engel, Cheryl Johnson-Odim, Nikki R. Keddie, Asunción Lavrin, and Judith P. Zinsser

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Wonder Woman
New edition with full color illustrations
Berlatsky, Noah
Rutgers University Press, 2017
William Marston was an unusual man—a psychologist, a soft-porn pulp novelist, more than a bit of a carny, and the (self-declared) inventor of the lie detector. He was also the creator of Wonder Woman, the comic that he used to express two of his greatest passions: feminism and women in bondage.

Comics expert Noah Berlatsky takes us on a wild ride through the Wonder Woman comics of the 1940s, vividly illustrating how Marston’s many quirks and contradictions, along with the odd disproportionate composition created by illustrator Harry Peter, produced a comic that was radically ahead of its time in terms of its bold presentation of female power and sexuality. Himself a committed polyamorist, Marston created a universe that was friendly to queer sexualities and lifestyles, from kink to lesbianism to cross-dressing. Written with a deep affection for the fantastically pulpy elements of the early Wonder Woman comics, from invisible jets to giant multi-lunged space kangaroos, the book also reveals how the comic addressed serious, even taboo issues like rape and incest.

Wonder Woman: Bondage and Feminism in the Marston/Peter Comics 1941-1948 reveals how illustrator and writer came together to create a unique, visionary work of art, filled with bizarre ambition, revolutionary fervor, and love, far different from the action hero symbol of the feminist movement many of us recall from television.
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The Woodland Southeast
Edited by David G. Anderson and Robert C. Mainfort
University of Alabama Press, 2002

This collection presents, for the first time, a much-needed synthesis of the major research themes and findings that characterize the Woodland Period in the southeastern United States.

The Woodland Period (ca. 1200 B.C. to A.D. 1000) has been the subject of a great deal of archaeological research over the past 25 years. Researchers have learned that in this approximately 2000-year era the peoples of the Southeast experienced increasing sedentism, population growth, and organizational complexity. At the beginning of the period, people are assumed to have been living in small groups, loosely bound by collective burial rituals. But by the first millennium A.D., some parts of the region had densely packed civic ceremonial centers ruled by hereditary elites. Maize was now the primary food crop. Perhaps most importantly, the ancient animal-focused and hunting-based religion and cosmology were being replaced by solar and warfare iconography, consistent with societies dependent on agriculture, and whose elites were increasingly in competition with one another. This volume synthesizes the research on what happened during this era and how these changes came about while analyzing the period's archaeological record.

In gathering the latest research available on the Woodland Period, the editors have included contributions from the full range of specialists working in the field, highlighted major themes, and directed readers to the proper primary sources. Of interest to archaeologists and anthropologists, both professional and amateur, this will be a valuable reference work essential to understanding the Woodland Period in the Southeast.
 

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Woodrow Wilson
USA
Brian Morton
Haus Publishing, 2008
Woodrow Wilson (1856-1924). It is September 1919 - a meeting hall in a small mid-Western city. A thin man is speaking to a sceptical audience about peace. He has already met the city fathers and has been warned that 'out here' what happens in Europe means very little. Even the late war scarcely impinged on the place, though it had been recognised that it hadn't been altogether good for trade and one or two local boys had died on the fields of France in the very last days of the conflict. The speaker was obviously impassioned, with a preacher's cadence to his voice, and particularly so when he promoted the idea of an international League of Nations to guarantee future peace and ensure that the war into which America had been lured in 1917 really was 'a war to end all wars'. It is noticed that the man is sweating and pale and that he pauses frequently to dab his lips. The price of his campaign for peace - and peace conducted with principle - seems to be a terrible struggle between strong belief on the one hand and failing reserves on the other. Woodrow Wilson will live for another five years, but his battle to convince America to join the League is lost and much of the vigour that marked his time as President of his country, as president of Princeton University, even as an enthusiastic college football coach, was left behind in the Hall of Mirrors at Versailles. This book will look at the life of Wilson, from his early years during the American Civil War, through his academic and political career and America's involvement in the First World War, to Wilson's role at Versailles, including the construction of his Fourteen Points, his principles for the reformation of Europe, and the consequences of Versailles for America and on later conflicts.
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Word Images
New Perspectives on Canícula and Other Works by Norma Elia Cantú
Edited by Gabriella Gutiérrez y Muhs; Foreword by María Herrera-Sobek
University of Arizona Press, 2017
This collection of critical essays unveils for the first time Norma Elia Cantú’s contribution as a folklorist, writer, scholar, and teacher. Word Images unites two valuable ways to view and use Cantú’s work: Part 1 comprises essays that individually examine Cantú’s oeuvre through critical analysis. Part 2 is dedicated to ideas and techniques to improve the use of this literature by teachers and professors, with a particular focus on tools for using Canícula.
 
Contributors:

Steven W. Bender
Aurora Chang
Vanessa Fonseca
Gabriella Gutiérrez y Muhs
María Herrera-Sobek
Ellen McCracken
María Esther Quintana Millamoto
Aldo Ulisses Reséndiz Ramírez
Rose Rodríguez-Rabin
Jesús Rosales
Carlos Sibaja García
María Socorro Tabuenca
Juan Velasco
 
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Words for Students of English, Vol. 3
A Vocabulary Series for ESL
Holly Deemer Rogerson, Suzanne T. Hershelman, Carol Jasnow, and Carol Moltz
University of Michigan Press, 1992

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Words of Witness
Black Women's Autobiography in the Post-Brown Era
Angela A. Ards
University of Wisconsin Press, 2015
A literary and political genealogy of the last half-century, Words of Witness explores black feminist autobiographical narratives in the context of activism and history since the landmark 1954 segregation case, Brown v. Board of Education. Angela A. Ards examines how activist writers, especially five whose memoirs were published in the 1990s and 2000s, crafted these life stories to engage and shape progressive, post-Brown politics.
            Exploring works by the critically acclaimed June Jordan and Edwidge Danticat, as well as by popular and emerging authors such as Melba Beals, Rosemary Bray, and Eisa Davis, Ards demonstrates how each text asserts countermemories to official—and often nostalgic—understandings of the civil rights and Black Power movements. She situates each writer as activist-citizen, adopting and remaking particular roles—warrior, “the least of these,” immigrant, hip-hop head—to crystallize a range of black feminist responses to urgent but unresolved political issues.
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The Wordsworth Circle, volume 52 number 3 (Summer 2021)
The University of Chicago Press
University of Chicago Press Journals, 2021

front cover of The Wordsworth Circle, volume 53 number 3 (Summer 2022)
The Wordsworth Circle, volume 53 number 3 (Summer 2022)
The University of Chicago Press
University of Chicago Press Journals, 2022
This is volume 53 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 54 number 3 (Summer 2023)
The Wordsworth Circle, volume 54 number 3 (Summer 2023)
The University of Chicago Press
University of Chicago Press Journals, 2023
This is volume 54 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 55 number 3 (Summer 2024)
The Wordsworth Circle, volume 55 number 3 (Summer 2024)
The University of Chicago Press
University of Chicago Press Journals, 2024
This is volume 55 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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front cover of The Wordsworth Circle, volume 56 number 3 (Summer 2025)
The Wordsworth Circle, volume 56 number 3 (Summer 2025)
The University of Chicago Press
University of Chicago Press Journals, 2025
This is volume 56 issue 3 of The Wordsworth Circle. The Wordsworth Circle (TWC) is an international quarterly learned journal founded in 1970 to facilitate communications among colleagues interested in the lives, works, and times of British, American, and European writers from 1770 to 1850, before and after. TWC publishes original essays, conference papers, letters, editions, bibliographies, textual and historical scholarship, biography, interpretive criticism, and critical theory, as well as interdisciplinary, cultural, and comparative studies. It is concerned with anything that influenced, impinges upon, expresses, or contributes to an understanding of the writers, works, and events associated with Romantic studies and its after-lives.
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Work, Fight, or Play Ball
How Bethlehem Steel Helped Baseball's Stars Avoid World War I
Ecenbarger, William
Temple University Press, 2024
In 1918, Bethlehem Steel started the world’s greatest industrial baseball league. Appealing to Major League Baseball players looking to avoid service in the Great War, teams employed “ringers” like Babe Ruth, Rogers Hornsby, and Shoeless Joe Jackson in what became scornfully known as “safe shelter” leagues. In Work, Fight, or Play Ball, William Ecenbarger fondly recounts this little-known story of how dozens of athletes faced professional conflicts and a difficult choice in light of public perceptions and war propaganda.

Some players used the steel mill and shipyard leagues to avoid wartime military duty, irking Major League owners, who saw their rosters dwindling. Bethlehem Steel President Charles Schwab (no relation to the financier) saw the league as a means to stave off employee and union organizing. Most fans loudly criticized the ballplayers, but nevertheless showed up to watch the action on the diamond.

Ecenbarger traces the 1918 Steel League’s season and compares the fates of the players who defected to industry or continued to play stateside with the travails of the Major Leaguers, such as Christy Mathewson, Ty Cobb, and Grover Cleveland Alexander, who served during the war.

Work, Fight, or Play Ball reveals the home field advantage brought on by the war, which allowed companies to profit from Major League players.
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Workers against the City
The Fight for Free Speech in Hague v. CIO
Donald W. Rogers
University of Illinois Press, 2020
The 1939 Supreme Court decision Hague v. CIO was a constitutional milestone that strengthened the right of Americans, including labor organizers, to assemble and speak in public places. Donald W. Rogers eschews the prevailing view of the case as a morality play pitting Jersey City, New Jersey, political boss Frank Hague against the Committee for Industrial Organization (CIO) and allied civil libertarian groups. Instead, he draws on a wide range of archives and evidence to re-evaluate Hague v. CIO from the ground up. Rogers's review of the case from district court to the Supreme Court illuminates the trial proceedings and provides perspectives from both sides. As he shows, the economic, political, and legal restructuring of the 1930s refined constitutional rights as much as the court case did. The final decision also revealed that assembly and speech rights change according to how judges and lawmakers act within the circumstances of a given moment.
 
Clear-eyed and comprehensive, Workers against the City revises the view of a milestone case that continues to impact Americans' constitutional rights today.
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Workforce Development Politics
Civic Capacity And Performance
edited by Robert P. Giloth, Published in association with the Annie E. Casey Foundation.
Temple University Press, 2004
If 88% of Americans believe that education and training resources should be available to the jobless and more than two-thirds of employers have identified workforce and skills shortages as top priorities, why aren't we, as a society, able to provide that training in such a way that it leads to long-term economic security? This book looks at the politics of local and regional workforce development: the ways politicians and others concerned with the workforce systems have helped or hindered that process. Contributors examine the current systems that are in place in these cities and the potential for systemic reform through case studies of Denver, Milwaukee, Philadelphia, St. Louis, and Seattle.Published in association with the Annie E. Casey Foundation.
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Working Lives of New Writing Center Directors
Nicole I. Caswell
Utah State University Press, 2016

The first book-length empirical investigation of writing center directors’ labor, The Working Lives of New Writing Center Directors presents a longitudinal qualitative study of the individual professional lives of nine new directors. Inspired by Kinkead and Harris’s Writing Centers in Context (1993), the authors adopt a case study approach to examine the labor these directors performed and the varied motivations for their labor, as well as the labor they ignored, deferred, or sidelined temporarily, whether or not they wanted to.

The study shows directors engaged in various types of labor—everyday, disciplinary, and emotional—and reveals that labor is never restricted to a list of job responsibilities, although those play a role. Instead, labor is motivated and shaped by complex and unique combinations of requirements, expectations, values, perceived strengths, interests and desires, identities, and knowledge. The cases collectively distill how different institutions define writing and appropriate resources to writing instruction and support, informing the ongoing wider cultural debates about skills (writing and otherwise), the preparation of educators, the renewal/tenuring of educators, and administrative “bloat” in academe.

The nine new directors discuss more than just their labor; they address their motivations, their sense of self, and their own thoughts about the work they do, facets of writing center director labor that other types of research or scholarship have up to now left invisible. The Working Lives of New Writing Center Directors strikes a new path in scholarship on writing center administration and is essential reading for present and future writing center administrators and those who mentor them.

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World Film Locations
Athens
Edited by Anna Poupou, Afroditi Nikolaidou, and Eirini Sifaki
Intellect Books, 2014
A filmic guidebook of the Greek capital, World Film Locations: Athens takes readers to film locations in the central historical district, with excursions to the periphery of Athens—popular neighborhoods, poor suburbs, and slums often represented in postwar neorealist films—and then on to garden cities and upper-class suburbs, especially those preferred by the auteurs of the 1970s. Of course, no Grecian vacation would be complete without a visit to the sea, and summer resorts, hotels, and beaches near Athens are frequent backdrops for international productions. However, more recent economic strife has emptied city neighborhoods, created urban violence, and caused an increase in riots in the Mediterranean city, and representations of this on film are juxtaposed with images of the eternal and idyllic city.

Featuring both Greek and foreign productions from various genres and historical periods, the book ultimately works to establish connections between the various aesthetics of dominant representations of Athens.
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World Film Locations
Barcelona
Edited by Helio San Miguel and Lorenzo J. Torres Hortelano
Intellect Books, 2013
Barcelona is one of the world’s most beautiful cities. A permanent showcase of the work of acclaimed architect Antoni Gaudí, it also has a long and rich cinematic legacy. Great directors from all over the world—among them Woody Allen, Pedro Almodóvar, and Michelangelo Antonioni—have set their films there. World Film Locations: Barcelona is the first book of its kind to explore the rich cinematic history of this seductive Catalonian city.
The illuminating essays collected here cover essential themes of the city’s cinematic history, including the origins of cinema in Barcelona; the role of Ciutat Vella (old quarter) as a film set; the influential Barcelona School of the 1960s; the film presence of Gaudí and his work; changing attitudes and urban renewal before and after the 1992 Olympics; and the emergence of a new generation of female filmmakers that have made Barcelona the center of their cinematic explorations. This book will be a welcome addition to the libraries of anyone enchanted by the beauty of Barcelona, whether in person on the big screen.

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World Film Locations
Beijing
Edited by John Berra and Liu Yang
Intellect Books, 2012
The title of Li Yu’s film Lost in Beijing evokes the experience of many first-time visitors to China’s bustling capital. The city’s sprawling structure and rapid redevelopment—embodied by the high-rise apartments taking over historic districts—render Beijing’s streets hard to navigate and its culture is just as difficult to penetrate. World Film Locations: Beijing is a revealing and engrossing introduction to both.
 
In a series of spotlight essays and illustrated scene reviews, a cast of seasoned scholars and fresh new voices explore the vast range of films—encompassing drama, madcap comedy, martial arts escapism, and magical realism—that have been set in Beijing. Unveiling a city of hidden courtyards, looming skyscrapers, and traditional Hutong neighborhoods, these contributors depict a distinctive urban culture that reflects the conflict and tumult of a nation in transition. With considerations of everything from the back streets of Beijing Bicycle to the forbidden palace of The Last Emperor to the tourist park of The World, this volume is a definitive cinematic guide to an ever-changing and endlessly fascinating capital city.
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World Film Locations
Berlin
Edited by Susan Ingram
Intellect Books, 2012
One of the most dynamic capital cities of the twenty-first century, Berlin also has one of the most tumultuous modern histories. A city that came of age, in many senses, with the cinema, it has been captured on film during periods of exuberance, devastation, division, and reconstruction. World Film Locations: Berlin offers a broad overview of these varied cinematic representations.
 
Covering an array of films that ranges from early classics to contemporary star vehicles, this volume features detailed analyses of forty-six key scenes from productions shot on location across the city, as well as spotlight essays in which contributors with expertise in German studies, urban history, and film studies focus on issues central to understanding Berlin cinema. Among the topics discussed are the roles of rubble, construction sites, and music in films set and shot in Berlin, as well as key personalities, including Marlene Dietrich and Leni Riefenstahl. With the help of full-color illustrations that include film stills and contemporary location shots, World Film Locations: Berlin cinematically maps the city’s long twentieth century, taking readers behind the scenes and shedding new light on the connections between many favorite and possibly soon to be favorite films.
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World Film Locations
Boston
Edited by Marcelline Block
Intellect Books, 2014
Founded by the Puritans in 1630 and the site of many of the American Revolution's major precursors and events (including the Boston Massacre, the Boston Tea Party, and Paul Revere’s midnight ride, among others), Boston has played—and continues to play—an influential role in the shaping of the historic, intellectual, cultural, and political landscapes of the United States. And Boston has a significantly rich tradition of cinematic representation. While Harvard is central to many of the films set in the Greater Boston area, World Film Locations: Boston considers the full spectrum of Boston’s abundant aesthetic potential, reviewing films located within as well as far beyond Harvard’s hallowed halls and ivy-covered gates.

Many iconic American classics, blockbusters, romantic comedies, and legal thrillers, as well as films examining Boston’s criminal underside, particularly in juxtaposition to the city’s elitist high society, were filmed on location in the city’s streets and back lots. World Film Locations: Boston looks in depth into a highly select group of forty-six films such as Love Story, Good Will Hunting, The Friends of Eddy Coyle, and The Social Network, among many others, presented at the intersection of critical analysis and stunning visual critique (with material from the films themselves as well as photographs of the contemporary city locations). Featuring articles and film scene reviews written by a variety of leading contemporary film writers, critics, and scholars, this book is a multimedia resource that will find a welcome audience in movie lovers in Beantown and beyond.
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World Film Locations
Buenos Aires
Edited by Santiago Oyarzabal and Michael Pigott
Intellect Books, 2014
World Film Locations: Buenos Aires explores this picturesque and passionate city (the second-largest in South America) as a stage for sociopolitical transformations, and a key location in the international imagination as a site of cultural export. The book uncovers the many reasons why Buenos Aires attracts not only tourists but also artists and filmmakers, who explore the city and its iconography as well as its cultural and sociopolitical turbulence. A set of six essays anchors this volume; contributors consider a range of key topics related to the city onscreen, including tango, villas miseria (shantytowns), dictatorship and democracy, and science fiction and the future of the city. The volume is rounded out with in-depth reviews of nearly fifty key films—The Hour of the Furnaces, Nine Queens, and Evita among them—each illustrated by screen shots, current location imagery, and corresponding maps for travelers and movies buffs to use as they navigate this rich cinematic city. 
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World Film Locations
Chicago
Edited by Scott Jordan Harris
Intellect Books, 2013
While some call it the Second City, Chicago is no stranger to the silver screen. Director Christopher Nolan transformed Chicago into the darkly foreboding Gotham City for The Dark Knight. Ferris Bueller rode a parade float down Dearborn and made stops during his epic day off at a host of landmarks, from Buckingham Fountain to Wrigley Field. Everyone’s favorite foul-mouthed blues act ended their film’s climactic chase by taking the Bluesmobile through the plate-glass windows of the Richard J. Daley Center.

With World Film Locations: Chicago, critic Scott Jordan Harris takes readers on a cinematic tour of the city, featuring modern blockbusters and beloved classics. Along the way, scenes from almost fifty films made or set in the city are discussed, accompanied by full-color stills and interspersed with essays examining the city’s unique character onscreen. Among the contributors are Gordon Quinn, cofounder of Chicago’s Kartemquim Films; Elizabeth Weitzman, film critic for the New York Daily News; the BBC’s Samira Ahmed; and Steve James, director of the coming-of-age classic Hoop Dreams. For readers hoping to locate landmarks from favorite films, the book also includes detailed maps that point out key scenes.

A fun and fact-packed read, World Film Locations: Chicago will be welcomed by film fans and anyone planning a trip to the Windy City.
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World Film Locations
Cleveland
Edited by Alberto Zambenedetti
Intellect Books, 2016
The prototypical rust belt city, Cleveland has long served as an emblem of late twentieth-century urban decay. But recent decades have brought a cultural and economic renaissance—a revival that has been reflected and aided by the growing number of films being shot on location there.
This new entry in the World Film Locations series offers the first-ever extended look at Cleveland on screen. Richly illustrated with images from dozens of productions, it reveals Cleveland to be usefully chameleonic, appealing to some filmmakers for its modern downtown’s ability to mimic more prominent (and more expensive) cities, to others for the way its shuttered factories and decaying docks signify contemporary urban distress. With entries on such classics as The Fortune Cookie, The Deer Hunter, A Christmas Story, and Marvel’s The Avengers, as well as lesser-known films, the volume reveals Cleveland to be a far more compelling, and far more varied, on-screen presence than even most film buffs would expect.
Like all the books in this series, World Film Locations: Cleveland is designed to appeal to cinephiles and scholars alike, while also serving as a silver screen souvenir for those who make the city their home as well as for those who visit it.
 
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