A SCHOLARLY BOOK REPOSITORY216 have author last names that start with H have author last names that start with H
Waiting for Cancer to Come tells the stories of women who are struggling with their high risk for cancer. Based on interviews and surveys of dozens of women, this book pieces together the diverse yet interlocking experiences of women who have tested positive for the BRCA 1/2 gene mutations, which indicate a higher risk of developing breast and ovarian cancer. Sharlene Hesse-Biber brings these narratives to light and follows women’s journeys from deciding to get screened for BRCA, to learning the test has come back positive, to dealing with their risk. Many women already know the challenges of a family history riddled with cancer and now find themselves with the devastating knowledge of their own genetic risk. Using the voices of the women themselves to describe the under-explored BRCA experience, Waiting for Cancer to Come looks at the varied emotional, social, economic, and psychological factors at play in women’s decisions about testing and cancer prevention.
Making Sense of the Arab State brings together top scholars from diverse theoretical orientations to address some of the most critically important questions facing the region today. The authors grapple with enduring questions such as the uneven development of state capacity, the failures of developmentalism and governance, the centrality of regime security and survival concerns, the excesses of surveillance and control, and the increasing personalization of power. Making Sense of the Arab State will be a must-read for scholars of the Middle East and of comparative politics more broadly.
The "glorious house" of the senatorial family of the Flavii Apiones is the best documented economic entity of the Roman Empire during the fifth through seventh centuries, that critical period of transition between the classical world and the Middle Ages. For decades, the rich but fragmentary manuscript evidence that this large agricultural estate left behind, preserved for 1,400 years by the desiccating sands of Egypt, has been central to arguments concerning the agrarian and fiscal history of Late Antiquity, including the rise of feudalism.
Wine, Wealth, and the State in Late Antique Egypt is the most authoritative synthesis concerning the economy of the Apion estate to appear to date. T. M. Hickey examines the records of the family's wine production in the sixth century in order to shed light on ancient economic practices and economic theory, as well as on the wine industry and on estate management. Based on careful study of the original manuscripts, including unpublished documents from the estate archive, he presents controversial conclusions, much at odds with the "top down" models currently dominating the scholarship.
Contrary to our stereotypical views, dictators often introduce elections in which they refrain from employing blatant electoral fraud. Why do electoral reforms happen in autocracies? Do these elections destabilize autocratic rule? The Dictator’s Dilemma at the Ballot Box argues that strong autocrats who can garner popular support become less dependent on coercive electioneering strategies. When autocrats fail to design elections properly, elections backfire in the form of coups, protests, and the opposition’s stunning election victories. The book’s theoretical implications are tested on a battery of cross-national analyses with newly collected data on autocratic elections and in-depth comparative case studies of the two Central Asian republics of Kazakhstan and Kyrgyzstan.
Alchemies of Theater brings together a broad selection of Higgins’s writings and theater-related work, much of it unpublished or long out of print, including plays and performance scores, drawings, and writings on theater and performance. As this book demonstrates, Higgins deconstructed the drama long before it became a project of theater; undercut the traditional roles of author and director; created what is now considered “devised” theater; pioneered the use of media in theater, writing the first electronic opera; and was a precursor in deconstruction and “postdramatic” avant-garde traditions. His Intermedia manifesto offered a sweeping view of interdisciplinarity—in effect, a new arts ecology.
In Godliness and Governance in Tudor Colchester Laquita M. Higgs traces the governance and the religion of that town. Though traditional piety held sway early in the Tudor era, there was a strong undercurrent of hereticism, even among town leaders. Such sympathy helps explain Colchester's embrace of Henry VIII's religious reforms. Town governors also found it advantageous to cooperate with the local nobleman, the earl of Oxford, and with their own Thomas Audley, who helped the King shape the reformation. Queen Mary's attempts to root out Protestantism strengthened Colchester's commitment to reform. Under Elizabeth, reformers gradually took over governance of the borough.
Colchester provides one of the earliest illustrations of the workings and tensions of Puritan town governance. Higgs examines the connections between governance and religion with special emphasis on the Elizabethan period. The town's development toward religious radicalism is shown by a comparison of the aldermen of 1530, 1560, and 1590. Higgs explores the camaraderie of the reformers, the attempt of town leaders to correct immoral behavior, and the resultant tensions that produced deep divisions between moderate reformers and radical Puritans. An analysis of extant wills shows the extent to which Puritan governors achieved some degree of success.
Godliness and Governance in Tudor Colchester will be of interest to historians of the Tudor period, Catholicism, Lollardy, and the English Protestant Reformation.
Laquita M. Higgs is Adjunct Lecturer in History, University of Michigan, Dearborn.
In the first of the volume's four parts, the author discusses the reasons--geographic, political, and religious--why Spain has proved a hard country to understand. Hillgarth looks at travelers to Spain, from pilgrims to diplomats, spies, exiles, and foreign residents. In its second part, special attention is devoted to the interaction between Christians, Jews, and Muslims, including Jewish and Muslim exiles and secret Jews within Spain.
In its third section, The Mirror of Spain explores reactions to Spain by those who saw it from the outside, the Italians, Dutch, French, and English. One chapter deals with the English, Scottish, and Irish Catholics, who, like the Jewish and Muslim exiles, played a double role in that they were at once "insiders" and outsiders. Finally, Hillgarth attempts to show how two crucial centuries have affected the way Spain has been seen down to the present.
The Mirror of Spain draws on a wide range of sources in different languages. It relies on documents in the Public Record Office and the British Library, the Archivo General de Simancas and the collections of the colleges founded by exiles in Spain, and on major libraries in Venice and Jerusalem. The volume will be of interest to a broad spectrum of scholars--to medievalists, historians of Spain, scholars of political and literary thought, and all those interested in notions of national identity.
J. N. Hillgarth has taught for many years at the University of Toronto and the Pontifical Institute of Mediaeval Studies. He is a Fellow of the British Academy and has received awards and honors from a wide variety of distinguished institutions in Europe and North America.
In this first comparative ethnographic look at the global transformation toward marital ideals characterized by emotional intimacy, companionship, and mutual choice—discussed here as "companionate marriage"—Modern Loves asks how this shift is occurring and explores the factors that promote and hinder it, just who is pushing for these more companionate relationships, and what advantages men and women see in modern love. The contributors analyze the intricate negotiations surrounding love, marriage, and sex in Mexico, India, Papua New Guinea, Brazil, Pakistan, Nigeria, Singapore, and Hong Kong and among Latino youth in East Los Angeles. Modern Loves presents the new global approach to kinship studies, examining both the microlevel practices that constitute and bind relationships and the macrolevel forces that shape the landscape of love.
Jennifer S. Hirsch is Associate Professor in the Department of Sociomedical Sciences, Mailman School of Public Health, Columbia University. Holly Wardlow is Assistant Professor of Anthropology at the University of Toronto.
"What‘s love got to do with it? Hirsch and Wardlow answer this question by demonstrating the relevance—indeed, centrality—of the ideologies and practices surrounding romantic love and companionate marriage to the study of social transformation more broadly. The essays compiled in this volume explore the material, structural, and demographic underpinnings of the global shift in marital ideals while also tracing some of the sources of this marital shift in mass media, missionization, and the spread of individualism. The contributors of the chapters provide ethnographically rich examples of the ways in which people living in different societies interpret and act upon these global forces and images in sometimes overlapping and sometimes varying ways. This volume is an important and thoughtful contribution to the study of emotion, gender, kinship, and social change." —Laura M. Ahearn, Department of Anthropology, Rutgers University
"With its rich descriptions of the nuances in romantic love and its lucid analysis of the political economy of conjugal relations, this book will be widely read and loved by anthropologists as well as the concerned public."
—Yunxiang Yan, Department of Anthropology, UCLA
"Modern Loves offers an overview of current scholarship on love in the context of sexual relationships cross-culturally, and provides a view of the complexity of varied aspects of emotion, social structure, and social change in contemporary sexual relationships. It clearly makes the case for a political economic understanding of the emergence of ideologies of love, marriage, and courtship as part of expanding global economies."
—Linda-Anne Rebhun, Department of Anthropology, Yale University
"Offers a clear introduction to a fascinating, yet little known, phenomenon in Nazi Germany, whose very existence will be a surprise to the general public and to historians. Easily blending general history with musicology, the book provides provocative yet compelling analysis of complex issues."
---Michael Meyer, author of The Politics of Music in the Third Reich
"Hirsch poses complex questions about Jewish identity and Jewish music, and she situates these against a political background vexed by the impossibility of truly viable responses to such questions. Her thorough archival research is complemented by her extensive use of interviews, which gives voice to those swept up in the Holocaust. A Jewish Orchestra in Nazi Germany is a book filled with the stories of real lives, a collective biography in modern music history that must no longer remain in silence."
---Philip V. Bohlman, author of Jewish Music and Modernity
"An engaging and downright gripping history. The project is original, the research is outstanding, and the presentation lucid."
---Karen Painter, author of Symphonic Aspirations: German Music and Politics, 1900-1945
The Jewish Culture League was created in Berlin in June 1933, the only organization in Nazi Germany in which Jews were not only allowed but encouraged to participate in music, both as performers and as audience members. Lily E. Hirsch's A Jewish Orchestra in Nazi Germany is the first book to seriously investigate and parse the complicated questions the existence of this unique organization raised, such as why the Nazis would promote Jewish music when, in the rest of Germany, it was banned. The government's insistence that the League perform only Jewish music also presented the organization's leaders and membership with perplexing conundrums: what exactly is Jewish music? Who qualifies as a Jewish composer? And, if it is true that the Nazis conceived of the League as a propaganda tool, did Jewish participation in its activities amount to collaboration?
Lily E. Hirsch is Assistant Professor of Music at Cleveland State University.
Although the use of music for extramusical purposes has been a part of American culture for some time, the phenomenon remained largely unknown to the general public until revelations became widespread of startling military practices during the second Iraq War. In Music in American Crime Prevention and Punishment, Lily E. Hirsch explores the related terrain at the intersection of music and law, demonstrating the ways in which music has become a tool of law enforcement and justice through: police and community leaders’ use of classical music in crime deterrence and punishment; the use of rap lyrics as prosecutorial evidence; allegations of music as incitement to violence; and the role of music in U.S. prisons and in detention centers in Guantanamo, Iraq, and Afghanistan.
In the course of her study, Hirsch asks several questions: How does the law treat music? When and why does music participate in the law? How does music influence the legal process? How does the legal process influence music? And how do these appropriations affect the Romantic ideals underlying our view of music?
Each chapter concludes with a list of key points and tasks and discussion questions for pre- and in-service instructors. Several chapters also include sample activities for teaching vocabulary at various instructional levels, designed to encourage readers to consider more deeply how they will include vocabulary instruction in their classrooms.
Vocabulary and Second Language Writing will be an excellent guide for all college-level writing instructors and help them understand the critical role that vocabulary plays in writing quality—something that is often disregarded in favor of holistic features like genre and rhetoric. The volume may also be useful for writing center administrators and those who train writing tutors.
Although the integrated reading-writing model has gained popularity in recent years, many teachers have little more than an intuitive sense of the connections between these skills. As part of the popular Michigan Series on Teaching Multilingual Writers, Connecting Reading and Writing in Second Language Instruction will provide invaluable background knowledge on this issue to ESL teachers in training, as well as teachers who are already practicing.
The new edition features two new chapters. The first is a chapter on assessment because students are now being asked to connect reading and writing in the classroom and on formal assessments like the TOEFL®. The second new chapter is an argument for accounting for transfer elements in the teaching and researching of reading-writing connections.
The goals of this revised volume are to provide: resources for those wishing to pursue reading-writing connections, summaries of the beliefs underlying those connections, ideas for teaching the connections in the classroom, and information about the work others have done to develop this domain of L2 writing.
Part I of the volume is topic-oriented and focuses on explorations of important issues and perspectives, while Part II features several chapters reporting classroom-based studies of a variety of instructional approaches that expand our understanding of how argumentative writing can be taught. The book will be of value to pre-service and in-service teachers in varying instructional contexts, as well as teacher educators and L2 writing scholars/researchers.
Yet a Court that prioritizes resolving many disputes will at times produce contradictory sets of opinions or fail to provide a rationale and legal precedent for its decision at all. In either case, it produces an unreasoned judgment. Conversely, a Court that prioritizes logically consistent doctrine will fail to resolve many underlying disputes in law and society. Inconsistency and Indecision in the United States Supreme Court demonstrates that over time, institutional changes, lobbied for by the justices, substantially reduced unreasoned judgments in the Court’s output, coinciding with a reduction in the Court’s caseload. Hence, the Supreme Court historically emphasized the first goal of dispute resolution, but evolved into a Court that prioritizes the second goal of logically consistent doctrine. As a result, the Court today fails to resolve more underlying questions in law and society in order to minimize criticism of its output from other elites. In so doing, the modern Court often fails to live up to its Constitutional obligation.
Beholding Disability also uncovers crucial counterdiscourses circulating in the English Renaissance that opposed cultural fantasies of ability and had a keen sensibility toward non-normative embodiments. Hobgood reads impairments as varied as epilepsy, stuttering, disfigurement, deafness, chronic pain, blindness, and castration in order to understand not just powerful fictions of ability present during the Renaissance but also the somewhat paradoxical, surprising ways these ableist ideals provided creative fodder for many Renaissance writers and thinkers. Ultimately, Beholding Disability asks us to reconsider what we think we know about being human both in early modernity, and today.
Ghostly Fragments gathers the essays of the late Barbara C. Hodgdon, a renowned scholar of Shakespeare and performance studies. Her influential publications over thirty years reflected a remarkable intelligence, wit, and originality, as did her lectures and conference papers. Richard Abel and Peter Holland have selected essays that represent the wide sweep of Hodgdon’s scholarship, including unpublished pieces and those from hard-to-access sources. The essays reveal a thinker and writer who grows more self-reflective over time, with a distinctive, engaging, often wryly humorous voice that is accessible even to nonspecialist readers.
Following a general introduction by Peter Holland, the book’s five subsections (Teaching Shakespeare, Analyzing Stage Performances, Editing Shakespeare Texts, Analyzing Shakespeare Films, and “Shopping” in the Archives) are introduced in turn by scholars Miriam Gilbert, W.B. Worthen, Margaret Jane Kidnie, Richard Abel, and Pascale Aebischer. Collectively, the pieces confirm the originality and élan of Hodgdon’s thinking and writing over time, and reveal her as a natural essayist and stylist, with a distinctive engaging voice. The collection is unique in not only bringing together so much of Hodgdon's work in one place (with an extensive bibliography of her published work) but also in demonstrating how groundbreaking and influential that work has been in the field.
Sampling and Remixing Blackness is a timely and accessible book that examines the social ramifications of cultural borrowing and personal adaptation of Hip-hop culture by non-Black and non-African American Black artists in theater and performance. In a cultural moment where Hip-hop theater hits such as Hamilton offer glimpses of Black popular culture to non-Black people through musical soundtracks, GIFs, popular Hip-hop music, language, clothing, singing styles and embodied performance, people around the world are adopting a Blackness that is at once connected to African American culture--and assumed and shed by artists and consumers as they please. As Black people around the world live a racial identity that is not shed, in a cultural moment of social unrest against anti-blackness, this book asks how such engagements with Hip-hop in performance can be both dangerous and a space for finding cultural allies. Featuring the work of some of the visionaries of Hip-hop theater including Lin-Manuel Miranda, Sarah Jones and Danny Hoch, this book explores the work of groundbreaking Hip-hop theater and performance artists who have engaged Hip-hop's Blackness through popular performance. The book challenges how we understand the performance of race, Hip-hop and Blackness in the age of Instagram, TikTok and Facebook. In a cultural moment where racial identity is performed through Hip-hop culture's resistance to the status quo and complicity in maintaining it, Hodges Persley asks us to consider who has the right to claim Hip-hop's blackness when blackness itself is a complicated mixtape that offers both consent and resistance to transgressive and inspiring acts of performance.
This book is about the application to economics of evolutionary ideas from biology. It is not about selfish genes or determination of our behavior by genetic code. The idea that evolution supports a laissez-faire policy is rebutted. The conception of evolution as progress toward greater perfection, along with the competitive individualism sometimes inferred from the notion of the "survival of the fittest," is found to be problematic. Hodgson explores the ambiguities inherent in biology and the problems involved in applying ideas of past economic thinkers--including Malthus, Smith, Marx, Marshall, Veblen, Schumpeter, and Hayek--and argues that the new evolutionary economics can learn much from the many differing conceptions of economic evolution.
"This is a work of enormous perceptivity and subtlety as well as judiciousness of interpretation and critique . . . [that] establish[es] Hodgson as the leading institutional theorist, and as one of the leading evolutionary theorists, of his generation." --Warren J. Samuels
"A daring and successful attempt to expunge the monopoly of reductionist and mechanistic thinking over evolutionary theory . . . a must for anyone who is interested not only in the foundations of economics, but also in the foundations of social theory." --Elias L. Khalil, Ohio State University
Geoffrey M. Hodgson is University Lecturer in Economics, Judge Institute for Management Studies, University of Cambridge.
Dr. Martin Luther King Jr. is as relevant today as he was when he led civil rights campaigns in the 1950s and 1960s. He was an agent and a prophet of political change in this country, and the election of President Barack Obama is his direct legacy.
Now from one of Britain's most experienced political observers comes a new, accessible biography of the man and his works. The story of King is dramatic, and Godfrey Hodgson presents it with verve, clarity, and acute insight based in part on his own reporting on-scene at the time. He interviewed King half a dozen times or more; heard his speech at the March on Washington; was in Birmingham, Selma and Chicago; and met many of the characters in King's life story. Martin Luther King combines the best of his own reporting, plus the work of other biographers and researchers, to trace the iconic civil rights leader's career from his birth in Atlanta in 1929, through the campaigns that made possible the Civil Rights Act of 1964 and the Voting Rights Act of 1965, to his assassination in Memphis in 1968. Hodgson sheds light on every aspect of an extraordinary life: the Black Baptist culture in which King grew up, his theology and political philosophy, his physical and moral courage, his insistence on the injustice of inequality, his campaigning energy, his repeated sexual infidelities.
Hodgson describes the political minefield in which King operated; follows how he gradually persuaded President Kennedy that he could not stand by and allow the civil rights movement to be frustrated; and describes how, on the verge of success, his career was threatened by President Johnson's anger at King's principled decision to come out against the Vietnam War. He also puts King's career into the context of American history in the crisis of the 1960s. In his life, King was frustrated; but in death, he has been triumphant.
Martin Luther King allows the charisma and power of King's personality to shine through, showing in gripping narrative style exactly how one man helped America to progress toward its truest ideals. Hodgson's extensive research and detail help paint an accurate, complex portrait of one of America's most important leaders.
Godfrey Hodgson has worked in Britain and America as a newspaper and magazine journalist; as a television reporter, documentary maker and anchor; as a university teacher and lecturer; and as the author of a dozen well-received books about U.S. politics and recent history, including America in Our Time, a history of the United States in the 1960s; More Equal than Others, on politics and society in twentieth-century America; and most recently, a biography of Senator Daniel Patrick Moynihan, The Gentleman from New York. Hodgson met King on a number of occasions between 1956 and 1967. He recently retired as director of the Reuters Foundation Programme at Oxford University and is a visiting journalism professor at City University in London.
PRAISE FOR America in Our Time
"A critique so stimulating and compelling that I can only say read it."
---Richard Lingeman, The New York Times
"It simply gets right, without great fuss, the detail and proportion of things like the civil rights movement, student unrest, the stages of our Vietnam engagement."
---Garry Wills, The New York Review of Books
PRAISE FOR More Equal than Others
"The most thoughtful, thorough and sorrowful book imaginable on what has happened in these years."
---Bernard Crick, The Independent
The Terrorism News Beat engages thinking about terrorism and the news media from the fields of political science, communication, criminology, economics, and sociology using multimethod research involving more than 2,500 newspaper articles published between 1997 and 2018. Chapters analyze the terrorism news beat’s subject matter, language, and coverage of the Oklahoma City Bombing, Olympic Park bombing, 9/11 attacks, DC Sniper case, and Dallas Police shooting. When it comes to language use, Hoffman finds that rather than giving into the temptation to convey the news in lurid detail, journalists are minimalists. The language used to depict events on the terrorism beat is typically moderate and extreme words like “torture” appear only as necessary. The Terrorism News Beat shows that contrary to claims of sensationalism, the tone of terrorism coverage becomes even more sober during terrorism crises than it is during non-crisis periods and meets journalistic standards for quality.
Between these are discussions of books by and about founding modernists (Pound, Moore, Sitwell, Frost, Graves, Auden) who do not “succumb to the imitative fallacy and gibber at the window because the house is on fire.” Hoffman’s historical imagination elucidates the work of many other contemporary American and British poets, including his own. Words to Create a World will appeal to the reader who enjoys poetry and who hopes for guidance over the sprawling terrain of verse in the twentieth century.
Drawing together all the evidence and arguments for Near Eastern immigrants in Crete, Hoffman demonstrates there are basic problems with the accepted interpretations. Evidence of continued technical expertise casts doubt on the necessity of reintroduction, while careful scrutiny of the evidence supporting immigrant craftsmen reveals many inadequacies in the currently accepted analyses.
Imports and Immigrants identifies the need for reassessing all dimensions of the question of artistic relationships between ancient Greece and other regions of the Aegean basin and suggests new avenues of inquiry in this important debate. The volume also reassesses arguments made for the presence of Near Eastern immigrants in Crete. This book includes a catalogue indispensable for future work on these issues and illustrations of most of the known imports to Crete.
Gail L. Hoffman is Associate Professor of Greek Art and Archaeology, Department of Classics, Yale University.
"Tyler Hoffman brings a fresh perspective to the subject of performance poetry, and this comes at an excellent time, when there is such a vast interest across the country and around the world in the performance of poetry. He makes important connections, explaining things in a manner that remains provocative, interesting, and accessible."
---Jay Parini, Middlebury College
American Poetry in Performance: From Walt Whitman to Hip Hop is the first book to trace a comprehensive history of performance poetry in America, covering 150 years of literary history from Walt Whitman through the rap-meets-poetry scene. It reveals how the performance of poetry is bound up with the performance of identity and nationality in the modern period and carries its own shifting cultural politics. This book stands at the crossroads of the humanities and the social sciences; it is a book of literary and cultural criticism that deals squarely with issues of "performance," a concept that has attained great importance in the disciplines of anthropology and sociology and has generated its own distinct field of performance studies. American Poetry in Performance will be a meaningful contribution both to the field of American poetry studies and to the fields of cultural and performance studies, as it focuses on poetry that refuses the status of fixed aesthetic object and, in its variability, performs versions of race, class, gender, and sexuality both on and off the page.
Relating the performance of poetry to shifting political and cultural ideologies in the United States, Hoffman argues that the vocal aspect of public poetry possesses (or has been imagined to possess) the ability to help construct both national and subaltern communities. American Poetry in Performance explores public poets' confrontations with emergent sound recording and communications technologies as those confrontations shape their mythologies of the spoken word and their corresponding notions about America and Americanness.
In the Western mind, outbursts of collective violence against Jews have been largely identified with Tzarist Russia and the medieval crusade massacres. However, by narrating pogroms as archaic, historians have overlooked their significance to the development of modern antisemitism in Germany and Europe as well as the reasons for its continued presence in the contemporary world. The evidence presented in this volume suggests that acts of exclusionary violence were not dead-end streets of futile protest. Rather, they were rehearsals for new kinds of destruction.
The integration of various perspectives and the close cooperation of scholars from different disciplines is a major achievement of this volume, which will be of interest to advanced undergraduates, graduate students, academics and the general reader in a variety of disciplines, including German studies, Jewish studies, Holocaust and genocide studies, ethnic relations, history, and the social sciences in general.
Christhard Hoffmann is Associate Professor of Modern European History, University of Bergen, Norway. Werner Bergmann is Professor of Research on Antisemitism, Technical University, Berlin, Germany. Helmut W. Smith is Associate Professor of History, Vanderbilt University.
An ambitious, original work, The Politics of Sociability is Stefan-Ludwig Hoffmann's exploration of the social and political significance of Freemasonry in German history. Drawing on de Tocqueville's theory that without civic virtue there is no civil society, and that civic virtue unfolds only through the social interaction between citizens, Hoffmann examines the critical link between Freemasonry and the evolution of German civil society in the late nineteenth century. The practice of Masonic sociability reflected an enlightened belief in the political significance of moral virtue for civil society, indeed, for humanity. Freemasons' self-image as civilizing agents, acting in good faith and with the unimpeachable idea of universal brotherhood, was contradicted not only by their heightened sense of exclusivity; Freemasons unintentionally exacerbated nineteenth-century political conflicts---for example, between liberals and Catholics, or Germans and French---by employing a universalist language.
Using a wealth of archival sources previously unavailable, Stefan-Ludwig Hoffmann shows how Freemasonry became a social refuge for elevated and liberal-minded bourgeois men who felt attracted to its secret rituals and moral teachings. German Freemasons sought to reform self and society but, Hoffmann argues, ultimately failed to balance modern politics with a cosmopolitan ethos. Hoffmann illuminates a capacious history of the political effects of Enlightenment concepts and practices in a century marked by nationalism, social discord, and religious conflict.
Stefan-Ludwig Hoffmann is Assistant Professor of Modern History at Ruhr-University Bochum. The German edition of this book, Die Politik der Geselligkeit: Freimaurerlogen in der deutschen Bürgergesellschaft, 1840-1918 (Vandenhoeck & Ruprecht, 2000), won the Association of German Historians' 2002 Hedwig Hintze Prize for Best First Book.
Tom Lampert was born in Boston in 1962 and grew up in northern California. He received a BA in political science from Stanford University (1986) and a PhD in government from Cornell (1998). His book, Ein einziges Leben (Hanser Verlag 2001) was published as One Life by Harcourt in 2004, which he translated himself. Lampert has worked as a freelance translator since 1998. He currently lives in Bad Kreuznach, Germany.
Cover Image: Monument of the Battle of the Nations in Leipzig, erected between 1898 and 1913 by German Freemasons, Barbarossa-Head by Christian Behrens, located next to the stairs leading to the monument. The German mythical figure of the Kaiser Barbarossa is depicted as a sphinx, which in Masonic symbolism protects the Masonic secret from profanation. Courtesy of the Deutsche Bücherei, Leipzig.
"This is an exemplary study of the role of Freemasonry in the German Bürgergesellschaft (civil society) of the nineteenth and early twentieth centuries, concise, comprehensive, and well written. It combines social profiling with a careful examination of contemporary concepts in a long-term diachronic study, based on an impressive amount of primary material. . . . Hoffmann's empirically and methodologically convincing study is not only a major contribution to our understanding of Freemasonry in the German Bürgergesellschaft. It also reflects the complex social and political transformation of German society in the nineteenth century and the difficulties contemporaries faced in responding to it."
---German History
"Hoffmann's arguments are theoretically informed, supported by a wealth of archival sources. . . . Indeed, in many ways this is the best combination of painstaking social history and well-argued Begriffsgeschichte (conceptual history). . . . One of the great virtues of this book is that Hoffmann does not shy away from the contradictions in the Freemasons' rhetoric and actions. Such contradictions, in fact, are key to the Mason's importance, because they force us to rethink some of our assumptions about Imperial Germany. . . . This is an important book that encourages us to rethink many of our characterizations of the German Kaiserreich and our assumptions about civil society."
---Central European History
"Based on a rich variety of sources. . . . Hoffmann explores the evolving relationship between Freemasonry and the monarchy, state, and church, and he also scrutinizes the internal practices and discourse of these notoriously secretive and cosmopolitan societies. . . . Hoffmann engages fruitfully with a wide historiography covering themes such as masculinity and racism, he dissects the complex attitude of Freemasonry to Jews and Catholics, and he scrutinizes the attacks of its conservative, clerical, and antisemitic critics."
---Journal of Modern History
The government's activities during two world wars and the Great Depression greatly increased its involvement in people's economic affairs, and by the time of Lyndon Johnson's Great Society, the transformation was complete. By the end of the twentieth century, the fundamental principle underlying American government had been transformed to democracy, and public policy was designed to further the will of the majority. The result has been a government that is larger and broader in scope.
From Liberty to Democracy examines American political history using the framework of public choice theory to show how American government grew more democratic, and how this resulted in an increase in the size and scope of government. It should appeal to historians, political scientists, and economists who are interested in the evolution of American government but does not assume any specialized training and can be read by anyone interested in American political history.
Randall G. Holcombe is DeVoe Moore Professor of Economics, Florida State University
Supplementary videos (on the migration, weaving, harvesting, and the bazaars) can be found on Fulcrum (fulcrum.org/UMMAA).
"Though its primary focus is on the immediate postwar, Between National Socialism and Soviet Communism will surely illuminate the contemporary crisis around citizenship and definitions of Germanness in the context of European Union and globalization."
---Geoff Eley, University of Michigan
In May of 1945, there were more than eight million "displaced persons" (or DPs) in Germany---recently liberated foreign workers, concentration camp prisoners, and prisoners of war from all of Nazi-occupied Europe, as well as eastern Europeans who had fled west before the advancing Red Army. Although most of them quickly returned home, it soon became clear that large numbers of eastern European DPs could or would not do so. In the aftermath of National Socialism, Germany thus ironically became a temporary home for a large population of "foreigners." Focusing on Bavaria, in the heart of the American occupation zone, Between National Socialism and Soviet Communism examines the cultural and political worlds that four groups of displaced persons---Polish, Ukrainian, Russian, and Jewish---created in Germany during the late 1940s and early 1950s. The volume investigates the development of refugee communities and how divergent interpretations of National Socialism and Soviet Communism defined these displaced groups.
Combining German and eastern European history, Anna Holian draws on a rich array of sources in cultural and political history and engages the broader literature on displacement in the fields of anthropology, sociology, political theory, and cultural studies. Her book will interest students and scholars of German, eastern European, and Jewish history; migration and refugees; and human rights.
The book maps new terrain in a growing area of critical study. Although critical of travel writing's complacency and its often unacknowledged ethnocentrism, the book recognizes its importance as both a literary and cultural form. While travel writing at its worst emerges as a crude expression of economic advantage, at its best it becomes a subtle instrument of cultural self-perception, a barometer for changing views of "other" (i.e., foreign, non-Western) cultures, and a trigger for the information circuits that tap us into the wider world.
Tourists with Typewriters gauges both the best and worst in contemporary travel writing, capturing the excitement of this most volatile--and at times infuriating--of literary genres. The book will appeal to general readers interested in a closer examination of travel writing and to academic readers in disciplines such as literary/cultural studies, geography, history, anthropology, and tourism studies.
"An eminently readable and informative study. It breathes tolerance and intelligence. It is critically perceptive and very au courant. It raises issues (coloniality, postmodernity, gender. . . ) and discusses books that readers of many different stripes will want to find out about." --Ross Chambers, University of Michigan
Patrick Holland, Associate Professor of English, University of Guelph, was born in New Zealand and educated in England, Australia, and Canada. Graham Huggan, Professor of English, University of Munich, was born in Hong Kong and educated in England and in British Columbia.
Among commentators, it had been an unexamined commonplace that the "young" Boccaccio either did not know well or did not understand sufficiently the texts of Dante (even though the "young" Boccaccio is construed as including the thirty-eight-year-old author of the Decameron.) In Boccaccio's Dante and the Shaping Force of Satire, Robert Hollander offers a valuable synthesis of new material and some previously published essays, addressing the question of Dante's influence on Boccaccio, particularly concerning the Commedia and the Decameron.
Hollander reveals that Boccaccio's writings are heavy with reminiscences of the Dante text, which he believed to be the greatest "modern" work. It was Boccaccio's belief that Dante was the only writer who had achieved a status similar to that reserved for the greatest writers of antiquity. Most of these essays try to show how carefully Boccaccio reflects the texts of Dante in the Decameron. Some essays also turn to the question of Boccaccio's allied reading of Ovid, especially the amatory work, as part of his strategy to base his work primarily on these two great authorities as he develops his own vernacular and satiric vision of human foolishness.
Boccaccio's Dante and the Shaping Force of Satire is a welcome addition to the field of Dante studies and to medieval studies in general.
Robert Hollander is Professor in European Literature and Chair, Department of Comparative Literature, Princeton University. He has received the city of Florence's gold medal for work advancing our understanding of Dante.
In Dante's Epistle to Cangrande Robert Hollander commandingly marshals new evidence to demonstrate that the epistle should be considered authentically Dantean. He further provides enlightening discussion of the nature of tragedy and comedy in the Divine Comedy. The author draws authoritatively on the extensive array of medieval and modern commentaries stored in electronic form by the Dartmouth Dante Project, of which he is the director.
Dante's Epistle to Cangrande makes a signal contribution to Dante studies. Naturally of interest to students of Dante's work, it will also be important reading for those concerned with literary critical questions such as authorial intent, programmatic statements, and allegorical interpretations of literature.
H.D.’s friends and lovers were a veritable Who’s Who of Modernism, and Hollenberg gives us a glimpse into H.D.’s relationships with them. With rich detail, the biography follows H.D. from her early years in America with her family, to her later years in England during both world wars, to Switzerland, which would eventually become H.D.’s home base. It explores her love affairs with both men and women; her long friendship with Bryher; the birth of her daughter, Perdita, and her imaginative bond with her; and her marriage to (and later divorce from) fellow poet Richard Aldington. Additionally, the book includes scenes from her relationships with Ezra Pound, Marianne Moore, William Carlos Williams, and D.H. Lawrence; H.D.’s fascination with spiritualism and the occult; and H.D.’s psychoanalysis with Sigmund Freud. The first new biography of H.D. to be published in over four decades, Winged Words is a must-read resource for anyone conducting research on H.D.
Ancient Life of the Great Lakes Basin provides a one-of-a- kind look at ancient life in the Great Lakes. Written for the layperson and for the professional with biological or geological interest in the Great Lakes region, the book describes most of the common fossils found in this region. Detailed illustrations help identify many of the fossilized organisms that can be found today. Among the most interesting illustrations presented in the book are Gijsbert van Frankenhuyzen's conceptions of what the fossilized creatures may have looked like when they were alive. In addition, color illustrations by van Frankenhuyzen depict spectacular scenes of ancient life in the Great Lakes area.
Did you know . . . ?
- Michigan is seventeenth in oil production in the United States.
- The Great Lakes are said to be the only glacially produced structures that can be seen from the moon.
- Michigan was once part of a coral reef.
- The wood frog is one of the commonest true frogs of moist woodland floors in Michigan today and is able to freeze solid during the winter without harmful effects.
These and many more amazing facts await the curious traveler in The Michigan Roadside Naturalist, J. Alan and Margaret B. Holman's captivating guide to the natural treasures of Michigan. A perfect accompaniment to the classic Michigan Trees and The Forests of Michigan, this user-friendly guide offers a Who's Who of the geology, biology, and archaeology of the Great Lakes State, as well as highway adventures along the state's major routes.
The book begins with an educational yet accessible tour of important points in Michigan's natural and archaeological history, followed by seven road trips based on commonly traveled state routes, moving from south to north in the Lower Peninsula and east to west in the Upper Peninsula. Readers can proceed directly to the road trips or familiarize themselves with the state's treasure trove of fascinating features before embarking. Either way, an informative and fun odyssey awaits the passionate naturalist, amateur or otherwise.
J. Alan Holman is Curator Emeritus of Vertebrate Paleontology at the Michigan State University Museum and Emeritus Professor of Geology and Zoology at Michigan State University. Margaret B. Holman is Research Associate at Michigan State University Museum and Department of Anthropology, Michigan State University.
Based on ethnographic and interview-based fieldwork conducted in 2012–13, The Black and White Rainbow: Reconciliation, Opposition, and Nation-Building in Democratic South Africa explores various themes of nation- and democracy-building, including the emotional and banal content of symbols of the post-apartheid state, the ways that gender and race condition nascent nationalism, the public performance of nationalism and other group-based identities, integration and sharing of space, language diversity, and the role of democratic functioning including party politics and modes of opposition. Each of these thematic chapters aims to explicate a feature of the multifaceted nature of identity-building, and link the South African case to broader literatures on both nationalism and democracy.
"A substantial contribution to understanding the role of public opinion and the news media during the Iraq War. Equally impressive, it effectively puts the domestic context of U.S. policy in historical perspective, making the book useful to historians as well as to political scientists."
---Ralph B. Levering, Davidson College
"American Public Opinion on the Iraq War sets out to chart against a detailed account of the war a nuanced assessment of how public opinion on the conflict evolved, the partisan differences that emerged, how the issue affected other areas of foreign policy opinion, and the limits of public opinion on policy. It succeeds at all of this, and it does so in a manner that is at once informative, inherently interesting, and exceptionally easy to read."
---Randolph M. Siverson, University of California, Davis
Ole R. Holsti explores the extent to which changes in public opinion reflected the vigorous public relations efforts of the Bush administration to gain support for the war and the partisanship marking debates over policies toward Iraq. Holsti investigates the ways in which the Iraq experience has led substantial numbers of Americans to reconsider their nation's proper international role, and he assesses the impact that public opinion has had on policymakers. Significantly, Holsti places his findings in a broader context to address the role of public opinion and of the media in democratic governance.
Thoroughly revised edition of an essential text, incorporating a wealth of new material on American foreign policy since 9/11.
The second edition of this concise masterwork includes vast amounts of new material on American foreign policy in the post-9/11 era, including the war in Iraq. Holsti explores the poorly understood role of public opinion in international affairs, looking at Americans' capacity to make informed judgments about issues far removed from their personal experience.
"Impressively comprehensive and current: an excellent revision of a book by the #1 authority on the topic. This new edition will remain at the forefront for consultation and textbook adoption on the topic for years to come."
-Bruce Russett, Yale University
"I thought the first edition was the best single treatment of the subject-so, apparently, did the student who 'borrowed' my copy-and this is a worthy successor. The new edition almost flawlessly accomplishes the goal Holsti sets for himself: an update of his landmark book in light of emerging research and the dramatically changed state of the world that confronts U.S. foreign policy."
-Randy Siverson, University of California, Davis
"For those who are curious about the impact of 9/11 on American public opinion, for serious students of the relationship between foreign policy and public opinion, for anyone who wants to understand contemporary American opinion about the United States' place in the world, and for citizens tired of conventional wisdom about a difficult and important subject, Holsti's study is not only interesting and topical, it is essential."
-Maxine Isaacs, Kennedy School of Government, Harvard University
"In an age of almost weekly polling on foreign policy, Holsti's insights are indispensable. He delivers double tour de force in this new edition, providing his own current and historical research along with a comprehensive synthesis of the existing literature. His analysis of the relationships between public opinion and foreign policy since 9/11 will prove particularly valuable for students and scholars alike."
-Richard Eichenberg, Tufts University
"Holsti combines a vast knowledge of political history and a mastery of the relevant scholarship with up-to-date empirical data to address the question of what role the general public can play in shaping foreign policy. This revised edition is a remarkable achievement."
-Shoon Murray, School of International Service, American University
"Holsti, the authority on American foreign policy attitudes, investigates others' views of us. It's not pretty. It matters. Read this."
---Bruce Russett, Dean Acheson Professor of International Relations, Yale University, and editor of the Journal of Conflict Resolution
"Clearly and engagingly written, Holsti's book ranks among the most important---and most objective---of the post-9/11 scholarly studies. It deserves a large readership, both within and beyond academe."
---Ralph Levering, Vail Professor of History, Davidson College
In terms of military and economic power, the United States remains one of the strongest nations in the world. Yet the United States seems to have lost the power of persuasion, the ability to make allies and win international support.
Why? Immediately after the terrorist attacks of 9/11, leaders and citizens of foreign nations generally expressed sympathy for the United States. Since then, attitudes have changed. Drawing upon public opinion surveys conducted in 30 nations, Ole R. Holsti documents an increasing anti-American sentiment. His analysis suggests that the war in Iraq, human rights violations, and unpopular international policies are largely responsible. Consequently, the United States can rebuild its repute by adopting an unselfish, farsighted approach to global issues.
Indeed, the United States must restore goodwill abroad, Holsti asserts, because public opinion indirectly influences the leaders who decide whether or not to side with the Americans.
Ole R. Holsti is George V. Allen Professor Emeritus of International Affairs in the Department of Political Science at Duke University and author of Public Opinion and American Foreign Policy.
Victor Holtcamp explores the invocations of scientific and industrial rhetoric and philosophy in the founding of the first schools of acting, and echoes of that rhetoric in playwriting, production, and the cinema, as Hollywood in particular embraced this industrially infected model of acting. In their divergent approaches to performance, the major US acting teachers (Lee Strasberg, Stella Adler, and Sanford Meisner) demonstrated strong rhetorical affinities for the language of industry, illustrating the pervasive presence of these industrial roots. The book narrates the story of how actors learned to learn to act, and what that process, for both stage and screen, owed to the interchangeable parts and mass production revolutions.
The Imprint of Another Life: Adoption Narratives and Human Possibilityaddresses a series of questions about common beliefs about adoption. Underlying these beliefs is the assumption that human qualities are innate and intrinsic, an assumption often held by adoptees and their families, sometimes at great emotional cost. This book explores representations of adoption—transracial, transnational, and domestic same-race adoption—that reimagine human possibility by questioning this assumption and conceiving of alternatives.
Literary scholar Margaret Homans examines fiction making’s special relationship to themes of adoption, an “as if” form of family making, fabricated or fictional instead of biological or “real.” Adoption has tended to generate stories rather than uncover bedrock truths. Adoptive families are made, not born; in the words of novelist Jeanette Winterson, “adopted children are self-invented because we have to be.” In attempting to recover their lost histories and identities, adoptees create new stories about themselves. While some believe that adoptees cannot be whole unless they reconnect with their origins, others believe that privileging biology reaffirms hierarchies (such as those of race) that harm societies and individuals. Adoption is lived and represented through an irresolvable tension between belief in the innate nature of human traits and belief in their constructedness, contingency, and changeability. The book shows some of the ways in which literary creation, and a concept of adoption as a form of creativity, manages this tension.
The texts examined include fiction (e.g., classic novels such as Silas Marner, What Maisie Knew, and Beloved); memoirs by adoptees, adoptive parents, and birthmothers; drama, documentary films, advice manuals, social science writing; and published interviews with adoptees, parents, and birth parents. Along the way the book tracks the quests of adoptees who, whether or not they meet their original families, must construct their own stories rather than finding them; follows transnational adoptees as they return, hopes held high, to Korea and China; looks over the shoulders of a generation of girls adopted from China as they watch Disney’s iconic Mulan, with its alluring story of destiny written on the skin; and listens to birthmothers as they struggle to tell painful secrets held for decades.
This book engages in debates within adoption studies, women’s and gender studies, transnational studies, and ethnic studies; it will appeal to literary scholars and critics, including specialists in memoir or narrative theory, and to general readers interested in adoption and in race.
The Mirror Diary tracks the emergence of an original poetic voice and a learned consciousness amid multiple and sometimes competing influences of complex literary traditions and regional and ethnic histories. Beginning with a literary inquiry into the history of Japanese Americans in Hawai`i and California, Garrett Hongo draws on his own history to consider the mosaic of American identities—personal, cultural, and poetic—in the context of a postmodern diaspora.
Hongo’s essays attest to the breadth of what he considers his cultural inheritance and literary antecedents, ranging from the poets of China’s T’ang Dynasty to American poets such as Walt Whitman and Charles Olson. He explains free-verse prosody by way of John Coltrane’s jazz; praises his contemporaries, poets David Mura, Edward Hirsch, and Mark Jarman; and acknowledges his mentors, Bert Meyers and Charles Wright. In other pieces he engages with controversies and contestations in contemporary Asian American literature, confronts the politics of race and the legacy of Japanese American internment during World War II, offers paeans to the Hawaiian landscape, and addresses immigrants newly arrived in America with a warm welcome. The Mirror Diary is the work of a poet fully engaged with contemporary politics and poetics and committed to the study and celebration of diverse traditions.
With its title essay, "Fables of Representation," one of the most cogent studies ever written of the New York School of poets (a group that includes the influential poet John Ashbery), this book is required reading for anyone who seeks to understand the poetry and culture of the postmodern period.
Author Paul Hoover's wide-ranging subjects include African-American interdisciplinary studies; the position of poetry in the electronic age; the notion of doubleness in the work of Harryette Mullen and others; the lyricism of the New York School poets; and the role of reality in American poetry. Hoover also introduces two provocative essays sure to generate attention and discussion: "The Postmodern Era: A Final Exam" and "The New Millennium: Fifty Statements on Literature and Culture."
Paul Hoover is the editor of the anthology Postmodern American Poetry and author of nine poetry collections, including Totem and Shadow: New and Selected Poems and Viridian. His poetry has appeared in American Poetry Review, The New Republic, and The Paris Review, among others. He is Poet-in-Residence at Columbia College, Chicago.
"This is a fascinating, brilliantly written book, as interesting in its description of the author's journeys as it is in its investigation of the reality that lies behind 'the finest novel in the English language with an Indian theme,'" as Kim has been described by Nirad Chaudhuri." --T. J. Binyon, Times Literary Supplement
"In an original combination of autobiography, travel writing, and literary detective work, Hopkirk manages accessibly to tell the story of Kim and his own obsession with it. Hopkirk illustrates how creatively and thoroughly the reading of a work of fiction can shape a whole life's experience." -- John R. Bradley, Independent on Sunday
". . . a reminder of just how absorbing was the world Kipling knew, and how fabulous was his transformation of it into literature." --Richard Bernstein, New York Times
Peter Hopkirk has traveled widely over many years in the regions where his books are set--Central Asia, Russia, China, India, Pakistan, and the Middle East. His nearly twenty years with The Times included work as an Asian affairs specialist. His previous books include The Great Game, Foreign Devils on the Silk Road, Trespassers on the Roof of the World, Setting the East Ablaze, and Our Secret Service East of Constantinople. His works have been translated into twelve languages.
---Saul Cornell, Ohio State University
The chapters of this volume illustrate the impact that developments in survey research have had and continue to have on a broad range of social science disciplines and interdisciplinary areas ranging from political behavior and electoral systems to macroeconomics and individual income dynamics, mental and physical health, human development and aging, and racial/ethnic diversity and relationships.
The volume will speak to a wide audience of social science and survey research professionals and students interested in learning more about the broad history of survey-based social science and its contributions to understanding ourselves as social beings. It also seeks to convey how crucial institutional and public support are to the development of social science and survey research, as they have been to development in the natural, biomedical, and life sciences.
The five editors of this book are longtime research professors and colleagues in the Survey Research Center of the Institute for Social Research at the University of Michigan. James S. House is also Professor in the Department of Sociology; F. Thomas Juster is Professor Emeritus in the Department of Economics; Robert L. Kahn is Professor Emeritus in the Department of Psychology and Department of Health Management and Policy; and Howard Schuman is Professor Emeritus in the Department of Sociology; Eleanor Singer is Research Professor in the Survey Research Center, all at the University of Michigan. Professors House (1991-2001), Kahn (1970-76), and Schuman (1982-90) have each served as Director of the Survey Research Center; Professor Juster served (1976-86) as Director of the Institute for Social Research; and Professor Singer served (1999-2002) as Associate Director of the Survey Research Center.
The contributors suggest there is little basis for the radical polycentrism that colors so much contemporary development thought. They focus on how the political capabilities of different societal and state actors develop over time and how their development is influenced by state action and a variety of institutional and other factors. The final chapter draws insightful conclusions about the political limitations and opportunities presented by current international discourse on poverty.
Peter P. Houtzager is a Fellow at the Institute of Development Studies, University of Sussex. He has been a visiting scholar at the Center for Latin American Studies, University of California, Berkeley, visiting lecturer at Stanford University, and lecturer at St. Mary's College. A political scientist with broad training in comparative politics and historical-institutional analysis, he has written extensively on the institutional roots of collective action.
Mick Moore is a Fellow at the Institute of Development Studies, University of Sussex, as well as Director of the Centre for the Future State. He has been a visiting professor at the Massachusetts Institute of Technology. His professional interests include political and institutional aspects of poverty reduction and of economic policy and performance, the politics and administration of development, and good government.
Notes on Vermin is an atlas of the literary vermin that appear in modern and contemporary literature, from Franz Kafka’s gigantic insect to Richard Wright’s city rats to Namwali Serpell’s storytelling mosquitoes. As parasites, trespassers, and collectives, vermin animals prove useful to writers who seek to represent life in the margins of power. Drawing on psychoanalysis, cultural studies, eco-Marxism, and biopolitics, this book explores four uses for literary vermin: as figures for the repressed thought, the uncommitted fugitive, the freeloading parasite, and the surplus life. In a series of short, accessible, interlinked essays, Notes on Vermin explores what animal pests can show us about our cultures, our environments, and ourselves.
"This highly readable account aimed at a general audience excels at telling the plight of the victims and how local political authorities reacted. The saddest lesson is how little the public and the government learned from Camille. Highly recommended for all public libraries, especially those on the Gulf and East coasts."
—Library Journal online
As the unsettled social and political weather of summer 1969 played itself out amid the heat of antiwar marches and the battle for civil rights, three regions of the rural South were devastated by the horrifying force of Category 5 Hurricane Camille.
Camille's nearly 200 mile per hour winds and 28-foot storm surge swept away thousands of homes and businesses along the Gulf Coast of Louisiana and Mississippi. Twenty-four oceangoing ships sank or were beached; six offshore drilling platforms collapsed; 198 people drowned. Two days later, Camille dropped 108 billion tons of moisture drawn from the Gulf onto the rural communities of Nelson County, Virginia-nearly three feet of rain in 24 hours. Mountainsides were washed away; quiet brooks became raging torrents; homes and whole communities were simply washed off the face of the earth.
In this gripping account, Ernest Zebrowski and Judith Howard tell the heroic story of America's forgotten rural underclass coping with immense adversity and inconceivable tragedy.
Category 5 shows, through the riveting stories of Camille's victims and survivors, the disproportionate impact of natural disasters on the nation's poorest communities. It is, ultimately, a story of the lessons learned-and, in some cases, tragically unlearned-from that storm: hard lessons that were driven home once again in the awful wake of Hurricane Katrina.
"Emergency responses to Katrina were uncoordinated, slow, and--at least in the early days--woefully inadequate. Politicians argued about whether there had been one disaster or two, as if that mattered. And before the last survivors were even evacuated, a flurry of finger-pointing had begun. The question most neglected was: What is the shelf life of a historical lesson?"
Ernest Zebrowski is founder of the doctoral program in science and math education at Southern University, a historically black university in Baton Rouge, Louisiana, and Professor of Physics at Pennsylvania State University's Pennsylvania College of Technology. His previous books include Perils of a Restless Planet: Scientific Perspectives on Natural Disasters. Judith Howard earned her Ph.D. in clinical social work from UCLA, and writes a regular political column for the Ruston, Louisiana, Morning Paper.
"Category 5 examines with sensitivity the overwhelming challenges presented by the human and physical impacts from a catastrophic disaster and the value of emergency management to sound decisions and sustainability."
--John C. Pine, Chair, Department of Geography & Anthropology and Director of Disaster Science & Management, Louisiana State University
Footpaths and Bridges celebrates the vitality and diversity of Native American women, collecting plays ranging from ETHNOSTRESS—a humorous take on art and identity politics—to the biographical musical Te Ata to a retelling of the Thanksgiving story from the Wampanoag perspective. The dramatic works are accompanied by critical commentary that illuminates Native American women’s theater practices and perspectives, highlighting the issues of heritage, identity, and changing lifestyles that the plays imaginatively tackle.
Featuring work from a wide array of tribes and geographic regions, the collection affords the artist, scholar, and general reader access to previously unheard voices that communicate the complexity and the diversity of the Native American experience. The far-ranging genres and content of the plays suggest the many possibilities for communicating the past and the present, the personal and the political, and the stunning kaleidoscope of Native American life and art.
“Often thoughtful provocateurs, Native American playwrights are frequently overlooked . . . eminently readable, and possibly performable, the plays [in this collection] examine colonization, generational differences, ‘ethnostress,’ and cultural identity.”
—Choice
U.S. health care has changed dramatically during the past century. A new breed of physicians use new machines, vaccines, and ideas in ways that have touched the lives of virtually everyone. How and why did these changes occur?
The biographical essays comprising this volume address this question through the stories of six scientific innovators at the University of Michigan Medical School. Michigan was the first major U.S. medical school to admit women, to run its own university hospital, and, by the turn of the century, was recognized as one of the finest medical schools in the country. The people whose stories unfold here played a central part in defining the place of medical science at the University of Michigan and in the larger world of U.S. health care.
Introductory sections are followed by biographical profiles of George Dock, Thomas Francis, Albion Hewlett, Louise Newburgh, Cyrus Strurgis, and Frank Wilson. Drawing on extensive archival research, the authors provide a richly textured portrait of academic medical life and reveal how the internal content of science and medicine interacted with the social context of each subject's life. Also explored is the relationship between the environment (the hospital, the university, and the city) and the search for knowledge.
These narratives expand our perspective on twentieth-century medical history by presenting these individuals' experiences as extended biopsies of the period and place, focal points illuminating the personal nature of medicine and locating the discipline within a social and institutional setting.
Joel D. Howell is Associate Professor, Department of Internal Medicine, Department of History, and Department of Health Services Management and Policy, University of Michigan.
Washtenaw County Bike Rides is ideal for people who are new to the county, are new to bike riding, or simply want to expand their repertoire of rides. All routes described in the book start or end in Washtenaw County and have been selected with a preference for rides outside of the city. All the routes are paved. Joel Howell details the roads, the areas that require caution, the difficulty of the rides, and routes that can be extended for longer rides.
Includes routes and maps for Dixboro, Dexter-Chelsea, Gallup Park, Hell, Huron River Drive, Manchester, Waterloo, East Lansing, and more, as well as an overview map and ride log.
Joel D. Howell is a physician, medical historian, and avid biker who has personally ridden all of the trails featured in the book. He lives in Ann Arbor.
"Two of the strongest predictors of an active lifestyle are convenient access to exercise opportunities, and pleasant and beautiful exercise environments. Joel Howell's book has solved both of these factors with a collection of some of the most beautiful and accessible biking (and running!) routes in the upper Midwest."
---Thomas L. Schwenk, M.D., Chair of Family Medicine, University of Michigan
"This book includes all the main biking routes making it a 'must have' for any cyclist new to the Ann Arbor area. There are also great tidbits of local lore and super photographs that make it a welcome addition to the libraries of cyclists who have ridden these roads countless times."
---Mark Lovejoy, President, Ann Arbor Velo Club
"Howell has performed a genuine service for county residents and visitors. Get moving, Washtenaw!"
---Kenneth Warner, Dean, University of Michigan School of Public Health
competitiveness is a dangerous obsession that distracts us from the question most central to solving the problem of stagnant real income growth, namely, what causes productivity growth, especially in the service sector.
The central argument is that, if the U.S. economy is to achieve full employment with rising real wages, it is necessary to enhance the competitiveness of its tradable goods sector. The book shows that current account deficits cannot be explained by macroeconomic mismanagement but are rather the consequence of an uncompetitive manufacturing sector. It finds that the long-term health of the manufacturing sector requires not only across-the-board policies to remedy problems of low or inefficient investment, but also sectoral policies to address problems that are strategic to resolving the balance of payments problems. Lessons are drawn from the experience of some European and Asian countries.
This book will be of interest to economists, political scientists, and business researchers concerned with the place of the manufacturing sector in overall health of the U.S. economy, with issues of industrial policy and industrial restructuring, and with the conditions for rising standards of living.
Candace Howes is Associate Professor, Barbara Hogate Ferrin Chair, Connecticut College. Ajit Singh is Professor of Economics, Queens College, Cambridge.
David Howes is Professor of Anthropology, Concordia University, Montreal, Quebec.
The story of the African American contributions to the symphonic jazz vogue of the 1920s through the 1940s.
During the early decades of the twentieth century symphonic jazz involved an expansive family of music that emulated, paralleled, and intersected the jazz tradition. Though now largely forgotten, symphonic jazz was both a popular music---arranging tradition and a repertory of hybrid concert works, both of which reveled in the mildly irreverent interbreeding of white and black and high and low music. While the roots of symphonic jazz can be traced to certain black ragtime orchestras of the teens, the idiom came to maturation in the music of 1920s white dance bands.
Through a close examination of the music of Duke Ellington and James P. Johnson, Ellington Uptown uncovers compositions that have usually fallen in the cracks between concert music, jazz, and popular music. It also places the concert works of these two iconic figures in context through an investigation both of related compositions by black and white peers and of symphonic jazz---style arrangements from a diverse number of early sound films, Broadway musicals, Harlem nightclub floor shows, and select interwar radio programs.
Both Ellington and Johnson were part of a close-knit community of several generations of Harlem musicians. Older figures like Will Marion Cook, Will Vodery, W. C. Handy, and James Reese Europe were the generation of black musicians that initially broke New York entertainment's racial barriers in the first two decades of the century. By the 1920s, Cook, Vodery, and Handy had become mentors to Harlem's younger musicians. This generational connection is a key for understanding Johnson’s and Ellington's ambitions to use the success of Harlem's white-oriented entertainment trade as a springboard for establishing a black concert music tradition based on Harlem jazz and popular music.
John Howland is Assistant Professor of Music at Rutgers University and the cofounder and current editor-in-chief of the journal Jazz Perspectives. This work has been supported through several prestigious awards, including the Lloyd Hibberd Publication Endowment Fund of the American Musicological Society.
Pastoral poetry highlights the didactic relationship of older and younger shepherds, whether as rivals or as patron and successor. As such it is an ideal form for young poets' self-representation vis-à-vis their elders, whose work they simultaneously appropriated and transformed, even as the elder poets were represented in the new texts. This influence is reenacted in every generation: Theocritus vs. his Alexandrian forebears, Vergil vs. Theocritus, Calpurnius vs. Vergil, Nemesianus vs. Vergil and Calpurnius, Petrarch vs. Vergil, Boccaccio vs. Petrarch, Spenser vs. Vergil, along with Chaucer and Milton vs. Spenser.
The Pipes of Pan combines multiple strands of contemporary intertextual theory with reception aesthetics and Harold Bloom's theory of intersubjective conflict between generations of poets. It also provides one of the first systematic studies of intertextual and intersubjective dynamics within a whole genre.
This work will be of interest to classicists, students of literary theory, comparative literature, medieval and Renaissance literature, Italian humanism, and English literature of the sixteenth and seventeenth centuries. All texts are translated.
Thomas Hubbard is Associate Professor of Classics, University of Texas at Austin.
"Sue Hubbell's From Here to There and Back Again is stylish and thought-provoking. As her brother I have long admired her mince pies and her ability to knit her own thermal underwear."
---Bil Gilbert
"The real masterwork that Sue Hubbell has created is her life."
---New York Times Book Review
"A latter-day Henry Thoreau with a sense of the absurd."
---Chicago Sun-Times
"Sue Hubbell writes splendidly."
---William Least Heat-Moon
"Prose as clear, languorous and beautiful as honey poured from a jar."
---People
From Here to There and Back Again is the much-anticipated collection of essays on an array of offbeat and engrossing subjects by magazine essayist and nature writer Sue Hubbell, author of A Country Year, Shrinking the Cat, and Waiting for Aphrodite.
Reading Sue Hubbell is like embarking on a journey of discovery with a close friend. Her writing is witty, learned yet unassuming, intensely personal, and pointedly honest as she ranges far and wide on such topics as after-hours truck stops, the country's best pie restaurants, bowling shoes, Costa Rica's blue morpho butterfly, earthquakes, and the honey trade. Several of her pieces take place in Michigan locales as well, including Elvis sightings in Vicksburg and the magicians' convention in Colon. In the end you'll return from these travels refreshed, enlightened-and wiser.
Missionary groups thus faced more immediately the destabilizing challenges that colonial experience posed to their own ways of organizing relations between women and men. Examining the changing prospects for professional women in the missions, the contributors to Gendered Missions ask how these shaped, and were shaped by, crucial practical, political, and religious developments at home and abroad. While the focus is on the tumultuous period that historian Eric Hobsbawm calls "The Age of Empire" (1875-1914), attention also is paid to how gender has been debated in later colonial and post-colonial missions.
Scholars from any field concerned with colonial and postcolonial societies or with gender and women's history should find this book of special interest. In addition, Gendered Missions should appeal to readers in church history, mission studies, and the sociology of religion.
Mary Taylor Huber is Senior Scholar, The Carnegie Foundation for the Advancement of Teaching. Nancy C. Lutkehaus is Associate Professor of Anthropology, University of Southern California.
Praise for Andrew Hudgins
"Hudgins . . . [is] one of the few poets of the American South who can be both solemn and sidesplitting in a single poem."
---Publishers Weekly
"Andrew Hudgins is a natural storyteller . . . The surface[s] of Hudgins's poems---their quirky economy, the sheer music of his prosody---are so right because he goes so deep."
---Washington Post
A volume in the Poets on Poetry series, which collects critical works by contemporary poets, gathering together the articles, interviews, and book reviews by which they have articulated the poetics of a new generation.
Andrew Hudgins's Diary of a Poem is an engaging collection of essays that offers pleasure and profit to its readers. The title essay discusses the author's amusing travails as he attempts to write an ode about intestines, while other pieces explore the poetry of James Agee, Donald Justice, Allen Tate, and other poets, as well as the musician Johnny Winter, who is the subject of a rollicking segment about rock 'n' roll. More seriously, Hudgins writes with lively good humor about his tomato garden, the unread books piled up precipitously around his bed, and the emotional problems that led to an embarrassingly intimate, yet funny encounter with his father-in-law.
Diary of a Poem is lively, charming, often humorous, and a pleasurable read for the general reader and the poetry specialist alike.
Author photo by Jo McCulty
Finally coming to rest on an examination of his own autobiography, The Glass Hammer, Hudgins reveals some of the ways he lied in that book--and some of the reasons for doing so. In a lighthearted manner, he manages to throw both light--and shadow--on the autobiography as a literary form. Amid charming anecdotes of his Southern upbringing, The Glass Anvil vividly records the depth of Hudgins's fascination with language, particularly as it mingles with the important issues of his life--religion, racism, Southern literature, and narrative poetry. This fascination is further documented in a free-wheeling interview which closes the book.
Engaging and amusing reading, The Glass Anvil will appeal to readers interested in contemporary poetry and Southern literature.
Andrew Hudgins's books include The Never Ending, After the Lost War: A Narrative, Saints and Strangers, and most recently The Glass Hammer. He is Professor of English, University of Cincinnati.
Recent figures suggest that there will be 1.6 billion arrivals at world airports by the year 2020. Extreme Pursuits looks at the new conditions of global travel and the unease, even paranoia, that underlies them---at the opportunities they offer for alternative identities and their oscillation between remembered and anticipated states. Graham Huggan offers a provocative account of what is happening to travel at a time characterized by extremes of social and political instability in which adrenaline-filled travelers appear correspondingly determined to take risks. It includes discussions of the links between tourism and terrorism, of contemporary modes of disaster tourism, and of the writing that derives from these; but it also confirms the existence of more responsible forms of travel/writing that demonstrate awareness of a chronically endangered world.
Extreme Pursuits is the first study of its kind to link travel writing explicitly with structural changes in the global tourist industry. The book makes clear that travel writing can no longer take refuge in the classic distinctions (traveler versus tourist, foreigner versus native) on which it previously depended. Such distinctions---which were dubious in the first place---no longer make sense in an increasingly globalized world. Huggan argues accordingly that the category "travel writing" must include experimental ethnography and prose fiction; that it should concern itself with other kinds of travel practices, such as those related to Holocaust deportation and migrant labor; and that it should encompass representations of travelers and "traveling cultures" that appear in popular media, especially TV and film.
Graham Huggan is Professor of Commonwealth and Postcolonial Literatures at the University of Leeds. He is the coauthor, with Patrick Holland, of Tourists with Typewriters: Critical Reflections on Contemporary Travel Writing (University of Michigan Press) and coauthor, with Helen Tiffin, of Postcolonial Ecocriticism (Routledge).
Illustration: "Shadow Wall," 2006 © Shaun Tan.
In the nineteenth century, long before film and television arrived to electrify audiences with explosions, car chases, and narrow escapes, it was America's theaters that offered audiences such thrills, with "sensation scenes" of speeding trains, burning buildings, and endangered bodies, often in melodramas extolling the virtues of temperance, abolition, and women's suffrage. In Spectacles of Reform , Amy E. Hughes scrutinizes these peculiar intersections of spectacle and reform, revealing that spectacle plays a crucial role in American activism. By examining how theater producers and political groups harnessed its power and appeal, Hughes suggests that spectacle was—and remains—central to the dramaturgy of reform.
Engaging evidence from lithographs to children's books to typography catalogs, Hughes traces the cultural history of three famous sensation scenes—the drunkard suffering from the delirium tremens, the fugitive slave escaping over a river, and the victim tied to the railroad tracks—assessing how they conveyed, allayed, and denied concerns about the rights and responsibilities of citizenship. These images also appeared in printed propaganda, suggesting that the coup de théâtre was an essential part of American reform culture. Additionally, Hughes argues that today's producers and advertisers continue to exploit the affective dynamism of spectacle, reaching an even broader audience through film, television, and the Internet.
To be attuned to the dynamics of spectacle, Hughes argues, is to understand how we see. Consequently, Spectacles of Reform will interest not only theater historians, but also scholars and students of political, literary, and visual culture who are curious about how U.S. citizens saw themselves and their world during a pivotal period in American history.
Hardworking actor, playwright, and stage manager Harry Watkins (1825–94) was also a prolific diarist. For fifteen years Watkins regularly recorded the plays he saw, the roles he performed, the books he read, and his impressions of current events. Performing across the U.S., Watkins collaborated with preeminent performers and producers, recording his successes and failures as well as his encounters with celebrities such as P. T. Barnum, Junius Brutus Booth, Edwin Forrest, Anna Cora Mowatt, and Lucy Stone. His is the only known diary of substantial length and scope written by a U.S. actor before the Civil War—making Watkins, essentially, the antebellum equivalent of Samuel Pepys. Theater historians Amy E. Hughes and Naomi J. Stubbs have selected, edited, and annotated excerpts from the diary in an edition that offers a vivid glimpse of how ordinary people like Watkins lived, loved, struggled, and triumphed during one of the most tumultuous periods in U.S. history. The selections in A Player and a Gentleman are drawn from a more expansive digital archive of the complete diary. The book, like its digital counterpart, will richly enhance our knowledge of antebellum theater culture and daily life in the U.S. during this period.
In Available Surfaces , T. R. Hummer explores the art of making both poetry and music, and of the concept of "making" itself. He draws on childhood experiences and experiences as an adult, as a poet, and as an explorer of unworldly spaces to examine that "something ineffable about the process of making of which the poem is the exemplary artifact."
Hummer grew up in the deep South, and spent many of his high school years playing saxophone in various rock and roll bands before he met poetry. This musical influence is visible in his work: he often discusses poetry together with music, or music with poetry, and his career has included both writing and performance.
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