A SCHOLARLY BOOK REPOSITORY381 start with B start with B
Johann Sebastian Bach holds a singular position in the history of music. A uniquely gifted musician, he combined outstanding performing virtuosity with supreme creative powers and remarkable intellectual discipline. More than two centuries after his lifetime, Bach’s work continues to set musical standards.
The noted Bach scholar Christoph Wolff offers in this book new perspectives on the composer’s life and remarkable career. Uncovering important historical evidence, the author demonstrates significant influences on Bach’s artistic development and brings fresh insight on his work habits, compositional intent, and the musical traditions that shaped Bach’s thought. Wolff reveals a composer devoted to an ambitious and highly individual creative approach, one characterized by constant self-criticism and self-challenge, the absorption of new skills and techniques, and the rethinking of riches from the musical past.
Readers will find illuminating analyses of some of Bach’s greatest music, including the B Minor Mass, important cantatas, keyboard and chamber compositions, the Musical Offering, and the Art of Fugue. Discussion of how these pieces “work” will be helpful to performers—singers, players, conductors—and to everyone interested in exploring the conceptual and contextual aspects of Bach’s music. All readers will find especially interesting those essays in which Wolff elaborates on his celebrated discoveries of previously unknown works: notably the fourteen “Goldberg” canons and a collection of thirty-three chorale preludes.
Representing twenty-five years of scholarship, these essays—half of which appear here in English for the first time—have established Christoph Wolff as one of the world’s preeminent authorities on J. S. Bach. All students, performers, and lovers of Bach’s music will find this an engaging and enlightening book.
In July 1909 twenty-one-year-old Elizabeth Corey left her Iowa farm to stake her claim to a South Dakota homestead. Over the next ten years, as she continued her schoolteaching career and carved out a home for herself in this inhospitable territory, she sent a steady stream of letters to her family back in Iowa. From the edge of modern America, Bess wrote long, gossipy accounts—"our own continuing adventure story," according to her brother Paul—of frontier life on the high plains west of the Missouri River. Irrepressible, independent-minded, and evidently fearless, the self-styled Bachelor Bess gives us a firsthand, almost daily account of her homesteading adventures. We can all stake a claim in her energetic letters.
These essays are much more than fish stories; they reveal the community and communion of fishing and the bonds to place the author nurtured through it. Whether he recalls carousing and tale-swapping with friends or excellence found through the challenge of the cast, Metcalf’s words, sometimes roiling and turbulent, sometimes calm and reflective, like a western river, vividly convey the pull of the steelhead and the fight for survival. Whether or not you fish, Metcalf’s sharp-eyed, open and honest look at life will draw you in.
"These waters have been my home, and I fish them more than most. In truth, they have saved my life on more than a few occasions. I seek refuge in the quiet solitude of rivers, and in dark hours of my life—including this particular year—I need desperately to be fly-fishing." —From the book
In this elegant, humorous, and brutally frank memoir, Weimer's discoveries—documentative and imaginative, historical and personal—reveal much about what motivates research, and what motivates healing.
During the 1960s, Birmingham, Alabama was the central battleground in the struggle for human rights in the American South. As one of the most segregated cities in the United States, the city of Birmingham became infamous for its suppression of civil rights and for official and vigilante violence against its African American citizens, most notoriously the use of explosives in the Sixteenth Street Baptist Church bombing and the bombing of the home of Reverend Fred Shuttlesworth.
In October of 1979, Birmingham elected its first Black mayor, Richard Arrington Jr. He was born in the rural town of Livingston, Alabama. His family moved to Birmingham when he was a child. A man of quiet demeanor, he was nevertheless destined to bring to fruition many of the fundamental changes that the Civil Rights Movement had demanded. This is his story. Not a conventional political or Civil Rights history, Back to Birmingham is the story of a man who demonstrated faith in his region and people. The work illuminates Arrington's sense of place, a quality that enables a person to claim sentimentally a portion of the natural and human environment. Franklin passionately underscores the importance of the attachment of Southern Blacks to their land and place.
Back to Birmingham will appeal to both the general reader and the serious student of American society. The book endeavors to bridge the gap between popular and scholarly history. It is guided by the assumption that Americans of whatever description can find satisfaction in comprehending social change and that they are buoyed by the individual triumph of those who beat the odds.
Nevada sheep rancher Joe Juaristi spoke for years about making a trip back to the Spanish Basque Country that he left sixty years earlier, but each time the subject came up the discussion evolved into a family debate about the scope and members of the journey. Finally Joe's son, Vince, secretly resolved to organize the trip that his father wanted and needed--the two of them, traveling alone, making a quiet reunion with Joe's twin sister, who suffers from Alzheimer's, visiting other aging siblings and friends, and recounting the places that formed Joe's memories of his youth.
Back to Bizkaia is part travel book, part memoir of two men exploring their mutual roots and their unique father-son bond. The narrative intertwines an engaging account of the contemporary Basque Country with Joe's experiences as an immigrant making his way in a new country and Vince's memories of growing up in a close Basque-American community in the American West. This is a book about Basques and their American families, but on another level it is every immigrant's story of return to a beloved homeland.
Wayman Hogue’s stories of growing up in the Ozarks, according to a 1932 review in the New York Times, “brilliantly illuminate mountain life to its very heart and in its most profound aspects.” A standout among the Ozarks literature that was popular during the Great Depression, this memoir of life in rural Arkansas in the decades following the Civil War has since been forgotten by all but a few students of Arkansas history and folklore.
Back Yonder is a special book. Hogue, like his contemporary Laura Ingalls Wilder, weaves a narrative of a family making its way in rugged, impoverished, and sometimes violent places. From one-room schoolhouses to moonshiners, the details in this story capture the essence of a particular time and place, even as the characters reflect a universal quality that will endear them to modern readers.
Historian Brooks Blevins’s new introduction explores the life of Charles Wayman Hogue, analyzes the people and events that inspired the book, and places the volume in the context of America’s discovery of the Ozarks in the years between the World Wars. The University of Arkansas Press is proud to reissue Back Yonder as the first book in the Chronicles of the Ozarks series, making this Arkansas classic available again, ready to be discovered and rediscovered by readers sure to find the book as interesting and entertaining as ever.
This book combines biography and oral history by offering a wide range of anecdotes and remembrances about Ike by friends and family. Many describe the great adventures and gut-wrenching close calls that have become enshrined in local folklore as classic "Ike Russell stories," in all their hair-raising and hilarious splendor.
Russell was an easterner who moved to Arizona for his health and got his pilot's license in 1948—despite suffering from a respiratory disorder that would have kept other men firmly anchored to the ground. Over the years he flew scientists and other scholars to remote field locations in Mexico's Gulf of California and Sierra Madre Occidental that otherwise might not have been investigated. He often landed on short and dangerous airstrips and never seemed to mind running out of gas, getting caught without provisions, or attempting night landings in unlighted terrain. He took along a teapot wherever he went—and wherever he stopped, his first priority was to brew a quick cup.
Backcountry Pilot is the story of a larger-than-life adventurer, with those who knew Ike sharing tales tall and true about his famous exploits, brushes with fate, and sometimes narrow escapes from the jaws of disaster. It includes reminiscences by such scientists and friends as botanist Richard Felger, whom Ike frequently flew down to Seriland; ethnohistorian Bernard Fontana, whom Ike took to Tarahumara country; and paleoecologist Paul Martin, who talked Ike into a nine-month trip through Africa over totally unfamiliar terrain. A concluding chapter by Thomas Bowen offers a brief biographical sketch of Russell.
Ike Russell was a central figure for a generation of people who studied the southwestern desert and who helped others see it as a biological treasure rather than a wasteland. More than a highly skilled bush pilot, he was an extraordinary human being who touched the lives of everyone he met. For those who never got the chance, Backcountry Pilot secures Ike Russell's legacy in the desert skies.
You might not know the name Tyrus Wong, but you probably know some of the images he created, including scenes from the beloved Disney classic Bambi. Yet when he came to this country as a child, Tyrus was an illegal immigrant locked up in an offshore detention center. How did he go on to a long and prosperous career drawing animation cels, storyboards, and greeting cards that shaped the American imagination?
Background Artist shares the inspiring story of Tyrus Wong’s remarkable 106-year life and showcases his wide array of creative work, from the paintings and fine art prints he made working for Roosevelt’s Works Progress Administration to the unique handmade kites he designed and flew on the Santa Monica beach. It tells how he came to the United States as a 10-year-old boy in 1920, at a time when the Chinese Exclusion Act barred him from legal citizenship. Yet it also shows how Wong found American communities that welcomed him and nurtured his artistic talent. Covering everything from his work as a studio sketch artist for Warner Bros. to the best-selling Christmas cards he designed for Hallmark and other greeting card companies, this book celebrates a multi-talented Asian-American artist and pioneer.
Subversive, funny, and effortlessly droll, Jules Feiffer’s cartoons were all over New York in the 1960s and ’70s—featured in the Village Voice, but also cut out and pinned to bulletin boards in offices and on refrigerators at home. Feiffer describes himself as “lucking into the zeitgeist,” and there’s some truth to the sentiment; Feiffer’s brand of satire reflected Americans’ ambivalence about the Vietnam War, changing social mores, and much more.
Feiffer’s memoir, Backing into Forward, like his cartoons, is sharply perceptive with a distinctive bite of mordant humor. Beginning with his childhood in Brooklyn, Feiffer paints a picture of a troubled kid with an overbearing mother and a host of crippling anxieties. From there, he discusses his apprenticeship with his hero, Will Eisner, and his time serving in the military during the Korean War, which saw him both feigning a breakdown and penning a cartoon narrative called “Munro” that solidified his distinctive aesthetic as an artist. While Feiffer’s voice grounds the book, the sheer scope of his artistic accomplishment, from his cartoons turning up in the New Yorker, Playboy, and the Nation to his plays and film scripts, is remarkable and keeps the narrative bouncing along at a speedy clip. A compelling combination of a natural sense of humor and a ruthless dedication to authenticity, Backing into Forward is full of wit and verve, often moving but never sentimental.
“Jules Feiffer’s original and neurotic voice. . . . reinvented comics in the 1950s and made possible what’s now called the ‘graphic novel.’ His engaging new memoir is told in that same witty and perceptive New York cadence, mellowed and laced with wisdom. He’s an inspiration.”—Art Spiegelman
Told in lyric fragments, The Backwards Hand traces Matt Lee’s experience living in the United States for more than thirty years with a rare congenital defect. Weaving in historical research and pop culture references, Lee dissects how the disabled body has been conflated with impurity, worthlessness, and evil. His voice swirls amid those of artists, criminals, activists, and philosophers. With a particular focus on horror films, Lee juxtaposes portrayals of fictitious monsters with the real-life atrocities of the Nazi regime and the American eugenics movement. Through examining his struggles with physical and mental health, Lee confronts his own beliefs about monstrosity and searches for atonement as he awaits the birth of his son.
The Backwards Hand interrogates what it means to be a cripple in a predominantly ableist society, deconstructing how perceptions of disability are—and are not—reflected in art and media.
His sense of humor was legendary. His tenacity in pursuit of goals was unwavering. His grasp of past, present, and future opportunities was profound. Bags to Riches shows the personal side of an 'outsider' who became an 'insider' through congeniality, good humor, and integrity.
The Emily Dickinson manuscripts are a cherished part of Houghton Library’s collections and—while it is her poems and letters that are most often celebrated—the poet’s lesser known lines: “2 Butter. / 19 eggs. / 5 pounds Raisins” are also cause to celebrate.
Dickinson’s manuscript recipe for black cake, from which these lines come, was sent along with a bouquet of flowers to Nellie Sweetser in the summer of 1883. Black cake is a traditional Christmas specialty closely related to the English fruitcake, “blackened” with the addition of burnt sugar syrup or molasses. It was generously spiced with nutmeg, cinnamon, mace, and clove before being wrapped in brandy- or rum-soaked cloth and often aged at least a month. The recipe, though somewhat shocking to a modern reader (19 eggs!), turns out to be remarkably orthodox in its ratios, if not its scale. Fully assembled, the recipe produces batter weighing in excess of twenty pounds.
Delve into the history of this majestic cake and explore the story of each ingredient, in the context of Emily Dickinson’s nineteenth-century Amherst home, with librarians of Houghton. Each ingredient is accompanied with watercolors by Robin Harney evoking Dickinson’s moment in time and moments in the kitchen.
Sarah Jane Nelson chronicles Hunter’s song collecting adventures alongside portraits of the singers and mentors he met along the way. The guitar-strumming Hunter picked up the recording habit to expand his repertoire but almost immediately embraced the role of song preservationist. Being a local allowed Hunter to merge his native Ozark earthiness with sharp observational skills to connect--often more than once--with his singers. Hunter’s own ability to be present added to that sense of connection. Despite his painstaking approach, ballad collecting was also a source of pleasure for Hunter. Ultimately, his dedication to capturing Ozarks song culture in its natural state brought Hunter into contact with people like Vance Randolph, Mary Parler, and non-academic folklorists who shared his values.
The first-ever graphic biography of Paul Robeson, Ballad of an American, charts Robeson’s career as a singer, actor, scholar, athlete, and activist who achieved global fame. Through his films, concerts, and records, he became a potent symbol representing the promise of a multicultural, multiracial American democracy at a time when, despite his stardom, he was denied personal access to his many audiences.
Robeson was a major figure in the rise of anti-colonialism in Africa and elsewhere, and a tireless campaigner for internationalism, peace, and human rights. Later in life, he embraced the civil rights and antiwar movements with the hope that new generations would attain his ideals of a peaceful and abundant world. Ballad of an American features beautifully drawn chapters by artist Sharon Rudahl, a compelling narrative about his life, and an afterword on the lasting impact of Robeson’s work in both the arts and politics. This graphic biography will enable all kinds of readers—especially newer generations who may be unfamiliar with him—to understand his life’s story and everlasting global significance.
Ballad of an American: A Graphic Biography of Paul Robeson is published in conjunction with Rutgers University’s centennial commemoration of Robeson’s 1919 graduation from the university.
Study guide for Ballad of an American: A Graphic Biography of Paul Robeson (https://d3tto5i5w9ogdd.cloudfront.net/wp-content/uploads/2021/05/10201015/YA_Adult-Study-Guide-for-A-Graphic-Biography-of-Paul-Robeson.pdf).
View the blad for Ballad of an American.
Hailed as "a fine, learned homage" (Kirkus), "a kaleidoscopic portrait" (Booklist), and "a game of mirrors" (The Washington Post), Bandido is a veritable tour de force. Through interviews and Acosta's writings (published and unpublished), Ilan Stavans reconstructs—even reinvents—the man behind the myth. Part biographical appraisal, part reflection on the legacy of the Civil Rights era, Bandido is an opportunity to understand the challenges and pitfalls Latinos face in finding a place of their own in America.
Revered by Americans across the political spectrum, Barbara Jordan was "the most outspoken moral voice of the American political system," in the words of former President Bill Clinton, who awarded her the Presidential Medal of Freedom in 1994. Throughout her career as a Texas senator, U.S. congresswoman, and distinguished professor at the Lyndon B. Johnson School of Public Affairs, Barbara Jordan lived by a simple creed: "Ethical behavior means being honest, telling the truth, and doing what you said you were going to do." Her strong stand for ethics in government, civil liberties, and democratic values still provides a standard around which the nation can unite in the twenty-first century.
This volume brings together several major political speeches that articulate Barbara Jordan's most deeply held values. They include:
- "Erosion of Civil Liberties," a commencement address delivered at Howard University on May 12, 1974, in which Jordan warned that "tyranny in America is possible"
- "The Constitutional Basis for Impeachment," Jordan's ringing defense of the U.S. Constitution before the House Judiciary Committee investigating the Watergate break-in
- Keynote addresses to the Democratic National Conventions of 1976 and 1992, in which Jordan set forth her vision of the Democratic Party as an advocate for the common good and a catalyst of change
- Testimony in the U.S. Congress on the confirmation of Supreme Court nominee Robert Bork and on immigration reform
- Meditations on faith and politics from two National Prayer Breakfasts
- Acceptance speech for the 1995 Sylvanus Thayer Award presented by the Association of Graduates of the United States Military Academy, in which Jordan challenged the military to uphold the values of "duty, honor, country"
Accompanying the speeches are context-setting introductions by volume editor Max Sherman. The book concludes with the eloquent eulogy that Bill Moyers delivered at Barbara Jordan's memorial service in 1996, in which he summed up Jordan's remarkable life and career by saying, "Just when we despaired of finding a hero, she showed up, to give the sign of democracy.... This is no small thing. This, my friends, this is grace. And for it we are thankful."
Bard of Iceland makes available for the first time in any language other than Icelandic an extensive selection of works by Jónas Hallgrímsson (1807–1845), the most important poet of modern Iceland. Jónas was also Iceland’s first professionally trained geologist and an active contributor in a number of other scientific fields: geography, botany, zoology, and archaeology. He played a key role as well in Iceland’s struggle to gain independence from Denmark. "Descriptive power and fullness of spirit were the hallmarks of his soul," wrote a contemporary admirer.
Dick Ringler, one of the premier scholars of Icelandic literature in the world, offers a substantial biography of Jónas, a representative selection of his most important poems, and some of his prose work in science and belles lettres. Ringler also provides extended commentaries and an essay on Icelandic prosody.
The poems are translated into English equivalents of their original complex meters in Icelandic and Danish. As a poet Jónas was intimately familiar with his nation’s medieval literary inheritance—the sagas and eddas—and also with the groundbreaking work of contemporary German and Danish Romanticism (Chamisso, Heine, Oehlenschläger). A master of poetic form, Jónas not only exploited and enlarged the possibilities of traditional eddic and skaldic meters, but introduced the sonnet, triolet stanza, terza and ottava rima, and blank verse into the Icelandic metrical repertory.
The story of the American Quilt Trail, featuring the colorful patterns of quilt squares painted large on barns throughout North America, is the story of one of the fastest-growing grassroots public arts movements in the United States and Canada. In Barn Quilts and the American Quilt Trail Movement Suzi Parron takes us to twenty-five states as well as Canada to visit the people and places that have put this movement on America’s tourist and folk art map.
Through dozens of interviews with barn quilt artists, committee members, and barn owners, Parron documents a journey that began in 2001 with the founder of the movement, Donna Sue Groves. Groves’s desire to honor her mother with a quilt square painted on their barn became a group effort that eventually grew into a county-wide project. Today, quilt squares form a long imaginary clothesline, appearing on more than three thousand barns scattered along one hundred and twenty driving trails.
With more than eighty full-color photographs, Parron documents here a movement that combines rural economic development with an American folk art phenomenon.
Soldier, sea captain, freebooter, courtier, writer, reformer, and informer, Barnaby Rich was a man of his time. In the service of Queen Elizabeth, Rich took part in numerous campaigns fraught with hardship and disaster in France, the Low Countries, and Ireland. After twenty years of soldiering, he wrote Riche His Farewell to Militarie Profession, which attracted the attention of the Queen herself, as well as William Shakespeare and many of the lesser among his contemporaries.
"I have preferred to be rich rather than to be called so," punned the Captain ruefully on his title pages, for he was usually in want and as often in trouble. The source of both misfortunes was his disdain for dodging a fight, and much that is known of his life comes from unpublished records of legal actions in which he was involved. Rich directed his satire primarily against the sinecures of the Anglican clergy in Ireland and against the papacy. "Sworne man" of both Elizabeth and James, he protested near the end of his life that his assaults with pike and pen were but the promptings of a "true harted subjecte."
Born in an age bright with stars, Rich must be considered a "minor" Elizabethan. Therein lies the novelty of this study: it treats the not-so-great, using unpublished court records to enrich our knowledge of Great Britain's grandest era. But the story of the man is not lost in the background of the period. With freshness and charm the present volume disinters Barnaby Rich from the footnote crediting him as Shakespeare's source for the plot of Twelfth Night and fleshes him forth a live Elizabethan.
Based on interviews with over 150 people, including more than thirty hours with Frank himself, this biography reconstructs for the first time his life and career, from his working-class childhood in Bayonne, New Jersey, to his years at Harvard and in Boston politics, through his rise to national prominence. Stuart Weisberg captures Frank in all his quirkiness, irreverence, and complexity. He also examines his less appealing side—his gruff exterior, his legendary impatience, his aversion to wasting time. Weisberg reveals the pressure Frank has felt as the most prominent openly gay politician in the United States, one whose career was nearly derailed by a highly publicized sex scandal involving a male prostitute.
Above all, this book shows Frank to be a superb legislator—a pragmatic politician who has dedicated his career to pursuing an unabashedly liberal agenda and whose depth of intellect and sense of humor have made him one of the most influential and colorful figures in Washington.
What is the direct impact that disability studies has on the lives of disabled people today? The editors and contributors to this essential anthology, Barriers and Belonging, provide thirty-seven personal narratives thatexplore what it means to be disabled and why the field of disability studies matters.
The editors frame the volume by introducing foundational themes of disability studies. They provide a context of how institutions—including the family, schools, government, and disability peer organizations—shape and transform ideas about disability. They explore how disability informs personal identity, interpersonal and community relationships, and political commitments. In addition, there are heartfelt reflections on living with mobility disabilities, blindness, deafness, pain, autism, psychological disabilities, and other issues. Other essays articulate activist and pride orientations toward disability, demonstrating the importance of reframing traditional narratives of sorrow and medicalization.
The critical, self-reflective essays in Barriers and Belonging provide unique insights into the range and complexity of disability experience.
"Made in Mexico, born in America," Barrio Princess shares heartwarming family stories, cultural tradition stories, learning English by total immersion, socialization as a minority, education, stories of her mother as a single parent, and women’s stories from a minority point of view.
Since Goldwater’s death in 1998, politicians, pundits, and academics have been assessing his achievements and his shortcomings. The twelve essays in this volume thoroughly examine the life, times, and impact of “Mr. Conservative.” Scrutinizing the transformation of a Phoenix department store owner into a politician, de facto political philosopher, and five-time US senator, contributors highlight the importance of power, showcasing the relationship between the nascent conservative movement’s cadre of elite businessmen, newsmen, and intellectuals and their followers at the grassroots—or sagebrush—level.
Goldwater, who was born in the Arizona Territory in 1909, was deeply influenced by his Western upbringing. With his appearance on the national stage in 1964, he not only articulated a new brand of conservatism but gave a voice to many Americans who were not enamored with the social and political changes of the era. He may have lost the battle for the presidency, but he energized a coalition of journalists, publishers, women’s groups, and Southerners to band together in a movement that reshaped the nation.
The Barthes Effect was first published in 1987. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
The author acknowledges the essay as an eccentric phenomenon in literary history, one that has long resisted entry into the taxonomy of genres, as it concentrates on four works by Roland Barthes: The Pleasure of the Text, A Lover's Discourse, Roland Barthes by Roland Barthes, and Camera Lucida. Maintains that with Barthes the essay achieves a status of its own, as reflective text.
". . . a study rigorously conscious of the critical maneuvers it executes and, more importantly, questions as critical practice . . . " Bensmaïa's strategy produces a successful investigation of the interstices and slippages of meaning which Barthes addressed in his work." SubStance
Reda Bensmaia is associate professor in the departments of French and comparative literature at the University of Minnesota, and translator Pat Fedkiew, a graduate student in French at Minnesota. Michele Richman is associate professor of French at the University of Pennsylvania and author of Reading Georges Bataille: Beyond the Gift.
Baseball’s Natural: The Story of Eddie Waitkus is John Theodore’s true account of the slick-fielding first baseman who played for the Cubs and Phillies in the 1940s and became an immortalized figure in baseball lore as the inspiration for Roy Hobbs in Bernard Malamud’s The Natural.
The son of Lithuanian immigrants, Edward Stephen Waitkus (1919–1972) grew up in Boston and served in the Pacific during World War II. His army service in some of the war’s bloodiest combat earned him four Bronze Stars. Following the war, Waitkus became one of the most popular players of his era. As a rookie he led the Cubs in hitting in 1946 and quickly established himself as one of the best first basemen in the National League. To the disappointment of fans, the Cubs traded Waitkus to the Phillies in December of 1948. When he returned to Chicago in a Philadelphia uniform in June of the following year, he was hitting .306 and seemed destined for the All Star team.
On the night of June 14 at the Edgewater Beach Hotel, Waitkus’s bright career took an infamously tragic turn. He received a cryptic note summoning him to meet a young fan, Ruth Steinhagen. When Waitkus entered her hotel room, she proclaimed, “I have a surprise for you,” and then she just as quickly shot him in the chest. Steinhagen, then only nineteen, was one of the many young women—called “Baseball Annies”–who were fanatic about the game and its players, though her obsession proved more dangerous than most. A criminal court indicted Steinhagen and confined her to a state mental hospital for nearly three years.
Waitkus survived the shooting, made an inspirational return to baseball in 1950, and led the Phillies to the World Series. While Waitkus triumphed over his assault, he could not conquer his private demons. Depression stemming from the attack led to a severe problem with alcohol, a failed marriage, and a nervous breakdown. Waitkus found some happiness in his final summers working with youngsters at the Ted Williams baseball camp. Cancer claimed him in 1972, just days after his fifty-third birthday.
Through interviews with Waitkus’s family, fellow servicemen, former ballplayers, and childhood friends, and aided by fifteen photographs, Theodore chronicles Waitkus’s remarkable comeback as well as the difficult years following his eleven-year major league career.
In the late nineteenth century, Brown’s Park, a secluded valley astride the Utah-Colorado border, was a troubled land of deadly conflict among cattle barons, outlaws, rustlers, and small ranchers. Homesteader Elizabeth Bassett gained a tough reputation of her own, and her daughters followed suit, going on to become members of Butch Cassidy and the Wild Bunch’s inner circle. Ann—who counted Cassidy among her lovers—became known as “queen of the cattle rustlers.” Both sisters proved themselves shrewd businesswomen as they fended off hostile takeovers of the family ranch. Through the following decades, the sisters became the stuff of legend, women who embodied the West’s fearsome reputation, yet whose lived experiences were far more nuanced. Ann became a writer. Josie, whose cabin still stands at present-day Dinosaur National Monument, applied her pioneer ethics to a mechanized world and became renowned for her resourcefulness, steadfastness, and audacity.
For The Bassett Women, Grace McClure tracked down and untangled the legends of Brown’s Park, one of the way stations of the fabled “Outlaw Trail,” while creating an evenhanded and indelible portrait of the Bassetts. Based on interviews, written records, newspapers, and archives, The Bassett Women is one of the few credible accounts of early settlers on Colorado’s western slope, one of the last strongholds of the Old West.
A forgotten account, written in the immediate aftermath of World War II, which vividly portrays the valor, sacrifice, suffering, and liberation of the defenders of Bataan and Corregidor through the eyes of one survivor.
The personal memoir of Colonel David L. Hardee, first drafted at sea from April-May 1945 following his liberation from Japanese captivity, is a thorough treatment of his time in the Philippines. A career infantry officer, Hardee fought during the Battle of Bataan as executive officer of the Provisional Air Corps Regiment. Captured in April 1942 after the American surrender on Bataan, Hardee survived the Bataan Death March and proceeded to endure a series of squalid prison camps. A debilitating hernia left Hardee too ill to travel to Japan in 1944, making him one of the few lieutenant colonels to remain in the Philippines and subsequently survive the war. As a primary account written almost immediately after his liberation, Hardee’s memoir is fresh, vivid, and devoid of decades of faded memories or contemporary influences associated with memoirs written years after an experience. This once-forgotten memoir has been carefully edited, illustrated and annotated to unlock the true depths of Hardee’s experience as a soldier, prisoner, and liberated survivor of the Pacific War.
Indispensable must-reads for all Civil War buffs and historians, bringing together little-known and never before gathered first-hand accounts, articles, maps, and illustrations
The first four volumes of Battles and Leaders of the Civil War, published in the late nineteenth century, became the best-selling and most frequently cited works ever published on the Civil War. Volume 5, assembled by the acclaimed military historian Peter Cozzens, carries on the tradition of its namesake, offering a dazzling new collection of fresh material written by military and civilian leaders, North and South, on a broad array of war-related topics. Featured articles include General Grant on the second battle of Bull Run, General Beauregard on the Shiloh campaign, General Sherman on the conference at City Point, Joshua Chamberlain on the Fredericksburg campaign, and many more. Also presented are dozens of maps and more than one hundred illustrations.
Sifting carefully through reports from newspapers, magazines, personal memoirs, and letters, Peter Cozzens' Volume 6 brings readers more of the best first-person accounts of marches, encampments, skirmishes, and full-blown battles, as seen by participants on both sides of the conflict. Alongside the experiences of lower-ranking officers and enlisted men are accounts from key personalities including General John Gibbon, General John C. Lee, and seven prominent generals from both sides offering views on "why the Confederacy failed." This volume includes one hundred and twenty illustrations, including sixteen previously uncollected maps of battlefields, troop movements, and fortifications.
Bella Abzug’s promotion of women’s and gay rights, universal childcare, green energy, and more provoked not only fierce opposition from Republicans but a split within her own party. The story of this notorious, galvanizing force in the Democrats’ “New Politics” insurgency is a biography for our times.
Before Alexandria Ocasio-Cortez, Elizabeth Warren, or Hillary Clinton, there was New York’s Bella Abzug. With a fiery rhetorical style forged in the 1960s antiwar movement, Abzug vigorously promoted gender parity, economic justice, and the need to “bring Congress back to the people.”
The 1970 congressional election season saw Abzug, in her trademark broad-brimmed hats, campaigning on the slogan “This Woman’s Place Is in the House—the House of Representatives.” Having won her seat, she advanced the feminist agenda in ways big and small, from gaining full access for congresswomen to the House swimming pool to cofounding the National Women’s Political Caucus to putting the title “Ms.” into the political lexicon. Beyond women’s rights, “Sister Bella” promoted gay rights, privacy rights, and human rights, and pushed legislation relating to urban, environmental, and foreign affairs.
Her stint in Congress lasted just six years—it ended when she decided to seek the Democrats’ 1976 New York Senate nomination, a race she lost to Daniel Patrick Moynihan by less than 1 percent. Their primary contest, while gendered, was also an ideological struggle for the heart of the Democratic Party. Abzug’s protest politics had helped for a time to shift the center of politics to the left, but her progressive positions also fueled a backlash from conservatives who thought change was going too far.
This deeply researched political biography highlights how, as 1960s radicalism moved protest into electoral politics, Abzug drew fire from establishment politicians across the political spectrum—but also inspired a generation of women.
Bay Boy is a collection of essays by award-winning young adult author Watt Key, chronicling his boyhood in Point Clear, Alabama. During his childhood, Point Clear was not the tony enclave of today with its spas, art galleries, and multimillion dollar waterfront properties. Rather, it was a sleepy resort community, practically deserted in the winter, with a considerable population of working-class residents.
As Key notes in his introduction, “Life in Point Clear is really about being outside. . . . I have never found a place so perfectly suited to exercise a young boy’s imagination.” Key and his brother filled their days collecting driftwood to make forts, scooting around the bay in a sturdy Stauter boat, and making art and writing stories when it rained.
In a tone that is simple and direct, punctuated by truly hilarious moments. Key writes about Gulf Coast traditions including Mardi Gras, shrimping, fishing, dove hunting, jubilees, camping out, and bracing for hurricanes. These stories are full of colorful characters— Nasty Bill Dickson, a curmudgeonly tow-truck driver; I’llNeeda, a middle-aged homeless woman encamped in a shack across the road; and the Ghost of Zundel’s Wharf, “the restless soul of a long-dead construction worker.” The stories are illustrated by charming and evocative artwork by the author’s brother Murray Key.
Rustin's long activist career began with his association with A. Phillip Randolph of the Brotherhood of Sleeping Car Porters. Then, as a member of A. J. Muste's Fellowship of Reconciliation, he participated in the "Journey of Reconciliation" (an early version of the "Freedom Rides" of 1961). He was a close associate of Martin Luther King in Montgomery and Atlanta and rose to prominence as organizer of the 1963 March on Washington. Rustin played a key role in applying nonviolent direct action to American race relations while rejecting the separatism of movements like Black Power in the 1960s, even at the risk of his being marginalized by the younger generation of civil rights activists. In his later years he tried to hold the civil rights coalition together and to fight for the economic changes he thought were necessary to decrease racism.
Daniel Levine has written the first scholarly biography that examines Rustin's public as well as private persona in light of his struggles as a gay black man and as an activist who followed his own principles and convictions. The result is a rich portrait of a complex, indomitable advocate for justice in American society.
The first book-length study of why the Beats were so fascinated by Mexico and how they represented its culture in their work, this volume examines such canonical figures as Kerouac, Burroughs, Ginsberg, Lamantia, McClure, and Ferlinghetti. It also devotes individual chapters to women such as Margaret Randall, Bonnie Bremser, and Joanne Kyger, who each made Mexico a central setting of their work and interrogated the misogyny they encountered in both American and Mexican culture.
The Beats in Mexico not only considers individual Beat writers, but also places them within a larger history of countercultural figures, from D.H. Lawrence to Antonin Artaud to Jim Morrison, who mythologized Mexico as the land of the Aztecs and Maya, where shamanism and psychotropic drugs could take you on a trip far beyond the limits of the American imagination.
Eva Antonia Wilbur inherited a unique affinity for the land. Granddaughter of a Harvard-educated physician who came to the Territory in the 1860s, she was the firstborn child of a Mexican mother and Anglo father who instilled in her an appreciation for both cultures. Little Toña learned firsthand the responsibilities of ranching—an education usually reserved for boys—and also experienced the racial hostility that occurred during those final years before the Tohono O'odham were confined to a reservation.
Begun as a reminiscence to tell younger family members about their "rawhide tough and lonely" life at the turn of the century, Mrs. Wilbur-Cruce's book is rich with imagery and dialogue that brings the Arivaca area to life. Her story is built around the annual cycle of ranch life—its spring and fall round-ups, planting and harvesting—and features a cavalcade of border characters, anecdotes about folk medicine, and recollections of events that were most meaningful in a young girl's life. Her account constitutes a valuable primary source from a region about which nothing similar has been previously published, while the richness of her story creates a work of literature that will appeal to readers of all ages.
In order to understand the nature of pain, Anna undertakes a meditation practice. We tend to think of pain as self-absorbing and exclusively our own ("my pain," "I am in pain"). In distinction, Sharon Cameron’s Anna comes to explore pain as common property, and as the basis for a radically reconceived selfhood. Resisting the limitations of memoir, Beautiful Work speaks from experience and simultaneously releases it from the closed shell of personal ownership. Outside of the not quite inevitable stories we tell about it, experience is less protected, less compromised, and more vivid than could be supposed.
Beautiful Work brings to bear the same interest in consciousness and intersubjectivity that characterizes Cameron’s other work.
Because I’d Hate to Just Disappear is a portrait of a husband and wife, Don and Heather Hardy, thrown into the physical and emotional machinery of Don being diagnosed with leukemia and going through chemotherapy and treatment over a period of close to two years.
In this thoughtful and exquisite account, Don and Heather narrate Don’s struggle in real-time. Disarmingly honest, they recount each intimate stage of a couple living through cancer together, the mental and physical struggles, the humor and visceral emotion to reveal how two very different personalities shape—and are shaped by—the experience of cancer and its treatment. Through these moments emerge a constant flow of human kindness and discovery that lifts them each day.
In this luminous and moving book of essays, award-winning author Shaun Griffin weaves together a poetic meditation on living meaningfully in this world. Anchored in the American West but reaching well beyond, he recounts his discoveries as a poet and devoted reader of poetry, a teacher of the disadvantaged, a friend of poets and artists, and a responsible member of the human family.
Always grounded in place, be it Nevada, South Africa, North Dakota, Spain, Zimbabwe, or Mexico, Griffin confronts the world with an openness that allows him to learn and grow from the people he meets. This is a meditation on how all of us can confront our own influences to achieve wholeness in our lives. Along with Griffin, readers will reflect on how they might respond to a homeless man walking through central Nevada, viewing the open desert as Thoreau might have viewed Walden, seeing the US-Mexico border as a region of lost identity, reconciling how poets who live west of the Hudson River find anonymity to be their laurel, and experiencing how writing poetry in prison becomes lifesaving.
Whether poets or places in the West or beyond, experiences with other cultures, or an acute awareness that poetry is the refuge of redress—all have influenced Griffin’s writing and thinking as a poet and activist in the Great Basin. The mindfulness of Because the Light Will Not Forgive Me demonstrates that even though the light does not forgive, it still reveals.
"A teen's raw, in-your-face chronicle of events almost as they were happening. As such, it's unforgettable. . . . Michener's story gives voice to the thousands of children and adolescents trapped in 'the system,' biding their time until their 18th birthdays. A candid and unstinting tell-all."—Kirkus Reviews
"Extraordinary. . . . Michener's expressive writing does justice to a topic that is clearly very disturbing to her personally and communicates a profoundly important message on behalf of all abused and neglected children."—Booklist
"An important book, painful to read, but essential if other children in similar situations are to be saved."—Library Journal
"An innocent child's account of 16 years in hell and of the terrible wrongs inflicted on children who are without rights or caring advocates."—Choice
"[Michener] emerges as a compelling and courageous advocate for children and their welfare—she's a young writer with an extraordinary voice."Feminist Bookstore News
"Quite simply one of the best, most compelling, well-written autobiographies published in years. . . . Remember the name. We have not heard the last of Anna Michener."—Myree Whitfield, Melbourne Herald-Sun, cover story
Becoming Dickens tells the story of how an ambitious young Londoner became England’s greatest novelist. In following the twists and turns of Charles Dickens’s early career, Robert Douglas-Fairhurst examines a remarkable double transformation: in reinventing himself Dickens reinvented the form of the novel. It was a high-stakes gamble, and Dickens never forgot how differently things could have turned out. Like the hero of Dombey and Son, he remained haunted by “what might have been, and what was not.”
In his own lifetime, Dickens was without rivals. He styled himself simply “The Inimitable.” But he was not always confident about his standing in the world. From his traumatized childhood to the suicide of his first collaborator and the sudden death of the woman who had a good claim to being the love of his life, Dickens faced powerful obstacles. Before settling on the profession of novelist, he tried his hand at the law and journalism, considered a career in acting, and even contemplated emigrating to the West Indies. Yet with The Pickwick Papers, Oliver Twist, and a groundbreaking series of plays, sketches, and articles, he succeeded in turning every potential breakdown into a breakthrough.
Douglas-Fairhurst’s provocative new biography, focused on the 1830s, portrays a restless and uncertain Dickens who could not decide on the career path he should take and would never feel secure in his considerable achievements.
In this unique collection, the memoirs of eleven historians provide a fascinating portrait of a formative generation of scholars. Born around the time of World War II, these influential historians came of age just before the upheavals of the 1960s and ’70s and helped to transform both their discipline and the broader world of American higher education. The self-inventions they thoughtfully chronicle led, in many cases, to the invention of new fields—including women’s and gender history, social history, and public history—that cleared paths in the academy and made the study of the past more capacious and broadly relevant. In these stories—skillfully compiled and introduced by James Banner and John Gillis—aspiring historians will find inspiration and guidance, experienced scholars will see reflections of their own dilemmas and struggles, and all readers will discover a rare account of how today’s seasoned historians embarked on their intellectual journeys.
In the first book-length study written in English, Vanessa Pérez-Rosario examines poet and political activist Julia de Burgos's development as a writer, her experience of migration, and her legacy in New York City, the poet's home after 1940. Pérez-Rosario situates Julia de Burgos as part of a transitional generation that helps to bridge the historical divide between Puerto Rican nationalist writers of the 1930s and the Nuyorican writers of the 1970s. Becoming Julia de Burgos departs from the prevailing emphasis on the poet and intellectual as a nationalist writer to focus on her contributions to New York Latino/a literary and visual culture. It moves beyond the standard tragedy-centered narratives of de Burgos's life to place her within a nuanced historical understanding of Puerto Rico's peoples and culture to consider more carefully the complex history of the island and the diaspora. Pérez-Rosario unravels the cultural and political dynamics at work when contemporary Latina/o writers and artists in New York revise, reinvent, and riff off of Julia de Burgos as they imagine new possibilities for themselves and their communities.
Beginning with his childhood in Waukegan, Illinois, and Los Angeles, this biography follows Bradbury's development from avid reader to maturing author, making a living writing for the genre pulps and mainstream magazines. Eller illuminates the sources of Bradbury's growing interest in the human mind, the human condition, and the ambiguities of life and death--themes that became increasingly apparent in his early fiction. Bradbury's correspondence documents his frustrating encounters with the major trade publishing houses and his earliest unpublished reflections on the nature of authorship. Eller traces the sources of Bradbury's very conscious decisions, following the sudden success of The Martian Chronicles and The Illustrated Man, to voice controversial political statements in his fiction. Eller also elucidates the complex creative motivations that yielded Fahrenheit 451.
Becoming Ray Bradbury reveals Bradbury's emotional world as it matured through his explorations of cinema and art, his interactions with agents and editors, his reading discoveries, and the invaluable reading suggestions of older writers. These largely unexplored elements of his life pave the way to a deeper understanding of his more public achievements, providing a biography of the mind, the story of Bradbury's self-education and the emerging sense of authorship at the heart of his boundless creativity.
The late Austin Warren was one of the most distinguished literary scholars of the twentieth century, well known as a biographer, literary critic, and teacher. He retired from the University of Michigan English Department in 1968 after twenty years on the faculty. Warren's memoir ends at age forty, because, as he explains in the preface, the most interesting part of anyone's life is the formative years.
He begins with his childhood in Massachusetts and education at Wesleyan, Harvard, and Princeton, and ends with reflections on the problems of integrating his profession, teaching, with his vocation, writing. The journey in between is extraordinary, a re-creation of the scholar's search for identity, religion, wisdom, and a new vision of the role of a teacher.
Warren "forged his soul when others weren't looking," writes Russell Fraser in his foreword to the book. He grew up on a lonely New England farm, went to a school where he learned to hate even Shakespeare, and entered college without enthusiasm. But the history of his education, as is often the case, was one first of rescue by inspiring mentors, then of outgrowing those mentors, and finally of forging a vision of his own. By the 1930s he had shaken up classrooms by abandoning formal lectures and become an inspiration in his own right.
A singular personality who never stopped searching for meaningful spirituality and a wider intellectual world, Austin Warren was among the most important scholars of the twentieth century. His memoirs of "becoming" are an elegant and absorbing chronicle.
Willa Cather has long been admired for O Pioneers! (1913), Song of the Lark (1915), and My Ántonia (1918)—the “prairie novels” about the lives of early Nebraska pioneers that launched her career. Thanks in part to these masterpieces, she is often viewed as a representative of pioneer life on the Great Plains, a controversial innovator in American modernism, and a compelling figure in the literary history of LGBTQ America. A century later, scholars acknowledge Cather’s place in the canon of American literature and continue to explore her relationship with the West.
Drawing on original archival research and paying unprecedented attention to Cather’s early short stories, Palmer demonstrates that the relationship with Nebraska in the years leading up to O Pioneers! is more dynamic than critics and scholars thought. Readers will encounter a surprisingly bold young author whose youth in Nebraska served as a kind of laboratory for her future writing career. Becoming Willa Cather changes the way we think about Cather, a brilliant and ambitious author who embraced experimentation in life and art, intent on reimagining the American West.
A 2023 History Today Book of the Year
This book investigates the life and world of Bede (c. 673–735), the foremost scholar of the early Middle Ages and the “father of English history.” It examines his notable feats, including calculating the first tide tables, creating the Ceolfrith Bibles and the Lindisfarne Gospels, writing the earliest extant Old English poetry, and composing his famous Ecclesiastical History of the English People. In addition to providing an accessible overview of Bede’s life and work, Michelle P. Brown describes new discoveries regarding Bede’s handwriting, his historical research, and his previously lost Old English translation of St John’s Gospel, dictated on his deathbed.
William Kinderman presents Beethoven as a civically engaged thinker faced with severe challenges. The composer lived through many tumultuous events—the French Revolution, the rise and fall of Napoleon Bonaparte, and the Congress of Vienna among them. Previous studies of Beethoven have emphasized the importance of his personal suffering and inner struggles; Kinderman instead establishes that musical tensions in works such as the Eroica, the Appassionata, and his final piano sonata in C minor reflect Beethoven’s attitudes toward the political turbulence of the era. Written for the 250th anniversary of his birth, Beethoven takes stock of the composer’s legacy, showing how his idealism and zeal for resistance have ensured that masterpieces such as the Ninth Symphony continue to inspire activists around the globe. Kinderman considers how the Fifth Symphony helped galvanize resistance to fascism, how the Sixth has energized the environmental movement, and how Beethoven’s civic engagement continues to inspire in politically perilous times. Uncertain times call for ardent responses, and, as Kinderman convincingly affirms, Beethoven’s music is more relevant today than ever before.
Maynard Solomon is the author of a classic biography of Beethoven which has become a standard work throughout the world, having been translated into seven languages. In Beethoven Essays, he continues his exploration of Beethoven’s inner life, visionary outlook, and creativity, in a series of profound studies of this colossal figure of our civilization.
Solomon deftly fuses a variety of investigative approaches, from rigorous historical and ideological studies to imaginative musical and psychoanalytic speculations. Thus, after closely documenting Beethoven’s birth and illegitimacy fantasies, his “Family Romance,” and his pretense of nobility, Solomon offers extraordinary interpretations of the composer’s dreams, deafness, and obsessive relationship to his nephew. And, following his detailed uncovering of a complex network of recurrent patterns in the Ninth Symphony, he considers the narrative and mythic implications of Beethoven’s formal design.
Solomon examines the broad patterns of Beethoven’s creative evolution and processes of composition, the radical modernism of his music, and his intellectual, religious, and utopian strivings. A separate section on the “Immortal Beloved” includes the fullest biography of Antonia Brentano yet published. Closing the volume is Solomon’s translation and annotated edition of Beethoven’s Tagebuch, the moving, intimate diary that the composer kept during the critical period that culminated in his last style. Here, as throughout Beethoven Essays, Solomon offers scholarship that is at the cutting edge of Beethoven research.
Founded in Hungary in 1975 and now based in Boulder, Colorado, the Takács is one of the world’s preeminent string quartets, and performances of Beethoven have been at the center of their work together for over forty years. Using the history of both the Takács Quartet and the Beethoven quartets as a foundation, Beethoven for a Later Age provides a backstage look at the daily life of a quartet, showing the necessary creative tension between individual and group and how four people can at the same time forge a lasting artistic connection and enjoy making music together over decades. The key, Dusinberre reveals, to a quartet crafting its own sound is in balancing continuity with change and experimentation—a theme that lies at the heart of Beethoven’s remarkable compositions. In an accessible style, suitable for novices and chamber music enthusiasts alike, Dusinberre illuminates the variety and contradictions of Beethoven's quartets, which were composed against the turbulent backdrop of the Napoleonic Wars and their aftermath, and he brings the technical aspects of the music to life.
Beethoven for a Later Age vividly shows that creative engagement with Beethoven’s radical and brilliant quartets continues to be as stimulating now as it was for its first performers and audiences. Musicians and music lovers will be intrigued by Dusinberre’s exploration of the close collaboration at the heart of any great performance.
Before Pictures tells the story of Crimp’s life as a young gay man and art critic in New York City during the late 1960s through the turbulent 1970s. Crimp participated in all of what made the city so stimulating in that vibrant decade. The details of his professional and personal life are interwoven with this the particularly rich history of New York City at that time, producing a vivid portrait of both the critic and his adopted city. The book begins with his escape from his hometown in Idaho, and we quickly find Crimp writing criticism for ArtNews while working at the Guggenheim—where, as a young curatorial assistant, he was one of the few to see Daniel Buren’s Peinture-Sculpture before it was removed amid cries of institutional censorship. We also travel to the Chelsea Hotel (where Crimp helped the down-on-his-luck couturier Charles James organize his papers) through to his days as a cinephile and balletomane to the founding of the art journal October, where he remained a central figure for many years. As he was developing his reputation as a critic, he was also partaking of the New York night life, from drugs and late nights alongside the Warhol crowd at the Max’s Kansas City to discos, roller-skating, and casual sex with famous (and not-so-famous) men. As AIDS began to ravage the closely linked art and gay communities, Crimp eventually turned his attention to activism dedicated to rethinking AIDS.
Part biography and part cultural history, Before Pictures is a courageous account of an exceptional period in both Crimp’s life and the life of New York City. At the same time, it offers a deeply personal and engaging point of entry into important issues in contemporary art.
Mary Morris's memoir frames her 1879 to 1887 diary with both reflections on earlier years and passages that parallel entries in the day book, giving readers a better understanding of how she retrospectively saw her life. The thoroughly annotated diary offers the daily experience of a woman who kept a largely self-sufficient household, had a wide social network, ran her own business, wrote poetry, and was intellectually curious. The years of "the Raid" (federal prosecution of polygamists) led Mary and Elias Morris to hide their marriage on "the underground," and her to perjury in court during Elias's trial for unlawful cohabitation. The book ends with Mary Lois's arrival at the Salt Lake Depot after three years in exile in Mexico with a polygamist colony.
"Le Roy Ladurie paints a remarkably contemporary picture of life in the sixteenth century. . . . It's a good story, told with a deft narrative touch."—Michael S. Kimmel, The Nation
"Le Roy Ladurie is a master of the representative detail and uses the Platters' lives as a means to see a whole century 'through a glass, darkly'."—The Independent
"Le Roy Ladurie has not only thoroughly sketched out the Platters' particular brand of gusto, he has also made it seem a defining characteristic of the sixteenth century."—The New Republic
"All [of] the drama and pathos of a Disney film."—Emily Eakin, Lingua Franca
A man of extraordinary and seemingly limitless talents—musician, inventor, composer, poet, and even amateur mycologist—John Cage became a central figure of the avant-garde early in his life and remained at that pinnacle until his death in 1992 at the age of eighty. Award-winning biographer Kenneth Silverman gives us the first comprehensive life of this remarkable artist. Silverman begins with Cage’s childhood in interwar Los Angeles and his stay in Paris from 1930 to 1931, where immersion in the burgeoning new musical and artistic movements triggered an explosion of his creativity. Cage continued his studies in the United States with the seminal modern composer Arnold Schoenberg, and he soon began the experiments with sound and percussion instruments that would develop into his signature work with prepared piano, radio static, random noise, and silence. Cage’s unorthodox methods still influence artists in a wide range of genres and media. Silverman concurrently follows Cage’s rich personal life, from his early marriage to his lifelong personal and professional partnership with choreographer Merce Cunningham, as well as his friendships over the years with other composers, artists, philosophers, and writers.
Drawing on interviews with Cage’s contemporaries and friends and on the enormous archive of his letters and writings, and including photographs, facsimiles of musical scores, and Web links to illustrative sections of his compositions, Silverman gives us a biography of major significance: a revelatory portrait of one of the most important cultural figures of the twentieth century.
In the late 1960s, Malcolm Terence left his job as a reporter for the Los Angeles Times to look for adventure and may have found more than he bargained for. The era had triggered unprecedented social and political changes in America, tectonic shifts that challenged war and the social order that oppressed people along lines of class, gender, and race. One branch was a back-to-the-land movement, and Terence, who had just traveled for a year managing a rock band, strayed into Black Bear Ranch, a commune just starting in a remote corner of the Klamath Mountains near the California-Oregon border.
Black Bear Ranch still exists, but many of its early residents eventually returned to urban civilization. A few, Terence among them, stayed on in neighboring river towns. Some tried logging, others gold mining, and some tried growing marijuana, all with mixed success. The local mining and timber communities had a checkered opinion of their new hippie neighbors, as did the Native tribes, but it was the kind of place where people helped each other out, even if they didn’t always agree.
When wildfires grew large, Terence and other veterans of the commune joined the fire crews run by the US Forest Service. In between, the Black Bear expats built homesteads, planted gardens, delivered babies, and raised their children. They gradually overcame the skepticism of the locals and joined them in political battles against the use of herbicides in the forest and the Forest Service’s campaign to close all the mining claims. As in the best of organizing efforts, the organizers learned as much as they led.
Beginner’s Luck will appeal to anyone who experienced life on a commune in the 1960s–1970s or who wants to learn about this chapter in modern American history. Terence offers insight into environmental activism and the long history of conflict between resource exploitation and Native American rights without lecturing or pontificating. With wit, humor, and humility, his anecdotal essays chronicle a time and place where disparate people came together to form an unlikely community.
Standing in long lines in the shops, coaxing clean laundry from an outdated washing machine, traveling despite unpredictable train schedules, and being without hot water, fruit, and vegetables through the gray winter months failed to dull Paul Gleye’s perceptions during the year he lived in Weimar, East Germany. Day by day Gleye documented his varied observations and experiences, unaware that they would prove a unique record of what would soon be an extinct society.
Gleye was in East Germany as a Fulbright lecturer. Living beyond the capital city of East Berlin and traveling and conversing freely, Gleye gained access to people and places that had been almost completely closed to Americans and other Westerners for decades.
There are countless theoretical arguments that attempt to define “major” and “minor” literatures, but this lively and deeply felt work is one of the first to speak from the authority of the experience of being minor—of being the “minor writer” who, according to the definition of “author” given by Michel Foucault, does not possess a “name.” This book, then, is an impassioned critical and ethical defense of the act of writing for purposes other than critical acclaim.
In the tradition of Horace's
Ars Poetica,Gilliland uses comments by a broad range of writers, as well as her own experience as a minor woman writer, to consider the basic Horatian questions of purpose, choice of subject matter and genre, diction, characterization, setting, and style. She points out that in the absence of major recognition, the minor writer is continually confronted by the existential question, why do I (still) write? This book offers not only a challenge to existing critical theories but an argument in favor of being—for
stillbeing, for continuing
anywaywith one's life and art
The late Chicagoan George Nesbitt could perhaps best be described as an ordinary man with an extraordinary gift for storytelling. In his newly uncovered memoir—written fifty years ago, yet never published—he chronicles in vivid and captivating detail the story of how his upwardly mobile Midwestern Black family lived through the tumultuous twentieth century.
Spanning three generations, Nesbitt’s tale starts in 1906 with the Great Migration and ends with the Freedom Struggle in the 1960s. He describes his parents’ journey out of the South, his struggle against racist military authorities in World War II, the promise and peril of Cold War America, the educational and professional accomplishments he strove for and achieved, the lost faith in integration, and, despite every hardship, the unwavering commitment by three generations of Black Americans to fight for a better world. Through all of it—with his sharp insights, nuance, and often humor—we see a family striving to lift themselves up in a country that is working to hold them down.
Nesbitt’s memoir includes two insightful forewords: one by John Gibbs St. Clair Drake (1911–90), a pioneer in the study of African American life, the other a contemporary rumination by noted Black studies scholar Imani Perry. A rare first-person, long-form narrative about Black life in the twentieth century, Being Somebody and Black Besides is a remarkable literary-historical time capsule that will delight modern readers.
A 1960s American folk music legend weaves stories of a girlhood on “the singing streets” of Ireland, marriage in Scotland, and arrival in America
Hughes has written a lively and detailed account of Belisarius’s remarkable career.” - Adrian Goldsworthy, author of The Complete Roman Army
Belisarius (c. 505–565 AD) was the greatest general of the Eastern Roman Empire and is among history’s most notable military personalities. At the age of 29, he twice defeated the Persians and reconquered North Africa from the Vandals, before going on to regain the Italian peninsula from the Ostrogoths, including the Eternal City, Rome. Fighting in the name of Justinian I, Belisarius recaptured large portions of the original territory of the ancient Roman Empire. However, Byzantium was both unwilling and incapable of retaining much of Belisarius’s hard-won advances, and soon after his death, the empire once again retracted.
In Belisarius: The Last Roman General, historian Ian Hughes recounts the life of this great soldier. In addition, he explains the evolution of classical Roman armies and systems of warfare into those of the Byzantine Empire, as well as those of their chief enemies, the Persians, Goths, and Vandals. Based on ancient source and drawing on a wealth of modern research, Belisarius’s career is set in the context of the turbulent times in which he lived and his reputation is reassessed to give a balanced portrait of this neglected giant among ancient commanders.
The most famous couple in Wisconsin politics, "Fighting Bob" La Follette and his wife, Belle Case La Follette, come to life in the pages of the newest addition to the Badger Biographies series for young readers. In an accessible format that includes historic images, a glossary of terms, and sidebars explaining political concepts, students learn about Progressive politics and reform in the early 20th century through the experiences of this pioneering couple.
The father of "Progressive politics," Bob La Follette was famous for digging in his heels when it came to reforming government corruption. He also gained a reputation for fiery speeches on the campaign trail and on the Senate floor. Belle La Follette was political in her own right. The first woman to graduate from the University of Wisconsin's Law School, she was an advocate for world peace and an agitator for the women's vote. She was also Bob's most trusted political advisor. Together, the couple raised a family and fought for the changes they believed would make the world a better place.
Ben Jonson's contemporaries admired him above all other playwrights and poets of the English Renaissance. He was the “great refiner” who alchemized the bleakest aspects of everyday life into brilliant images of folly and deceit. He was also a celebrated reprobate and an ambitious entrepreneur. David Riggs illuminates every facet of this extraordinary career, giving us the first major biography of Jonson in over sixty years.
The story of Jonson's life provides a broad view of the literary procession in early modern England and the milieu in which Elizabethan drama was produced. Beginning as a journeyman actor, Jonson was soon a novice playwright; his first important play was staged in 1598, with Shakespeare in the cast. He was by turns the self-styled leader of a literary elite, a writer of court masques, the first dramatist to publish his own Works, a royal pensioner, and a genteel poet. As Jonson transformed himself from an artisan into a gentleman, his need to transcend his class origins led him to murder, to his notorious quarrels with Thomas Dekker, John Marston, and Inigo Jones, and to his lifelong rivalry with Shakespeare. Riggs traces the roots of Jonson's aggressiveness back to the turmoil of his childhood and adolescence. He offers new and convincing accounts of Jonson's latent hostility toward his bricklayer stepfather, his reckless marriage to Anne Lewis, and his conflicted relationships with his children.
This vivid portrait synthesizes six decades of scholarship and new historical evidence. Sixty halftones beautifully illustrate the story and capture the spirit of the age. With Riggs' original interpretations of Jonson's masterpieces and lesser known works, Ben Jonson: A Life will prove the standard account of this complex man's life and works for many years to come.
All Benjamin Franklin biographers face a major challenge: they must compete with their subject. In one of the greatest autobiographies in world literature, Franklin has already told his own story, and subsequent biographers have often taken Franklin at his word. In this exciting new account, Kevin J. Hayes takes a different approach.
Hayes begins when Franklin is eighteen and stranded in London, describing how the collection of curiosities he viewed there fundamentally shaped Franklin’s intellectual and personal outlook. Subsequent chapters take in Franklin’s career as a printer, his scientific activities, his role as a colonial agent, his participation in the American Revolution, his service as a diplomat, and his participation in the Constitutional Convention. Containing much new information about Franklin’s life and achievements, Hayes’s critical biography situates Franklin within his literary and cultural milieu.
Benjamin Franklin - American Writers 19 was first published in 1962. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Using James Joyce’s Dubliners as a discrete guide, celebrated Norwegian writer Tomas Espedal wanders the streets of his hometown. On the journey, he takes notes, reflects, writes a diary, and draws portraits of the city and its inhabitants. Espedal writes tales and short stories, meets fellow writers, and listens to their anecdotes. In a way that anyone from a small town can relate to, he is drawn away from Bergen but at the same time he can’t seem to stay away. Espedal’s Bergeners is a book not just about Bergen, but about life—in a way no one else could have captured.
Begun in Poveromo, Italy, in 1932, and extensively revised in 1938, Berlin Childhood around 1900 remained unpublished during Walter Benjamin’s lifetime, one of his “large-scale defeats.” Now translated into English for the first time in book form, on the basis of the recently discovered “final version” that contains the author’s own arrangement of a suite of luminous vignettes, it can be more widely appreciated as one of the masterpieces of twentieth-century prose writing.
Not an autobiography in the customary sense, Benjamin’s recollection of his childhood in an upper-middle-class Jewish home in Berlin’s West End at the turn of the century becomes an occasion for unified “expeditions into the depths of memory.” In this diagram of his life, Benjamin focuses not on persons or events but on places and things, all seen from the perspective of a child—a collector, flâneur, and allegorist in one. This book is also one of Benjamin’s great city texts, bringing to life the cocoon of his childhood—the parks, streets, schoolrooms, and interiors of an emerging metropolis. It reads the city as palimpsest and labyrinth, revealing unexpected lyricism in the heart of the familiar.
As an added gem, a preface by Howard Eiland discusses the genesis and structure of the work, which marks the culmination of Benjamin’s attempt to do philosophy concretely.
For three decades, beginning with the Symphonie fantastique composed in 1830, Hector Berlioz and his music embodied the élan and exuberance of the Romantic era. This captivating and sumptuously illustrated biography is not only a complete account of Berlioz’s life, but an acute analysis of his compositions and description of his work as conductor and critic, as well as a vivid picture of his musical world.
D. Kern Holoman paints a full-length portrait of Berlioz: his personal and family life, his intellectual development and pursuits, his methods of composing (Berlioz at his work table, so to speak), the aim and style of his music criticism and travel writing, his innovations in staging and conducting performances, and his interaction with other composers, including Liszt, Mendelssohn, Wagner, Schumann, Glinka, Brahms, Verdi, Saint-Saëns, Gounod. In discussing Berlioz’s music, Holoman talks about specific techniques, takes note of influences and borrowings, and analyzes the concept of programmatic music developed in Symphonie fantastique, Harold in Italy, Romeo and Juliet, and The Damnation of Faust.
While following Berlioz’s career, we get a rich sense of the world in which he moved. We see the requirements and excitements of foreign concert tours, the music publishing and instrument-making businesses, the development of the modern concept of orchestral conducting, the use of newspapers for publicity, the composer’s working relations with impresarios and soloists.
Bernard Berenson (1865–1959) put the connoisseurship of Renaissance art on a firm footing in the late nineteenth and early twentieth centuries. His monument is the library and collection of Italian painting, Islamic miniatures, and Asian art at Villa I Tatti in Florence. The authors in this collection of essays explore the intellectual world in which Berenson was formed and to which he contributed. Some essays consider his friendship with William James and the background of perceptual psychology that underlay his concept of “tactile values.” Others examine Berenson’s relationships with a variety of cultural figures, ranging from the German-born connoisseur Jean Paul Richter, the German art historian Aby Warburg, the Boston collector Isabella Stewart Gardner, and the American medievalist Arthur Kingsley Porter to the African-American dance icon Katherine Dunham, as well as with Kenneth Clark, Otto Gutekunst, Archer Huntington, Paul Sachs, and Umberto Morra.
Bernard Berenson: Formation and Heritage makes an important contribution to the rising interest in the historiography of the discipline of art history in the United States and Europe during its formative years.
Critic, arbiter of taste, renowned authority on Renaissance painting, and oracle to millionaire art collectors, Bernard Berenson was the most formidable presence in the Anglo-American art world for more than thirty years. His Villa I Tatti near Florence was a magnet for European and American intellectuals; he was able to say, late in life, that most of the Italian paintings that had come to the United States had “my visa on their passport.” Twenty years after his death he remains a paradoxical figure—fit challenge for a Pulitzer Prize–winning biographer.
The story of the making of the connoisseur spans four decades, from Berenson’s childhood in Lithuania and in an immigrant enclave in Boston to the triumphant tour of the United States that confirmed his international reputation. Ernest Samuels interweaves with great skill the many threads of the narrative. No less fascinating than Berenson’s own development, and the accidents that shaped his career, are his relations with an extraordinary cast of characters whose lives impinged on his—among them George Santayana, William James, Bertrand Russell, Logan Pearsall Smith, Norman and Hutchins Hapgood, Oscar Wilde, Vernon Lee, the Michael Fields, Gertrude Stein, Edith Wharton, Roger Fry, and, most notably, the fabled Mrs. Jack Gardner. His relationship with Mary Smith Costelloe, who left her husband and children for him and eventually became his wife, was so close that the book is almost as much her story as his.
Drawing on the thousands of letters B.B. and Mary wrote and the diaries she kept, Samuels is able to convey Berenson’s thoughts and impressions as well as the outward events of these crucial years of his life. He blends sympathy and irony in his many-faceted portrayal of a complex man and a remarkable career. It is a compelling book.
Controversy swirls around Bernard Berenson today as it did in his middle years, before and between two world wars. Who was this man, this supreme connoisseur of Italian Renaissance painting? How did he support his elegant estate near Florence, his Villa I Tatti? What exactly were his relations with the art dealer Joseph Duveen? What part did his wife, Mary, play in his scholarly work and professional career? The answers are to be found in the day-to-day record of his life as he lived it—as reported at first hand in his and Mary’s letters and diaries and reflected in the countless personal and business letters they received. His is one of the most fully documented lives of this century. Ernest Samuels, having spent twenty years studying the thousands of letters and other manuscripts, presents his story in absorbing detail.
Berenson helped Isabella Stewart Gardner build her great collection and performed similar though lesser services for other wealthy Americans. It was merely an avocation and a useful source of income; his vocation was scholarship. But after 1904, when the book opens, his expertise was in ever-greater demand: a purchaser’s only assurance of the authorship of an Italian painting was the opinion of an expert, and in this field Berenson was preeminent. Increasingly he was drawn into the lucrative world of the art dealers; inevitably Joseph Duveen found it essential to enlist his services, at first ad hoc, then by contractual agreement. Samuels charts the course of Berenson’s long association with Duveen Brothers, detailing the financial arrangements, the humdrum chores and major contested attributions, the periodic clashes between the stubborn scholar and the arrogant entrepreneur.
The portrayal of Berenson’s relationship with Mary is especially intriguing: a union of opposites in all but brains and wit, bonded—despite love affairs, jealousies, recriminations—no longer by passion but by shared concerns. Impinging on their lives are those of a huge circle of friends and acquaintances in America and the beau monde of Europe. Both as biography and as a chapter of social and cultural history, it is a compelling book.
Bernie Whitebear’s story takes readers from an impoverished youth—including a rare account of life on the Colville Reservation during the 1930s—to the “Red Power” movement as it traces Bernie’s emergence as an activist influenced by contemporaries such as Bob Satiacum, Vine DeLoria, and Joe Delacruz. By choosing this course, Bernie was clearly making a break with his past, but with an eye toward a better future, whether staging the successful protest at Fort Lawton or acting on behalf of Native fishing rights in Puget Sound. When he died in July 2000, Bernie Whitebear had left an inestimable legacy, accomplishing things that no other Indian seemed able to do. His biography is an inspiring story for readers at many levels, an account of how one American Indian overcame hardships and obstacles to make a difference in the lives of his people—and an entire community.
Folk singer and folk music collector, writer, painter, journalist, art critic, whalerman, sheep station roustabout, Marxist, and much more - this is the story of A. L. (Bert) Lloyd's extraordinary life.
A. L. Lloyd played a key part in the folk music revival of the 1950s and 60s, but that is only part of his story. Dave Arthur documents how Lloyd became a member of the Communist Party, forceful antifascist, trade unionist and an important part of left-wing culture from the early 1930s to his death in 1982. Following his return from Australia as a 21-year-old, self-educated agricultural labourer, he was at the heart of the most important left-wing movements and highly respected for his knowledge in various fields.
Dave Arthur recounts the life of a creative, passionate and life-loving Marxist, and in so doing provides a social history of a turbulent twentieth century.
Glahn reveals how Brecht upended the language and gestures of philosophers, beggars, bureaucrats, thieves, priests, and workers, using them as weapons in his work. Following Brecht through the Weimar Republic, Nazism, exile, and East German Socialism, Glahn argues that the writer’s own life became a production of history that illuminates an ongoing crisis of modern experience shaped by capitalism, nationalism, and visions of social utopia. Sharp, accessible, and full of pleasures, this concise biography will interest anyone who wishes to know about this pivotal modern dramatist.
"I am sure [this] is the best introduction of any length to Russell, and I suspect that it might serve as one of the best introductions to modern philosophy. . . . Ayer begins with a brief, austere, and balanced account of Russell's life: as in Russell's autobiography this means his thought, books, women, and politics. Tacitus (and Russell) would have found the account exemplary. Ayer ends with a sympathetic and surprisingly detailed survey of Russell's social philosophy. But the bulk of this book consists of a chapter on Russell's work in logic and the foundations of mathematics, followed by a chapter on his epistemological views and one on metaphysics. . . . I find it impossible to imagine that this book will not remain indefinitely the very best book of its sort."—Review of Metaphysics
"The confrontation or conjunction of Ayer and Russell is a notable event and has produced a remarkable book—brilliantly argued and written."—Martin Lebowitz, The Nation
This lavishly illustrated coffee table book offers a vital examination of the first 75 women to have won the Best Actress Oscar over the span of 90 years. From inaugural recipient Janet Gaynor to Frances McDormand’s 2018 acceptance speech that assertively brought women to the forefront, Best Actress: The History of Oscar®-Winning Women serves to promote a new appreciation for the cinematic roles these women won for, as well as the real-life roles many of them played – and still play – in advancing women’s rights and equality. Stories range from Bette Davis’ groundbreaking battle against the studio system; to the cutting-edge wardrobes of Katharine Hepburn, Diane Keaton and Cher; to the historical significance of Halle Berry’s victory; to the awareness raised around sexual violence by the performances of Jodie Foster, Brie Larson, and others.
Showcasing a dazzling collection of 200 photographs, many of which have never before been seen or published, Best Actress honors the legacies of these revered and extraordinary women while scrutinizing the roadblocks that they continue to overcome.
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