This is the first substantial commentary on Clouds since Dover’s 1968 edition. Intended for intermediate Greek students at undergraduate and graduate levels, the commentary pays careful attention to the basic characteristics of ancient Greek syntax, as well as to how Greek words are formed and can be analyzed. It offers robust staging notes, information about daily life in late 5th-century Athens, and constant reference to the rhetorical and dramatic strategies of the text. Full support is offered for those interested in the metrical structure of the songs, but in a way that allows instructors to leave such issues aside, should they choose to do so. The first and second appendices offer a basic means of entry into the rich but complex world of the comic fragments. An English-language bibliography is provided. The edition will interest professional classicists of all sorts seeking an accessible introduction to one of Aristophanes’ greatest plays, to philosophers concerned with Socrates and the sophistic movement, and to theater professionals who wish to stage the play.
An invitation to engage with some of today’s most respected science journalists as they take readers beneath the surface to reveal the making of eleven of the best science stories.
With eleven deeply reported, artfully crafted stories and annotations by some of the most thoughtful and respected science journalists working today, The Best Science Stories and How They Work is more than the sum of its impressive parts. Experience the pleasure of reading a “Best of” anthology, attending a science writing masterclass, and meeting journalists who become more than their familiar bylines. Each piece benefits from an introduction, annotations, and a conversation between the piece’s author and annotator.
Siri Carpenter—editor of this book and cofounder of The Open Notebook, a leading source of training and educational materials for journalists who cover science—has long considered what’s behind the best writing. The pieces in this guide are drawn from a range of publications such as Scientific American, Nature, The Atlantic, and The New York Times Magazine and offer a unique perspective on how great science journalism happens: the careful structuring of a narrative, the delicate balance of skepticism and wonder, the ethical challenges of working with sources, the artistry of prose that sings. Readers will not only encounter outstanding examples of stellar storytelling, but they will also understand how these successful stories were reported and written, revealing the choices fundamental to good science journalism. Following each annotation, a Q&A with the original author provides an intimate look at the decisions and challenges that shaped their work.
Taken together, these pieces and annotations reveal the detailed, technical narrative work required to tell science stories. The book will delight, inspire, and equip readers with new tools to appreciate the stories that matter most.
Contributors: Jordana Cepelewicz, Shraddha Chakradhar, Nadia Drake, Ben Goldfarb, Sabrina Imbler, Ferris Jabr, Emily Laber-Warren, Stephanie M. Lee, Dana Mackenzie, Amy Maxmen, Emiliano Rodríguez Mega, Kendra Pierre-Louis, Debbie Ponchner, Sandeep Ravindran, Mary Roach, Paola Rosa-Aquino, Ashley Smart, Jessica Seigel, Ramin Skibba, Kamala Thiagarajan, Bijal Trivedi, and Ed Yong
In addition to the complete Greek text and commentary, this volume includes a substantial introduction to the playwright’s career and to the historical and political background of the play. It includes advice for students on grammar and syntax, meter, festivals and staging, as well as topical and literary references and allusions that will help guide students to a mature appreciation of the comedy’s humor, seriousness, and artistic quality. Priced and sized for classroom use, this is the first full commentary on Knights since 1901 and will be widely welcomed.
The first thorough commentary on the Old Greek and Peshitta of Isaiah
Ronald L. Troxel’s new textual commentary on Isaiah focuses on the book’s Greek and Syriac translations and seeks to recover, as much as possible, the Hebrew texts on which these early translations relied. Troxel treats the Greek and Syriac together in order to present a detailed analysis of their relationship, devoting particular attention to whether the Syriac was directly or indirectly influenced by the Greek. This comparison sheds light on both the shared and distinct approaches that the translators took in rendering lexemes, phrases, verses, and even passages. In addition Troxel presents observations about the literary structures the translators created that differ from those implicit in their source texts (as we understand them), to produce coherent discourse in the target language.
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James C. Hogan introduces each play by highlighting specific and interpretive problems relevant to that play before turning to a line-by-line analysis. The line analysis is comprehensive, ranging from the meanings of words and phrases that pertain to a variety of Greek ideas and institutions to metaphor and imagery specific to each play as well as plots and borrowings from earlier poetry, styles, and characterizations.
Along with his examination of the seven extant plays of Sophocles in English translations, Hogan provides a general introduction to the theatre in Sophocles’ time, discussing staging, the conventions of the Greek theatre, the text of the plays, and mythology and religion.
Alexander Pushkin’s lyric poetry—much of it known to Russians by heart—is the cornerstone of the Russian literary tradition, yet until now there has been no detailed commentary of it in any language.
Michael Wachtel’s book, designed for those who can read Russian comfortably but not natively, provides the historical, biographical, and cultural context needed to appreciate the work of Russia’s greatest poet. Each entry begins with a concise summary highlighting the key information about the poem’s origin, subtexts, and poetic form (meter, stanzaic structure, and rhyme scheme). In line-by-line fashion, Wachtel then elucidates aspects most likely to challenge non-native readers: archaic language, colloquialisms, and unusual diction or syntax. Where relevant, he addresses political, religious, and folkloric issues.
Pushkin’s verse has attracted generations of brilliant interpreters. The purpose of this commentary is not to offer a new interpretation, but to give sufficient linguistic and cultural contextualization to make informed interpretation possible.
In his commentary, Fabian reconstructs his meeting with the healer Kahenga Mukonkwa Michel, in which the two discussed the ritual that Kahenga performed to protect Fabian’s home from burglary. Fabian reflects on the expectations and terminology that shape his description of Kahenga’s ritual and meditates on how ethnographic texts are made, considering the settings, the participants, the technologies, and the linguistic medium that influence the transcription and translation of a recording and thus fashion ethnographic knowledge. Turning more directly to Kahenga—as a practitioner, a person, and an ethnographic subject—and to the questions posed to him, Fabian reconsiders questions of ethnic identity, politics, and religion. While Fabian hopes that emerging anthropologists will share their fieldwork through virtual archives, he does not suggest that traditional ethnography will disappear. It will become part of a broader project facilitated by new media.
Cultural astronomy, first called archaeoastronomy, has evolved at ferocious speed since its genesis in the 1960s, with seminal essays and powerful rebuttals published in far-flung, specialized journals. Until now, only the most closely involved scholars could follow the intellectual fireworks. In Foundations of New World Cultural Astronomy, Anthony Aveni, one of cultural astronomy's founders and top scholars, offers a selection of the essays that built the field, from foundational works to contemporary scholarship.
Including four decades of research throughout the Americas by linguists, archaeologists, historians, ethnologists, astronomers, and engineers, this reader highlights the evolution of the field through thematic organization and point-counterpoint articles. Aveni - an award-winning author and former National Professor of the Year - serves up incisive commentary, background for the uninitiated, and suggested reading, questions, and essay topics. Students, readers, and scholars will relish this collection and its tour of a new field in which discoveries about ancient ways of looking at the skies cast light on our contemporary views.
James E. Cathey's Hêliand: Text and Commentary is a simply unique, wonderfully encompassing, and helpful text, and nothing quite like it exists anywhere in the world. The commentary portion of the book consists of an interweaving of interpretation and philological consideration. This work presents the reader with explanatory commentary that encompasses both the scientific and the poetic and treats them both with equal felicity. The volume also contains something that is exceptionally valuable and cannot be found in English: a compact and serviceable grammar of Old Saxon and an appended glossary that defines all of the vocabulary found in this edited version of the Hêliand.
This volume of seven essays on the 1987 Nicaraguan constitution does not accept a priori the judgment that Latin American constitutions are as fragile as egg shells, easily broken and discarded if found to be inconvenient to the interests of the rulers. Rather, they are viewed as being central to understanding political life in contemporary Nicaragua.
The perspectives of the analysts and their conclusions are not consensual. They prohibit glib and facile general conclusions. Some find the constitution to be nothing more than a façade for arbitrary and capricious rule; others that the document reflects clear commitments to the democratic rule of law. Thus far the implementation of the constitution has resulted in the peaceful transition of power from the Sandinistas to the National Opposition Union.
A new English translation of the first text translated from Arabic to Armenian for research and classroom use
Robert W. Thomson translates this ninth-century commentary defending the miaphysite theological position of the Armenian church against the chalcedonian position of the Greek Byzantine church. Nonnus’s exegesis of the gospel falls in the context of trends in Eastern Christian biblical exposition, primarily the Syrian tradition. Therefore, Thomson emphasizes the parallels in Syriac commentaries on the book of John, noting also earlier Greek writers whose works were influential in Syria. This book is essential reading for anyone interested in the Armenian church and church history.
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How was the universe created, and what is our place within it? These are the questions at the heart of Plotinus’ Against the Gnostics. For the Gnostics, the universe came into being as a result of the soul’s fall from intelligible reality—it is the evil outcome of a botched creation. Plotinus challenges this, and insists that the soul’s creation of the world is the necessary consequence of its contemplation of the ideal forms. While the Gnostics claim to despise the visible universe, Plotinus argues that such contempt displays their ignorance of the higher realities of which the cosmos is a beautiful image.
Against the Gnostics is a polemical text. It aims to show the superiority of Plotinus’ philosophy over that of his Gnostic rivals, and poses unique challenges: Plotinus nowhere identifies his opponents by name, he does not set out their doctrines in any great detail, and his arguments are frequently elliptical. The detailed commentary provides a guide through these difficulties, making Plotinus’ meandering train of thought in this important treatise accessible to the reader.
This is the 2016 paperback printing of the 2008 edition of the popular text, translation, and commentary by S. A. Farmer. (The 2008 edition was a revised edition of the 1998 original publication).
Published by ACMRS (Arizona Center for Medieval and Renaissance Studies) in Tempe, Arizona as part of the MRTS (Medieval and Renaissance Texts and Studies) Series, this book -- previously available only in hardcover and otherwise out-of-print since 2014 -- is now available in its entirety in paperback format.
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