A fascinating look at life during pioneer times in western Pennsylvania. Describes the hardship, danger and drudgery of day-to-day life on the frontier. Topics include cabin raising, crop harvests, tanning, weaving, disease, religion,  and superstition. Also follows the progression from pioneer life to industrial society.

Pioneer Life in Western Pennsylvania was one of the original books sponsored by the University of Pittsburgh, the Historical Society of Western Pennsylvania, and the Buhl Foundation to mark the founding of the University of Pittsburgh Press.  Authors Wright and Corbett describe the country the first settlers discovered, the homes and towns they built, the farm implements and household goods they used, the crops they grew and how their small, isolated communities laid the foundations for the cities and industries we know today

Sir Oliver Lodge was a polymathic scientific figure who linked the Victorian Age with the Second World War, a reassuring figure of continuity across his long life and career. A physicist and spiritualist, inventor and educator, author and authority, he was one of the most famous public figures of British science in the late nineteenth and early twentieth centuries. A pioneer in the invention of wireless communication and later of radio broadcasting, he was foundational for twentieth-century media technology and a tireless communicator who wrote upon and debated many of the pressing interests of the day in the sciences and far beyond. Yet since his death, Lodge has been marginalized. By uncovering the many aspects of his life and career, and the changing dynamics of scientific authority in an era of specialization, contributors to this volume reveal how figures like Lodge fell out of view as technical experts came to dominate the public understanding of science in the second half of the twentieth century. They account for why he was so greatly cherished by many of his contemporaries, examine the reasons for his eclipse, and consider what Lodge, a century on, might teach us about taking a more integrated approach to key scientific controversies of the day.

A companion volume to Environmental Conflict in Alaska, Pioneering Conservation in Alaska chronicles the central land and wildlife issues and the growth of environmental conservation in Alaska during its Russian and territorial eras.

The Alaskan frontier tempted fur traders, whalers, salmon fishers, gold miners, hunters, and oilmen to take what they could without regard for long-term consequences. Wildlife species, ecosystems, and Native cultures suffered, sometimes irreparably. Damage to wildlife and lands drew the attention of environmentalists, including John Muir, who applied their influence to enact wildlife protection laws and set aside lands for conservation. Alaska served as a testing ground for emergent national resource policy in the United States, as environmental values of species and ecosystem sustainability replaced the unrestrained exploitation of Alaska's early frontier days.

Efforts of conservation leaders and the territory's isolation, small human population, and late development prevented widespread destruction and gave Americans a unique opportunity to protect some of the world's most pristine wilderness.

Enhanced by more than 100 photographs, Pioneering Conservation in Alaska illustrates the historical precedents for current natural resource disputes in Alaska and will fascinate readers interested in wildlife and conservation.

Foreign investment increased from 17 percent of the capital of industrial corporations in Imperial Russia in 1880 to 47 percent in 1914, coinciding with the rapid development of Russian industrialization before World War I. John McKay's study, based largely on intensive research in numerous archives and utilizing many previously unexplored private business records, is the first detailed analysis of the impact of foreign enterprise on Russian industry during this period. His conclusions are significant for historians, economists, and those interested in the development of modern industrial society.

The Popular Culture Association/American Culture Association found a fixed canon and revolutionized the study of the humanities and social sciences in the United States and around the world by making that canon fluid. The full ramifications of this revolt against traditional academia not finished nor fully understood. This is a record of the goals and accomplishments of the pioneers in this field. The essays recall the barriers that the first pop culture scholars faced and tracks their achievements.

In this exciting new study, Bahru Zewde, one of the foremost historians of modern Ethiopia, has constructed a collective biography of a remarkable group of men and women in a formative period of their country’s history. Ethiopia’s political independence at the end of the nineteenth century put this new African state in a position to determine its own levels of engagement with the West. Ethiopians went to study in universities around the world. They returned with the skills of their education acquired in Europe and America, and at home began to lay the foundations of a new literature and political philosophy. Pioneers of Change in Ethiopia describes the role of these men and women of ideas in the social and political transformation of the young nation and later in the administration of Haile Selassie.

Internationally renowned for its pioneering role in the ecological restoration of tallgrass prairies, savannas, forests, and wetlands, the University of Wisconsin Arboretum contains the world’s oldest and most diverse restored ecological communities. A site for land restoration research, public environmental education, and enjoyment by nature lovers, the arboretum remains a vibrant treasure in the heart of Madison’s urban environment.
    Pioneers of Ecological Restoration chronicles the history of the arboretum and the people who created, shaped, and sustained it up to the present. Although the arboretum was established by the University of Wisconsin in 1932, author Franklin E. Court begins his history in 1910 with John Nolen, the famous landscape architect who was invited to create plans for the city of Madison, the university campus, and Wisconsin state parks. Drawing extensive details from archives and interviews, Court follows decades of collaborative work related to the arboretum’s lands, including the early efforts of Madison philanthropists and businessmen Michael Olbrich, Paul E. Stark, and Joseph W. “Bud” Jackson.
    With labor from the Civilian Conservation Corps during the 1930s Depression, University of Wisconsin scientists began establishing both a traditional horticultural collection of trees and plants and a completely new, visionary approach to recreate native ecosystems. Hundreds of dedicated scientists and staff have carried forward the arboretum’s mission in the decades since, among them G. William Longenecker, Aldo Leopold, John T. Curtis, Rosemary Fleming, Virginia Kline, and William R. Jordan III.
    This archival record of the arboretum’s history provides rare insights into how the mission of healing and restoring the land gradually shaped the arboretum’s future and its global reputation; how philosophical conflicts, campus politics, changing priorities, and the encroaching city have affected the arboretum over the decades; and how early aspirations (some still unrealized) have continued to motivate the work of this extraordinary institution.

Steve Cushing, the award-winning host of the nationally syndicated public radio staple Blues before Sunrise, has spent over thirty years observing and participating in the Chicago blues scene. In Pioneers of the Blues Revival, he interviews many of the prominent white researchers and enthusiasts whose advocacy spearheaded the blues' crossover into the mainstream starting in the 1960s.
 
Opinionated and territorial, the American, British, and French interviewees provide fascinating first-hand accounts of the era and movement. Experts including Paul Oliver, Gayle Dean Wardlow, Sam Charters, Ray Flerledge, Paul Oliver, Richard K. Spottswood, and Pete Whelan chronicle in their own words their obsessive early efforts at cataloging blues recordings and retrace lifetimes spent loving, finding, collecting, reissuing, and producing records. They and nearly a dozen others recount relationships with blues musicians, including the discoveries of prewar bluesmen Mississippi John Hurt, Son House, Skip James, and Bukka White, and the reintroduction of these musicians and many others to new generations of listeners. The accounts describe fieldwork in the South, renew lively debates, and tell of rehearsals in Muddy Waters's basement and randomly finding Lightning Hopkins's guitar in a pawn shop.
 
Blues scholar Barry Lee Pearson provides a critical and historical framework for the interviews in an introduction.

First published in 1957, Pioneers, Peddlers, & Tsadikim, the original history of the Jewish people in Colorado, is now back in a revised and updated edition with twenty-one new illustrations. Containing a new preface and a comprehensive chronology covering more than 140 years, Pioneers, Peddlers, & Tsadikim is a definitive volume for both the scholar of Jewish/Colorado history and the casual reader alike.

In 1812 at the age of nineteen, Sally Merriam Wait experienced her conversion. For those raised in an evangelical church during the religious fervor of the Second Great Awakening, conversion represented a key moment in a young person’s life, marking the transition from childhood and frivolity to the duties of a pious life. Sally’s conversion also marked the beginning of her journal.

Wait grew up in a New England swept with revival. Her letters reveal a northernborn woman with anti-slavery leanings engaging with an unfamiliar environment in the slave-holding South; she comes to embrace the principles of a market economy in Jacksonian America, while attending to her developing religious faith. Her decisions are shaped by a surging evangelical movement, changes in the American economy, the rise of women’s social agency, a fracturing of political traditions, and the moral conflicts inherent in a slave economy. At its simplest, Sally’s life is the tale of a nineteenth-century woman endeavoring to make her mark on the world while striving to develop her faith.

Pious Ambitions establishes Sally Merriam Wait as a significant figure in North Carolina and Baptist history. Her ambition led her from young convert to devoted wife of Reverend Samuel Wait, the first president and founder of Wake Forest University. Her journal was passed down carefully from generation to generation until it found its way in 1993 to the Special Collections and Archives at Z. Smith Reynolds Library at Wake Forest University in Winston-Salem, North Carolina, along with a large cache of letters and other documents. In examining this trove and reconstructing the life of Wait, Mary Tribble provides a rare glimpse into the spiritual education of a young woman who nevertheless successfully navigated the rise of capitalism in the market economy of the early nineteenth century.

This volume, an amazing act of historical recovery and reconstruction, offers a comprehensive examination of Jewish women in Europe during the High Middle Ages (1000–1300). Avraham Grossman covers multiple aspects of women’s lives in medieval Jewish society, including the image of woman, the structure of the family unit, age at marriage, position in family and society, her place in economic and religious life, her education, her role in family ceremonies, violence against women, and the position of the divorcée and the widow in society. Grossman shows that the High Middle Ages saw a distinct improvement in the status of Jewish women in Europe relative to their status during the Talmudic period and in Muslim countries. If, during the twelfth century, rabbis applauded women as "pious and pure" because of their major role in the martyrdom of the Crusades of 1096, then by the end of the thirteenth century, rabbis complained that women were becoming bold and rebellious. Two main factors fostered this change: first, the transformation of Jewish society from agrarian to "bourgeois," with women performing an increasingly important function in the family economy; and second, the openness toward women in Christian Europe, where women were not subjected to strict limitations based upon conceptions of modesty, as was the case in Muslim countries. The heart of Grossman’s book concerns the improvement of Jewish women’s lot, and the efforts of secular and religious authorities to impede their new-found status. Bringing together a variety of sources including halakhic literature, biblical and talmudic exegesis, ethical literature and philosophy, love songs, folklore and popular literature, gravestones, and drawings, Grossman’s book reconstructs the hitherto unrecorded lives of Jewish women during the Middle Ages.

Owning a home has always been central to the American dream. For the more than one million Muslims in the United States, this is no exception. However, the Qur'an forbids the payment of interest, which places conventional home financing out of reach for observant Muslims. To meet the growing Muslim demand for home purchases, a market for home financing that would be halal, or permissible under Islamic law, has emerged. In Pious Property, anthropologist William Maurer profiles the emergence of this new religiously based financial service and explores the ways it reflects the influence of Muslim practices on American economic life and vice versa. Pious Property charts the development of Islamic mortgages in America, starting with Islamic interpretations of the prohibition against riba—literally translated as "increase" but interpreted as "usury" or "interest." Maurer then explores the different practices that have emerged as permissible options for Islamic homebuyers—such as lease-to-own arrangements, profit-loss sharing, and cost-plus contracts—and explains how they have gained acceptance in the Islamic community by relying on payment schemes that avoid standard interest rate payments. Using interviews with Muslim homebuyers and financiers, and in-depth analysis of two companies that provide mortgage alternatives to Muslims, Maurer discovers an interesting paradox: progressive Muslims tend to use financial contracts that seemingly comply better with the prohibition against interest, while traditional Muslims seem more inclined to take on financing very similar to interest-based mortgages. Maurer finds that Muslims make their decisions about using Islamic mortgage alternatives based not only on the views of religious scholars, but also on their conceptions of how business is supposed to be conducted in America. While one form of Islamic financing is seemingly more congruent with the prohibition against riba, the other exhibits more of the qualities of American mortgages—anonymity and standardized forms. The appearance that an Islamic financing instrument is legal and professional leaves many Muslim homebuyers with the impression that it is halal, revealing the influence of American capitalism on Muslim Americans' understanding of their religious rules. The market for halal financial products exists at the intersection of American and Islamic culture and is emblematic of the way that, for centuries, America's newcomers have adapted to and changed the fabric of American life. In Pious Property, William Maurer explores this rapidly growing economic phenomenon with historical perspective and scholarly insight.

How contemporary environmental struggles and resistance to pipeline development became populist struggles
 

Stunning Indigenous resistance to the Keystone XL and the Dakota Access pipelines has made global headlines in recent years. Less remarked on are the crucial populist movements that have also played a vital role in pipeline resistance. Kai Bosworth explores the influence of populism on environmentalist politics, which sought to bring together Indigenous water protectors and environmental activists along with farmers and ranchers in opposition to pipeline construction.

Here Bosworth argues that populism is shaped by the “affective infrastructures” emerging from shifts in regional economies, democratic public-review processes, and scientific controversies. With this lens, he investigates how these movements wax and wane, moving toward or away from other forms of environmental and political ideologies in the Upper Midwest. This lens also lets Bosworth place populist social movements in the critical geographical contexts of racial inequality, nationalist sentiments, ongoing settler colonialism, and global empire—crucial topics when grappling with the tensions embedded in our era’s immense environmental struggles.

Pipeline Populism reveals the complex role populism has played in shifting interpretations of environmental movements, democratic ideals, scientific expertise, and international geopolitics. Its rich data about these grassroots resistance struggles include intimate portraits of the emotional spaces where opposition is first formed. Probing the very limits of populism, Pipeline Populism presents essential work for an era defined by a wave of people-powered movements around the world.

In the decade and a half since Napster first emerged, forever changing the face of digital culture, the claim that "internet pirates killed the music industry" has become so ubiquitous that it is treated as common knowledge. Piracy is a scourge on legitimate businesses and hard-working artists, we are told, a "cybercrime" similar to identity fraud or even terrorism.

In The Piracy Crusade, Aram Sinnreich critiques the notion of "piracy" as a myth perpetuated by today's cultural cartels—the handful of companies that dominate the film, software, and especially music industries. As digital networks have permeated our social environment, they have offered vast numbers of people the opportunity to experiment with innovative cultural and entrepreneurial ideas predicated on the belief that information should be shared widely. This has left the media cartels, whose power has historically resided in their ability to restrict the flow of cultural information, with difficult choices: adapt to this new environment, fight the changes tooth and nail, or accept obsolescence. Their decision to fight has resulted in ever stronger copyright laws and the aggressive pursuit of accused infringers.

Yet the most dangerous legacy of this "piracy crusade" is not the damage inflicted on promising start-ups or on well-intentioned civilians caught in the crosshairs of file-sharing litigation. Far more troubling, Sinnreich argues, are the broader implications of copyright laws and global treaties that sacrifice free speech and privacy in the name of combating the phantom of piracy—policies that threaten to undermine the foundations of democratic society.

In Pirate Novels Nina Gerassi-Navarro examines an overlooked genre to reveal how history and fiction blend to address important isuses of nation building in nineteenth-century Spanish America. In the figure of the pirate, bold and heroic to some, cruel and criminal to others, she reveals an almost ideal character that came to embody the spirit of emerging nationhood and the violence associated with the struggle to attain it.
Beginning with an overview of the history of piracy, Gerassi-Navarro traces the historical icon of the pirate through colonial-era chronicles before exploring a group of nineteenth-century Mexican, Colombian, and Argentine novels. She argues that the authors of these novels, in their reconstructions of the past, were less interested in accurate representations than in using their narratives to discuss the future of their own countries. In reading these pirate narratives as metaphors for the process of nation building in Spanish America, Gerassi-Navarro exposes the conflicting strains of a complex culture attempting to shape that future. She shows how these pirate stories reflect the on-going debates that marked the consolidation of nationhood, as well as the extent to which the narratives of national identity in Spanish America are structured in relation to European cultures, and the ways in which questions of race and gender were addressed.
Providing new readings of the cultural and political paradigms that marked the literary production of nineteenth-century Spanish America, Pirate Novels uniquely expands the range of texts usually examined in the study of nation-building. It will interest literary scholars generally as well as those engaged in Latin American, colonial, and postcolonial studies.

Whether winning world championships or falling into last place, fielding teams with Hall of Fame players or trotting out bumbling boys of summer, the Pittsburgh Pirates have thrilled, frustrated, and fascinated generations of fans since 1876.

To date, the Pirates have won five World Series and have a total of thirty-six players and managers in the Hall of Fame-including Honus Wagner, Pie Traynor, Lloyd and Paul Waner, Ralph Kiner, Willie Stargell, Roberto Clemente, and Bill Mazeroski.

The Pirates Reader is a tribute to the fans, players, and teams who have forged the franchise's rich history. Richard Peterson has collected the writing of baseball's greatest storytellers and brings to life the players, games, and magical moments for this classic and well-loved team.

Martha Ward tracks the development and reception of neo-impressionism, revealing how the artists and critics of the French art world of the 1880s and 1890s created painting's first modern vanguard movement.

Paying particular attention to the participation of Camille Pissarro, the only older artist to join the otherwise youthful movement, Ward sets the neo-impressionists' individual achievements in the context of a generational struggle to redefine the purposes of painting. She describes the conditions of display, distribution, and interpretation that the neo-impressionists challenged, and explains how these artists sought to circulate their own work outside of the prevailing system. Paintings, Ward argues, often anticipate and respond to their own conditions of display and use, and in the case of the neo-impressionists, the artists' relations to market forces and exhibition spaces had a decisive impact on their art.

Ward details the changes in art dealing, and chronicles how these and new freedoms for the press made artistic vanguardism possible while at the same time affecting the content of painting. She also provides a nuanced account of the neo-impressionists' engagements with anarchism, and traces the gradual undermining of any strong correlation between artistic allegiance and political direction in the art world of the 1890s.

Throughout, there are sensitive discussions of such artists as Georges Seurat and Paul Signac, as well as Pissarro. Yet the touchstone of the book is Pissarro's intricate relationship to the various factions of the Paris art world.

Vance Randolph has long been an undeniable presence on the American folklore scholarship scene. His Ozark corpus is "the best known single body of regional folklore in the United States," according to Richard Dorson, director of the Folklore Institute at Indiana University. And Gershon Legman, the world's leading scholar of sexual and scatological humor, has called Randolph "the greatest and most successful field collector and regional folklorist that America ever had." In Legman's estimation, "We have no one else like him. He is a national treasure, like Mark Twain.
Randolph's reputation rests on the massive accumulation of folksong, folktale, and ballad materials he collected during forty years of living and working in the Ozarks. Unfortunately, in the 1950s when Randolph published several collection of Ozark tales, the material in this volume was considered unprintable.
Pissing in the Snow departs from the academic prudery that until recently has restricted the amount of bawdy folklore available for study. It presents a body of material that for twenty years has circulated only in manuscript or microfilm under its present title.
When placed in their rightful context alongside Randolph's other collections of folk material, the bawdy tales help provide evidence of what Ozark hill people think about their own lives and language. As Rayna Green writes in her introduction, "The entire body of material . . . offers a picture of expressive behavior unparalleled by any other American region's or group's study." Hoffmann's annotations draw parallels between the erotic narrative tradition of the Ozarks and that in other parts of the country and the world, especially Europe.
 

Translating professional archaeological research into meaningful and thoughtful educational experiences for the public has taken on increased urgency in recent years. This book presents eight case studies by professional archaeologists who discuss innovative approaches and advances in research methodology while examining the myriad challenges associated with interpreting this work for the public. Each study focuses on a particular Native American bison-kill site and shares the unique path from archaeological investigation to the creation of a public interpretive facility. Collectively the chapters comprise a comprehensive exploration of the multifaceted linkages between archaeological research and public education—ranging in scope from the interrelationships of an interpretive facility with its surrounding communities to the nuances of explaining bone decomposition to site visitors. These examples provide valuable insights from which archaeologists and science interpreters of all disciplines can conceptualize and build their own educational programs.

As bombs begin to fall on Pearl Harbor, nineteen-year-old PFC Richard Mask is wearing a pistol, a .45 caliber automatic that makes him feel connected to the army of the Wild West and Custer's Cavalry. In the chaos of his first days and weeks of the war, as Mask and his company move from Schofield Barracks to the beaches of Oahu, then to a remote mountain pass, a struggle over the pistol dominates this novella's action, providing the pathos and savagery of the story.

Pitch Dark Anarchy investigates the danger of one single narrative with multilayered poems that challenge concepts of beauty and image, race and identity, as well as the construction of skin color. Through African American memory and moments in literature, the poems seek to disrupt and dismantle foundations that create erasures and echoes of the unremembered. Pitch Dark Anarchy uses the slave revolt of the Amistad as a starting point, a metaphor for "opposition" and "against." These themes run through the very core for the book while drawing on inventive and playful language. The poems bring to life human experiences and conditions created by an "elite" society. In these poems, locations and landscapes are always shifting, proving that our shared experiences can be interchangeable. At the very core of Pitch Dark Anarchy is a seven-part poem based on the artist Margret Bowland’s "Another Thorny Crown Series," which are paintings of an African American girl in white face.

Through innovative formal and visual techniques, such as fractured syntax and typographical disruption, Horton evokes the disorienting experiences of urban life, while also calling into question the complicity of language in the oppressive structures he anatomizes.

Praised in recent years as a “calculating, improvisatory, essential poet” by Daisy Fried in the New York Times, Charles Bernstein is a leading voice in American literary theory. Pitch of Poetry is his irreverent guide to modernist and contemporary poetics.

Subjects range across Holocaust representation, Occupy Wall Street, and the figurative nature of abstract art. Detailed overviews of formally inventive work include essays on—or “pitches” for—a set of key poets, from Gertrude Stein and Robert Creeley to John Ashbery, Barbara Guest, Larry Eigner, and Leslie Scalapino. Bernstein also reveals the formative ideas behind the magazine L=A=N=G=U=A=G=E. The final section, published here for the first time, is a sweeping work on the poetics of stigma, perversity, and disability that is rooted in the thinking of Edgar Allan Poe, Emily Dickinson, Ralph Waldo Emerson, and William Blake.

Pitch of Poetry makes an exhilarating case for what Bernstein calls echopoetics: a poetry of call and response, reason and imagination, disfiguration and refiguration.

Focusing on a class action lawsuit against the Illinois child welfare system (B. H. v. Johnson), Pitiful Plaintiffs examines the role of the federal courts in the child welfare policymaking process and the extent to which litigation can achieve the goal of reforming child welfare systems. 

Beginning in the 1970s, children’s advocates asked the federal courts to intervene in the child welfare policymaking process. Their weapons were, for the most part, class action suits that sought widespread reform of child welfare systems. This book is about the tens of thousands of abused and neglected children in the United States who enlisted the help of the federal courts to compel state and local governments to fulfill their obligations to them. Based on a variety of sources, the core of the research consists of in-depth, open-ended interviews with individuals involved in the Illinois child welfare system, particularly those engaged in the litigation process, including attorneys, public officials, members of children’s advocacy groups, and federal court judges. The interviews were supplemented with information from legal documents, government reports and publications, national and local news reports, and scholarly writings. Despite the proliferation of child welfare lawsuits and the increasingly important role of the federal judiciary in child welfare policymaking, structural reform litigation against child welfare systems has received scant scholarly attention from a political science or public policy perspective. Mezey’s comprehensive study will be of interest to political scientists and public policy analysts, as well as anyone involved in social justice and child welfare.

This is a history of a major American university from its birth on the western frontier in the eighteenth century through its two-hundredth anniversary. Told primarily through the stories of its energetic and sometimes eccentric chancellors, it’s a colorful and highly readable chronicle of the University of Pittsburgh.
    The story begins in the early spring of 1781, when an ambitious young Philadelphia lawyer named Hugh Henry Brackenridge crossed the Alleghenies to seek his opportunity in Pittsburgh. “My object,”?he wrote, “was to advance the country [Western Pennsylvania] and thereby myself.” He founded Pittsburgh Academy, later to be the Western University of Pennsylvania and then the University of Pittsburgh, and lived to see the school grow along with the city.
    Author Robert C. Alberts, mines the University archives and describes many issues for the first time. Among them is the role played by the Board of Trustees in the conflicts of the administration of Chancellor John Gabbert Bowman, including the firing of a controversial history professor, Ralph Turner; the resignation of the legendary football coach, Jock Sutherland; and a Board investigation into Bowman’s handling of faculty and staff. We see Pitt’s decade of progress under Edward Litchfield (1956–165), who gambled that the millions of dollars he spent . . . would be forthcoming form somewhere or someone; but who, as it turned out was mistaken.”
    Pitt became a state-related university in August 1966, but financial stability was achieved gradually during the administration of Chancellor Wesley W. Posvar. The ensuing crisis of the 1960s and early 1970, caused by the Vietnam War, and the student protests that accompanied it, are described in rich detail. The history then follows Pitt’s emergence as a force in international higher education; the institution’s role in fostering a cooperative relationship with business; and its entry into the postindustrial age of high technology.
    The story of Pitt reflects all the struggles and the hopes of the region. As Alberts writes in his preface, “There was drama; there was tragedy; there was indeed controversy and politics. There were, unexpectedly, rich veins of humor, occasionally of comedy.”

From its founding in 1758, Pittsburgh has experienced several epic transformations.  It began its existence as a fortress, on a site originally selected by George Washington.  A hundred years later, and well into our own time, no other American city was as intensively industrialized, only to be later consigned to “rustbelt” status.  Remade as a thriving twenty-first-century city and an international center for science, medicine, biotechnology, and financial services, Pittsburgh is now routinely acclaimed as one of the most promising and livable of America's cities.  Franklin Toker shows us why.

Toker highlights this remarkable story of urban reinvention by focusing on what makes Pittsburgh so resilient and appealing - its strong neighborhoods and their surprisingly rich architectural history.   The many unique, lively urban communities that make up Pittsburgh are a treasure trove of every imaginable style of structure, from Victorian to Bauhaus, Gothic to Art Deco, and from Industrial to Green.  These ordinary homes expressed the aspirations of people who came from around the world to settle in Pittsburgh, while they built the city itself into an economic powerhouse.  With the wealth generated by this everyday work, local captains of industry could build their own monumental additions to Pittsburgh's urban landscape, including two of America's greatest buildings: H. H. Richardson's Allegheny Courthouse and Frank Lloyd Wright's Fallingwater. 

With accessible prose, Toker examines Pittsburgh in its historical context (from Indian settlement to postmodern city), in its regional setting (from the playgrounds of the Laurel Highlands to the hard-working mill towns dotting the landscape), and from the street level (leading the reader on a personal tour through every neighborhood).  Lavishly illustrated with photos and maps, Pittsburgh: A New Portrait reveals the true colors of a truly great American city. 

Few American cities reflect the challenges and promise of a twenty-first-century economy better than Pittsburgh and its surrounding region. Once a titan of the industrial age, Pittsburgh flourished from the benefits of its waterways, central location, and natural resources-bituminous coal to fire steel furnaces; salt and sand for glass making; gas, oil, and just enough ore to spark an early iron industry. Today, like many cities located in the manufacturing triangle that stretches from Boston to Duluth to St. Louis, Pittsburgh has made the transition to a service-based economy.

Pittsburgh and the Appalachians presents a collection of eighteen essays that explore the advantages and disadvantages that Pittsburgh and its surrounding region face in the new global economy, from the perspectives of technology, natural resources, workforce, and geography.  It offers an extensive examination of the processes and factors that have transformed much of industrial America during the past half-century, and shows how other cities can learn from the steps Pittsburgh has taken through redevelopment, green space acquisition, air and water quality improvement, cultural revival, and public-private partnerships to create a more livable, economically viable region for future populations.

Pittsburgh has a rich and diverse theatrical tradition, from early frontier performances by officers stationed at Fort Pitt through experimental theater at the end of the twentieth century. Pittsburgh in Stages offers the first comprehensive history of theater in Pittsburgh, placing it within the context of cultural development in the city and the history of theater nationally.

By the time the first permanent theater was built in 1812, Pittsburgh had already established itself as a serious patron of the theatrical arts. The city soon hosted New York and London-based traveling companies, and gained a national reputation as a proving ground for touring productions. By the early twentieth century, numerous theaters hosted 'popular-priced' productions of vaudeville and burlesque, and theater was brought to the masses. Soon after, Pittsburgh witnessed the emergence of myriad community-based theater groups and the formation of the Federation of Non-Commercial Theatres and the New Theater League, guilds designed to share resources among community producers. The rise of local theater was also instrumental to the growth of African American theatrical groups. Though victims of segregation, their art flourished, and was only later recognized and blended into Pittsburgh's theatrical melting pot.

Pittsburgh in Stages relates the significant influence and interpretation of urban socioeconomic trends in the theatrical arts and the role of the theater as an agent of social change. Dividing Pittsburgh's theatrical history into distinct eras, Lynne Conner details the defining movements of each and analyzes how public tastes evolved over time. She offers a fascinating study of regional theatrical development and underscores the substantial contribution of regional theater in the history of American theatrical arts.

Summer afternoons at Forbes Field, playoff Sundays with the Steelers, winter nights at the Igloo cheering for Mario and the Penguins: Pittsburgh Sports captures all that and more. With stories from sports fans, historians, and former athletes, Pittsburgh Sports mixes personal experiences with team histories to capture the full range of what it means to be a sports fan—in Pittsburgh, or, by extension, anywhere.

A book that can be read cover-to-cover, or in bits and pieces, Pittsburgh Sports includes chapters on the ill-fated Pittsburgh Pipers, who won the American Basketball Association’s first championship, then folded four years later; the Pittsburgh Crawfords and the Homestead Grays, perennial Negro League powerhouses; Johnny Unitas, Joe Namath, Jim Kelly, Joe Montana, Dan Marino, and other legends of western Pennsylvania high school football; boxing’s illustrious past in the Iron City; football reminiscences by a former Steelers punter; and the ups and downs of the Pittsburgh Pirates.

From 1909-1914 the Pittsburgh Survey brought together statisticans, social workers, engineers, lawyers, physicians, economists, and city planners to study the effects of industrialization on the city of Pittsburgh.  Pittsburgh Surveyed examines the accuracy and the impact of the influential Pittsburgh Survey, emphasizing its role in the social reform movement of the early twentieth century.

Originally published in 1937, [t]his standard history of Pittsburgh tells the city’s story from its violent days as an eighteenth-century outpost of empire to the onset of its great age of industrial expansion. With wonderful line illustrations by Ward Howe. 

This handsome volume presents 161 pairs of matching before and after photographs of Pittsburgh.  A treasury of images for those who remember the old Pittsburgh, those who are curious about its past, and anyone interested in Pittsburgh's fascinating evolution from “smoky city” to the city it is today.

Politicians and pundits alike have complained that the divided governments of the last decades have led to legislative gridlock. Not so, argues Keith Krehbiel, who advances the provocative theory that divided government actually has little effect on legislative productivity. Gridlock is in fact the order of the day, occurring even when the same party controls the legislative and executive branches. Meticulously researched and anchored to real politics, Krehbiel argues that the pivotal vote on a piece of legislation is not the one that gives a bill a simple majority, but the vote that allows its supporters to override a possible presidential veto or to put a halt to a filibuster. This theory of pivots also explains why, when bills are passed, winning coalitions usually are bipartisan and supermajority sized. Offering an incisive account of when gridlock is overcome and showing that political parties are less important in legislative-executive politics than previously thought, Pivotal Politics remakes our understanding of American lawmaking.

Like stars in the sky, pixels may seem like tiny, individual points. But, when viewed from a distance, they can create elaborate images. Each pixel contributes to this array, but no individual point can create the whole. The thirty stories that comprise Krisztina Tóth’s book similarly produce an interconnected web. While each tale of love, loss, and failed self-determination narrates the sensuousness of an individual’s life, together, the thirty stories tell a more complicated tale of relationships. Circumstances that appear unrelated may converge in harmony or in heartbreak, just as the events that loom largest may fail to produce a longed-for outcome. These threads often determine the course of lives in unpredictable ways—sometimes comic, sometimes tragic, but rarely in the ways we originally anticipated.
 

How do the places where people live help structure and restructure their sociopolitical identities and interests? In this book, renowned political geographer John A. Agnew presents a theoretical model that addresses the relation of place to politics and applies it to a series of historicogeographical case studies set in modern Italy.

For Agnew, place is not just a static backdrop against which events occur, but a dynamic component of social, economic, and political processes. He shows, for instance, how the lack of a common "landscape ideal" or physical image of Italy delayed the development of a sense of nationhood among Italians after unification. And Agnew uses the post-1992 victory of the Northern League over the Christian Democrats in many parts of northern Italy to explore how parties are replaced geographically during periods of intense political change.

Providing a fresh new approach to studying the role of space and place in social change, Place and Politics in Modern Italy will interest geographers, political scientists, and social theorists.

There are few more powerful questions than, “Where are you from” or “Where do you live?” People feel intensely connected to cities as places and to other people who feel that same connection. In order to understand place – and understand human settlements generally – it is important to understand that places are not created by accident. They are created in order to further a political or economic agenda. Better cities emerge when the people who shape them think more broadly and consciously about the places they are creating. In Place and Prosperity: How Cities Help Us to Connect and Innovate, urban planning expert William Fulton takes an engaging look at the process by which these decisions about places are made, how cities are engines of prosperity, and how place and prosperity are deeply intertwined. Fulton has been writing about cities over his forty-year career that includes working as a journalist, professor, mayor, planning director, and the director of an urban think tank in one of America’s great cities. Place and Prosperity is a curated collection of his writings with new and updated selections and framing material.

Though the essays in Place and Prosperity are in some ways personal, drawing on Fulton’s experience in learning and writing about cities, their primary purpose is to show how these two ideas – place and prosperity – lie at the heart of what a city is and, by extension, what our society is all about. Fulton shows how, over time, a successful place creates enduring economic assets that don’t go away and lay the groundwork for prosperity in the future. But for urbanism to succeed, all of us have to participate in making cities great places for everybody. Because cities, imposing though they may be as physical environments, don’t work without us.
             
Cities are resilient. They’ve been buffeted over the decades by White flight, decay, urban renewal, unequal investment, increasingly extreme weather events, and now the worst pandemic in a century, and they’re still going strong. Fulton shows that at their best, cities not only inspire and uplift us, but they make our daily life more convenient, more fulfilling – and more prosperous.
 
 

Hot Springs National Park was recognized nationally in 2010 when the U.S. Mint unveiled the design of the first quarter of 56 in a series called the America the Beautiful Quarters Program. In 1903 a Chicago magazine, The 400, told its upscale readers about Hot Springs, Arkansas. The article's author wrote, "I also perceive a Chicago-Hot Springs air line of macadamized highway, lined with meteoric automobiles ribboning off the 750 miles between the cities in a thousand or less minutes. The perspective is almost delirious." Such exuberant words are testimony to what Hot Springs, "a place apart," has been to the nation since the early European explorers found vapors rising from the thermal springs-47 of them from which a million gallons of 143-degree water flow each day. A Place Apart offers readers a balanced history in words and historic photographs of a unique locale in the state of Arkansas. The hot springs of what the Native Americans called Washita were on the national map of Pres. Thomas Jefferson when the United States acquired what would become Arkansas in the Louisiana Purchase of 1804. Congress created the Hot Springs Reservation in 1832-the first land that the federal government set aside for preservation-granting federal protection of the thermal waters, and renamed it Hot Springs National Park in 1921. This book provides a fascinating visual history of pioneers, wealthy barons, scoundrels, gamblers (including such frequent visitors as Al Capone and Lucky Luciano), colorful politicians, and the hundreds of thousands of people who came to the spa city in hopes of regaining their fleeting health. Also covered are such famous attractions as Oaklawn Park, a thoroughbred horse-racing track, and Bathhouse Row, with its eight turn-of-the-century historic buildings.

Selma detests my small considerations of strangers. When she catches me nodding at the panhandlers she ignores, or opening doors for women I don't know, she says nothing, but holds herself tall and aloof. She is doing it for the both of us. She is compensating for what she believes is a weakness in her husband that, even in this day and age, a black man still cannot afford. And she may be right. But at this stage of my life I feel not so much black or male, middle-aged or well-to-do or professional, as incomplete. I am son to my father, father to my boys, husband to my unhappy wife, but somehow more lost than found in the mix.

For most people, "Grand Canyon" signifies that place of scenic wonder identified with Grand Canyon National Park. Beyond the boundaries of the park, however, extends the greater Grand Canyon, a region that includes five Indian reservations, numerous human settlements, and lands managed by three federal agencies and by the states of Arizona and Utah. Many people have sought to etch their values, economic practices, and physical presence on this vast expanse. Ultimately, all have had to come to terms with the limits imposed by the physical environment and the constraints posed by others seeking to carve out a place for themselves. A Place Called Grand Canyon is an unprecedented survey of how the lands and resources of the greater Grand Canyon have come to be divided in many different ways and for many different reasons. It chronicles the ebb and flow of power --changes in who controls the land and gives it meaning. The book begins with an exploration of the geographies of the native peoples, then examines how the westward expansion of the United States affected their lives and lands. It traces the century of contest and negotiation over the land and its resources that began in the 1880s and concludes with an assessment of contemporary efforts to redefine the region. Along the way, it explores how the spaces of the greater Grand Canyon area came to be defined and used, and how those spaces in turn influenced later contests among the ranchers, loggers, miners, recreationists, preservationists, Native Americans, and others claiming a piece--or all--of the area for their own ends. The story exposes how dynamic the geographical boundaries of the region really are, regardless of the indelibility of the ink with which they were drawn. With visitation to Grand Canyon National Park approaching five million people per year, pressures on resources are intensifying. When the greater Grand Canyon area is considered, environmental management is further complicated by the often-conflicting demands of business, recreation, ecological preservation, and human settlement. Morehouse invites us to look beyond boundaries drawn on maps to discover what Grand Canyon means to different people, and to think more deeply about what living in harmony with the land really entails. Her insights will be of interest to geographers and other social scientists--including anthropologists and environmental historians--and to all who seek a counterpoint to conventional natural histories of the region.

This remarkable novel continues the saga of life among the common people in El Salvador begun with One Day of Life. A Place Called Milagro de la Paz tells the story of the courage and strength of two women, a single mother and her daughter, who have to overcome the trauma of the murder of the mother's older daughter and survive in an atmosphere of bitter poverty. The book is filled, however, with magical, lyric moments of love and hope, especially surrounding the figure of a strange young girl with butterflies in her hair who appears suddenly and adopts the family. The tiny family group bravely preserves traditional values in spite of fear and repression.

 In A Place for Dialogue, Sharon McKenzie Stevens views the contradictions and collaborations involved in the management of public land in southern Arizona—and by extension the entire arid West—through the lens of political rhetoric. Revealing the socioecological relationships among cattlemen and environmentalists as well as developers and recreationists, she analyzes the ways that language shapes landscape by shaping decisions about land use.

Stevens focuses on the collaborative Sonoran Desert Conservation Plan initiated by Pima County, Arizona, the ubiquitous use of scientific argument to defend contradictory practices, and the construction and negotiation of rancher/environmentalist identities to illuminate both literally and metaphorically the dynamics of land use politics. Drawing specifically upon extensive interviews with a diverse array of agents on all sides of the debate—ranchers, environmentalists, scientists, land managers, government officials—on historical narratives, and on her own conflicting experiences as someone who grew up with those who work the western lands, she demonstrates that it is possible to use differences to solve, rather than to aggravate, the entrenched problems that bridge land and language.  

By integrating her richly textured case study of a fragile region with rhetorical approaches to narrative, science-based argument, and collective identities, Stevens makes a significant contribution to the fields of rhetoric, land management, and cultural studies. 

Emily Dickinson and Walt Whitman are widely acknowledged as two of America’s foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal innovations, points beyond their traditional status as curiously disparate icons of American nature poetry. That both of them not only approach nature as an important subject in its own right, but also address human-nature relationships in ethical terms, invests their work with important environmental overtones.

Dickinson and Whitman developed their environmentally suggestive poetics at roughly the same historical moment, at a time when a major shift was occurring in American culture’s view and understanding of the natural world. Just as they were achieving poetic maturity, the dominant view of wilderness was beginning to shift from obstacle or exploitable resource to an endangered treasure in need of conservation and preservation.

A Place for Humility examines Dickinson’s and Whitman’s poetry in conjunction with this important change in American environmental perception, exploring the links between their poetic projects within the context of developing nineteenth-century environmental thought. Christine Gerhardt argues that each author's poetry participates in this shift in different but related ways, and that their involvement with their culture’s growing environmental sensibilities constitutes an important connection between their disparate poetic projects. There may be few direct links between Dickinson’s “letter to the World” and Whitman’s “language experiment,” but via a web of environmentally-oriented discourses, their poetry engages in a cultural conversation about the natural world and the possibilities and limitations of writing about it—a conversation in which their thematic and formal choices meet on a surprising number of levels.

From its Broadway debut to the Oscar-winning film to countless amateur productions, West Side Story is nothing less than an American touchstone—an updating of Shakespeare vividly realized in a rapidly changing postwar New York.

That vision of postwar New York is at the heart of Julia L. Foulkes’s A Place for Us. A lifelong fan of the show, Foulkes became interested in its history when she made an unexpected discovery: scenes for the iconic film version were shot on the demolition site destined to become part of the Lincoln Center redevelopment area—a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York’s postwar aspirations. Making unprecedented use of director and choreographer Jerome Robbins’s revelatory papers, she shows the crucial role played by the political commitments of Robbins and his fellow gay, Jewish collaborators, Leonard Bernstein and Arthur Laurents. Their determination to evoke life in New York as it was actually lived helped give West Side Story its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city.

Beautifully written and full of surprises for even the most dedicated West Side Story fan, A Place for Us is a revelatory new exploration of an American classic.
 

A Place in Politics is a thorough reinterpretation of the politics and political culture of the Brazilian state of São Paulo between the 1890s and the 1930s. The world’s foremost coffee-producing region from the outset of this period and home to more than six million people by 1930, São Paulo was an economic and demographic giant. In an era marked by political conflict and dramatic social and cultural change in Brazil, nowhere were the conflicts as intense or changes more dramatic than in São Paulo. The southeastern state was the site of the country’s most important political developments, from the contested presidential campaign of 1909–10 to the massive military revolt of 1924. Drawing on a wide array of source materials, James P. Woodard analyzes these events and the republican political culture that informed them.

Woodard’s fine-grained political history proceeds chronologically from the final years of the nineteenth century, when São Paulo’s leaders enjoyed political preeminence within the federal system codified by the Constitution of 1891, through the mass mobilization of 1931–32, in which São Paulo’s people marched, rioted, and eventually took up arms against the national government in what was to be Brazil’s last great regionalist revolt. In taking to the streets in the name of their state, constitutionalism, and the “civilization” that they identified with both, the people of São Paulo were at once expressing their allegiance to elements of a regionally distinct political culture and converging on a broader, more participatory public sphere that had arisen amid the political conflicts of the preceding decades.

"Morgan has written an important and original work that presents a well-substantiated challenge to many recent studies of 'colonial discourse'."--Nancy L. Paxton,

Susan Morgan's study of materials and regions, previously neglected in contemporary postcolonial studies, begins with the transforming premise that "place matters." Concepts derived from writings about one area of the world cannot simply be transposed to another area, in some sort of global theoretical move. Moreover, place in the discourse of Victorian imperialism is a matter of gendered as well as geographic terms. Taking up works by Anna Forbes and Marianne North on the Malay Archipelago, by Margaret Brooke and Harriette McDougall on Sarawak, by Isabella Bird and Emily Innes on British Malaya, by Anna Leonowens on Siam, Morgan also makes extensive use of theorists whose work on imperialism in Southeast Asia is unfamiliar to most American academics.

This vivid examination of a different region and different writings emphasizes that in Victorian literature there was no monolithic imperialist location, authorial or geographic. The very notion of a ‘colony’ or an ‘imperial presence’ in Southeast Asia is problematic. Morgan is concerned with marking the intersections of particular Victorian imperial histories and constructions of subjectivity. She argues that specific places in Southeast Asia have distinctive, and differing, masculine imperial rhetorics. It is within these specific rhetorical contexts that women’s writings, including their moments of critique, can be read.

This extensive guide shows how the history and culture of Illinois are embedded in the names of its towns, cities, and other geographical features. Edward Callary unearths the origins of names of nearly three thousand Illinois communities and the circumstances surrounding their naming and renaming. Organized alphabetically, the entries are concise, engaging, and full of fascinating detail revealing the rich ethnic history of the state, the impact of industrialization and the coming of the railroads, and insight into local politics and personalities. Many entries also provide information on local pronunciation, the name’s etymology, and the community’s location, all set in historical and cultural context. A general introduction locates Illinois place names in the context of general patterns of place naming in the United States. An extremely useful reference for scholars of American history, geography, language, and culture, Place Names of Illinois also offers intriguing browsing material for the inquisitive reader and the curious traveler.