A SCHOLARLY BOOK REPOSITORY
Through a series of experimental poems centered on ecology, Anthony Cody’s The Rendering confronts the history of the Dust Bowl and its residual impacts on our current climate crisis, while acknowledging the complicities of capitalism. These poems grapple with questions of wholeness and annihilation in an Anthropocenic world where the fallout of settler colonialism continues to inflict environmental and cultural devastation. Cody encourages readers to participate in radical acts of refreshing and reimagining the page, poem, collection, and the self, and he invites us to reflect on what lies ahead should our climate continue on its current trajectory toward destruction.
These poems consider if wholeness, or a journey toward wholeness, can exist in the Anthropocene. And, if wholeness cannot exist in these times, we are invited to look at our lives and the world through and beyond annihilation.
The early plans for Mount Rushmore called for blasting heroic likenesses of mountain men--Kit Carson, Jim Bridger, and John Colter-—into the solid mountain granite of South Dakota. Readers of this colorful volume will see the heroics and the brutally rugged individualism that made these fur trappers candidates for legend and infamy.
The accounts of the mountain men are spun from the experiences of a nation moving westward: a trapper returns from the dead; hunters feast on buffalo intestines served on a dirty blanket; a missionary woman is astounded by the violence and vulgarity of the trappers’ rendezvous. These are just a few of the narratives, tall tales, and just plain lies that make up A Rendezvous Reader.
The writers represented in this book include a dyed-in-the wool trappers, adventuring European nobles, upward-gazing eastern missionaries, and just plain hacks who never unsheathed a Green River knife or traveled farther west that the Ohio River. What these writers have in common is that all of them, whether they dealt mostly in fact of entirely in fantasy, helped to create a uniquely American icon: the mountain man.
Though A Rendezvous Reader will certainly be of interest to the historian and the historically curious, the true purpose of this anthology is to bring together in one volume the liveliest most readable accounts by and about the mountain men. Whether you sample or devour this anthology of mountain horrors and delights, it is a book guaranteed to entertain as well as inform.
In Rendition to Torture, Alan W. Clarke explains how the United States adopted torture as a matter of official policy; how and why it turned to extraordinary rendition as a way to outsource more extreme, mutilating forms of torture; and outlines the steps the United States took to hide its abuses. Many adverse consequences attended American use of torture. False information gleaned from torture was used to justify the Iraq war, adding potency to the charge that the war was illegal under international law. Moreover, European nations and Canada aided, abetted, and became thoroughly enmeshed in U.S.-led torture and renditions, thereby spreading both the problem and the blame for this practice. Clarke offers an extended critique of these activities, placing them in historical and legal context as well as in transnational and comparative perspective.
In Renditions Reginald Gibbons conducts an ensemble of poetic voices, using the works of a varied, international selection of writers as departure points for his translations and transformations. The collection poses the idea that all writing is, at least abstractly, an act of translation, whether said act “translates” observation into word or moves ideas from one language to another. Through these acts of transformation, Gibbons infuses the English language with stylistic aspects of other languages and poetic traditions. The resulting poems are imbued with a sense of homage that allows us to respectfully reimagine the borders of language and revel in the fellowship of idea sharing. In this tragicomedy of the human experience and investigation of humanity’s effects, Gibbons identifies the “shared underthoughts that we can (all) sense:” desire, love, pain, and fervor.
Going deep into a West Side neighborhood most Chicagoans only know from news reports—a place where children have been shot just for crossing the wrong street—Ralph unearths the fragile humanity that fights to stay alive there, to thrive, against all odds. He talks to mothers, grandmothers, and pastors, to activists and gang leaders, to the maimed and the hopeful, to aspiring rappers, athletes, or those who simply want safe passage to school or a steady job. Gangland Chicago, he shows, is as complicated as ever. It’s not just a warzone but a community, a place where people’s dreams are projected against the backdrop of unemployment, dilapidated housing, incarceration, addiction, and disease, the many hallmarks of urban poverty that harden like so many scars in their lives. Recounting their stories, he wrestles with what it means to be an outsider in a place like this, whether or not his attempt to understand, to help, might not in fact inflict its own damage. Ultimately he shows that the many injuries these people carry—like dreams—are a crucial form of resilience, and that we should all think about the ghetto differently, not as an abandoned island of unmitigated violence and its helpless victims but as a neighborhood, full of homes, as a part of the larger society in which we all live, together, among one another.
Beginning with a deceptively simple question—What do we mean when we designate behaviors, values, or forms of expression as “black”?—Evie Shockley’s Renegade Poetics separates what we think we know about black aesthetics from the more complex and nuanced possibilities the concept has long encompassed. The study reminds us, first, that even among the radicalized young poets and theorists who associated themselves with the Black Arts Movement that began in the mid-1960s, the contours of black aesthetics were deeply contested and, second, that debates about the relationship between aesthetics and politics for African American artists continue into the twenty-first century.
Like many states emerging from oppressive political rule, Taiwan saw a cultural explosion in the late 1980s, when nearly four decades of martial law under the Chinese Nationalist Party ended. As members of a multicultural, multilingual society with a complex history of migration and colonization, Taiwanese people entered this moment of political transformation eager to tell their stories and grapple with their identities. In Renegade Rhymes, ethnomusicologist Meredith Schweig shows how rap music has become a powerful tool in the post-authoritarian period for both exploring and producing new knowledge about the ethnic, cultural, and political history of Taiwan.
Schweig draws on extensive ethnographic fieldwork, taking readers to concert venues, music video sets, scenes of protest, and more to show how early MCs from marginalized ethnic groups infused rap with important aspects of their own local languages, music, and narrative traditions. Aiming their critiques at the educational system and a neoliberal economy, new generations of rappers have used the art form to nurture associational bonds and rehearse rituals of democratic citizenship, making a new kind of sense out of their complicated present.
2022 Atlantean Award, Robert E. Howard Foundation
You may not know the name Robert E. Howard, but you probably know his work. His most famous creation, Conan the Barbarian, is an icon of popular culture. In hundreds of tales detailing the exploits of Conan, King Kull, and others, Howard helped to invent the sword and sorcery genre.
Todd B. Vick delves into newly available archives and probes Howard’s relationships, particularly with schoolteacher Novalyne Price, to bring a fresh, objective perspective to Howard's life. Like his many characters, Howard was an enigma and an outsider. He spent his formative years visiting the four corners of Texas, experiences that left a mark on his stories. He was intensely devoted to his mother, whom he nursed in her final days, and whose impending death contributed to his suicide in 1936 when he was just thirty years old.
Renegades and Rogues is an unequivocal journalistic account that situates Howard within the broader context of pulp literature. More than a realistic fantasist, he wrote westerns and horror stories as well, and engaged in avid correspondence with H. P. Lovecraft and other pulp writers of his day. Vick investigates Howard’s twelve-year writing career, analyzes the influences that underlay his celebrated characters, and assesses the afterlife of Conan, the figure in whom Howard's fervent imagination achieved its most durable expression.
Urban development after disaster, the fading of black political clout, and the onset of gentrification
Like no other American city, New Orleans since Hurricane Katrina offers powerful insight into issues of political economy in urban development and, in particular, how a city’s character changes after a disaster that spurs economic and political transition. In New Orleans, the hurricane upset an existing stalemate among rival factions of economic and political elites, and its aftermath facilitated the rise of a globally oriented faction of local capital.
In Renew Orleans? Aaron Schneider shows how some city leaders were able to access fragmented local institutions and capture areas of public policy vital to their development agenda. Through interviews and surveys with workers and advocates in construction, restaurants, shipyards, and hotel and casino cleaning, Schneider contrasts sectors prioritized during post-Katrina recovery with neglected sectors. The result is a fine-grained view of the way labor markets are structured to the advantage of elites, emphasizing how dual development produces wealth for the few while distributing poverty and exclusion to the many on the basis of race, gender, and ethnicity.
Schneider shows the way exploitation operates both in the workplace and the community, tracing working-class resistance that joins struggles for dignity at home and work. In the process, working classes and popular sectors put forth their own alternative forms of development.
Renewable Resource Policy is a comprehensive volume covering the history, laws, and important national policies that affect renewable resource management. The author traces the history of renewable natural resource policy and management in the United States, describes the major federal agencies and their functions, and examines the evolution of the primary resource policy areas.
The book provides valuable insight into the often neglected legal, administrative, and bureaucratic aspect of natural resource management. It is a definitive and essential source of information covering all facets of renewable resource policy that brings together a remarkable range of information in a coherent, integrated form.
Renewal explores the rise and fall of this movement, which began as an effort to restore the church’s standing but wound up as nothing less than an openhearted crusade to remake our nation’s cities. These campaigns reached beyond church walls to build or lend a hand to scores of organizations fighting for welfare, social justice, and community empowerment among the increasingly nonwhite urban working class. Church leaders extended their efforts far beyond traditional evangelicalism, often dovetailing with many of the contemporaneous social currents coursing through the nation, including black freedom movements and the War on Poverty.
Renewal illuminates the overlooked story of how religious institutions both shaped and were shaped by postwar urban America.
In the decades following World War II, a movement of clergy and laity sought to restore liberal Protestantism to the center of American urban life. Chastened by their failure to avert war and the Holocaust, and troubled by missionaries’ complicity with colonial regimes, they redirected their energies back home.
Renewal explores the rise and fall of this movement, which began as an effort to restore the church’s standing but wound up as nothing less than an openhearted crusade to remake our nation’s cities. These campaigns reached beyond church walls to build or lend a hand to scores of organizations fighting for welfare, social justice, and community empowerment among the increasingly nonwhite urban working class. Church leaders extended their efforts far beyond traditional evangelicalism, often dovetailing with many of the contemporaneous social currents coursing through the nation, including black freedom movements and the War on Poverty.
Renewal illuminates the overlooked story of how religious institutions both shaped and were shaped by postwar urban America.
Cultural Studies, once a burgeoning academic field, developed into a discipline in which just about any cultural text, object or event could be studied. The Renewal of Cultural Studies offers a panoramic view of the field, its assumptions, and its methodologies. Editor Paul Smith and thirty contributors map out new directions that will redefine and sustain the field of cultural studies.
In twenty-seven original essays, cultural studies is examined in relation to other disciplines—history, anthropology, literature, media, and American studies. The discipline is reviewed in the context of globalization, in relation to topics such as war, public policy, and labor, its pedagogy and politics, and in Marxist, feminist, and environmentalist contexts.
Smith wants to establish theoretical and methodological common ground among cultural studies scholars. Providing a “state of the discipline,” The Renewal of Cultural Studies asks, “What can and should the field of Cultural Studies be doing now?”
The Renewal of Generosity evokes medicine as the face-to-face encounter that comes before and after diagnostics, pharmaceuticals, and surgeries. Frank calls upon the Roman emperor Marcus Aurelius, philosopher Emmanuel Levinas, and literary critic Mikhail Bakhtin to reflect on stories of ill people, doctors, and nurses who transform demoralized medicine into caring relationships. He presents their stories as a source of consolation for both ill and professional alike and as an impetus to changing medical systems. Frank shows how generosity is being renewed through dialogue that is more than the exchange of information. Dialogue is an ethic and an ideal for people on both sides of the medical encounter who want to offer more to those they meet and who want their own lives enriched in the process.
The Renewal of Generosity views illness and medical work with grace and compassion, making an invaluable contribution to expanding our vision of suffering and healing.
The Renewal of the Kibbutz explores the waves of reforms since 1990. Looking through the lens of organizational theories that predict how open or closed a group will be to change, the authors find that less successful kibbutzim were most receptive to reform, and reforms then spread through imitation from the economically weaker kibbutzim to the strong.
Our rivers are in crisis and the need for river restoration has never been more urgent. Water security and biodiversity indices for all of the world’s major rivers have declined due to pollution, diversions, impoundments, fragmented flows, introduced and invasive species, and many other abuses.
Developing successful restoration responses are essential. Renewing Our Rivers addresses this need head on with examples of how to design and implement stream-corridor restoration projects. Based on the experiences of seasoned professionals, Renewing Our Rivers provides stream restoration practitioners the main steps to develop successful and viable stream restoration projects that last. Ecologists, geomorphologists, and hydrologists from dryland regions of Australia, Mexico, and the United States share case studies and key lessons learned for successful restoration and renewal of our most vital resource.
The aim of this guidebook is to offer essential restoration guidance that allows a start-to-finish overview of what it takes to bring back a damaged stream corridor. Chapters cover planning, such emerging themes as climate change and environmental flow, the nuances of implementing restoration tactics, and monitoring restoration results. Renewing Our Rivers provides community members, educators, students, natural resource practitioners, experts, and scientists broader perspectives on how to move the science of restoration to practical success.
Each year in the Highland Guatemala town of Santiago Momostenango, Maya religious societies, dance teams, and cofradías perform the annual cycle of rituals and festivals prescribed by Costumbre (syncretized Maya Christian religion), which serves to renew the cosmic order. In this richly detailed ethnography, Garrett Cook explores how these festivals of Jesucristo and the saints derive from and reenact three major ancient Maya creation myths, thus revealing patterns of continuity between contemporary expressive culture and the myths, rituals, and iconography of the Classic and Postclassic Maya.
Drawing on fieldwork conducted in the 1970s and renewed in the 1990s, Cook describes the expressive culture tradition performed in and by the cofradías and their dance teams. He listens as dancers and cofrades explain the meaning of service and of the major ritual symbols in the cults of the saints and Jesucristo. Comparing these symbols to iconographic evidence from Palenque and myths from the Popol Vuh, Cook persuasively argues that the expressive culture of Momostenango enacts major Maya creation myths—the transformative sunrise, the representation of the year as the life cycle of anthropomorphized nature, and the erection of an axis mundi.
This research documents specific patterns of continuity and discontinuity in the communal expression of Maya religious and cosmogonic themes. Along with other recent research, it demonstrates the survival of a basic Maya pattern—the world-creating vegetative renewal cycle—in the highland Maya cults of the saints and Jesucristo.
"Harrod's discussion of kinship and reciprocity in Northwest Plains cosmology contains valuable insight into Native American worldview, and his emphasis on the moral dimension of ritual process is a major addition to the too-often ignored subject of Native American moral life." —Journal of Religion
"Includes the major works on Blackfoot, Crow, Cheyennes, and Arapaho religion, the works to which anyone who wishes to understand the religious life of these tribes must continue to turn." —Choice
"Plains people, Harrod suggests, refracted nature and conceived an environmental ethic through a metaphor of kinship. He is particularly skillful in characterizing the ambiguity Plains people expressed at the necessity of killing and eating their animal kin. Renewing the World also contributes to another new and uncultivated science we might call 'ecology of mind'." —Great Plains Quarterly
Moehring brings the story of the three cities to the present day, examining lessons learned from the Great Recession and the efforts under way in all three metropolises to diversify their economies. Moehring makes an important contribution with the only current study of Nevada’s cities, focusing on urban development issues rather than social history or the gaming industry. As the service economy continues to grow, not only in Nevada but throughout the United States, Moehring’s work has many implications for urban studies and particularly the study of urban development in other metropolitan areas.
Although an ascetic ideal of leadership had both classical and biblical roots, it found particularly fertile soil in the monastic fervor of the fourth through sixth centuries. Church officials were increasingly recruited from monastic communities, and the monk-bishop became the dominant model of ecclesiastical leadership in the Eastern Roman Empire and Byzantium. In an interesting paradox, Andrea Sterk explains that "from the world-rejecting monasteries and desert hermitages of the east came many of the most powerful leaders in the church and civil society as a whole."
Sterk explores the social, political, intellectual, and theological grounding for this development. Focusing on four foundational figures--Basil of Caesarea, Gregory of Nyssa, Gregory of Nazianzus, and John Chrysostom--she traces the emergence of a new ideal of ecclesiastical leadership: the merging of ascetic and episcopal authority embodied in the monk-bishop. She also studies church histories, legislation, and popular ascetic and hagiographical literature to show how the ideal spread and why it eventually triumphed. The image of a monastic bishop became the convention in the Christian east.
Renouncing the World Yet Leading the Church brings new understanding of asceticism, leadership, and the church in late antiquity.
The initial chapters explore historic challenges to Christian doctrines and gender roles. Contributors examine Mormon women’s campaigns for the recognition of their sect, women’s suffrage, and the statehood of Utah; the Seventh-day Adventist challenge to the mainstream designation of Sunday as the Sabbath; a female minister who confronted the gendered tenets of early Methodism and created her own sacred spaces; women who, across three centuries, fashioned an apostolic voice of humble authority rooted in spiritual conversion; and members of the Woman’s Foreign Missionary Society of the Methodist Episcopal Church, who redefined notions of women’s intellectual capacity and appropriate fields for work from the Civil War through World War II.
Considering contemporary learning environments, other contributors explore resources that can help faculty and students of composition and rhetoric consider more fully the relations of religion and academic work. These contributors call upon the work of theologians, philosophers, and biblical scholars to propose strategies for building trust through communication.
The final chapters examine the writings of Apostle Paul and his use of Jewish forms of argumentation and provide an overarching discussion of how the Christian tradition has resisted rhetorical renovation, and in the process, missed opportunities to renovate spiritual belief.
HGTV has perfected stories about creating and capturing value in the housing market. But according to Robert Goldman, this lifestyle network’s beloved flagship programs, Flip or Flop, Property Brothers, and Fixer Upper—where people revitalize modern spaces and reinvent property values—offer “fairy tales” in the wake of the 2008 economic crisis. The cable channel’s seductive, bingeable programs may show how to find and extract value from properties, but, in fact, they insidiously ignore the realities of the real estate and mortgage markets, housing inequality, gentrification, economic insecurity, and even homelessness. In effect, HGTV has turned house flipping into a master narrative about getting ahead in America during an era of otherwise uneasy economic prospects.
HGTV pictures its insular moral economy as an alternative to a crisis-ridden neoliberal finance system that shaped landscapes of foreclosure and financial uncertainty for millions of households. Renovating Value explores the circuitry of consumer credit and debt, and a rent-gap model of gentrification that charts a path to the rehabilitation of Value. Goldman shrewdly critiques the aspirational myth of adding value to a home simply by using imagination, elbow grease, and aesthetic know-how.
A critique of prominent architects’ approach to digitally driven design and labor practices over the past two decades
With the advent of revolutionary digital design and production technologies, contemporary architects and their clients developed a taste for dramatic, unconventional forms. Seeking to amaze their audiences and promote their global brands, “starchitects” like Herzog & de Meuron and Frank Gehry have reaped substantial rewards through the pursuit of spectacle enabled by these new technologies. This process reached a climax in projects like Gehry’s Guggenheim Bilbao and the “Bilbao effect,” in which spectacular architectural designs became increasingly sought by municipal and institutional clients for their perceived capacity to enhance property values, which author Pedro Fiori Arantes calls the “rent of form.”
Analyzing many major international architectural projects of the past twenty years, Arantes provides an in-depth account of how this “architecture of exception” has come to dominate today’s industry. Articulating an original, compelling critique of the capital and labor practices that enable many contemporary projects, Arantes explains how circulation (via image culture), consumption (particularly through tourism), the division of labor, and the distribution of wealth came to fix a certain notion of starchitecture at the center of the industry.
Significantly, Arantes’s viewpoint is not that of Euro-American capitalism. Writing from the Global South, this Brazilian theorist offers a fresh perspective that advances ideas less commonly circulated in dominant, English-language academic and popular discourse. Asking key questions about the prevailing logics of finance capital, and revealing inconvenient truths about the changing labor of design and the treatment of construction workers around the world, The Rent of Form delivers a much-needed reevaluation of the astonishing buildings that have increasingly come to define world cities.
Samir Jeraj and Rosie Walker offer the first in-depth case study of the private rental sector in the United Kingdom, exploring the rent-trap injustices in a first-world economy and exposing the powers that conspire to oppose regulation. A quarter of British MPs are landlords; rent strike is almost impossible; and sudden evictions are growing. Nevertheless, drawing on inspiration from movements in the United Kingdom, continental Europe, and elsewhere, The Rent Trap shows how people are starting to fight back against the financial burdens, health risks, and vicious behavior of landlords, working to create a world of fairer, safer housing for all—lessons that extend well beyond the borders of the UK.
Renunciation as a creative force in the careers of writers, philosophers, and artists is the animating idea behind Ross Posnock’s new book. Taking up acts of abandonment, rejection, and refusal that have long baffled critics, he shows how renunciation has reframed the relationship of artists and intellectuals to society in productive and unpredictable ways.
In a work of remarkable synthesis that includes traditions and genres from antiquity to postmodernity, Posnock discovers connections among disparate figures ranging from Lao Tzu to Dave Chappelle and Bob Dylan. The thread running through these acts of renunciation, he argues, is an aesthetic and ethical resistance to the demand that one’s words and actions be straightforward and immediately comprehensible. Modern art in particular valorizes the nonconceptual and the intuitive, seeking to make silence articulate and incompletion fertile.
Renouncers reject not only artistic and scholarly conventions but also the public roles that attend them. Wittgenstein, Rimbaud, and Glenn Gould brazenly flouted professional and popular expectations, demanding that philosophy, poetry, music play by new rules. Emerson and Nietzsche severed all institutional ties, while William James waged a guerrilla campaign from his post at Harvard against what all three considered to be the enemy: the pernicious philosophical insistence on rationality. Posnock also examines renunciations in light of World War II—the veterans J. D. Salinger and George Oppen, and the Holocaust survivor Paul Celan—while a fourth cluster includes the mystic Thomas Merton and the abstract painters Ad Reinhardt and Agnes Martin.
In the early twentieth century, Khunu Lama journeyed across Tibet and India, meeting Buddhist masters while sometimes living, so his students say, on cold porridge and water. Yet this elusive wandering renunciant became a revered teacher of the Fourteenth Dalai Lama. At Khunu Lama’s death in 1977, he was mourned by Himalayan nuns, Tibetan lamas, and American meditators alike. The many surviving stories about him reveal significant dimensions of Tibetan Buddhism, shedding new light on questions of religious affect and memory that reimagines cultural continuity beyond the binary of traditional and modern.
In Renunciation and Longing, Annabella Pitkin explores devotion, renunciation, and the teacher-student lineage relationship as resources for understanding Tibetan Buddhist approaches to modernity. By examining narrative accounts of the life of a remarkable twentieth-century Himalayan Buddhist and focusing on his remembered identity as a renunciant bodhisattva, Pitkin illuminates Tibetan and Himalayan practices of memory, affective connection, and mourning. Refuting long-standing caricatures of Tibetan Buddhist communities as unable to be modern because of their religious commitments, Pitkin shows instead how twentieth- and twenty-first-century Tibetan and Himalayan Buddhist narrators have used themes of renunciation, devotion, and lineage as touchstones for negotiating loss and vitalizing continuity.
The sculptor Gislebertus, Doubting Thomas, Theseus, and John Keats share space in the pages of Renunciation with a survivor of the bomb in Hiroshima, a blind girl in the South American jungle, and DeSoto's thirteen swine in the hold of a ship bound for America. Rich with almost palpable nuances of light and sound, Marks's lyric meditations unravel a constant play of loss and continuation, "mending sense from spare threads" and hovering over connections undone even as they are made.
This is the first collective scholarly effort at situating René Girard in relation to the Western philosophical tradition. Volume 1 features chapters on Plato, Augustine of Hippo, Niccolò Machiavelli, Thomas Hobbes, Blaise Pascal, Baruch Spinoza, Jean-Jacques Rousseau, Adam Smith, Immanuel Kant, Georg Wilhelm Friedrich Hegel, Friedrich Wilhelm Joseph Schelling, Alexis de Tocqueville, Søren Kierkegaard, and René Girard.
Allmer’s analyses of these events and their influence on both well-known and less familiar images give new insights into Magritte’s art. The book will appeal to those who wish to know more about Magritte’s life and work, as well as to the wide audience for surrealism.
René Magritte (1898–1967) is the most famous Belgian artist of the twentieth century and a celebrated representative of the Surrealist movement. Much has been written about his practices, artistic community, and significance within the history of modernism, but little has been documented regarding his process.
This volume examines fifty oil paintings made by Magritte between 1921 and 1967, now held at the Royal Museums of Fine Arts of Belgium. This technical study of his works using noninvasive scientific imaging and chemical analysis reveals the artist’s painting materials, his habit of overpainting previous compositions, and the origins and mechanisms of surface and pigment degradation. Of interest to conservators, scientists, curators, and enthusiasts of twentieth-century art, this book expands our understanding of Magritte the artist and provides new and useful findings that will inform strategies for the future care of his works.
In this book Mike Davis, Stephen Pyne, William deBuys, Donald Worster, Dan Flores, and others re-examine the relationship between people and the environment in the American West over five hundred years, from the legacy of Coronado's search for the Cities of Gold to the social costs of tourism and gaming inflicted by modern adventurers. By exploring places in the West, aspects of the region's past, and ways of understanding some of its pressing issues, the authors foster a better understanding of how people interact and perceive land.
Reopening the American West takes a fresh approach to the history of the region, examining the premises of earlier scholars as well as those who have redefined the study of the West over the past two decades. It combines provocative essays with insightful analyses to address issues that are representative of the West in the twentieth century—multiculturalism, water issues, resource exploitation—and to reopen the West for all readers interested in new ways of looking at its wide-open spaces.
Contents:
Places
Dreams of Earth, William deBuys
Environmentalism and Multiculturalism, Dan L. Flores
Pyre on the Mountain, Stephen J. Pyne
Las Vegas Versus Nature, Mike Davis
Pasts
The Legacy of John Wesley Powell, Donald Worster
Pokey’s Paradox: Tourism and Transformation on the Western Navajo Reservation, Hal K. Rothman
Negotiating National Identity: Western Tourism and "See American First," Marguerite Schaffer
Understanding
Place Humanists at the Headgates, Helen Ingram
Tapping the Rockies: Resource Exploitation and Conservation in the Intermountain West, Char Miller
The Meaning of Place: Reimagining Community in a Changing West, Robert Gottlieb
In the 1960s and 1970s, minority and women students at colleges and universities across the United States organized protest movements to end racial and gender inequality on campus. African American, Chicano, Asia American, American Indian, women, and queer activists demanded the creation of departments that reflected their histories and experiences, resulting in the formation of interdisciplinary studies programs that hoped to transform both the university and the wider society beyond the campus.
In The Reorder of Things, however, Roderick A. Ferguson traces and assesses the ways in which the rise of interdisciplines—departments of race, gender, and ethnicity; fields such as queer studies—were not simply a challenge to contemporary power as manifest in academia, the state, and global capitalism but were, rather, constitutive of it. Ferguson delineates precisely how minority culture and difference as affirmed by legacies of the student movements were appropriated and institutionalized by established networks of power.
Critically examining liberationist social movements and the cultural products that have been informed by them, including works by Adrian Piper, Toni Cade Bambara, Jhumpa Lahiri, and Zadie Smith, The Reorder of Things argues for the need to recognize the vulnerabilities of cultural studies to co-option by state power and to develop modes of debate and analysis that may be in the institution but are, unequivocally, not of it.
While the humanities have engaged queer theory extensively, research methods have often been hermeneutic or interpretive. At the same time, social science approaches in composition research have foregrounded inquiry on human participants but have often struggled to understand where lesbian, gay, bisexual, transgender, and queer people fit into empirical research projects. Re/Orienting Writing Studies works at the intersections of humanities and social science methodologies to offer new insight into using queer methods for data collection and queer practices for framing research.
Contributors: Chanon Adsanatham, Jean Bessette, Nicole I. Caswell, Michael J. Faris, Hillery Glasby, Deborah Kuzawa, Maria Novotny, G Patterson, Stacey Waite, Stephanie West-Puckett
Sharing a focus on reparations as an issue of justice, the contributors provide a historical primer of the movement; introduce the philosophical, political, economic, legal and ethical issues surrounding reparations; explain why government, corporations, universities, and other institutions must take steps to rehabilitate, compensate, and commemorate African Americans; call for the restoration of Black people’s human and civil rights and material and psychological well-being; lay out specific ideas about how reparations can and should be paid; and advance cutting-edge interpretations of the complex long-lasting effects that enslavement, police and vigilante actions, economic discrimination, and other behaviors have had on people of African descent.
Groundbreaking and innovative, Reparations and Reparatory Justice offers a multifaceted resource to anyone wishing to explore a defining moral issue of our time.
Contributors: Dedrick Asante-Muhammad, Hilary McDonald Beckles, Mary Frances Berry, Sundiata Keita Cha-Jua, Chuck Collins, Ron Daniels, V. P. Franklin, Danny Glover, Adom Gretachew, Charles Henry, Kamm Howard, Earl Ofari Hutchinson, Jesse Jackson, Sr., Brian Jones, Sheila Jackson Lee, James B. Stewart, the Movement 4 Black Lives, the National African American Reparations Commission, the National Coalition of Blacks for Reparations in America, the New Afrikan Peoples Organization/Malcolm X Grassroots Movement
*Winner of the James S. Donnelly, Sr. Prize 2022*
In Ireland, 2018, a constitutional ban that equated the life of a woman to the life of a fertilized embryo was overturned and abortion was finally legalized. This victory for the Irish feminist movement set the country alight with euphoria. But the celebrations were short-lived - the new legislation turned out to be one of the most conservative in Europe. This book tells the story of the ‘Repeal’ campaign through the lens of the activists.
The authors trace the shocking history of the origins of the eighth amendment, which was drawn up in fear of a tide of liberal reforms across Europe. They draw out the lessons learned through the decades and from the groundbreaking campaign in 2018, which was an inspiring example of modern grassroots activism. They also recount the tensions between a medicalized approach and reproductive justice approach to abortion, as well as the harsh effect of the campaign on the health of activists.
Grounded in a radical feminist politics, this book is an honest and inspirational account of a movement that is only just beginning.
A shared vision of the possibilities of Latin epic poetry unites the essays, as does a series of attempts to realize those opportunities. Some of the pieces represent a traditional vein of allusion and intertextuality; others are more innovative in their approaches. Each, in a sense, stands as a placeholder for a methodology of theorizing the repetitive practices of poetry, of epic, and of Ovid in particular.
Contributors: Antony Augoustakis, Neil W. Bernstein, Barbara Weiden Boyd, Andrew Feldherr, Peter Heslin, Stephen Hinds, Sharon L. James, Alison Keith, Peter E. Knox, Darcy Krasne
This volume explores the technical and geographic scope of this important technique, focusing particularly on the intertwined influences of climatic variation and land-use practices in sculpting landscapes. Contributors offer a broad-perspective review of the state-of-the-art of repeat photography, with twenty-three chapters written by researchers around the globe who have made use of repeat photography in their work. Topics addressed include
the history of repeat photography
techniques for creating and analyzing repeat photographs
applications in the geosciences
applications in population ecology
applications in ecosystem change
cultural applications
Repeat Photography demonstrates the wide range of potential applications, examines new techniques for acquiring data from repeat photography, and clearly shows that repeat photography remains a valuable and efficient means of monitoring change in both developed and developing regions. Over one hundred sets of photographs, including thirty-two pages of color photos, serve as examples.
Recent concerns about climate change and its effects on natural landscapes, combined with ongoing concerns about land-use practices, make this state-of-the-art review a timely contribution to the literature.
Contributors. Henrik Jøker Bjerre, Bruno Bosteels, Agon Hamza, Brian Benjamin Hansen, Adrian Johnston, Katja Kolšek, Adam Kotsko, Catherine Malabou, Benjamin Noys, Geoff Pfeifer, Frank Ruda, Oxana Timofeeva, Samo Tomšic, Gabriel Tupinambá, Fabio Vighi, Gavin Walker, Sead Zimeri, Slavoj Žižek
In his monumental Philosophy of the Kalam the late Harry Wolfson—truly the most accomplished historian of philosophy in our century—examined the early medieval system of Islamic philosophy. He studies its repercussions in Jewish thought in this companion book—an indispensable work for all students of Jewish and Islamic traditions.
Wolfson believed that ideas are contagious, but that for beliefs to catch on from one tradition to another the recipients must be predisposed, susceptible. Thus he is concerned here not so much with the influence of Islamic ideas as with Jewish elaboration, adaptation, qualification, and criticism of them. To this end he examines passages reflecting Kalam views by a wide variety of Jewish thinkers, including Isaac Israeli, Judah Halevi, Abraham ibn Ezra, and Maimonides. As always in Wolfson's work, two aspects are apparent: the special dimensions of Jewish thought as well as its relation to other traditions. And as always his prose is both graceful and precise.
The significance of repertoires—recurrent forms or tactics of social protest— is explored in an essay on eighteenth- and nineteenth-century Britain by the originator of the concept, Charles Tilly. Sidney Tarrow, whose work has most directly linked the concept of repertoires with that of cycles—the recurrent peaks and troughs in the historical incidence of collective action—contributes an essay that focuses on twentieth-century Italy. Other essays investigate the rhythms and logic of social change in contexts as diverse as sixteenth- through nineteenth-century Japan, nineteeth-century Europe, and twentieth-century America. Through inquiries into the consequences of violent repression for social mobilization, the struggle to control the linguistic terms of social conflict, the unacknowledged antecedents of contemporary movements, and the importance of "movement families," this volume demonstrates the usefulness of these two concepts and defines the relationship between them.
Collected from past issues of Social Science History, with a new introduction and two new essays, Repertoires and Cycles of Collective Action will reward an interdisciplinary audience of readers with the extraordinary vitality that emerges from this rich blend of historical perspectives.
Contributors. Charles Brockett, Craig Calhoun, Doug McAdam, Marc Steinberg, Sidney Tarrow, Charles Tilly, Mark Traugott, James White
In Replacement Parts, internationally recognized bioethicist Arthur L. Caplan and coeditors James J. McCartney and Daniel P. Reid assemble seminal writings from medicine, philosophy, economics, and religion that address the ethical challenges raised by organ transplantation. Caplan's new lead essay explains the shortfalls of present policies. From there, book sections take an interdisciplinary approach to fundamental issues like the determination of death and the dead donor rule; the divisive case of using anencephalic infants as organ donors; the sale of cadaveric or live organs; possible strategies for increasing the number of available organs, including market solutions and the idea of presumed consent; and questions surrounding transplant tourism and "gaming the system" by using the media to gain access to organs.
Timely and balanced, Replacement Parts is a first-of-its-kind collection aimed at surgeons, physicians, nurses, and other professionals involved in this essential lifesaving activity that is often fraught with ethical controversy.
From property deeds to shipping containers to wearable shelters to virtual spaces: what does it mean to draw a spatial boundary? To be at home? In a world in which notions of place are constantly changing, Jennifer Johung looks at new constructions of staying in place—in contemporary site-specific art, digital media, portable architecture, and various other imaginable shelters and sites.
Replacing Home suggests that while “place” may no longer be a sustainable category, being in place and belonging at home are nonetheless possible. By emphasizing reusability rather than fixed constructions, art and architecture together propose various systems of replacing home in which sites can be revisited, material structures can be renewed, and dwellers can come back into contact over time. Bringing together a range of objects and events, Johung considers the structural replacements of home as evident in artistic analogies of the prehistoric hut, modular homes, transformable garments, and digitally networked sites.
In charting these intersections between contemporary art and architecture, Replacing Home introduces a new framework for reconceptualizing spatial situation; at the same time, it presents a new way to experience being and belonging within our globally expanded environments.
Many people embark on the journey of adoption and foster care but are unprepared for the challenges that await them along the way. Replanted takes an honest look at the joys and hardships that come with choosing this journey and provides a model of faith-based support made up of three parts to help families thrive: Soil, Sunlight, and Water.
- Soil, or emotional support, addresses the need for grace-filled settings where families can connect with other families who understand their experience.
- Sunlight, or informational support, focuses on obtaining helpful training to raise children who may have unique needs or challenges.
- Water, or tangible support, deals with concrete resources such as medical care, child care, and financial support.
Throughout the book, the Replanted model is brought to life by stories and examples based on the clinical work and personal experiences of the authors. Their candid insight will serve families who are actively involved in adoption or foster care, as well as people who are eager to help support those families.
Replanted affirms that with the right support system in place, parents can answer this sacred call not only with open hearts but also with their eyes wide open.
"Remarkable." —New York Times Book Review
"Clear-eyed treatise...Postel makes her case eloquently." —Booklist, starred review
"An informative, purposeful argument." —Kirkus
We have disrupted the natural water cycle for centuries in an effort to control water for our own prosperity. Yet every year, recovery from droughts and floods costs billions of dollars, and we spend billions more on dams, diversions, levees, and other feats of engineering. These massive projects not only are risky financially and environmentally, they often threaten social and political stability. What if the answer was not further control of the water cycle, but repair and replenishment?
Sandra Postel takes readers around the world to explore water projects that work with, rather than against, nature’s rhythms. In New Mexico, forest rehabilitation is safeguarding drinking water; along the Mississippi River, farmers are planting cover crops to reduce polluted runoff; and in China, “sponge cities” are capturing rainwater to curb urban flooding.
Efforts like these will be essential as climate change disrupts both weather patterns and the models on which we base our infrastructure. We will be forced to adapt. The question is whether we will continue to fight the water cycle or recognize our place in it and take advantage of the inherent services nature offers. Water, Postel writes, is a gift, the source of life itself. How will we use this greatest of gifts?
In Replotting Marriage in Nineteenth-Century British Literature, Jill Galvan and Elsie Michie bring together top Victorian scholars to scrutinize nineteenth-century marriage in incisive ways. The volume puts marriage in conversation with many aspects of culture, from education and anthropology to Darwinism and crime. It aims to widen the repertoire of critical questions we ask about how fiction represents conjugal coupling, employing, among other approaches, transimperial reading, queer theory, disability studies, and philosophies of the formation of human society. By paying close attention to elements of genre and narrative, moreover, the collection analyzes the story of marriage as formally and structurally diverse, rather than as a familiar plot line.
These essays point to nineteenth-century marriage studies as a new field of inquiry. With contributions by Ian Duncan, Elisha Cohn, Kathy Psomiades, Kelly Hager, Lauren Goodlad, Marlene Tromp, Sukanya Banerjee, Holly Furneaux, Talia Schaffer, and Helena Michie, and an afterword by Mary Jean Corbett, Replotting Marriage in Nineteenth-Century British Literature demonstrates how both established and developing fields can be brought to bear on a long-examined institution—ultimately prompting a rethinking of the nineteenth century itself.
The Repoliticization of the Welfare State grapples with the evolving nature of political conflict over social spending after the Great Recession. While the severity of the economic crisis encouraged strong social spending responses to protect millions of individuals, governments have faced growing pressure to reduce budgets and make deep cuts to the welfare state. Whereas conservative parties have embraced fiscal discipline and welfare state cuts, left-wing parties have turned away from austerity in favor of higher social spending. These political differences represent a return of traditional left-right beliefs over social spending and economic governance.
This book is one of the first to systematically compare welfare state politics before and after the Great Recession, arguing that a new and lasting post-crisis dynamic has emerged where political parties once again matter for social spending. At the heart of this repoliticization are intense ideological debates over market regulation, social inequality, redistribution, and the role of the state. The book analyzes social spending dynamics for 28 countries before and after the crisis. It also includes in-depth country case studies representing five distinct welfare state types: Germany, the United Kingdom, Sweden, Spain, and the Czech Republic.
The International Commission for Central American Recovery and Development (ICCARD) was formed to provide a thorough diagnosis and analysis of Central America’s problems and to draft a comprehensive long-term strategy to move the region from decline to development. In this report ICCARD—through forty-five international experts in economics, public policy, management, and development it assembled for this purpose—attempts to rise above rhetoric and simplistic remedies to focus on well-reasoned, thorough, and realistic approaches to economic and social development.
This volume reviews the unequal access of marginal groups to political and economic participation, the precarious situation of Central American financial institutions, the international debt situation, the prospects for regional political and economic integration, and other aspects of regional development. Each of these challenges is addressed by specific recommendations to the Central American governments, the governments of the industrialized nations, and international organizations.
The mass migrations to the United States from Europe that began in the 1830s were strongly influenced by what is known today as emigration literature--travelers' writings about their experiences in the New World. Such accounts were particularly popular with German readers; over 150 examples of the genre were published in Germany between 1827 and 1856. Gottfried Duden's Report on a Journey to the Western States of North America, published in 1829, was one of the most influential of these books. The timing, format, coverage, and literary qualities of the Report, and its idyllic descriptions of pioneer farming in Missouri, combined to make it an instant success. It attracted thousands of Germans to the Midwest, and particularly to Missouri, the focus of Duden's account. This edited and annotated translation is the first complete version to be published in English. It provides for the general public and the professional historian a significant contribution to U.S. immigration history and a unique and delightful fragment of Missouri's rich German heritage.
Duden presented his account in the form of personal letters, a style that helped make the book believable. The Mississippi- Missouri valley reminded him of his native Rhineland where the rivers facilitated trade and transportation, and fertile river bottomland offers the perfect environment for agriculture. Duden farmed the land he bought during his sojourn in Missouri, and his book includes meticulous descriptions of clearing, fencing, and harvesting. His pro-emigration bias, colored by the fact that he himself had been able to hire help on his Missouri farm, made his view of the farmer's life, it turned out, more idyllic than practical. Many would-be gentlemen farmers, inspired by his book to come to Missouri, found pioneer farming more strenuous than they had expected.
Composed at the request of the Royal Spanish Chronicler of the Indies, Don Diego Torres y Vargas’s Report on the Island & Diocese of Puerto Rico was the first history of Puerto Rico written by a native of the Spanish island colony. Torres y Vargas, a fourth generation Puerto Rican and descendant of Ponce de Leon, records here the history of the Catholic Church in Puerto Rico as well as the political, social, military, economic, and natural history of the island.
This translation—the first ever into English—includes three historical essays by eminent Puerto Rican and Latino Studies scholar Anthony Stevens-Arroyo and extensive translator notes to guide the reader through the realities of seventeenth-century Puerto Rican culture and society.
Liebling recorded the litigation over the fate of the Pyramid Lake Reservation lands in a series of articles published in The New Yorker in 1955. Reprinted here in their entirety, the essays discuss the affair in detail, following it from the shores of the lake to the halls of Congress, and introducing readers to the colorful world of 1950s Nevada. This is a valuable record of one of Nevada’s most enduring and significant debates over the uses of the land and the precious water that nourishes it. Introduction by Elmer R. Rusco.
Jack Hill was a pioneering Arkansas documentary filmmaker dedicated to sharing his state’s history with a wider public. Following a decade as an award-winning investigative journalist and news anchor at KAIT in Jonesboro, Hill was pushed out by new management for his controversial reporting on corruption in a local sheriff’s office. What seemed like a major career setback turned out to be an opportunity: he founded the production company TeleVision for Arkansas, through which he produced dozens of original films. Although Hill brought an abiding interest in education and public health to this work from the beginning, he found his true calling in topics based in Arkansas history. Convinced that a greater acquaintance with the state’s most significant historical events would nurture a greater sense of homegrown pride, Hill tirelessly crisscrossed the state to capture the voices of hundreds of Arkansans recalling significant chapters in the state’s history, such as the oil boom in El Dorado and Smackover, the crucial contributions of the Arkansas Ordnance Plant in Jacksonville during World War II, and the role of Rosenwald Schools in expanding educational opportunities.
In Reporting for Arkansas, Dale Carpenter and Robert Cochran present a biography of Hill alongside an annotated selected filmography designed to accompany sixteen of his best films on subjects related to Arkansas history—all newly hosted online by the Center for Arkansas and Regional Studies at the University of Arkansas.
As a political reporter for The Oregon Statesman in Salem, and then as news analyst for KGW-TV in Portland, McKay was known for asking tough questions and pulling no punches. His reporting and commentaries ranged from analysis of the “Tom and Bob” rivalry, to the Vietnam War’s impact on Senators Wayne Morse and Mark Hatfield and the emergence of a new generation of Portland activists in the 1970s.
McKay and his colleagues were on the beaches as Oregon crafted its landmark Beach Bill, ensuring the protection of beaches for public use. They watched as activists turned back efforts to build a highway on the sand at Pacific City. Pitched battles over Oregon’s Bottle Bill, and the panic-inducing excitement of “Vortex”—the nation’s only state-sponsored rock festival—characterized the period. Covering the period from 1964-1986, McKay remembers the action, the players and the consequences, in this compelling and personal account.
As major actors fade from the scene and new leaders emerge, McKay casts a backwards glance at enduring Oregon legends. Half a century later, amid today’s cynicism and disillusionment with media, politics, and politicians, Reporting the Oregon Story serves as a timely reminder that charged politics and bitter rivalries can also come hand-in-hand with lasting social progress.
Reporting the Oregon Story will be relished by those who lived the history, and it will serve as a worthy introduction to Oregonians young and old who want a first-hand account of Oregon’s mid- twentieth-century political history and legislative legacy.
Reporting the Wars was first published in 1957. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
News of the wars has always intrigued the public, from the time of the Napoleonic wars up to the present. In this period of the last century and a half, however, the character both of the public and of the news has changed. Mr. Mathews traces the history of war news coverage from John Bell, who, in 1794, was probably the first war correspondent, to Ernie Pyle of World War II fame. The account is colorful, since war correspondents are notably adventurous individuals, and it is significant for a basic understanding of history, since the reporting of war news has represented a constant struggle against the forces of censorship and propaganda. The book is illustrated with newspaper cartoons.
Based on close readings of Shan-language media and years of ethnographic research in a community of soldiers and their families, Jane M. Ferguson details the origins of these movements and tells the story of the Shan in their own voices. She shows how the Shan have forged a homeland and identity during great upheaval by using state building as an ongoing project of resistance, resilience, and accommodation within both countries. In avoiding a good/bad moral binary and illuminating cultural complexities, Repossessing Shanland offers a fresh perspective on identity formation, transformation, and how people understand and experience borderlands today.
Repossessions was first published in 1998. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
A double-edged critical forum, this volume brings early modern culture and psychoanalysis into revisionist dialogue with each other. The authors reflect on how psychoanalysis remains
"possessed" by its incorporation of early modern mythologies, visions, credos, and phantasms. Their essays explore the conceptual and ideological foundations of psychoanalysis while articulating fresh insights into the vicissitudes of autobiography, translation, mourning, and eroticism in the transitional period from the waning of feudalism to the emergence of capitalism.Employing a broad spectrum of the most recent, Continental psychoanalytic approaches, the book covers topics and figures ranging from King James to Leonardo, demonology to cartography, astronomy to cross-dressing, and mythology to biology. Its detailed readings of Boccaccio, Ficino, Finé, Michelangelo, Montaigne, and others dramatically reassess the foundational concepts of cultural history, secularization, autobiography, reason, and government. Through a sustained focus on visual and verbal residues of personal and cultural trauma, the essays generate innovative analyses of the interrelation of writing, graphic space, self, and social identification in early modern texts, paintings, maps, and other artifacts.
Contributors: Elizabeth J. Bellamy, Tom Conley, Mitchell Greenberg, Kathleen Perry Long, Julia Reinhard Lupton, Christopher Pye, Juliana Schiesari.
Timothy Murray is professor of English and director of graduate studies in Film and Video at Cornell University. Alan K. Smith is assistant professor in the Department of Languages and Literature at the University of Utah.
In the global convulsions in the aftermath of World War II, one dominant world racial order broke apart and a new one emerged. This is the story Jodi Melamed tells in Represent and Destroy, portraying the postwar racial break as a transition from white supremacist modernity to a formally antiracist liberal capitalist modernity in which racial violence works normatively by policing representations of difference.
Following the institutionalization of literature as a privileged domain for Americans to get to know difference—to describe, teach, and situate themselves with respect to race—Melamed focuses on literary studies as a cultural technology for transmitting liberal racial orders. She examines official antiracism in the United States and finds that these were key to ratifying the country’s global ascendancy. She shows how racial liberalism, liberal multiculturalism, and neoliberal multiculturalism made racism appear to be disappearing, even as they incorporated the assumptions of global capitalism into accepted notions of racial equality.
Yet Represent and Destroy also recovers an anticapitalist “race radical” tradition that provides a materialist opposition to official antiracisms in the postwar United States—a literature that sounds out the violence of liberal racial orders, relinks racial inequality to material conditions, and compels desire for something better than U.S. multiculturalism.
Mao, Young, and their contributors propose that Asian American discourse should be seen as a spacious form, one that deliberately and selectively incorporates Asian “foreign-ness” into the English of Asian Americans. These authors offer the concept of a dynamic “togetherness-in-difference” as a way to theorize the contact and mutual influence. Chapters here explore a rich diversity of histories, theories, literary texts, and rhetorical practices. Collectively, they move the scholarly discussion toward a more nuanced, better balanced, critically informed representation of the forms of Asian American rhetorics and the cultural work that they do.
Microchips. Genetic modification of plants. Cloning. Advances in technology promise to shape our lives more profoundly than ever before. Exciting new discoveries in reproductive, genetic, and information technologies all serve to call into question the immutability of the boundaries between humans, animals, and machines. The category of the “posthuman” reflects the implications of such new technologies on contemporary culture, especially in their capacity to reconfigure the human body and to challenge our most fundamental understandings of human nature.
Elaine L. Graham explores these issues as they are expressed within popular culture and the creative arts. From the myth of Prometheus and the Gothic horror of Frankenstein’s monster to contemporary postmodern science fiction, a gallery of fantastic creatures haunts Western myth, religion, and literature. They serve to connect contemporary debates with enduring concerns about the potential—and the limits—of human creativity.
This book breaks new ground in drawing together a wide range of literature on new technologies and their ethical implications. In her explorations of the monstrous and the cyborg, Graham covers the Jewish legend of the golem, the Human Genome Project, Star Trek: Next Generation, Star Trek: Voyager, Fritz Lang’s Metropolis, Donna Haraway’s cyborg writing, andmany other related topics. This book will interest students in cultural studies, literature, ethics, religion, information technology, and the life sciences.
The rise of an immensely powerful federal government in the twentieth century has tended to obscure the importance of state and local government in American history. Yet government at these lesser levels had the most direct and continuous effect on the lives of ordinary citizens. Through an analysis of late-nineteenth-century state legislatures in Illinois, Iowa, and Wisconsin,Ballard Campbell has written what one expert has called "the best book on legislative politics, past or present." The period he examines was one of rapid change and great challenge. Urbanization, industrialization, and increasing national integration forced innumerable difficult and important decisions on state legislators. Campbell is sensitive to these stresses on law-making, and skillfully analyzes the interplay between personal and constituent factors that affected lawmakers.
The author differentiates clearly between local and general aspects of state policymaking, giving full consideration to its more subjective and idiosyncratic elements. His comparison of partisan, economic, urban, ethnocultural, and regional influences on legislative behavior will serve as a model for all future studies.
By closely examining the substantive dimension of the governmental process and its relation to mass politics, Representative Democracy advances "the new political history." Campbell's discussion of legislative composition and procedure, the content and context of contested issues, and responses to these issues challenges numerous stereotypes about American state legislatures.
"At first reading, Representative Men seems the most alien of Emerson's books. First published in 1850 (having taken form over the five preceding years as a series of lectures intended as 'winter evening entertainments'), it was inspired by the romantic belief that there exists a 'general mind' that expresses itself with special intensity through certain individual lives. It was an appreciation of genius as a quality distributed to the few for the benefit of the many. When, according to Longfellow, Emerson began to speak on these themes in Boston in 1845, the Odeon theater was jammed with 'old men and young, bald heads and flowing transcendental locks, matrons and maidens, misanthropists and lovers.' The crowds were rapt and grateful, as were their counterparts two years later in England where the lecture series continued...
This edition of Representative Men is reproduced from the fourth volume of The Collected Works of Ralph Waldo Emerson, text established by Douglas Emory Wilson.
Now, in Represented Communities, John D. Kelly and Martha Kaplan offer an extensive and devastating critique of Anderson's depictions of colonial history, his comparative method, and his political anthropology. The authors build a forceful argument around events in Fiji from World War II to the 2000 coups, showing how focus on "imagined communities" underestimates colonial history and obscures the struggle over legal rights and political representation in postcolonial nation-states. They show that the "self-determining" nation-state actually emerged with the postwar construction of the United Nations, fundamentally changing the politics of representation.
Sophisticated and impassioned, this book will further anthropology's contribution to the understanding of contemporary nationalisms.
Representing Aztec Ritual: Performance, Text, and Image in the Work of Sahagún uses Sahagún's corpus as a starting point to focus on ritual performance, a key element in the functioning of the Aztec world. With topics ranging from the ritual use of sand and paper to the sacrifice of women, contributors explore how Aztec rites were represented in the images and texts of documents compiled under colonial rule and the implications of this European filter for our understanding of these ceremonies. Incorporating diverse disciplinary perspectives, contributors include Davíd Carrasco, Philip P. Arnold, Kay Read, H. B. Nicholson, Eduardo Matos Moctezuma, Guilhem Olivier, Doris Heyden, and Eloise Quiñones Keber.
The essays in this collection provide a variety of perspectives on black representation and questions of racial authenticity in mainstream as well as African American independent cinema. This volume includes seminal essays on racial stereotypes, trenchant critiques of that discourse, original essays on important directors such as Haile Gerima and Charles Burnett, and an insightful discussion of black gay and lesbian film and video.
The contributors include Donald Bogle, Thomas Cripps, Jane Gaines, Nathan Grant, Stuart Hall, Tommy L. Lott, Wahneema Lubiano, Mike Murashige, Valerie Smith, James Snead, and David Van Leer. This volume is an important contribution to the Depth of Field series and should be indispensible for courses and individual scholars in film and multicultural studies. The book contains a mix of original and previously published pieces.
Investigating a wide range of cases, the essays illuminate, for instance, the organizational and cultural means by which unmeasured surpluses—labor that occurs outside the formal workplace‚ such as domestic work—are distributed and put to use. Editors Resnick and Wolff, along with J. K. Gibson-Graham, bring theoretical essays together with those that apply their vision to topics ranging from the Iranian Revolution to sharecropping in the Mississippi Delta to the struggle over the ownership of teaching materials at a liberal arts college. Rather than understanding class as an element of an overarching capitalist social structure, the contributors—from radical and cultural economists to social scientists—define class in terms of diverse and ongoing processes of producing, appropriating, and distributing surplus labor and view class identities as multiple, changing, and interacting with other aspects of identity in contingent and unpredictable ways.
Re/presenting Class will appeal primarily to scholars of Marxism and political economy.
Contributors. Carole Biewener, Anjan Chakrabarti, Stephen Cullenberg, Fred Curtis, Satyananda Gabriel, J. K. Gibson-Graham, Serap Kayatekin, Bruce Norton, Phillip O’Neill, Stephen Resnick, David Ruccio, Dean Saitta, Andriana Vlachou, Richard Wolff
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