A SCHOLARLY BOOK REPOSITORY
The first Latin American to receive a Nobel Prize for Literature, the Chilean writer Gabriela Mistral (1889-1957) is often characterized as a healing, maternal voice who spoke on behalf of women, indigenous peoples, the disenfranchised, children, and the rural poor. She is that political poet and more: a poet of philosophical meditation, self-consciousness, and daring. This is a book full of surprises and paradoxes. The complexity and structural boldness of these prose-poems, especially the female-erotic prose pieces of her first book, make them an important moment in the history of literary modernism in a tradition that runs from Baudelaire, the North American moderns, and the South American postmodernistas. It's a book that will be eye-opening and informative to the general reader as well as to students of gender studies, cultural studies, literary history, and poetry.
This Spanish-English bilingual volume gathers the most famous and representative prose writings of Gabriela Mistral, which have not been as readily available to English-only readers as her poetry. The pieces are grouped into four sections. "Fables, Elegies, and Things of the Earth" includes fifteen of Mistral's most accessible prose-poems. "Prose and Prose-Poems from Desolación / Desolation [1922]" presents all the prose from Mistral's first important book. "Lyrical Biographies" are Mistral's poetic meditations on Saint Francis and Sor Juana de la Cruz. "Literary Essays, Journalism, 'Messages'" collects pieces that reveal Mistral's opinions on a wide range of subjects, including the practice of teaching; the writers Alfonso Reyes, Alfonsina Storni, Rainer Maria Rilke, and Pablo Neruda; Mistral's own writing practices; and her social beliefs. Editor/translator Stephen Tapscott rounds out the volume with a chronology of Mistral's life and a brief introduction to her career and prose.
Although John Milton is best known for his poems such as Paradise Lost, his prose works, including Areopagitica, The Tenure of Kings, and The Doctrine and Discipline of Divorce, are important in their own right. In this selection of Milton’s prose, C.A. Patrides presents the best possible texts of complete works in a format designed to enable students to understand Milton the thinker as well as to judge for themselves the achievements of Milton the artist in prose.
First published in 1974, C.A. Patrides ‘s edition of Milton’s prose has proved invaluable to students and scholars of Renaissance literature because it includes mostly the complete texts of Milton’s prose works. Now, in this new and updated edition, Patrides has revised his introduction and his bibliography to reflect advances in Milton scholarship in the past ten years. In addition, the selections have been expanded to include passages from Milton’s theological treatise De doctrina Christiana.
For sale only in the USA and Philippines.
"A timely and significant supplement to C. P. Cavafy's poetic canon, the Selected Prose Works, eloquently translated and meticulously annotated by Peter Jeffreys, allows readers yet another creative engagement with the greatest Greek writer since antiquity. Marked by a wide and intriguing range of interests, these writings offer a rich trove for general readers and scholars alike, who from now on will find it difficult to discuss Cavafy's poetry without reference to his prose."
---Vassilis Lambropoulos, C. P. Cavafy Professor of Modern Greek, University of Michigan
"Peter Jeffreys gives us a rare gift---access to Constantine Cavafy's prose work. Through his intelligent translation, these texts, which range from literary criticism to personal notes, from essays on the Greek language to the Parthenon marbles, offer unexpected entry into the mind of one of the twentieth century's greatest literary figures. They suggest new ways to think about not only Cavafy's remarkable poetry but also the man himself. An indispensable companion for all who love Cavafy's work."
---Gregory Jusdanis, The Ohio State University
"Once you've felt his influence, you won't need telling that Cavafy is unique in his distinctive voice, his quiet humor, and his unassertive culture."
---Frank Kermode, Formerly Lord Northcliffe Professor of Modern English Literature at University College, London, and King Edward VII Professor of English Literature, University of Cambridge
Constantine Cavafy (1863–1933) is arguably the most important modern poet of Greece and Greek culture. Long a resident of Egypt and then Constantinople, Cavafy in his poems and prose works tended to focus on Greco-Roman antiquity, on Greece's national identity, and on personal and mythological images and themes including his ethnicity and sexual identity. He wrote some 150 poems, plus a few works in collaboration with his brother John.
His poetical works have been much translated and discussed, but until now, very little consideration has been given to his prose works, in part because many remained untranslated from the original Greek. This book collects Cavafy's more interesting prose pieces and translates those that originally appeared in Greek.
Of the forty pieces included, only thirteen have previously appeared in print, and of those thirteen only a few were in English. The pieces include essays, "prose poems," short stories, self-assessments, and considerations of other poets, including John Keats. This significant new collection offers a different perspective on the well-known Cavafy.
Peter Jeffreys, Assistant Professor of English at Suffolk University in Boston, received a Doctorate in English Literature from the University of Toronto. He is the author of Eastern Questions: Hellenism and Orientalism in the Writings of E.M. Forster and C.P. Cavafy and the editor of The Forster-Cavafy Letters: Friends at a Slight Angle. He is currently working on a bio-critical study of C. P. Cavafy and the decadent tradition.
Cover image copyright © David Levine
The first significant English translation of Camões's sonnets in more than one hundred years, Selected Sonnets: A Bilingual Edition collects seventy of Camões's best—all musically rendered into contemporary, yet metrical and rhymed, English-language poetry by William Baer, with the original Portuguese on facing pages—and reintroduces the genius of a poet whom Cervantes called "the incomparable treasure of Lusus." A comprehensive selection of sonnets that demonstrates the full range of Camões's interests and invention, Selected Sonnets will prove indespensible for both students and teachers in comparative and Renaissance literature, Portuguese and Spanish history, and the art of literary translation.
A superb new translation of Kafka’s classic stories, authoritatively annotated and beautifully illustrated.
Selected Stories presents new, exquisite renderings of short works by one of the indisputable masters of the form. Award-winning translator and scholar Mark Harman offers the most sensitive English rendering yet of Franz Kafka’s unique German prose—terse, witty, laden with ambiguities and double meanings. With his in-depth biographical introduction and notes illuminating the stories and placing them in context, Harman breathes new life into masterpieces that have often been misunderstood.
Included are sixteen stories, arranged chronologically to convey a sense of Kafka’s artistic development. Some, like “The Judgment,” “In the Penal Colony,” “A Hunger Artist,” and “The Transformation” (usually, though misleadingly, translated as “The Metamorphosis”), represent the pinnacle of Kafka’s achievement. Accompanying annotations highlight the wordplay and cultural allusions of the original German, pregnant with irony and humor that English readers have often missed.
Although Kafka has frequently been cast as a loner, in part because of his quintessential depictions of modern alienation, he had a number of close companions. Harman draws on Kafka’s diaries, extensive correspondence, and engagement with early twentieth-century debates about Darwinism, psychoanalysis, and Zionism to construct a rich portrait of Kafka in his world. A work of both art and scholarship, Selected Stories transforms our understanding and appreciation of a singular imagination.
Dark, weird, psychologically complex, Hawthorne’s short fiction continues to fascinate readers. Brenda Wineapple has made a generous selection of Hawthorne’s stories, including some of his best-known tales as well as other, less-often anthologized gems. In her introduction, she explores a writer whose best stories, as Wineapple has elsewhere observed, “penetrate the secret horrors of ordinary life, those interstices in the general routine where suddenly something or someone shifts out of place, changing everything.”
The John Harvard Library edition reproduces the authoritative texts of Hawthorne’s stories in The Centenary Edition of the Works of Nathaniel Hawthorne.
Suger, the twelfth century abbot of Saint-Denis, has not received the respect and attention that he deserves. Bernard of Clairvaux and Peter the Venerable have garnered more attention, and students of medieval history know their names well. In one respect, however, Suger has earned due praise, for his architectural innovations to the church of Saint-Denis made it truly one of the most beautiful churches in Europe.
Students of history and architecture know Suger best for his work on Saint-Denis, the burial site of medieval French kings, queens, and nobility. The abbot enlarged, decorated, improved, and redesigned the building so beautifully that it is safe to say that he became the foremost church architect of twelfth-century France.
The man, however, was so much more than an architect. He served as a counselor and member of the courts of King Louis VI and VII, who sent him across Europe on diplomatic missions. He represented those kings at the papal curia and imperial diets. He was also a close friends and confidante of King Henry I of England, whom he often visited on behalf of French royal interests.
Never shy, Suger seems almost obsessed that his works and deeds not be forgotten. He acquired numerous properties and estates for his abbey, as well as improved the ones it already possessed. He built new buildings, barns, walls for villages, and increased the return of grain from all the abbey’s lands. Readers interested in the medieval agricultural system and way of life will also enjoy these texts.
Suger’s texts also provide a wealth of information about the events of his era as well as a large amount of biographical material on his accomplishments. This translation of his writings intends to enhance his reputation and make his name better known by students at all levels and among those interested in medieval topics.
Balancing essays on Herbert Blumer with Blumer's own writings on race relations, labor and management conflict, urbanization, and popular culture, this volume--originally published as Social Order and the Public Philosophy--establishes Blumer's thought as a basis for a public policy that remains faithful to the essential character of human life in a permanently pluralized and segmented society.
Stanford M. Lyman and Arthur J. Vidich situate Blumer's ideas in the context of earlier public philosophers, such as William Graham Sumner, Herbert Croly, and Walter Lippmann. They consider the implications of Blumer's works for America's most pressing social issues and propose a sophisticated civic sociology of their own based on his studies and methods. Their new afterword affirms the rich harvest Blumer's philosophy continues to yield for postmodern society.
Miller was perhaps best known for a series of highly influential papers he cowrote in the 1950s and 1960s with fellow Nobel laureate Franco Modigliani that advanced a set of capital structure theorems later dubbed the "M and M propositions." In brief, the M and M propositions state that the actions of investors, firms, and capital markets will cause the market value of a firm to be independent of its capital structure. In other words, a corporation's value depends on its investments in people, ideas, and physical capital goods and not on the mix of bonds, stocks, and other securities used to finance the investments. Four of these papers are reprinted here, together with important later work by Miller in macroeconomics, corporate capital structure, management science, asset pricing, and the economic and regulatory problems of the financial services industry.
Diverse and innovative, the papers in Selected Works of Merton H. Miller will interest students and practitioners of economics, finance, and business, as well as policymakers responsible for market regulation.
Miller was perhaps best known for a series of highly influential papers he cowrote in the 1950s and 1960s with fellow Nobel laureate Franco Modigliani that advanced a set of capital structure theorems later dubbed the "M and M propositions." In brief, the M and M propositions state that the actions of investors, firms, and capital markets will cause the market value of a firm to be independent of its capital structure. In other words, a corporation's value depends on its investments in people, ideas, and physical capital goods and not on the mix of bonds, stocks, and other securities used to finance the investments. Four of these papers are reprinted here, together with important later work by Miller in macroeconomics, corporate capital structure, management science, asset pricing, and the economic and regulatory problems of the financial services industry.
Diverse and innovative, the papers in Selected Works of Merton H. Miller will interest students and practitioners of economics, finance, and business, as well as policymakers responsible for market regulation.
"The editor's well-organized introduction supplies an excellent outline of this system in its development. In view of the scattered sources from which these writings are gathered, it is a great service that this volume renders not only to students of Mead, but to historians."—H. W. Schneider, Journal of the History of Philosophy
Selected Writings brings together a representative sampling of Marguerite’s varied writings, most of it never before translated into English, enabling Anglophone readers to enjoy the full breadth of her work for the first time. From verse letters and fables to mythological-pastoral tales, from spiritual songs to a selection of novellas from the Heptameron, the wide range of works included here will reveal Marguerite de Navarre to be one of the most important writers—male or female—of sixteenth-century France.
Bringing together Caminer's letters, poems, and journalistic writings, nearly all published for the first time here, Selected Writings offers readers an intellectual biography of this remarkable figure as well as a glimpse into her intimate correspondence with the most prominent thinkers of her day. But more important, Selected Writings provides insight into the passion that animated Caminer's fervent reflections on the complex and shifting condition of women in her society-the same passion that pushed her to succeed in the male-dominated literary professions.
A collection of eighteen critical essays and twenty-six translations spanning the career of one of the founding intellects of Irish Studies, the Selected Writings of John V. Kelleher on Ireland and Irish America consists of five accessible sections. The first gathers Kelleher’s essays on the most widely known Irish cultural phenomenon—the literary renaissance of the early twentieth century. Part two contains his judicious assessments of Irish literature in its post-Revolutionary phase. The third section includes Kelleher’s insightful essays on the experience of the Irish in America. The fourth section contains essays that examine early Irish literature and culture, opening with a benchmark essay for Irish Studies, “Early Irish History and Pseudo-History,” which was read at the inaugural meeting of the American Conference for Irish Studies in 1961. The collection concludes with Kelleher’s translations and adaptations of poems in Old, Middle, and Modern Irish, illustrating his command of the language at every stage.
Philosophy, Science, and Culture covers topics that range from philosophic semantics to the processes of the sciences to the forms of human rights. This collection makes McKeon's mission as a philosopher unmistakable. He characterized himself as a philosophic pluralist; he was an American philosopher in the tradition of the pragmatists, one whose philosophy subtly resonates with C. S. Peirce and John Dewey. McKeon also explored the themes of deconstructionism and other late-twentieth-century philosophies decades before their popular emergence—but, in generating a matrix of possibilities for productive debate, he avoided both relativism and the entrapments of dogmatism.
An important collection of his writings, this series will establish Richard McKeon as one of the foremost philosophers of the twentieth century.
Richard McKeon (1900-1985) taught philosophy at the University of Chicago from 1935 to 1973, and at the time of his death had published eleven books and 158 articles on an extraordinary array of topics and cultures. Among his many national and international distinctions, he was awarded the highest honor of the American Philosophical Association when he was invited to give the Paul Carus Lectures in New York in 1965.
Together, the writings in this book show how McKeon reinvented the ancient arts of rhetoric, grammar, logic, and dialectic for the new circumstances of a global culture. In essays on creation and criticism, for instance, rhetoric is distinguished from grammar and shown to be the master art of invention, judgment, and pluralistic interpretation. Writings on themes of culture, meanwhile, explore the self-invention of mankind as justification for the arts, the development of the humanities, and the organization of the sciences. In the closing essays on education and philosophy, McKeon considers the implications of his ideas for the future of the liberal arts and higher learning.
Like The Magic Years, these essays (including her hugely influential “Ghosts in the Nursery”) glean their insights from years of clinical study and contain Fraiberg’s synthesis of and groundbreaking contributions to attachment theory, child psychology, social work, and, through her work with blind children, the experience of disability in infancy and childhood. Clinical rigor paired with attunement to the emotional lives of her subjects was Fraiberg’s hallmark: as her husband Louis writes in his preface to this volume, “Once, when asked how she knew what babies were thinking, she replied, ‘They tell me.’” Lucid and elegantly written, her Selected Writings will remain a valuable resource for new generations of social workers, mental-health professionals, educators, and others who work with young children.
In a world of mutually exclusive nation-states, international migration constitutes a fundamental anomaly. No wonder that such states have been inclined to select migrants according to their origins. The result is ethnic migration.
But Christian Joppke shows that after World War II there has been a trend away from ethnic selectivity and toward non-discriminatory immigration policies across Western states. Indeed, he depicts the modern state in the crossfire of particularistic and universalistic principles and commitments, with universalism gradually winning the upper hand. Thus, the policies that regulate the boundaries of states can no longer invoke the particularisms that constitute these boundaries and the collectivities residing within them.
Joppke presents detailed case studies of the United States, Australia, Western Europe, and Israel. His book will be of interest to a broad audience of sociologists, political scientists, historians, legal scholars, and area specialists.
Selecting Women, Electing Women is a groundbreaking book that examines how the rules for candidate selection affect women’s political representation in Latin America. Focusing particularly on Chile and Mexico, Magda Hinojosa presents counterintuitive assumptions about factors that promote the election of women. She argues that primaries—which are regularly thought of as the most democratic process for choosing candidates—actually produce fewer female nominees than centralized and seemingly exclusionary candidate selection procedures.
Hinojosa astutely points out the role of candidate selection processes in explaining variation in women’s representation that exists both across and within political parties. Selecting Women, Electing Women makes critical inroads to the study of gender and politics, candidate selection, and Latin American politics.
Though he died as Benito Mussolini's prisoner, leaving only newspaper articles and fragmentary notes, Antonio Gramsci is now seen as the most significant Marxist thinker since Lenin. This volume is the first English translation of his writings on culture, organically and coherently edited from his journalism and his Prison Notebooks.
Gramsci writes about the popular and the great artists from Jules Verne to Dante, but not as so many timeless monuments. He sees artworks in the context of their reception and their absorption in particular cultures and histories. He is sensitive to the politics of culture as well as to the demands of philological scholarship, as his superb work on Dante in this volume shows. We have in this book Gramsci's changing views on particular literary movements and authors, as well as his ideas on the nature of proletarian and popular cultural criticism. Throughout he is concerned with cultural analysis and strategy rather than literary criticism by itself. The headnotes and footnotes prepared by Forgacs and Nowell-Smith address themselves both to the circumstances surrounding the composition of each segment and to the central problems of contemporary Gramsci scholarship. Antonio Gramsci is the twentieth-century writer who has most brilliantly and suggestively explored the ties that bind culture and politics. The publication of this collection is an event of major significance for theorists of all sorts.
Examining such relatively new or reconfigured nation-states as Iran, Iraq, Turkey, Israel, Russia, Ukraine, India, and Thailand, Selective Remembrances shows how states invoke the remote past to extol the glories of specific peoples or prove claims to ancestral homelands. Religion has long played a key role in such efforts, and the contributors take care to demonstrate the tendency of many people, including archaeologists themselves, to view the world through a religious lens—which can be exploited by new regimes to suppress objective study of the past and justify contemporary political actions.
The wide geographic and intellectual range of the essays in Selective Remembrances will make it a seminal text for archaeologists and historians.
Selectivity and Discord addresses the fundamental question of whether there are grounds for belief in experimental results. Specifically, Allan Franklin is concerned with two problems in the use of experimental results in science: selectivity of data or analysis procedures and the resolution of discordant results.
By means of detailed case studies of episodes from the history of modern physics, Franklin shows how these problems can be—and are—solved in the normal practice of science and, therefore, that experimental results may be legitimately used as a basis for scientific knowledge.
Paredez argues that Selena’s death galvanized Latina/o efforts to publicly mourn collective tragedies (such as the murders of young women along the U.S.-Mexico border) and to envision a brighter future. At the same time, reactions to the star’s death catalyzed political jockeying for the Latino vote and corporate attempts to corner the Latino market. Foregrounding the role of performance in the politics of remembering, Paredez unravels the cultural, political, and economic dynamics at work in specific commemorations of Selena. She analyzes Selena’s final concert, the controversy surrounding the memorial erected in the star’s hometown of Corpus Christi, and the political climate that served as the backdrop to the touring musicals Selena Forever and Selena: A Musical Celebration of Life. Paredez considers what “becoming” Selena meant to the young Latinas who auditioned for the biopic Selena, released in 1997, and she surveys a range of Latina/o queer engagements with Selena, including Latina lesbian readings of the star’s death scene and queer Selena drag. Selenidad is a provocative exploration of how commemorations of Selena reflected and changed Latinidad.
Bringing together the winning and shortlisted essays from the 2020 Hubert Butler Essay Prize, Self and Society presents five fresh perspectives on the tension between individual freedom and communal solidarity, asking what we owe our communities and why it matters. With a foreword by Ireland’s President Michael D. Higgins, the book examines themes that are more pressing than ever in the age of Coronavirus and Brexit, invoking the spirit of the Irish essayist Hubert Butler to investigate whether collective and personal aims can be synergistic or are destined to remain ever in conflict.
Winner Michael Amherst takes on identity politics, questioning whether the stratification of society in the name of social justice is helpful or harmful in the pursuit of equality. Runners-up Tara McEvoy and David Crane tackle, respectively, the necessity of collective action as a response to the current pandemic and other social crises, and the role of conflicts of individual freedom in facilitating or stifling the economic liberation of refugees. Special mentions have been awarded to Nick Inman and Beninio McDonough-Tranza for their respective essays on personal responsibility and the legacy of the Polish union Solidarnosc.
An ARTery Best Book of the Year
An Art of Manliness Best Book of the Year
In a culture that has become progressively more skeptical and materialistic, the desires of the individual self stand supreme, Mark Edmundson says. We spare little thought for the great ideals that once gave life meaning and worth. Self and Soul is an impassioned effort to defend the values of the Soul.
“An impassioned critique of Western society, a relentless assault on contemporary complacency, shallowness, competitiveness and self-regard…Throughout Self and Soul, Edmundson writes with a Thoreau-like incisiveness and fervor…[A] powerful, heartfelt book.”
—Michael Dirda, Washington Post
“[Edmundson’s] bold and ambitious new book is partly a demonstration of what a ‘real education’ in the humanities, inspired by the goal of ‘human transformation’ and devoted to taking writers seriously, might look like…[It] quietly sets out to challenge many educational pieties, most of the assumptions of recent literary studies—and his own chosen lifestyle.”
—Mathew Reisz, Times Higher Education
“Edmundson delivers a welcome championing of humanistic ways of thinking and living.”
—Kirkus Reviews
In what kind of world and for what kind of thought is time real, history open, and novelty possible? In what kind of world and for what kind of thought does it make sense for a human being to look for trouble rather than to stay out of trouble?In this long-awaited work of general philosophy, Roberto Mangabeira Unger proposes a radical reorientation of established ideas about nature, mind, society, politics, and religion. He shows how we have to change our beliefs if we are to succeed in doing justice to our most distinctive contemporary experiences, discoveries, and ideals.
The Self Awakened mobilizes the resources of several philosophical traditions, and develops the unrecognized revolutionary implications of the most influential of these traditions today--pragmatism. Avoiding technical jargon and needless complication, this book makes a case for philosophy as the supreme activity of the intellect at war, insisting on its power to deal with what matters most.
Contributors are Elizabeth Bates, Marjorie Beeghly, Barbara Belmont, Leslie Bottomly, Helen K. Buchsbaum, George Butterworth, Vicki Carlson, Dante Cicchetti, James P. Connell, Robert N. Emde, Jerome Kagan, Robert A. LeVine, Andrew N. Meltzoff, Editha Nottelmann, Sandra Pipp, Marian Radke-Yarrow, Catherine E. Snow, L. Alan Sroufe, Gerald Stechler, Sheree L. Toth, Malcolm Watson, and Dennie Palmer Wolf.
Klaus divides his book into two parts: first, an introduction to the nature and function of a persona, then a survey of the most important elements of writing that contribute to the character of a persona, from point of view and organization to diction and sentence structure. Both parts contain exercises that will give you practice in developing a persona of your choice. Challenging and stimulating, each of his exercises focuses on a distinctly different aspect of composition and style, so as to help you develop the skills of a versatile and personable writer. By focusing on the most important ways of projecting your self in nonfiction prose, you can learn to craft a distinctive self in your writing.
Self to Self brings together essays on personal identity, autonomy, and moral emotions by the philosopher J. David Velleman. Although the essays were written independently, they are unified by an overarching thesis – that there is no single entity denoted by “the self ” – as well as by themes from Kantian ethics, psychoanalytic theory, social psychology, and Velleman’s work in the philosophy of action. Two of the essays were selected by the editors of Philosophers’ Annual as being among the ten best papers in their year of publication.
Self to Self will be of interest to philosophers, psychologists, and others who theorize about the self.
As a contribution to the current philosophical debate concerning self-awareness, the book presents a comprehensive reconstruction of Husserl’s theory of pre-reflective self-awareness, thereby criticizing a number of prevalent interpretations. In addition, Zahavi also offers a systematic discussion of a number of phenomenological insights related to the issue of self-awareness, including analyses of the temporal, intentional, reflexive, bodily, and social nature of the self.
The new edition of this prize-winning book has been updated and revised, and all quotations have been translated into English. It also contains a new preface in which Zahavi traces the developments of the debates around self-awareness over the last twenty years and situates this book in the context of his subsequent work.
In the rigorous and highly original Self-Awareness and Alterity, Dan Zahavi provides a sustained argument that phenomenology, especially in its Husserlian version, can contribute something decisive to the analysis of self-awareness. Taking on recent discussions within both analytical philosophy (Shoemaker, Castaneda, Nagel) and contemporary German philosophy (Henrich, Frank, Tugendhat), Zahavi argues that the phenomenological tradition has much more to offer when it comes to the problem of self-awareness than is normally assumed. As a contribution to the current philosophical debate concerning self-awareness, the book presents a comprehensive reconstruction of Husserl's theory of pre-reflective self-awareness, thereby criticizing a number of prevalent interpretations and a systematic discussion of a number of phenomenological insights related to this issue, including analyses of the temporal, intentional, reflexive, bodily, and social nature of the self.
The topic of this book is self-consciousness, which is a kind of knowledge, namely knowledge of oneself as oneself, or self-knowledge. Sebastian Rödl's thesis is that self-knowledge is not empirical; it does not spring from sensory affection. Rather, self-knowledge is knowledge from spontaneity; its object and its source are the subject's own activity, in the primary instance its acts of thinking, both theoretical and practical thinking, belief and action.
The chapters of this book cover action and belief, freedom and reason, receptive knowledge and the second person. Each of these topics deserves its own book. And yet they would all be books on self-consciousness, for self-consciousness is the principle of their respective subject matters. Contemporary theories have been badly served by failing to acknowledge this. Taking the full measure of this insight requires a major conceptual reorientation in action theory, the philosophy of mind, and epistemology, which is begun in this book. As it can be said to be the principal thought animating Kant and his Idealist successors that self-consciousness occupies this central position, the book can be read as an attempt to recover and rejuvenate the achievement of the German Idealist tradition.
Self-Consciousness and Objectivity undermines a foundational dogma of contemporary philosophy: that knowledge, in order to be objective, must be knowledge of something that is as it is, independent of being known to be so. Sebastian Rödl revives the thought—as ancient as philosophy but largely forgotten today—that knowledge, precisely on account of being objective, is self-knowledge: knowledge knowing itself. Thus he intervenes in a discussion that runs through the work of Bernard Williams, Thomas Nagel, Adrian Moore, and others, who seek to comprehend the claim to objectivity we raise in making judgments. While these authors think that the quest for objectivity demands that we transcend the first person, Rödl argues that it is through the first-person thought contained in every judgment that our judgments possess the objectivity that defines knowledge.
Self-Consciousness and Objectivity can be read as an introduction to absolute idealism, for it dismantles a stubborn obstacle to absolute idealism’s reception: the notion that it is a species of idealism, which is understood to be the assertion that the world depends upon the mind. As Rödl brings out, absolute idealism is the resolute rejection of that idea.
The implications of this work are profound. It undercuts a number of contemporary presumptions, such as that judgment is a propositional attitude, that inference is a mental process, and that there is an empirical science of the capacity for objective knowledge. All of these presumptions flow from the erroneous notion that the objectivity of knowledge stands opposed to its first-person character.
Interest in autoethnography is growing among writing studies scholars, who see clear connections to well-known disciplinary conversations about personal narrative, as well as to the narrative turn in general and social justice efforts in particular. Contributions by authors from diverse backgrounds and institutional settings are organized into three parts: a section of writing studies autoethnographies, a section on how to teach autoethnography, and a section on how ideas about autoethnography in writing studies are evolving.
Self+Culture+Writing discusses the use of autoethnography in the writing classroom as both a research method and a legitimate way of knowing, providing examples of the genre and theoretical discussions that highlight the usefulness and limitations of these methods.
Contributors: Leslie Akst, Melissa Atienza, Ross Atkinson, Alison Cardinal, Sue Doe, Will Duffy, John Gagnon, Elena Garcia, Guadalupe Garcia, Caleb Gonzalez, Lilly Halboth, Rebecca Hallman Martini, Kirsten Higgins, Shereen Inayatulla, Aliyah Jones, Autumn Laws, Soyeon Lee, Louis M. Maraj, Kira Marshall-McKelvey, Jennifer Owen, Tiffany Rainey, Marcie Sims, Amanda Sladek, Trixie Smith, Anthony Warnke
How do groups—be they religious or ethnic—achieve sovereignty in a postnationalist world? In Self-Determination without Nationalism, noted philosopher Omar Dahbour insists that the existing ethics of international relations, dominated by the rival notions of liberal nationalism and political cosmopolitanism, no longer suffice.
Dahbour notes that political communities are an ethically desirable and historically inevitable feature of collective life. The ethical principles that govern them, however—especially self-determination and sovereignty—require reformulation in light of globalization and the economic and environmental challenges of the twenty-first century.
Arguing that nation-states violate the principle of self-determination, Dahbour then develops a detailed new theory of self-determination that he calls "ecosovereignty.” Ecosovereignty defines political community in a way that can protect and further the rights of indigenous peoples as well as the needs of ecological regions for a sustainable form of development and security from environmental destruction.
In the series Global Ethics and Politics, edited by Carol Gould.
Nick Tingle investigates the psychoanalytic dimensions of composition instruction in Self-Development and College Writing to boldly illustrate that mastering academic prose requires students to develop psychologically as well as cognitively. Asserting that writing instruction should be an engaging, developmental process for both teachers and students, he urges reaching for new levels of consciousness in the classroom to aid students in realigning their subjective relationships with knowledge and truth.
Drawing on psychoanalytic theory and twenty years of experience as a teacher, Tingle outlines the importance of moving beyond usual ways of thinking, abandoning the common sense of everyday reality, and coming to understand beliefs as beliefs and not absolutes. These developmental moves must be accompanied, Tingle says, by a new attitude towards language—not as something that points to things, but as a series of concepts that arrange the very things one points to. And this development is necessary not just in order to perform well in the writing class, but also to fully participate in and reap the academic rewards of structured, university life.
Self-Development and College Writing calls attention to the psychological destabilization this method may produce for students. Tingle explains that, if writing instructors are to respond to this destabilization, they must conceive of the classroom as a transitional space, or a kind of holding environment. They must also become aware of their psychological allegiances to particular theories of writing if they are to construct such environments.
But the goal of the transitional environment is worth pursuing, Tingle argues, contending that university education fails to address students’ developmental needs. With purposeful writing and deft analyses, Tingle shows that this goal also affords a means by which to place writing courses at the center of the educational curriculum. Conceived as a transitional space, the writing class may support and stabilize students in their developmental passage, thereby fostering an improved understanding of their academic work and, more importantly, an increased intellectual understanding of themselves and the complex world in which they live.
Pamela White Hadas won enthusiastic recognition for her early books of poetry, Designing Women and Beside Herself. In Self-Evidence, she selects the best of her published work and combines it with poems never before collected. This collection contains legendary, mythic, historical, and imaginary characters--Lilith, Pocahontas, Simone Weil, the wives of Watergate, a circus performer, and others. With playful originality and virtuoso voicing, Hadas weaves breathtaking tapestries of women's loves and labors.
Are our elections for sale? Americans have long asked this question in the face of skyrocketing campaign spending by candidates and parties. Then, in the 1990s, came a wave of wealthy individuals whose deep pockets seemed to be buying political offices across the country. Our worst suspicions were confirmed. Or were they? What effect do self-financers really have on electoral outcomes? Jennifer Steen's authoritative empirical study of self-financed candidates is a landmark in American politics. Steen thoroughly dispels the notion that self-funded candidates can buy legislative seats, proving that the vast majority of self-financers do not win their elections. Her book gives us a truer understanding of self-financers' actual influence on campaign competition and rhetoric.
Jennifer A. Steen is Assistant Professor of Political Science at Boston College and a former political consultant. She is one of the nation's leading authorities on self-financed candidates.
Understanding instead of lamenting the popularity of self-help books
Based on a reading of more than three hundred self-help books, Sandra K. Dolby examines this remarkably popular genre to define "self-help" in a way that's compelling to academics and lay readers alike. Self-Help Books also offers an interpretation of why these books are so popular, arguing that they continue the well-established American penchant for self-education, they articulate problems of daily life and their supposed solutions, and that they present their content in a form and style that is accessible rather than arcane.
Using tools associated with folklore studies, Dolby then examines how the genre makes use of stories, aphorisms, and a worldview that is at once traditional and contemporary. The overarching premise of the study is that self-help books, much like fairy tales, take traditional materials, especially stories and ideas, and recast them into extended essays that people happily read, think about, try to apply, and then set aside when a new embodiment of the genre comes along.
“I’m covered—why should I foot the bill for somebody who isn’t?”
This question, unspoken but simmering at the center of the debate over universal health care coverage, comes in for a thoughtful hearing—and, perhaps, gentle corrective—in Larry Churchill’s timely book. Churchill, whose Rationing Health Care in America put the nation’s health care crisis into perspective, here does the same for our crisis of conscience over health care coverage. As Clinton and Congress spar over the financing and organization of a national health system, the true debate, this book reveals, is about moral and political values, about the meaning and ethics of health care reform.
Churchill begins by cutting through the confused discussion about rationing health care. Concerns about rationing, with all the moral and political questions they raise, deflect our attention from a more important issue, which this book brings into focus. Arguing that care is already rationed by ability to pay, Churchill suggests that the proper question is not whether to ration but how to do so fairly, and that answering requires a clear sense of the aims of a health care system. In pursuit of this necessary understanding, Churchill explores values and concepts such as security and solidarity, self-interest and social affinity, rights and responsibilities. Drawing on philosophical ideas of justice and individual responsibility, rendered here with remarkable clarity, he shows that universal care is morally as well as economically comprehensible and that a truly inclusive health care system should be seen as a common civic purpose rather than as a supply of services to be consumed. Accessible, deeply felt, and cogently argued, this book should revise the terms of the national debate over health care reform.
The Selfish Ape is a book about human biology, the intertwined characteristics of our greatness and failure, and the way that we have plundered the biosphere. Written in a highly accessible style, it is a perfect read for those interested in science, human history, sociology, and the environment.
"Howard Margolis's intriguing ideas . . . provide an alternative to the crude models of rational choice that have dominated economics and political science for too long."—Times Literary Supplement
In Self-Knowledge and Resentment, Akeel Bilgrami argues that self-knowledge of our intentional states is special among all the knowledges we have because it is not an epistemological notion in the standard sense of that term, but instead is a fallout of the radically normative nature of thought and agency.
Four themes or questions are brought together into an integrated philosophical position: What makes self-knowledge different from other forms of knowledge? What makes for freedom and agency in a deterministic universe? What makes intentional states of a subject irreducible to its physical and functional states? And what makes values irreducible to the states of nature as the natural sciences study them? This integration of themes into a single and systematic picture of thought, value, agency, and self-knowledge is essential to the book's aspiration and argument. Once this integrated position is fully in place, the book closes with a postscript on how one might fruitfully view the kind of self-knowledge that is pursued in psychoanalysis.
Conley traces the explosion of interest in mapmaking that occurred with the discovery of the New World, and discusses the commensurate rise of what he defines as cartographic writing-writing that "holds, penetrates, delineates, and explores space." Considering the works of such writers as Rabelais, Montaigne, and Descartes, Conley provides a "navigation" through the printed page, revealing the emerging values of Renaissance France. In his examination of the placing of words, letters, and graphic elements in books, he exposes the playful and sometimes enigmatic relation between spatial organization and text.
Conley also exposes the ideological exercise inherent in mapmaking, arguing that Renaissance cartography is inseparably bound up with the politics of the era. He undertakes close readings of maps and illustrations, discussing the necessity of viewing Renaissance maps in the context of their typographic layout, graphic reproduction, and literary and ideological import.
Richly illustrated throughout, The Self-Made Map combines studies of art, geography, history, literature, and printing to show a clear historical transformation, along the way linking geographical discoveries, printing processes, and political awareness. Conley's provocative analysis discloses how early modern printed literature and cartography worked together to crystallize broader issues engaging the then emergent status of cultural identity, nation, and individuality.
Defying all expectations, DuBois didn't crash and burn. Embracing her identity as a woman, she remade herself. Writing with resolute honesty and humor, she confronts both her past and her present to tell an American story of self-discovery.
The contributions to this volume attempt to apply different aspects of Ilya Prigogine's Nobel-prize-winning work on dissipative structures to nonchemical systems as a way of linking the natural and social sciences. They address both the mathematical methods for description of pattern and form as they evolve in biological systems and the mechanisms of the evolution of social systems, containing many variables responding to subjective, qualitative stimuli.
The mathematical modeling of human systems, especially those far from thermodynamic equilibrium, must involve both chance and determinism, aspects both quantitative and qualitative. Such systems (and the physical states of matter which they resemble) are referred to as self-organized or dissipative structures in order to emphasize their dependence on the flows of matter and energy to and from their surroundings. Some such systems evolve along lines of inevitable change, but there occur instances of choice, or bifurcation, when chance is an important factor in the qualitative modification of structure. Such systems suggest that evolution is not a system moving toward equilibrium but instead is one which most aptly evokes the patterns of the living world.
The volume is truly interdisciplinary and should appeal to researchers in both the physical and social sciences. Based on a workshop on dissipative structures held in 1978 at the University of Texas, contributors include Prigogine, A. G. Wilson, Andre de Palma, D. Kahn, J. L. Deneubourgh, J. W. Stucki, Richard N. Adams, and Erick Jantsch.
The papers presented include Allen, "Self-Organization in the Urban System"; Robert Herman, "Remarks on Traffic Flow Theories and the Characterization of Traffic in Cities"; W. H. Zurek and Schieve, "Nucleation Paradigm: Survival Threshold in Population Dynamics"; De Palma et al., "Boolean Equations with Temporal Delays"; Nicholas Georgescu-Roegin, "Energy Analysis and Technology Assessment"; Magoroh Maruyama, "Four Different Causal Meta-types in Biological and Social Sciences"; and Jantsch, "From Self-Reference to Self-Transcendence: The Evolution of Self-Organization Dynamics."
As with her previous collections, the poems in Self/Pity can be read as a cohesive whole.
From the simple prayer "To Jacob Four Months In The Womb" to the complex territory of the poem sequence "The Pornography of Pity," in which Mother Goose, the Marquis de Sade, Godot, Lewis Carroll's Alice, The Cat and the Fiddle, Zeus, and many others are called upon, Hahn creates a tour-de-force exploration of the book's central themes.
“Shows this exceptional poet at his rhyming best.”
—Billy Collins
Self-Portrait in a Door-Length Mirror presents the mirror that reflects not always what is, but what is desired, or not desired. In the opening poem, the speaker, Diane Arbus, looks at her very early pregnant self and asks, “Why would I bring you into this world?” This book answers that question, or tries to: the world is what it is as we try to live as our best selves in that world. But that knowledge of the world is hard and has consequences, and not in the abstract, as Gibson’s poetry dynamically shows.
Employing new formalism, Self-Portrait in a Door-Length Mirror examines historical, familial, and personal pasts as those pasts continue into the present, reminding us, as Faulkner wrote, “The past is never dead. It’s not even past.”
This book’s title, Self-Portrait in the Studio—a familiar iconographic subject in the history of painting—is intended to be taken literally: the book is a self-portrait, but one that comes into view for the reader only by way of patient scrutiny of the images, photographs, objects, and paintings present in the studios where the writer has worked and still works. That is to say, Giorgio Agamben’s wager is to speak of himself solely and uniquely by speaking of others: the poets, philosophers, painters, musicians, friends, passions—in short, the meetings and encounters that have shaped his life, thought, and writing, from Martin Heidegger to Elsa Morante, from Herman Melville to Walter Benjamin, from Giorgio Caproni to Giovanni Urbani. For this reason, images are an integral part of the book, images that—like those in a rebus that together form another, larger image—ultimately combine with the written text in one of the most unusual self-portraits that any writer has left of himself: not an autobiography, but a faithful and timeless auto-heterography.
"Barbara Copeland Buenger . . . has done an excellent job of editing and annotating Beckmann's voluminous private and public writings."—Andrea Barnet, New York Times Book Review
American democracy arrived abruptly in the 19th century; it changed just as dramatically early in the 20th. Hence, Self-Rule divides the history of American democracy into two halves: a 19th century half covering the 1820s to the present, and a 20th century half, with a major transition from the 1890s to the 1920s between them. As Wiebe explains why the original democracy of the early 19th century represented a sharp break from the past, he recreates in vivid detail the way European visitors contrasted the radical character of American democracy with their own societies. He then discusses the operation of various 19th century democratic publics, including a nationwide public, the People. Finally, he places democracy's white fraternal world of equals in a larger environment where other Americans who differed by class, race, and gender, developed their own relations to democracy.
Wiebe then picks up the history of democracy in the 1920s and carries it to the present. Individualism, once integrated with collective self-governance in the 19th century, becomes the driving force behind 20th century democracy. During those same years, other ways of defining good government and sound public policy shunt majoritarian practices to one side. Late in the 20th century, these two great themes in the history of American democracy—individualism and majoritarianism—turn on one another in modern democracy's war on itself.
Finally, Self-Rule assesses the polarized state of contemporary American democracy. Putting the judgments of sixty-odd commentators from Kevin Phillips and E.J. Dionne to Robert Bellah and Benjamin Barber to the test of history, Wiebe offers his own suggestions on the meaning and direction of today's democracy. This sweeping work explains how the history of American democracy has brought us here and how that same history invites us to create a different future.
"If Selfwolf were a pop music CD, it would be hailed as Mark Halliday's breakthrough album. . . . This third collection of poems teems with unsparing confessions of misdirected lust, lost faith, regret and a winningly goofy cheerfulness in the face of all that bad stuff. . . . The informal, conversational quality of Halliday's work almost hides its artfulness, which seems to be precisely his intention."—Ken Tucker, New York Times Book Review
"With unflinching, often comic honesty about how 'ego-fetid, hostile, grasping' we are, Halliday exposes the self's wolfish hungers and weaknesses."—Andrew Epstein, Boston Review
"Mark Halliday's new book offers more of his trademark riffs on self-consciousness. His subversive, surprising, hugely enjoyable poems will make you laugh out loud, squirm in uncomfortable recognition, and appreciate anew the comedy of our daily battles for self-preservation. . . reading Halliday is pure delight. . . . I love the daring and intelligence with which Halliday skates along the shifting boundary between self within and world outside. Selfwolf slows down our habitual negotiations between 'in here' and 'out there,' exposing the edgy comedy of how we survive."—Damaris Moore, Express Books
2023 Honorable Mention, Brazil Section Humanities Book Prize, Latin American Studies Association (LASA)
This book explores visual portrayals of blackness in Brazil to reveal the integral role of visual culture in crafting race and nation across Latin America.
In the early twentieth century, Brazil shifted from a nation intent on whitening its population to one billing itself as a racial democracy. Anadelia Romo shows that this shift centered in Salvador, Bahia, where throughout the 1950s, modernist artists and intellectuals forged critical alliances with Afro-Brazilian religious communities of Candomblé to promote their culture and their city. These efforts combined with a growing promotion of tourism to transform what had been one of the busiest slaving depots in the Americas into a popular tourist enclave celebrated for its rich Afro-Brazilian culture. Vibrant illustrations and texts by the likes of Jorge Amado, Pierre Verger, and others contributed to a distinctive iconography of the city, with Afro-Bahians at its center. But these optimistic visions of inclusion, Romo reveals, concealed deep racial inequalities. Illustrating how these visual archetypes laid the foundation for Salvador’s modern racial landscape, this book unveils the ways ethnic and racial populations have been both included and excluded not only in Brazil but in Latin America as a whole.
In the summer of 1930, Lorenzo Johnston Greene, a graduate of Howard University and a doctoral candidate at Columbia University, became a book agent for the man with the undisputed title of "Father of Negro History," Carter G. Woodson. With little more than determination, Greene, along with four Howard University students, traveled throughout the South and Southeast selling books published by Woodson's Associated Publishers. Their dual purpose was to provide needed funds for the Association for the Study of Negro Life and History and to promote the study of African American history. Greene returned east by way of Chicago, and, for a time, he settled in Philadelphia, selling books there and in the nearby cities of Delaware and New Jersey. He left Philadelphia in 1931 to conduct a survey in Washington, D.C., of firms employing and not employing black workers.
From 1930 until 1933, when Greene began teaching at Lincoln University in Jefferson City, Missouri, Selling Black History for Carter G. Woodson provides a unique firsthand account of conditions in African American communities during the Great Depression. Greene describes in the diary, often in lyrical terms, the places and people he visited. He provides poignant descriptions of what was happening to black professional and business people, plus working-class people, along with details of high school facilities, churches, black business enterprises, housing, and general conditions in communities. Greene also gives revealing accounts of how the black colleges were faring in 1930.
Selling Black History for Carter G. Woodson offers important glimpses into the private thoughts of a young man of the 1930s, a developing intellectual and scholar. Greene's diary also provides invaluable insights into the personality of Carter Woodson that are not otherwise available. This fascinating and comprehensive view of black America during the early thirties will be a welcome addition to African American studies.
While we’ve long known that the strategies of terrorism rely heavily on media coverage of attacks, Selling Fear is the first detailed look at the role played by media in counterterrorism—and the ways that, in the wake of 9/11, the Bush administration manipulated coverage to maintain a climate of fear.
Drawing on in-depth analysis of counterterrorism in the years after 9/11—including the issuance of terror alerts and the decision to invade Iraq—the authors present a compelling case that the Bush administration hyped fear, while obscuring civil liberties abuses and concrete issues of preparedness. The media, meanwhile, largely abdicated its watchdog role, choosing to amplify the administration’s message while downplaying issues that might have called the administration’s statements and strategies into question. The book extends through Hurricane Katrina, and the more skeptical coverage that followed, then the first year of the Obama administration, when an increasingly partisan political environment presented the media, and the public, with new problems of reporting and interpretation.
Selling Fear is a hard-hitting analysis of the intertwined failures of government and media—and their costs to our nation.
The post-World War II years in the United States were marked by the business community's efforts to discredit New Deal liberalism and undermine the power and legitimacy of organized labor. In Selling Free Enterprise, Elizabeth Fones-Wolf describes how conservative business leaders strove to reorient workers away from their loyalties to organized labor and government, teaching that prosperity could be achieved through reliance on individual initiative, increased productivity, and the protection of personal liberty.
Based on research in a wide variety of business and labor sources, this detailed account shows how business permeated every aspect of American life, including factories, schools, churches, and community institutions.
From relics of the True Cross and Templar replicas of the Holy Sepulchre to Franciscan recreations of the Passion to nineteenth-century mass-produced prints and contemporary theme parks, Wharton describes the evolving forms by which the city has been possessed in the West. She also maps those changing embodiments of the Holy City against shifts in the western market. From the gift-and-barter economy of the early Middle Ages to contemporary globalization, both money and the representations of Jerusalem have become progressively incorporeal, abstract, illusionistic, and virtual.
Selling Jerusalem offers a penetrating introduction to the explosive combination of piety and capital at work in religious objects and global politics. It is sure to interest students and scholars of art history, economic history, popular culture, religion, and architecture, as well as those who want to better understand Jerusalem’s problematic place in history.
While the essays are informed by the burgeoning literature on consumer society, Selling Modernity focuses on the actors who had the greatest stake in successful merchandising: company managers, advertising executives, copywriters, graphic artists, market researchers, and salespeople, all of whom helped shape the depiction of a company’s products, reputation, and visions of modern life. The contributors consider topics ranging from critiques of capitalism triggered by the growth of advertising in the 1890s to the racial politics of Coca-Cola’s marketing strategies during the Nazi era, and from the post-1945 career of an erotica entrepreneur to a federal anti-drug campaign in West Germany. Whether analyzing the growing fascination with racialized discourse reflected in early-twentieth-century professional advertising journals or the postwar efforts of Lufthansa to lure holiday and business travelers back to a country associated with mass murder, the contributors reveal advertising’s central role in debates about German culture, business, politics, and society.
Contributors. Shelley Baranowski, Greg Castillo, Victoria de Grazia, Guillaume de Syon, Holm Friebe, Rainer Gries, Elizabeth Heineman, Michael Imort, Anne Kaminsky, Kevin Repp , Corey Ross, Jeff Schutts, Robert P. Stephens, Pamela E. Swett, S. Jonathan Wiesen, Jonathan R. Zatlin
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