A SCHOLARLY BOOK REPOSITORY
As historical processes increasingly become steeped in technology, it becomes more necessary for a discipline to emerge that is capable of comprehending these materialities to better understand the fields they inundate such as science, art, and warfare. This effort is further compromised by the inherent complexity and complete arbitrariness of technical languages—especially when they are algorithmic—along with the rapid pace in which they become obsolete, unintelligible, or simply forgotten. The Turing Machine plays a central role in the Archaeology of Algorithmic Artefacts, wherein the gradual developments of the individual components encompassed by this complex technology are placed within the context of engineering sciences and the history of inventions. This genealogy also traces the origin of the computer in mathematics, meta-mathematics, combinatorics, cryptology, philosophy, and physics. The investigations reveal that the history of apparatuses that process signs is in no way limited to the second half of the twentieth century; rather, it is possible they existed at all times and in all cultures.
This book invites us to step into a Hohokam village with its sounds of barking dogs, children's laughter, and the ever-present grinding of mano on metate to produce the daily bread. Here, too, readers will marvel at the skills of Clovis elephant hunters and touch the lives of other ancestral people known as Mogollon, Anasazi, Sinagua, and Salado. Descriptions of long-ago people are balanced with tales about the archaeologists who have devoted their lives to learning more about "those who came before." Trekking through the desert with the famed Emil Haury, readers will stumble upon Ventana Cave, his "answer to a prayer." With amateur archaeologist Richard Wetherill, they will sense the peril of crossing the flooded San Juan River on the way to Chaco Canyon. Others profiled in the book are A. V. Kidder, Andrew Ellicott Douglass, Julian Hayden, Harold S. Gladwin, and many more names synonymous with the continuing saga of southwestern archaeology.
This book is an open invitation to general readers to join in solving the great archaeological puzzles of this part of the world. Moreover, it is the only up-to-date summary of a field advancing so rapidly that much of the material is new even to professional archaeologists. Lively and fast paced, the book will appeal to anyone who finds magic in a broken bowl or pueblo wall touched by human hands hundreds of years ago. For all readers, these pages offer a sense of adventure, that "you are there" stir of excitement that comes only with making new discoveries about the distant past.
A comparative archaeological synthesis examining the spatial, social, and ceremonial logics underpinning circular community formations across the Eastern Woodlands from 10,000 BC to the sixteenth century.
The Archaeology of Arcuate Communities is an edited collection of ten essays that illuminate how Indigenous communities of the Eastern Woodlands, from 10,000 BC to the 1550s, are analyzed and interpreted by archaeologists today. Volume editors Martin Menz, Analise Hollingshead, and Haley Messer define the persistent circular or “arcuate” pattern of Native settlements in this region as a spatial manifestation of community activities that reinforced group identity alongside plazas, mounds, and other architectural features.
The varied case studies in this volume focus on specific communities, how they evolved, and the types of archaeological data that have been used to assess them. Part I, “Defining the Domestic Unit in Arcuate Communities,” reveals social distinctions between households and household clusters in arcuate communities, how they differ in terms of stylistic patterns and exchange, and how they combined to form distinct social groups at different scales within a broader community. Part II, “Organizing Principles of Arcuate Communities,” broadens the scope to identify the organizing principles of entire arcuate communities, such as the central role of plazas in structuring their development, how the distribution of households and central features within communities was contested and reorganized, and the importance of mounds in both delineating arcuate communities and marking their position on the landscape. Part III, “Comparison and Change in Arcuate Communities,” comprises case studies that examine changes in the organization of arcuate communities over time. Rounding out the volume is a concluding chapter that assesses how and why communities around the world formed in circular patterns.
A valuable resource for archaeologists, this collection will also be of interest to those seeking to learn about Native North American settlement, ceremony, and community organization.
Archaeological sites throughout southern Illinois provide a chronicle of the varying ways people have lived in that area during the past 10,000 years. This book focuses on the results of a five-year archaeological investigation in a 143-acre area known as the Carrier Mills Archaeological District. This area, rich in archaeological treasures, offers many keys to the prehistoric people of southern Illinois. Archaeologists in this study have sought to learn the ages of the various prehistoric occupations represented at the sites; to better understand the technology and social organization of these prehistoric people; to collect information about diet, health, and physical characteristics of the prehistoric inhabitants; and to investigate the remains of the 19th-century Lakeview settlement.
The Archaeology of Environmental Change shows that the challenges facing humanity today, in terms of causing and reacting to environmental change, can be better approached through an attempt to understand how societies in the past dealt with similar circumstances. The contributors draw on archaeological research in multiple regions—North America, Mesoamerica, Europe, the Near East, and Africa—from time periods spanning the Holocene, and from environments ranging from tropical forest to desert.
Across the social sciences, gradualist evolutionary models of historical dynamics are giving way to explanations focused on the punctuated and contingent “events” through which history is actually experienced. The Archaeology of Events is the first book-length work that systematically applies this new eventful approach to major developments in the pre-Columbian Southeast.
Traditional accounts of pre-Columbian societies often portray them as “cold” and unchanging for centuries or millennia. Events-based analyses have opened up archaeological discourse to the more nuanced and flexible idea of context-specific, rapidly transpiring, and broadly consequential historical “events” as catalysts of cultural change.
The Archaeology of Events, edited by Zackary I. Gilmore and Jason M. O’Donoughue, considers a variety of perspectives on the nature and scale of events and their role in historical change. These perspectives are applied to a broad range of archeological contexts stretching across the Southeast and spanning more than 7,000 years of the region’s pre-Columbian history. New data suggest that several of this region’s most pivotal historical developments, such as the founding of Cahokia, the transformation of Moundville from urban center to vacated necropolis, and the construction of Poverty Point’s Mound A, were not protracted incremental processes, but rather watershed moments that significantly altered the long-term trajectories of indigenous Southeastern societies.
In addition to exceptional occurrences that impacted entire communities or peoples, southeastern archaeologists are increasingly recognizing the historical importance of localized, everyday events, such as building a house, crafting a pot, or depositing shell. The essays collected by Gilmore and O’Donoughue show that small-scale events can make significant contributions to the unfolding of broad, regional-scale historical processes and to the reproduction or transformation of social structures.
The Archaeology of Events is the first volume to explore the archaeological record of events in the Southeastern United States, the methodologies that archaeologists bring to bear on this kind of research, and considerations of the event as an important theoretical concept.
Complex Mississippian polities were neither developed nor sustained in a vacuum. A broad range of small-scale social groups played a variety of roles in the emergence of regionally organized political hierarchies that governed large-scale ceremonial centers. Recent research has revealed the extent to which interactions among corporately organized clans led to the development, success, and collapse of Moundville. These insights into Moundville’s social complexity are based primarily on the study of monumental architecture and mortuary ceremonialism. Less is known about how everyday domestic practices produced and were produced by broader networks of power and inequality in the region.
Wilson’s research addresses this gap in our understanding by analyzing and interpreting large-scale architectural and ceramic data sets from domestic contexts. This study has revealed that the early Mississippian Moundville community consisted of numerous spatially discrete multi-household groups, similar to ethnohistorically described kin groups from the southeastern United States. Hosting feasts, dances, and other ceremonial events were important strategies by which elite groups created social debts and legitimized their positions of authority. Non-elite groups, on the other hand, maintained considerable economic and ritual autonomy through diversified production activities, risk sharing, and household ceremonialism. Organizational changes in Moundville’s residential occupation highlight the different ways kin groups defined and redefined their corporate status and identities over the long term.
Drawing on approaches ranging from ethnohistory to bioarchaeology to scientific and culture-historical archaeology, the book is organized into sections on redefining Greater Nicoya, projects and surveys, material culture, and mortuary practices. Individual chapters explore Indigenous groups and their origins, extensive summaries of the three largest scholarly archaeological projects completed in Pacific Nicaragua in the last quarter century, clear evidence of Mesoamerican connections from Costa Rica’s Bay of Culebra, detailed histories of lithic analysis and rock art studies in Nicaragua, new insights into mortuary and cultural practices based on osteological evidence, and reinterpretations of diagnostic ceramic types as products of related potting communities and the first definitive identification of production centers for these types. Drawing upon new 14C dates, this volume also provides the most substantial revision of the late pre-colonial chronology since the 1960s, a correction that has critical implications for understanding the prehistory of Greater Nicoya.
The Archaeology of Houses and Households in the Native Southeast contributes enormously to the study of household archaeology and domestic architecture in the region. This significant volume combines both previously published and unpublished data on communities from the Southeast and is the first systematic attempt to understand the development of houses and households as interpreted through a theoretical framework developed from broad-ranging studies in cultural anthropology and archaeology.
Steere’s major achievement is the compilation of one of the largest and most detailed architectural datasets for the Southeast, including data for 1,258 domestic and public structures from 65 archaeological sites in North Carolina, Georgia, Alabama, Tennessee, Kentucky, and the southern parts of Missouri, Indiana, and Illinois. Rare data from hard-to-find cultural resource management reports is also incorporated, creating a broad temporal and geographic scope and serving as one of many remarkable features of the book, which is sure to be of considerable value to archaeologists and anthropologists interested in comparative studies of architecture.
Similar to other analyses, Steere’s research uses multiple theoretical angles and lines of evidence to answer archaeological questions about houses and the people who built them. However, unlike other examinations of household archaeology, this project spans multiple time periods (Woodland, Mississippian, and Historic); is focused squarely on the Southeast; features a more unified approach, using data from a single, uniform database; and privileges domestic architecture as a line of evidence for reconstructing daily life at major archaeological sites on a much broader scale than other investigations.
In recent years, archaeologists have used the terms hybrid and hybridity with increasing frequency to describe and interpret forms of material culture. Hybridity is a way of viewing culture and human action that addresses the issue of power differentials between peoples and cultures. This approach suggests that cultures are not discrete pure entities but rather are continuously transforming and recombining. The Archaeology of Hybrid Material Culture discusses this concept and its relationship to archaeological classification and the emergence of new ethnic group identities. This collection of essays provides readers with theoretical and concrete tools for investigating objects and architecture with discernible multiple influences.
The twenty-one essays are organized into four parts: ceramic change in colonial Latin America and the Caribbean; ethnicity and material culture in pre-Hispanic and colonial Latin America; culture contact and transformation in technological style; and materiality and identity. The media examined include ceramics, stone and glass implements, textiles, bone, architecture, and mortuary and bioarchaeological artifacts from North, South, and Central America, Hawai‘i, the Caribbean, Europe, and Mesopotamia. Case studies include Bronze Age Britain, Iron Age and Roman Europe, Uruk-era Turkey, African diasporic communities in the Caribbean, pre-Spanish and Pueblo revolt era Southwest, Spanish colonial impacts in the American Southeast, Central America, and the Andes, ethnographic Amazonia, historic-era New England and the Plains, the Classic Maya, nineteenth-century Hawai‘i, and Upper Paleolithic Europe. The volume is carefully detailed with more than forty maps and figures and over twenty tables.
The work presented in The Archaeology of Hybrid Material Culture comes from researchers whose questions and investigations recognized the role of multiple influences on the people and material they study. Case studies include experiments in bone working in middle Missouri; images and social relationships in prehistoric and Roman Europe; technological and material hybridity in colonial Peruvian textiles; ceramic change in colonial Latin America and the Caribbean; and flaked glass tools from the leprosarium at Kalawao, Moloka‘i. The essays provide examples and approaches that may serve as a guide for other researchers dealing with similar issues.
Institutions pervade social life. They express community goals and values by defining the limits of socially acceptable behavior. Institutions are often vested with the resources, authority, and power to enforce the orthodoxy of their time. But institutions are also arenas in which both orthodoxies and authority can be contested. Between power and opposition lies the individual experience of the institutionalized. Whether in a boarding school, hospital, prison, almshouse, commune, or asylum, their experiences can reflect the positive impact of an institution or its greatest failings. This interplay of orthodoxy, authority, opposition, and individual experience are all expressed in the materiality of institutions and are eminently subject to archaeological investigation.
A few archaeological and historical publications, in widely scattered venues, have examined individual institutional sites. Each work focused on the development of a specific establishment within its narrowly defined historical context; e.g., a fort and its role in a particular war, a schoolhouse viewed in terms of the educational history of its region, an asylum or prison seen as an expression of the prevailing attitudes toward the mentally ill and sociopaths. In contrast, this volume brings together twelve contributors whose research on a broad range of social institutions taken in tandem now illuminates the experience of these institutions. Rather than a culmination of research on institutions, it is a landmark work that will instigate vigorous and wide-ranging discussions on institutions in Western life, and the power of material culture to both enforce and negate cultural norms.
The Archaeology of Kinship supports Ensor’s objectives: to demonstrate the relevance of kinship to major archaeological questions, to describe archaeological methods for kinship analysis independent of ethnological interpretation, to illustrate the use of those techniques with a case study, and to provide specific examples of how diachronic analyses address broader theory. As Ensor shows, archaeological diachronic analyses of kinship are independently possible, necessary, and capable of providing new insights into past cultures and broader anthropological theory. Although it is an old subject in anthropology, The Archaeology of Kinship can offer new and exciting frontiers for inquiry.
Kinship research in general—and prehistoric kinship in particular—is rapidly reemerging as a topical subject in anthropology. This book is a timely archaeological contribution to that growing literature otherwise dominated by ethnology.
On a remote mountainside 2,000 meters above sea level in the northern Sierra Madre Oriental, the rockshelter at La Calsada has yielded basic archaeological data for one of the least understood regions of prehistoric North America, the state of Nuevo León in northern Mexico. This comprehensive site report, with detailed information on artifacts and stratigraphy, provides baseline data for further explorations in the region and comparisons with other North American hunter-gatherer groups.
Radiocarbon dating traces the earliest component at the site to 8600-7500 B.C., giving La Calsada arguably the earliest well-dated lithic complex in Mexico. Nance describes some 1,140 recovered stone tools, with comparisons to the archaeology of southern and southwestern Texas, as well as reported sites in Tamaulipas, Coahuila, and Nuevo León, Mexico.
From the lithic and stratigraphic analysis, Nance deduces occupational patterns at the site, beginning with Paleo-Indian cultures that lived in the area until about 7500 B.C. Through changes in tool technology, he follows the rise of the Abasolo tradition around 3000 B.C. and the appearance of a new culture with a radically different lithic industry around 1000 A.D.
The Archaeology of Large-Scale Manipulation of Prey explores the social and functional aspects of large-scale hunting adaptations in the archaeological record. Mass-kill hunting strategies are ubiquitous in human prehistory and exhibit culturally specific economic, social, environmental, and demographic markers. Here, seven case studies—primarily from the Americas and spanning from the Folsom period on the Great Plains to the ethnographic present in Australia—expand the understanding of large-scale hunting methods beyond the customary role of subsistence and survival to include the social and political realms within which large-scale hunting adaptations evolved.
Addressing a diverse assortment of archaeological issues relating to the archaeological signatures and interpretation of mass-kill sites, The Archaeology of Large-Scale Manipulation of Prey reevaluates and rephrases the deep-time development of hunting and the themes of subsistence to provide a foundation for the future study of hunting adaptations around the globe. Authors illustrate various perspectives and avenues of investigation, making this an important contribution to the field of zooarchaeology and the study of hunter-gatherer societies throughout history. The book will appeal to archaeologists, ethnologists, and ecologists alike.
Contributors: Jane Balme, Jonathan Driver, Adam C. Graves, David Maxwell, Ulla Odgaard, John D. Speth, María Nieves Zedeño
Diverse spatial and temporal contexts in two culture areas--Mesoamerica and the Greater Southwest--serve as backdrops for nine chapters in which fourteen contributors show how place is an ideal starting point to begin unraveling the human past. Several authors further address the enduring significance of places of the past for contemporary peoples. Among the many strengths of this volume is the careful way in which powerful concepts, diverse lines of thought, and empirical models are integrated to reveal the multiple facets of meaningful places, and to illustrate ways in which places may be approached archaeologically, theoretically, and culturally. Ultimately, the book’s contributors champion the notion that place is a valid and useful analytical unit for describing, reconstructing, interpreting, and explaining the form, structure, and temporality of the meanings humans ascribe to their environment.
Chapters highlight the significance of these respective regions to the emergence of new sociopolitical, cultural, and economic practices within the Islamic world. These studies successfully overcome the dichotomy of civilization’s center and peripheries in academic discourse by presenting the actual dynamics of identity formation and the definition, both spatial and cultural, of boundaries. The Archaeology of Medieval Islamic Frontiers is a rare combination of a new reading of written evidence with results from archaeological studies that will modify established opinions on the character of the Islamic frontiers and stimulate similar studies for other regions. The book will be relevant to medieval Islamic studies as well as to research in the medieval world in general.
Contributors:
Karim Alizadeh, Jana Eger, Kathryn J. Franklin, Renata Holod, Tarek Kahlaoui, Anthony J. Lauricella, Ian Randall, Giovanni R. Ruffini, Tasha Vorderstrasse
Histories of Minnesota typically begin with seventeenth-century French fur traders exploring the western shores of Lake Superior. And yet, archaeology reveals that Native Americans lived in the region at least 13,000 years before such European incursions. Archaeology of Minnesota tells their story—or as much as the region’s wealth of artifacts, evidence of human activity, and animal and plant remains can convey.
From archaeological materials, Guy Gibbon reconstructs the social, economic, and political systems—the lifeways—of those who inhabited what we now call Minnesota for thousands of years before the first contact between native peoples and Europeans. From the boreal coniferous forests to the north, to the tall grass prairie to the west and southwest, to the deciduous forest to the east and southeast, the richly diverse land of the upper Mississippi River region, crossed and bordered by all manner of waterways, was a virtual melting pot of prehistoric cultures.
Demonstrating how native cultures adapted and evolved over time, Gibbon provides an explanation that is firmly rooted in the nature of local environments. In doing so, he shows how the study of Minnesota archaeology is relevant to a broader understanding of long-term patterns of change in human development throughout the world.
In reconsidering Native adaptation and resistance to colonial British rule, Ferris reviews five centuries of interaction that are usually read as a single event viewed through the lens of historical bias. He first examines patterns of traditional lifeway continuity among the Ojibwa, demonstrating their ability to maintain seasonal mobility up to the mid-nineteenth century and their adaptive response to its loss. He then looks at the experience of refugee Delawares, who settled among the Ojibwa as a missionary-sponsored community yet managed to maintain an identity distinct from missionary influences. And he shows how the archaeological history of the Six Nations Iroquois reflected patterns of negotiating emergent colonialism when they returned to the region in the 1780s, exploring how families managed tradition and the contemporary colonial world to develop innovative ways of revising and maintaining identity.
The Archaeology of Native-Lived Colonialism convincingly utilizes historical archaeology to link the Native experience of the eighteenth and nineteenth centuries to the deeper history of sixteenth- and seventeenth-century interactions and with pre-European times. It shows how these Native communities succeeded in retaining cohesiveness through centuries of foreign influence and material innovations by maintaining ancient, adaptive social processes that both incorporated European ideas and reinforced historically understood notions of self and community.
For thousands of years, fisheries were crucial to the sustenance of the First Peoples of the Pacific Coast. Yet human impact has left us with a woefully incomplete understanding of their histories prior to the industrial era. Covering Alaska, British Columbia, and Puget Sound, The Archaeology of North Pacific Fisheries illustrates how the archaeological record reveals new information about ancient ways of life and the histories of key species. Individual chapters cover salmon, as well as a number of lesser-known species abundant in archaeological sites, including pacific cod, herring, rockfish, eulachon, and hake. In turn, this ecological history informs suggestions for sustainable fishing in today’s rapidly changing environment.
A 17th-century trading post and Indian town in central Georgia reveal evidence of culture contact and change
Ocmulgee Old Fields near Macon, Georgia, is the site of a Lower Creek village and associated English trading house dating from the late 17th and early 18th centuries. It was excavated in the early 1930s as part of a WPA project directed by A. R. Kelly, which focused primarily on the major Mississippian temple mounds of Macon Plateau. The specific data for the Old Fields was not analyzed until nearly 30 years after the excavation.
Part of the significance of this site lies in its secure identification with a known group of people and the linkage of those people with recognizable archaeological remains. The Old Fields site was among the very first for which this kind of identification was possible and stands at the head of a continuing tradition of historic sites archaeology in the Southeast.
Carol I. Mason's classic study of the Ocmulgee Old Fields site has been a model for contact-period Indian archaeology since the 1960s. The report includes a discussion of the historic setting and an analysis of the archaeological materials with an identification of the Lower Creek town and possibly of the English trader who lived there. Now, for the first time, the original report is widely available in book form. With a new foreword by the author and a new introduction from Southeastern archaeology expert Marvin T. Smith, readers have the benefit of a contemporary view of this very fine piece of careful scholarship.
Contributors tackle questions of how historical archaeologists theoretically and methodologically define the West, conveying the historical, mythological, and physical manifestations of placemaking. They confront issues of community and how diverse ethnic, racial, gendered, labor-based, and other demographic populations expressed their identities on and in the Western landscape. Authors also address the continued creation and re-creation of the West today, exploring the impact of the past on people in the present and its influence on modern conceptions of the American West.
How religious institutions used landscapes and architecture to express their religious and social ideologies
The Archaeology of Protestant Landscapes focuses on three religious institutions in the US South in the eighteenth and nineteenth centuries: St. Paul’s Parish Church in coastal South Carolina, St. Luke’s Episcopal Church in central Alabama, and Cane Hill College in Northwest Arkansas. Drawing from archaeological surveys and excavations, artifact analysis, archival research, geophysical testing, and architectural information on religious structures, Kimberly Pyszka offers case studies of these institutions, which were located in developing communities that varied socially, politically, and economically.
Pyszka uses these case studies to demonstrate that select religious institutions used and modified natural landscape features to create cultural landscapes to express their ideology, identity, goals, and social, religious, and political power. She notes that where those structures were constructed, how they sat on the landscape, their architectural style, and their overall visual appearance were well-considered decisions made by religious leaders to benefit their organizations, communities, and, sometimes, themselves.
Pyszka also uses these case studies to highlight the social roles that religious organizations played in the development of communities. She points to landscape decisions—specifically to how the architectural design of religious structures was used, intentionally or not, to unite people, often those of differing religious backgrounds—as contributing to the creation of a common identity among people living in new and still-growing settlements, aiding in community development. This book contributes to the growing body of work within historical archaeology on churches, churchyards, and cemeteries and to the increasing awareness among archaeologists of how these sites contribute to questions of identity, consumerism, trade, and colonialism.
Applying theories of place and landscape, social memory, and mobility to the analysis of six archaeological sites, Tsim D. Schneider argues for a new direction in the archaeology of colonialism. This book offers insight about the critical and ongoing relationships Indigenous people maintained to their homelands despite colonization and systematic destruction of their cultural sites.
Schneider is a citizen of the Federated Indians of Graton Rancheria, the sovereign and federally recognized tribe of Coast Miwok and Southern Pomo people whose ancestral homelands and homewaters are the central focus of The Archaeology of Refuge and Recourse. Viewing this colonial narrative from an Indigenous perspective, Schneider focuses on the nearly one quarter of Coast Miwok people who survived the missions and created outlets within and beyond colonial settlements to resist and endure colonialism.
Fleeing these colonial missions and other establishments and taking refuge around the San Francisco Bay Area, Coast Miwok people sought to protect their identities by remaining connected to culturally and historically significant places. Mobility and a sense of place further enabled Coast Miwok people to find recourse and make decisions about their future through selective participation in colonial projects. In this book, Tsim D. Schneider argues that these distancing and familiarizing efforts contribute to the resilience of Coast Miwok communities and a sense of relevance and belonging to stolen lands and waters. Facing death, violence, and the pervading uncertainty of change, Indigenous people of the Marin Peninsula balanced the pull and persistence of place against the unknown possibilities of a dynamic colonial landscape and the forward-thinking required to survive. History, change, and the future can be read in the story of Coast Miwok people.
The Archaeology of Regional Interaction surpasses most regional studies, which only focus on settlement patterns or exchange, and considers other forms of interaction, such as intermarriage and the spread of religious practices. Contributors focus especially on understanding the social processes that underlie archaeological evidence of interaction.
The essays in this volume examine what regional systems involve, in terms of political and economic relations, and how they can be identified. One essay by Steven LeBlanc provides a sweeping analysis of conflict, a form of regional interaction that has received relatively little attention in the Southwest until recently. A series of chapters devoted to expanding the coverage beyond the borders of the traditional Southwest examines the surrounding areas, including Nevada and Utah, northern Mexico, and the Plains.The volume also provides a unique treatment of religion - including manifestations such as Flower World Iconography, Medicine Societies, and ceremonial textiles - as a form of regional interrelation.
Mesoamerican archaeologists have long been interested in the collapse of political systems or civilizations but have been slow to undertake detailed abandonment analyses of specific settlements. The Archaeology of Settlement Abandonment in Middle America explores some of the old questions in Middle American archaeology in light of the newer theoretical approach provided by abandonment studies. Unlike much of the abandonment work previously done in the American Southwest, a number of contributions to this volume examine relatively large population centers.
Among the original contributions in this collection is the discovery that deposits resulting from termination rituals are more common than previously thought. Several chapters point out that structures and places can continue to serve ritual functions even after abandonment. Another finding is that the causes of abandonment—warfare, economic marginalization, or natural cataclysm—are likely to have varied effects on different social groups, which in turn sheds light on occupational histories in specific sites preceding major abandonments.
Plantation sites, especially those in the southeastern United States, have long dominated the archaeological study of slavery. These antebellum estates, however, are not representative of the range of geographic locations and time periods in which slavery has occurred. As archaeologists have begun to investigate slavery in more diverse settings, the need for a broader interpretive framework is now clear.
The Archaeology of Slavery: A Comparative Approach to Captivity and Coercion, edited by Lydia Wilson Marshall, develops an interregional and cross-temporal framework for the interpretation of slavery. Contributors consider how to define slavery, identify it in the archaeological record, and study it as a diachronic process from enslavement to emancipation and beyond.
Essays cover the potential material representations of slavery, slave owners’ strategies of coercion and enslaved people’s methods of resisting this coercion, and the legacies of slavery as confronted by formerly enslaved people and their descendants. Among the peoples, sites, and periods examined are a late nineteenth-century Chinese laborer population in Carlin, Nevada; a castle slave habitation at San Domingo and a more elite trading center at nearby Juffure in the Gambia; two eighteenth-century plantations in Dominica; Benin’s Hueda Kingdom in the seventeenth and eighteenth centuries; plantations in Zanzibar; and three fugitive slave sites on Mauritius—an underground lava tunnel, a mountain, and a karst cave.
This essay collection seeks to analyze slavery as a process organized by larger economic and social forces with effects that can be both durable and wide-ranging. It presents a comparative approach that significantly enriches our understanding of slavery.
Groundbreaking essays in urban archaeology highlight the impact of towns and cities on the southern landscape.
The rapid growth and development of urban areas in the South have resulted in an increase in the number of urban archaeology projects required by federal and state agencies. These projects provide opportunities not only to investigate marginal areas between the town and countryside but also to recover information long buried beneath the earliest urban structures. Such projects have also created a need for a one-volume update on archaeology as it is practiced in the urban areas of the southeastern United States.
Archaeology of Southern Urban Landscapes will assist practitioners and scholars in the burgeoning fields of urban and landscape archaeology by treating the South as a distinctive social, geographic, and material entity and by focusing on the urban South rather than the stereotypical South of rural plantations. The case studies in this volume span the entire southeastern United States, from Annapolis to New Orleans and from colonial times to the 19th century. The authors address questions involving the function of cities, interregional diversity, the evolution of the urban landscape, and the impact of the urban landscape on southern culture. By identifying the relationship between southern culture and the South's urban landscapes, this book will help us understand the built landscape of the past and predict future growth in the region.
The earliest recorded description of the Central Mississippi Valley and its inhabitants is contained within the DeSoto chronicles written after the conquistadors passed through the area between 1539 and 1543. In 1882 a field agent for the Bureau of American Ethnology conducted the first systematic archaeological survey of the region, an area that extends from near the mouth of the Ohio River to the mouth of the Arkansas River, bounded on the east by the Mississippi River and on the west by the Ozark Highlands and Grand Prairie. One hundred years later, the authors produced this first comprehensive overview of all of the archaeological research conducted in the valley during the interim. It is a well-organized compendium, written with both the professional archaeologist and the layperson in mind, and is profusely illustrated with maps, charts, artifact photographs, and drawings. This volume was the first published history of the archaeology of the region and stands as the basic resource for that work today.
The Sunshine Locality in the geographic center of the Great Basin has been the focus of scientific research since the mid-1960s. Authors Charlotte Beck and George T. Jones began studies there in 1992 and carried out excavations between 1993 and 1997 with the assistance of Hamilton College Field School. The area has yielded a rich and varied collection of diagnostic lithic tools, including fluted and unfluted lanceolate projectile points and a crescent, and a variety of gravers, scrapers, notches, and other tools common in Paleoindian toolkits across North America.
This volume provides the first comprehensive treatment that combines historical research with the more recent studies. Analysis and interpretations of the stratigraphic sequence in Sunshine Wash are presented, including analyses of sedimentary textures and structure, depositional processes, and chronology. Faunal remains are used to evaluate local and regional environmental changes. Finally, the authors address the nature of the processes that created the archaeological record at Sunshine Locality, its age, and whether artifacts and remains of extinct mammals also recovered at the site are associated. This work begins to answer unresolved questions about the paleoenvironmental resources of the Sunshine Locality.
The Muskogee Indians who lived along the lower Chattahoochee and Flint River watersheds had, and continue to have, a profound influence on the development of the southeastern United States, especially during the historic period (circa 1540–1836). Our knowledge of that culture is limited to what we can learn from their descendants and from archaeological and historical sources.
Combining historical documents and archaeological research on all known Lower Muskogee Creek sites, Thomas Foster has accurately pinpointed town locations discussed in the literature and reported in contemporary Creek oral histories. In so doing, this volume synthesizes the archaeological diversity and variation within the Lower Creek Indians between 1715 and 1836. The book is a study of archaeological methods because it analyzes the temporal and geographic variation within a single archaeological phase and the biases of that archaeological data. Foster’s research segregates the variation between Lower Creek Indian towns through a regional and direct historic approach. Consequently, he is able to discern the unique differences between individual Creek Indian towns.
Foster argues that the study of Creek Indian history should be at the level of towns instead of archaeological phases and that there is significant continuity between the culture of the Historic Period Indians and the Prehistoric and Protohistoric peoples.
Built on a flat terrace overlooking the Black Warrior River in Alabama, the Moundville ceremonial center was at its height a densely occupied town of approximately 1,000 residents, with at least 29 earthen mounds surrounding a central plaza. Today Moundville is not only one of the largest and best-preserved Mississippian sites in the United States but also one of the most intensively studied. This volume brings together nine Moundville specialists who trace the site’s evolution and eventual decline.
How did ancient peoples experience, view, and portray the night? What was it like to live in the past when total nocturnal darkness was the norm? Archaeology of the Night explores the archaeology, anthropology, mythology, iconography, and epigraphy of nocturnal practices and questions the dominant models of daily ancient life. A diverse team of experienced scholars uses a variety of methods and resources to reconstruct how ancient peoples navigated the night and what their associated daily—and nightly—practices were.
This collection challenges modern ideas and misconceptions regarding the night and what darkness and night symbolized in the ancient world, and it highlights the inherent research bias in favor of “daytime” archaeology. Numerous case studies from around the world (including Oman, Mesoamerica, Scandinavia, Rome, Great Zimbabwe, Indus Valley, Peru, and Cahokia) illuminate subversive, social, ritual, domestic, and work activities, such as witchcraft, ceremonies, feasting, sleeping, nocturnal agriculture, and much more. Were there artifacts particularly associated with the night? Authors investigate individuals and groups (both real and mythological) who share a special connection to nighttime life.
Reconsidering the archaeological record, Archaeology of the Night views sites, artifacts, features, and cultures from a unique perspective. This book is relevant to anthropologists and archaeologists and also to scholars of human geography, history, astronomy, sensory studies, human biology, folklore, and mythology.
Contributors: Susan Alt, Anthony F. Aveni, Jane Eva Baxter, Shadreck Chirikure, Minette Church, Jeremy D. Coltman, Margaret Conkey, Tom Dillehay, Christine C. Dixon, Zenobie Garrett, Nancy Gonlin, Kathryn Kamp, Erin Halstad McGuire, Abigail Joy Moffett, Jerry D. Moore, Smiti Nathan, April Nowell, Scott C. Smith, Glenn R. Storey, Meghan Strong, Cynthia Van Gilder, Alexei Vranich, John C. Whittaker, Rita Wright
The Archaeology of the Olympics presents a stirring reevaluation of the Olympic Games (and related festivals) as they actually were, not as the ancient Greeks wished—and we still wish—they might have been. Historians, archaeologists, and classicists examine the evidence to ask such questions as, How did the athletes train? What did they eat? Can we trace the roots of the games as far back as the Bronze Age of Crete and Mycenae? Or even to Anatolia, where similar athletic activities occurred? Were the ancient games really so free of political overtones as modern Olympic rhetoric urges us to believe?
noted, but it has never been examined so thoroughly, nor with such an
eye for the amazing interconnectedness of Indian tribal ceremonies and
practices, as in An Archaeology of the Soul. In this monumental
work, destined to become a classic in its field, Robert Hall traces the
genetic and historical relationships of the tribes of the Midwest and
Plains--including roots that extend back as far as 3,000 years.
Looking beyond regional barriers, An Archaeology of the Soul offers new depths of insight into American Indian ethnography. Hall uncovers the lineage and kinship shared by Native North Americans through the perspectives of history, archaeology, archaeoastronomy, biological anthropology, linguistics, and mythology. The wholeness and panoramic complexity of American Indian belief has never been so fully explored--or more deeply understood.
A collection of new essays that brings archaeological insights and discoveries at the Tibes Ceremonial Center up to date
The Archaeology of Tibes is a collection of essays offering a fresh analysis of this important ceremonial center. It brings new insights about social structure, illuminating the smaller-scale daily lives of ancient peoples rather than focusing on large-scale chiefdoms.
Tibes is the earliest known (ca. 400 to 1300 CE) ceremonial center in Puerto Rico. It has been the focus of one of the largest and longest-running archaeological programs in the Caribbean. Early researchers interpreted evidence in the area of a shift from dispersed villages to a ceremonial center as suggesting the development of social stratification and accumulation of power. Seen as the seat of an early chiefdom, Tibes served as a model applied broadly across the Greater Antilles.
New discoveries prompted archaeologists to question their original assumptions about ancient Puerto Rico, and later research failed to produce evidence of social stratification at Tibes. The Archaeology of Tibes therefore incorporates updated and wider perspectives on social formation. It considers agency, decisions, and events and the possibility of more than one form of social organization. It also presents a more accurate “humanized” past: the sociological meanings of that space and its significance for the people who created, used, and occupied it and who influenced rituals, social memory, and community.
Summarizing findings from excavations at Tibes after 2010, the collection also reviews the geoarchaeology of the site. Additional essays cover ceramic pastes, lithic production, faunal remains, coral, burials, and rock art. This work will engender discussion and future research by archaeologists across the Caribbean and beyond.
The sequence of change for public architecture during the Mississippian period may reflect a centralization of political power through time. In the research presented here, some of the community-level assumptions attributed to the appearance of Mississippian mounds are tested against the archaeological record of the Town Creek site—the remains of a town located on the northeastern edge of the Mississippian culture area. In particular, the archaeological record of Town Creek is used to test the idea that the appearance of Mississippian platform mounds was accompanied by the centralization of political authority in the hands of a powerful chief.
A compelling argument has been made that mounds were the seats and symbols of political power within Mississippian societies. While platform mounds have been a part of Southeastern Native American communities since at least 100 B.C., around A.D. 400 leaders in some communities began to place their houses on top of earthen mounds—an act that has been interpreted as an attempt to legitimize personal authority by a community leader through the appropriation of a powerful, traditional, community-oriented symbol. Platform mounds at a number of sites were preceded by a distinctive type of building called an earthlodge—a structure with earth-embanked walls and an entrance indicated by short, parallel wall trenches. Earthlodges in the Southeast have been interpreted as places where a council of community leaders came together to make decisions based on consensus. In contrast to the more inclusive function proposed for premound earthlodges, it has been argued that access to the buildings on top of Mississippian platform mounds was limited to a much smaller subset of the community. If this was the case and if ground-level earthlodges were more accessible than mound-summit structures, then access to leaders and leadership may have decreased through time.
Excavations at the Town Creek archaeological site have shown that the public architecture there follows the earthlodge-to-platform mound sequence that is well known across the South Appalachian subarea of the Mississippian world. The clear changes in public architecture coupled with the extensive exposure of the site's domestic sphere make Town Creek an excellent case study for examining the relationship among changes in public architecture and leadership within a Mississippian society.
With contributions from such distinguished prehistorians as Kent V. Flannery, David Harris, Leo S. Klejn, John Mulvaney, Colin Renfrew, Michael Rowlands, and Bruce Trigger, The Archaeology of V. Gordon Childe is an attempt to evaluate Childe's achievement from different "partly national" perspectives and to assess how far, and why, his work remains significant today. The contributors examine such persistent themes in Childe's thought as the nature of culture and the role of diffusion in cultural evolution and debate the question of whether Childe anticipated "processual archaeology" in his famous models of the Neolithic and Urban Revolutions. Also included are evaluations of Childe's early career in Australia, his relations with Soviet archaeology, including a previously unknown letter from Childe to Soviet archaeologists, and his impact on American archaeology.
Wak'as were understood as agentive, nonhuman persons within many Andean communities and were fundamental to conceptions of place, alimentation, fertility, identity, and memory and the political construction of ecology and life cycles. The ethnohistoric record indicates that wak'as were thought to speak, hear, and communicate, both among themselves and with humans. In their capacity as nonhuman persons, they shared familial relations with members of the community, for instance, young women were wed to local wak'as made of stone and wak'as had sons and daughters who were identified as the mummified remains of the community's revered ancestors.
Integrating linguistic, ethnohistoric, ethnographic, and archaeological data, The Archaeology of Wak'as advances our understanding of the nature and culture of wak'as and contributes to the larger theoretical discussions on the meaning and role of–"the sacred” in ancient contexts.
How humans adapt to life in an area prone to natural disasters is an intriguing study for the social sciences. In this volume, experts from several disciplines explore the adaptation process of prehistoric societies in the volcanic Arenal region of Costa Rica from about 2000 BC to the Spanish Conquest at about AD 1500.
The data in this volume come from a survey of the region conducted with the latest remote sensing technology. Sheets and his coauthors have compiled a detailed record of human settlements in the area, including dozens of archaeological sites and a network of prehistoric footpaths that reveals patterns of travel and communication across the region. The Arenal peoples prospered in their precarious environment apparently by taking advantage of food and lithic resources, keeping population levels low, and avoiding environmental degradation. These findings will interest a wide interdisciplinary audience in anthropology and archaeology, earth sciences, technology, geography, and human ecology.
Contributors examining early agriculture offer models for understanding the transition to agriculture, explore relationships between the spread of agriculture and Uto-Aztecan migrations, and present data from Arizona, New Mexico, and Chihuahua. Contributors focusing on social identity discuss migration, enculturation, social boundaries, and ethnic identities. They draw on case studies that include diverse artifact classes - rock art, lithics, architecture, murals, ceramics, cordage, sandals, baskets, faunal remains, and oral histories. Mexican scholars present data from Chihuahua, Durango, Zacatecas, Michoacan, Coahuila, and Nuevo Leon. They address topics including Spanish-indigenous conflicts, archaeological history, cultural landscapes, and interactions among Mesoamerica, northern Mexico, and the U.S. Southwest.
Laurie D. Webster is a visiting scholar in the Department of Anthropology at the University of Arizona. Maxine E. McBrinn is a postdoctoral research scientist at the Field Museum in Chicago. Proceedings of the 2004 Southwest Symposium. Contributors include Karen R. Adams, M. Nicolás Caretta, Patricia Carot, John Carpenter, Jeffery Clark, Linda S. Cordell, William E. Doolittle, Suzanne L. Eckert, Gayle J. Fritz, Eduardo Gamboa Carrera, Leticia González Arratia, Arturo Guevara Sánchez, Robert J. Hard, Kelly Hays-Gilpin, Marie-Areti Hers, Amber L. Johnson, Steven A. LeBlanc, Patrick Lyons, Jonathan B. Mabry, A. C. MacWilliams, Federico Mancera, Maxine E. McBrinn, Francisco Mendiola Galván, William L. Merrill, Martha Monzón Flores, Scott G. Ortman, John R. Roney, Guadalupe Sanchez de Carpenter, Moisés Valadez Moreno, Bradley J. Vierra, Laurie D. Webster, and Phil C. Weigand.
What is the social value of archaeological research to present-day society? Michael Schiffer answers this question with forty-two case studies from a global perspective to demonstrate archaeology’s diverse scientific and humanistic contributions. Drawing on nearly five decades of research, he delivers fascinating yet nontechnical discussions that provide a deeper understanding of what archaeologists do and why they do it.
From reconstructing human evolution and behavior in prehistoric times to providing evidence that complements recorded history or debunks common legends, archaeologists help us understand our human past. They have also played crucial roles in developing techniques essential for the investigation of climate change along with tools for environmental reconstruction. Working for cities, tribes, and federal agencies, archaeologists manage cultural resources and testify in court. In forensic contexts, archaeological expertise enables the gathering of critical evidence. With engaging and lively prose, Archaeology’s Footprints brings to life a full panorama of contributions that have had an impact on modern society.
The sixteen original papers in many cases represent the work of individuals who have been intimately involved with the development and refinement of archaeomagnetic dating techniques. They discuss the geophysical underpinnings of archaeomagnetism; general methodological problems associated with present archaeomagnetic studies, such as sample collection, data measurement and analysis, and experimental control; and advances in experimental archaeology.
Case histories consider both successful and unsuccessful applications of the technique in New World fieldwork. Raw data is provided in an appendix. While the volume deals specifically with problems of archaeomagnetic direction dating in the Americas, it should prove useful in constructing exact chronologies in other archaeological sites as well and in the geologic record at large. As the only single volume devoted to the subject, it will serve as the standard reference in the field.
The chapters are organized following the cyclical nature of metals--beginning with extracting and mining ore, moving to smelting and casting of finished objects, and ending with recycling and deterioration back to the original state once the object is no longer in use. Data obtained from archaeological investigations, ethnohistoric sources, ethnographic studies, along with materials science analyses, are brought to bear on questions related to the integration of metallurgy into local and regional economies, the sacred connotations of copper objects, metallurgy as specialized crafting, and the nature of mining, alloy technology, and metal fabrication.
Archaeopoetics explores “archaeological poetry,” ground-breaking and experimental writing by innovative poets whose work opens up broad new avenues by which contemporary readers may approach the past, illuminating the dense web of interconnections often lost in traditional historiography.
Critic Mandy Bloomfield traces the emergence of a significant historicist orientation in recent poetry, exemplified by the work of five writers: American poet Susan Howe, Korean-American artist Theresa Hak Kyung Cha, British poet Maggie O’Sullivan, and diasporic African Caribbean writers Kamau Brathwaite and M. NourbeSe Philip. Bloomfield sets the work of these five authors within a vigorous tradition, including earlier work by Ezra Pound and Walter Benjamin, and then shows how these five poets create poems that engender new encounters with pivotal episodes in history, such as the English regicide or Korea’s traumatized twentieth century.
Exploring our shared but imperfectly understood history as well as omissions and blind spots in historiography, Bloomfield outlines the tension between the irretrievability of effaced historical evidence and the hope that poetry may reconstitute such unrecoverable histories. She posits that this tension is fertile, engendering a form of aesthetically enacted epistemological enquiry.
Fascinating and seminal, Archaeopoetics pays special attention to the sensuous materiality of texts and most especially to the visual manifestations of poetry. The poems in this volume employ the visual imagery of the word itself or incorporate imagery into the poetry to propose persuasive alternatives to narrative or discursive frameworks of historical knowledge.
scholarship on the earliest true writing system in human
history. Invented by the Babylonians at the end of the
fourth millennium B.C., this script, called proto-cuneiform,
survives in the form of clay tablets that have until now
posed formidable barriers to interpretation. Many tablets,
excavated in fragments from ancient dump sites, lack a clear
context. In addition, the purpose of the earliest tablets
was not to record language but to monitor the administration
of local economies by means of a numerical system.
Using the latest philological research and new methods
of computer analysis, the authors have for the first time
deciphered much of the numerical information. In
reconstructing both the social context and the function of
the notation, they consider how the development of our
earliest written records affected patterns of thought, the
concept of number, and the administration of household
economies. Complete with computer-generated graphics keyed
to the discussion and reproductions of all documents referred
to in the text, Archaic Bookkeeping will interest
specialists in Near Eastern civilizations, ancient history,
the history of science and mathematics, and cognitive
psychology.
In addition to its breadth, Archaic Greek Poetry stands alone as the only volume of its kind translated by a contemporary published poet. Perhaps the most elegant translator of ancient Greek poetry into modern English, Barbara Hughes Fowler offers translations true to the original Greek while providing modern readers with superb examples of the beauty of lyric poetry. Students and scholars of classical and comparative literature, ancient history, and art history, as well as lovers of lyric poetry, will enthusiastically welcome this volume.
Archaism, an international artistic phenomenon from early in the twentieth century through the 1930s, receives its first sustained analysis in this book. The distinctive formal and technical conventions of archaic art, especially Greek art, particularly affected sculptors—some frankly modernist, others staunchly conservative, and a few who, like American Paul Manship, negotiated the distance between tradition and modernity. Susan Rather considers the theory, practice, and criticism of early twentieth-century sculpture in order to reveal the changing meaning and significance of the archaic in the modern world. To this end—and against the background of Manship’s career—she explores such topics as the archaeological resources for archaism, the classification of the non-Western art of India as archaic, the interest of sculptors in modem dance (Isadora Duncan and Ruth St. Denis), and the changing critical perception of archaism.
Rather rejects the prevailing conception of archaism as a sterile and superficial academic style to argue its initial importance as a modernist mode of expression. The early practitioners of archaism—including Aristide Maillol, André Derain, and Constantin Brancusi—renounced the rhetorical excess, overrefined naturalism, and indirect techniques of late nineteenth-century sculpture in favor of nonnarrative, stylized and directly carved works, for which archaic Greek art offered an important example. Their position found implicit support in the contemporaneous theoretical writings of Emmanuel Löwy, Wilhelm Worringer, and Adolf von Hildebrand.
The perceived relationship between archaic art and tradition ultimately compromised the modernist authority of archaism and made possible its absorption by academic and reactionary forces during the 1910s. By the 1920s, Paul Manship was identified with archaism, which had become an important element in the aesthetic of public sculpture of both democratic and totalitarian societies. Sculptors often employed archaizing stylizations as ends in themselves and with the intent of evoking the foundations of a classical art diminished in potency by its ubiquity and obsolescence. Such stylistic archaism was not an empty formal exercise but an urgent affirmation of traditional values under siege. Concurrently, archaism entered the mainstream of fashionable modernity as an ingredient in the popular and commercial style known as Art Deco. Both developments fueled the condemnation of archaism—and of Manship, its most visible exemplar—by the avant-garde. Rather’s exploration of the critical debate over archaism, finally, illuminates the uncertain relationship to modernism on the part of many critics and highlights the problematic positions of sculpture in the modernist discourse.
During his lifetime, Archbishop Oscar Romero chose to live the Christian Gospel in a radical way, defending, supporting, and serving the poor, and confronting the oppressive and murderous violence of the Salvadoran dictatorship. As a result, in March 1980, while celebrating Mass in a small chapel in El Salvador, he was assassinated.
With Archbishop Oscar Romero, Damian Zynda offers a compelling examination of the bishop’s eventful life. Zynda delves into the psychological and spiritual depths of Romero’s faith, tracing its progression from age thirteen up to the episcopacy and his prophetic stand against the government.
Scientists have long speculated on the impact of extreme natural catastrophes on human societies. Archeology and Volcanism in Central America provides dramatic evidence of the effects of several volcanic disasters on a major civilization of the Western Hemisphere, that of the Maya.
During the past 2,000 years, four volcanic eruptions have taken place in the Zapotitán Valley of southern El Salvador. One, the devastating eruption of Ilopango around A.D. 300, forced a major migration, pushing the Mayan people north to the Yucatán Peninsula. Although later eruptions did not have long-range implications for cultural change, one of the subsequent eruptions preserved the Cerén site—a Mesoamerican Pompeii where the bodies of the villagers, the palm-thatched roofs of their houses, the pots of food in their pantries, even the corn plants in their fields were preserved with remarkable fidelity.
Throughout 1978, a multidisciplinary team of anthropologists, archeologists, geologists, biologists, and others sponsored by the University of Colorado's Protoclassic Project researched and excavated the results of volcanism in the Zapotitan Valley—a key Mesoamerican site that contemporary political strife has since rendered inaccessible.
The result is an outstanding contribution to our understanding of the impact of volcanic eruptions on early Mayan civilization. These investigations clearly demonstrate that the Maya inhabited this volcanically hazardous valley in order to reap the short-term benefits that the volcanic ash produced—fertile soil, fine clays, and obsidian deposits.
Several states already boast volumes showcasing their archeological history, but not New Hampshire—until now. David R. Starbuck's volume fills that void. Going beyond standard state guides that focus primarily on prehistoric sites, Starbuck also devotes equal time to historic, industrial, and nautical sites. This approach reflects the thinking of most contemporary archeologists who conduct research at a diverse range of sites.
A veteran of thirty years of field research throughout the Granite State, Starbuck revisits some of his own sites, including excavations at the New England Glassworks in Temple, two prehistoric sites on the Merrimack River, the Joseph Hazeltine pottery workshop outside Concord, the Governor Wentworth Estate in Wolfeboro, and his own long-term survey and excavation project at Canterbury Shaker Village. At the same time, though, Starbuck includes the work of other contemporary New Hampshire archeologists, representative sites of “old-timers” whose digs preceded his arrival, and the investigations of avocational diggers.
Starbuck's introduction offers an anecdotal history of archeological research in New Hampshire through the people who shaped it. Part I discusses discoveries that predate white settlement: the Paleo-Indian Period; the Archaic Period; and the Woodland Period. Part II moves from the seventeenth century to the present. Chapters include historical archeology (forts, farms, potters, Shakers); industrial archeology (mills, factories, railroads, dams, and bridges); and nautical archeology (discoveries in the state's lakes and on the seacoast).
In addition to summarizing some of the more interesting finds, Starbuck includes stories about archeologists and the techniques they have used to glean information from the past. Overall, he provides a lively account of what it is like to practice archeology in a small but dynamic New England state.
The largest prehistoric mound site in Georgia is located in modern-day Macon and is known as Ocmulgee. It was first recorded in August 1739 by General James Oglethorpe’s rangers during an expedition to the territory of the Lower Creeks. The botanist William Bartram wrote extensively of the ecology of the area during his visit in 1773, but the 1873 volume by Charles C. Jones, Antiquities of the Southern Indians, Particularly of the Georgia Tribes, was the first to treat the archaeological significance of the site.
Professional excavations began at Ocmulgee in 1933 under the auspices of the Smithsonian Institution, using Civil Works Administration labor. Investigations continued under a variety of sponsorships until December 1936, when the locality was formally named a national monument. Excavation of the mounds, village sites, earth lodge, and funeral mound revealed an occupation of the Macon Plateau spanning more than 7,000 years. The funeral mound was found to contain log tombs, bundles of disarticulated bones, flexed burials, and cremations. Grave goods included uniquely patterned copper sun disks that were found at only one other site in the Southeast—the Bessemer site in Alabama—so the two ceremonial centers were established as contemporaries.
In this classic work of archaeological research and analysis, Charles Fairbanks has not only offered a full treatment of the cultural development and lifeways of the builders of Ocmulgee but has also related them effectively to other known cultures of the prehistoric Southeast.
Part of the National Park Readers series, The Arches Reader is an anthology of writing about Arches National Park and the surrounding area. The selections range from creative nonfiction to short fiction to poetry to amateur versions of scientific reports; they are wide-ranging and have never before been collected in one place; several selections are previously unpublished. Photographs collected here include both historic black-and-white images and beautiful, full-color images of some of Arches’ most striking features. The Arches Reader is an essential companion for anyone who wants to better understand its unique natural and human past.
Archetypal Process examines the importance of cosmological thinking and the need to ground archetypal psychology in a metaphysical, philosophical framework. It treats the necessity for symbol and myth, the nature of the spirit, and language as a metaphorical vehicle of thought, and finally, it adds a much-needed feminist perspective to the debate.
"A sophisticated study of the colonization of scientific territory—specifically of rival attempts to design the dinosaur—and of the constructive (not just obstructive) role of social pressures in the making of 'lasting contributions' to science. Not least it is a joy to read, perkily irreverent at times and full of nice vignettes and memorable turns of phrase."—Roy Porter, Times Higher Education Supplement
Archibald MacLeish - American Writers 99 was first published in 1971. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions.
Phoebe Wolfskill demonstrates how Motley's art embodied the tenuous nature of the Black Renaissance and the wide range of ideas that structured it. Focusing on key works in Motley's oeuvre, Wolfskill reveals the artist's complexity and the variety of influences that informed his work. Motley’s paintings suggest that the racist, problematic image of the Old Negro was not a relic of the past but an influence that pervaded the Black Renaissance. Exploring Motley in relation to works by notable black and non-black contemporaries, Wolfskill reinterprets Motley's oeuvre as part of a broad effort to define American cultural identity through race, class, gender, religion, and regional affiliation.
Around 1968, advertisers who were anxious to break into the lucrative baby-boomer demographic convinced television networks to begin to abandon prime-time programming that catered to universal audiences. With the market splintering, networks ventured into more issue-based and controversial territories. While early network attempts at more “relevant” programming failed, Ozersky examines how CBS struck gold with the political comedy All in the Family in 1971 and how other successful, conflict-based comedies turned away from typical show business conventions. As the 1970s wore on, the innovations of the previous years began to lose their public appeal. After Vietnam and Watergate, Ozersky argues, Americans were exhausted from the political turbulence of the preceding decade and were ready for a televisual “return to normalcy.”
Straightforward, engaging, and liberally illustrated, Archie Bunker’s America is peppered with the stories of outsider cops and failed variety shows, of a young Bill Murray and an old Ed Sullivan, of Mary Tyler Moore, Fonzie, and the Skipper, too. Drawing on interviews with television insiders, trade publications, and the programs themselves, Ozersky chronicles the ongoing attempts of prime-time television to program for a fragmented audience—an audience whose greatest common denominator, by 1978, may well have been the act of watching television itself. The book also includes a foreword by renowned media critic Mark Crispin Miller and an epilogue of related commentary on the following decades.
The great mathematician Archimedes, a Sicilian Greek whose machines defended Syracuse against the Romans during the Second Punic War, was killed by a Roman after the city fell, yet it is largely Roman sources, and Greek texts aimed at Roman audiences, that preserve the stories about him. Archimedes' story, Mary Jaeger argues, thus becomes a locus where writers explore the intersection of Greek and Roman culture, and as such it plays an important role in Roman self-definition. Jaeger uses the biography of Archimedes as a hermeneutic tool, providing insight into the construction of the traditional historical narrative about the Roman conquest of the Greek world and the Greek cultural invasion of Rome.
By breaking down the narrative of Archimedes' life and examining how the various anecdotes that comprise it are embedded in their contexts, the book offers fresh readings of passages from both well-known and less-studied authors, including Polybius, Cicero, Livy, Vitruvius, Plutarch, Silius Italicus, Valerius Maximus, Johannes Tzetzes, and Petrarch.
---Helen King, Times Literary Supplement
"An absolutely wonderful book on a truly original and important topic. As Jaeger explores neglected texts that together tell an important story about the Romans' views of empire and their relationship to Greek cultural accomplishments, so she has written an important new chapter in the history of science. A genuine pleasure to read, from first page to last."
---Andrew Feldherr, Associate Professor of Classics, Princeton University
"This elegantly written and convincingly argued project analyzes Archimedes as a vehicle for reception of the Classics, as a figure for loss and recovery of cultural memory, and as a metaphorical representation of the development of Roman identity. Jaeger's fastening on the still relatively obscure figure of the greatest ancient mathematician as a way of understanding cultural liminality in the ancient world is nothing short of a stroke of genius."
---Christina S. Kraus, Professor and Chair of Classics, Yale University
"Archimedes and the Roman Imagination forms a useful addition to our understanding of Roman culture as well as of the reception of science in antiquity. It will make a genuine contribution to the discipline, not only in terms of its original interpretative claims but also as a fascinating example of how we may follow the cultural reception of historical figures."
---Reviel Netz, Professor of Classics, Stanford University
Cover art: Benjamin West. Cicero Discovering the Tomb of Archimedes. Yale University Art Gallery. John Hill Morgan, B.A. 1893, LL.B. 1898, M.A. (Hon.) 1929, Fund.
Birte Blascheck, J. Michael Dash, Paul Giles, Susan Gillman, Matthew Pratt Guterl, Hsinya Huang, Allan Punzalan Isaac, Joseph Keith, Yolanda Martínez-San Miguel, Brandy Nālani McDougall, Ifeoma Kiddoe Nwankwo, Craig Santos Perez, Brian Russell Roberts, John Carlos Rowe, Cherene Sherrard-Johnson, Ramón E. Soto-Crespo, Michelle Ann Stephens, Elaine Stratford, Etsuko Taketani, Alice Te Punga Somerville, Teresia Teaiwa, Lanny Thompson, Nicole A. Waligora-Davis
Pinet looks closely at Amadís de Gaula and the Liber insularum archipelagi as the first examples of these genres. Both isolario and chivalric romance (libros de caballerías) make of the island a flexible yet cohesive framework that becomes intrinsic to the construction of their respective genres. The popularity of these forms throughout the seventeenth century in turn bears witness to the numerous possibilities the archipelagic structure offered, ultimately taken up by the grand genres of each discipline—the atlas and the novel.
Moving from verbal descriptions to engravings and tapestry weavings, and from the chivalric politics and ethics proposed in the Amadís de Gaula to the Insula Barataria episode in Don Quixote, Pinet’s analysis of insularity and the use of the island structure reveals diverging roles for fiction, illuminating both the emergence of the novel and contemporary philosophical discussion on fiction.
A collection of essays representing forty-five years of reflection on the central problems of southern history bound together by a common concern with defining the crucial interaction of race and class in the formation of southern politics and life
“The tourist archipelagoes of my South / are prisons, too, corruptible” writes the poet Derek Walcott. While Walcott refers to the islands of the Caribbean, the analogous idea of a land made into solitary islands by an imprisoned and inherited corruption is historian J. Mills Thornton III’s American South. The captivating essays in Archipelagoes of My South: Episodes in the Shaping of a Region, 1830–1965 address this overarching and underlying narrative of Alabama politics and the history of the South.
Highlighting events as significant as the role of social and economic conflict in the southern secession movement, various aspects of Reconstruction, and the role of the Ku Klux Klan in the politics of the 1920s, Thornton draws from various points in the southern past in an effort to identify and understand the sources of the region’s power. Moreover, each essay investigates its subject matter and peels back layers with an aim to clarify why the enormous diversity of the southern experience makes that power so great, all the while allowing the reader to see connections that would not otherwise be apparent.
Archipelagoes of My South gathers previously uncollected essays into a single volume covering the entire length and breadth of Thornton’s career. The author’s principal concerns have always been the arc of regional evolution and the significance of the local. Thus, the mechanisms of political and social change and the interrelationships across eras and generations are recurring themes in many of these essays.
Even those who have spent their entire lives in the South may be unaware of the fractured layers of history that lie beneath the landscape they inhabit. For those southern residents who seek to comprehend more of their own past, this landmark compilation of essays on Alabama and southern history endeavors to provide illumination and enlightenment.
Finalist, 2025 Kate Tufts Discovery Award
“When he died, my brother became the architect of the rest of my life,” writes Alison Thumel in Architect, which interweaves poems, lyric essays, and visual art to great emotional effect. In this debut collection, the buildings of Frank Lloyd Wright become a blueprint for elegy, as Thumel overlays the language of architecture with the language of grief to raze and reconstruct memories, metaphors, and myths. With obsessive and exacting focus, the poet leads us through room after room in a search to answer whether it is possible to rebuild in the wake of loss. Meanwhile, the midwestern landscape beyond these rooms—the same landscape that infuses the low, horizontal forms of Wright’s Prairie Style buildings—shapes the figures in Architect as well as their fates: “For years after my brother’s death, I collected news articles on people who died young and tragically in landlocked states. Prairie Style deaths—boys sucked down into grain silos or swept up by tornadoes or fallen through a frozen pond. The boys I didn’t know, but the landscape I did. The dread of it. How many miles you can look ahead. For how long you see what is coming.”
Chicago has always held a special fascination for those interested in architectural and urban history. For many, the defining moment occurred at the turn of the century when Chicago was booming and the world came to the city by the lake. But the story most often told in architectural history—the tale of single creative geniuses like Frank Lloyd Wright and Louis Sullivan—does little to explain the birth of the everyday modern city, with its high-rise downtown, diverse neighborhoods, and sprawling suburbs. This book connects architectural history with urban history by looking at the work of a major architectural firm, Holabird & Roche. No firm in any large American city had a greater impact.
With projects that ranged from tombstones to skyscrapers, boiler rooms to entire industrial complexes, Holabird & Roche left an indelible stamp on the city of Chicago and, indeed, far beyond. In this volume, the first of two on Holabird & Roche and its successor, Holabird & Root, Robert Bruegmann traces the firm’s history from its founding in 1880 to the end of the First World War. Incorporating meticulous research based on the extensive architectural holdings of the Chicago Historical Society, Bruegmann documents the firm’s work from the boom years of the 1880s through the period of sustained growth and innovation after the turn of the century. In chapters devoted to topics as diverse as downtown commercial and retail development, business hotels, civic buildings, automobile showrooms, and suburban clubs and housing, Bruegmann creates a sustained historical narrative that considers the profound interdependence of architecture and modern urban life.
The Architect’s Dream demonstrates that the goal of creating meaningful architecture can take a variety of critical and philosophical paths. Sean Pickersgill draws on a broad range of subject areas, including film, philosophy, anthropology, mathematics, and economics, to show that the path to meaningful creative practice is always based on an understanding of the principal drivers for change in society. The Architect’s Dream is not a recipe book for others to reproduce; rather, it requires the engaged reader to use their own creative abilities to find the potential in each proposition, and it will encourage the scholastic architect to continue to mine the rich veins of intellectual culture to demonstrate the hidden purposiveness inherent in all meaningful architecture.
Born just nine years apart in Ukraine and Siberia, respectively, Louise Nevelson and Esphyr Slobodkina were both children of Jewish families who fled Russian governmental repression and conflict. Both made early marriages of convenience or convention that were short-lived. Both went to New York in the 1920s, struggling to become artists amid the Great Depression. Both overcame the accepted modes of making, moving between art forms in expansive, category-defying ways. The parallels are poignant, including their similarly fearless devotion to abstract art in an era that had yet to fully embrace it. Architects of Being pays homage to these two women who were direct and dauntless.
Fittingly, this book draws its title from Nevelson’s insight that “there’s something very important about character: character is structure. Character is the architecture of the being.” The connection between inner self and outward manifestation—both one’s art and one’s self-fashioning—is at the heart of Architects of Being. This richly illustrated and expertly researched exhibition catalog celebrates Nevelson’s and Slobodkina’s artistic journeys and architectural affinities, expanding our understanding of how these pioneering figures dissolved boundaries between art forms in ways that prefigured what we see throughout the art world today.
Published in collaboration with the Fay Jones School of Architecture.
Architects of Long Change examines expert forms of governance and their legitimization before 1989, as well as the transfer of expert knowledge and practices of political and social management during the democratic transition. The contributors argue that so-called neoliberal governance was not solely the result of imported Western political and cultural models, but was also shaped by intellectual, mental, and sociocultural continuities from the period of late socialism. These continuities—and the broader hypothesis of a “long systemic change” spanning from 1980 to 1995—are explored through case studies in legal science, sociology, urban planning, environmental studies, psychotherapy, and business management.
Architects of Long Change offers a novel perspective on the late communist dictatorship, the democratic revolution of 1989, and the early development of liberal democracy and capitalism in Czechoslovakia and later the Czech Republic.
We are now living in the richest age of public memory. From museums and memorials to the vast digital infrastructure of the internet, access to the past is only a click away. Even so, the methods and technologies created by scientists, espionage agencies, and information management coders and programmers have drastically delimited the ways that communities across the globe remember and forget our wealth of retrievable knowledge.
In Architects of Memory: Information and Rhetoric in a Networked Archival Age, Nathan R. Johnson charts turning points where concepts of memory became durable in new computational technologies and modern memory infrastructures took hold. He works through both familiar and esoteric memory technologies—from the card catalog to the book cart to Zatocoding and keyword indexing—as he delineates histories of librarianship and information science and provides a working vocabulary for understanding rhetoric’s role in contemporary memory practices.
This volume draws upon the twin concepts of memory infrastructure and mnemonic technê to illuminate the seemingly opaque wall of mundane algorithmic techniques that determine what is worth remembering and what should be forgotten. Each chapter highlights a conflict in the development of twentieth-century librarianship and its rapidly evolving competitor, the discipline of information science. As these two disciplines progressed, they contributed practical techniques and technologies for making sense of explosive scientific advancement in the wake of World War II. Taming postwar science became part and parcel of practices and information technologies that undergird uncountable modern communication systems, including search engines, algorithms, and databases for nearly every national clearinghouse of the twenty-first century.
This revolutionary work by artist-architects Arakawa and Madeline Gins demonstrates the inter-connectedness of innovative architectural design, the poetic process, and philosophical inquiry. Together, they have created an experimental and widely admired body of work--museum installations, landscape and park commissions, home and office designs, avant-garde films, poetry collections--that challenges traditional notions about the built environment. This book promotes a deliberate use of architecture and design in dealing with the blight of the human condition; it recommends that people seek architectural and aesthetic solutions to the dilemma of mortality.
In 1997 the Guggenheim Museum presented an Arakawa/Gins retrospective and published a comprehensive volume of their work titled Reversible Destiny: We Have Decided Not to Die. Architectural Body continues the philosophical definition of that project and demands a fundamental rethinking of the terms “human” and “being.” When organisms assume full responsibility for inventing themselves, where they live and how they live will merge. The artists believe that a thorough re-visioning of architecture will redefine life and its limitations and render death passe. The authors explain that “Another way to read reversible destiny . . . Is as an open challenge to our species to reinvent itself and to desist from foreclosing on any possibility.”
Audacious and liberating, this volume will be of interest to students and scholars of 20th-century poetry, postmodern critical theory, conceptual art and architecture, contemporary avant-garde poetics, and to serious readers interested in architecture's influence on imaginative expression.
After the First World War and under the British Mandate, Haifa grew from a small Ottoman port town into a regional metropolis and industrial center around a deep seaport. The city was part of an open space that extended from Cairo to Damascus through Beirut, in a region where Syria, Palestine, and Lebanon were part of the same fluid, interconnected space. During the Second World War, Haifa became a border town. Under French Vichy, the border between Lebanon and Syria ran sixty kilometers to the north and hardened only after the creation of Israel in 1948 and the wars with Lebanon. Haifa’s architectural modernism developed in relation to the city’s geopolitical environment. No building better manifests Haifa’s predicament than the modernist casino building, built in the city’s Bat Galim seafront district.
Winner of the MLA Prize for Independent Scholars
Taking the reader on an inward journey from façades to closets, from physical to psychic space, Architectural Involutions offers an alternative genealogy of theater by revealing how innovations in architectural writing and practice transformed an early modern sense of interiority. The book launches from a matrix of related “platforms”—a term that in early modern usage denoted scaffolds, stages, and draftsmen’s sketches—to situate Alberti, Shakespeare, Jonson, and others within a landscape of spatial and visual change.
As the English house underwent a process of inward folding, replacing a logic of central assembly with one of dissemination, the subject who negotiated this new scenography became a flashpoint of conflict in both domestic and theatrical arenas. Combining theory with archival findings, Mimi Yiu reveals an emergent desire to perform subjectivity, to unfold an interior face to an admiring public. Highly praised for its lucid writing, comprehensive supplementary material, and engaging tone, Architectural Involutions was the winner of the 2016 MLA Prize for Independent Scholars.
A priceless material legacy documenting Wallace Rayfield’s life and work on two continents.
In the early 1990s, while cleaning out the barn on his property in Bessemer, Alabama, Allen Durough discovered the remnants of the lifework of African American architect Wallace A. Rayfield, including several hundred of Rayfield’s drawings, floor plans, business advertisements, family portraits, and graphic art pieces. This book gathers that priceless material legacy into a cohesive whole, reproducing 159 illustrations that document Rayfield’s life and work on two continents.
Born in Macon, Georgia, in 1873, Rayfield apprenticed as a young man with the noted architectural firm A. B. Mullet and Company in Washington, DC, before attending Howard University, Pratt Polytechnic Institute, and ultimately graduating with a bachelor of architecture degree from Columbia University. He returned south to teach at the Tuskegee Institute and then to establish W. A. Rayfield & Co., Architects, in Birmingham, Alabama. From there he designed buildings for construction across the south (many by mail order) and even in Africa. Rayfield specialized in church architecture, and many of his designs were for black congregations within the state, most notably the Sixteenth Street Baptist Church in Birmingham. But he also designed schools, office buildings, and private homes. After falling into bankruptcy during the Great Depression, he died in obscurity.
Durough includes catalog-style descriptive entries and illustrations of Rayfield’s designs for six types of structures: residences, churches, schools, commercial buildings, fraternal buildings, and barns. These entries contain location, commissioning data, and brief structural notes, providing a useful resource for architectural historians and preservationists. A listing of the 359 known Rayfield structures detail their locations in 19 states, plan date, building type, and name. Also included is a biographical sketch of Rayfield, an overview of his publications, and a survey of his professional artwork and advertisements.
Employing the idea of networks to effectively describe the interconnectedness of design, materials, technology, religion, and politics, the contributors to this volume establish the need to understand this important region holistically and on its own terms. Taking a close look at major buildings and monuments—while considering technique, design, and decoration as elements of a vigorous web—this volume offers important insights about the area’s significance in the history of Hellenistic architecture, including lasting innovations in architectural illusion, Ionic entablature, and groundbreaking uses of marble and plaster. From the North Aegean, such principles and tactics were transmitted to the rest of the Hellenistic world, influencing Roman architecture and, from there, Western architectural history.
Some of the most visible expressions of human culture are illustrated architecturally. Unfortunately for archaeologists, the architecture being studied is not always visible and must be inferred from soil inconsistencies or charred remains. This study deals with research into roughly a millennium of Native American architecture in the Southeast and includes research on the variation of construction techniques employed both above and below ground. Most of the architecture discussed is that of domestic houses with some emphasis on large public buildings and sweat lodges. The authors use an array of methods and techniques in examining native architecture including experimental archaeology, ethnohistory, ethnography, multi-variant analysis, structural engineering, and wood science technology. A major portion of the work, and probably the most important in terms of overall significance, is that it addresses the debate of early Mississippian houses and what they looked like above ground and the changes that occurred both before and after the arrival of Europeans.
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