As warriors, freedom fighters and victims, as mothers, wives and prostitutes, and as creators and members of peace movements, women are inevitably caught up in the net of war. Yet women’s participation in warfare and peace campaigns has often been underestimated or ignored.
    Images of Women in Peace and War explores women’s relationships to war, peace, and revolution, from the Amazons, Inka and Boadicea, to women soldiers in South Africa, Mau Mau freedom fighters and the protestors at Greenham Common. The contributors consider not only the reality of women’s participation but also look at how their actions have been perceived and represented across cultures and through history. They examine how sexual imagery is constructed, how it is used to delineate women’s relation to warfare and how these images have sometimes been subverted in order to challenge the status quo. The book raises important questions about whether women have a special prerogative to promote peace and considers whether the experience of motherhood leads to a distinctive women’s position on war. The authors find that their analyses lead them to deal with arguments on the basic nature of the sexes and to reevaluate our concepts of “peace,” “war,” and “gender.”
 

Although millions of Russians lived as serfs until the middle of the nineteenth century, little is known about their lives. Identifying and documenting the conditions of Russian serfs has proven difficult because the Russian state discouraged literacy among the serfs and censored public expressions of dissent. To date scholars have identified only twenty known Russian serf narratives.
    Four Russian Serf Narratives contains four of these accounts and is the first translated collection of autobiographies by serfs. Scholar and translator John MacKay brings to light for an English-language audience a diverse sampling of Russian serf narratives, ranging from an autobiographical poem to stories of adventure and escape. “Autobiography” (1785) recounts a highly educated serf’s attempt to escape to Europe, where he hoped to study architecture. The long testimonial poem “News About Russia” (ca. 1849) laments the conditions under which the author and his fellow serfs lived. In “The Story of My Life and Wanderings” (1881) a serf tradesman tells of his attempt to simultaneously escape serfdom and captivity from Chechen mountaineers. The fragmentary “Notes of a Serf Woman” (1911) testifies to the harshness of peasant life with extraordinary acuity and descriptive power.
    These accounts offer readers a glimpse, from the point of view of the serfs themselves, into the realities of one of the largest systems of unfree labor in history. The volume also allows comparison with slave narratives produced in the United States and elsewhere, adding an important dimension to knowledge of the institution of slavery and the experience of enslavement in modern times.

Harriet Beecher Stowe's 1852 antislavery novel Uncle Tom's Cabin was the nineteenth century's best-selling novel worldwide; only the Bible outsold it. It was known not only as a book but through stage productions, films, music, and commercial advertising as well. But how was Stowe's novel—one of the watershed works of world literature—actually received outside of the American context?

            True Songs of Freedom explores one vital sphere of Stowe's influence: Russia and the Soviet Union, from the 1850s to the present day. Due to Russia's own tradition of rural slavery, the vexed entwining of authoritarianism and political radicalism throughout its history, and (especially after 1945) its prominence as the superpower rival of the United States, Russia developed a special relationship to Stowe's novel during this period of rapid societal change. Uncle Tom's Cabin prompted widespread reflections on the relationship of Russian serfdom to American slavery, on the issue of race in the United States and at home, on the kinds of writing appropriate for children and peasants learning to read, on the political function of writing, and on the values of Russian educated elites who promoted, discussed, and fought over the book for more than a century. By the time of the Soviet Union's collapse in 1991, Stowe's novel was probably better known by Russians than by readers in any other country.

            John MacKay examines many translations and rewritings of Stowe's novel; plays, illustrations, and films based upon it; and a wide range of reactions to it by figures famous (Leo Tolstoy, Ivan Turgenev, Marina Tsvetaeva) and unknown. In tracking the reception of Uncle Tom's Cabin across 150 years, he engages with debates over serf emancipation and peasant education, early Soviet efforts to adapt Stowe's deeply religious work of protest to an atheistic revolutionary value system, the novel's exploitation during the years of Stalinist despotism, Cold War anti-Americanism and antiracism, and the postsocialist consumerist ethos.

Here, translated into modern English, are the works of literature, history, science, oratory, and philosophy that constitute the mainstream of classical Greek thought and continue to influence world civilizations. This volume includes:
· Complete translations of Aeschylus’ Agamemnon, Sophocles’ Antigone, Euripides’ Medea, Aristophanes’ Frogs, and The Constitution of Athens by the “Old Oligarch.”
· Abridged translations of Homer’s Iliad and Odyssey, The Homeric Hymn to Hermes, and Plutarch’s Life of Tiberius Gracchus.
· Selections from Hesiod and Lucian; from twenty-eight lyric poets including Sappho, Pindar, and Meleagar; from the histories of Herodotus and Thucydides; and from eight Attic orators, including Isocrates and Demosthenes.
· Selections from the scientific writings of Hippocrates, Archimedes, and Galen.
· Selections from the pre-Socratic philosophers and from Plato, Aristotle, Epicurus, and Epictetus.

Here, translated into modern English, are the works of literature, history, science, oratory, and philosophy that constitute the mainstream of Roman thought and continue to influence world civilizations. This volume includes:
· Complete translations of Plautus’ The Haunted House, Terence’s Woman from Andros, Seneca’s Medea, and the Deeds of the Deified Augustus.
· Selections from Vergil’s Georgics and Aeneid, the poems of Catullus, Horace’s Odes, Ovid’s Metamorphoses and Fasti, the Satyricon of Petronius, and the Sixth Satire of Juvenal.
· Selections from Lucretius’ On the Nature of Things, Cicero’s speeches and philosophical works, and Quintilian’s The Training of the Orator.
· Selections from histories by Sallust, Livy’s History of Rome, Tacitus’ Annals and Germania, and letters of Pliny the Younger.

In the United States we are bombarded with gender propaganda that supports a repressive dual gender system pitting the genders against each other. Transgenderists as gender nonconformists challenge us to rethink traditional discourses on sex and gender. Transgender Nation investigates the male-to-woman transgenderist and transsexual from a sociocultural and sociopolitical perspective maintaining that it is not the individual transgenderist who is sick and in need of treatment but rather the culture that must be treated.

A keen observer of culture, Czech writer Vladimír Macura (1945–99) devoted a lifetime to illuminating the myths that defined his nation. The Mystifications of a Nation, the first book-length translation of Macura’s work in English, offers essays deftly analyzing a variety of cultural phenomena that originate, Macura argues, in the “big bang” of the nineteenth-century Czech National Revival, with its celebration of a uniquely Czech identity.
    In reflections on two centuries of Czech history, he ponders the symbolism in daily life. Bridges, for example—once a force of civilization connecting diverse peoples—became a sign of destruction in World War I. Turning to the Soviet and post-Soviet eras, Macura probes a range of richly symbolic practices, from the naming of the Prague metro system, to the mass gymnastic displays of the Communist period, to post–Velvet Revolution preoccupations with the national anthem. In “The Potato Bug,” he muses on one of the stranger moments in the Cold War—the claim that the United States was deliberately dropping insects from airplanes to wreak havoc on the crops of Czechoslovakia.
    While attending to the distinctively Czech elements of such phenomena, Macura reveals the larger patterns of Soviet-brand socialism. “We were its cocreators,” he declares, “and its analysis touches us as a scalpel turned on its own body.” Writing with erudition, irony, and wit, Macura turns the scalpel on the authoritarian state around him, demythologizing its mythology.

 

Hasidism on the Margin explores one of the most provocative and radical traditions of Hasidic thought, the school of Izbica and Radzin that Rabbi Gershon Henokh originated in nineteenth-century Poland. Shaul Magid traces the intellectual history of this strand of Judaism from medieval Jewish philosophy through centuries of Kabbalistic texts to the nineteenth century and into the present. He contextualizes the Hasidism of Izbica-Radzin in the larger philosophy and history of religions and provides a model for inquiry into other forms of Hasidism.

Things look bad for Rick Lahrem, a high school sophomore in a cookie-cutter Chicago suburb in 1976. His mother’s second husband is a licensed psychologist who eats like an ape, his stepsister is a stoner slut, and his father is engaged to a Southern belle. Rick’s only solace is his growing collection of original Broadway-cast LPs, bought on the sly at Wax Trax.
    After he brings two girls in speech class to tears by reading a story aloud, Rick is coaxed onto the interscholastic forensics team to perform an eight-minute dramatic interpretation of The Boys in the Band, the controversial sixties play about homosexuality. Unexpectedly successful at this oddball event, Rick begins winning tournaments and making friends with his teammates.
    Rick also discovers the joys of sex—with a speech coach from a rival school—just as his mother, reacting to a deteriorating home environment, makes an unnerving commitment to Christ. The newly confident Rick assumes this too shall pass—until the combined forces of family, sex, and faith threaten to undo him at the state meet in Peoria.
    James Magruder’s Sugarless offers a ruefully entertaining take on the simultaneous struggles of coming-out, coming-of-age, and coming-to-Jesus.

 

 

A selection of InsightOut Book Club

 

Finalist, Lambda Book Award for Gay Debut Fiction, Lambda Literary Foundation

 

Finalist, TLA Gaybie Award for Best Gay Fiction

 

Semi-finalist, James Branch Cabell First Novelist Award, Virginia Commonwealth University

 

Semi-finalist, William Saroyan International Prize For Writing, Stanford University

When The Leavenworth Case, Anna Katharine Green’s first novel, was published in 1878, it quickly became a bestseller as well as a seminal work of detective fiction. Critics were to perceive Green’s work as the link to Edgar Allan Poe in the American line of classic detective fiction. But the development of serial detectives is perhaps her greatest achievement. (Ebenezer Gryce of the New York Metropolitan Police, who makes his first appearance in 1878, precedes Sherlock Holmes by almost a decade.)
    In examining the life and works of Anna Katharine Green, one discovers a slice of American life: in the social events of New York City, in the plight of young working women, in the moral dilemmas of upright citizens pursuing the American dream.

This book explores the inter-relationships between Agatha Christie and her works to seek the wholeness in the Christie experience. The authors perceive an integration in personal experience and moral and aesthetic values between the woman and her art.

Directing the Dance Legacy of Doris Humphrey looks inside four of Doris Humphrey’s major choreographic works—Water Study (1928), The Shakers (1931), With My Red Fires (1936), and Passacaglia (1938)—with an eye to how directorial strategies applied in recent contemporized stagings in the United States and Europe could work across the modern and contemporary dance genre. Author Lesley Main, a seasoned practitioner of Doris Humphrey choreography, stresses to the reader the need to balance respect for classical works from the modern dance repertory with the necessity for fresh directorial strategies, to balance between traditional practices and a creative role for the reconstructor.
    Drawing upon her own dance experience, Main’s book addresses an area of dance research and practice that is becoming increasingly pertinent as the dancer-choreographers of the 20th century modern and contemporary dance are no longer alive to attend to the re-stagings of the body of their works. Insightful and thought-provoking, Directing the Dance Legacy of Doris Humphrey calls for the creation of new forms of directorial practice in dance beyond reconstruction. The radical new practices it proposes to replace the old are sure to spark debate and fresh thinking across the dance field.

As nationalism spread across nineteenth-century Europe, Russia’s national identity remained murky: there was no clear distinction between the Russian nation and the expanding multiethnic empire that called itself “Russian.” When Tsar Alexander II’s Great Reforms (1855–1870s) allowed some freedom for public debate, Russian nationalist intellectuals embarked on a major project—which they undertook in daily press, popular historiography, and works of fiction—of finding the Russian nation within the empire and rendering the empire in nationalistic terms.
    From the Shadow of Empire traces how these nationalist writers refashioned key historical myths—the legend of the nation’s spiritual birth, the tale of the founding of Russia, stories of Cossack independence—to portray the Russian people as the ruling nationality, whose character would define the empire. In an effort to press the government to alter its traditional imperial policies, writers from across the political spectrum made the cult of military victories into the dominant form of national myth-making: in the absence of popular political participation, wars allowed for the people’s involvement in public affairs and conjured an image of unity between ruler and nation. With their increasing reliance on the war metaphor, Reform-era thinkers prepared the ground for the brutal Russification policies of the late nineteenth century and contributed to the aggressive character of twentieth-century Russian nationalism.

Anatomy of Murder identifies and explores three basic fictional forms dealing with murder and detection—mystery, detective, and crime fiction. Mystery fiction takes place in a centered world, one whose most distinctive characteristic is motivation. Covering the forms of murder fiction, the book examines texts by Doyle, Christie, Sayers, Hammett, Chandler, Highsmith, Jim Thompson, Thomas Harris, and others.

Jaime Manrique weaves into his own memoir the lives of three important twentieth-century Hispanic writers: the Argentine Manuel Puig, author of Kiss of the Spider Woman; the Cuban Reinaldo Arenas, author of Before Night Falls; and Spanish poet and playwright Federico García Lorca. Manrique celebrates the lives of these heroic writers who were made outcasts for both their homosexuality and their politics.

"Manrique's double vision yields insights into Puig, Arenas, and Lorca unavailable to a writer less attuned to the complex interplay of culture and sexuality, as well as that of race and class in Latino and Anglo societies."—George DeStefano, The Nation


"A splendid memoir of Manuel Puig. It evokes him—how he really was—better than anything I've read."—Susan Sontag



"Where Manrique's tale differs from others is in its unabashed and sensitive treatment of sexuality. One reads his autobiographical account with pleasure and fascination."—Jose Quiroga, George Washington University



"Manrique's voice is wise, brave, and wholly original. This chronicle of self-discovery and literary encounters is heartening and deep."—Kennedy Fraser



"In this charmingly indiscreet memoir, Jaime Manrique writes with his customary humor and warm sympathy, engaging our delighted interest on every page. He has the rare gift of invoking and inviting intimacy, in this case a triangulated intimacy between himself, his readers, and his memories. These are rich double portraits."—Phillip Lopate

Exuberant and colorful, Latin Moon in Manhattan paints a vivid portrait of New York City as the land of El Dorado for today’s Latino immigrants. From Little Colombia in Queens to the street life of Times Square, this brilliant novel is crowded with an extraordinary cast of characters: Hot Sauce, a midget hooker; Simon Bolivar, a parrot who croons Julio Iglesias songs; the Urrutias, a family rich from cocaine smuggling; Santiago Martinez, a loner and would-be poet whose ancient cat, Mr. O’Donnell, is slowly dying of an enlarged heart. Exploding with a profusion of plots and subplots involving drug smuggling, romance, and the literary politics of Queens, Latin Moon in Manhattan is a rich and utterly charming work.

Colombian-born Santiago Martinez starts his adult life as a young gay writer living in Spain. Years later, as a university professor in New York City, Santiago is called back to his native Colombia upon the suicide of his sister. There he learns some shocking secrets about his childhood and adolescence and comes to the realization that cherished memories of the past are only illusion.

The Tamburitza Tradition is a lively and well-illustrated comprehensive introduction to a Balkan folk music that now also thrives in communities throughout Europe, the Americas, and Australia. Tamburitza features acoustic stringed instruments, ranging in size from tamburas as small as a ukulele to ones as large as a bass viol.

            Folklorist Richard March documents the centuries-old origins and development of the tradition, including its intertwining with nationalist and ethnic symbolism. The music survived the complex politics of nineteenth-century Europe but remains a point of contention today. In Croatia, tamburitza is strongly associated with national identity and supported by an artistic and educational infrastructure. Serbia is proud of its outstanding performers and composers who have influenced tamburitza bands on four continents. In the United States, tamburitza was brought by Balkan immigrants in the nineteenth century and has become a flourishing American ethnic music with its own set of representational politics.

            Combining historical research with in-depth interviews and extensive participant-observer description, The Tamburitza Tradition reveals a dynamic and expressive music tradition on both sides of the Atlantic and beyond, illuminating the cultures and societies from which it has emerged.

Brazil, a country that has always received immigrants, only rarely saw its own citizens move abroad. Beginning in the late 1980s, however, thousands of Brazilians left for the United States, Japan, Portugal, Italy, and other nations, propelled by a series of intense economic crises. By 2009 an estimated three million Brazilians were living abroad—about 40 percent of them in the United States.
            Goodbye, Brazil is the first book to provide a global perspective on Brazilian emigration. Drawing and synthesizing data from a host of sociological and anthropological studies, preeminent Brazilian immigration scholar Maxine L. Margolis surveys and analyzes this greatly expanded Brazilian diaspora, asking who these immigrants are, why they left home, how they traveled abroad, how the Brazilian government responded to their exodus, and how their host countries received them. Margolis shows how Brazilian immigrants, largely from the middle rungs of Brazilian society, have negotiated their ethnic identity abroad. She argues that Brazilian society abroad is characterized by the absence of well-developed, community-based institutions—with the exception of thriving, largely evangelical Brazilian churches.
    Margolis looks to the future as well, asking what prospects at home and abroad await the new generation, children of Brazilian immigrants with little or no familiarity with their parents' country of origin. Do Brazilian immigrants develop such deep roots in their host societies that they hesitate to return home despite Brazil's recent economic boom—or have they become true transnationals, traveling between Brazil and their adopted lands but feeling not quite at home in either one?

Best known for his two-year sojourn at Walden Pond in Massachusetts, Henry David Thoreau is often considered a recluse who emerged from solitude only occasionally to take a stand on the issues of his day. In Thoreau’s Democratic Withdrawal, Shannon L. Mariotti explores Thoreau’s nature writings to offer a new way of understanding the unique politics of the so-called hermit of Walden Pond. Drawing imaginatively from the twentieth-century German social theorist Theodor W. Adorno, she shows how withdrawal from the public sphere can paradoxically be a valuable part of democratic politics.
    Separated by time, space, and context, Thoreau and Adorno share a common belief that critical inquiry is essential to democracy but threatened by modern society. While walking, huckleberrying, and picking wild apples, Thoreau tries to recover the capacities for independent perception and thought that are blunted by “Main Street,” conventional society, and the rapidly industrializing world that surrounded him. Adorno’s thoughts on particularity and the microscopic gaze he employs to work against the alienated experience of modernity help us better understand the value of Thoreau’s excursions into nature. Reading Thoreau with Adorno, we see how periodic withdrawals from public spaces are not necessarily apolitical or apathetic but can revitalize our capacity for the critical thought that truly defines democracy.
    In graceful, readable prose, Mariotti reintroduces us to a celebrated American thinker, offers new insights on Adorno, and highlights the striking common ground they share. Their provocative and challenging ideas, she shows, still hold lessons on how we can be responsible citizens in a society that often discourages original, critical analysis of public issues.

H. I. Marrou’s A History of Education in Antiquity has been an invaluable contribution in the fields of classical studies and history ever since its original publication in French in 1948. French historian H. I. Marrou traces the roots of classical education, from the warrior cultures of Homer, to the increasing importance of rhetoric and philosophy, to the adaptation of Hellenistic ideals within the Roman education system, and ending with the rise of Christian schools and churches in the early medieval period. Marrou shows how education, once formed as a way to train young warriors, eventually became increasingly philosophical and secularized as Christianity took hold in the Roman Empire. Through his examination of the transformation of Greco-Roman education, Marrou is able to create a better understanding of these cultures.

Can there ever be justice for the Holocaust? During the 1990s—triggered by lawsuits in the United States against Swiss banks, German corporations, insurance companies, and owners of valuable works of art—claimants and their lawyers sought to rectify terrible wrongs committed more than a half century earlier. Some Measure of Justice explores this most recent wave of justice-seeking for the Holocaust: what it has been, why it emerged when it did, how it fits with earlier reparation to the Jewish people, its significance for the historical representation of the Holocaust, and its implications for justice-seeking in our time.
    Writings on the subject of Holocaust reparations have largely come from participants, lawyers, philosophers, journalists, and social scientists specializing in restitution. In Some Measure of Justice Michael Marrus takes up the issue as a historian deeply involved with legal issues. He engages with larger questions about historical understanding and historical interpretation as they enter the legal arena. Ultimately this book asks, What constitutes justice for a great historic wrong? And, Is such justice possible?

 

 

Winner, Helen and Stan Vine Canadian Jewish Book Award for Holocaust Literature

To learn about the "Age of Revolutions" in Europe and the Americas is to engage with the emergence of the modern world. In the late eighteenth and early nineteenth centuries, nations were founded, old empires collapsed, and new ones arose. Struggles for emancipation—whether from royal authority, colonial rule, slavery, or patriarchy—inspired both hopes and fears. This book, designed for university and secondary school teachers, provides up-to-date content and perspectives, classroom-tested techniques, innovative ideas, and an exciting variety of pathways to introduce students to this complex era of history.

The volume includes chapters on sources and methods for stimulating student debate and learning, including Tom Paine's Common Sense, the Haitian Declaration of Independence, and other key documents; role-playing games; visual arts and culture; and music, including opera and popular songs. Other chapters delve into specific themes, including revolution and riot, revolutionary terror, enlightenment, gender, slavery, nationalism, environment and climate, and the roles of politically excluded groups. Collectively, the contributions ensure a broad Atlantic scope, discussing the revolutions in Britain's North American colonies, Haiti, and Latin America, and European revolutions including France, Belgium, and the Netherlands.

When Tennessee became the thirty-sixth and final state needed to ratify the Nineteenth Amendment in August 1920, giving women the right to vote, one group of women expressed bitter disappointment and vowed to fight against “this feminist disease.” Why this fierce and extended opposition? In Splintered Sisterhood, Susan Marshall argues that the women of the antisuffrage movement mobilized not as threatened homemakers but as influential political strategists.
    Drawing on surviving records of major antisuffrage organizations, Marshall makes clear that antisuffrage women organized to protect gendered class interests. She shows that many of the most vocal antisuffragists were wealthy, educated women who exercised considerable political influence through their personal ties to men in politics as well as by their own positions as leaders of social service committees. Under the guise of defending an ideal of “true womanhood,” these powerful women sought to keep the vote from lower-class women, fearing it would result in an increase in the “ignorant vote” and in their own displacement from positions of influence. This book reveals the increasingly militant style of antisuffrage protest as the conflict over female voting rights escalated. Splintered Sisterhood adds a missing piece to the history of women’s rights activism in the United States and illuminates current issues of antifeminism.

This lively translation accurately captures the wit and uncensored bawdiness of the epigrams of Martial, who satirized Roman society, both high and low, in the first century CE. His pithy little poems amuse, but also offer vivid insight into the world of patrons and clients, doctors and lawyers, prostitutes, slaves, and social climbers in ancient Rome. The selections cover nearly a third of Martial's 1,500 or so epigrams, augmented by an introduction by historian Marc Kleijwegt and informative notes on literary allusion and wordplay by translator Susan McLean.

Finalist, Literary Translation Award, PEN Center USA  

Treacherously comic and poignant, the autobiographical stories in They Change the Subject follow a young man’s quest for identity through love and desire. Sustained by a single voice, the stories simultaneously offer a fractured novel and stand, powerfully, on their own. At the center of each tale is the heightened, visceral possibility of unexpected emotional encounters—from an escort’s dates in Manhattan hotels to a photo shoot that doubles as seduction. Always pushing toward a bigger shiver of passion, Martin’s young-man-on-the-make learns how to adapt his persona to suit his lovers’ needs and tries to embrace his own experience—and his self—by becoming the purest object of desire.

Tent repertoire theatre as a form of popular entertainment caught on in the late 19th century, had its heyday in the 1920s, and was finished by the Depression and World War II gasoline rationing. The author examines this rise and fall in context of an increasingly urbanized society.

Rebelling against bourgeois vacuity and taking their countercultural critique on the road, the Beat writers and artists have long symbolized a spirit of freedom and radical democracy. Manuel Martinez offers an eye-opening challenge to this characterization of the Beats, juxtaposing them against Chicano nationalists like Raul Salinas, Jose Montoya, Luis Valdez, and Oscar Acosta and Mexican migrant writers in the United States, like Tomas Rivera and Ernesto Galarza.
    In an innovative rereading of American radical politics and culture of the 1950s and 1960s, Martinez uncovers reactionary, neoromantic, and sometimes racist strains in the Beats’ vision of freedom, and he brings to the fore the complex stances of Latinos on participant democracy and progressive culture. He analyzes the ways that Beats, Chicanos, and migrant writers conceived of and articulated social and political perspectives. He contends that both the Beats’ extreme individualism and the Chicano nationalists’ narrow vision of citizenship are betrayals of the democratic ideal, but that the migrant writers presented a distinctly radical and inclusive vision of democracy that was truly countercultural.

            Interconnected like the Bonjour family itself, this novel is a tale of unpredictable and unforgettable characters that transports readers to a plane where ethnicity becomes universality.

It is impossible to discuss what shamans are and what they do, contends Gregory G. Maskarinec, without knowing what shamans say. When Maskarinec took an interest in shaman rituals on his first visit to Nepal, he was told by many Nepalis and Westerners that the shamans he had encountered in the Himalayan foothills of western Nepal engaged in "meaningless mumblings." But in the course of several years of fieldwork he learned from the shamans that both their long, publicly chanted rituals and their whispered, secretive incantations are oral texts meticulously memorized through years of training. In The Rulings of the Night, he shows how the shamans, during their dramatic night-long performances, create the worlds of words in which shamans exist.

Maskarinec analyzes several complete repertoires of the texts that the shamans use to diagnose and treat afflictions that trouble their clients. Through these texts, they intervene to manipulate and change the world, replacing its unbalanced, inexpressible chaos with orderly, balanced, grammatical, and eloquently expressible states. They negotiate the relations between language, action, and social realities, providing a well-constructed and thoroughly consistent intentional universe—and only in that universe can all shaman actions and beliefs be fully comprehended.

For nearly a half century, from 1945 to 1991, the United States and the Soviet Union maneuvered to achieve global hegemony. Each forged political alliances, doled out foreign aid, mounted cultural campaigns, and launched covert operations. The Cold War also deeply affected the domestic politics, cultures, and economic policies of the two superpowers, their client states, and other nations throughout the world.
            Teaching the Cold War is both necessary and challenging. Understanding and Teaching the Cold War is designed to help collegiate and high school teachers navigate the complexity of the topic, integrate up-to-date research and concepts into their classes, and use strategies and tools that make this important history meaningful to students.
            The volume opens with Matthew Masur’s overview of models for approaching the subject, whether in survey courses or seminars. Two prominent historians, Carole Fink and Warren Cohen, offer accounts of their experience as longtime scholars and teachers of the Cold War from European and Asian perspectives. Sixteen essays dig into themes including the origins and end of the conflict, nuclear weapons, diplomacy, propaganda, fear, popular culture, and civil rights, as well as the Cold War in Eastern Europe, Western Europe, East Asia, Africa, Latin America, and the nonaligned nations. A final section provides practical advice for using relevant, accessible primary sources to implement the teaching ideas suggested in this book.

The first generation of Russian modernists experienced a profound sense of anxiety resulting from the belief that they were living in an age of decline. What made them unique was their utopian prescription for overcoming the inevitability of decline and death both by metaphysical and physical means. They intertwined their mystical erotic discourse with European degeneration theory and its obsession with the destabilization of gender. In Erotic Utopia, Olga Matich suggests that same-sex desire underlay their most radical utopian proposal of abolishing the traditional procreative family in favor of erotically induced abstinence.

“Offers a fresh perspective and a wealth of new information on early Russian modernism. . . . It is required reading for anyone interested in fin-de-siècle Russia and in the history of sexuality in general.”—Bernice Glatzer Rosenthal, Slavic and East European Journal

“Thoroughly entertaining.”—Avril Pyman, Slavic Review

Since its founding three hundred years ago, the city of Saint Petersburg has captured the imaginations of the most celebrated Russian writers, whose characters map the city by navigating its streets from the aristocratic center to the gritty outskirts. While Tsar Peter the Great planned the streetscapes of Russia’s northern capital as a contrast to the muddy and crooked streets of Moscow, Andrei Bely’s novel Petersburg (1916), a cornerstone of Russian modernism and the culmination of the “Petersburg myth” in Russian culture, takes issue with the city’s premeditated and supposedly rational character in the early twentieth century.
    “Petersburg”/Petersburg studies the book and the city against and through each other. It begins with new readings of the novel—as a detective story inspired by bomb-throwing terrorists, as a representation of the aversive emotion of disgust, and as a painterly avant-garde text—stressing the novel’s phantasmagoric and apocalyptic vision of the city. Taking a cue from Petersburg’s narrator, the rest of this volume (and the companion Web site, stpetersburg.berkeley.edu/) explores the city from vantage points that have not been considered before—from its streetcars and iconic art-nouveau office buildings to the slaughterhouse on the city fringes. From poetry and terrorist memoirs, photographs and artwork, maps and guidebooks of that period, the city emerges as a living organism, a dreamworld in flux, and a junction of modernity and modernism.

Englishwoman Mary McAuley first arrived in Leningrad in the early 1960s, eager to study labor relations for her thesis. Staying at a hostel, she met a number of Soviet students, many born under the rule of Joseph Stalin. Over the half-century that followed, McAuley traced their varying paths and the changing face of the former imperial capital.
Remembering Leningrad captures the story of a beautiful city and lifelong friendships. We follow McAuley as she walks through the streets downtown and examines politics in the 1960s, describes the hazards of furnishing an apartment in the 1990s, and learns about the challenges her friends have faced during these turbulent years. By weaving history and anecdotes to create a picture of Russia’s cultural center, McAuley underscores the impact of time and place on the Russian intelligentsia who lived through the transition from Soviet to post-Soviet life. The result is a remarkable group portrait of a generation.

    Wisconsin is known as the home of the Progressive party.  But, in the words of a suffragist as late as 1912, “the last thing a man becomes progressive about is the activities of his wife.”
    In On Wisconsin Women, Genevieve McBride traces women’s work in reform movements in the state’s politics and especially in its press.  Even before Wisconsin became a state in 1848, women’s news and opinions appeared in abolitionist journals and “temperance sheets,” if often anonymously.  But the first paper in Wisconsin published under a woman’s name, however, was boycotted by Milwaukee printers and failed in 1853.
    From the passage of the Fourteenth Amendment in 1866 to the state’s historic ratification of the Nineteenth Amendment in 1919, Wisconsin women were never at a loss for words nor a newspaper to print them.  Among women who would be heard were Mathilde Fransziska Anneke, Emma Brown, Lavinia Goodell, Emma Bascom, Olympia Brown, Belle Case La Follette, Ada L. James, and Theodora Winton Youmans.  McBride brings their voices vividly to life, in their own words on their lifelong work for woman’s rights.
    Nowhere was “the struggle” fought for so long and so hard as in Wisconsin.  While women elsewhere sang suffrage hymns, women in the Badger State marched to a “fight song” with a familiar tune but sung in their own words—lyrics too long forgotten until now.

For more than two thousand years, Ethiopia’s ox-plow agricultural system was the most efficient and innovative in Africa, but has been afflicted in the recent past by a series of crises: famine, declining productivity, and losses in biodiversity. James C. McCann analyzes the last two hundred years of agricultural history in Ethiopia to determine whether the ox-plow agricultural system has adapted to population growth, new crops, and the challenges of a modern political economy based in urban centers.
    This agricultural history is set in the context of the larger environmental and landscape history of Ethiopia, showing how farmers have integrated crops, tools, and labor with natural cycles of rainfall and soil fertility, as well as with the social vagaries of changing political systems. McCann traces characteristic features of Ethiopian farming, such as the single-tine scratch plow, which has retained a remarkably consistent design over two millennia, and a crop repertoire that is among the most genetically diverse in the world.
    People of the Plow provides detailed documentation of Ethiopian agricultural practices since the early nineteenth century by examining travel narratives, early agricultural surveys, photographs and engravings, modern farming systems research, and the testimony of farmers themselves, collected during McCann’s five years of fieldwork. He then traces the ways those practices have evolved in the twentieth century in response to population growth, urban markets, and the presence of new technologies.

During the Roman transition from Republic to Empire in the first century B.C.E., the poet Horace found his own public success in the era of Emperor Augustus at odds with his desire for greater independence. In Horace between Freedom and Slavery, Stephanie McCarter offers new insights into Horace's complex presentation of freedom in the first book of his Epistles and connects it to his most enduring and celebrated moral exhortation, the golden mean.

She argues that, although Horace commences the Epistles with an uncompromising insistence on freedom, he ultimately adopts a middle course. She shows how Horace explores in the poems the application of moderate freedom first to philosophy, then to friendship, poetry, and place. Rather than rejecting philosophical masters, Horace draws freely on them without swearing permanent allegiance to any—a model for compromise that allows him to enjoy poetic

renown and friendships with the city's elite while maintaining a private sphere of freedom. This moderation and adaptability, McCarter contends, become the chief ethical lessons that Horace learns for himself and teaches to others. She reads Horace's reconfiguration of freedom as a political response to the transformations of the new imperial age.

"I know nothing about death, absolutely nothing," asserts the narrator of this inventive autobiographical novel. Yet he can't stop thinking about it. Detached from life in Los Angeles and his past in Australia, uncomfortable around other humans, he researches death on the Internet; mulls over distant and intimate stories of suicides, serial killers, and "natural deaths"; and wanders about LA's Holy Cross Cemetery. He's looking for answers, all the while formulating his own disquieting philosophies.

Within this dizzying investigation into the mystery of death is another mystery: who is the companion igniting these memories? This enigmatic novel blurs the line between fiction and nonfiction, story and eulogy, poetry and obituary. Wry yet somber, astringent yet tender, The Disintegrations confronts both the impossibility of understanding death and the timeless longing for immortality.

This is no ordinary novel. An encyclopedia of memory—from A to Z—The End of the World Book deftly intertwines fiction, memoir, and cultural history, reimagining the story of the world and one man’s life as they both hurtle toward a frightening future. Alistair McCartney’s alphabetical guide to the apocalypse layers images like a prose poem, building from Aristotle to da Vinci, hip-hop to lederhosen, plagues to zippers, while barreling from antiquity to the present.
    In this profound book about mortality, McCartney composes an irreverent archive of philosophical obsessions and homoerotic fixations, demonstrating the difficulty of separating what is real from what is imagined.

Finalist, Edmund White Award for Debut Fiction, The Publishing Triangle

In Nature's Kindred Spirits James McClintock shows how their mystical experiences with the wild led to dramatic conversions in their thinking and behavior.  By embracing the ecstasy of nature, they reject modern alienation and spiritual confusion.
    From Aldo Leopold, America’s most important conservationist and author of the classic A Sand County Almanac, to Pulitzer Prize winners Annie Dillard and Gary Snyder and defenders of the desert Joseph Wood Krutch and Edward Abbey, these writers share a common vision that harkens back to Henry David Thoreau and John Muir.  To nineteenth-century Romantic ideals, they add the authority of modern ecological science.  Collectively they have elevated nature’s importance in American culture, shaping the growth of the environmental movement and influencing American environmental policies.
    Widely admired among educated readers but relatively neglected by the literary establishment, these writers unite the experiential with the metaphysical, the ordinary with the sacred, the personal with the public, and the natural with the social.  Using ecology as a touchstone, McClintock further draws connections among science, politics, religion, and philosophy to create an enlightening overview of the work of these “kindred spirits.”

A classic in its field, this pathbreaking book humanized the scientific rhetoric of economics to reveal its literary soul. Economics needs to admit that it, like other sciences, works with metaphors and stories. Its most mathematical and statistical moments are properly dominated by comparison and narration, that is to say, human persuasion. The book was McCloskey's opening move in the development of a "humanomics," and unification of the sciences and the humanities on the field of ordinary business life.

Winner of the Philippine National Book Award, this pioneering volume reveals how the power of the country’s family-based oligarchy both derives from and contributes to a weak Philippine state. From provincial warlords to modern managers, prominent Filipino leaders have fused family, politics, and business to compromise public institutions and amass private wealth—a historic pattern that persists to the present day.
    Edited by Alfred W. McCoy, An Anarchy of Families explores the pervasive influence of the modern dynasties that have led the Philippines during the past century. Exemplified by the Osmeñas and Lopezes, elite Filipino families have formed a powerful oligarchy—controlling capital, dominating national politics, and often owning the media. Beyond Manila, strong men such as Ramon Durano, Ali Dimaporo, and Justiniano Montano have used “guns, goons, and gold” to accumulate wealth and power in far-flung islands and provinces. In a new preface for this revised edition, the editor shows how this pattern of oligarchic control has continued into the twenty-first century, despite dramatic socio-economic change that has supplanted the classic “three g’s” of Philippine politics with the contemporary “four c’s”—continuity, Chinese, criminality, and celebrity.

At the dawn of the twentieth century, the U.S. Army swiftly occupied Manila and then plunged into a decade-long pacification campaign with striking parallels to today’s war in Iraq. Armed with cutting-edge technology from America’s first information revolution, the U.S. colonial regime created the most modern police and intelligence units anywhere under the American flag. In Policing America’s Empire Alfred W. McCoy shows how this imperial panopticon slowly crushed the Filipino revolutionary movement with a lethal mix of firepower, surveillance, and incriminating information. Even after Washington freed its colony and won global power in 1945, it would intervene in the Philippines periodically for the next half-century—using the country as a laboratory for counterinsurgency and rearming local security forces for repression. In trying to create a democracy in the Philippines, the United States unleashed profoundly undemocratic forces that persist to the present day.
    But security techniques bred in the tropical hothouse of colonial rule were not contained, McCoy shows, at this remote periphery of American power. Migrating homeward through both personnel and policies, these innovations helped shape a new federal security apparatus during World War I. Once established under the pressures of wartime mobilization, this distinctively American system of public-private surveillance persisted in various forms for the next fifty years, as an omnipresent, sub rosa matrix that honeycombed U.S. society with active informers, secretive civilian organizations, and government counterintelligence agencies. In each succeeding global crisis, this covert nexus expanded its domestic operations, producing new contraventions of civil liberties—from the harassment of labor activists and ethnic communities during World War I, to the mass incarceration of Japanese Americans during World War II, all the way to the secret blacklisting of suspected communists during the Cold War.

“With a breathtaking sweep of archival research, McCoy shows how repressive techniques developed in the colonial Philippines migrated back to the United States for use against people of color, aliens, and really any heterodox challenge to American power. This book proves Mark Twain’s adage that you cannot have an empire abroad and a republic at home.”—Bruce Cumings, University of Chicago

 “This book lays the Philippine body politic on the examination table to reveal the disease that lies within—crime, clandestine policing, and political scandal. But McCoy also draws the line from Manila to Baghdad, arguing that the seeds of controversial counterinsurgency tactics used in Iraq were sown in the anti-guerrilla operations in the Philippines. His arguments are forceful.”—Sheila S. Coronel, Columbia University

 

“Conclusively, McCoy’s Policing America’s Empire is an impressive historical piece of research that appeals not only to Southeast Asianists but also to those interested in examining the historical embedding and institutional ontogenesis of post-colonial states’ police power apparatuses and their apparently inherent propensity to implement illiberal practices of surveillance and repression.”—Salvador Santino F. Regilme, Jr., Journal of Current Southeast Asian Affairs

 

“McCoy’s remarkable book . . . does justice both to its author’s deep knowledge of Philippine history as well as to his rare expertise in unmasking the seamy undersides of state power.”—POLAR: Political and Legal Anthropology Review

 

Winner, George McT. Kahin Prize, Southeast Asian Council of the Association for Asian Studies

Many Americans have condemned the “enhanced interrogation” techniques used in the War on Terror as a transgression of human rights. But the United States has done almost nothing to prosecute past abuses or prevent future violations. Tracing this knotty contradiction from the 1950s to the present, historian Alfred W. McCoy probes the political and cultural dynamics that have made impunity for torture a bipartisan policy of the U.S. government.
    During the Cold War, McCoy argues, the U.S. Central Intelligence Agency covertly funded psychological experiments designed to weaken a subject’s resistance to interrogation. After the 9/11 terrorist attacks, the CIA revived these harsh methods, while U.S. media was flooded with seductive images that normalized torture for many Americans. Ten years later, the U.S. had failed to punish the perpetrators or the powerful who commanded them, and continued to exploit intelligence extracted under torture by surrogates from Somalia to Afghanistan. Although Washington has publicly distanced itself from torture, disturbing images from the prisons at Abu Ghraib and Guantanamo are seared into human memory, doing lasting damage to America’s moral authority as a world leader.

Throughout four millennia of recorded history there has been no end to empire, but instead an endless succession of empires. After five centuries of sustained expansion, the half-dozen European powers that ruled half of humanity collapsed with stunning speed after World War II, creating a hundred emerging nations in Asia and Africa. Amid this imperial transition, the United States became the new global hegemon, dominating this world order with an array of power that closely resembled that of its European predecessors.
    As Brazil, Russia, India, China, and the European Union now rise in global influence, twenty leading historians from four continents take a timely look backward and forward to discover patterns of eclipse in past empires that are already shaping a decline in U.S. global power, including:
• erosion of economic and fiscal strength needed for military power on a global scale
• misuse of military power through micro-military misadventures
• breakdown of alliances among major powers
• weakened controls over the subordinate elites critical for any empire’s exercise of global power
• insufficient technological innovation to sustain global force projection.

At the end of the nineteenth century the United States swiftly occupied a string of small islands dotting the Caribbean and Western Pacific, from Puerto Rico and Cuba to Hawaii and the Philippines. Colonial Crucible: Empire in the Making of the Modern American State reveals how this experiment in direct territorial rule subtly but profoundly shaped U.S. policy and practice—both abroad and, crucially, at home. Edited by Alfred W. McCoy and Francisco A. Scarano, the essays in this volume show how the challenge of ruling such far-flung territories strained the U.S. state to its limits, creating both the need and the opportunity for bold social experiments not yet possible within the United States itself. Plunging Washington’s rudimentary bureaucracy into the white heat of nationalist revolution and imperial rivalry, colonialism was a crucible of change in American statecraft. From an expansion of the federal government to the creation of agile public-private networks for more effective global governance, U.S. empire produced far-reaching innovations.
    Moving well beyond theory, this volume takes the next step, adding a fine-grained, empirical texture to the study of U.S. imperialism by analyzing its specific consequences. Across a broad range of institutions—policing and prisons, education, race relations, public health, law, the military, and environmental management—this formative experience left a lasting institutional imprint. With each essay distilling years, sometimes decades, of scholarship into a concise argument, Colonial Crucible reveals the roots of a legacy evident, most recently, in Washington’s misadventures in the Middle East.

More than thirty years after it was written, the autobiography of Carson McCullers, Illumination and Night Glare, will be published for the first time. McCullers, one of the most gifted writers of her generation—the author of Member of the Wedding, Reflections in a Golden Eye, and The Ballad of Sad Cafe—died of a stroke at the age of fifty before finishing this, her last manuscript. Editor Carlos L. Dews has faithfully brought her story back to life, complete with never-before-published letters between McCullers and her husband Reeves, and an outline of her most famous novel, The Heart Is a Lonely Hunter.

Looking back over her life from a precocious childhood in Georgia to her painful decline from a series of crippling strokes, McCullers offers poignant and unabashed remembrances of her early writing success, her family attachments, a troubled marriage to a failed writer, and friendships with literary and film luminaries (Gypsy Rose Lee, Richard Wright, Isak Dinesen, John Huston, Marilyn Monroe), and the intense relationships of the important women in her life.

The Cross of War documents the rise of “messianic interventionism”—the belief that America can and should intervene altruistically on behalf of other nations. This stance was first embraced in the Spanish-American War of 1898, a war that marked the dramatic emergence of the United States as an active world power and set the stage for the foreign policy of the next one hundred years. Responding to the circumstances of this war, an array of Christian leaders carefully articulated and defended the notion that America was responsible under God to extend freedom around the world—by force, if necessary. Drawing from a wide range of sermons and religious periodicals across regional and denominational lines, Matthew McCullough describes the ways that many American Christians came to celebrate military intervention as a messianic sacrifice, to trace the hand of God in a victory more painless and complete than anyone had imagined, and to justify the shift in American foreign policy as a divine calling.

     On the night of March 11, 1862, as the heavy tramp of Confederate marching troops died away in the distance—her husband’s regiment among them—Cornelia Peake McDonald began her diary of events in war-torn Winchester, Virginia.
     McDonald’s story of the Civil War records a personal and distinctly female battle of her own—a southern woman’s lonely struggle in the midst of chaos to provide safety and shelter for herself and her children. For McDonald, history is what happens “inside the house.” She relates the trauma that occurs when the safety of the home is disrupted and destroyed by the forces of war—when women and children are put out of their houses and have nowhere to go.
     Whether she is describing a Union soldier’s theft of her Christmas cakes, the discovery of a human foot in her garden, or the death of her baby daughter, McDonald’s story of the Civil War at home is compelling and disturbing. Her tremendous determination and unyielding spirit in the face of the final collapse of her world is testimony to a woman’s will to preserve her family and her own sense of purpose as a “rebel” against all that she regarded as tyrannical and brutal in war itself.

Razorback Ridge. Levis Mound. The Underdown. Washburn and Nepco Lake. Whether you’re looking for a snake-like singletrack or a steep descent, whether you want to hit the trails near urban centers or escape to the scenic northern woods and waters, Fat Tire Wisconsin will take you there.

In this updated Second Edition, authors and Wisconsin natives W. Chad McGrath and Mark Parman share the knowledge gained from countless hours of riding Wisconsin’s off-road bike trails. They’ve included twenty-one challenging new trail systems, as well as changes and expansions to older systems. Fat Tire Wisconsin includes details of terrain and levels of difficulty; trail maps, directions to the trail sites, and use fees; and information on organizations, races, and websites.

Worldwide, mountain biking is enjoying ever-increasing popularity. Wisconsin, already a popular and welcoming locale for cycling activities of all kinds, is fast becoming a leader in off-road biking. Fat Tire Wisconsin takes you straight into the heart of everything that off-road Wisconsin has to offer.

This book is a literary history of the Noble Savage and a comprehensive metamorphology of the American mind. Wide-ranging and deep-diving, this book suggests many reevaluations of American heroes and attitudes.

Among a growing number of ethnographies of eastern Indonesia that deal with cosmology, exchange, and kinship, From a Shattered Sun is the first to address squarely issues originally broached by Edmund Leach and Claude Lévi-Strauss concerning the relation between hierarchy and equality in asymmetric systems of marriage.
    On the basis of extensive fieldwork in the Tamimbar islands, Susan McKinnon analyzes the simultaneous presence of both closed, asymmetric cycles and open, asymmetric pathways of alliance—of both egalitarian and hierarchical configurations.  In addition, Tamimbarese society is marked by the existence of multiple, differentially valued forms of marriage, affiliation, and residence.  Rather than seeing these various forms as analytically separable types, McKinnon demonstrates that it is only by viewing them as integrally related—in terms of culturally specific understandings of "houses," gender, and exchange—that one can perceive the processes through which hierarchy and equality are created.

    Everybody’s got a theory . . . or do they?
    Thomas McLaughlin argues that critical theory—raising serious, sustained questions about cultural practice and ideology—is practiced not only by an academic elite but also by savvy viewers of sitcoms and TV news, by Elvis fans and Trekkies, by labor organizers and school teachers, by the average person in the street.
    Like academic theorists, who are trained in a tradition of philosophical and political skepticism that challenges all orthodoxies, the vernacular theorists McLaughlin identifies display a lively and healthy alertness to contradiction and propaganda. They are not passive victims of ideology but active questioners of the belief systems that have power over their lives. Their theoretical work arises from the circumstances they confront on the job, in the family, in popular culture. And their questioning of established institutions, McLaughlin contends, is essential and healthy, for it energizes other theorists who clarify the purpose and strategies of institutions and justify the existence of cultural practices.
    Street Smarts and Critical Theory leads us through eye-opening explorations of social activism in the Southern Christian anti-pornography movement, fan critiques in the ‘zine scene, New Age narratives of healing and transformation, the methodical manipulations of the advertising profession, and vernacular theory in the whole-language movement. Emphasizing that theory is itself a pervasive cultural practice, McLaughlin calls on academic institutions to recognize and develop the theoretical strategies that students bring into the classroom.

“This book demystifies the idea of theory, taking it out of the hands of a priestly caste and showing it as the democratic endowment of the people.”—Daniel T. O’Hara, Temple University, author of Radical Parody:  American Culture and Critical Agency after Foucault and Lionel Trilling: The Work of Liberation.

“McLaughlin takes seriously the critical and theoretical activity of everyday people and does so in a way that will empower these very populations to take seriously their own activities as theorists. . . . A manifesto that is sure to be heard by the younger generation of thinkers in American cultural studies.”—Henry Jenkins, MIT, author of Textual Poachers: Television Fans and Participatory Culture

The St. Croix River, the free-flowing boundary between Wisconsin and Minnesota, is a federally protected National Scenic Riverway. The area’s first recorded human inhabitants were the Dakota Indians, whose lands were transformed by fur trade empires and the loggers who called it the “river of pine.” A patchwork of farms, cultivated by immigrants from many countries, followed the cutover forests. Today, the St. Croix River Valley is a tourist haven in the land of sky-blue waters and a peaceful escape for residents of the bustling Minneapolis–St. Paul metropolitan region.
    North Woods River is a thoughtful biography of the river over the course of more than three hundred years. Eileen McMahon and Theodore Karamanski track the river’s social and environmental transformation as newcomers changed the river basin and, in turn, were changed by it. The history of the St. Croix revealed here offers larger lessons about the future management of beautiful and fragile wild waters.

            The masquerade's widespread appearance as a literary motif in works by such writers as Anna Akhmatova, Leonid Andreev, Andrei Bely, Aleksandr Blok, and Fyodor Sologub mirrored its popularity as a leisure-time activity and illuminated its integral role in the Russian modernist creative consciousness. Colleen McQuillen charts how the political, cultural, and personal significance of lavish costumes and other forms of self-stylizing evolved in Russia over time. She shows how their representations in literature engaged in dialog with the diverse aesthetic trends of Decadence, Symbolism, and Futurism and with the era's artistic philosophies.

Like the nation that it symbolizes, the bold arch of the Jefferson National Expansion Memorial poses enormous contradictions. It is a simple, classical architectural form constructed with the most sophisticated modern engineering. It is a national historic site created by demolishing nearly forty blocks of historic riverfront buildings. It is the perfect place to examine critical, historic tensions in American culture.

First published in 1932, The Experimental College is the record of a radical experiment in university education. Established at the University of Wisconsin in Madison in 1927 by innovative educational theorist Alexander Meiklejohn, the "Experimental College" itself was to be a small, intensive, residence-based program within the larger university that provided a core curriculum of liberal education for the first two years of college.
Aimed at finding a method of teaching whereby students would gain "intelligence in the conduct of their own lives," the Experimental College gave students unprecedented freedom. Discarding major requirements, exams, lectures, and mandatory attendance, the program reshaped the student-professor relationship, abolished conventional subject divisions, and attempted to find a new curriculum that moved away from training students in crafts, trades, professions, and traditional scholarship. Meiklejohn and his colleagues attempted instead to broadly connect the democratic ideals and thinking of classical Athens with the dilemmas of daily life in modern industrial America.
     The experiment became increasingly controversial within the university, perhaps for reasons related less to pedagogy than to personalities, money, and the bureaucratic realities of a large state university. Meiklejohn’s program closed its doors after only five years, but this book, his final report on the experiment, examines both its failures and its triumphs. This edition brings back into print Meiklejohn’s original, unabridged text, supplemented with a new introduction by Roland L. Guyotte. In an age of increasing fragmentation and specialization of academic studies, The Experimental College remains a useful tool in any examination of the purposes of higher education.

This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States.

This biography of Aldo Leopold follows him from his childhood as a precocious naturalist to his profoundly influential role in the development of conservation and modern environmentalism in the United States. This edition includes a new preface by author Curt Meine and an appreciation by acclaimed Kentucky writer and farmer Wendell Berry.

Ancient glaciers passed by the Driftless Area and waterways vein its interior, forming an enchanting, enigmatic landscape of sharp ridgetops and deep valleys. Across time, this rugged topography has been home to an astonishing variety of people: Sauk, Dakota, and Ho-Chunk villagers, Norwegian farmers and Mexican mercado owners, Dominican nuns and Buddhist monks, river raftsmen and Shakespearean actors, Cornish miners and African American barn builders, organic entrepreneurs and Hmong truck gardeners.

The Driftless Reader gathers writings that highlight the unique natural and cultural history, landscape, and literature of this region that encompasses southwestern Wisconsin and adjacent Minnesota, Iowa, and Illinois. The more than eighty selected texts include writings by Black Hawk, Mark Twain, Laura Ingalls Wilder, Frank Lloyd Wright, Aldo Leopold, David Rhodes, and many other Native people, explorers, scientists, historians, farmers, songwriters, journalists, and poets. Paintings, photographs, maps, and other images complement the texts, providing a deeper appreciation of this region's layered natural and human history.

Highlights include excerpts and art from:

Carol Ryrie Brink

William Cronon

John T. Curtis

August Derleth

Richard Eberhart

Fabu

Hamlin Garland

Pedro Guerrero

Hoowaneka (Little Elk)

Juliet Kinzie

Patty Loew

Ben Logan

Truman Lowe

Jacques Marquette

Ken McCullough

Edna Meudt

Mountain Wolf Woman

Zebulon Pike

Henry Schoolcraft

Clifford D. Simak

Wallace Stegner

Pearl Swiggum

Frank Utpatel

Mark Wunderlich

    For the first time, the most important quotations of the great conservationist Aldo Leopold, author of A Sand County Almanac, are gathered in one volume. From conservation education to wildlife ecology, from wilderness protection to soil and water conservation, the writings of Aldo Leopold continue to have profound influence on those seeking to understand the earth and its care. Leopold biographer Curt Meine and noted conservation biologist Richard Knight have assembled this comprehensive collection of quotations from Leopold’s extensive and diverse writings, selected and organized to capture the richness and depth of the North American conservation movement.
    Prominent biologists, conservationists, historians, and philosophers provide introductory commentaries describing Leopold’s contributions in varied fields and reflecting upon the significance of his work today.

Contributors:
J. Baird Callicott
David Ehrenfeld
Susan L. Flader
Eric T. Freyfogle
Wes Jackson
Paul W. Johnson
Joni L. Kinsey
Richard L. Knight
Gary K. Meffe
Curt Meine
Gary Paul Nabhan
Richard Nelson
Bryan G. Norton
David W. Orr
Edwin P. Pister
Donald Snow
Stanley A. Temple
Jack Ward Thomas
Charles Wilkinson
Terry Tempest Williams
Donald Worster
Joy B. Zedler

Winner of the 1998 Award for Excellence in Indexing, American Society of Indexers and H. W. Wilson Company

Tom Melville presents a well-documented history of cricket playing in America, focusing on its period of growth in the 1840s and its periodic revivals. Cricket failed to take on, or resisted, an American identity, but the sport had considerable appeal both as a sport and as an activity that fostered sportsmanship, control, public manners, and decorum. Cricket found acceptance mainly in the upper class but also appealed to working-class people.

Jonathan Ascher, an acclaimed 1960s radical writer and cultural hero, has been dead for thirty years.
            When a would-be biographer approaches Ascher’s widow Martha, she delves for the first time into her husband’s papers and all the secrets that come tumbling out of them. She finds journals that begin as a wisecracking chronicle of life at the fringes of the New York literary scene, then recount Ascher’s sexual adventures in the pre-Stonewall gay underground and the social upheavals that led to his famous book “JD.” As Martha reads on, she finds herself in a long-distance conversation with her dead husband, fighting with him again about their rocky marriage and learning about the unseen tragedy in her own apartment that ended with the destruction of their son, Mickey. Mickey comes to life in the space between Jonathan and Martha’s conflicting portraits of him, while Martha and the biographer tangle over the continued relevance of Jonathan’s politics and his unfulfilled vision of a nation remade. Martha learns about herself, finally, through her confrontation with a man who will not let her go, even in death.
            Mark Merlis’s JD is a brilliant and harrowing view of a half century of the American experiment, acted out on a small stage by three people who cannot find a way—neither sex nor touch nor words—to speak their love for one another.

Best Books of 2015: Fiction, Open Letters Monthly

Finalist, Gay Fiction, Lambda Literary Award

Finalist, Ferro-Grumley Award for LGBT Fiction, Publishing Triangle

Best books for public & secondary school libraries from university presses, American Library Association

“Many years after a ’60s New York writer's death, his widow confronts their tumultuous marriage and private identities through his journals. . . . JD’s most masterful element is its treatment of these two characters, both of whom spent their lives groping for contentment like one trying to find a light switch in a darkened room. A great writer offers not just tight prose but also insight, a series of probing questions that extend from the fictional world into the real one. JD asks who its characters were, and in doing so, forces the reader to confront the intricate and fascinating politics of identity.”—Shelf Awareness for Readers, *starred review
 
“A truly impressive work of literary fiction, JD documents author Mark Merlis as an extraordinary novelist able to deftly craft a complex plot and populate it with a roster of inherently fascinating characters and memorable events. The result is an entertaining and engaging read that will linger in the mind long after the book is finished. Very highly recommended for both community and academic library literary fiction collections.”—Midwest Book Review/Reviewer’s Bookwatch

“The fantastic JD (U. of Wisconsin), by acclaimed gay writer Mark Merlis (American Studies), is the writer's first novel in a dozen years. It's told in two voices. The first is that of the late gay writer Jonathan Ascher, and we hear from him through his journals. The second belongs to his widow Martha, who learns more about Jonathan than she ever imagined while reading the journals after agreeing to help a biographer of her late husband.”—Gregg Shapiro, Bay Area Reporter

Cemeteries are open cultural texts, available to be read and appreciated by anyone who takes the time to learn their special language. Ethnicity and the American Cemetery explores the manner in which ethnic groups in America have made their cemeteries a most eloquent voice for the expression of values and worldviews.  
    Contributors examine the material objects found within the cemeteries, as well as the customary practices bound to them. Contributors are from the fields of folklore, cultural history, historical archaeology, landscape architecture, and philosophy. Heavily illustrated, the volume also features an extensive annotated bibliography.

“The most extensive scholarship to appear on this Greek dramatist in many years, Michelini’s work will be important to specialists and students of classical literature, literary theory, and both English and comparative literature.”—Modern Greek Studies

During Russia's late imperial period, Orthodox churchmen, professionally trained theologians, and an array of social commentators sought to give meaning to Russian history and its supposed backwardness. Many found that meaning in asceticism. For some, ascetic religiosity prevented Russia from achieving its historical destiny. For others, it was the means by which the Russian people would realize the kingdom of God, thereby saving Holy Russia and the world from the satanic forces of the West.

Patrick Lally Michelson's intellectual history of asceticism in Russian Orthodox thought traces the development of these competing arguments from the early nineteenth century to the early months of World War I. He demonstrates that this discourse was an imaginative interpretation of lived Orthodoxy, primarily meant to satisfy the ideological needs of Russian thinkers and Orthodox intellectuals as they responded to the socioeconomic, political, and cultural challenges of modernity.

Thinking Orthodox in Modern Russia illuminates the significant role of Russian Orthodox thought in shaping the discourse of educated society during the imperial and early Soviet periods. Bringing together an array of scholars, this book demonstrates that Orthodox reflections on spiritual, philosophical, and aesthetic issues of the day informed much of Russia’s intellectual and cultural climate.
            Volume editors Patrick Lally Michelson and Judith Deutsch Kornblatt provide a historical overview of Russian Orthodox thought and a critical essay on the current state of scholarship about religious thought in modern Russia. The contributors explore a wide range of topics, including Orthodox claims to a unique religious Enlightenment, contests over authority within the Russian Church, tensions between faith and reason in academic Orthodoxy, the relationship between sacraments and the self, the religious foundations of philosophical and legal categories, and the effect of Orthodox categories in the formation of Russian literature.

The Ice Age National Scenic Trail meanders across the state of Wisconsin through scenic glacial terrain dotted with lakes, steep hills, and long, narrow ridges. David M. Mickelson, Louis J. Maher Jr., and Susan L. Simpson bring this landscape to life and help readers understand what Ice Age Wisconsin was like. An overview of Wisconsin’s geology and key geological concepts helps readers understand geological processes, materials, and landforms. The authors detail geological features along each segment of the Ice Age Trail and at each of the nine National Ice Age Scientific Reserve sites.
    Readers can experience the Ice Age Trail through more than one hundred full-color photographs, scores of beautiful maps, and helpful diagrams. Science briefs explain glacial features such as eskers, drumlins, and moraines. Geology of the Ice Age National Scenic Trail also includes detailed trail descriptions that are cross referenced with the science briefs to make it easy to find the geological terms used in the trail descriptions. Whatever your level of experience with hiking or knowledge of glaciers, this book will provide lively, informative, and revealing descriptions for a new understanding of the shape of the land beneath our feet.

This is the prequel book to The End of Slavery in Africa, both very well-respected examinations of this subject.

This is the first comprehensive assessment of the end of slavery in Africa. Editors Suzanne Miers and Richard Roberts, with the distinguished contributors to the volume, establish an agenda for the social history of the early colonial period—hen the end of slavery was one of the most significant historical and cultural processes. The End of Slavery in Africa is a sequel to Slavery in Africa, edited by Suzanne Miers and Igor Kopytoff and published by the University of Wisconsin Press in 1977. The contributors explore the historical experiences of slaves, masters, and colonials as they all confronted the end of slavery in fifteen sub-Saharan African societies. The essays demonstrate that it is impossible to generalize about whether the end of slavery was a relatively mild and nondisruptive process or whether it marked a significant change in the social and economic organization of a given society. There was no common pattern and no uniform consequence of the end of slavery. The results of this wide-ranging inquiry will be of lasting value to Africanists and a variety of social and economic historians.

In this innovative work, Danny L. Miller surveys some of the depictions of mountain women from the 1880s to the 1950s, in the writings of Mary Noailles Murfree, Edith Summers Kelley, Anne W. Armstrong, Emma Bell Miles, Jesse Stuart, James Still, and Harriette Arnow. The major aims of the study are to show changes in the descriptions of mountain women—from non-native to native portrayals; from romantic to realistic presentations; and from an emphasis on victimization and drudgery to an emphasis on strength and endurance. Miller identifies qualities that have consistently characterized mountain women in literature.

This acclaimed history of Portuguese and Brazilian slaving in the southern Atlantic is now available in paperback.
    With extraordinary skill, Joseph C. Miller explores the complex relationships among the separate economies of Africa, Europe, and the South Atlantic that collectively supported the slave trade. He places the grim history of the trade itself within the context of the rise of merchant capitalism in the eighteenth century. Throughout, Miller illuminates the experiences of the slaves themselves, reconstructing what can be known of their sufferings at the hands of their buyers and sellers.

Every person has a story to tell, but few beginners know how to uncover their story's narrative potential. And despite a growing interest among students and creative writers, few guides to the genre of memoirs and creative nonfiction highlight compelling storytelling strategies. Addressing this gap, authors Lynn C. Miller and Lisa Lenard-Cook provide a compact, accessible guide to memoir writing that shows how an aspiring memoir writer can use storytelling tools and tactics borrowed from fiction to weave personal experiences into the shape of a story.

            Find Your Story, Write Your Memoir offers an overview of the building blocks of memoir writing. Individual chapters focus on key issues and challenges, such as the balance between the remembering narrator and the experiencing narrator, the capacity to honor the subjective voice, the occasion of telling (why does this narrator tell this story now?), creating an organically functional structure for a particular story, and taking the next steps with a written memoir. Drawing on their combined years of experience teaching memoir writing, authoring works of fiction and nonfiction, and working in autobiographical performance, Miller and Lenard-Cook provide a practical guide whose core philosophy is motivated by a key word: story.

Bronze winner, Foreword Book of the Year, Writing Guides

Fourteen bold, dynamic, and daring women take the stage in this collection of women's lives and stories. Individually and collectively, these writers and performers speak the unspoken and perform the heretofore unperformed.

The first section includes scripts and essays about performances of the lives of Gertrude Stein, Georgia O'Keeffe, Mary Church Terrell, Charlotte Cushman, Anaïs Nin, Calamity Jane, and Mary Martin. The essays consider intriguing interpretive issues that arise when a woman performer represents another woman's life. In the second section, seven performers—Tami Spry, Jacqueline Taylor, Linda Park-Fuller, Joni Jones, Terri Galloway, Linda M. Montano, and Laila Farah—tell their own stories. Ranging from narrrative lectures (sometimes aided by slides and props) to theatrical performances, their works wrest comic and dramatic meaning from a world too often chaotic and painful. Their performances engage issues of sexual orientation, ethnicity, race, loss of parent, disability, life and death, and war and peace. The volume as a whole highlights issues of representation, identity, and staging in autobiographical performance. It examines the links among theory and criticism of women's autobiography, feminist performance theory, and performance practice.

From bubbling spring-fed headwaters to quiet, marshy creeks and tannin-stained northern reaches, Wisconsin is home to 84,000 miles of streams. This guide is the ultimate companion for learning about the animals and plants in Wisconsin streams. A collaborative effort by dozens of biologists and ecologists, Field Guide toWisconsin Streams is accessible to anglers, teachers and students, amateur naturalists, and experienced scientists alike.
            More than 1,000 images illustrate the species in this field guide. These images are augmented by detailed ecological and taxonomic notes, descriptions of look-alike species, and distribution maps. The guide identifies:
• more than 130 common plants
• all 120 fishes known to inhabit Wisconsin streams
• 8 crayfishes
• 50 mussels
• 10 amphibians
• 17 reptiles
• 70 families of insects
• other commonly found invertebrates.

Best Regional General Interest Books, selected by the American Association of School Librarians

Best Regional General Interest Books, selected by the Public Library Reviewers