A radical reinterpretation of the origin of religion through a psychoanalytic theorization of the unknown
Renowned psychoanalytic philosopher Richard Boothby puts forward a novel theory of religion inspired by Jacques Lacan’s theory of das Ding, the disquieting, inaccessible dimension of fellow human beings. This notion of an unfathomable excess, originally encountered in the figure of the mother, led Lacan to break with Freud’s formulation of the Oedipus complex and underlies Lacan’s distinctive conception of unconscious dynamics. Leaning on this account, Boothby shows how our sense of the sacred arises from our relation to what we do not know.
Embracing the Void lays out the range of Freud’s attempts at a psychoanalytic theory of religion and then sketches the rough contours of Lacan’s contrasting approach. From there, Boothby offers the theoretical tools for interpreting the religious impulse and analyzes key religious traditions, from ancient Greek polytheism to Judaism and Christianity, and from Hinduism and Buddhism to Islam, finally turning to modern capitalist culture and the seductive deity that dominates it—money. Lucid, accessible, and compelling, the book provides a cogent intervention in one of the psychoanalytic tradition’s most contentious topics and offers a new approach to our understanding of religion.
Illinois Democratic politics has recently produced the most skilled and inspirational politician in memory . . . and has also reminded us of the need for further reform. It is fitting, then, that the latest installment of the Chicago Lives series turns to Dawn Clark Netsch, a leading reformer of Illinois politics since the 1950s and the first woman major party nominee for governor of Illinois.
Netsch was a pioneer, or the first of her gender, in almost every endeavor she undertook. From the very beginning of her career, when she led the move to desegregate Northwestern University's undergraduate dorms, her passion for social justice extended beyond the rights of women to rights for racial minorities and those of all sexual orientations. Bowman charts Dawn Clark Netsch's remarkable political career, from her work behind the scenes as assistant to Governor Otto Kerner and as a participant in the 1970 Constitutional Convention to her later service in elected office, first as Illinois state senator for eighteen years and later as Illinois comptroller, and culminating in her historic run for governor in 1994. Throughout, Netsch lost neither her genteel yet unpretentious demeanor, nor her passion for progressive politics as exemplified by her early mentor, Governor Adlai E. Stevenson.
Nabokov Upside Down brings together essays that explicitly diverge from conventional topics and points of reference when interpreting a writer whose influence on contemporary literature is unrivaled. Scholars from around the world here read Nabokov in terms of bodies rather than minds, belly-laughs rather than erudite wit, servants rather than master-artists, or Asian rather than Western perspectives. The first part of the volume is dedicated to surveys of Nabokov’s oeuvre that transform some long-held assumptions concerning the nature of and significance of his work.
Often thought of as among the most cerebral of artists, Nabokov comes across in these essays as profoundly aware of the physical world, as evidenced by his masterly representation of physical movement, his bawdy humor, and his attention to gustatory pleasure, among other aspects of his writing. The volume’s second half focuses on individual works or phases in Nabokov’s career, noting connections among them as well as to other fields of inquiry beyond literature. Engaged in conversation with each other and, in his editorial comments, with Brian Boyd, the essays in this volume show Nabokov scholarship continuing to renew itself.
These plays by Andy Bragen examine the intimacies and shadows that exist between parents and children. In This Is My Office, a guided tour through an empty office becomes the unexpected portal to a forgotten New York and a father’s legacy. This play brings you face-to-face with a narrator who finds his way through doubt, soul-sickness, and doughnut cravings by telling you a story. Not the one he meant to tell, but a richer one about family, redemption, and love.
The autobiographical Notes on My Mother’s Decline evokes the final days of a woman’s life. Late at night, while his baby daughter sleeps, a son takes notes on his mother’s daily life and scenes from their complicated relationship. He is shaping a play, as well as a perspective. Two blocks away, his mother naps, smokes, reads, and drinks coffee. She is shaping her existence within encroaching confines. Bragen plumbs silences and one-sided conversations to ask how we come to know one another as parents and as children. How do we care for those we love, and what does it take to live with—and without—them?
Winner of the 2013 National Jewish Book Award
The illustrated three-volume Geographical Encyclopedia of the Holocaust in Hungary is a definitive, authoritative, and magisterial resource, thorough and exhaustive. It documents and chronicles the wartime fate of the Jewish communities in that country where virulent antisemitism is anything but dead, even today. With scores of detailed maps and hundreds of photographs, this reference work is organized alphabetically by county, each prefaced with a map and a contextual history describing its Jewish population up to and into 1944.
Entries track the demographic, cultural, and religious changes in even the smallest communities where Jews lived before their marginalization, dispossession, ghettoization, and, finally, deportation to labor and death camps. The encyclopedia endows scholars and lay researchers with both panoramic and microscopic views of the virtually last-minute destruction of most of the Jews of Hungary, until then the last sizable surviving Jewish community in occupied Europe.
Focusing on Stendhal, Gérard de Nerval, George Sand, Émile Zola, and Marcel Proust, The Novel Map: Mapping the Self in Nineteenth-Century French Fiction explores the ways that these writers represent and negotiate the relationship between the self and the world as a function of space in a novel turned map.
With the rise of the novel and of autobiography, the literary and cultural contexts of nineteenth-century France reconfigured both the ways literature could represent subjects and the ways subjects related to space. In the first-person works of these authors, maps situate the narrator within the imaginary space of the novel. Yet the time inherent in the text’s narrative unsettles the spatial self drawn by the maps and so creates a novel self, one which is both new and literary. The novel self transcends the rigid confines of a map. In this significant study, Patrick M. Bray charts a new direction in critical theory.
Winner, 2015 USC Book Award in Literary and Cultural Studies, for outstanding monograph published on Russia, Eastern Europe or Eurasia in the fields of literary and cultural studies
The Ethics of Witnessing investigates the reactions of five important Polish diaristswriters—Jaroslaw Iwaszkiewicz, Maria Dabrowska, Aurelia Wylezynska, Zofia Nalkowska, and Stanislaw Rembek—during the period when the Nazis persecuted and murdered Warsaw’s Jewish population. The responses to the Holocaust of these prominent prewar authors extended from insistence on empathic interaction with victims to resentful detachment from Jewish suffering. Whereas some defied the dehumanization of the Jews and endeavored to maintain intersubjective relationships with the victims they attempted to rescue, others selfdeceptively evaded the Jewish plight. The Ethics of Witnessing examines the extent to which ideologies of humanism and nationalism informed the diarists’ perceptions, proposing that the reality of the Final Solution exposed the limits of both orientations and ultimately destroyed the ethical landscape shaped by the Enlightenment tradition, which promised the equality and fellowship of all human beings.
“Hole torn in the language, / How shall we speak?” The first lines of the first poem in Paul Breslin’s artful second collection of poetry demand an answer, of both poet and reader, to the seemingly unspeakable tragedies of modern life. Between My Eye and the Light forms a beautifully insistent exercise in the power of language to engage experiences both mundane and profound. Breslin queries far-flung corners of experience for answers, engaging childhood, his longtime home of Chicago, small moments of life, and encounters with artists such Rainer Maria Rilke and Derek Walcott. The poems even query the volume’s opening question, How shall we speak? While pat answers elude us, poetry acts as a bulwark against cliché and cynicism, strengthening those who have the courage to question and explore.
In Writing a Usable Past, Brintlinger considers the interactions of post-Revolutionary Russian and emigre culture with the genre of biography in its various permutations, arguing that in the years after the Revolution, Russian writers looked to the great literary figures of the past to help them construct a post-Revolutionary present. In detailed looks at the biographical writing of Yuri Tynianov, Vladislav Khodasevich, and Mikhail Bulgakov, Brintlinger follows each author's successful biography/ies and their failed attempts at biographies of Alexander Pushkin on the centennial anniversary of his death. Brintlinger compares the Pushkin biographies to the other biographies examined, and in a concluding chapter she considers other, more successful commemorations of the great poet's death. She argues that popular commemorations--exhibits, concerts, special issues of journals--were a more fitting biography than the genre of the "usable past." For post-revolutionary cultural actors, including Tynianov, Khodasevich, and Bulgakov, Pushkin was a symbol rather than a model for constructing that usable past.
From one end of his philosophical work to the other, Gilles Deleuze consistently described his position as a transcendental empiricism. But just what is transcendental about Deleuze's transcendental empiricism? And how does his position fit with the traditional empiricism articulated by Hume? In Difference and Givenness, Levi Bryant addresses these long-neglected questions so critical to an understanding of Deleuze's thinking. Through a close examination of Deleuze's independent work--focusing especially on Difference and Repetition--as well as his engagement with thinkers such as Kant, Maimon, Bergson, and Simondon, Bryant sets out to unearth Deleuze's transcendental empiricism and to show how it differs from transcendental idealism, absolute idealism, and traditional empiricism. What emerges from these efforts is a metaphysics that strives to articulate the conditions for real existence, capable of accounting for the individual itself without falling into conceptual or essentialist abstraction. In Bryant's analysis, Deleuze's metaphysics articulates an account of being as process or creative individuation based on difference, as well as a challenging critique--and explanation--of essentialist substance ontologies. A clear and powerful discussion of how Deleuze's project relates to two of the most influential strains in the history of philosophy, this book will prove essential to anyone seeking to understand Deleuze's thought and its specific contribution to metaphysics and epistemology.
Ranging widely across time and geography, Rites of Place is to date the most comprehensive and diverse example of memory studies in the field of Russian and East European studies. Leading scholars consider how public rituals and the commemoration of historically significant sites facilitate a sense of community, shape cultural identity, and promote political ideologies. The aims of this volume take on unique importance in the context of the tumultuous events that have marked Eastern European history—especially the revolutions of 1905 and 1917, World War II, and the collapse of the Soviet Union. With essays on topics such as the founding of St. Petersburg, the battle of Borodino, the Katyn massacre, and the Lenin cult, this volume offers a rich discussion of the uses and abuses of memory in cultures where national identity has repeatedly undergone dramatic shifts and remains riven by internal contradictions.
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